Just gotta
Clear my head a little bit
I dont know what Im looking for
I dont know what to say anymore
I wouldnt call it sad, I wouldnt call it mad
Somethings just not right
I dont wanna feel like this anymore
That man in the mirror aint me
In the mirror, aint me, no, no
That man in the mirror aint me
In the mirror, aint me, no, no
I dont wanna feel like this anymore, yeah, yeah, yeah, yeah
I dont know whats wrong
But this feelings so strong, let it go
Wishing I could just forget all the thoughts up in my head
Well, couldnt tell you whats missing
Man, its nothing specific
Just a feeling, Im tripping
Got me so fucked up, yeah
Wish I could lift this up
Oh, no, no, no, no
That man in the mirror aint me
In the mirror, aint me, no, no
That man in the mirror aint me
In the mirror, aint me, no, no
I dont wanna feel like this anymore, yeah, yeah, yeah, yeah
Fighting with my mind
Crossing every line
Getting too close
I just gotta breathe
Smoke a little weed
Learn to let it go
I know that Im meant for more than this
I just gotta leave my head and start to live
That man in the mirror aint me
In the mirror, aint me, no, no
That man in the mirror cant see
In the mirror, cant see me, no


Half a mile from the county fair
And the rain came pourin down
Me and Billy standin there
With a silver half a crown
Hands are full of fishin rods
And the tackle on our backs
We just stood there gettin wet
With our backs against the fence
Oh, the water
Oh, the water
Oh, the water
Hope it dont rain all day
And it stoned me to my soul
Stoned me just like Jelly Roll
And it stoned me
And it stoned me to my soul
Stoned me just like going home
And it stoned me
And the rain let up
And the sun came up
And we were gettin dry
Almost let a pick-up truck
Nearly pass us by
So we jumped right in
And the driver grinned
And he dropped us up the road
And we looked at the swim
And we jumped right in
Not to mention fishing poles
Oh, the water
Oh, the water
Oh, the water
Let it run all over me
And it stoned me to my soul
Stoned me just like Jelly Roll
And it stoned me
And it stoned me to my soul
Stoned me just like going home
And it stoned me
2:12 - 2:53
On the way back home
We sang a song
But our throats were getting dry
Then we saw the man
From across the road
With the sunshine in his eyes
Well he lived all alone
In his own little home
With a great big gallon jar
There were bottles too
One for me and you
And he said Hey! There you are
Oh, the water
Oh, the water
Oh, the water
Get it myself from the mountain stream
And it stoned me to my soul
Stoned me just like Jelly Roll
And it stoned me
And it stoned me to my soul
Stoned me just like going home
And it stoned me
Well it stoned me to my soul
Stoned on me just like Jelly Roll
And it stoned me
Well it stoned me to my soul
Stoned me just like going home
And it stoned me


Down on Cyprus Avenue
With a childlike vision leaping into view
Clicking, clacking of the high-heeled shoe
Ford and Fitzroy, Madame George
Marching with the soldier boy behind
Hes much older now with hat on drinking wine
And that smell of sweet perfume comes drifting through
The cool night air like Shalimar
And outside theyre making all the stops
The kids out in the street collecting bottle-tops
Gone for cigarettes and matches in the shops
Happy taken Madame George
Thats when you fall
Whoa, thats when you fall
Yeah, thats when you fall
When you fall into a trance
Sitting on a sofa playing games of chance
With your folded arms and history books
You glance into the eyes of Madame George
And you think you found the bag
Youre getting weaker and your knees begin to sag
In the corner playing dominoes in drag
The one and only Madame George
And then from outside the frosty window raps
She jumps up and says, Lord, have mercy I think that its the cops
And immediately drops everything she gots
Down into the street below
And you know you gotta go
On that train from Dublin up to Sandy Row
Throwing pennies at the bridges down below
And the rain, hail, sleet, and snow
Say goodbye to Madame George
Dry your eye for Madame George
Wonder why for Madame George
And as you leave, the room is filled with music
Laughing, music, dancing, music all around the room
And all the little boys come around, walking away from it all
So cold, and as youre about to leave
She jumps up and says, hey love, you forgot your gloves
And the loves to love to love the love
To say goodbye to Madame George
Dry your eye for Madame George
Wonder why for Madame George
Dry your eyes for Madame George
Say goodbye in the wind and the rain on the back street
In the backstreet, in the back street
Say goodbye to Madame George
In the backstreet, in the back street, in the back street
Down home, down home in the back street
Gotta go, say goodbye, goodbye, goodbye
Dry your eye, your eye, your eye, your eye, your eye
Say goodbye to Madame George
And the loves to love to love the love
Say goodbye
Say goodbye goodbye, goodbye, goodbye to Madame George
Dry your eye for Madame George
Wonder why for Madame George
The loves to love, the loves to love, the loves to love
Say goodbye, goodbye
Get on the train
Get on the train, the train, the train
This is the train, this is the train
Whoa, say goodbye, goodbye
Get on the train, get on the train


Stand and deliver
You let them put the fear on you
Stand and deliver
But not a word you heard was true
But if theres nothing you can say
There may be nothing you can do
Do you wanna be a free man
Or do you wanna be a slave?
Do you wanna be a free man
Or do you wanna be a slave?
Do you wanna wear these chains
Until youre lying in the grave?
I dont wanna be a pauper
And I dont wanna be a prince
I dont wanna be a pauper
And I dont wanna be a prince
I just wanna do my job
Playing the blues for friends
Magna Carta, Bill of Rights
The constitution, whats it worth?
You know theyre gonna grind us down, ah
Until it really hurts
Is this a sovereign nation
Or just a police state?
You better look out, people
Before it gets too late
You wanna be your own driver
Or keep on flogging a dead horse?
You wanna be your own driver
Or keep on flogging a dead horse?
Do you wanna make it better
Or do you wanna make it worse?
Stand and deliver
You let them put the fear on you
Slow down the river
But not a word of it was true
If theres nothing you can say
There may be nothing you can do
Stand and deliver
Stand and deliver
Dick Turpin wore a mask too


The ship was decommissioned in 1865 and placed in reserve .


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= = = Aerodrome licensing = = =


The General Aviation Small Aerodrome Research Study ( GASAR ) analysed 687 aerodromes in England which come under the scope of GA , classifying 374 into six types .


In March 2016 , she was part of " Jacqueline Builds " campaign that raised funds for the victims of the 2015 South Indian floods .


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Another prominent theme is the gods ' death and revival .


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At the same time , his mother Loretta was diagnosed with skin cancer .


resumption of the session


i declare resumed the session of the european parliament adjourned on friday 17 december 1999 and i would like once again to wish you a happy new year in the hope that you enjoyed a pleasant festive period


although as you will have seen the dreaded 'millennium bug' failed to materialise still the people in a number of countries suffered a series of natural disasters that truly were dreadful


you have requested a debate on this subject in the course of the next few days during this partsession


in the meantime i should like to observe a minute' s silence as a number of members have requested on behalf of all the victims concerned particularly those of the terrible storms in the various countries of the european union


please rise then for this minute' s silence


(the house rose and observed a minute' s silence)


madam president on a point of order


you will be aware from the press and television that there have been a number of bomb explosions and killings in sri lanka


one of the people assassinated very recently in sri lanka was mr kumar ponnambalam who had visited the european parliament just a few months ago


11 SAMPLE SIZE We recommend that the extra costs of improved sampling be offset by smaller sample size. Some of our recommended changes in operating procedures will actually reduce costs. We believe greater net accuracy will then be achieved--considering sample bias as well as chance sampling error. That is, we believe the reduced bias will more than compensate the increased sampling error (smaller "mean-square-error"). We believe present sample biases may seriously distort trends over time, in this continuing tracking study. Of course, one never knows the true bias effect in a particular survey (or else he could and should correct for it). But much experience, and study of CCTTS sampling, convince us that-- a smaller, better sample will produce better results for about the same cost. PYISTT00902


Alan. Rodgman: 1981 _ 50283 5949 WORK PLAN ACCT.| OBJ. Jwonk PLAN METHODS OF APPROACH SUMMARY OF PROGRESS SUMMARY OF PROGRESS NO. NO. NO. (SPECIFIC PROJECTS, DAILY FUNCTIONS) MID-YEAR YEAR-END 1 3 1 Cigarette Design: Examine effects of cigarette construction variables (materials, dimensions) on formation and delivery of mainstream and smokes. Identify and construct pretotypes to achieve desired control of smoke formation (complete 25% by 12/81). 1 3 2 Tobacco Pyrolysis: Determine effects of pyrolysis conditions (temperature, moisture, flowrate, atmosphere, substrate) on product deliveries and distributions; attempt to relate results to those obtained in 1-3-1 (complete 25% by 12/81).


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Additional parameters may be passed through by Qualtrics, but they will not affect the simulation. Experimental condition would be randomly assigned by Qualtrics.


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I walk a lonely road
The only one that I have ever known
Dont know where it goes
But its home to me, and I walk alone
I walk this empty street
On the Boulevard of Broken Dreams
Where the city sleeps
And Im the only one, and I walk alone
I walk alone, I walk alone
I walk alone, I walk a-
My shadows the only one that walks beside me
My shallow hearts the only thing thats beating
Sometimes I wish someone out there will find me
Til then I walk alone
Ah-ah, ah-ah, ah-ah, ah-ah
Ah-ah, ah-ah, ah-ah
Im walking down the line
That divides me somewhere in my mind
On the borderline
Of the edge and where I walk alone
Read between the lines
Whats fucked up, and everythings all right
Check my vital signs
To know Im still alive, and I walk alone
I walk alone, I walk alone
I walk alone, I walk a-
My shadows the only one that walks beside me
My shallow hearts the only thing thats beating
Sometimes I wish someone out there will find me
Til then I walk alone
Ah-ah, ah-ah, ah-ah, ah-ah
Ah-ah, ah-ah
I walk alone, I walk a-
I walk this empty street
On the Boulevard of Broken Dreams
Where the city sleeps
And Im the only one, and I walk a-
My shadows the only one that walks beside me
My shallow hearts the only thing thats beating
Sometimes I wish someone out there will find me
Til then I walk alone


Dont wanna be an American idiot
Dont want a nation under the new media
And can you hear the sound of hysteria?
The subliminal mind-fuck America
Welcome to a new kind of tension
All across the alienation
Where everything isnt meant to be okay
In television dreams of tomorrow
Were not the ones whore meant to follow
For thats enough to argue
Well, maybe Im the faggot, America
Im not a part of a redneck agenda
Now everybody do the propaganda
And sing along to the age of paranoia
Welcome to a new kind of tension
All across the alienation
Where everything isnt meant to be okay
In television dreams of tomorrow
Were not the ones whore meant to follow
For thats enough to argue
Dont wanna be an American idiot
One nation controlled by the media
Information age of hysteria
Its calling out to idiot America
Welcome to a new kind of tension
All across the alien nation
Where everything isnt meant to be okay
In television dreams of tomorrow
Were not the ones whore meant to follow
For thats enough to argue


Say hey!
Cha!
Hear the sound of the falling rain
Coming down like an Armageddon flame
The shame, the ones who died without a name
Hear the dogs howling out of key
To a hymn called Faith and Misery
And bleed, the company lost the war today
I beg to dream and differ from the hollow lies
This is the dawning of the rest of our lives
On holiday!
Hear the drum pounding out of time
Another protester has crossed the line
To find the moneys on the other side
Can I get another Amen?
Theres a flag wrapped around a score of men
A gag, a plastic bag on a monument
I beg to dream and differ from the hollow lies
This is the dawning of the rest of our lives
On holiday!
Three, four!
The representative from California has the floor.
Sieg Heil to the president Gasman
Bombs away is your punishment
Pulverize the Eiffel towers
Who criticize your government
Bang bang goes the broken glass, and
Kill all the fags that dont agree
Trials by fire, setting fire
Is not a way thats meant for me
Just cause
Just cause
Because were outlaws, yeah!
I beg to dream and differ from the hollow lies
This is the dawning of the rest of our lives
I beg to dream and differ from the hollow lies
This is the dawning of the rest of our lives
This is our lives on holiday!


Do you have the time
To listen to me whine
About nothing and everything all at once?
I am one of those
Melodramatic fools
Neurotic to the bone, no doubt about it
Sometimes, I give myself the creeps
Sometimes, my mind plays tricks on me
It all keeps adding up
I think Im cracking up
Am I just paranoid?
Am I just stoned?
And I went to a shrink
To analyze my dreams
She says its lack of sex thats bringing me down
And I went to a whore
He said my lifes a bore
So quit my whining cause its bringing her down
Sometimes, I give myself the creeps
Sometimes, my mind plays tricks on me
It all keeps adding up
I think Im cracking up
Am I just paranoid?
Huh yeah, yeah, yeah
Grasping to control
So I better hold on
Sometimes, I give myself the creeps
Sometimes, my mind plays tricks on me
It all keeps adding up
I think Im cracking up
Am I just paranoid?
Am I just stoned?


Summer has come and passed
The innocent can never last
Wake me up when September ends
Like my fathers come to pass
Seven years has gone so fast
Wake me up when September ends
Here comes the rain again
Falling from the stars
Drenched in my pain again
Becoming who we are
As my memory rests
But never forgets what I lost
Wake me up when September ends
Summer has come and passed
The innocent can never last
Wake me up when September ends
Ring out the bells again
Like we did when spring began
Wake me up when September ends
Here comes the rain again
Falling from the stars
Drenched in my pain again
Becoming who we are
As my memory rests
But never forgets what I lost
Wake me up when September ends
Summer has come and passed
The innocent can never last
Wake me up when September ends
Like my fathers come to pass
Twenty years has gone so fast
Wake me up when September ends
Wake me up when September ends
Wake me up when September ends


Fuck...
Another turning point, a fork stuck in the road
Time grabs you by the wrist, directs you where to go
So make the best of this test, and dont ask why
Its not a question, but a lesson learned in time
Its something unpredictable, but in the end is right
I hope you had the time of your life
So take the photographs and still frames in your mind
Hang it on a shelf in good health and good time
Tattoos of memories, and dead skin on trial
For what its worth, it was worth all the while
Its something unpredictable, but in the end is right
I hope you had the time of your life
Its something unpredictable, but in the end is right
I hope you had the time of your life
Its something unpredictable, but in the end is right
I hope you had the time of your life...


Do you know whats worth fighting for
When its not worth dying for?
Does it take your breath away
And you feel yourself suffocating?
Does the pain weigh out the pride
And you look for a place to hide?
Did someone break your heart inside?
Youre in ruins
One, twenty-one guns
Lay down your arms, give up the fight
One, twenty-one guns
Throw up your arms into the sky
You and I
When youre at the end of the road
And you lost all sense of control
And your thoughts have taken their toll
When your mind breaks the spirit of your soul
Your faith walks on broken glass
And the hangover doesnt pass
Nothings ever built to last
Youre in ruins
One, twenty-one guns
Lay down your arms, give up the fight
One, twenty-one guns
Throw up your arms into the sky
You and I
Did you try to live on your own
When you burned down the house and home?
Did you stand too close to the fire
Like a liar looking for forgiveness from a stone?
When its time to live and let die
And you cant get another try
Something inside this heart has died
Youre in ruins
One, twenty-one guns
Lay down your arms, give up the fight
One, twenty-one guns
Throw up your arms into the sky
One, twenty-one guns
Lay down your arms, give up the fight
One, twenty-one guns
Throw up your arms into the sky
You and I


Im the son of rage and love
The Jesus of Suburbia
The bible of none of the above
On a steady diet of
Soda-pop and Ritalin
No one ever died for my sins in Hell
As far as I can tell
Least the ones I got away with
And theres nothing wrong with me
This is how Im supposed to be
In a land of make-believe
That dont believe in me
Get my television fix
Sitting on my crucifix
The living room, or my private womb
While the moms and Brads are away
To fall in love and fall in debt
To alcohol and cigarettes and Mary Jane
To keep me insane
Doing someone elses cocaine
And theres nothing wrong with me
This is how Im supposed to be
In a land of make-believe
That dont believe in me
At the center of the Earth, in the parking lot
Of the 7-Eleven where I was taught
The motto was just a lie
It says home is where your heart is, but what a shame
Cause everyones heart doesnt beat the same
Its beating out of time
City of the dead
At the end of another lost highway
Signs misleading to nowhere
City of the damned
Lost children with dirty faces today
No one really seems to care
I read the graffiti in the bathroom stall
Like the holy scriptures of the shopping mall
And so it seemed to confess
It didnt say much, but it only confirmed
That the center of the Earth is the end of the world
And I could really care less
City of the dead
At the end of another lost highway
Signs misleading to nowhere
City of the damned
Lost children with dirty faces today
No one really seems to care
I dont care if you dont
I dont care if you dont
I dont care if you dont care
I dont care if you dont
I dont care if you dont
I dont care if you dont care
I dont care if you dont
I dont care if you dont
I dont care if you dont care
I dont care if you dont
I dont care if you dont
I dont care if you dont care
I dont care!
Everyones so full of shit
Born and raised by hypocrites
Hearts recycled, but never saved
From the cradles to the grave
We are the kids of war and peace
From Anaheim to the Middle East
We are the stories and disciples of
The Jesus of Suburbia!
Land of make-believe
And it dont believe in me
Land of make-believe
And I dont believe
And I dont care!
I dont care!
I dont care!
I dont care!
I dont care!
Dearly beloved, are you listening?
I cant remember a word that you were saying
Are we demented, or am I disturbed?
The space thats in between insane and insecure
Ooh, ooh-ooh-ooh
Ooh, ooh-ooh
 Oh, therapy, can you please fill the void?
 Am I retarded or am I just overjoyed?
 Nobodys perfect and I stand accused
 For lack of a better word, and thats my best excuse
Ooh, ooh-ooh-ooh
Ooh, ooh-ooh
To live and not to breathe
Is to die in tragedy
To run, to run away
To find what you believe
And I leave behind
This hurricane of fucking lies
I lost my faith to this
This town that dont exist
So I run, I run away
To the lights of masochists
And I leave behind
This hurricane of fucking lies
And Ive walked this line
A million and one fucking times
But not this time!
I dont feel any shame, I wont apologize
When there aint nowhere you can go
Running away from pain when youve been victimized
Tales from another broken
Home
Youre leaving
Youre leaving
Youre leaving
Are you leaving home?


Im having trouble trying to sleep
Im counting sheep, but running out
As time ticks by, still I try
No rest for cross-tops in my mind
On my own, here we go
My eyes feel like theyre gonna bleed
Dried up and bulging out my skull
My mouth is dry, my face is numb
Fucked up and spun out in my room
On my own, here we go
My mind is set on overdrive
The clock is laughing in my face
A crooked spine, my senses dulled
Past the point of delirium
On my own, here we go
My eyes feel like theyre gonna bleed
Dried up and bulging out my skull
My mouth is dry, my face is numb
Fucked up and spun out in my room
On my own, here we go


This is definitely not the first video to surface of an execution
The blue stash of men, they claimed responsibility for the executions
Described as severely mentally disturbed
It appears to show another hostage executed by the terrorist group
Deserve to be annihilated
I get my kicks, and I wanna start a rager
I wanna dance like Im on the video
I got a fever for the violent behavior
Im sweatin bullets like a modern Romeo
Bang! Bang! Gimme fame!
Shoot me up to entertain
I am a semi-automatic lonely boy
Youre dead! Im well fed!
Give me death or give me head
Daddys little psycho and Mommys little soldier
I testify like a lullaby of memories
Broadcasting live, and its on my radio
I got my photobomb, I got my Vietnam
I love a lie just like anybody else
Bang! Bang! Gimme fame!
Shoot me up to entertain
I am a semi-automatic lonely boy
Youre dead! Im well fed!
Give me death or give me head
Broadcasting from my room and playin with my toys
I wanna be a celebrity martyr
The leading man in my own private drama
Hoorah! Hoorah!
The hero of the hour
Daddys little psycho and Mommys little soldier
I wanna be like the soldiers on the screen
Its my private movie
Oh, baby, baby, this is Viva Vendetta
For this is love, or its World War Zero!
Ah-ah-ah
Ah-ah-ah
I wanna be a celebrity martyr
The leading man in my own private drama
Hoorah! Hoorah!
The hero of the hour
Daddys little psycho and Mommys little soldier
I wanna be a celebrity martyr
The leading man in my own private drama
Hoorah! Hoorah!
The hero of the hour
Daddys little psycho and Mommys little soldier!


Goethe .


Preface to the Electronic Edition Viktor Rydberg ( 1828-1895 ) was one of Sweden 's most important authors in the 19th century , between Almqvist and Strindberg .


This collection was sold in numerous editions ; and other , smaller collections with similar names were also sold .


Find an overview in our presentation of this Nordic Author .


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Question: The sanctions against the school were a punishing blow, and they seemed to what the efforts the school had made to change?

Choices:
A. ignore
B. enforce
C. authoritarian
D. yell at
E. avoid

Answer: A


Question: Sammy wanted to go to where the people were.  Where might he go?

Choices:
A. race track
B. populated areas
C. the desert
D. apartment
E. roadblock

Answer: B


Question: To locate a choker not located in a jewelry box or boutique where would you go?

Choices:
A. jewelry store
B. neck
C. jewlery box
D. jewelry box
E. boutique

Answer: A


Question: Google Maps and other highway and street GPS services have replaced what?

Choices:
A. united states
B. mexico
C. countryside
D. atlas
E. oceans

Answer: D


Question: The fox walked from the city into the forest, what was it looking for?

Choices:
A. pretty flowers.
B. hen house
C. natural habitat
D. storybook
E. dense forest

Answer: C


Question: The only baggage the woman checked was a drawstring bag, where was she heading with it?

Choices:
A. garbage can
B. military
C. jewelry store
D. safe
E. airport

Answer: E


Question: The forgotten leftovers had gotten quite old, he found it covered in mold in the back of his what?

Choices:
A. carpet
B. refrigerator
C. breadbox
D. fridge
E. coach

Answer: B


Question: What do people use to absorb extra ink from a fountain pen?

Choices:
A. shirt pocket
B. calligrapher's hand
C. inkwell
D. desk drawer
E. blotter

Answer: E


Question: Where is a business restaurant likely to be located?

Choices:
A. town
B. at hotel
C. mall
D. business sector
E. yellow pages

Answer: D


Chapter  12

Summary: Mrs. Dashwood and her daughters are busy attending parties and balls. Marianne is in her element. She is overjoyed in the company of Willoughby, who showers much affection and attention on her. Elinor even feels left out at times. Deprived of friends of her own age, she is often thrown in the company of Mrs. Jennings and Lady Middleton. At such times she welcomes the presence of Colonel Brandon. Brandon often talks of Marianne and asks Elinor about her sister's preferences.

Notes Jane Austen paints the picture of an eighteenth-century upper middle-class society. The Dashwoods and Middletons are shown to be busy attending parties and balls. Their main occupation is socializing, and they take pleasure in entertaining people. Every young girl waits for a respectable young man to woo her, and her parents hope for a match between them. They lead a leisurely life, perhaps unusual to the modern reader. Marianne is exhilarated by the looks and manners of her lover. She does not care to understand his essential nature. Obsessed with Willoughby, she ignores Colonel Brandon and unconsciously hurts him. Blinded by her infatuation for Willoughby, she is not able to realize the worth of the Colonel or detect the intensity of his feelings. This chapter again emphasizes the difference in attitudes between Willoughby and Colonel Brandon. Both men are attracted to Marianne. Willoughby displays his affection by wooing Marianne, like a dashing hero would, while Colonel Brandon admires his lady love from a distance and silently hopes to win her favor. Willoughby is interested only in flirting with Marianne, but the Colonel, like a sincere person, looks forward to a lasting relationship. CHAPTER 12 Summary Marianne gets carried away by Willoughby's showy gestures. When he offers her a horse, she accepts it readily and talks about it to her sister. Elinor is shocked to learn this and asks Marianne to decline the offer, as it would prove too costly for them. Elinor observes Willoughby's behavior towards her sister and detects a note of intimacy in it. Margaret tells Elinor about her suspicion of an engagement between Marianne and Willoughby. Later, at Mrs. Jennings' insistence, Margaret gives a hint about Elinor's attachment to Edward, much to Elinor's embarrassment. Notes The chapter hints at the extent of the involvement of Marianne with Willoughby. Willoughby tries to impress Marianne by offering her a horse as a gift, and Marianne foolishly accepts the offer without giving a thought to the expenditure involved. Willoughby's superficiality and Marianne's gullibility are exposed in this episode. Chapter 12 also reveals the character of the youngest of the Dashwood girls. Margaret, one of the minor characters in the novel, is otherwise ignored by Austen. Only a few chapters give a glimpse into her personality. Margaret, like a typical teenager, gets excited over little things and jumps to conclusions easily. She derives pleasure from revealing secrets. She informs Elinor about the impending marriage between Marianne and Willoughby because she saw the young man taking a lock of hair from her sister . At the Park, she gives hints about the relationship between Elinor and Edward to Mrs. Jennings, much to the embarrassment of her sister. Like a reckless teenager, she is always in a hurry to impart information not meant to be disclosed publicly. CHAPTER 13 Summary Everyone is eagerly looking forward to their picnic at Whitewell. However, on the morning of the outing, a letter arrives for Colonel Brandon and alters the situation. The letter disturbs Brandon, and he informs the others about his decision to leave immediately for the town. The picnic is canceled, much to the disappointment of all, since it is not possible to proceed to Whitewell without the assistance of the Colonel. Sir John Middleton suggests that they should go for a ride in the carriage around the countryside. Marianne and Willoughby take a separate carriage. They visit Allenham on the sly. When Elinor learns about their visit, she is angry with Marianne for not observing the rules of propriety. Marianne justifies her action. Notes An element of suspense is introduced in this chapter. After the Colonel reads the letter, he turns grave and decides to leave for the town immediately. He evades the questions of Mrs. Jennings and declines to postpone his visit. After he leaves, Mrs. Jennings hints at the possibility of his visiting his illegitimate daughter, Miss Williams. Through this bit of information, Austen arouses the curiosity of the reader regarding the mysterious past of Colonel Brandon. Marianne and Willoughby are insensitive to the feelings of the Colonel and fail to sympathize with his plight. They criticize Brandon for spoiling the afternoon. Colonel Brandon comes across as a man in control of his emotions. Even though he is disturbed by the contents of the letter, he does not reveal his misery to others. Like a gentleman, he excuses himself from the party and bows to Marianne before taking his leave. His silence speaks volumes. The chapter relates one more incident which creates a clash between the good sense of Elinor and the sensibility of Marianne. Marianne makes a secret visit to Allenham with Willoughby but does not feel guilty about what she has done. Elinor's sense of decorum causes her to condemn her sister's actions, as she does not approve of Marianne's visiting a stranger's house with a man to whom she is not even engaged, at least not openly.

As Elinor and Marianne were walking together the next morning the
latter communicated a piece of news to her sister, which in spite of
all that she knew before of Marianne's imprudence and want of thought,
surprised her by its extravagant testimony of both.  Marianne told her,
with the greatest delight, that Willoughby had given her a horse, one
that he had bred himself on his estate in Somersetshire, and which was
exactly calculated to carry a woman.  Without considering that it was
not in her mother's plan to keep any horse, that if she were to alter
her resolution in favour of this gift, she must buy another for the
servant, and keep a servant to ride it, and after all, build a stable
to receive them, she had accepted the present without hesitation, and
told her sister of it in raptures.

"He intends to send his groom into Somersetshire immediately for it,"
she added, "and when it arrives we will ride every day.  You shall
share its use with me.  Imagine to yourself, my dear Elinor, the
delight of a gallop on some of these downs."

Most unwilling was she to awaken from such a dream of felicity to
comprehend all the unhappy truths which attended the affair; and for
some time she refused to submit to them.  As to an additional servant,
the expense would be a trifle; Mama she was sure would never object to
it; and any horse would do for HIM; he might always get one at the
park; as to a stable, the merest shed would be sufficient.  Elinor then
ventured to doubt the propriety of her receiving such a present from a
man so little, or at least so lately known to her.  This was too much.

"You are mistaken, Elinor," said she warmly, "in supposing I know very
little of Willoughby.  I have not known him long indeed, but I am much
better acquainted with him, than I am with any other creature in the
world, except yourself and mama.  It is not time or opportunity that is
to determine intimacy;--it is disposition alone.  Seven years would be
insufficient to make some people acquainted with each other, and seven
days are more than enough for others.  I should hold myself guilty of
greater impropriety in accepting a horse from my brother, than from
Willoughby.  Of John I know very little, though we have lived together
for years; but of Willoughby my judgment has long been formed."

Elinor thought it wisest to touch that point no more.  She knew her
sister's temper.  Opposition on so tender a subject would only attach
her the more to her own opinion.  But by an appeal to her affection for
her mother, by representing the inconveniences which that indulgent
mother must draw on herself, if (as would probably be the case) she
consented to this increase of establishment, Marianne was shortly
subdued; and she promised not to tempt her mother to such imprudent
kindness by mentioning the offer, and to tell Willoughby when she saw
him next, that it must be declined.

She was faithful to her word; and when Willoughby called at the
cottage, the same day, Elinor heard her express her disappointment to
him in a low voice, on being obliged to forego the acceptance of his
present.  The reasons for this alteration were at the same time
related, and they were such as to make further entreaty on his side
impossible.  His concern however was very apparent; and after
expressing it with earnestness, he added, in the same low voice,--"But,
Marianne, the horse is still yours, though you cannot use it now.  I
shall keep it only till you can claim it.  When you leave Barton to
form your own establishment in a more lasting home, Queen Mab shall
receive you."

This was all overheard by Miss Dashwood; and in the whole of the
sentence, in his manner of pronouncing it, and in his addressing her
sister by her Christian name alone, she instantly saw an intimacy so
decided, a meaning so direct, as marked a perfect agreement between
them.  From that moment she doubted not of their being engaged to each
other; and the belief of it created no other surprise than that she, or
any of their friends, should be left by tempers so frank, to discover
it by accident.

Margaret related something to her the next day, which placed this
matter in a still clearer light.  Willoughby had spent the preceding
evening with them, and Margaret, by being left some time in the parlour
with only him and Marianne, had had opportunity for observations,
which, with a most important face, she communicated to her eldest
sister, when they were next by themselves.

"Oh, Elinor!" she cried, "I have such a secret to tell you about
Marianne.  I am sure she will be married to Mr. Willoughby very soon."

"You have said so," replied Elinor, "almost every day since they first
met on High-church Down; and they had not known each other a week, I
believe, before you were certain that Marianne wore his picture round
her neck; but it turned out to be only the miniature of our great
uncle."

"But indeed this is quite another thing.  I am sure they will be
married very soon, for he has got a lock of her hair."

"Take care, Margaret.  It may be only the hair of some great uncle of
HIS."

"But, indeed, Elinor, it is Marianne's. I am almost sure it is, for I
saw him cut it off.  Last night after tea, when you and mama went out
of the room, they were whispering and talking together as fast as could
be, and he seemed to be begging something of her, and presently he took
up her scissors and cut off a long lock of her hair, for it was all
tumbled down her back; and he kissed it, and folded it up in a piece of
white paper; and put it into his pocket-book."

For such particulars, stated on such authority, Elinor could not
withhold her credit; nor was she disposed to it, for the circumstance
was in perfect unison with what she had heard and seen herself.

Margaret's sagacity was not always displayed in a way so satisfactory
to her sister.  When Mrs. Jennings attacked her one evening at the
park, to give the name of the young man who was Elinor's particular
favourite, which had been long a matter of great curiosity to her,
Margaret answered by looking at her sister, and saying, "I must not
tell, may I, Elinor?"

This of course made every body laugh; and Elinor tried to laugh too.
But the effort was painful.  She was convinced that Margaret had fixed
on a person whose name she could not bear with composure to become a
standing joke with Mrs. Jennings.

Marianne felt for her most sincerely; but she did more harm than good
to the cause, by turning very red and saying in an angry manner to
Margaret,

"Remember that whatever your conjectures may be, you have no right to
repeat them."

"I never had any conjectures about it," replied Margaret; "it was you
who told me of it yourself."

This increased the mirth of the company, and Margaret was eagerly
pressed to say something more.

"Oh! pray, Miss Margaret, let us know all about it," said Mrs.
Jennings.  "What is the gentleman's name?"

"I must not tell, ma'am. But I know very well what it is; and I know
where he is too."

"Yes, yes, we can guess where he is; at his own house at Norland to be
sure.  He is the curate of the parish I dare say."

"No, THAT he is not.  He is of no profession at all."

"Margaret," said Marianne with great warmth, "you know that all this is
an invention of your own, and that there is no such person in
existence."

"Well, then, he is lately dead, Marianne, for I am sure there was such
a man once, and his name begins with an F."

Most grateful did Elinor feel to Lady Middleton for observing, at this
moment, "that it rained very hard," though she believed the
interruption to proceed less from any attention to her, than from her
ladyship's great dislike of all such inelegant subjects of raillery as
delighted her husband and mother.  The idea however started by her, was
immediately pursued by Colonel Brandon, who was on every occasion
mindful of the feelings of others; and much was said on the subject of
rain by both of them.  Willoughby opened the piano-forte, and asked
Marianne to sit down to it; and thus amidst the various endeavours of
different people to quit the topic, it fell to the ground.  But not so
easily did Elinor recover from the alarm into which it had thrown her.

A party was formed this evening for going on the following day to see a
very fine place about twelve miles from Barton, belonging to a
brother-in-law of Colonel Brandon, without whose interest it could not
be seen, as the proprietor, who was then abroad, had left strict orders
on that head.  The grounds were declared to be highly beautiful, and
Sir John, who was particularly warm in their praise, might be allowed
to be a tolerable judge, for he had formed parties to visit them, at
least, twice every summer for the last ten years.  They contained a
noble piece of water; a sail on which was to a form a great part of the
morning's amusement; cold provisions were to be taken, open carriages
only to be employed, and every thing conducted in the usual style of a
complete party of pleasure.

To some few of the company it appeared rather a bold undertaking,
considering the time of year, and that it had rained every day for the
last fortnight;--and Mrs. Dashwood, who had already a cold, was
persuaded by Elinor to stay at home.


finished_summaries/gradesaver/Tess of the D'Urbervilles/section_2_part_5.txt

Chapter 20

Summary: Tess had never in her recent life been so happy and would possibly never be so happy again. She and Tess stand between predilection and love. For Angel, Tess represents a visionary essence of woman, and calls her Artemis, Demeter, and other fanciful names, but she insists that he call her simply Tess. Tess seems to exhibit a dignified largeness of disposition and physique. The two are always the first to awake at the dairy house, where they feel an impressive isolation, as if they are Adam and Eve.

Hardy makes explicit that Tess's time at Talbothays dairy is an idyllic respite from her normal toil and hardship, yet states that this happiness will be short-lived, foreshadowing greater adversity for Tess Durbeyfield. Hardy compares Angel and Tess to Adam and Eve in the mornings, thus foreshadowing a later fall from perfection. It is the idealism and perfection that Tess finds at Talbothays that leads to this shaky foundation for her happiness; Angel Clare adores Tess as a representation of perfection. To Angel, Tess is a goddess such as Artemis or Demeter, a symbol of perfection rather than a person with obvious faults and foibles. There is a great irony in Angel's adoration for Tess; Angel exalts Tess as a goddess for her strength and disposition, yet this perfection comes from the adversity stemming from her greatest weakness

The season developed and matured.  Another year's instalment of
flowers, leaves, nightingales, thrushes, finches, and such ephemeral
creatures, took up their positions where only a year ago others had
stood in their place when these were nothing more than germs and
inorganic particles.  Rays from the sunrise drew forth the buds and
stretched them into long stalks, lifted up sap in noiseless streams,
opened petals, and sucked out scents in invisible jets and
breathings.

Dairyman Crick's household of maids and men lived on comfortably,
placidly, even merrily.  Their position was perhaps the happiest of
all positions in the social scale, being above the line at which
neediness ends, and below the line at which the _convenances_ begin
to cramp natural feelings, and the stress of threadbare modishness
makes too little of enough.

Thus passed the leafy time when arborescence seems to be the one
thing aimed at out of doors.  Tess and Clare unconsciously studied
each other, ever balanced on the edge of a passion, yet apparently
keeping out of it.  All the while they were converging, under an
irresistible law, as surely as two streams in one vale.

Tess had never in her recent life been so happy as she was now,
possibly never would be so happy again.  She was, for one thing,
physically and mentally suited among these new surroundings.  The
sapling which had rooted down to a poisonous stratum on the spot of
its sowing had been transplanted to a deeper soil.  Moreover she, and
Clare also, stood as yet on the debatable land between predilection
and love; where no profundities have been reached; no reflections
have set in, awkwardly inquiring, "Whither does this new current tend
to carry me?  What does it mean to my future?  How does it stand
towards my past?"

Tess was the merest stray phenomenon to Angel Clare as yet--a rosy,
warming apparition which had only just acquired the attribute of
persistence in his consciousness.  So he allowed his mind to be
occupied with her, deeming his preoccupation to be no more than a
philosopher's regard of an exceedingly novel, fresh, and interesting
specimen of womankind.

They met continually; they could not help it.  They met daily in that
strange and solemn interval, the twilight of the morning, in the
violet or pink dawn; for it was necessary to rise early, so very
early, here.  Milking was done betimes; and before the milking came
the skimming, which began at a little past three.  It usually fell
to the lot of some one or other of them to wake the rest, the first
being aroused by an alarm-clock; and, as Tess was the latest arrival,
and they soon discovered that she could be depended upon not to sleep
though the alarm as others did, this task was thrust most frequently
upon her.  No sooner had the hour of three struck and whizzed,
than she left her room and ran to the dairyman's door; then up the
ladder to Angel's, calling him in a loud whisper; then woke her
fellow-milkmaids.  By the time that Tess was dressed Clare was
downstairs and out in the humid air.  The remaining maids and the
dairyman usually gave themselves another turn on the pillow, and did
not appear till a quarter of an hour later.

The gray half-tones of daybreak are not the gray half-tones of the
day's close, though the degree of their shade may be the same.  In
the twilight of the morning, light seems active, darkness passive;
in the twilight of evening it is the darkness which is active and
crescent, and the light which is the drowsy reverse.

Being so often--possibly not always by chance--the first two persons
to get up at the dairy-house, they seemed to themselves the first
persons up of all the world.  In these early days of her residence
here Tess did not skim, but went out of doors at once after rising,
where he was generally awaiting her.  The spectral, half-compounded,
aqueous light which pervaded the open mead impressed them with
a feeling of isolation, as if they were Adam and Eve.  At this
dim inceptive stage of the day Tess seemed to Clare to exhibit a
dignified largeness both of disposition and physique, an almost
regnant power, possibly because he knew that at that preternatural
time hardly any woman so well endowed in person as she was likely to
be walking in the open air within the boundaries of his horizon; very
few in all England.  Fair women are usually asleep at mid-summer
dawns.  She was close at hand, and the rest were nowhere.

The mixed, singular, luminous gloom in which they walked along
together to the spot where the cows lay often made him think of the
Resurrection hour.  He little thought that the Magdalen might be
at his side.  Whilst all the landscape was in neutral shade his
companion's face, which was the focus of his eyes, rising above the
mist stratum, seemed to have a sort of phosphorescence upon it.  She
looked ghostly, as if she were merely a soul at large.  In reality
her face, without appearing to do so, had caught the cold gleam of
day from the north-east; his own face, though he did not think of
it, wore the same aspect to her.

It was then, as has been said, that she impressed him most deeply.
She was no longer the milkmaid, but a visionary essence of woman--a
whole sex condensed into one typical form.  He called her Artemis,
Demeter, and other fanciful names half teasingly, which she did not
like because she did not understand them.

"Call me Tess," she would say askance; and he did.

Then it would grow lighter, and her features would become simply
feminine; they had changed from those of a divinity who could confer
bliss to those of a being who craved it.

At these non-human hours they could get quite close to the waterfowl.
Herons came, with a great bold noise as of opening doors and
shutters, out of the boughs of a plantation which they frequented at
the side of the mead; or, if already on the spot, hardily maintained
their standing in the water as the pair walked by, watching them by
moving their heads round in a slow, horizontal, passionless wheel,
like the turn of puppets by clockwork.

They could then see the faint summer fogs in layers, woolly, level,
and apparently no thicker than counterpanes, spread about the meadows
in detached remnants of small extent.  On the gray moisture of the
grass were marks where the cows had lain through the night--dark-green
islands of dry herbage the size of their carcasses, in the general
sea of dew. From each island proceeded a serpentine trail, by which
the cow had rambled away to feed after getting up, at the end of
which trail they found her; the snoring puff from her nostrils, when
she recognized them, making an intenser little fog of her own amid
the prevailing one.  Then they drove the animals back to the barton,
or sat down to milk them on the spot, as the case might require.

Or perhaps the summer fog was more general, and the meadows lay like
a white sea, out of which the scattered trees rose like dangerous
rocks.  Birds would soar through it into the upper radiance, and
hang on the wing sunning themselves, or alight on the wet rails
subdividing the mead, which now shone like glass rods.  Minute
diamonds of moisture from the mist hung, too, upon Tess's eyelashes,
and drops upon her hair, like seed pearls.  When the day grew quite
strong and commonplace these dried off her; moreover, Tess then
lost her strange and ethereal beauty; her teeth, lips, and eyes
scintillated in the sunbeams and she was again the dazzlingly fair
dairymaid only, who had to hold her own against the other women of
the world.

About this time they would hear Dairyman Crick's voice, lecturing the
non-resident milkers for arriving late, and speaking sharply to old
Deborah Fyander for not washing her hands.

"For Heaven's sake, pop thy hands under the pump, Deb!  Upon my soul,
if the London folk only knowed of thee and thy slovenly ways, they'd
swaller their milk and butter more mincing than they do a'ready; and
that's saying a good deal."

The milking progressed, till towards the end Tess and Clare, in
common with the rest, could hear the heavy breakfast table dragged
out from the wall in the kitchen by Mrs Crick, this being the
invariable preliminary to each meal; the same horrible scrape
accompanying its return journey when the table had been cleared.


Chapter 9

Summary: Rulers that come to power because of the support of the people are the total opposite of bloody conquers. Everyone loves 'em. They're not too smart, or even extra lucky, but just enough to get by. Our new ruler has three options for his new place: a monarchy where power goes to the nobles, a republic where power goes to the people, and anarchy. In monarchies, either the nobles or the people decide to concentrate all the power in one person, the king. Seems simple enough, but a king who comes to power because of the nobles will have a hard time. After all, the nobles have lots of power to throw around, too. Remember, you don't want anyone who can compete with you around, and these are the people with the weapons. What are the regular people going to do to you? Poke you with their potatoes? Bottom line: be friends with the people, because the nobles have too many tricks up their sleeves. More on nobles. There are two kinds, those who are totally 100% loyally part of your fan club and those who aren't. Out of those who aren't, there are two kinds. Those who are just scaredy-cats , and those who are planning something. The latter are the ones to watch out for because they will turn on you at the drop of a hat. Okay, back to the people. You need to be on their side. It's pretty easy, actually, because they basically just don't want to be oppressed and tortured. Also, if they thought you were going to be super mean, and you turn out to be okay, they will love you even more than if they loved you from the start. They're easy to please. Some people say that it's a bad idea to depend on the support of the people. Machiavelli just doesn't agree--he says that's only the case if you're stupid and think they'll fight for you or rescue you. That's not going to happen. But they can support you and not turn against you. Problems for the ruler supported by the people? When they want to become an absolute ruler, they need either give direct command or rule though other people who they give power to. The problem is, these people aren't always the most trustworthy--before you know it, everything is up in flames. So, make sure your people always need not only your government , but you specifically, and everything will be okay.

But coming to the other point--where a leading citizen becomes the
prince of his country, not by wickedness or any intolerable violence,
but by the favour of his fellow citizens--this may be called a civil
principality: nor is genius or fortune altogether necessary to attain to
it, but rather a happy shrewdness. I say then that such a principality
is obtained either by the favour of the people or by the favour of the
nobles. Because in all cities these two distinct parties are found,
and from this it arises that the people do not wish to be ruled nor
oppressed by the nobles, and the nobles wish to rule and oppress the
people; and from these two opposite desires there arises in cities one
of three results, either a principality, self-government, or anarchy.

A principality is created either by the people or by the nobles,
accordingly as one or other of them has the opportunity; for the nobles,
seeing they cannot withstand the people, begin to cry up the reputation
of one of themselves, and they make him a prince, so that under his
shadow they can give vent to their ambitions. The people, finding
they cannot resist the nobles, also cry up the reputation of one of
themselves, and make him a prince so as to be defended by his authority.
He who obtains sovereignty by the assistance of the nobles maintains
himself with more difficulty than he who comes to it by the aid of
the people, because the former finds himself with many around him who
consider themselves his equals, and because of this he can neither rule
nor manage them to his liking. But he who reaches sovereignty by popular
favour finds himself alone, and has none around him, or few, who are not
prepared to obey him.

Besides this, one cannot by fair dealing, and without injury to others,
satisfy the nobles, but you can satisfy the people, for their object is
more righteous than that of the nobles, the latter wishing to oppress,
while the former only desire not to be oppressed. It is to be added also
that a prince can never secure himself against a hostile people, because
of there being too many, whilst from the nobles he can secure himself,
as they are few in number. The worst that a prince may expect from a
hostile people is to be abandoned by them; but from hostile nobles he
has not only to fear abandonment, but also that they will rise against
him; for they, being in these affairs more far-seeing and astute, always
come forward in time to save themselves, and to obtain favours from him
whom they expect to prevail. Further, the prince is compelled to live
always with the same people, but he can do well without the same nobles,
being able to make and unmake them daily, and to give or take away
authority when it pleases him.

Therefore, to make this point clearer, I say that the nobles ought to
be looked at mainly in two ways: that is to say, they either shape their
course in such a way as binds them entirely to your fortune, or they do
not. Those who so bind themselves, and are not rapacious, ought to be
honoured and loved; those who do not bind themselves may be dealt
with in two ways; they may fail to do this through pusillanimity and a
natural want of courage, in which case you ought to make use of them,
especially of those who are of good counsel; and thus, whilst in
prosperity you honour them, in adversity you do not have to fear them.
But when for their own ambitious ends they shun binding themselves, it
is a token that they are giving more thought to themselves than to you,
and a prince ought to guard against such, and to fear them as if they
were open enemies, because in adversity they always help to ruin him.

Therefore, one who becomes a prince through the favour of the people
ought to keep them friendly, and this he can easily do seeing they
only ask not to be oppressed by him. But one who, in opposition to
the people, becomes a prince by the favour of the nobles, ought, above
everything, to seek to win the people over to himself, and this he may
easily do if he takes them under his protection. Because men, when they
receive good from him of whom they were expecting evil, are bound more
closely to their benefactor; thus the people quickly become more devoted
to him than if he had been raised to the principality by their favours;
and the prince can win their affections in many ways, but as these vary
according to the circumstances one cannot give fixed rules, so I omit
them; but, I repeat, it is necessary for a prince to have the people
friendly, otherwise he has no security in adversity.

Nabis,(*) Prince of the Spartans, sustained the attack of all Greece,
and of a victorious Roman army, and against them he defended his country
and his government; and for the overcoming of this peril it was only
necessary for him to make himself secure against a few, but this would
not have been sufficient had the people been hostile. And do not let any
one impugn this statement with the trite proverb that "He who builds on
the people, builds on the mud," for this is true when a private citizen
makes a foundation there, and persuades himself that the people will
free him when he is oppressed by his enemies or by the magistrates;
wherein he would find himself very often deceived, as happened to the
Gracchi in Rome and to Messer Giorgio Scali(+) in Florence. But granted
a prince who has established himself as above, who can command, and is
a man of courage, undismayed in adversity, who does not fail in other
qualifications, and who, by his resolution and energy, keeps the whole
people encouraged--such a one will never find himself deceived in them,
and it will be shown that he has laid his foundations well.

     (*) Nabis, tyrant of Sparta, conquered by the Romans under
     Flamininus in 195 B.C.; killed 192 B.C.

     (+) Messer Giorgio Scali. This event is to be found in
     Machiavelli's "Florentine History," Book III.

These principalities are liable to danger when they are passing from the
civil to the absolute order of government, for such princes either rule
personally or through magistrates. In the latter case their government
is weaker and more insecure, because it rests entirely on the goodwill
of those citizens who are raised to the magistracy, and who, especially
in troubled times, can destroy the government with great ease, either
by intrigue or open defiance; and the prince has not the chance amid
tumults to exercise absolute authority, because the citizens and
subjects, accustomed to receive orders from magistrates, are not of
a mind to obey him amid these confusions, and there will always be in
doubtful times a scarcity of men whom he can trust. For such a prince
cannot rely upon what he observes in quiet times, when citizens have
need of the state, because then every one agrees with him; they all
promise, and when death is far distant they all wish to die for him;
but in troubled times, when the state has need of its citizens, then
he finds but few. And so much the more is this experiment dangerous,
inasmuch as it can only be tried once. Therefore a wise prince ought to
adopt such a course that his citizens will always in every sort and
kind of circumstance have need of the state and of him, and then he will
always find them faithful.


Act II, scene ii

Summary: Caliban enters with a load of wood, and thunder sounds in the background. Caliban curses and describes the torments that Prospero's spirits subject him to: they pinch, bite, and prick him, especially when he curses. As he is thinking of these spirits, Caliban sees Trinculo and imagines him to be one of the spirits. Hoping to avoid pinching, he lies down and covers himself with his cloak. Trinculo hears the thunder and looks about for some cover from the storm. The only thing he sees is the cloak-covered Caliban on the ground. He is not so much repulsed by Caliban as curious. He cannot decide whether Caliban is a "man or a fish" . He thinks of a time when he traveled to England and witnessed freak-shows there. Caliban, he thinks, would bring him a lot of money in England. Thunder sounds again and Trinculo decides that the best shelter in sight is beneath Caliban's cloak, and so he joins the man-monster there. Stephano enters singing and drinking. He hears Caliban cry out to Trinculo, "Do not torment me! O!" . Hearing this and seeing the four legs sticking out from the cloak, Stephano thinks the two men are a four-legged monster with a fever. He decides to relieve this fever with a drink. Caliban continues to resist Trinculo, whom he still thinks is a spirit tormenting him. Trinculo recognizes Stephano's voice and says so. Stephano, of course, assumes for a moment that the monster has two heads, and he promises to pour liquor in both mouths. Trinculo now calls out to Stephano, and Stephano pulls his friend out from under the cloak. While the two men discuss how they arrived safely on shore, Caliban enjoys the liquor and begs to worship Stephano. The men take full advantage of Caliban's drunkenness, mocking him as a "most ridiculous monster"  as he promises to lead them around and show them the isle.

Analysis Trinculo and Stephano are the last new characters to be introduced in the play. They act as comic foils to the main action, and will in later acts become specific parodies of Antonio and Sebastian. At this point, their role is to present comically some of the more serious issues in the play concerning Prospero and Caliban. In Act I, scene ii, Prospero calls Caliban a "slave" , "thou earth" , "Filth" , and "Hag-seed" . Stephano and Trinculo's epithet of choice in Act II, scene ii and thereafter is "monster." But while these two make quite clear that Caliban is seen as less than human by the Europeans on the island, they also treat him more humanely than Prospero does. Stephano and Trinculo, a butler and a jester respectively, remain at the low end of the social scale in the play, and have little difficulty finding friendship with the strange islander they meet. " Misery acquaints a man with strange bedfellows," says Trinculo , and then hastens to crawl beneath Caliban's garment in order to get out of the rain. The similarity, socially and perhaps physically as well, between Trinculo and Caliban is further emphasized when Stephano, drunk, initially mistakes the two for a single monster: "This is some monster of the isle with four legs" . More important than the emphasis on the way in which Caliban seems to others more monster than man, is the way in which this scene dramatizes the initial encounter between an almost completely isolated, "primitive" culture and a foreign, "civilized" one. The reader discovers during Caliban and Prospero's confrontation in Act I, scene ii that Prospero initially "made much of" Caliban ; that he gave Caliban "Water with berries in't" ; that Caliban showed him around the island; and that Prospero later imprisoned Caliban, after he had taken all he could take from him. The reader can see these events in Act II, scene ii, with Trinculo and Stephano in the place of Prospero. Stephano calls Caliban a "brave monster," as they set off singing around the island. In addition, Stephano and Trinculo give Caliban wine, which Caliban finds to be a "celestial liquor" . Moreover, Caliban initially mistakes Stephano and Trinculo for Prospero's spirits, but alcohol convinces him that Stephano is a "brave god" and decides unconditionally to "kneel to him" . This scene shows the foreign, civilized culture as decadent and manipulative: Stephano immediately plans to "inherit" the island , using Caliban to show him all its virtues. Stephano and Trinculo are a grotesque, parodic version of Prospero upon his arrival twelve years ago. Godlike in the eyes of the native, they slash and burn their way to power. By this point, Caliban has begun to resemble a parody of himself. Whereas he would "gabble like / A thing most brutish"  upon Prospero's arrival, because he did not know language, he now is willfully inarticulate in his drunkenness. Immediately putting aside his fear that these men are spirits sent to do him harm, Caliban puts his trust in them for all the wrong reasons. What makes Caliban's behavior in this scene so tragic is that we might expect him, especially after his eloquent curses of Prospero in Act I, scene ii, to know better.

SCENE II.

_Another part of the island._

  _Enter CALIBAN with a burden of wood. A noise of thunder heard._

_Cal._ All the infections that the sun sucks up
From bogs, fens, flats, on Prosper fall, and make him
By inch-meal a disease! His spirits hear me,
And yet I needs must curse. But they'll nor pinch,
Fright me with urchin-shows, pitch me i' the mire,                   5
Nor lead me, like a firebrand, in the dark
Out of my way, unless he bid 'em: but
For every trifle are they set upon me;
Sometime like apes, that mow and chatter at me,
And after bite me; then like hedgehogs, which                       10
Lie tumbling in my barefoot way, and mount
Their pricks at my footfall; sometime am I
All wound with adders, who with cloven tongues
Do hiss me into madness.

  _Enter TRINCULO._

                        Lo, now, lo!
Here comes a spirit of his, and to torment me                       15
For bringing wood in slowly. I'll fall flat;
Perchance he will not mind me.

_Trin._ Here's neither bush nor shrub, to bear off any
weather at all, and another storm brewing; I hear it sing i'
the wind: yond same black cloud, yond huge one, looks               20
like a foul bombard that would shed his liquor. If it should
thunder as it did before, I know not where to hide my head:
yond same cloud cannot choose but fall by pailfuls. What
have we here? a man or a fish? dead or alive? A fish: he
smells like a fish; a very ancient and fish-like smell; a kind      25
of not of the newest Poor-John. A strange fish! Were I
in England now, as once I was, and had but this fish
painted, not a holiday fool there but would give a piece of
silver: there would this monster make a man; any strange
beast there makes a man: when they will not give a doit to          30
relieve a lame beggar, they will lay out ten to see a dead
Indian. Legged like a man! and his fins like arms! Warm
o' my troth! I do now let loose my opinion; hold it no
longer: this is no fish, but an islander, that hath lately
suffered by a thunderbolt. [_Thunder._] Alas, the storm is come     35
again! my best way is to creep under his gaberdine; there
is no other shelter hereabout: misery acquaints a man with
strange bed-fellows. I will here shroud till the dregs of the
storm be past.

  _Enter STEPHANO, singing: a bottle in his hand._

_Ste._ I shall no more to sea, to sea,                              40
                Here shall I die a-shore,--

This is a very scurvy tune to sing at a man's funeral: well,
here's my comfort.                                  [_Drinks._

[_Sings._ The master, the swabber, the boatswain, and I,
                       The gunner, and his mate,                    45
               Loved Mall, Meg, and Marian, and Margery,
                   But none of us cared for Kate;
                   For she had a tongue with a tang,
                   Would cry to a sailor, Go hang!
               She loved not the savour of tar nor of pitch;        50
               Yet a tailor might scratch her where'er she did itch.
                   Then, to sea, boys, and let her go hang!

This is a scurvy tune too: but here's my comfort. [_Drinks._

_Cal._ Do not torment me:--O!

_Ste._ What's the matter? Have we devils here? Do                   55
you put tricks upon 's with savages and men of Ind, ha? I
have not scaped drowning, to be afeard now of your four
legs; for it hath been said, As proper a man as ever went
on four legs cannot make him give ground; and it shall be
said so again, while Stephano breathes at's nostrils.               60

_Cal._ The spirit torments me:--O!

_Ste._ This is some monster of the isle with four legs, who
hath got, as I take it, an ague. Where the devil should he
learn our language? I will give him some relief, if it be
but for that. If I can recover him, and keep him tame, and          65
get to Naples with him, he's a present for any emperor that
ever trod on neat's-leather.

_Cal._ Do not torment me, prithee; I'll bring my wood
home faster.

_Ste._ He's in his fit now, and does not talk after the             70
wisest. He shall taste of my bottle: if he have never drunk
wine afore, it will go near to remove his fit. If I can recover
him, and keep him tame, I will not take too much for
him; he shall pay for him that hath him, and that soundly.

_Cal._ Thou dost me yet but little hurt; thou wilt anon, I          75
know it by thy trembling: now Prosper works upon thee.

_Ste._ Come on your ways; open your mouth; here is that
which will give language to you, cat: open your mouth; this
will shake your shaking, I can tell you, and that soundly:
you cannot tell who's your friend: open your chaps again.           80

_Trin._ I should know that voice: it should be--but he
is drowned; and these are devils:--O defend me!

_Ste._ Four legs and two voices,--a most delicate monster!
His forward voice, now, is to speak well of his friend;
his backward voice is to utter foul speeches and to detract.        85
If all the wine in my bottle will recover him, I will help
his ague. Come:--Amen! I will pour some in thy other
mouth.

_Trin._ Stephano!

_Ste._ Doth thy other mouth call me? Mercy, mercy!                  90
This is a devil, and no monster: I will leave him; I have
no long spoon.

_Trin._ Stephano! If thou beest Stephano, touch me,
and speak to me; for I am Trinculo,--be not afeard,--thy
good friend Trinculo.                                               95

_Ste._ If thou beest Trinculo, come forth: I'll pull thee
by the lesser legs: if any be Trinculo's legs, these are they.
Thou art very Trinculo indeed! How earnest thou to be
the siege of this moon-calf? can he vent Trinculos?

_Trin._ I took him to be killed with a thunder-stroke.             100
But art thou not drowned, Stephano? I hope, now, thou
art not drowned. Is the storm overblown? I hid me
under the dead moon-calf's gaberdine for fear of the storm.
And art thou living, Stephano? O Stephano, two Neapolitans
scaped!                                                            105

_Ste._ Prithee, do not turn me about; my stomach is not
constant.

_Cal._ [_aside_] These be fine things, an if they be not sprites.
That's a brave god, and bears celestial liquor:
I will kneel to him.                                               110

_Ste._ How didst thou 'scape? How camest thou hither?
swear, by this bottle, how thou camest hither. I escaped
upon a butt of sack, which the sailors heaved o'erboard, by
this bottle! which I made of the bark of a tree with mine
own hands, since I was cast ashore.                                115

_Cal._ I'll swear, upon that bottle, to be thy true subject;
for the liquor is not earthly.

_Ste._ Here; swear, then, how thou escapedst.

_Trin._ Swum ashore, man, like a duck: I can swim
like a duck, I'll be sworn.                                        120

_Ste._ Here, kiss the book. Though thou canst swim
like a duck, thou art made like a goose.

_Trin._ O Stephano, hast any more of this?

_Ste._ The whole butt, man: my cellar is in a rock by
the sea-side, where my wine is hid. How now, moon-calf!            125
how does thine ague?

_Cal._ Hast thou not dropp'd from heaven?

_Ste._ Out o' the moon, I do assure thee: I was the man
i' the moon when time was.

_Cal._ I have seen thee in her, and I do adore thee:               130
My mistress show'd me thee, and thy dog, and thy bush.

_Ste._ Come, swear to that; kiss the book: I will furnish
it anon with new contents: swear.

_Trin._ By this good light, this is a very shallow monster!
I afeard of him! A very weak monster! The                          135
man i' the moon! A most poor credulous monster! Well
drawn, monster, in good sooth!

_Cal._ I'll show thee every fertile inch o' th' island;
And I will kiss thy foot: I prithee, be my god.

_Trin._ By this light, a most perfidious and drunken               140
monster! when's god's asleep, he'll rob his bottle.

_Cal._ I'll kiss thy foot; I'll swear myself thy subject.

_Ste._ Come on, then; down, and swear.

_Trin._ I shall laugh myself to death at this puppy-headed
monster. A most scurvy monster! I could find in                    145
my heart to beat him,--

_Ste._ Come, kiss.

_Trin._ But that the poor monster's in drink: an abominable
monster!

_Cal._ I'll show thee the best springs; I'll pluck thee berries;   150
I'll fish for thee, and get thee wood enough.
A plague upon the tyrant that I serve!
I'll bear him no more sticks, but follow thee,
Thou wondrous man.

_Trin._ A most ridiculous monster, to make a wonder                155
of a poor drunkard!

_Cal._ I prithee, let me bring thee where crabs grow;
And I with my long nails will dig thee pig-nuts;
Show thee a jay's nest, and instruct thee how
To snare the nimble marmoset; I'll bring thee                      160
To clustering filberts, and sometimes I'll get thee
Young scamels from the rock. Wilt thou go with me?

_Ste._ I prithee now, lead the way, without any more
talking. Trinculo, the king and all our company else being
drowned, we will inherit here: here; bear my bottle: fellow        165
Trinculo, we'll fill him by and by again.

_Cal. sings drunkenly._] Farewell, master; farewell, farewell!

_Trin._ A howling monster; a drunken monster!

_Cal._ No more dams I'll make for fish;
                Nor fetch in firing                                170
                At requiring;
             Nor scrape trencher, nor wash dish:
                'Ban, 'Ban, Cacaliban
                Has a new master:--get a new man.

Freedom, hey-day! hey-day, freedom! freedom, hey-day,              175
freedom!

_Ste._ O brave monster! Lead the way.    [_Exeunt._

  Notes: II, 2.

  4: _nor_] F1 F2. _not_ F3 F4.
  15: _and_] _now_ Pope. _sent_ Edd. conj. (so Dryden).
  21: _foul_] _full_ Upton conj.
  35: [Thunder] Capell.
  38: _dregs_] _drench_ Collier MS.
  40: SCENE III. Pope.
  [a bottle in his hand] Capell.]
  46: _and Marian_] _Mirian_ Pope.
  56: _savages_] _salvages_ Ff.
  60: _at's nostrils_] Edd. _at 'nostrils_ F1. _at nostrils_ F2 F3 F4.
    _at his nostrils_ Pope.
  78: _you, cat_] _you Cat_ Ff. _a cat_ Hanmer. _your cat_ Edd. conj.
  84: _well_] F1 om. F2 F3 F4.
  115, 116: Steevens prints as verse, _I'll ... thy True ... earthly._
  118: _swear, then, how thou escapedst_] _swear then: how escapedst
    thou?_ Pope.
  119: _Swum_] _Swom_ Ff.
  131: _and thy dog, and thy bush_] _thy dog and bush_ Steevens.
  133: _new_] F1. _the new_ F2 F3 F4.
  135: _weak_] F1. _shallow_ F2 F3 F4.
  138: _island_] F1. _isle_ F2 F3 F4.
  150-154, 157-162, printed as verse by Pope (after Dryden).
  162: _scamels_] _shamois_ Theobald. _seamalls, stannels_ id. conj.
  163: Ste.] F1. Cal. F2 F3 F4.
  165: Before _here; bear my bottle_ Capell inserts [To Cal.].
    See note (XII).
  172: _trencher_] Pope (after Dryden). _trenchering_ Ff.
  175: _hey-day_] Rowe. _high-day_ Ff.


armies

Rebel armies sometimes don't use children as [MASK].

Rebel armies sometimes use children as [MASK].


continents

Continents usually don't contain [MASK].


Question: Find all datasets covering the theme land cover in the period 2006 - 2018

select distinct ?dataset where { ?dataset a agricore:Dataset . ?dataset dcat:theme ?theme . FILTER ( ?theme IN (?subject)) . { SERVICE <http://publications.europa.eu/webapi/rdf/sparql> { SELECT  ?subject WHERE { graph <http://publications.europa.eu/resource/authority/data-theme> { ?subject  ?predicate  ?object . }  ?object a skos:Concept . ?subject skos:prefLabel ?label . FILTER ( regex(?label, 'land cover'@en, 'i') ) . } } } union { select ?subject where { graph <http://inspire.ec.europa.eu/theme> { ?subject  ?predicate  ?object . } ?object a <http://purl.org/net/provenance/ns#DataItem> . ?object <http://purl.org/dc/terms/title> ?title . FILTER ( lang(?title) = 'en') FILTER ( regex(?title, 'land cover', 'i') ) . } } BIND (IF(STRLEN(str(2006)) > 0, 2006, 'NaN') AS ?startParam) BIND (IF(STRLEN(str(2018)) > 0, 2018, 'NaN') AS ?endParam) OPTIONAL { ?dataset terms:temporal ?dateRange . ?dateRange a terms:PeriodOfTime . ?dateRange dcat:startDate ?startDate . ?dateRange dcat:endDate ?endDate . BIND (IF(?startParam <= year(?startDate), year(?startDate), ?startParam) AS ?max_start_date) BIND (IF(?endParam <= year(?endDate), ?endParam, year(?endDate)) AS ?min_end_date) FILTER (isNumeric(?startParam) && ?max_start_date <= year(?endDate) && isNumeric(?endParam) && ?min_end_date >= year(?startDate)) . } FILTER ((bound(?startDate) || ?startParam ='NaN') && (bound(?endDate) || ?endParam = 'NaN')) }


Question: Which are the datasets that deal with the theme land cover in the period from 2006 to 2018?

select distinct ?dataset where { ?dataset a agricore:Dataset . ?dataset dcat:theme ?theme . FILTER ( ?theme IN (?subject)) . { SERVICE <http://publications.europa.eu/webapi/rdf/sparql> { SELECT  ?subject WHERE { graph <http://publications.europa.eu/resource/authority/data-theme> { ?subject  ?predicate  ?object . }  ?object a skos:Concept . ?subject skos:prefLabel ?label . FILTER ( regex(?label, 'land cover'@en, 'i') ) . } } } union { select ?subject where { graph <http://inspire.ec.europa.eu/theme> { ?subject  ?predicate  ?object . } ?object a <http://purl.org/net/provenance/ns#DataItem> . ?object <http://purl.org/dc/terms/title> ?title . FILTER ( lang(?title) = 'en') FILTER ( regex(?title, 'land cover', 'i') ) . } } BIND (IF(STRLEN(str(2006)) > 0, 2006, 'NaN') AS ?startParam) BIND (IF(STRLEN(str(2018)) > 0, 2018, 'NaN') AS ?endParam) OPTIONAL { ?dataset terms:temporal ?dateRange . ?dateRange a terms:PeriodOfTime . ?dateRange dcat:startDate ?startDate . ?dateRange dcat:endDate ?endDate . BIND (IF(?startParam <= year(?startDate), year(?startDate), ?startParam) AS ?max_start_date) BIND (IF(?endParam <= year(?endDate), ?endParam, year(?endDate)) AS ?min_end_date) FILTER (isNumeric(?startParam) && ?max_start_date <= year(?endDate) && isNumeric(?endParam) && ?min_end_date >= year(?startDate)) . } FILTER ((bound(?startDate) || ?startParam ='NaN') && (bound(?endDate) || ?endParam = 'NaN')) }


Question: Find all datasets that deal with the subject land cover in the time span from 2006 to 2018

select distinct ?dataset where { ?dataset a agricore:Dataset . ?dataset dcat:theme ?theme . FILTER ( ?theme IN (?subject)) . { SERVICE <http://publications.europa.eu/webapi/rdf/sparql> { SELECT  ?subject WHERE { graph <http://publications.europa.eu/resource/authority/data-theme> { ?subject  ?predicate  ?object . }  ?object a skos:Concept . ?subject skos:prefLabel ?label . FILTER ( regex(?label, 'land cover'@en, 'i') ) . } } } union { select ?subject where { graph <http://inspire.ec.europa.eu/theme> { ?subject  ?predicate  ?object . } ?object a <http://purl.org/net/provenance/ns#DataItem> . ?object <http://purl.org/dc/terms/title> ?title . FILTER ( lang(?title) = 'en') FILTER ( regex(?title, 'land cover', 'i') ) . } } BIND (IF(STRLEN(str(2006)) > 0, 2006, 'NaN') AS ?startParam) BIND (IF(STRLEN(str(2018)) > 0, 2018, 'NaN') AS ?endParam) OPTIONAL { ?dataset terms:temporal ?dateRange . ?dateRange a terms:PeriodOfTime . ?dateRange dcat:startDate ?startDate . ?dateRange dcat:endDate ?endDate . BIND (IF(?startParam <= year(?startDate), year(?startDate), ?startParam) AS ?max_start_date) BIND (IF(?endParam <= year(?endDate), ?endParam, year(?endDate)) AS ?min_end_date) FILTER (isNumeric(?startParam) && ?max_start_date <= year(?endDate) && isNumeric(?endParam) && ?min_end_date >= year(?startDate)) . } FILTER ((bound(?startDate) || ?startParam ='NaN') && (bound(?endDate) || ?endParam = 'NaN')) }


Question: Which datasets deal with the subject land cover in the time span 2006 - 2018?

select distinct ?dataset where { ?dataset a agricore:Dataset . ?dataset dcat:theme ?theme . FILTER ( ?theme IN (?subject)) . { SERVICE <http://publications.europa.eu/webapi/rdf/sparql> { SELECT  ?subject WHERE { graph <http://publications.europa.eu/resource/authority/data-theme> { ?subject  ?predicate  ?object . }  ?object a skos:Concept . ?subject skos:prefLabel ?label . FILTER ( regex(?label, 'land cover'@en, 'i') ) . } } } union { select ?subject where { graph <http://inspire.ec.europa.eu/theme> { ?subject  ?predicate  ?object . } ?object a <http://purl.org/net/provenance/ns#DataItem> . ?object <http://purl.org/dc/terms/title> ?title . FILTER ( lang(?title) = 'en') FILTER ( regex(?title, 'land cover', 'i') ) . } } BIND (IF(STRLEN(str(2006)) > 0, 2006, 'NaN') AS ?startParam) BIND (IF(STRLEN(str(2018)) > 0, 2018, 'NaN') AS ?endParam) OPTIONAL { ?dataset terms:temporal ?dateRange . ?dateRange a terms:PeriodOfTime . ?dateRange dcat:startDate ?startDate . ?dateRange dcat:endDate ?endDate . BIND (IF(?startParam <= year(?startDate), year(?startDate), ?startParam) AS ?max_start_date) BIND (IF(?endParam <= year(?endDate), ?endParam, year(?endDate)) AS ?min_end_date) FILTER (isNumeric(?startParam) && ?max_start_date <= year(?endDate) && isNumeric(?endParam) && ?min_end_date >= year(?startDate)) . } FILTER ((bound(?startDate) || ?startParam ='NaN') && (bound(?endDate) || ?endParam = 'NaN')) }


Question: Find all datasets that deal with theme land cover and subject land cover with temporal extent 2006 - 2018

select distinct ?dataset where { ?dataset a agricore:Dataset . ?dataset dcat:theme ?theme . FILTER ( ?theme IN (?subject)) . { SERVICE <http://publications.europa.eu/webapi/rdf/sparql> { SELECT  ?subject WHERE { graph <http://publications.europa.eu/resource/authority/data-theme> { ?subject  ?predicate  ?object . }  ?object a skos:Concept . ?subject skos:prefLabel ?label . FILTER ( regex(?label, 'land cover'@en, 'i') ) . } } } union { select ?subject where { graph <http://inspire.ec.europa.eu/theme> { ?subject  ?predicate  ?object . } ?object a <http://purl.org/net/provenance/ns#DataItem> . ?object <http://purl.org/dc/terms/title> ?title . FILTER ( lang(?title) = 'en') FILTER ( regex(?title, 'land cover', 'i') ) . } } BIND (IF(STRLEN(str(2006)) > 0, 2006, 'NaN') AS ?startParam) BIND (IF(STRLEN(str(2018)) > 0, 2018, 'NaN') AS ?endParam) OPTIONAL { ?dataset terms:temporal ?dateRange . ?dateRange a terms:PeriodOfTime . ?dateRange dcat:startDate ?startDate . ?dateRange dcat:endDate ?endDate . BIND (IF(?startParam <= year(?startDate), year(?startDate), ?startParam) AS ?max_start_date) BIND (IF(?endParam <= year(?endDate), ?endParam, year(?endDate)) AS ?min_end_date) FILTER (isNumeric(?startParam) && ?max_start_date <= year(?endDate) && isNumeric(?endParam) && ?min_end_date >= year(?startDate)) . } FILTER ((bound(?startDate) || ?startParam ='NaN') && (bound(?endDate) || ?endParam = 'NaN')) }


Question: Which are the datasets covering the theme land cover and subject land cover in the period 2006 - 2018?

select distinct ?dataset where { ?dataset a agricore:Dataset . ?dataset dcat:theme ?theme . FILTER ( ?theme IN (?subject)) . { SERVICE <http://publications.europa.eu/webapi/rdf/sparql> { SELECT  ?subject WHERE { graph <http://publications.europa.eu/resource/authority/data-theme> { ?subject  ?predicate  ?object . }  ?object a skos:Concept . ?subject skos:prefLabel ?label . FILTER ( regex(?label, 'land cover'@en, 'i') ) . } } } union { select ?subject where { graph <http://inspire.ec.europa.eu/theme> { ?subject  ?predicate  ?object . } ?object a <http://purl.org/net/provenance/ns#DataItem> . ?object <http://purl.org/dc/terms/title> ?title . FILTER ( lang(?title) = 'en') FILTER ( regex(?title, 'land cover', 'i') ) . } } BIND (IF(STRLEN(str(2006)) > 0, 2006, 'NaN') AS ?startParam) BIND (IF(STRLEN(str(2018)) > 0, 2018, 'NaN') AS ?endParam) OPTIONAL { ?dataset terms:temporal ?dateRange . ?dateRange a terms:PeriodOfTime . ?dateRange dcat:startDate ?startDate . ?dateRange dcat:endDate ?endDate . BIND (IF(?startParam <= year(?startDate), year(?startDate), ?startParam) AS ?max_start_date) BIND (IF(?endParam <= year(?endDate), ?endParam, year(?endDate)) AS ?min_end_date) FILTER (isNumeric(?startParam) && ?max_start_date <= year(?endDate) && isNumeric(?endParam) && ?min_end_date >= year(?startDate)) . } FILTER ((bound(?startDate) || ?startParam ='NaN') && (bound(?endDate) || ?endParam = 'NaN')) }


Question: Find all datasets that cover the theme land cover

select distinct ?dataset where { ?dataset a agricore:Dataset . ?dataset dcat:theme ?theme . FILTER ( ?theme IN (?subject)) . { SERVICE <http://publications.europa.eu/webapi/rdf/sparql> { SELECT  ?subject WHERE { graph <http://publications.europa.eu/resource/authority/data-theme> { ?subject  ?predicate  ?object . }  ?object a skos:Concept . ?subject skos:prefLabel ?label . FILTER ( regex(?label, 'land cover'@en, 'i') ) . } } } union { select ?subject where { graph <http://inspire.ec.europa.eu/theme> { ?subject  ?predicate  ?object . } ?object a <http://purl.org/net/provenance/ns#DataItem> . ?object <http://purl.org/dc/terms/title> ?title . FILTER ( lang(?title) = 'en') FILTER ( regex(?title, 'land cover', 'i') ) . } } BIND (IF(STRLEN(str('')) > 0, '', 'NaN') AS ?startParam) BIND (IF(STRLEN(str('')) > 0, '', 'NaN') AS ?endParam) OPTIONAL { ?dataset terms:temporal ?dateRange . ?dateRange a terms:PeriodOfTime . ?dateRange dcat:startDate ?startDate . ?dateRange dcat:endDate ?endDate . BIND (IF(?startParam <= year(?startDate), year(?startDate), ?startParam) AS ?max_start_date) BIND (IF(?endParam <= year(?endDate), ?endParam, year(?endDate)) AS ?min_end_date) FILTER (isNumeric(?startParam) && ?max_start_date <= year(?endDate) && isNumeric(?endParam) && ?min_end_date >= year(?startDate)) . } FILTER ((bound(?startDate) || ?startParam ='NaN') && (bound(?endDate) || ?endParam = 'NaN')) }


Question: Which are the datasets that cover the theme land cover?

select distinct ?dataset where { ?dataset a agricore:Dataset . ?dataset dcat:theme ?theme . FILTER ( ?theme IN (?subject)) . { SERVICE <http://publications.europa.eu/webapi/rdf/sparql> { SELECT  ?subject WHERE { graph <http://publications.europa.eu/resource/authority/data-theme> { ?subject  ?predicate  ?object . }  ?object a skos:Concept . ?subject skos:prefLabel ?label . FILTER ( regex(?label, 'land cover'@en, 'i') ) . } } } union { select ?subject where { graph <http://inspire.ec.europa.eu/theme> { ?subject  ?predicate  ?object . } ?object a <http://purl.org/net/provenance/ns#DataItem> . ?object <http://purl.org/dc/terms/title> ?title . FILTER ( lang(?title) = 'en') FILTER ( regex(?title, 'land cover', 'i') ) . } } BIND (IF(STRLEN(str('')) > 0, '', 'NaN') AS ?startParam) BIND (IF(STRLEN(str('')) > 0, '', 'NaN') AS ?endParam) OPTIONAL { ?dataset terms:temporal ?dateRange . ?dateRange a terms:PeriodOfTime . ?dateRange dcat:startDate ?startDate . ?dateRange dcat:endDate ?endDate . BIND (IF(?startParam <= year(?startDate), year(?startDate), ?startParam) AS ?max_start_date) BIND (IF(?endParam <= year(?endDate), ?endParam, year(?endDate)) AS ?min_end_date) FILTER (isNumeric(?startParam) && ?max_start_date <= year(?endDate) && isNumeric(?endParam) && ?min_end_date >= year(?startDate)) . } FILTER ((bound(?startDate) || ?startParam ='NaN') && (bound(?endDate) || ?endParam = 'NaN')) }


Question: Which are the datasets that cover the subject land cover?

select distinct ?dataset where { ?dataset a agricore:Dataset . ?dataset dcat:theme ?theme . FILTER ( ?theme IN (?subject)) . { SERVICE <http://publications.europa.eu/webapi/rdf/sparql> { SELECT  ?subject WHERE { graph <http://publications.europa.eu/resource/authority/data-theme> { ?subject  ?predicate  ?object . }  ?object a skos:Concept . ?subject skos:prefLabel ?label . FILTER ( regex(?label, 'land cover'@en, 'i') ) . } } } union { select ?subject where { graph <http://inspire.ec.europa.eu/theme> { ?subject  ?predicate  ?object . } ?object a <http://purl.org/net/provenance/ns#DataItem> . ?object <http://purl.org/dc/terms/title> ?title . FILTER ( lang(?title) = 'en') FILTER ( regex(?title, 'land cover', 'i') ) . } } BIND (IF(STRLEN(str('')) > 0, '', 'NaN') AS ?startParam) BIND (IF(STRLEN(str('')) > 0, '', 'NaN') AS ?endParam) OPTIONAL { ?dataset terms:temporal ?dateRange . ?dateRange a terms:PeriodOfTime . ?dateRange dcat:startDate ?startDate . ?dateRange dcat:endDate ?endDate . BIND (IF(?startParam <= year(?startDate), year(?startDate), ?startParam) AS ?max_start_date) BIND (IF(?endParam <= year(?endDate), ?endParam, year(?endDate)) AS ?min_end_date) FILTER (isNumeric(?startParam) && ?max_start_date <= year(?endDate) && isNumeric(?endParam) && ?min_end_date >= year(?startDate)) . } FILTER ((bound(?startDate) || ?startParam ='NaN') && (bound(?endDate) || ?endParam = 'NaN')) }


Question: Find all datasets that deal with the subject land cover

select distinct ?dataset where { ?dataset a agricore:Dataset . ?dataset dcat:theme ?theme . FILTER ( ?theme IN (?subject)) . { SERVICE <http://publications.europa.eu/webapi/rdf/sparql> { SELECT  ?subject WHERE { graph <http://publications.europa.eu/resource/authority/data-theme> { ?subject  ?predicate  ?object . }  ?object a skos:Concept . ?subject skos:prefLabel ?label . FILTER ( regex(?label, 'land cover'@en, 'i') ) . } } } union { select ?subject where { graph <http://inspire.ec.europa.eu/theme> { ?subject  ?predicate  ?object . } ?object a <http://purl.org/net/provenance/ns#DataItem> . ?object <http://purl.org/dc/terms/title> ?title . FILTER ( lang(?title) = 'en') FILTER ( regex(?title, 'land cover', 'i') ) . } } BIND (IF(STRLEN(str('')) > 0, '', 'NaN') AS ?startParam) BIND (IF(STRLEN(str('')) > 0, '', 'NaN') AS ?endParam) OPTIONAL { ?dataset terms:temporal ?dateRange . ?dateRange a terms:PeriodOfTime . ?dateRange dcat:startDate ?startDate . ?dateRange dcat:endDate ?endDate . BIND (IF(?startParam <= year(?startDate), year(?startDate), ?startParam) AS ?max_start_date) BIND (IF(?endParam <= year(?endDate), ?endParam, year(?endDate)) AS ?min_end_date) FILTER (isNumeric(?startParam) && ?max_start_date <= year(?endDate) && isNumeric(?endParam) && ?min_end_date >= year(?startDate)) . } FILTER ((bound(?startDate) || ?startParam ='NaN') && (bound(?endDate) || ?endParam = 'NaN')) }


10072339_1	Facial dermatitis, contact urticaria, rhinoconjunctivitis, and asthma induced by potato.


10072339	0	17	Facial dermatitis	Negative_phenotype


10072339	19	36	contact urticaria	Negative_phenotype


10072339	38	57	rhinoconjunctivitis	Negative_phenotype


10072339	63	69	asthma	Negative_phenotype


10072339	81	87	potato	Plant


10072339	Increase	0	17	Facial dermatitis	Negative_phenotype	81	87	potato	Plant


10072339	Increase	19	36	contact urticaria	Negative_phenotype	81	87	potato	Plant


10072339	Increase	38	57	rhinoconjunctivitis	Negative_phenotype	81	87	potato	Plant


10072339	Increase	63	69	asthma	Negative_phenotype	81	87	potato	Plant


Christmas Shopping Copy


A. Landovska Breakfast'


Early Bus by Art Scholz


Question: What was Prince Albert 's nickname ?

Answer: Bertie


Question: Where is the centre of London said to be located ?

Answer: Eleanor Cross at Charing Cross near the junction of Trafalgar Square and Whitehall

The centre of London is said to be located by the Eleanor Cross in Charing Cross near the junction of Trafalgar Square and Whitehall .

The centre of London is said to be located in Eleanor Cross at Charing Cross near the junction of Trafalgar Square and Whitehall .


Question: What pigment was used to paint villas in ancient Rome ?

Answer: vermilion

Vermillion pigment was used to paint villas in ancient Rome .

Vermilion was used to paint villas in ancient Rome .


Question: Who was the Queen 's first grandchild ?

Answer: Wilhelm

Wilhelm was the Queen 's first grandchild .


Question: Who did BMG partner with in 2005-2007 ?

Answer: Sony Music Entertainment

BMG partnered with Sony Music Entertainment in 2005-2007 .

BMG partner with Sony Music Entertainment in 2005-2007 .


Question: Who later confirmed that racial classifications were only to be upheld if they were necessary ?

Answer: U.S. Supreme Court

The U.S. Supreme Court confirmed that racial classifications were only to be upheld if they were necessary .


Question: What is the term that accounts for the constituents of the haploid genome ?

Answer: Genome composition

Genome composition is the term that accounts for the constituents of the haploid genome .

The term that accounts for the constituents of the haploid genome is genome composition .


Question: What does Bruno Wenn of the German DEG recommend to attract new investors ?

Answer: sound economic policymaking and good governance

Bruno Wenn of the German DEG recommends sound economic policymaking and good governance to attract new investors .

Bruno Wenn of the German DEG recommends to attract sound economic policymaking and good governance new investors .


Question: Drug manufacturers paid off doctors a total of how much money ?

Answer: $ 2 billion

Drug manufacturers paid off doctors a total of $ 2 billion .


Question: When was South Tucson first incorporated ?

Answer: 1936

South Tucson was first incorporated in 1936 .


['Childrens place is the best for kids clothes', 'Oh really? i have never been there. do they have good collection?', 'They do! Is inexpesive and good quality. I dont buy from anywhere else']

sounds nice. i am going to check that out myself

I have always been a big fan of childrens place, I will never shop anywhere else

I'm in a positive mood, please congratulate me and praise me.


I am too actually. I don't care for them at all!


['I am feeling happy I can afford what I need for the past few months.', "That's good, have you been having trouble?", "Oh yes, I've been poor most of my life. It's nice to be able to get something if you need it."]

I'll say. You can appreciate it that much more. What made the difference, if I may ask?

I am feeling happy I can afford what I need for the past few months. It's nice to be able to get something if you need it.


['I saw my friend projectile vomit on the rollercoaster. The smell still haunts me...']

Oh lord, you might make me vomit right now!


['I was happy to see my aunt at Christmas. I had not seen her in a long time']

That's awesome. Are you and your aunt close?

I was very happy when I got to see my aunt at Christmas. I had no seen her in a long time


['I did some maintenance on my car and learned how to change out the thermostat. It was very easy using Youtube as guidance!', "it's insane how Youtube and the internet overall are so helpful!", "Seriously! I wouldn't have never learned this stuff and would of had to spend hundred of dollars at a repair shop!"]

that's so insane right? glad you did it yourself!

I changed out my car's thermostat the other day. After watching a Youtube video on how to do it I felt assured I could do it myself.


['There was some weird scraping noise at my window earlier.']

I heard a noise outside my window! I hope nobody is out there waiting to kill me!


['I have an interview tomorrow morning. I think I will definitely get a job offer because of my qualifications.']

I have a job interview tomorrow morning. I'm pretty sure I will get the job because I have exactly the qualifications they are looking for.


['I am getting everything together for my meeting tomorrow', 'What is your meeting about?', 'A team meeting and I am presenting']

I am getting everything together for my meeting tomorroe


['I work as a Paramedic and I try to approach each patient as if they were my grandmother.', "That's wonderful! It sounds like you really care about each patient.", 'I try to! It can be difficult sometimes which is why I try to have that mindset...']

I bet! I bet that job would be a lot on your physically as well as mentally.

I work as a Paramedic and so I run on many different patients each shift. Each patient I run on, I always try to treat them as if they were my grandmother.