/*

    Geometric Heart Pattern
    -----------------------

    I must be a romantic at heart, because I love heart examples. This is a
    very abstract version, but there's some really nice examples on here for
    anyone interested. I coded it up a while back after playing around with
    hexagonal grids. In fact, it's just a hexagonal grid example in disguise.

    Producing the geometry didn't pose too many problems, but I made everything
    up as I went along, so there'd definitely be cleverer ways to go about it.
    If it were not for the slightly randomized vertex points, this would be a
    much simpler and faster example.

    The hash pattern overlay was made up on the spot also, so I wouldn't pay
    too much attention to its construction either. It wasn't difficult to make:
    Obtain the pixel's greyscale value, then render overlapped rotated lines.
    Darker shades require more rotated line layers and lighter ones require
    fewer. I had hoped to put the pattern in extruded form, but ran out of
    steam making the 2D version, so maybe at a later date. :)

    // Other heart examples:

    Pixel Heart - Fizzer
    https://www.shadertoy.com/view/MlByzh

    Heart - 2D - iq
    https://www.shadertoy.com/view/XsfGRn

    Zeta heart for my wife - Logos
    https://www.shadertoy.com/view/3lKXzt

*/

// If you want a better idea of how the pattern was created, uncomment this.
//#define SHOW_GRID_CELLS

// Rounded hearts: This complicates things, but it looks cool.
//#define ROUNDED

// Offset vertices.
#define OFFSET

// Pink: 0, Golden Brown: 1, Mix: 2.
#define COLOR 2

// A regular extruded block grid.
//
// The idea is very simple: Produce a normal grid full of packed square pylons.
// That is, use the grid cell's center pixel to obtain a height value (read in
// from a height map), then render a pylon at that height.

// Global vertices and local coordinates of the triangle cell.
// It's lazy putting them here, but I'll tidy them up later.
vec2[8] gV;
vec2 gP;
float d2D;

vec4 blocks(vec3 q){

    // Brick dimension: Length to height ratio with additional scaling.
    #ifdef FLAT_TOP
    const vec2 dim = scale*vec2(1.732/2., 1);
    #else
    const vec2 dim = scale*vec2(1, 1.732/2.);
    #endif
    // A helper vector, but basically, it's the size of the repeat cell.
	const vec2 s = dim*2.;//*vec2(1, .5);

    // Distance.
    float d = 1e5;
    // Cell center, local coordinates and overall cell ID.
    vec2 p, ip;

    // Individual brick ID.
    vec2 id = vec2(0);
    vec2 cntr = vec2(0);

    // Four block corner postions.
    //const vec2[4] ps4 = vec2[4](vec2(-.5, .5), vec2(.5), vec2(.5, -.5), vec2(-.5));
    //vec2[4] ps4 = vec2[4](vec2(1, -.5), vec2(0, -.5), vec2(-.5, .5), vec2(.5));
    // Four block corner postions.
    const vec2 ll = vec2(.5);//vec2(.5, 1);//
    //vec2[4] ps4 = vec2[4](vec2(-ll.x, ll.y), ll, -ll, vec2(ll.x, -ll.y));
    // Pointed top.
    #ifdef FLAT_TOP
    // Flat top.
    vec2[4] ps4 = vec2[4](vec2(-ll.x, ll.y), ll + vec2(0., ll.y), -ll, vec2(ll.x, -ll.y) + vec2(0., ll.y));
    #else
    // Pointed top.
    vec2[4] ps4 = vec2[4](vec2(-ll.x, ll.y), ll, -ll + vec2(ll.x, 0), vec2(ll.x, -ll.y) + vec2(ll.x, 0));
    #endif

    d2D = 1e5;

    float triID = 0.; // Triangle ID. Not used in this example, but helpful.

    // Initializing the global vertices and local coordinates of the triangle cell.
    //gV = vec2[6](vec2(0), vec2(0), vec2(0), vec2(0), vec2(0), vec2(0));
    gP = p;

    // Hexagon vertices.
    vec2[6] vert = vID;

    vert[0] *= dim;
    vert[1] *= dim;
    vert[2] *= dim;
    vert[3] *= dim;
    vert[4] *= dim;
    vert[5] *= dim;

    for(int i = min(0, iFrame); i<4; i++){

        // Block center.
        cntr = ps4[i]/2.;

        // Local coordinates.
        p = q.xy;

        ip = floor(p/s - cntr) + .5; // Local tile ID.
        p -= (ip + cntr)*s; // New local position.

        // Correct positional individual tile ID.
        vec2 idi = ip + cntr;

        //vec2 inC = (vert[0] + vert[1] + vert[2] + vert[3] + vert[4] + vert[5])/6.;

        float face1 = sdPoly(p, vert);
        vec2 offs = vec2(0);//inC.xy;
        vec2 idi1 = idi + offs;

        // For each hexagon, render three heart shapes.
        // Uncomment "SHOW_GRID_CELLS" for a visual guide.

        // Randomly offsetting the index for a random rotation effect.
        int rI = hash21(idi)<.5? 1 : 0;

        // Random angle.

        #ifdef OFFSET
        const float ra = -atan(sqrt(3.)/5.) - .075; // .333473172
        //const float ra = -6.2831/19.;//24.;
        const float len = sqrt(4./7.)/1.03;
        #else
        const float ra = -atan(sqrt(3.)/5.);
        const float len = sqrt(4./7.);
        #endif

        for(int jj = min(0, iFrame); jj<6; jj+=2){

            int j = jj + rI;
            j = j%6;

            // Use the hexagonal cell geometry to determine the eight polygon
            // vertices for each heart shape.
            vec2[8] vJ;
            vJ[0] = vec2(0);
            vJ[1] = rot2(ra)*vert[j]*len;
            vJ[2] = vert[j];
            //vJ[3] = vert[j] - rot2(-6.2831/3.)*(vJ[2] - vJ[1]);
            vJ[3] = eID[j]*s + rot2(ra)*vert[(j + 4)%6]*len;
            vJ[4] = rot2(ra)*vert[(j + 1)%6]*len;

            vJ[5] = vert[(j + 1)%6];
            // vJ[5] = vert[(j + 1)%6] - rot2(-6.2831/3.)*(vJ[6] - vJ[5]);
            vJ[6] = eID[(j + 1)%6]*s + rot2(ra)*vert[(j + 5)%6]*len;
            vJ[7] = rot2(ra)*vert[(j + 2)%6]*len;

            ////
            #ifdef ROUNDED
            // Moving the vertices in to help create rounded hexagons. Rounded offset hexgons can
            // be created by simply adding a factor to the distance field. Unfortunately, in a
            // packed grid, that would create overlap, so it's necessary to move the points in
            // first, then add the amount. This is less trivial, as you can see, but is just a
            // bit of trigonometry. The following is robust, but was something I came up with on
            // the spot, so if anyone knows of a more elegant way, feel free to let me know.
            // Remember that this is just a one-off precalculation, so speed isn't a factor.
            const float ndg = .125*GSCALE.x;
            vec2[8] tmpV;

            //tmpV[0] = vJ[0];
            for(int k = min(iFrame, 0); k<8; k++){

                // Vertices and flanking neighbors.
                vec2 g = vJ[k];
                vec2 g1 = vJ[(k + 1)%8];
                vec2 g2 = vJ[(k + 7)%8];

                // Move the vertices in the direction of the tangent vector
                // by the nudge factor.
                vec2 v1 = g1 - g;
                vec2 v2 = g - g2;

                vec2 tng1 = normalize(v1); // Tangent vector.
                vec2 tng2 = normalize(v2); // Tangent vector.
                vec2 n1 = tng1.yx*vec2(1, -1); // Normal vector.
                vec2 n2 = tng2.yx*vec2(1, -1); // Normal vector.

                vec2 interP;
                lineIntersection(g - tng1 + n1*ndg, g + tng1 + n1*ndg,
                                 g - tng2 + n2*ndg, g + tng2 + n2*ndg, interP);

                // Angle between vectors.
                //float ang = acos(dot(v1, v2)/length(v1)/length(v2));
                //float sl = ndg/tan(ang/2.);
                tmpV[k] = interP;//g + sl*nj + ndg*nj.yx*vec2(1, -1);

                //if(ang>1e5) break; // Fake break.
            }

            vJ = tmpV;
            #endif
            /////

            // Construct this particular heart polygon.
            float faceJ = sdPoly(p, vJ);
            #ifdef ROUNDED
            faceJ -= ndg;
            #endif

            vec4 di = vec4(faceJ, idi1, float(j/2));

            // Fake break to trick the compiler into not being ridiculously slow.
            if(di.x>1e6) break;

            // If applicable, update the overall minimum distance value,
            // ID, and box ID.
            if(di.x<d){

                d = di.x;
                id = di.yz;
                triID = di.w;

                // Setting the vertices and local coordinates.
                gV = vJ;
                gP = p;

                d2D = face1;

            }

        }

    }

    // Return the distance, position-based ID and triangle ID.
    return vec4(d, id, triID);
}

 // IQ's float to float hash.
float hash11(float x){  return fract(sin(x)*43758.5453); }

void swap(inout int a, inout int b){ int tmp = a; a = b; b = tmp; }
// A swap without the extra declaration -- It works fine on my machine, but I'm
// not game  enough to use it, yet. :)
//void swap(inout int a, inout int b){ a = a + b; b = a - b; a = a - b; }

void mainImage( out vec4 fragColor, in vec2 fragCoord )
{
    // Screen coordinates.
	vec2 uv = (fragCoord - iResolution.xy*.5)/iResolution.y;

    // Scaling, rotation and translation.
    const float gSc = 1.;
    float sf = gSc/iResolution.y;
    float ra = -atan(sqrt(3.)/5.);
    vec2 p = rot2((ra + 3.14159))*(uv*gSc + vec2(1, .5)*iTime/16.);

    // The heart tiles offset -- for highlighting.
    vec4 d4Hi = blocks(vec3(p - normalize(vec2(1, 2))*.003, 0));
    vec4 svGIDHi = d4Hi;//.yzw; // Individual block ID.

     // The heart tiles.
    vec4 d4 = blocks(vec3(p, 0));
    vec4 svGID = d4; // Individual block ID.
    vec2 svP = gP;
    vec2[gV.length()] svV = gV;
    //float svH = gH;
    float svD2D = d2D;

    // Bump value.
    float bump = max(d4Hi.x - d4.x, 0.)/.003*.7;

    // Scene color.
    vec3 col = vec3(0);

    // Cell center.
    vec2 ctr = vec2(0);
    //for(int i = 0; i<svV.length(); i++) ctr += svV[i]/float(svV.length());
    ctr += normalize(mix(svV[5], svV[6], .5))*scale.x*.35;

    // Some random values.
    float rnd = hash21((svGID.yz + ctr));
    float rnd2 = hash21(svGID.yz + ctr + .35);
    float rnd3 = hash21(svGID.yz + ctr + .65);

    // Use the above to produce a cell color.
    vec3 cCol = .6 + .4*cos(6.2831853*rnd/4. + vec3(0, 1, 2));
    vec3 gCol = .6 + .4*cos(6.2831853*rnd/4. + vec3(0));
    float gr = dot(cCol/4., vec3(.299, .587, .114));
    //cCol = vec3(.7, .8, 1)*(rnd*.05 + .05);
    //cCol = vec3(1)*dot(cCol/4., vec3(.299, .587, .114));

    // Pink coloring.
    vec3 hCol = mix(vec3(1, .05, .5), vec3(1, .15, .4), rnd3);
    //vec3 hCol = mix(vec3(1, .05, .15), vec3(1, .1, .05), rnd3);
    //hCol *= mix(vec3(.25, .5, 1), vec3(1, .8, .2), bump);

    #if COLOR == 2
    // Color half of them with golden brown shades.
    if(hash21(svGID.yz + ctr + .25)<.5) hCol = cCol/3.;
    #elif COLOR == 1
    // All golden brown
    hCol = cCol/3.;
    #endif

    // Bump based coloring.
    hCol *= mix(vec3(1, .4, .2), vec3(1, .7, .3), bump);

    // Coloring and shading.
    d4.x += .005;
    float sh = max(.25 - d4.x/.03, 0.);
    //if(mod(svGID.w, 3.)!=2.)
    //cCol = mix(cCol.zyx, cCol.yxz, step(.5, fract(rnd*57. + .5)));
    cCol = mix(gCol, min(hCol*5., 1.8), smoothstep(.9, .95, sin(rnd2*6.2831 + iTime*1.)*.5 + .5));

    // Render the heart.
    col = mix(col, vec3(1), 1. - smoothstep(0., sf, d4.x));
    col = mix(col, vec3(0), 1. - smoothstep(0., sf, d4.x + .0075));
    col = mix(col, cCol, 1. - smoothstep(0., sf, d4.x + .0125));

    // Add highlighting.
    col = col*(vec3(.5, .7, 1)*bump*bump*2. + .5);

    // Hatch algorithm.
    //////
    float gry = dot(col, vec3(.299, .587, .114)); // Greyscale pixel value.
    //gry = sqrt(gry);
    float pat = 1.;

    // Perturb the pixel slightly.
    vec2 q = p + (vec2(n2D3G(p*8.), n2D3G(p*8. + .5)) - .5)*.02;

    // Add five layers of rotated lines over the top, depending on how dark
    // the greyscale pixel value is.
    const int NN = 5;
    const float fn = float(NN);
    float lns = 150.*iResolution.y/450.;
    for(int i = 0; i<NN; i++){

        vec2 rp = rot2(-ra - 3.14159/3. - float(i)*6.2831/(fn)/2.)*q;
        rp += float(i)/fn;
        float patL = abs(fract((rp.x)*lns) - .5)*2. - .05;

        if(gry<(fn - float(i))/(fn + 1.)) pat = min(pat, patL);
    }

    // Apply the hatch pattern.
    pat = smoothstep(0., sf*lns*2., pat);
    col = mix(col, col*vec3(pat*.8 + .4), 1. - smoothstep(0., sf, d4.x + .0125));
    /////

    // More highlighting.
    //float dt = length(svP - ctr) - .015;
    //col = mix(col, col*2., (1. - smoothstep(0., sf*8., dt))*.5);

    #ifdef SHOW_GRID_CELLS
    // Hexagon cells.
    col = mix(col, vec3(0), (1. - smoothstep(0., sf*8., abs(svD2D) - .006))*.5);
    col = mix(col, vec3(0), 1. - smoothstep(0., sf, abs(svD2D) - .006));
    col = mix(col, vec3(2, .9, .25), 1. - smoothstep(0., sf, abs(svD2D) - .001));
    #endif

    // Rough gamma correction.
	fragColor = vec4(sqrt(max(col, 0.)), 1);
}

Geometric Heart Pattern

Using a hexagon grid to create a packed random heart pattern.


Killing in the name of
Some of those that work forces
Are the same that burn crosses
Some of those that work forces
Are the same that burn crosses
Some of those that work forces
Are the same that burn crosses
Some of those that work forces
Are the same that burn crosses
Uh!
Killing in the name of
Killing in the name of
Now you do what they told ya
Now you do what they told ya
Now you do what they told ya
Now you do what they told ya
And now you do what they told ya
And now you do what they told ya
And now you do what they told ya
And now you do what they told ya
And now you do what they told ya
And now you do what they told ya
But now you do what they told ya!
Well, now you do what they told ya
Those who died are justified
For wearing the badge, theyre the chosen whites
You justify those that died
By wearing the badge, theyre the chosen whites
Those who died are justified
For wearing the badge, theyre the chosen whites
You justify those that died
By wearing the badge, theyre the chosen whites
Some of those that work forces
Are the same that burn crosses
Some of those that work forces
Are the same that burn crosses
Some of those that work forces
Are the same that burn crosses
Some of those that work forces
Are the same that burn crosses
Uh!
Killing in the name of
Killing in the name of
Now you do what they told ya
Now you do what they told ya
Now you do what they told ya
Now you do what they told ya
And now you do what they told ya
 And now you do what they told ya
 And now you do what they told ya
 And now you do what they told ya
 And now you do what they told ya
 And now you do what they told ya
 And now you do what they told ya
 And now you do what they told ya
Those who died are justified
For wearing the badge, theyre the chosen whites
You justify those that died
By wearing the badge, theyre the chosen whites
Those who died are justified
For wearing the badge, theyre the chosen whites
You justify those that died
By wearing the badge, theyre the chosen whites
Come on!
Ugh!
Yeah!
Come on!
Ugh!
Fuck you, I wont do what you tell me
Fuck you, I wont do what you tell me
Fuck you, I wont do what you tell me
Fuck you, I wont do what you tell me
Fuck you, I wont do what you tell me
Fuck you, I wont do what you tell me
Fuck you, I wont do what you tell me
Fuck you, I wont do what you tell me
Fuck you, I wont do what you tell me
Fuck you, I wont do what you tell me
Fuck you, I wont do what you tell me
Fuck you, I wont do what you tell me
Fuck you, I wont do what you tell me
Fuck you, I wont do what you tell me
Fuck you, I wont do what you tell me
Fuck you, I wont do what you tell me
Motherfucker!
Ugh!


Come on
Ugh
Come on
Although ya try to discredit, ya still never read it
The needle, Ill thread it, radically poetic
Standin with the fury that they had in 66
And like E-Double Im Mad, still knee deep in the systems shit
Hoover, he was a body remover
Ill give you a dose but itll never come close
To the rage built up inside of me
Fist in the air in the land of hypocrisy
Movements come and movements go
Leaders speak, movements cease when their heads are flown
Cause all these punks got bullets in their heads
Departments of police, the judges , the feds
Networks at work, keeping people calm
You know they went after King when he spoke out on Vietnam
He turned the power to the have-nots
And then came the shot
Yeah
Yeah, back in this
With poetry my mind I flex
Flip like Wilson, vocals never lackin that finesse
What do I got to, what do I got to do to wake you up?
To shake you up, to break the structure up?
Cause blood still flows in the gutter
Im like taking photos, mad boy kicks open the shutter
Set the groove, then stick and move like I was Cassius
Rep the Stutter Step then bomb a left upon the fascists
Yeah, several federal men
Who pulled schemes on the dream and put it to an end
You better beware of retribution with mind war
20/20 visions and murals with metaphors
Networks at work, keepin people calm
Ya know they murdered X and tried to blame it on Islam
He turned the power to the have-nots
And then came the shot
What was the price on his head?
What was the price on his head!?
I think I heard a shot
I think I heard a shot
I think I heard a shot
I think I heard a shot
I think I heard a shot
I think I heard
I think I heard a shot
Black Nationalism...
 may be a brave contender for this position
But should he abandon his supposed obedience
To the White liberal doctrine of non-violence
And embrace Black Nationalism
Through counter-intelligence, it should be possible
To pinpoint potential troublemakers and neutralize them
Through counter-intelligence, it should be possible
To pinpoint potential troublemakers and neutralize them
And neutralize them, and neutralize them
And neutralize them, and neutralize them
And neutralize them
Wake up
Wake up
Wake up
Wake up
Wake up
Wake up
Wake up
Wake up
How long? Not long
Cause what you reap is what you sow


Huh
Yeah, were comin back in with another bombtrack
Think ya know its all of that, huh
Ayo, so check this out, yeah
Know your enemy
Come on
Born with insight and a raised fist
A witness to the slit wrist
As we move into 92
Still in a room without a view
Ya got to know, ya got to know
That when I say go, go, go
Amp up and amplify, defy
Im a brother with a furious mind
Action must be taken
We dont need the key, well break in
Something must be done
About vengeance, a badge and a gun
Cause Ill rip the mic, rip the stage, rip the system
I was born to rage against em
Fist in ya face in the place and Ill drop the style clearly
Know your enemy
Know your enemy
Yeah
Ayo, get with this, ugh
Word is born
Fight the war, fuck the norm
Now I got no patience
So sick of complacence
With the D, the E, the F, the I, the A, the N, the C, the E
Mind of a revolutionary, so clear the lane
The finger to the land of the chains
What? The land of the free?
Whoever told you that is your enemy
Now something must be done
About vengeance, a badge, and a gun
Cause Ill rip the mic, rip the stage, rip the system
I was born to rage against em
Now action must be taken
We dont need the key, well break in
Ive got no patience now
So sick of complacence now
Ive got no patience now
So sick of complacence now
Sick of, sick of, sick of, sick of you
Time has come to pay
Know your enemy
Come on
Yes, I know my enemies
Theyre the teachers who taught me to fight me
Compromise, conformity
Assimilation, submission
Ignorance, hypocrisy
Brutality, the elite
All of which are American dreams
All of which are American dreams
All of which are American dreams
All of which are American dreams
All of which are American dreams
All of which are American dreams
All of which are American dreams
All of which are American dreams


Transmission, third World War, third round
A decade of the weapon of sound above ground
No shelter if youre looking for shade
I lick shots at the brutal charade
As the polls close like a casket
On truth devoured, silent play on the shadow of power
A spectacle, monopolized
The cameras eyes on choice disguised
Was it cast for the mass who burn and toil?
Or for the vultures who thirst for blood and oil?
Yes a spectacle, monopolized
They hold the reins, stole your eyes
All the Fistagons, the bullets and bombs
Who stuff the banks, who staff the party ranks
More for Gore or the son of a drug lord
None of the above, fuck it, cut the cord!
Lights out, guerrilla radio
Turn that shit up
Lights out, guerrilla radio
Turn that shit up
Lights out, guerrilla radio
Turn that shit up
Lights out, guerrilla radio
Contact, I hijacked the frequencies
Blockin the beltway, move on DC
Way past the days of bombin MCs
Sound off, Mumia, go on, be free
Who got em? Yo, check the federal file
All you pen devils know the trial was vile
Army of pigs try to silence my style
Off em all out the box, its my radio dial
Lights out, guerrilla radio
Turn that shit up
Lights out, guerrilla radio
Turn that shit up
Lights out, guerrilla radio
Turn that shit up
Lights out, guerrilla radio
Turn that shit up
It has to start somewhere
It has to start sometime
What better place than here?
What better time than now?
All hell cant stop us now
All hell cant stop us now
All hell cant stop us now
All hell cant stop us now
All hell cant stop us now
All hell cant stop us now


This time the bullet cold rocked ya
A yellow ribbon instead of a swastika
Nothin proper about ya propaganda
Fools follow rules when the set commands ya
Said it was blue, when ya blood was red
Thats how ya got a bullet blasted through ya head
Blasted through ya head, blasted through ya head
I give a shout out to the living dead
Who stood and watched as the feds cold centralized
So serene on the screen, you was mesmerized
Cellular phones, soundin a death tone
Corporations cold turn ya to stone before ya realize
They load the clip in, omnicolor
Said they pack the nine, they fire it at prime time
The sleeping gas, every home was like Alcatraz
And mothafuckas lost their minds!
Just victims of the in-house drive-by
They say jump, you say how high? Yeah
Just victims of the in-house drive-by
They say jump, you say how high?
Run it
Just victims of the in-house drive-by
They say jump, you say how high? Yeah
Just victims of the in-house drive-by
They say jump, you say how high?
Checka, checka, check it out
They load the clip in, omnicolor
Said they pack the nine, they fire it at prime time
The sleeping gas, every home was like Alcatraz
And mothafuckas lost their minds!
No escape from the mass mind rape
Play it again, jack, and then rewind the tape
And then play it again, and again, and again
Until ya mind is locked in
Believin all the lies that theyre tellin ya
Buyin all the products that theyre sellin ya
They say jump and ya say how high?
Ya braindead, ya got a fuckin bullet in ya head
Just victims of the in-house drive-by
They say jump, you say how high, yeah
Just victims of the in-house drive-by
They say jump, you say how high
Ugh
Yeah
Yeah
Fuck
Ya standin in line
Believin the lies
Ya bowin down to the flag
Ya got a bullet in ya head
Ya standin in line
Believin the lies
Ya bowin down to the flag
Ya got a bullet in ya head
A bullet in ya head
A bullet in ya head
A bullet in ya head
A bullet in ya head
A bullet in ya head
A bullet in ya head
A bullet in ya head
A bullet in ya head
A bullet in the head
A bullet in ya head
A bullet in ya head
A bullet in ya head
A bullet in ya head
A bullet in ya head
A bullet in ya head
A bullet in ya head
Ya got a bullet in ya fuckin head
Yeah
Yeah


Crank the music up
Bring that shit in, uh
Yeah, the movements in motion with massive militant poetry
Now check this out, uh
In the right light, study becomes insight
But the system that dissed us, teaches us to read and write
So-called facts are fraud
They want us to allege and pledge and bow down to their god
Lost the culture, the culture lost
Spun our minds and through time, ignorance has taken over
Yo, we gotta take the power back
Bam, heres the plan
Motherfuck Uncle Sam, step back, I know who I am
Raise up your ear, Ill drop the style and clear
Its the beats and the lyrics they fear
The rage is relentless
We need a movement with a quickness
You are the witness of change and to counteract
We gotta take the power back
Yeah, we gotta take the power back
Come on, come on
We gotta take the power back
The present curriculum, I put my fist in em
Eurocentric, every last one of em
See right through the red, white, and blue disguise
With lecture I puncture the structure of lies
Installed in our minds and attempting to hold us back
Weve got to take it back
Holes in our spirit causing tears and fears
One-sided stories for years and years and years
Im inferior? Whos inferior?
Yeah, we need to check the interior
Of the system who cares about only one culture
And that, is why we gotta take the power back
Yeah, we gotta take the power back
Come on, come on
We gotta take the power back
Ayo check, were gonna have to break it
Break it, break it down, aw shit
And like this
Uh! Come on
Yeah, bring it back the other way
Uh
The teacher stands in front of the class
But the lesson plan he cant recall
The students eyes dont perceive the lies
Bouncing off every fucking wall
His composure is well kept
I guess he fears playing the fool
The complacent students sit
And listen to that bullshit that hed learned in school
Europe aint my rope to swing on
Cant learn a thing from it, yet we hang from it
(Gotta get it, gotta get it together then
Like the motherfuckin Weathermen)
Expose and close the doors on those who try
To strangle and mangle the truth
Cause the circle of hatred continues unless we react
We gotta take the power back
Yeah, we gotta take the power back
Come on, come on
We gotta take the power back
No more lies
No more lies
No more lies
No more lies
No more lies
No more lies
No more lies
No more lies
Uh!
Yeah, take it back, yall
Take it back, a-take it back, a-take it back, yall
Come on, take it back, yall
Take it back, a-take it back, a-take it back, yall
Come on, uh, yeah


Uh
The movie ran through me
The glamour subdue me
The tabloid untied me
Im empty. please fill me
Mister Anchor, assure me
That Baghdad is burning
Your voice, it is so soothing
That cunning mantra of killing
I need you, my witness
To dress this up so bloodless
To numb me and purge me now
Of thoughts of blaming you
Yes, the car is our wheelchair
My witness, your coughing
Oily silence mocks the legless ones
Who travel now in coffins
While on the corner
The jurys sleepless
We found your weakness
And its right outside your door
Now testify
Now testify
Its right outside your door, now testify
Yes, testify
Its right outside your door
With precision you feed me
My witness, Im hungry
Your temple, it calms me, so I can carry on
My slaving, sweating the skin right off my bones
On a bed of fire, Im choking on the smoke that fills my home
The wrecking ball is rushing
Witness your blushing
The pipeline is gushing
While here we lie in tombs
While on the corner
The jurys sleepless
We found your weakness
And its right outside your door
Now testify
Yeah, testify
Its right outside your door
Now testify
Now testify
And its right outside your door
Mass graves for the pump when the price is set
When the price is set
Mass graves for the pump when the price is set
When the price is set
Mass graves for the pump when the price is set
When the price is set
Mass graves for the pump when the price is set
When the price is set
Who controls the past now controls the future
Who controls the present now controls the past
Who controls the past now controls the future
Who controls the present now?
Now testify
Testify
Its right outside your door
Now testify
Testify
Its right outside your door


Yeah, Im rollin down Rodeo with a shotgun
These people aint seen a brown-skinned man
Since their grandparents bought one
So now Im rollin down Rodeo with a shotgun
These people aint seen a brown-skinned man
Since their grandparents bought one
So now Im rollin down Rodeo with a shotgun
Bangin this bolo tight, on this solo flight, cant fight alone
Funk the track, my verbs sly like the Family Stone
Them pen devils set the stage for the war at home
Locked without a wage, youre standing in the drop zone
The clockers born, starin at an empty plate
Mamas torn hands cover her sunken face
We hungry but them belly full
The structure is set, ya never change it with a ballot pull
In the ruins theres a network for the toxic rock
Schoolyard to precinct, suburb to project block
Bosses rode south for new flesh and a factory floor
The remains left chained to the powder war
Cant waste a day when the night brings a hearse
So make a move and plead the fifth cause ya cant plead the first
Cant waste a day when the night brings a hearse
So now Im rollin down Rodeo with a shotgun
These people aint seen a brown-skinned man
Since their grandparents bought one
Yes, Im rollin down Rodeo with a shotgun
These people aint seen a brown-skinned man
Since their grandparents bought one
So now Im rollin down Rodeo with a shotgun
Yeah
Bear witness to the sickest shot while suckers get romantic
They aint gonna send us campin like they did my man Fred Hampton
Still we lampin, still clockin dirt for our sweat
A ballots dead, so a bullets what I get
A thousand years they had the tools, we should be takin em
Fuck the G-ride, I want the machines that are makin em
Our target straight with a room full of armed pawns
To off the Kings on the west side at dawn
Cant waste a day when the night brings a hearse
Make a move and plead the fifth cause ya cant plead the first
Cant waste a day, when the night brings a hearse
So now Im rollin down Rodeo with a shotgun
These people aint seen a brown-skinned man
Since their grandparents bought one
Yeah, Im rollin down Rodeo with a shotgun
These people aint seen a brown-skinned man
Since their grandparents bought one
Yeah, Im rollin down Rodeo with a shotgun
Just a quiet, peaceful dance
Just a quiet, peaceful dance
Yeaah
Just a quiet, peaceful dance
Just a quiet, peaceful dance
Just a quiet, peaceful dance
For the things well never have
Just a quiet, peaceful dance
For the things we dont have


Who can say where the road goes?
Where the day flows? Only time
And who can say if your love grows
As your heart chose? Only time
Who can say why your heart sighs
As your love flies? Only time
And who can say why your heart cries
When your love lies? Only time
Who can say when the roads meet?
That love might be in your heart?
And who can say when the day sleeps
If the night keeps all your heart?
Night keeps all your heart
Who can say if your love grows
As your heart chose? Only time
And who can say where the road goes?
Where the day flows? Only time
Who knows? Only time
Who knows? Only time


Hold up, let me answer my phone. Some bitch callin me about some bullshit probably. Imma call you right back, Im doin this mixtape right now. Now back to what I was sayin...
Somebody said they saw you
The person you were kissing wasnt me
And I would never ask you
I just kept it to myself
I dont wanna know
If youre playin me, keep it on the low
Cause my heart cant take it anymore
And if youre creepin, please dont let it show
Oh baby, I dont wanna know
Oh baby
I think about it when I hold you
When lookin in your eyes, I cant believe
I dont need to know the truth
Baby keep it to yourself
I dont wanna know
If youre playin me, keep it on the low
Cause my heart cant take it anymore
And if youre creepin, please dont let it show
Oh baby, I dont wanna know
Did he touch you better than me?
Did he watch you fall asleep?
Did you show him all those things, that you used to do to me
If youre better off that way
There aint more that I can say
Just go on and do your thing and dont come back to me
I dont wanna know where your whereabouts or how you movin
I know when you in the house or when you cruisin
Its been proven, my love you abusin
I cant understand how a man got you choosin
Undecided, I came and provided
My undivided, you came and denied it
Dont even try it, I know when you lyin
Dont even do that, I know why you cryin
Im not applyin no pressure, just wanna let you know
That I dont wanna let you go
And I dont wanna let you leave
Cant say I didnt let you breathe
Gave you extra cheese , put you in the SUV
You wanted ice so I made you freeze
Made you hot like the West Indies
Now its time you invest in me
Cause if not then its best you leave
Holla, yeah
I dont wanna know
If youre playin me, keep it on the low
Cause my heart cant take it anymore
And if youre creepin, please dont let it show
Oh baby, I dont wanna know
If youre playin me, keep it on the low
Cause my heart cant take it anymore
And if youre creepin, please dont let it show
Oh baby, I dont wanna know
If youre playin me, keep it on the low
Cause my heart cant take it anymore
And if youre creepin, please dont let it show
Oh baby, I dont wanna know


Baby theres shark in the water
But I need to get in
I need to cross the border
I need it oh oh
You know we aint getting younger
Well sink or well swim
Baby are you with me?
Oh oh
Ive been doing it myself
But now I need some help
Aint nobody, know me better, than you know me
I dont wanna drown
I dont wanna drown tonight
So tell me would you dive with me?
Darling theres a storm a coming
I feel the winds blowing
Im heading for the horizon
I need it oh oh
All around the waves are getting steeper
But I know, we can swim
So baby are you with me?
Oh oh
Ive been doing it myself
But now I need some help
Aint nobody, know me better, than you know me
I dont wanna drown
I dont wanna drown tonight
So tell me would dive with me?
Standing by the rocks
And feel the ocean crash
Dont push me cause Im close to the edge
Standing by the rocks
And feel the ocean crash
Dont push me
So tell me would dive with me?


Mmm, mmm, mmm
Somebody said they saw you
The person you were kissing wasnt me
And I would never ask you
I just keep it to myself
I dont wanna know
If youre playing me, keep it on the low
Cause my heart cant take it anymore
And if youre creeping please dont let it show
Oh, baby, I dont wanna know
I think about it when I hold you
When looking in your eyes, I cant believe
I dont need to know the truth
Baby, keep it to yourself
I dont wanna know
If youre playing me, keep it on the low
Cause my heart cant take it anymore
And if youre creeping please dont let it show
Oh, baby, I dont wanna know
Did he touch you better than me?
Did he watch you fall asleep?
Did he show you all the things that you used to do to me?
Then youre better off that way
Baby, all that I can say
If youre gonna do your thing
Baby, dont come back to me
Oh, oooh, oh
Baby dont come back to me, yeah
Oh, oooh, oh
No I dont wanna know
If youre playing me, keep it on the low
Cause my heart cant take it anymore
If youre creeping, please dont let it show
Oh, baby, I dont wanna know
If youre playing me, keep it on the low
Cause my heart cant take it anymore
If youre creeping, please dont let it show
Oh, baby, I dont wanna know
Oooh, ooooh, ooooh


Ah, ah, ah, ah
Ah, ah, ah, ah
Ah, ah, ah, ah
Ah, ah, ah
Wait for the sun
Watching the sky
Black as a crow
Night passes by
Taking the stars
So far away
Everything flows
Here comes another new day
Ah, ah, ah, ah
Ah, ah, ah
Into the wind
I throw the night
Silver and gold
Turn into light
Im on a road
I know the way
Everything flows
Here comes another new day
Alleluia, alle-alle alleluia
Alleluia, alleluia
Alleluia, alle-alle alleluia
Alleluia, alleluia
Ah, ah, ah, ah
Ah, ah, ah
Echoes in rain
Drifting in waves
Long journey home
Never too late
Black as a crow
Night comes again
Everything flows
Here comes another new day
Alleluia, alle-alle alleluia
Alleluia, alleluia
Alleluia, alle-alle alleluia
Alleluia, alleluia
Ah, ah, ah, ah
Ah, ah, ah
Alleluia, alle-alle alleluia
Alleluia, alleluia
Alleluia, alle-alle alleluia
Alleluia, alleluia
Alleluia, alle-alle alleluia
Alleluia, alleluia
Alleluia, alle-alle alleluia
Alleluia, alleluia
Ah, ah, ah, ah
Ah, ah, ah, ah
Ah, ah, ah, ah
Ah, ah, ah
Ah


Almond extract


Almond flour


Almonds


Aniseed


Apple


had laid before her a pair of alternatives now of course you're completely your own mistress and are as free as the bird on the bough i don't mean you were not so before but you're at present on a different footing | had laid before her a pair of alternatives now of course you are completely your own mistress and are as free as the bird on the bowl i don't mean you were not so before but you were present on a different footing | had laid before her a pair of alternatives now of course you're completely your own mistress and are as free as the bird on the bow i don't mean you are not so before but you're at present on a different footing | had laid before her a pair of alternatives now of course you're completely your own mistress and are as free as the bird on the bow i don't mean you are not so before but you're at present on a different footing | laid before her a pair of alternativesnow of course you're completely your own mistress and are as free as the bird on the bow i don't mean you're not so before but you're at present on a different footing | had laid before her a peril alternatives now of course your completely your own mistress and as free as a bird as the back bowl i don't mean you were not so before but you are present on a different footing | a lady before her a pair of alternatives now of course you're completely your own mistress and rs free as the bird on the ball i don't need you or not so before but you're at present on a different footing


property iraq's kind of barrier you can do a great many things if you're rich which would be severely criticized if you were poor you can go and come you can travel alone you can have your own establishment | property erects a kind of barrier you can do a great many things if youre rich which would be severely criticized if you were poor you can go and come you can travel alone you can have your own establishment | property arise a kind of barrier you can do a great many things if your rich which would be severely criticized if you were poor you can go and come you can travel alone you can have your own establishment | property a wreck that kind of barrier you can do a great many things if you're rich which would be severely criticized if you work or you can go and come you can travel alone you can have your own establishment | property erects a kind of barier you can do a gret many thing if you're rich which would be severely criticized if you were poor you can go and come you can travel alone you can have your own establishment | property erects a kind of barrier you can do a many things of you were rich which would be severely criticised if you were poor | property erects a kind of barrier you can do a great many things if you're rich which would be severely criticized if you're poor you can go and come you can travel alone you can have your own establishment

property erects a kind of barrier you can do a great many things if you're rich which would be severely criticised if you were poor you can go and come you can travel alone you can have your own establishment


now when some blossom no familiar softening moss her offered her passive extent in other words was about that of a knife edge isabel had reason to believe nonetheless | no wind stone blossom no familiar softening moss her offered her passive extent in other words was about that of a knife edge isabel had reason to believe nonetheless | no winstone blossom millbfamiliar softening moss her offered her passive extent in other words was about that of a knife edge isabel had reason to believe nonetheless | no wind stone blossom no familiar softening moss her offered her passive extent in other words was about that of a knife edge isabel had reason to believe nonetheless | the wind stone blossom no familiar softening moss her offered her passive extent in other words was about that of a knifeedge isabel had reason to believe none the less | the wind stone blossom no familiar softening mother offered her path of extent in other words was about that of an i said isabel had a reason to believe none the last | no windsome sound la familiarita' softening ma rd capacity extent in other words was about a knife edge isabel reason to believe nonetheless

no wind sown blossom no familiar softening moss her offered her passive extent in other words was about that of a knife edge isabel had reason to believe none the less


of late it was not to be denied literature have seen a fading light and even after she had reminded herself that her uncles library was provided with a complete set of those authors which no gentleman collection should be without | of late it was not to be denied literature had seemed a fading light and even after she had reminded herself that her uncle's library was provided with a complete set of those authors which no gentleman's collection should be without | of late it was not to be denied literature had seemed a fading light and even after she had reminded herself but her uncles library was provided with a complete set of those authors which no gentleman's collection should be without | of late it was not to be denied literature had seemed a fading light and even after she had reminded herself that her uncles library was provided with a complete set of those authors which no gentlemans collection should be without | of late it was not to be denied literature had seemed a fading light and even after she had reminded herself that her uncle s library was provided with a complete set of those authors which no gentleman s collection should be without | of late it was not to be denied literature had seemed a fading light and even after she had reminded herself that her uncle's library was provided with a complete set of those authors which no gentleman's collection should be without | of late it was not to be denied literature had seemed a fading light and even after she had reminded herself that her uncle's library was provided with a complete set of those authors which no gentleman's collection should be without


to hold the candle by which mr linkon was to read his speech little ted was with his father as usual and when the president had finished reading a page of his manuscript he let it flatter down like a leaf or a big white butterfly | to hold the candle by which mister lincoln was reading his speech little tad was with his father as usual and when the president had finished reading a page of his manuscript he let it fluttered out like a leaf or a big white butterfly | to hold the candle by which mr linkin was to read to a speech little ted was with his father as usual and when the president had finished reading a page of his manual script he let it flater down like a leaf or a bug white butterfly | they hold the candle which mister lincoln was to read his speech little ted was with his father as usual and when the president had finished reading a page of his manuscript he let it flatter out like a leaf or a big white butterfly | to hold a candle by which mr lincoln was to read his speech little ted was with his father as usual and when the president had finished reading a page of his manuscript he let it flutter down like a leaf or a big white butterfly | to hold the candle by which mr lincoln was to read his speech little ted was with his father as usual and when the president had finished reading a page of his manuscript he let it flutter down like a leaf or a big white butterfly | to hold a candle by which mr lincoln was to read his speech little ted was with his father as usual and when the president had finished reading a page of his manuscript he let it flutter down like a leaf or a big white butterfly

to hold the candle by which mister lincoln was to read his speech little tad was with his father as usual and when the president had finished reading a page of his manuscript he let it flutter down like a leaf or a big white butterfly


in the completeness of its ugliness he achieved the kind of perverted beauty children's stoping before the cage are fascinated men turn away with an air of disgust and women from lingerfrom moment | in the completeness of his ugliness he achieved the kind of perverted beauty children stopping before the cager fascinated men turn away with an air of discussed and women linger for a moment | in the completeness of his ugliness he achieved a kind of perverted beauty children stopping before the cage are fascinated men turn away with an air of disgust and women linger for a moment | in the completeness of his ugliness he achieved the kind of perverted beauty children stopping before the cager fascinated men turn away with an air of discussed and women linger for a moment | in the completeness of his uglinesshe achieved a kind of perverted beauty children stopping before cage fascinated me turn away with an air of disgust and woman linger for a moment | in the completeness of his ugliness he achieved the kind of perverted beauty children stopping before the kids are fascinated men turn away with an air of disgust and women linger for a moment | gghhhhcccghhhhhhhhhvddfvgvvvvv


trying perhaps to remember which one of their mail acquaintances the thing in some faint way resembles had you been any earlier years of your life a citizen of the village of lines burgo ohio | try and perhaps to remember which one of their male acquaintances the thing in some faint way resembles has you been in the earlier years of your life a citizen of the village of winesburg ohio | trying perhaps to remember which one of their male acquaintances the thing is something way resembles had you been in the early years of your life settle on the village of winsburg ohio | trying perhaps to remember which one of their male acquaintances the thing in some strange way resembles has you been in the earlier years of your life a citizen of the village of weinsberg ohio | trying perhaps to remember which one of their male aquintances the thing in some faint way resembles had you been in the earlier tears if your life a citizen | trying perhaps to remember which one of their male acquaintances a thing and some paint way resembles had you been in the earlier years of your life a citizen of the village of winesburg ohio | trying perhaps to remember which one of their male acquaintances

trying perhaps to remember which one of their male acquaintances the thing in some faint way resembles had you been in the earlier years of your life a citizen of the village of winesburg ohio


there would have been for you know mystery in regard to the beast in his cage it is like wash williams he would have said as he sits in the corner there the beast is exactly like old wash | there would have been for you no mystery in regard to the beast in his cage it is like wash williams he would have said as he sits in the corner there the beast is exactly like old wash | it would have been for you no mystery in regard to the beast in his cage it is like wash williams you would have said as he sits in the corner there the beast is exactly like old wash | it would have been for you no mystery in regard to the beast in his cage it is like wash williams you would have said as he sits in the corner there the feast is exactly like old | there would have been for you no mystery in regard to the beast in his cage it is like wash williams you would have said as he sits in the corner there the beast is exactly like old wash | they would have been for you known mystery henry guard the beast in his cage it is like wash williams he would have said as he sit in the corner there the beast is exactly like old wash | there would have been for you no mystery in regard to the beast in his cage it is like walsh williams he would have said as he sits in the corner there the beast is exactly like old walsh


sitting on the grass in the station yard on a summer evening as he has closed his office for the night what williams the telegraph operator of one's berg was the ugliest thing in town his girth was immense | sitting on the grass in the station yard on a summer evening after his clothes his office for the night watch williams the telegraph operator of winesburg was the ugliest thing in town his girth was immense o | sitting on the grass in the station yard on a summer evening as he has closed his office for the night wash williams the telegraph operator of winesburg was the ugliest thing in town his girth was immense | sitting on the grass in the station for the night watch williams the telegraph operator of winesburg was the ugliest thing in town his girth was the mint | sitting on the grass in the station yard on a summer evening after he has closed his office for the night wash williams the telegraph operator of wines berg was the ugliest thing in town his girth was immense | sitting on the grass in the station yard on a summer evening as he has closed his office for the night what williams the telegraph operator of one's berg was the ugliest thing in town his girth was immense | sitting on the grass in the station yard on a summer evening after he has closed his office for the night wash williams the telegraph operator of winesburg was the ugliest thing in town his girth was immen

sitting on the grass in the station yard on a summer evening after he has closed his office for the night wash williams the telegraph operator of winesburg was the ugliest thing in town his girth was immense


his next day in his legs feeble he was everything about him was unclean even the whites of his eyes look soil i go too fast not everything about wash was unclean | his neck thin his legs feeble he was dirty everything about him was unclean even the whites of his eyes looked soiled i go too fast not everything about wash was unclean | his next day in his legs feeble he was everything about him was unclean even the whites of his eyes look soil i go too fast not everything about wash was unclean | is neck pain is legs feeble he was dirty everything about him was unclean even the whites of his eyes look so oil i go too fast love everything about wash was unclean | his neck thin his legs feeble he was dirty everything about him was unclean even the whites of his eyes look soiled i go too fast not everything about wash was unclean | his neck thin his legs feeble he was dirty everything about him was unclean even the whites of his eyes looked soiled i go too fast not every thing about wash was unclean | is neck pain is like feeble he was dirty everything about him was unclean even the whites of his eyes look soil so will i go to fast not everything about wash was unclean


Tega se sploh nisem zavedel.


any alien convicted of an aggravated felony after entering the united states is deportable,ineligible for several forms of discretionary relief,and subject to expedited removal.a a iii.an aggravated felony is defined as any of numerous offenses listed in a,each of which is typically identified either as an offense described in a specific federal statute or by a generic label,murder section a penultimate sentence states that each enumerated crime is an aggravated felony irrespective of whether it violates federal,state,or foreign law.


petitioner jorge luna torres luna,a lawful permanent resident,pleaded guilty in a new york court to attempted arson.when immigration officials discovered his conviction,they initiated removal proceedings.the immigration judge determined that luna arson conviction was for an aggravated felony and held that luna was therefore ineligible for discretionary relief.the board of immigration appeals affirmed.it found the federal and new york arson offenses to be identical except for the former requirement that the crime have a connection to interstate or foreign commerce.because the federal statute commerce element serves only a jurisdictional function,the board held,new york arson offense is described in the federal statute,i,for purposes of determining whether an alien has been convicted of an aggravated felony.the second circuit denied review.


held a state offense counts as a a aggravated felony when it has every element of a listed federal crime except one requiring a connection to interstate or foreign commerce.


because congress lacks general constitutional authority to punish crimes,most federal offenses include a jurisdictional element to tie the substantive crime to one of congress enumerated powers.state legislatures are not similarly constrained,and so state crimes do not need such a jurisdictional hook.that discrepancy creates the issue here whether a state offense lacking a jurisdictional element but otherwise mirroring a particular federal offense can be said to be described by that offense.dictionary definitions of the word described do not clearly resolve this question one way or the other.rather,two contextual considerations decide this case a penultimate sentence and a background principle that distinguishes between substantive and jurisdictional elements in criminal statutes.


a section a penultimate sentence shows that congress meant the term aggravated felony to capture serious crimes regardless of whether they are made illegal by the federal government,a state,or a foreign country.but luna view would substantially undercut that function by excluding from the act coverage all state and foreign versions of any enumerated federal offense containing an interstate commerce element.and it would do so in a particularly perverse fashion excluding state and foreign convictions for many of a gravest crimes,most child pornography offenses,while reaching convictions for far less harmful offenses,operating an unlawful gambling business.luna theorizes that such haphazard coverage might reflect congress belief that crimes with an interstate connection are generally more serious than those without.but it is implausible that congress viewed the presence of an interstate commerce element as separating serious from conduct.luna theory misconceives the function of interstate commerce elements and runs counter to the penultimate sentence central message that the state,federal,or foreign nature of a crime is irrelevant.and his claim that many serious crimes excluded for want of an interstate commerce element would nonetheless count as a f crime s of violence provides little comfort that alternative would not include nearly all such offenses,nor even the worst ones.


b the settled practice of distinguishing between substantive and jurisdictional elements in federal criminal statutes also supports reading a to include state analogues that lack only an interstate commerce requirement.congress uses substantive and jurisdictional elements for different reasons and does not expect them to receive identical treatment.see,united states yermian.and that is true where,as here,the judicial task is to compare federal and state offenses.see lewis united states.


kagan,delivered the opinion of the court,in which roberts,and kennedy,ginsburg,and alito,joined.sotomayor,filed a dissenting opinion,in which thomas and breyer,joined.


opinion of the court


notice this opinion is subject to formal revision before publication in the preliminary print of the united states reports.readers are requested to notify the reporter of decisions,supreme court of the united states,washington,of any typographical or other formal errors,in order that corrections may be made before the preliminary print goes to press.


jorge luna torres,petitioner loretta lynch,attorney general


How to let `load_dataset` return a `Dataset` instead of `DatasetDict` in customized loading script

enhancement

New feature or request

If the dataset does not need splits, i.e., no training and validation split, more like a table. How can I let the `load_dataset` function return a `Dataset` object directly rather than return a `DatasetDict` object with only one key-value pair.

Or I can paraphrase the question in the following way: how to skip `_split_generators` step in `DatasetBuilder` to let `as_dataset` gives a single `Dataset` rather than a list`[Dataset]`?

Many thanks for any help.


Failure to hash (and cache) a `.map(...)` (almost always)

bug

Something isn't working

Important info:

As hashes are generated randomly for functions, it leads to **false identifying some results as already hashed** (mapping is not executed after a method update) when there's a `pytorch_lightning.seed_everything(123)`

## Describe the bug
Sometimes I get messages about not being able to hash a method:
`Parameter 'function'=<function StupidDataModule._separate_speaker_id_from_dialogue at 0x7f1b27180d30> of the transform datasets.arrow_dataset.Dataset.
_map_single couldn't be hashed properly, a random hash was used instead. Make sure your transforms and parameters are serializable with pickle or dill for the dataset fingerprinting and caching to work. If you reuse this transform, the caching mechanism will consider it to be different from the previous calls and recompute everything. This warning is only showed once. Subsequent hashing failures won't be showed.`
Whilst the function looks like this:
```python
@staticmethod
def _separate_speaker_id_from_dialogue(example: arrow_dataset.Example):
    speaker_id, dialogue = tuple(zip(*(example["dialogue"])))
    example["speaker_id"] = speaker_id
    example["dialogue"] = dialogue
    return example
```
This is the first step in my preprocessing pipeline, but sometimes the message about failure to hash is not appearing on the first step, but then appears on a later step.
This error is sometimes causing a failure to use cached data, instead of re-running all steps again.

## Steps to reproduce the bug
```python
import copy
import datasets
from datasets import arrow_dataset

def main():
    dataset = datasets.load_dataset("blended_skill_talk")
    res = dataset.map(method)
    print(res)

def method(example: arrow_dataset.Example):
    example['previous_utterance_copy'] = copy.deepcopy(example['previous_utterance'])
    return example

if __name__ == '__main__':
    main()
```
Run with:
```
python -m reproduce_error
```

## Expected results
Dataset is mapped and cached correctly.

## Actual results
The code outputs this at some point:
`Parameter 'function'=<function method at 0x7faa83d2a160> of the transform datasets.arrow_dataset.Dataset._map_single couldn't be hashed properly, a random hash was used instead. Make sure your transforms and parameters are serializable with pickle or dill for the dataset fingerprinting and caching to work. If you reuse this transform, the caching mechanism will consider it to be different from the previous calls and recompute everything. This warning is only showed once. Subsequent hashing failures won't be showed.`

## Environment info
<!-- You can run the command `datasets-cli env` and copy-and-paste its output below. -->
- `datasets` version:
- Platform: Ubuntu 20.04.3
- Python version: 3.9.12
- PyArrow version: 8.0.0
- Datasets version: 2.3.1


Fix double dots in data files

_The documentation is not available anymore as the PR was closed or merged._

The CI fails are unrelated to this PR (apparently something related to `seqeval` on windows) - merging :)

As mentioned in https://github.com/huggingface/transformers/pull/17715 `data_files` can't find a file if the path contains double dots `/../`. This has been introduced in https://github.com/huggingface/datasets/pull/4412, by trying to ignore hidden files and directories (i.e. if they start with a dot)

I fixed this and added a test

cc @sgugger @ydshieh


Can you please add the Stanford dog dataset?

dataset request

Requesting to add a new dataset

would you like to give it a try, @dgrnd4? (maybe with the help of the dataset author?)

@julien-c i am sorry but I have no idea about how it works: can I add the dataset by myself, following "instructions to add a new dataset"?
Can I add a dataset even if it's not mine? (it's public in the link that I wrote on the post)

## Adding a Dataset
- **Name:** *Stanford dog dataset*
- **Description:** *The dataset is about 120 classes for a total of 20.580 images. You can find the dataset here http://vision.stanford.edu/aditya86/ImageNetDogs/*
- **Paper:** *http://vision.stanford.edu/aditya86/ImageNetDogs/*
- **Data:** *[link to the Github repository or current dataset location](http://vision.stanford.edu/aditya86/ImageNetDogs/)*
- **Motivation:** *The dataset has been built using images and annotation from ImageNet for the task of fine-grained image categorization. It is useful for fine-grain purpose *

Instructions to add a new dataset can be found [here](https://github.com/huggingface/datasets/blob/master/ADD_NEW_DATASET.md).


Add feverous config to fever dataset

The docs for this PR live [here](https://moon-ci-docs.huggingface.co/docs/datasets/pr_4503). All of your documentation changes will be reflected on that endpoint.

Related to: #4452 and #3792.


Logic bug in arrow_writer?

https://github.com/huggingface/datasets/blob/88a902d6474fae8d793542d57a4f3b0d187f3c5b/src/datasets/arrow_writer.py#L475-L488

I got some error, and I found it's caused by `batch_examples` being `{}`. I wonder if the code should be as follows:
```
-        if batch_examples and len(next(iter(batch_examples.values()))) == 0:
+       if not batch_examples or len(next(iter(batch_examples.values()))) == 0:
            return
```
@lhoestq


Corrected broken links in doc


Add `concatenate_datasets` for iterable datasets

The docs for this PR live [here](https://moon-ci-docs.huggingface.co/docs/datasets/pr_4500). All of your documentation changes will be reflected on that endpoint.

`concatenate_datasets` currently only supports lists of `datasets.Dataset`, not lists of `datasets.IterableDataset` like `interleave_datasets`

Fix https://github.com/huggingface/datasets/issues/2564

I also moved `_interleave_map_style_datasets` from combine.py to arrow_dataset.py, since the logic depends a lot on the `Dataset` object internals

And I moved `concatenate_datasets` from arrow_dataset.py to combine.py to have it with `interleave_datasets`


fix ETT m1/m2 test/val dataset

Thansk for the fix ! Can you regenerate the datasets_infos.json please ? This way it will update the expected number of examples in the test and val splits


WER and CER > 1

bug

Something isn't working

WER can have values bigger than 1.0, this is expected when there are too many insertions

From [wikipedia](https://en.wikipedia.org/wiki/Word_error_rate):
> Note that since N is the number of words in the reference, the word error rate can be larger than 1.0

## Describe the bug
It seems that in some cases in which the `prediction` is longer than the `reference` we may have word/character error rate higher than 1 which is a bit odd.

If it's a real bug I think I can solve it with a PR changing [this](https://github.com/huggingface/datasets/blob/master/metrics/wer/wer.py#L105) line to
```python
return min(incorrect / total, 1.0)
```

## Steps to reproduce the bug
```python
from datasets import load_metric
wer = load_metric("wer")
wer_value = wer.compute(predictions=["Hi World vka"], references=["Hello"])
print(wer_value)
```

## Expected results
```
1.0
```

## Actual results
```
3.0
```

## Environment info
<!-- You can run the command `datasets-cli env` and copy-and-paste its output below. -->
- `datasets` version: 2.3.0
- Platform: Linux-5.4.188+-x86_64-with-Ubuntu-18.04-bionic
- Python version: 3.7.13
- PyArrow version: 6.0.1
- Pandas version: 1.3.5


virtually enhancing the perception of user actions This paper proposes using virtual reality to enhance the perception of actions by distant users on a shared application. Here, distance may refer either to space ( e.g. in a remote synchronous collaboration) or time ( e.g. during playback of recorded actions). Our approach consists in immersing the application in a virtual inhabited 3D space and mimicking user actions by animating avatars. We illustrate this approach with two applications, the one for remote collaboration on a shared application and the other to playback recorded sequences of user actions. We suggest this could be a low cost enhancement for telepresence.

O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B


Dynamic range improvement of multistage multibit Sigma Delta modulator for low oversampling ratios This paper presents an improved architecture of the multistage multibit sigma-delta modulators (EAMs) for wide-band applications. Our approach is based on two resonator topologies, high-Q cascade-of-resonator-with-feedforward (HQCRFF) and low-Q cascade-of-integrator-with-feedforward (LQCEFF). Because of in-band zeros introduced by internal loop filters, the proposed architecture enhances the suppression of the in-band quantization noise at a low OSR. The HQCRFF-based modulator with single-bit quantizer has two modes of operation, modulation and oscillation. When the HQCRFF-based modulator is operating in oscillation mode, the feedback path from the quantizer output to the input summing node is disabled and hence the modulator output is free of the quantization noise terms. Although operating in oscillation mode is not allowed for single-stage SigmaDeltaM, the oscillation of HQCRFF-based modulator can improve dynamic range (DR) of the multistage (MASH) SigmaDeltaM. The key to improving DR is to use HQCRFF-based modulator in the first stage and have the first stage oscillated. When the first stage oscillates, the coarse quantization noise vanishes and hence circuit nonidealities, such as finite op-amp gain and capacitor mismatching, do not cause leakage quantization noise problem. According to theoretical and numerical analysis, the proposed MASH architecture can inherently have wide DR without using additional calibration techniques.

B I I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O


An ontology modelling perspective on business reporting In this paper, we discuss the motivation and the fundamentals of an ontology representation of business reporting data and metadata structures as defined in the eXtensible business reporting language (XBRL) standard. The core motivation for an ontology representation is the enhanced potential for integrated analytic applications that build on quantitative reporting data combined with structured and unstructured data from additional sources. Applications of this kind will enable significant enhancements in regulatory compliance management, as they enable business analytics combined with inference engines for statistical, but also for logical inferences. In order to define a suitable ontology representation of business reporting language structures, an analysis of the logical principles of the reporting metadata taxonomies and further classification systems is presented. Based on this analysis, a representation of the generally accepted accounting principles taxonomies in XBRL by an ontology provided in the web ontology language (OWL) is proposed. An additional advantage of this representation is its compliance with the recent ontology definition metamodel (ODM) standard issued by OMG.

O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O


The self-organizing map An overview of the self-organizing map algorithm, on which the papers in this issue are based, is presented in this article.

O O O O O O O O O O O O O O O O O O O O O O O O


The Amygdala and Development of the Social Brain The amygdala comprises part of an extended network of neural circuits that are critically involved in the processing of socially salient stimuli. Such stimuli may be explicitly social, such as facial expressions, or they may be only tangentially social, such as abstract shapes moving with apparent intention relative to one another. The coordinated interplay between neural activity in the amygdala and other brain regions, especially the medial prefrontal cortex, the occipitofrontal cortex, the fusiform gyrus, and the superior temporal sulcus, allows us to develop social responses and to engage in social behaviors appropriate to our species. The harmonious functioning of this integrated social cognitive network may be disrupted by congenital or acquired lesions, by genetic anomalies, and by exceptional early experiences. Each form of disruption is associated with a slightly different outcome, dependent on the timing of the experience, the location of the lesion, or the nature of the genetic anomaly. Studies in both humans and primates concur; the dysregulation of basic emotions, especially the processing of fear and anger, is an almost invariable consequence of such disruption. These, in turn, have direct or indirect consequences for social behavior.

O B O O O O B I O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B


Modeling and Cost Analysis of an Improved Movement-Based Location Update Scheme in Wireless Communication Networks A movement based location update (MBLU) scheme is an LU scheme, under which a user equipment (UE) performs an LU when the number of cells crossed by the UE reaches a movement threshold. The MBLU scheme suffers from ping-pong LU effect. The ping-pong LU effect arises when the UE that moves repetitively between two adjacent cells performs LUs in the same way as in the case of straight movement. To tackle the ping-pong LU effect encountered by the original MBLU (OMBLU) scheme, an improved MBLU (IMBLU) scheme was proposed in the literature. Under the IMBLU scheme, the UE performs an LU when the number of different cells, rather than the number of cells, visited by the UE reaches the movement threshold. In this paper we develop an embedded Markov chain model to calculate the signaling cost of the IMBLU scheme. We derive analytical formulas for the signaling cost, whose accuracy is tested through simulation. It is observed from a numerical study based on these formulas that 1) the signaling cost is a downward convex function of the movement threshold, implying the existence of an optimal movement threshold that can minimize the signaling cost, and that 2) the reduction in the signaling cost achieved by the IMBLU scheme relative to the OMBLU scheme is more prominent in the case of stronger repetitiveness in the UE movement. The model developed and the formulas derived in this paper can guide the implementation of the IMBLU scheme in wireless communication networks.

B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O


A modified offset roll printing for thin film transistor applications In order to realize a high resolution and high throughput printing method for thin film transistor application, a modified offset roll printing was studied. This roll printing chiefly consists of a blanket with low surface energy and a printing plate (clich) with high surface energy. In this study, a finite element analysis was done to predict the blanket deformation and to find the optimal angle of clichs sidewall. Various etching methods were investigated to obtain a high resolution clich and the surface energy of the blanket and clich was analyzed for ink transfer. A high resolution clich with the sidewall angle of 90 and the intaglio depth of 13?m was fabricated by the deep reactive ion etching method. Based on the surface energy analysis, we extracted the most favorable condition to transfer inks from a blanket to a clich, and thus thin films were deposited on a Si-clich to increase the surface energy. Through controlling roll speed and pressure, two inks, etch-resist and silver paste, were printed on a rigid substrate, and the fine patterns of 10?m width and 6?m line spacing were achieved. By using this printing process, the top gate amorphous indiumgalliumzinc-oxide TFTs with channel width/length of 12/6?m were successfully fabricated by printing etch-resists.

O O B I I O O O O O O O O O O O O O O O O O O O O O O O O B I I O O O O O O O O O O O O B I O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O


On the complement graph and defensive k k -alliances In this paper, we obtain several tight bounds of the defensive k k -alliance number in the complement graph from other parameters of the graph. In particular, we investigate the relationship between the alliance numbers of the complement graph and the minimum and maximum degree, the domination number and the isoperimetric number of the graph. Moreover, we prove the NP-completeness of the decision problem underlying the defensive k k -alliance number.

O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O


Hyperspectral image segmentation through evolved cellular automata Efficient segmentation of hyperspectral images through the use of cellular automata. The rule set for the CA is automatically obtained using an evolutionary algorithm. Synthetic images of much lower dimensionality are used to evolve the automata. The CA works with spectral information but do not project it onto a lower dimension. The CA-based classification outperforms reference techniques.

O O B O O B I O B O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O


Analytical and empirical evaluation of the impact of Gaussian noise on the modulations employed by Bluetooth Enhanced Data Rates Bluetooth (BT) is a leading technology for the deployment of wireless Personal Area Networks and Body Area Networks. Versions 2.0 and 2.1 of the standard, which are massively implemented in commercial devices, improve the throughput of the BT technology by enabling the so-called Enhanced Data Rates (EDR). EDRs are achieved by utilizing new modulation techniques (?/4-DQPSK and 8-DPSK), apart from the typical Gaussian Frequency Shift Keying modulation supported by previous versions of BT. This manuscript presents and validates a model to characterize the impact of white noise on the performance of these modulations. The validation is systematically accomplished in a testbed with actual BT interfaces and a calibrated white noise generator.

O O O O O O O O O O O O O O O B O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O B I O


Question: 'For the last 8 years of his life, Galileo was under house arrest for espousing this man's theory'

Answer: Copernicus


Question: 'No. 2: 1912 Olympian; football star at Carlisle Indian School; 6 MLB seasons with the Reds, Giants & Braves'

Answer: Jim Thorpe


Question: 'The city of Yuma in this state has a record average of 4,055 hours of sunshine each year'

Answer: Arizona


Question: 'In 1963, live on "The Art Linkletter Show", this company served its billionth burger'

Answer: McDonald\'s


Question: 'Signer of the Dec. of Indep., framer of the Constitution of Mass., second President of the United States'

Answer: John Adams


Question: 'In the title of an Aesop fable, this insect shared billing with a grasshopper'

Answer: the ant


Question: 'Built in 312 B.C. to link Rome & the South of Italy, it's still in use today'

Answer: the Appian Way


Question: 'No. 8: 30 steals for the Birmingham Barons; 2,306 steals for the Bulls'

Answer: Michael Jordan


Question: 'In the winter of 1971-72, a record 1,122 inches of snow fell at Rainier Paradise Ranger Station in this state'

Answer: Washington


Question: 'This housewares store was named for the packaging its merchandise came in & was first displayed on'

Answer: Crate & Barrel


Theres a lady whos sure all that glitters is gold
And shes buying a stairway to Heaven
When she gets there she knows, if the stores are all closed
With a word she can get what she came for
Ooh, ooh, and shes buying a stairway to Heaven
Theres a sign on the wall, but she wants to be sure
Cause you know sometimes words have two meanings
In a tree by the brook, theres a songbird who sings
Sometimes all of our thoughts are misgiven
Ooh, makes me wonder
Ooh, makes me wonder
Theres a feeling I get when I look to the west
And my spirit is crying for leaving
In my thoughts I have seen rings of smoke through the trees
And the voices of those who stand looking
Ooh, it makes me wonder
Ooh, really makes me wonder
And its whispered that soon if we all call the tune
Then the piper will lead us to reason
And a new day will dawn for those who stand long
And the forests will echo with laughter
Oh-oh-oh-oh-woahhh
If theres a bustle in your hedgerow, dont be alarmed, now
Its just a spring clean for the May queen
Yes, there are two paths you can go by, but in the long run
Theres still time to change the road youre on
And it makes me wonder
Ohh, woah
Your head is humming and it wont go, in case you dont know
The pipers calling you to join him
Dear lady, can you hear the wind blow? And did you know
Your stairway lies on the whispering wind?
And as we wind on down the road
Our shadows taller than our soul
There walks a lady we all know
Who shines white light and wants to show
How everything still turns to gold
And if you listen very hard
The tune will come to you at last
When all are one and one is all
To be a rock and not to roll
And shes buying a stairway to Heaven


Oh, let the sun beat down upon my face
With stars to fill my dreams
I am a traveler of both time and space
To be where I have been
Sit with elders of the gentle race
This world has seldom seen
Talk of days for which they sit and wait
All will be revealed
Talk and song from tongues of lilting grace
Whose sounds caress my ear
But not a word I heard could I relate
The story was quite clear
Oh, oh
Oh, oh
Ooh, baby, I been flying
No yeah, mama, there aint no denying
Oh, ooh, yeah Ive been flying
Mama, mama, aint no denying, no denying
Oh, all I see turns to brown
As the sun burns the ground
And my eyes fill with sand
As I scan this wasted land
Trying to find, trying to find, where Ive been
Oh, pilot of the storm who leaves no trace
Like thoughts inside a dream
Here is the path that led me to that place
Yellow desert stream
My Shangri-La beneath the summer moon
I will return again
Sure as the dust that floats high in June
When movin through Kashmir
Oh, father of the four winds, fill my sails
Across the sea of years
With no provision but an open face
Along the straits of fear
Oh, oh
Oh, oh
Ooooh
Oh, when Im on, when Im on my way, yeah
When I see, when I see the way, you stay-yeah
Ooh, yeah-yeah, ooh, yeah-yeah, when Im down
Ooh, yeah-yeah, ooh, yeah-yeah, but Im down, so down
Ooh, my baby, ooh, my baby, let me take you there
Oh..Come on, oh, let me take you there...let me take you there
Ooh, yeah-yeah, ooh, yeah-yeah, let me take you there...let me take you there


Hey, hey, mama, said the way you move
Gonna make you sweat, gonna make you groove
Ah, ah, child, way you shake that thing
Gonna make you burn, gonna make you sting
Hey, hey, baby, when you walk that way
Watch your honey drip, I cant keep away
Oh yeah, oh yeah, oh, oh, oh
Oh yeah, oh yeah, oh, oh, oh
I gotta roll, cant stand still
Got a flaming heart, cant get my fill
Eyes that shine, burning red
Dreams of you all through my head
Ah-ah, ah-ah
Ah-ah, ah-ah
Ah-ah, ah-ah, ahh
Hey baby, oh baby, pretty baby
Tell me would you do me now
Hey baby, oh baby, pretty baby
Move me while you groove me now
Take too long fore I found out
What people mean by down and out
Spent my money, took my car
Started tellin her friend she gon be a star
I dont know, but Ive been told
A big-legged woman aint got no soul
Oh yeah, oh yeah, oh, oh, oh
Oh yeah, oh yeah, oh, oh, oh
All I ask for, all I pray
Steady rollin woman gonna come my way
Need a woman gonna hold my hand
Wont tell me no lies, make me a happy man
Ah-ah, ah-ah
Ah-ah, ah-ah
Ah-ah, ah-ah, ahh
Hey baby, pretty baby, oh baby
Hey baby, pretty baby, oh baby
Hey baby, pretty baby, oh baby


You need coolin, baby, Im not foolin
Im going to send you back to schoolin
Way down inside, honey, you need it
Im goin to give you my love
Im goin to give you my love, oh
Want a whole lotta love
Want a whole lotta love
Want a whole lotta love
Want a whole lotta love
Youve been learnin, baby, Ive been yearnin
All them good times, baby, baby, Ive been learnin
Way, way down inside, honey, you need it
Im gonna give you my love, ah
Im goin to give you my love, ah, oh
Want a whole lotta love
Want a whole lotta love
Want a whole lotta love
Want a whole lotta love
Youve been coolin, baby, Ive been droolin
All the good times, baby, Ive been misusin
Way, way down inside, Im goin to give you my love
Im goin to give you every inch of my love
Goin to give you my love, hey, alright, yes, sir
Want a whole lotta love
Want a whole lotta love
Want a whole lotta love
Want a whole lotta love
Way down inside, woman, you need love
Shake for me, girl, I want to be your back door man
Hey! Oh! Hey! Oh! Hey! Oh!
Keep it coolin, baby
Keep it coolin, baby
Keep it coolin, baby
Keep it coolin, baby
Keep it coolin, baby


Spent my days with a woman unkind
Smoked my stuff and drank, all my wine
Made up my mind to make a new start
Going to California with an aching, in my heart
Someone told me theres a girl out there
With love in her eyes and flowers, in her hair
Took my chances on a big jet plane
Never let em tell you that theyre all the same
The sea was red and the sky was grey
Wondered how tomorrow, could ever follow today
The mountains and the canyons start to tremble and shake
As the children of the sun began to awake
Seems that the wrath of the gods
Got a punch on the nose, and it started to flow
I think I might be sinking
Throw me a line, if I reach it in time
Ill meet you up there where the path runs straight and high
To find a queen without a king
They say she plays guitar and cries and sings... La la la la
Ride a white mare in the footsteps of dawn
Tryin to find a woman whos never, never, never been born
Standing on a hill in my mountain of dreams
Telling myself its not as hard, hard, hard as it seems...
Ah, ah, ah, ah


The leaves are falling all around, time I was on my way
Thanks to you, Im much obliged for such a pleasant stay
But now its time for me to go, the autumn moon lights my way
For now I smell the rain, and with it pain, and its headed my way
Ah, sometimes I grow so tired
But I know Ive got one thing I got to do
Ramble on, and nows the time, the time is now
To sing my song, Im going round the world, I gotta find my girl
On my way, Ive been this way ten years to the day
Ramble on, gotta find the queen of all my dreams
Got no time to for spreading roots
The time has come to be gone
And though Our health we drank a thousand times
Its time to ramble on
Ramble on, and now the time, the time is now
To sing my song, Im going round the world, I gotta find my girl
On my way, Ive been this way ten years to the day
I gotta ramble on, I gotta find the queen of all my dreams
I tell you no lie
Mines a tale that cant be told, my freedom I hold dear
How years ago in days of old, when magic filled the air
Twas in the darkest depths of Mordor, I met a girl so fair
But Gollum, and the evil one crept up and slipped away with her
Her, her, yeah
Ah, theres nothing I can do now
I guess Ill keep on
Ramblin, Im gonna shake
I gotta find my baby
Im gonna ramble on, sing my song
Gonna work my way, going round the world
Baby, baby
Do do do do do do do do, my baby
I cant stop this feeling in my heart
Every time I think about my baby I think we gots to part
Gotta keep on searching for my baby
Baby, baby, baby, baby, baby
I gotta keep on searching for my baby
My, my, my, my, my, my, baby
I cant find my bluebird!
I listened to what my bluebird said, but I, I cant find my bluebird!
I keep rambling, baby


Been dazed and confused for so long, its not true
Wanted a woman, never bargained for you
Lots of people talk and few of them know
Soul of a woman was created below, yeah
You hurt and abuse telling all of your lies
Run round, sweet baby, Lord, how they hypnotize
Sweet, little baby, I dont know where youve been
Gonna love you, baby, here I come again
If youre going to San Francisco
Be sure to wear some flowers in your hair
If youre going to San Francisco
Youre gonna meet a lot of gentle people there
Everyday, I work so hard bringing home my hard earned pay
Try to love you, baby, but you push me away
Dont know where youre going, only know just where youve been
Sweet little baby, I want you again
Been dazed and confused for so long, its not true
Wanted a woman, never bargained for you
Take it easy, baby, let them say what they will
Tongue wag so much when I send you the bill


If the sun refused to shine
I would still be loving you
When mountains crumble to the sea
There will still be you and me
Kind woman, I give you my all
Kind woman, nothing more
Little drops of rain whisper of the pain
Tears of loves lost in the days gone by
My love is strong
With you there is no wrong
Together we shall go until we die, my, my, my
An inspiration is what you are to me
Inspiration - look, see
And so today, my world, it smiles
Your hand in mine, we walk the miles
And thanks to you it will be done
For you to me are the only one
Alright, yeah
Happiness, no more be sad
Happiness - Im glad
If the sun refused to shine
I would still be loving you
When mountains crumble to the sea
There will still be you and me


Babe, baby, baby, Im gonna leave you
I said, Baby, you know Im gonna leave you
Ill leave you when the summertime
Leave you when the summer comes a-rolling
Leave you when the summer comes along
Babe, babe, babe, babe, babe, babe, baby, baby
I wanna leave you
I aint joking woman, Ive got to ramble
Oh, yeah, baby, baby, I believin
We really got to ramble
I can hear it calling me the way it used to do
I can hear it calling me back home
Babe, Im gonna leave you
Oh, baby, you know, Ive really got to leave you
Oh I can hear it calling me
I said dont you hear it calling me the way it used to do?
I know I know, I know
I never, never, never, never, never gonna leave you, babe
But I got to go away from this place
Ive got to quit you, yeah
Oh, baby, baby, baby, baby, baby, baby, baby
Oh, dont you hear it callin me?
Oh, woman, woman, I know, I know
It feels good to have you back again
And I know that one day baby, its gonna really grow, yes it is
We gonna go walkin through the park every day
Come what may, every day, oh
My, my, my, my, my, my babe
Im gonna leave you, go away
Oh, I miss you, baby
It was really, really good
You made me happy every single day
But now Ive got to go away
Oh, oh, oh
Baby, baby, baby, baby
Thats when its calling me
I said thats when its calling me back home


Oil Prices Hold Near \$47 on Iraq Threat  LONDON (Reuters) - Oil prices held steady near \$47 a barrel  on Wednesday a day after setting yet another record when the  United States, the world's biggest oil consumer, said inflation  had stayed in check despite rising energy costs.


Microsoft wants to improve your image New imaging software is making eyes at those squinty camera-phone pictures.


Russia Welcomes Georgian Troops #39;Pullout from South Ossetia In its statement issued on August 20 Russian Foreign Ministry welcomed Georgia #39;s decision to pull out its extra troops from the South Ossetian conflict zone.


Open source on the line roundup \Linux shapes up as a software standard for cell phone networks. Also: California sees security in open source.


Many engineers lack a four-year degree The news comes as some observers warn that the United States needs to focus more on training scientists and engineers.


Compuware Seeks  #39;Severe #39; Sanctions in Suit vs. IBM Compuware is seeking reimbursement for its  quot;substantial quot; efforts related to IBM #39;s failure to produce the software code, which it wants excluded as evidence from the trial. For its part, IBM remains confident Compuware #39;s latest motion will ...


Mini Could Get Mighty with Speakers (Ziff Davis) Ziff Davis - iPod mini users might want to consider ditching their earphones if Altec Lansing's iMmini speaker system lives up to its promise. Based on the same technology and engineering as the original inMotion system, the iMmini can be folded into a convenient carrying shape.


A Digital Doctor Treats Computer Contamination Unfortunately for users, computer equipment manufacturers and resellers don't adequately inform Windows users of the risks involved in accessing the Internet without proper security measures.
-The Washington Post


Report: Palestinians, Israel Back Peace Plan  CAIRO (Reuters) - Palestinians and Israelis have agreed in  principle to proposals aiming to end their conflict, Egypt's  official news agency MENA said on Tuesday.


Lawyers Defend Wen Ho Lee Reporters (AP) AP - An Associated Press reporter and four other journalists shouldn't be punished for keeping secret the names of sources for stories about Wen Ho Lee, a former nuclear weapons scientist once suspected of spying, their lawyers told a federal judge Wednesday.


I am a sinner whos probably gonna sin again
Lord, forgive me
Lord, forgive me
Things I dont understand
Sometimes I need to be alone
Bitch, dont kill my vibe
Bitch, dont kill my vibe
I can feel your energy from two planets away
I got my drink, I got my music
I would share it, but today Im yelling
Bitch, dont kill my vibe
Bitch, dont kill my vibe
Bitch, dont kill my vibe
Bitch, dont kill my vibe
Look inside of my soul and you can find gold and maybe get rich
Look inside of your soul and you can find out it never exist
I can feel the changes
I can feel a new life, I always knew life can be dangerous
I can say that I like a challenge and you tell me its painless
You dont know what pain is
How can I paint this picture
When the color blind is hangin with you?
Fell on my face and awoke with a scar
Another mistake livin deep in my heart
Wear it on top of my sleeve in a flick
I can admit that it did look like yours
Why you resent every making of his?
Tell me your purpose is petty again
But even a small lighter can burn a bridge
Even a small lighter can burn a bridge
I can feel the changes
I can feel the new people around me just want to be famous
You can see that my city found me
Then put me on stages, to me thats amazin
To you thats a quick check
With all disrespect, let me say this
I am a sinner whos probably gonna sin again
Lord, forgive me
Lord, forgive me
Things I dont understand
Sometimes I need to be alone
Bitch, dont kill my vibe! Bitch, dont kill my vibe!
I can feel your energy from two planets away
I got my drink, I got my music
I would share it, but today Im yelling
Bitch, dont kill my vibe
Bitch, dont kill my vibe
Bitch, dont kill my vibe
Bitch, dont kill my vibe
Im tryin to keep it alive
And not compromise the feeling we love
Youre tryin to keep it deprived
And only co-sign what radio does
And Im lookin right past you
We live in a world, we live in a world on two different axles
You live in a world, you livin behind the mirror
I know what you scared of
The feeling of feeling emotions inferior
This shit is vital, I know you had to
This shit is vital, I know you had to
Die in a pitiful vain, tell me a watch and a chain
Is way more believable, give me a feasible gain
Rather a seasonal name
Ill let the people know this is somethin you can blame
On yourselves, you can remain stuck in a box
Ima break out and then hide every lock
Ima break out and then hide every lock
I can feel the changes
I can feel the new people around me just want to be famous
You can see that my city found me, then put me on stages
To me, thats amazin
To you thats a quick check
With all disrespect, let me say this
I am a sinner whos probably gonna sin again
Lord, forgive me
Lord, forgive me
Things I dont understand
Sometimes I need to be alone
Bitch, dont kill my vibe
Bitch, dont kill my vibe
I can feel your energy from two planets away
I got my drink, I got my music
I would share it, but today Im yelling
Bitch, dont kill my vibe
Bitch, dont kill my vibe
Bitch, dont kill my vibe
Bitch, dont kill my vibe
Bitch, dont kill my vibe
You aint heard the coast like this in a long time
Dont you see that long line?
And they waiting on Kendrick like the first and the fifteenth
Threes in the air, I can see you are in sync
Hide your feelings, hide your feelings, now, what you better do
Ill take your girlfriend and put that pussy on the pedestal
Bitch, dont kill my vibe
Bitch, dont kill my vibe
Walk out the door and they scream its alive
My New Years resolution is to stop all the pollution
Talk too motherfuckin much, I got my drink, I got my music
I say bitch, dont kill my vibe
Bitch, dont kill my vibe
Bitch, dont kill my vibe
Bitch, dont kill my vibe
Ayy, K-Dot, get in the car, nigga!
Come on, we finna roll out!
Nigga, I got a pack of blacks and a beat CD
Get yo freestyles ready!


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