text:
# Screen Australia
Screen Australia is the Australian Federal Government's key funding body for the Australian screen production industry, created under the Screen Australia Act 2008. From 1 July 2008, Screen Australia took over the functions of its predecessor agencies the Australian Film Commission (AFC), the Film Finance Corporation Australia and Film Australia Limited.
Screen Australia supports the development, production, promotion and distribution of Australian narrative and documentary screen content.

## History
The Commonwealth Screen Australia Act 2008 provides detailed information about the specific functions and powers of Screen Australia. Under this act, from 1 July 2008 the Australian Film Commission, the Film Finance Corporation Australia and Film Australia Limited were merged into one body, to be known as Screen Australia. New Zealand television and film executive Ruth Harley was appointed the inaugural chief executive officer, handing over to Graeme Mason at the end of her five-year term in 2013.

## Management and functions
Screen Australia functions to support and promote the development of screen culture in Australia, with a primary focus on creating innovative and commercially sustainable screen production. Screen Australia also operates to support the production, promotion and distribution of Australian screen content, as well as ensuring access to these programs. Screen Australia provides support to content creators through providing financial assistance, guarantees, services, facilities, programs and equipment, as well as sponsoring other activities, and supports the development of a diverse range of Australian programs, with an emphasis on documentaries, children's programs and cultural programs. It also promotes programs that incorporate matters of national interest or importance to Australians, or programs with relevance to Australian people and their lives.  Across its various departments, Screen Australia supports the development, production, promotion and distribution of Australian narrative and documentary screen content.
As of 2023, the CEO is Graeme Mason, while Grainne Brunsdon is Head of Content. The chairman of the Screen Australia Board is Nicholas Moore, while board members include Claudia Karvan and Deborah Mailman.
The agency not only provides funding to individuals and companies within the industry, but also administers the tax rebate for the production of Australian screen content, known as the Producer Offset. (The other rebates which complete the "Australian Screen Production Incentive" suite are maintained by the Department of Communications and the Arts.)

### Indigenous Department
In 1993, the Australian Film Commission established the Indigenous Branch, whose work was continued through Screen Australia's Indigenous Department. This branch was creating following the recommendations of Shirley McPherson and Michael Pope's report, Promoting Indigenous Involvement in the Film and Television Industry, with the primary objective of increasing the rate of engagement of Aboriginal and Torres Strait Islander people within the screen industry. After the establishment of Screen Australia in 2008, it took over the department.
From 2004 the AFC and from 2008 Screen Australia's Indigenous units helped to fund the Message Sticks Indigenous Film Festival.
In her role as head of the Indigenous Department (continuing from head of the AFC's Indigenous Branch), Sally Riley was responsible for the production of the award-winning feature film Samson and Delilah in 2009, directed by Warwick Thornton. She also helped to launch the career of other Indigenous film professionals, such as Wayne Blair, Beck Cole and Darlene Johnson, and under her leadership, development support was provided for the acclaimed series First Australians (2008), by Rachel Perkins and Darren Dale. Riley left in 2010, after being appointed as the inaugural head of the Indigenous department at ABC Television, and was succeeded by Penny Smallacombe.
Statistics showed a significant shift in the engagement of Indigenous and Torres Strait Islanders within the film industry over 25 years of the existence of the Indigenous Department. A 2002 study found that no Indigenous actors had a notable role on Australian television in 1992, and this number had only risen to two by 1999. However, a Screen Australia study in 2016 found that 5 percent of main characters on Australian television between 2011 and 2015 were Indigenous.
As of June 2018 the Indigenous Department had provided A$35 million in funding to over 160 projects, with its annual budget then A$3.3 million.
In August 2018, the department celebrated 25 years of its existence, which filmmakers, actors and others associated with the industry, including Rachel Perkins, Ivan Sen, Leah Purcell,  and Warwick Thornton, celebrated at the Carriageworks in Redfern.
To be eligible for assistance from Screen Australia's Indigenous Department, the applicant must be an Aboriginal or Torres Strait Islander Australian and must develop a project in which an Aboriginal or Torres Strait Islander Australian has a key creative role, such as a writer or director.

## Funding programs
As of 2020 (having introduced a new system in 2018), Screen Australia runs several funding programs for Australian filmmakers:
- The Generate program, providing funding for story development, is awarded to "New, emerging or experienced screen content creators who demonstrate an ability and passion for storytelling combined with a distinctive and authentic creative voice".
- Also for story development, the Premium funding award is for "Screen content creators who have a significant track record/production credits on projects that have commercial success and/or critical acclaim".
- The International Finance program provides funding for projects that are already market-ready and have secured some funding from a commercial source; this is aimed at films which have potential for international box office appeal.

There are also separate programs for funding feature films relating to Indigenous Australians, documentary films, and for pitching films to international markets.

### Application process
The application process to receive funding from Screen Australia was previously complicated and required creators to have previous screen credits in order to be eligible. However, the introduction of the Generate and Premium funds has allowed for virtually no eligibility barriers, encouraging new entrants to complete the application process. An application to receive funding from Screen Australia requires a one-page synopsis as well as a three-minute pitch to camera, describing the story, intended audience and how the film will reach them.

### Expenditure
Screen Australia's annual drama expenditure for 2021/22 was $2.29B, made up of a record spend on Australian titles of $1.51 billion, plus $777 million spent on foreign productions.
Screen Australia supplied nearly A$76 million in direct funding to the screen sector in the 2018/19 financial year.
In the 2019/20 financial year, A$41 million was approved for producing narrative films, including television drama, feature films, children's television and online productions.
In 2020, the funding model and the practices of the organisation had to change significantly owing to the impact of the COVID-19 pandemic in Australia and worldwide on the film industry. Screen Australia first gave more than A$1 million in emergency funding for productions that had already had funding, but were forced to close down or pause production. Additional funding was provided for projects that could work remotely, and a new Premium Plus development fund was launched. COVID-safe guidelines were developed for the industry in a joint initiative by the Australian Screen Sector Task Force; Screen Australia allocated A$10 million to a new COVID-19 Budget Support Fund, and  were appointed to administer the A$50 million Temporary Interruption Fund (TIF), announced by the government on 25 June 2020.
In August 2020, A$2.7 million in funding was announced, allocated to nine projects which include two feature films, two television series (one for children) and several online projects. In October 2020, further funding was announced the first round of funding for the 2020/21 financial year from the Premium and Generate funding schemes, which includes funding for 7 feature films, 16 TV drama series and 5 online projects.
Currently there are significant legislative changes under review which will affect how the Qualifying Australian Production Expenditure (QAPE) is structured.

title: Screen Australia

wikitext:
{{Short description|Film studio owned by the Australian Government}}
{{Use Australian English|date=December 2015}}
{{Use dmy dates|date=December 2015}}
{{Infobox company
| name = Screen Australia
| native_name =
| type = [[State-owned enterprise|Government-owned]]
| logo = Screen Australia logo.svg
| logo_width =
| logo_caption =
| image =
| image_size =
| image_caption = Flag of Australia
| foundation = {{Start date and age |2008|07|01|df=y}}
| location = [[Sydney]], [[New South Wales]], [[Australia]]
| num_employees = 95
| homepage = {{URL|screenaustralia.gov.au/}}
| predecessors = [[Australian Film Commission]]
[[Film Finance Corporation Australia]]
[[Film Australia]]
}}

'''Screen Australia '''is the Australian [[Federal Government of Australia|Federal Government's]] key funding body for the Australian screen production industry, created under the ''Screen Australia Act 2008''. From 1 July 2008, Screen Australia took over the functions of its predecessor agencies the [[Australian Film Commission]] (AFC), the [[Film Finance Corporation Australia]] and [[Film Australia]] Limited.

Screen Australia supports the development, production, promotion and distribution of Australian [[narrative film|narrative]] and [[documentary film|documentary]] screen content.

==History==
The Commonwealth ''Screen Australia Act 2008'' provides detailed information about the specific functions and powers of Screen Australia.<ref name=act/> Under this act, from 1 July 2008 the Australian Film Commission, the Film Finance Corporation Australia and Film Australia Limited were merged into one body, to be known as Screen Australia.<ref>{{cite web|url=https://www.screenaustralia.gov.au/about-us/who-we-are|title=About us: Who we are|website=Screen Australia| access-date=27 December 2020}}</ref> New Zealand television and film executive [[Ruth Harley]] was appointed the inaugural chief executive officer, handing over to Graeme Mason at the end of her five-year term in 2013.<ref>{{Cite web |date=2013-07-31 |title=Graeme Mason appointed as Screen Australia CEO |url=https://theabe.com.au/graeme-mason-appointed-as-screen-australia-ceo/ |access-date=2022-05-03 |website=The Australian Business Executive |language=en-US}}</ref>

==Management and functions==
Screen Australia functions to support and promote the development of screen culture in Australia, with a primary focus on creating innovative and commercially sustainable screen production. Screen Australia also operates to support the production, promotion and distribution of Australian screen content, as well as ensuring access to these programs. Screen Australia provides support to content creators through providing financial assistance, guarantees, services, facilities, programs and equipment, as well as sponsoring other activities, and supports the development of a diverse range of Australian programs, with an emphasis on documentaries, children's programs and cultural programs. It also promotes programs that incorporate matters of national interest or importance to Australians, or programs with relevance to Australian people and their lives.<ref name=act>{{cite web | publisher=Australian Government | website=Federal Register of Legislation | url=https://www.legislation.gov.au/Series/C2008A00012 |title=Screen Australia Act 2008 (Series)| date=5 March 2016 | access-date=27 December 2020}} [[File:CC-BY icon.svg|50px]] Text may have been copied from this source, which is available under a [https://creativecommons.org/licenses/by/4.0 Attribution 4.0 International  (CC BY 4.0)] licence.</ref>  Across its various departments, Screen Australia supports the development, production, promotion and distribution of Australian narrative and documentary screen content.<ref>{{Cite web|url=https://www.screenaustralia.gov.au/about-us/what-we-do|title=About us: What we do|website=Screen Australia|access-date=2019-11-06}}</ref>

{{as of|2023}}, the [[CEO]] is Graeme Mason, while Grainne Brunsdon is Head of Content.<ref>{{Cite web |title=Management - Who we are - About us |url=https://www.screenaustralia.gov.au/about-us/who-we-are/management |access-date=2023-10-25 |website=Screen Australia |language=en}}</ref> The chairman of the Screen Australia Board is Nicholas Moore, while board members include [[Claudia Karvan]] and [[Deborah Mailman]].<ref name=ar2019-20>{{cite report|url=https://www.screenaustralia.gov.au/getmedia/29a3dc12-fd97-492c-890a-c75b2ff27bfa/SA-Annual-Report-2019-2020.pdf?ext=.pdf|pages=10–13, 18|publisher=Screen Australia|date= October 2020|title=Screen Australia Annual Report 2019/20|issn =1837-2740}}</ref>

The agency not only provides funding to individuals and companies within the industry, but also administers the tax rebate for the production of Australian screen content, known as the Producer Offset.<ref>{{Cite web|url= https://www.screenaustralia.gov.au/funding-and-support/producer-offset|title=Producer Offset - Funding and Support|website=Screen Australia|access-date=2019-11-06}}</ref> (The other rebates which complete the "Australian Screen Production Incentive" suite are maintained by the [[Department of Communications and the Arts]].<ref>{{Cite web|url=https://www.communications.gov.au/what-we-do/screen/australian-screen-production-incentive|title=Australian Screen Production Incentive|website=[[Department of Communications and the Arts]]|publisher=[[Australian Government]]| date=2016-08-05| url-status=|access-date=2019-11-06}}{{deadlink|date=September 2023}}</ref>)
===Indigenous Department===

In 1993, the Australian Film Commission established the Indigenous Branch, whose work was continued through Screen Australia's Indigenous Department. This branch was creating following the recommendations of Shirley McPherson and Michael Pope's report, ''Promoting Indigenous Involvement in the Film and Television Industry'', with the primary objective of increasing the rate of engagement of [[Indigenous Australians|Aboriginal and Torres Strait Islander people]] within the screen industry. After the establishment of Screen Australia in 2008, it took over the department.<ref name=keast/>

From 2004 the AFC and from 2008 Screen Australia's Indigenous units helped to fund the [[Message Sticks Indigenous Film Festival]].<ref>{{cite web| url=https://www.screenaustralia.gov.au/getmedia/0e703ea4-7fc2-46cf-abbe-63e6966f8068/The-Next-25-Years.pdf?ext=.pdf| author= Screen Australia| title=The Next 25 Years: Screen Australia Indigenous Department Strategy| date=July 2019| access-date=16 November 2021}}</ref>

In her role as head of the Indigenous Department (continuing from head of the AFC's Indigenous Branch), [[Sally Riley (producer)|Sally Riley]] was responsible for the production of the award-winning feature film ''[[Samson and Delilah (2009 film)|Samson and Delilah]]'' in 2009, directed by [[Warwick Thornton]]. She also helped to launch the career of other Indigenous film professionals, such as [[Wayne Blair (director)|Wayne Blair]], [[Beck Cole]] and Darlene Johnson, and under her leadership, development support was provided for the acclaimed series ''[[First Australians]]'' (2008), by [[Rachel Perkins]] and [[Darren Dale]].<ref name=sa2010>{{cite web | title=Sally Riley to leave Screen Australia  | website=Screen Australia | date=12 March 2010 | url=https://www.screenaustralia.gov.au/sa/media-centre/news/2010/03-12-sally-riley-to-leave-screen-australia | access-date=11 November 2021}}</ref> Riley left in 2010, after being appointed as the inaugural head of the Indigenous department at [[ABC Television (Australia)|ABC Television]],<ref name=smh2021>{{cite web | last=Martyn | first=Shona | title='We need new voices': The ABC boss who's changing what we see on TV | website=[[The Sydney Morning Herald]] | date=30 July 2021 | url=https://www.smh.com.au/culture/tv-and-radio/the-daughter-of-a-tapdancing-shearer-from-narromine-who-changed-our-tv-20210727-p58ddj.html | access-date=11 November 2021}}</ref> and was succeeded by Penny Smallacombe.<ref name=filmink25>{{cite web|url=https://www.filmink.com.au/public-notice/screen-australias-indigenous-department-turns-25/|website=FilmInk|title=Screen Australia's Indigenous Department turns 25|date=Aug 2018}}</ref>

Statistics showed a significant shift in the engagement of Indigenous and Torres Strait Islanders within the film industry over 25 years of the existence of the Indigenous Department. A 2002 study found that no Indigenous actors had a notable role on Australian television in 1992, and this number had only risen to two by 1999. However, a Screen Australia study in 2016 found that 5 percent of main characters on Australian television between 2011 and 2015 were Indigenous.<ref name=keast/>

{{as of|June 2018}} the Indigenous Department had provided {{AUD|35 million}} in funding to over 160 projects, with its annual budget then {{AUD|3.3 million}}.<ref name=keast>{{Cite journal|last=Keast|first=Jackie|issue= 183|date=June 2018|pages=11–13|title=Screen Australia's Indigenous Department turns 25|url=https://search.informit.com.au/documentSummary;dn=872444370792500;res=IELAPA|website=Inside Film|issn= 1447-2252|via=Informit}}</ref>

In August 2018, the department celebrated 25 years of its existence, which filmmakers, actors and others associated with the industry, including [[Rachel Perkins]], [[Ivan Sen]], [[Leah Purcell]],  and [[Warwick Thornton]], celebrated at the [[Carriageworks]] in [[Redfern, Sydney|Redfern]].<ref name=filmink25/><ref>{{cite web | title=Screen Australia'S Indigenous Department turns 25 | website=Sydney Arts Guide | date=31 August 2018 | url=https://www.sydneyartsguide.com.au/screen-australias-indigenous-department-turns-25/ | access-date=28 December 2020}}</ref><ref>{{cite web|url=https://www.screenaustralia.gov.au/sa/media-centre/backgrounders/2018/06-04-indigenous-department-25-years|website=Screen Australia|title=Screen Australia's Indigenous Department celebrates 25 years|date=4 June 2018}}</ref>

To be eligible for assistance from Screen Australia's Indigenous Department, the applicant must be an Aboriginal or Torres Strait Islander Australian and must develop a project in which an Aboriginal or Torres Strait Islander Australian has a key creative role, such as a writer or director.<ref name=keast/>

==Funding programs==
{{as of|2020}} (having introduced a new system in 2018<ref name=old2018>{{cite web | title=Development: Funding programs | website=Screen Australia | url=https://www.screenaustralia.gov.au/funding-and-support/feature-films/development | archive-url=https://web.archive.org/web/20180130175708/https://www.screenaustralia.gov.au/funding-and-support/feature-films/development|archive-date=30 Jan 2018}}</ref>), Screen Australia runs several funding programs for Australian filmmakers:<ref>{{cite web | title=Development: Funding programs | website=Screen Australia | url=https://www.screenaustralia.gov.au/funding-and-support/feature-films/development | access-date=28 December 2020}}</ref>
* The Generate program, providing funding for story development, is awarded to "New, emerging or experienced screen content creators who demonstrate an ability and passion for storytelling combined with a distinctive and authentic creative voice".
*Also for story development, the Premium funding award is for "Screen content creators who have a significant track record/production credits on projects that have commercial success and/or critical acclaim".
*The International Finance program provides funding for projects that are already market-ready and have secured some funding from a commercial source; this is aimed at films which have potential for international [[box office]] appeal.

There are also separate programs for funding [[feature film]]s relating to [[Indigenous Australians]],<ref>{{cite web  | title=Feature Development  | website=Screen Australia | url=https://www.screenaustralia.gov.au/funding-and-support/indigenous/development/feature-development-program | access-date=28 December 2020}}</ref> [[documentary film]]s,<ref>{{cite web | title=Documentary development | website=Screen Australia | url=https://www.screenaustralia.gov.au/funding-and-support/documentary/development/documentary-development | access-date=28 December 2020}}</ref> and for pitching films to international markets.<ref>{{cite web  | title=Festivals, Events and Awards: International marketing support: Pitching Events/Talent Labs| website=Screen Australia | url=https://www.screenaustralia.gov.au/funding-and-support/feature-films/festivals-events-awards/events | access-date=28 December 2020}}</ref>

===Application process===

The application process to receive funding from Screen Australia was previously complicated and required creators to have previous screen credits in order to be eligible. However, the introduction of the Generate and Premium funds has allowed for virtually no eligibility barriers, encouraging new entrants to complete the application process. An application to receive funding from Screen Australia requires a one-page synopsis as well as a three-minute pitch to camera, describing the story, intended audience and how the film will reach them.<ref>{{Cite journal| last=Siemienowicz|first=Rochelle|date=2018|title=Smashing Barriers to Entry: Screen Australia's Drama-Development Funding Overhaul|journal=Metro: Media & Education Magazine|pages=126–127}} Note: No such title to be found, but probably within {{cite journal | title=Metro Magazine: Media & Education Magazine - Scope: Screen industry views  | journal=Metro Magazine: Media & Education Magazine | issue=198 | url=https://search.informit.com.au/documentSummary;dn=981931709905683;res=IELAPA| date=Oct 2018|access-date=28 December 2020 | pages=126–128|via=Informit}}, after the funding programs changed (see above)</ref>
===Expenditure===

Screen Australia's annual drama expenditure for 2021/22 was $2.29B, made up of a record spend on Australian titles of $1.51 billion, plus $777 million spent on foreign productions.<ref>{{Cite web |title=Drama Report 2021/22: Record $2.29 billion spent on drama production in Australia - Media centre |url=https://www.screenaustralia.gov.au/sa/media-centre/news/2022/11-10-drama-report-2021-22 |access-date=2022-11-10 |website=Screen Australia}}</ref>

Screen Australia supplied nearly {{AUD|76 million}} in direct funding to the screen sector in the 2018/19 financial year.<ref>{{Cite web|url=https://www.screenaustralia.gov.au/sa/media-centre/news/2019/10-31-drama-report-2018-19-australian-titles|title=Drama Report 2018/19: Spend on Australian titles hits all-time high {{!}} Media centre|website=Screen Australia|access-date=2019-11-06}}</ref>

In the 2019/20 financial year, {{AUD|41 million}} was approved for producing narrative films, including television drama, feature films, children's television and [[Web film|online productions]].<ref name=ar2019-20/>

In 2020, the funding model and the practices of the organisation had to change significantly owing to the impact of the [[COVID-19 pandemic in Australia]] and [[COVID-19 pandemic|worldwide]] on the film industry. Screen Australia first gave more than {{AUD|1 million}} in emergency funding for productions that had already had funding, but were forced to close down or pause production. Additional funding was provided for projects that could work remotely, and a new Premium Plus development fund was launched. COVID-safe guidelines were developed for the industry in a joint initiative by the Australian Screen Sector Task Force; Screen Australia allocated {{AUD|10 million}} to a new COVID-19 Budget Support Fund, and  were appointed to administer the {{AUD|50 million}} Temporary Interruption Fund (TIF), announced by the government on 25 June 2020.<ref name=ar2019-20/>

In August 2020, {{AUD|2.7 million}} in funding was announced, allocated to nine projects which include two feature films, two television series (one for children) and several online projects.<ref>{{cite web|url=https://mumbrella.com.au/screen-australia-announces-funding-for-nine-projects-640593|website=[[Mumbrella]]|title=Screen Australia announces funding for nine projects|date=26 August 2020| access-date=28 December 2020}}</ref> In October 2020, further funding was announced the first round of funding for the 2020/21 financial year from the Premium and Generate funding schemes, which includes funding for 7 feature films, 16 TV drama series and 5 online projects.<ref>{{cite web | title=Screen Australia announces $1 million in development funding | website=[[IF Magazine]] | date=28 October 2020 | url=https://www.if.com.au/screen-australia-announces-1-million-in-dev-funding/ | access-date=28 December 2020}}</ref>

Currently there are significant legislative changes under review which will affect how the Qualifying Australian Production Expenditure (QAPE) is structured.

==See also==
{{Portal|Television|Australia}}
*[[Cinema in Australia]]
*[[VicScreen]]
*[[Screen NSW]]
*[[Screen Queensland]]
*[[Screenwest]]
*[[South Australian Film Corporation]]
*[[List of film production companies]]
*[[List of television production companies]]

==References==
{{Reflist}}

==Further reading==
*{{cite web| url=https://www.screenaustralia.gov.au/getmedia/0e703ea4-7fc2-46cf-abbe-63e6966f8068/The-Next-25-Years.pdf?ext=.pdf| author= Screen Australia| title=The Next 25 Years: Screen Australia Indigenous Department Strategy| date=July 2019}}

==External links==
*{{official|screenaustralia.gov.au/}}

{{Authority control}}
{{Cinema of Australia}}
[[Category:2008 mergers and acquisitions]]
[[Category:Australian companies established in 2008]]
[[Category:Organisations based in Sydney]]
[[Category:Entertainment companies established in 2008]]
[[Category:Government agencies established in 2008]]
[[Category:State-owned film companies]]
[[Category:Film production companies of Australia]]

title: Screen Australia

Company type: Government-owned

Predecessors: Australian Film Commission · Film Finance Corporation Australia · Film Australia

Headquarters: Sydney, New South Wales, Australia


text:
# لا وارد
لا وارد (بالإنجليزية: La Ward, Texas) هي مدينة تقع بولاية تكساس في شمال شرق الولايات المتحدة. تبلغ مساحة هذه المدينة 2.1 (كم²)، وترتفع عن سطح البحر 12 م، بلغ عدد سكانها 200 نسمة في عام 2000 حسب إحصاء مكتب تعداد الولايات المتحدة وتصل الكثافة السكانية فيها 94.9 نسمة/كم2.

## التركيبة السكانية
حدّد مكتب تعداد الولايات المتحدة بيانات التركيبة السكانية للا وارد في تعداد الولايات المتحدة. في ما يلي، التركيبة السكانية حسب تعدادي 2000 و2010.

### تعداد عام 2000
بلغ عدد سكان لا وارد 200 نسمة بحسب تعداد عام 2000، وبلغ عدد الأسر 63 أسرة وعدد العائلات 50 عائلة مقيمة في المدينة. في حين سجلت الكثافة السكانية 95.2 نسمة لكل كيلومتر مربع (246.6/ميل2). وبلغ عدد الوحدات السكنية 79 وحدة بمتوسط كثافة قدره 37.6 لكل كيلومتر مربع (97.4/ميل2).
وتوزع التركيب العرقي للمدينة بنسبة 86% من البيض و1% من الأمريكيين الأصليين و12.50% من الأعراق الأخرى و0.50% من عرقين مختلطين أو أكثر و32.50% من الهسبانيون أو اللاتينيون من أي عرق.
بلغ عدد الأسر 63 أسرة كانت نسبة 47.6% منها لديها أطفال تحت سن الثامنة عشر تعيش معهم، وبلغت نسبة الأزواج القاطنين مع بعضهم البعض 66.7% من أصل المجموع الكلي للأسر، ونسبة 6.3% من الأسر كان لديها معيلات من الإناث دون وجود شريك،  بينما كانت نسبة 6.3% من الأسر لديها معيلون من الذكور دون وجود شريكة وكانت نسبة 20.6% من غير العائلات. تألفت نسبة 17.5% من أصل جميع الأسر من عدة أفراد يعيشون في نفس المنزل ونسبة 12.7% كانت تتألف من شخص يعيش بمفرده يبلغ من العمر 65 عاماً أو أكثر. وبلغ متوسط حجم الأسرة المعيشية 3.17، أما متوسط حجم العائلات فبلغ 3.66.
بلغ العمر الوسطي للسكان 31.7 عاماً. وكانت نسبة 32% من القاطنين تحت سن الثامنة عشر، وكانت نسبة 9.5% بين الثامنة عشر والرابعة والعشرين عاماً، ونسبة 29.5% كانت واقعةً في الفئة العمرية ما بين الخامسة والعشرين والرابعة والأربعين عاماً، ونسبة 16% كانت ما بين الخامسة والأربعين والرابعة والستين، ونسبة 13% كانت ضمن فئة الخامسة والستين عاماً فما فوق. يوجد لكل 100 أنثى 83.5 ذكر، ويوجد لكل 100 أنثى في الثامنة عشر من عمرها فما فوق 83.8 ذكر.
بلغ متوسط دخل الأسرة في المدينة 26,250 دولارًا، أما متوسط دخل العائلة فبلغ 45,833 دولارًا. وكان متوسط دخل الذكور 33,750 دولارًا مقابل 23,750 دولارًا للإناث. وسجل دخل الفرد الخاص بالمدينة 15,633 دولارًا. وكانت نسبة 5.2% من العائلات ونسبة 6.8% من السكان تحت خط الفقر، وكان من هؤلاء نسبة 6.5% تحت سن الثامنة عشر ونسبة 4.9% في الخامسة والستين من العمر وما فوق.

### تعداد عام 2010
بلغ عدد سكان لا وارد 213 نسمة بحسب تعداد عام 2010، وبلغ عدد الأسر 75 أسرة وعدد العائلات 56 عائلة مقيمة في المدينة. في حين سجلت الكثافة السكانية 101.4 نسمة لكل كيلومتر مربع (262.6/ميل2). وبلغ عدد الوحدات السكنية 88 وحدة بمتوسط كثافة قدره 41.9 لكل كيلومتر مربع (108.5/ميل2).
وتوزع التركيب العرقي للمدينة بنسبة 86.38% من البيض و1.41% من الأمريكيين الأصليين و11.27% من الأعراق الأخرى و0.94% من عرقين مختلطين أو أكثر و35.21% من الهسبانيون أو اللاتينيون من أي عرق.
بلغ عدد الأسر 75 أسرة كانت نسبة 40% منها لديها أطفال تحت سن الثامنة عشر تعيش معهم، وبلغت نسبة الأزواج القاطنين مع بعضهم البعض 57.3% من أصل المجموع الكلي للأسر، ونسبة 10.7% من الأسر كان لديها معيلات من الإناث دون وجود شريك،  بينما كانت نسبة 6.7% من الأسر لديها معيلون من الذكور دون وجود شريكة وكانت نسبة 25.3% من غير العائلات. تألفت نسبة 21.3% من أصل جميع الأسر من عدة أفراد يعيشون في نفس المنزل ونسبة 9.3% كانت تتألف من شخص يعيش بمفرده يبلغ من العمر 65 عاماً أو أكثر. وبلغ متوسط حجم الأسرة المعيشية 2.84، أما متوسط حجم العائلات فبلغ 3.38.
بلغ العمر الوسطي للسكان 33.4 عاماً. وكانت نسبة 33.3% من القاطنين تحت سن الثامنة عشر، وكانت نسبة 7% بين الثامنة عشر والرابعة والعشرين عاماً، ونسبة 23% كانت واقعةً في الفئة العمرية ما بين الخامسة والعشرين والرابعة والأربعين عاماً، ونسبة 25.4% كانت ما بين الخامسة والأربعين والرابعة والستين، ونسبة 11.3% كانت ضمن فئة الخامسة والستين عاماً فما فوق. وتوزع التركيب الجنسي للسكان بنسبة 51.2% ذكور و48.8% إناث.

## وصلات خارجية
- The US50 - Cities and Towns in Texas State

wikiname: arwiki

title: لا وارد

in_language: ar

wikitext:
{{صندوق معلومات تجمع سكاني}}
'''لا وارد''' {{إنج|La Ward, Texas}} هي مدينة تقع بولاية [[تكساس]] في شمال شرق [[الولايات المتحدة]]. تبلغ مساحة هذه المدينة 2.1 (كم²)، وترتفع عن سطح البحر 12 م، بلغ عدد سكانها 200 نسمة في عام [[تعداد الولايات المتحدة 2000|2000]] حسب [[إحصاء السكان|إحصاء]] [[مكتب تعداد الولايات المتحدة]] وتصل الكثافة السكانية فيها 94.9 نسمة/كم2.<ref name="Census 2010">{{استشهاد ويب| مسار = http://factfinder2.census.gov/faces/tableservices/jsf/pages/productview.xhtml?pid=DEC_10_SF1_GCTPH1.ST10| عنوان = GCT-PH1 – Population, Housing Units, Area, and Density: 2010 – State — Place and (in selected states) County Subdivision| ناشر = [[مكتب تعداد الولايات المتحدة]]| عمل = [[تعداد الولايات المتحدة 2010]]| تاريخ الوصول = 4-8-2013 |مسار أرشيف=https://web.archive.org/web/20140214084046/http://factfinder2.census.gov/faces/tableservices/jsf/pages/productview.xhtml?pid=DEC_10_SF1_GCTPH1.ST10 |تاريخ أرشيف=14-2-2014 }}</ref>

== التركيبة السكانية ==
حدّد [[مكتب تعداد الولايات المتحدة]] بيانات التركيبة السكانية للا وارد في [[إحصاء سكان الولايات المتحدة|تعداد الولايات المتحدة]]. في ما يلي، التركيبة السكانية حسب تعدادي 2000 و2010.

=== تعداد عام 2000 ===
بلغ عدد سكان لا وارد 200 نسمة بحسب [[تعداد الولايات المتحدة 2000|تعداد عام 2000]]<ref name ="USCB">{{استشهاد ويب |مؤلف = [[مكتب تعداد الولايات المتحدة]] |تاريخ = 2012-12-19 |عنوان = U.S. Census website |مسار = https://www.census.gov |مسار أرشيف = https://web.archive.org/web/20210709054630/https://www.census.gov/ |تاريخ أرشيف = 2021-7-9 |لغة = en |تاريخ الوصول = 10-7-2021 }}</ref>، وبلغ عدد الأسر 63 أسرة وعدد العائلات 50 عائلة مقيمة في المدينة. في حين سجلت [[كثافة سكانية|الكثافة السكانية]] {{حول|95.2|PD/km2|PD/sqmi|1}}. وبلغ عدد الوحدات السكنية 79 وحدة بمتوسط كثافة قدره {{حول|37.6|/km2|/sqmi|1}}.
وتوزع التركيب العرقي للمدينة بنسبة 86% من [[العرق والإثنية في تعداد الولايات المتحدة|البيض]] و1% من [[العرق والإثنية في تعداد الولايات المتحدة|الأمريكيين الأصليين]] و12.50% من [[العرق والإثنية في تعداد الولايات المتحدة|الأعراق الأخرى]] و0.50% من [[العرق والإثنية في تعداد الولايات المتحدة|عرقين مختلطين أو أكثر]] و32.50% من [[العرق والإثنية في تعداد الولايات المتحدة|الهسبانيون أو اللاتينيون من أي عرق]].

بلغ عدد الأسر 63 أسرة كانت نسبة 47.6% منها لديها أطفال تحت سن الثامنة عشر تعيش معهم، وبلغت نسبة [[زواج|الأزواج]] القاطنين مع بعضهم البعض 66.7% من أصل المجموع الكلي للأسر، ونسبة 6.3% من الأسر كان لديها معيلات من الإناث دون وجود شريك،  بينما كانت نسبة 6.3% من الأسر لديها معيلون من الذكور دون وجود شريكة وكانت نسبة 20.6% من غير العائلات. تألفت نسبة 17.5% من أصل جميع الأسر من [[أسرة|عدة أفراد يعيشون في نفس المنزل]] ونسبة 12.7% كانت تتألف من شخص يعيش بمفرده يبلغ من العمر 65 عاماً أو أكثر. وبلغ متوسط حجم الأسرة المعيشية 3.17، أما متوسط حجم العائلات فبلغ 3.66.

بلغ العمر الوسطي للسكان 31.7 عاماً. وكانت نسبة 32% من القاطنين [[قاصر|تحت سن الثامنة عشر]]، وكانت نسبة 9.5% بين [[مراهقة|الثامنة عشر والرابعة والعشرين]] عاماً، ونسبة 29.5% كانت واقعةً في الفئة العمرية ما بين الخامسة والعشرين والرابعة والأربعين عاماً، ونسبة 16% كانت ما بين [[كهل|الخامسة والأربعين والرابعة والستين]]، ونسبة 13% كانت ضمن فئة [[كبر السن|الخامسة والستين عاماً فما فوق]]. يوجد لكل 100 [[أنثى]] 83.5 [[ذكر (جنس)|ذكر]]، ويوجد لكل 100 أنثى في الثامنة عشر من عمرها فما فوق 83.8 ذكر.

بلغ متوسط دخل الأسرة في المدينة 26,250 [[دولار أمريكي|دولارًا]]، أما متوسط دخل العائلة فبلغ 45,833 دولارًا. وكان متوسط دخل الذكور 33,750 دولارًا مقابل 23,750 دولارًا للإناث. وسجل [[ناتج قومي للفرد|دخل الفرد]] الخاص بالمدينة 15,633 دولارًا. وكانت نسبة 5.2% من العائلات ونسبة 6.8% من السكان تحت [[خط الفقر]]، وكان من هؤلاء نسبة 6.5% تحت سن الثامنة عشر ونسبة 4.9% في الخامسة والستين من العمر وما فوق.

=== تعداد عام 2010 ===
بلغ عدد سكان لا وارد 213 نسمة بحسب [[تعداد الولايات المتحدة 2010|تعداد عام 2010]]<ref name="USCB"/>، وبلغ عدد الأسر 75 أسرة وعدد العائلات 56 عائلة مقيمة في المدينة. في حين سجلت [[كثافة سكانية|الكثافة السكانية]] {{حول|101.4|PD/km2|PD/sqmi|1}}. وبلغ عدد الوحدات السكنية 88 وحدة بمتوسط كثافة قدره {{حول|41.9|/km2|/sqmi|1}}.
وتوزع التركيب العرقي للمدينة بنسبة 86.38% من [[العرق والإثنية في تعداد الولايات المتحدة|البيض]] و1.41% من [[العرق والإثنية في تعداد الولايات المتحدة|الأمريكيين الأصليين]] و11.27% من [[العرق والإثنية في تعداد الولايات المتحدة|الأعراق الأخرى]] و0.94% من [[العرق والإثنية في تعداد الولايات المتحدة|عرقين مختلطين أو أكثر]] و35.21% من [[العرق والإثنية في تعداد الولايات المتحدة|الهسبانيون أو اللاتينيون من أي عرق]].

بلغ عدد الأسر 75 أسرة كانت نسبة 40% منها لديها أطفال تحت سن الثامنة عشر تعيش معهم، وبلغت نسبة [[زواج|الأزواج]] القاطنين مع بعضهم البعض 57.3% من أصل المجموع الكلي للأسر، ونسبة 10.7% من الأسر كان لديها معيلات من الإناث دون وجود شريك،  بينما كانت نسبة 6.7% من الأسر لديها معيلون من الذكور دون وجود شريكة وكانت نسبة 25.3% من غير العائلات. تألفت نسبة 21.3% من أصل جميع الأسر من [[أسرة|عدة أفراد يعيشون في نفس المنزل]] ونسبة 9.3% كانت تتألف من شخص يعيش بمفرده يبلغ من العمر 65 عاماً أو أكثر. وبلغ متوسط حجم الأسرة المعيشية 2.84، أما متوسط حجم العائلات فبلغ 3.38.

بلغ العمر الوسطي للسكان 33.4 عاماً. وكانت نسبة 33.3% من القاطنين [[قاصر|تحت سن الثامنة عشر]]، وكانت نسبة 7% بين [[مراهقة|الثامنة عشر والرابعة والعشرين]] عاماً، ونسبة 23% كانت واقعةً في الفئة العمرية ما بين الخامسة والعشرين والرابعة والأربعين عاماً، ونسبة 25.4% كانت ما بين [[كهل|الخامسة والأربعين والرابعة والستين]]، ونسبة 11.3% كانت ضمن فئة [[كبر السن|الخامسة والستين عاماً فما فوق]]. وتوزع التركيب الجنسي للسكان بنسبة 51.2% [[ذكر (جنس)|ذكور]] و48.8% [[أنثى|إناث]].

== مراجع ==
{{مراجع}}

== وصلات خارجية ==
*
* [http://www.theus50.com/texas/cities.php The US50 - Cities and Towns in Texas State]

{{مدن تكساس}}
{{مقاطعة جاكسون (تكساس)}}
{{شريط بوابات|الولايات المتحدة|جغرافيا|تجمعات سكانية}}

{{ضبط استنادي}}

[[تصنيف:مدن تكساس]]

[[تصنيف:مدن في مقاطعة جاكسون (تكساس)]]

title: لا وارد

title: تقسيم إداري

البلد: الولايات المتحدة

التقسيم الأعلى: مقاطعة جاكسون

title: خصائص جغرافية

المساحة: 2.102814 كيلومتر مربع (1 أبريل 2010)

ارتفاع: 12 متر

title: عدد السكان

title: معلومات أخرى

معلومات أخرى: تعديل مصدري - تعديل


text:
# Eparchia jarosławska
Eparchia jarosławska – eparchia Rosyjskiego Kościoła Prawosławnego obejmująca część obwodu jarosławskiego. Od 26 grudnia 2019 r. jej ordynariuszem jest metropolita Wadim (Łaziebny).
Eparchia wchodzi w skład metropolii jarosławskiej.

## Historia i współczesność
Eparchia powstała w 991 pod nazwą eparchii rostowskiej, w 1589 została podniesiona do rangi metropolii. Sobór jarosławski jest jej siedzibą od XVIII w.
Eparchia prowadzi seminarium duchowne w Jarosławiu (istnieje od 1994), gimnazjum prawosławne w Jarosławiu i 66 szkół niedzielnych dla dzieci i młodzieży.
Organem prasowym eparchii jest gazeta Jarosławskie wiadomości eparchialne (ros. Ярославские епархиальные ведомости, natomiast telewizja regionalna nadaje tworzony przez duchowieństwo program Świeca.

## Podział administracyjny
Eparchia jarosławska dzieli się na dziesięć dekanatów: gawriłowsko-jamski, jarosławski wiejski, jarosławski centralny, jarosławski północny, jarosławski południowy, niekrasowski, pietrowski, pleszczejewski, tunoszeński, wiacki. W ich strukturach czynnych jest 156 parafii oraz 18 cerkwi i kaplic więziennych, szpitalnych itp.. Są one obsługiwane przez 208 kapłanów.

### Monastery[5]
- Monaster Przemienienia Pańskiego i św. Jakuba w Rostowie, męski
- Babajewski Monaster św. Mikołaja w Niekrasowskim, męski
- Monaster św. Piotra w Rostowie, męski
- Monaster Przemienienia Pańskiego i św. Atanazego w Jarosławiu, męski
- Monaster Tołgski, żeński
- Monaster Objawienia Pańskiego i św. Abrahamiusza Rostowskiego, żeński
- Monaster Kazańskiej Ikony Matki Bożej w Jarosławiu, żeński
- Monaster Narodzenia Matki Bożej w Rostowie, żeński

## Biskupi jarosławscy i rostowscy
| Biskup                                | Lata sprawowania urzędu    |
| św. Teodor I                          | 991 – ok. 1023             |
| Hilarion                              | ?                          |
| św. Leoncjusz                         | ok. 1051 – ok. 1073        |
| św. Izajasz Cudotwórca                | 1078–1090                  |
| Efrem                                 | ?                          |
| Nestor                                | ? – 1156                   |
| Leon                                  | 1157–1162                  |
| Teodor                                | 1162–1169                  |
| Leoncjusz II                          | 1172–1185                  |
| Mikołaj                               | 1185                       |
| Łukasz                                | 1185–1189                  |
| Jan                                   | 1190–1214                  |
| Pachomiusz                            | 1214–1216                  |
| Cyryl                                 | 1216–1229                  |
| św. Cyryl                             | 1230–1262                  |
| Ignacy                                | 1262–1288 z przerwą w 1278 |
| Dionizy                               | 1278                       |
| Taras                                 | 1288–1295                  |
| Szymon                                | 1295–1311                  |
| św. Prochor                           | 1311–1328                  |
| Antoni                                | 1328–1336                  |
| Gabriel                               | 1336–1346                  |
| Jan                                   | 1346–1356                  |
| Ignacy                                | 1356–1364                  |
| Piotr                                 | 1364–1365                  |
| Arseniusz                             | 1374–1380                  |
| Mateusz Grek                          | ok. 1382–1385              |
| św. Jakub                             | 1388/1389 – 1390           |
| św. Teodor II                         | 1390–1395                  |
| Grzegorz                              | 1396–1416                  |
| Dionizy                               | 1418–1425                  |
| św. Efrem                             | 1427–1454                  |
| Teodozjusz (Bywalcew)                 | 1454–1461                  |
| św. Tryfon                            | 1462–1467                  |
| św. Wassian (Ryło)                    | 1467–1481                  |
| Joazaf (Oboleński)                    | 1481–1488                  |
| Tichon (Malszkin)                     | 1489–1503                  |
| Wassian                               | 1506–1515                  |
| Jan                                   | 1520–1525                  |
| Cyryl                                 | 1526–1538                  |
| Dosyteusz                             | 1539–1542                  |
| Aleksy                                | 1543–1548                  |
| Nikanor                               | 1549–1566                  |
| Korneliusz                            | 1567 – ok. 1574            |
| Jonasz                                | ? – 1576                   |
| Abraham                               | ? – 1577                   |
| Dawid                                 | 1578–1583                  |
| Eutymiusz                             | 1583–1585                  |
| Hiob                                  | 1586                       |
| Warłaam                               | 1586–1603                  |
| Jonasz                                | 1603–1604                  |
| Cyryl (Zawidow)                       | 1605–1606                  |
| Filaret (Romanow)                     | 1606–1619                  |
| Warłaam                               | 1619–1652                  |
| Jonasz (Sysojewicz)                   | 1652–1690                  |
| Joazaf (Łazarewicz)                   | 1691–1701                  |
| św. Dymitr (Tuptało)                  | 1702–1709                  |
| Dosyteusz (Glebow)                    | 1711–1718                  |
| Jerzy (Daszkow)                       | 1718–1730                  |
| Joachim                               | 1731–1741                  |
| św. męczennik Arseniusz (Maciejewicz) | 1742–1763                  |
| Atanazy (Wolchowski)                  | 1763–1766                  |
| Samuel (Mysławski)                    | 1776–1783                  |
| Arseniusz (Wierieszczagin)            | 1783–1799                  |
| Paweł (Ponomariow)                    | 1799–1805                  |
| Antoni (Znamienski)                   | 1806–1820                  |
| św. Filaret (Drozdow)                 | 1820–1821                  |
| Szymon (Kryłow-Płatonow)              | 1821–1824                  |
| Abraham (Szumilin)                    | 1824–1836                  |
| św. Filaret (Amfitieatrow)            | 1836–1837                  |
| Eugeniusz (Kazancew)                  | 1837–1853                  |
| Nil (Isakowicz)                       | 1853–1874                  |
| Dymitr (Murietow)                     | 1874–1876                  |
| Leonid (Krasnopiewkow)                | 1876                       |
| Jonatan (Rudniew)                     | 1877–1903                  |
| Sergiusz (Łanin)                      | 1903–1904                  |
| Jakub (Piatnicki)                     | 1904–1907                  |
| św. Tichon (Bielawin)                 | 1907–1913                  |
| św. Agatangel (Prieobrażenski)        | 1913–1928                  |
| Paweł (Borisowski)                    | 1929–1937                  |
| Jan (Sokołow)                         | 1942–1944                  |
| Aleksy (Siergiejew)                   | 1944–1947                  |
| Dymitr (Gradusow)                     | 1947–1954                  |
| Borys (Wik)                           | 1954                       |
| locum tenens Izajasz (Kowalow)        | 1954–1960                  |
| Nikodem (Rotow)                       | 1960–1963                  |
| Leonid (Polakow)                      | 1963–1964                  |
| Sergiusz (Łarin)                      | 1964–1967                  |
| Jan (Wiendłand)                       | 1967–1984                  |
| Platon (Udowienko)                    | 1984–1993                  |
| Micheasz (Charcharow)                 | 1993–2002                  |
| Cyryl (Nakonieczny)                   | 2002–2011                  |
| Pantelejmon (Dołganow)                | 2011–2019                  |
| Wadim (Łaziebny)                      | od 2019                    |

wikiname: plwiki

title: Eparchia jarosławska

in_language: pl

wikitext:
{{Administratura kościelna infobox
 |nazwa                          = Eparchia jarosławska
 |nazwa oryginalna               = {{k|ru|Ярославская епархия}}
 |typ administratury             = Diecezja
 |grafika                        = Fyodorovskaya2.jpg
 |opis grafiki                   = [[Cerkiew Fiodorowskiej Ikony Matki Bożej w Jarosławiu]]
 |alt grafiki                    =
 |państwo                        = obwód jarosławski
 |miejscowość                    = [[Jarosław (Rosja)|Jarosław]]
 |adres                          =
 |data powołania                 = 991
 |data zamknięcia                =
 |wyznanie                       = [[Prawosławie|prawosławne]]
 |kościół                        = [[Rosyjski Kościół Prawosławny]]
 |nadrzędna administratura typ   = [[Metropolia (religia)|Metropolia]]
 |nadrzędna administratura nazwa = [[Metropolia jarosławska|jarosławska]]
 |obiekt sakralny typ            = [[Sobór (świątynia)|Sobór]]
 |obiekt sakralny nazwa          = [[Sobór Zaśnięcia Matki Bożej w Jarosławiu|Zaśnięcia Matki Bożej]]
 |administrator                  = metropolita jarosławski i rostowski [[Wadim (Łaziebny)]]
 |administrator pomocniczy       =
 |administrator senior           = metropolita jarosławski i rostowski [[Pantelejmon (Dołganow)]]
 |rok danych statystycznych      =
 |procent wiernych               =
 |liczba wiernych                =
 |liczba kapłanów diecezjalnych  =
 |liczba kapłanów zakonnych      =
 |liczba kapłanów                =
 |liczba osób zakonnych          =
 |liczba diecezji                =
 |liczba dekanatów               =
 |liczba parafii                 =
 |liczba klasztorów              =
 |powierzchnia                   =
 |mapa                           =
 |opis mapy                      =
 |alt mapy                       =
 |współrzędne                    = 57°37′17,9″N 39°53′11,1″E
 |commons                        = Category:Yaroslavl-Rostov Eparchy
 |www                            = http://yareparhia.ru
}}

[[Plik:Iaroslavl.JPG|mały|<center>[[Monaster Przemienienia Pańskiego w Jarosławiu]]</center>]]
[[Plik:Rostov19.jpg|mały|Rostów]]
'''Eparchia jarosławska''' – [[eparchia]] [[Rosyjski Kościół Prawosławny|Rosyjskiego Kościoła Prawosławnego]] obejmująca część [[Obwód jarosławski|obwodu jarosławskiego]]<ref name=":0">{{Cytuj|tytuł=Ярославская епархия|data dostępu=2016-12-14|opublikowany=Патриархия.ru|url=http://www.patriarchia.ru/db/text/38553.html}}</ref>. Od 26 grudnia 2019 r. jej [[ordynariusz]]em jest metropolita [[Wadim (Łaziebny)]]<ref>{{Cytuj stronę |url = http://www.patriarchia.ru/db/text/5553804.html |autor = |tytuł = ЖУРНАЛЫ заседания Священного Синода от 26 декабря 2019 года – ЖУРНАЛ № 148 |opublikowany = patriarchia.ru |data = 26 grudnia 2019 |język = ru |data dostępu = 2019-12-27}}</ref>.

Eparchia wchodzi w skład [[Metropolia jarosławska|metropolii jarosławskiej]]<ref>[http://www.patriarchia.ru/db/text/38553.html Ярославская епархия]</ref>.

== Historia i współczesność ==
Eparchia powstała w 991 pod nazwą eparchii rostowskiej, w 1589 została podniesiona do rangi [[Metropolia (religia)|metropolii]]. Sobór jarosławski jest jej siedzibą od XVIII w.

Eparchia prowadzi seminarium duchowne w Jarosławiu (istnieje od 1994), gimnazjum prawosławne w Jarosławiu i 66 szkół niedzielnych dla dzieci i młodzieży.

Organem prasowym eparchii jest gazeta ''Jarosławskie wiadomości eparchialne'' (ros. ''Ярославские епархиальные ведомости'', natomiast telewizja regionalna nadaje tworzony przez duchowieństwo program ''Świeca''.

== Podział administracyjny ==
Eparchia jarosławska dzieli się na dziesięć dekanatów: [[Dekanat gawriłowsko-jamski|gawriłowsko-jamski]], [[Dekanat jarosławski wiejski|jarosławski wiejski]], [[Dekanat jarosławski centralny|jarosławski centralny]], [[Dekanat jarosławski północny|jarosławski północny]], [[Dekanat jarosławski południowy|jarosławski południowy]], [[Dekanat niekrasowski|niekrasowski]], [[Dekanat pietrowski|pietrowski]], [[Dekanat pleszczejewski|pleszczejewski]], [[Dekanat tunoszeński|tunoszeński]], [[Dekanat wiacki|wiacki]]<ref>{{Cytuj|tytuł=Благочиния и приходы|data dostępu=2016-12-15|opublikowany=yareparhia.ru|url=http://yareparhia.ru/%D1%8F%D1%80%D0%BE%D1%81%D0%BB%D0%B0%D0%B2%D1%81%D0%BA%D0%B0%D1%8F-%D0%B5%D0%BF%D0%B0%D1%80%D1%85%D0%B8%D1%8F/%D0%B1%D0%BB%D0%B0%D0%B3%D0%BE%D1%87%D0%B8%D0%BD%D0%B8%D1%8F-%D0%B8-%D0%BF%D1%80%D0%B8%D1%85%D0%BE%D0%B4%D1%8B/|archiwum=https://web.archive.org/web/20161221012618/http://yareparhia.ru/%D1%8F%D1%80%D0%BE%D1%81%D0%BB%D0%B0%D0%B2%D1%81%D0%BA%D0%B0%D1%8F-%D0%B5%D0%BF%D0%B0%D1%80%D1%85%D0%B8%D1%8F/%D0%B1%D0%BB%D0%B0%D0%B3%D0%BE%D1%87%D0%B8%D0%BD%D0%B8%D1%8F-%D0%B8-%D0%BF%D1%80%D0%B8%D1%85%D0%BE%D0%B4%D1%8B/|zarchiwizowano=2016-12-21}}</ref>. W ich strukturach czynnych jest 156 parafii oraz 18 cerkwi i kaplic więziennych, szpitalnych itp.<ref name=":0" />. Są one obsługiwane przez 208 kapłanów<ref name=":0" />.

=== Monastery<ref>{{Cytuj |tytuł = Монастыри – ЯРОСЛАВСКАЯ МИТРОПОЛИЯ |data dostępu = 2021-01-06 |url = http://yareparhia.ru/%d0%bf%d1%80%d0%b8%d1%85%d0%be%d0%b4%d1%8b-%d1%8f%d1%80%d0%be%d1%81%d0%bb%d0%b0%d0%b2%d1%81%d0%ba%d0%be%d0%b9-%d0%b5%d0%bf%d0%b0%d1%80%d1%85%d0%b8%d0%b8/%d0%bc%d0%be%d0%bd%d0%b0%d1%81%d1%82%d1%8b%d1%80%d0%b8-%d1%8f%d1%80%d0%be%d1%81%d0%bb%d0%b0%d0%b2%d1%81%d0%ba%d0%be%d0%b9-%d0%b5%d0%bf%d0%b0%d1%80%d1%85%d0%b8%d0%b8 |język = ru-RU}}</ref> ===
* [[Monaster Przemienienia Pańskiego i św. Jakuba]] w Rostowie, męski
* [[Babajewski Monaster św. Mikołaja]] w Niekrasowskim, męski
* [[Monaster św. Piotra w Rostowie]], męski
* [[Monaster Przemienienia Pańskiego i św. Atanazego]] w Jarosławiu, męski
* [[Monaster Tołgski]], żeński
* [[Monaster Objawienia Pańskiego i św. Abrahamiusza Rostowskiego]], żeński
* [[Monaster Kazańskiej Ikony Matki Bożej w Jarosławiu]], żeński
* [[Monaster Narodzenia Matki Bożej w Rostowie]], żeński

== Biskupi jarosławscy i rostowscy ==
{|class="wikitable"
|'''Biskup'''
|'''Lata sprawowania urzędu'''
|-
|św. Teodor I
|991 – ok. 1023
|-
|Hilarion
|?
|-
|[[Leoncjusz z Rostowa|św. Leoncjusz]]
|ok. 1051 – ok. 1073
|-
|św. Izajasz Cudotwórca
|1078–1090
|-
|Efrem
|?
|-
|Nestor
| ? – 1156
|-
|Leon
|1157–1162
|-
|Teodor
|1162–1169
|-
|Leoncjusz II
|1172–1185
|-
|Mikołaj
|1185
|-
|Łukasz
|1185–1189
|-
|Jan
|1190–1214
|-
|Pachomiusz
|1214–1216
|-
|Cyryl
|1216–1229
|-
|św. Cyryl
|1230–1262
|-
|Ignacy
|1262–1288 z przerwą w 1278
|-
|Dionizy
|1278
|-
|Taras
|1288–1295
|-
|Szymon
|1295–1311
|-
|św. Prochor
|1311–1328
|-
|Antoni
|1328–1336
|-
|Gabriel
|1336–1346
|-
|Jan
|1346–1356
|-
|Ignacy
|1356–1364
|-
|Piotr
|1364–1365
|-
|Arseniusz
|1374–1380
|-
|Mateusz Grek
|ok. 1382–1385
|-
|św. [[Jakub (biskup rostowski)|Jakub]]
|1388/1389 – 1390<ref>{{Cytuj |tytuł = ИАКОВ |data dostępu = 2021-01-04 |opublikowany = pravenc.ru |url = https://www.pravenc.ru/text/200159.html}}</ref>
|-
|św. Teodor II
|1390–1395
|-
|Grzegorz
|1396–1416
|-
|Dionizy
|1418–1425
|-
|św. Efrem
|1427–1454
|-
|Teodozjusz (Bywalcew)
|1454–1461
|-
|św. Tryfon
|1462–1467
|-
|św. Wassian (Ryło)
|1467–1481
|-
|Joazaf (Oboleński)
|1481–1488
|-
|Tichon (Malszkin)
|1489–1503
|-
|Wassian
|1506–1515
|-
|Jan
|1520–1525
|-
|Cyryl
|1526–1538
|-
|Dosyteusz
|1539–1542
|-
|Aleksy
|1543–1548
|-
|Nikanor
|1549–1566
|-
|Korneliusz
|1567 – ok. 1574
|-
|Jonasz
|? – 1576
|-
|Abraham
|? – 1577
|-
|Dawid
|1578–1583
|-
|Eutymiusz
|1583–1585
|-
|Hiob
|1586
|-
|Warłaam
|1586–1603
|-
|Jonasz
|1603–1604
|-
|Cyryl (Zawidow)
|1605–1606
|-
|[[Filaret (patriarcha Moskwy)|Filaret (Romanow)]]
|1606–1619
|-
|Warłaam
|1619–1652
|-
|[[Jonasz (Sysojewicz)]]
|1652–1690
|-
|Joazaf (Łazarewicz)
|1691–1701
|-
|[[Dymitr (arcybiskup rostowski)|św. Dymitr (Tuptało)]]
|1702–1709
|-
|Dosyteusz (Glebow)
|1711–1718
|-
|Jerzy (Daszkow)
|1718–1730
|-
|Joachim
|1731–1741
|-
|św. męczennik [[Arseniusz (Maciejewicz)]]
|1742–1763
|-
|Atanazy (Wolchowski)
|1763–1766
|-
|[[Samuel (Mysławski)]]
|1776–1783
|-
|[[Arseniusz (Wierieszczagin)]]
|1783–1799
|-
|[[Paweł (Ponomariow, arcybiskup jarosławski)|Paweł (Ponomariow)]]
|1799–1805
|-
|[[Antoni (Znamienski)]]
|1806–1820
|-
|św. [[Filaret (Drozdow)]]
|1820–1821
|-
|[[Szymon (Kryłow-Płatonow)]]
|1821–1824
|-
|[[Abraham (Szumilin)]]
|1824–1836
|-
|św. [[Filaret (Amfitieatrow)]]
|1836–1837
|-
|[[Eugeniusz (Kazancew)]]
|1837–1853
|-
|[[Nil (Isakowicz)]]
|1853–1874
|-
|[[Dymitr (Murietow)]]
|1874–1876
|-
|[[Leonid (Krasnopiewkow)]]
|1876
|-
|[[Jonatan (Rudniew)]]
|1877–1903
|-
|Sergiusz (Łanin)
|1903–1904
|-
|[[Jakub (Piatnicki)]]
|1904–1907
|-
|św. [[Tichon (patriarcha Moskwy)|Tichon (Bielawin)]]
|1907–1913
|-
|św. [[Agatangel (Prieobrażenski)]]
|1913–1928
|-
|[[Paweł (Borisowski)]]
|1929–1937
|-
|[[Jan (Sokołow, metropolita kijowski)|Jan (Sokołow)]]
|1942–1944
|-
|[[Aleksy (Siergiejew)]]
|1944–1947
|-
|[[Dymitr (Gradusow)]]
|1947–1954
|-
|[[Borys (Wik)]]
|1954
|-
| ''[[locum tenens]]'' [[Izajasz (Kowalow)]]
|1954–1960
|-
|[[Nikodem (Rotow)]]
|1960–1963
|-
|[[Leonid (Polakow)]]
|1963–1964
|-
|[[Sergiusz (Łarin)]]
|1964–1967
|-
|[[Jan (Wiendłand)]]
|1967–1984
|-
|[[Platon (Udowienko)]]
|1984–1993
|-
|[[Micheasz (Charcharow)]]
|1993–2002
|-
|[[Cyryl (Nakonieczny)]]
|2002–2011
|-
|[[Pantelejmon (Dołganow)]]
|2011–2019
|-
|[[Wadim (Łaziebny)]]
|od 2019
|-
|}

== Przypisy ==
{{Przypisy}}

== Linki zewnętrzne ==
* [http://yareparhia.ru/ Strona oficjalna]
{{Eparchie Rosyjskiego Kościoła Prawosławnego}}
{{Kontrola autorytatywna}}

[[Kategoria:Eparchia jarosławska|*]]

title: Eparchia jarosławskaЯрославская епархия

Państwo: Rosja

Obwód: jarosławski

Siedziba: Jarosław

Wyznanie: prawosławne

Kościół: Rosyjski Kościół Prawosławny

Metropolia: jarosławska

Sobór: Zaśnięcia Matki Bożej

Biskup diecezjalny: metropolita jarosławski i rostowski Wadim (Łaziebny)

Biskup senior: metropolita jarosławski i rostowski Pantelejmon (Dołganow)


text:
# شارليس ديريس
شارليس ديريس (6 يونيو 1981 بكامبريه في فرنسا - ) (بالفرنسية: Charles Diers) هو لاعب كرة قدم فرنسي في مركز الوسط. لعب مع نادي أنجيه ونادي بولون ونادي ديجون ونادي كليرمونت 63 ونادي ليل وAC Cambrai .

## روابط خارجية
- شارليس ديريس على موقع رابطة كرة القدم الفرنسية للمحترفين (الإنجليزية)
- شارليس ديريس على موقع قاعدة بيانات كرة القدم.إي يو (الإنجليزية)
- شارليس ديريس على موقع ليكيب (الفرنسية)
- شارليس ديريس على موقع Soccerway.com (الإنجليزية)
- شارليس ديريس على موقع عالم كرة القدم.نت (الإنجليزية)
- شارليس ديريس على موقع AS.com (الإسبانية)

title: شارليس ديريس

wikitext:
{{يتيمة|تاريخ=أكتوبر 2018}}
{{صندوق معلومات سيرة كرة قدم
| تاريخ_الميلاد = {{تاريخ الميلاد والعمر|1981|6|6|df=y}}
| طول = {{الارتفاع|m=1.85}}
| مركز = [[لاعب وسط (كرة القدم)|وسط]]
| سنوات1 = 1997–1998
| أندية1 = {{Ill-WD2|id=Q2869085|en=true}}
| مباريات1 = 29
| أهداف1 = 9
| سنوات2 = 1998–2002
| أندية2 = [[نادي ليل|ليل]]
| مباريات2 = 81
| أهداف2 = 13
| سنوات3 = 2002–2006
| أندية3 = [[نادي ديجون|ديجون]]
| مباريات3 = 84
| أهداف3 = 14
| سنوات4 = 2005–2006
| أندية4 = ← [[نادي بولون|بولون]] (إعارة)
| مباريات4 = 34
| أهداف4 = 7
| سنوات5 = 2006–2008
| أندية5 = [[نادي كليرمون فوت|كليرمونت 63]]
| مباريات5 = 63
| أهداف5 = 18
| سنوات6 = 2008–2016
| أندية6 = [[نادي أنجيه|أنجيه]]
| مباريات6 = 215
| أهداف6 = 25
| مجموع_أهداف = 86
| مجموع_مباريات = 506
}}
'''شارليس ديريس''' ([[6 يونيو]] [[1981]] ب[[كامبريه]] في [[فرنسا]] - ) {{فرن|Charles Diers}} هو [[لاعب كرة قدم]] [[فرنسا|فرنسي]] في [[مركز (كرة القدم)|مركز]] [[لاعب وسط (كرة القدم)|الوسط]].<ref>{{استشهاد بخبر|عنوان=Angers : Olivier Auriac et Charles Diers arrêtent leurs carrières|مسار=https://www.lequipe.fr/Football/Actualites/Angers-olivier-auriac-et-charles-diers-arretent-leurs-carrieres/673165|تاريخ الوصول=5 October 2017|عمل=L'Équipe|تاريخ=13 May 2016|لغة=French| مسار أرشيف = https://web.archive.org/web/20171005202907/https://www.lequipe.fr/Football/Actualites/Angers-olivier-auriac-et-charles-diers-arretent-leurs-carrieres/673165 | تاريخ أرشيف = 05 أكتوبر 2017 }}</ref> لعب مع [[نادي أنجيه]] و[[نادي بولون]] و[[نادي ديجون]] و[[نادي كليرمون فوت|نادي كليرمونت 63]] و[[نادي ليل]] و{{Ill-WD2|id=Q2869085|en=true}}.
== روابط خارجية ==
* {{روابط رياضية}}
== مراجع ==
{{مراجع}}
{{مواقع التواصل الاجتماعي}}
{{شريط بوابات|أعلام|فرنسا|كرة القدم}}
{{بذرة لاعب وسط كرة قدم فرنسي}}

[[تصنيف:لاعبو كرة قدم من كامبريه]]
[[تصنيف:أشخاص أحياء]]
[[تصنيف:أشخاص من كامبريه]]
[[تصنيف:رياضيون رجال فرنسيون في القرن 21]]
[[تصنيف:رياضيون من كامبريه]]
[[تصنيف:رياضيون من نور (إقليم فرنسي)]]
[[تصنيف:لاعبو الدوري الفرنسي]]
[[تصنيف:لاعبو الدوري الفرنسي الدرجة الثانية]]
[[تصنيف:لاعبو أنجيه]]
[[تصنيف:لاعبو بولوني]]
[[تصنيف:لاعبو ديجون]]
[[تصنيف:لاعبو كرة قدم فرنسيون]]
[[تصنيف:لاعبو كرة قدم من أوت دو فرانس]]
[[تصنيف:لاعبو كرة قدم من نور (إقليم فرنسي)]]
[[تصنيف:لاعبو كليرمونت]]
[[تصنيف:لاعبو ليل]]
[[تصنيف:لاعبو وسط كرة قدم رجالية]]
[[تصنيف:مواليد 1981]]

title: معلومات شخصية

الميلاد: 6 يونيو 1981 · كامبريه

مواطنة: فرنسا

مركز اللعب: وسط

الطول: 1.85 م (6 قدم 1 بوصة)

title: المسيرة الاحترافية1

سنوات: فريق · م. · (هـ.)

AC Cambrai  · 29 · (9)

ديجون · 84 · (14)

← بولون (إعارة) · 34 · (7)

كليرمونت 63 · 63 · (18)

أنجيه · 215 · (25)

المسيرة الاحترافية1: 1 عدد مرات الظهور مع الأندية وعدد الأهداف تحسب للدوري المحلي فقط

المسيرة الاحترافية1: تعديل مصدري - تعديل


text:
# ヴォワチュール・アンテルム
ヴォワチュール・アンテルム（Voiture(t) Anthelme、ラテン名 Anthelmus ［アンテルムス］、1618年頃　- 1683年12月14日）は フランスの修道士・天文学者である。1670年はくちょう座（当時）新星（こぎつね座CK星）を発見し、記録に残したことで知られる。
1618年頃シャンパーニュ＝アルデンヌ地域圏オート＝マルヌ県のシャトネ（fr:Chatenay-Vaudin）に生まれた。ブルゴーニュ地域圏コート＝ドール県のディジョンでカルトゥジオ会の修道士であった。
1679年、アンテルムは宮廷付建築家オギュスタン・ロワーエに天文データを供し、彼の星図作製を助けた。そのロワーエ星図のもとになった、アンテルム自身によって観測された約1,800星を含む解説書付き星表（元期は1700年分点）も同年に出版された。アンテルムの星表はラテン語・フランス語が併記され、イタリアの球儀・図版製作者ヴィンチェンツォ・マリア・コロネッリ（w:Vincenzo Maria Coronelli）が星図や天球儀を作製する際に利用した。
また、イギリスのジョン・ベヴィスの星表にも、アンテルムの星表のデータが組み入れられている。
アンテルムにはまた、彗星に関する著書がある。

wikiname: jawiki

title: ヴォワチュール・アンテルム

in_language: ja

wikitext:
{{出典の明記|date=2013年6月3日 (月) 10:05 (UTC)|ソートキー=人1683年没}}
'''ヴォワチュール・アンテルム'''（Voiture(t) Anthelme、ラテン名 Anthelmus ［アンテルムス］、[[1618年]]頃　- [[1683年]][[12月14日]]）は [[フランス]]の[[修道士]]・[[天文学者]]である。1670年[[はくちょう座]]（当時）[[新星]]（[[こぎつね座CK星]]）を発見し、記録に残したことで知られる<ref>Bode, J. E., "Beschreibung der Sternbilder, und Anweisung dieselben kennen zu lernen", ''Vorstellung der Gestirne'', Gottlieb Augst Lange, Berlin/Stralsund, 1782, p.11.</ref>。

1618年頃[[シャンパーニュ＝アルデンヌ地域圏]][[オート＝マルヌ県]]のシャトネ（[[:fr:Chatenay-Vaudin]]）に生まれた。[[ブルゴーニュ地域圏]][[コート＝ドール県]]の[[ディジョン]]で[[カルトゥジオ会]]の修道士であった。

1679年、アンテルムは宮廷付建築家[[オギュスタン・ロワーエ]]に天文データを供し、彼の[[星図]]作製を助けた。その[[ロワーエ星図]]のもとになった、アンテルム自身によって観測された約1,800星を含む解説書付き[[星表]]（[[元期]]は1700年分点）も同年に出版された。アンテルムの星表はラテン語・フランス語が併記され、イタリアの球儀・図版製作者[[ヴィンチェンツォ・マリア・コロネッリ]]（[[w:Vincenzo Maria Coronelli]]）が星図や[[天球儀]]を作製する際に利用した<ref name="高橋">高橋健一 「ロワイエのことなど」『天界』第768号（1989年5月号）[[東亜天文学会]]、1989年、131頁。</ref>。

また、イギリスの[[ジョン・ベヴィス]]の星表にも、アンテルムの星表のデータが組み入れられている<ref>Bevis, J., (ed.), "A　Compleat Catalogue of All the Fixed Stars to the Beginning of the Year MDCCL. in the Julian Style", c.1750.</ref>。

アンテルムにはまた、彗星に関する著書がある。

== 関連項目 ==
* [[天文学者の一覧#17世紀生まれの天文学者|17世紀生まれの天文学者]]

== 脚注 ==
{{Reflist}}

== 参考文献 ==
* [[小平桂一]]（監修）、家  悦子・平山智啓（訳） 『[[ヨハン・エラート・ボーデ|ボーデ]]の星図書』〈天文資料解説集 No.2〉、[[千葉市立郷土博物館]]、2000年、23-24頁。
* ''john Bevis Atlas Celeste: A Reproduction of the Copy in the British Library together with a Reproduction of the Text in the Library of the American Philosophical Society'', Archival Facsimiles Limited, Alburgh, 1987.

{{Normdaten}}
{{astro-stub}}
{{Scientist-stub}}

{{DEFAULTSORT:あんてるむ うおわちゆうる}}
[[Category:フランスの天文学者]]
[[Category:17世紀の学者]]
[[Category:1618年生]]
[[Category:1683年没]]


text:
# Johann Friedrich Faselius
Johann Friedrich Faselius auch: Fasel (* 21. Juni 1720 in Berka/Ilm; † 16. Februar 1767 in Jena) war ein deutscher Mediziner.

## Leben
Johann Friedrich Faselius war Sohn des Pfarrers und späteren Archidiakons in Weimar Anton Ehrenfried Faselius (* 6. September 1682 in Weimar; † 11. August 1739 ebd.) und dessen am 23. Juni 1711 in Buttstedt geheirateter Frau Maria Dorothea Praetorius, Tochter des Apothekers in Neustadt an der Orla Johann Christoph Praetorius.
Obwohl sein Vater schon in seinen Kindesjahren starb, erhielt er seine erste Ausbildung von Privatlehrern und besuchte das Gymnasium in Weimar. Am 26. April 1740 immatrikulierte er sich an der Universität Jena, wo er zunächst philosophische Studien bei Johann Peter Reusch, Johann Bernhard Wiedeburg, Basilius Christian Bernhard Wiedeburg, Joachim Georg Darjes und Georg Erhard Hamberger absolvierte. Sich den medizinischen Wissenschaften zuwendend, frequentierte er die Vorlesungen an der medizinischen Fakultät bei Johann Christian Stock, Johann Adolph Wedel, Hermann Friedrich Teichmeyer, Simon Paul Hilscher, Adolph Friedrich Hamberger und Carl Friedrich Kaltschmied. Am 28. Juli 1746 wechselte er an die Universität Leiden. Hier wurden Hieronymus David Gaub, Adriaan van Royen, Pieter van Musschenbroek, Bernhard Siegfried Albinus und Frederik Bernard Albinus seine Lehrer.
1747 besuchte er die Universität Straßburg, wo er weitere Anregungen von Georg Heinrich Eisenmann (1693–1768) und Johann Jacob Fried (1689–1769) erhielt. Danach kehrte er wieder in die Niederlande zurück, wo er an der Universität Utrecht, der Universität Groningen, der Universität Franeker und der Universität Harderwijk weitere Eindrücke sammelte, bis er schließlich wieder nach Jena zurückkehrte, wo er am 23. Juni 1751 unter die Kandidaten der Medizin aufgenommen wurde. Nachdem er unter Kaltschmied am 9. August 1751 seine Abhandlung de Naturae sanguinis venae portarum verteidigt hatte, wurde er am 18. Oktober 1751 zum Doktor der Medizin promoviert. Nachdem er sich am Vorlesungsbetrieb der Jenaer Hochschule beteiligt hatte, erhielt er eine außerordentliche Professur in Jena. Am 3. August 1758 erwarb er zudem den akademischen Grad eines Magisters der Philosophie und wurde im selben Jahr am 18. September ordentlicher Professor der medizinischen Fakultät der Salana. Zudem beteiligte er sich an den organisatorischen Aufgaben der Jenaer Hochschule. So war er einige Male Dekan der medizinischen Fakultät und im Wintersemester 1763 Rektor der Alma Mater.
Faselius' Hauptwerk ist erst nach seinem Tod von Christian Rickmann (1741–1772) herausgegeben worden und trägt den Titel Elementa Medicinae Forensis. Der Bautzener Jurist Christian Gottfried Lange (1732–1780) übersetzte dieses Werk in die deutsche Sprache, woraufhin es noch weitere Auflagen erlebte. Dieses rechtsmedizinische Werk brachte ihm Anerkennung in der Fachrichtung ein, zudem setzte er sich für eine Beschränkung der Folter ein und machte sich um die Entwicklung der Tokologie verdient. So geht auf ihn eine Eignungsprüfung für Hebammen zurück, welche später Justus Christian Loder in Jena durchsetzte.
Von seinen Kindern kennt man die Söhne Ehremuth Christian Gottlieb Friedrich Faselius (* um 1757 in Jena; † 21. Mai 1814 ebd.) welcher herzoglich Sachsen-Weimarischer Amtsadvokat, Kommissionssekretär und Amtsarchivar in Jena wurde. Johann Adolph August Leopold Faselius (* 4. Juni 1762 in Jena; † 31. August 1811 in Jena) wurde Stadtkirchner und Kandidat der Theologie in Jena und Johann Christian Wilhelm Faselius (* Jena; † 1833 ebd.) wurde Stadtschreiber und Stadtsyndicus in Jena, 1810 Amtmann in Kapellendorf, später Justizrat und Stadtrichter in Jena, verheiratet mit Ernestine Juliane Tröster (geb. 1771).

## Werke (Auswahl)
- Dissertatio academica qva sistitvr Epicurvs athevs contra Gassendvm, Rondellvm, Baelivm : Epicurus als ein Atheist wider Gassendum, Rondellum und Bälium. Jena 1741 (Präsens Johann Achatius Felix Bielcke, Online)
- Scorbutica in purpura in purpuram febrilem malignam ipsis netechiis coniuncta conversa, adhibitam curationem exhibens dissertatio. Jena 1744 (Präsens Johann Christian Stock, Online)
- Diss. med. inaug. anatom.- physiol. de sanguinis in venam portarum ingesti vera natura. Jena 1751 (Präsens Carl Friedrich Kaltschmied, Online)
- Diss. med. physiol. de pulmonibus organis humores ad futuras secretiones praeparantibus, nec non sanguificationis atque nutritionis primariis. Jena 1752 (Resp. Johann Jacob Perthes, Online)
- Diss. med. physiol. sistens resolutionem problematis, num foetus in utero materno transpiret. Jena 1755 (Resp. Jeremias Daniel Brebiz, Online)
- Diss. med. Physiologico Pathologigico-Semiotica sistens Morbos arteriarum cum suis causis, effectibus atque signis tam diagnosticis quam prognosticis. Jena 1757 (Resp. Jeremias Daniel Brebiz, Online)
- Diss. Num foetus in utero materno transpiret? Jena 1755
- Diss. de obstructione sanguinis menstrui. Jena 1757
- Progr. de usu clysterum in febrium exantheniaticorum curatione. Jena 1758
- Diss. pathol. med. de cacochymia purulenta. Jena 1759 (Resp. Johann Christoph Buch, Online)
- Diss. anat. physiol. inaug. de circulo Willisii. Pro Loco. Jena 1759 (Online)
- Dissertatio Physiologico-Medica Inavgvralis De Absorptione. Jena 1760 (Resp. Franz Peter Emcken, Online)
- Programma invitatorium de uracho. I. Jena 1760 (Dekanatsprogramm zur Promotion von Johann Conrad Dencker, Online)
- Programma invitatorium de uracho. II. Jena 1760 (Dekanatsprogramm zur Promotion von Johann Conrad Saelzer, Online)
- Programma invitatorium de uracho. III. Jena 1760 (Dekanatsprogramm zur Promotion von Johann Gottfried Bolmann, Online)
- Programma invitatorium de uracho. IV. Jena 1760 (Dekanatsprogramm zur Promotion von Friedrich Gotthold Dürr, Online)
- Programma invitatorium de uracho. V. Jena 1760 (Dekanatsprogramm zur Promotion von Theophil Christoph Forst, Online)
- Programma invitatorium de uracho. VI. Jena 1760 (Dekanatsprogramm zur Promotion von Johann Friedrich Poppo Bühner, Online)
- Programma invitatorium de uracho. VII. Jena 1760 (Dekanatsprogramm zur Promotion von Johann Laurentius Friedrich August Krumm, Online)
- Diss. path. med. inaug. de visciditate humorum. Jena 1761 (Resp. Johann Theodor Köhler, Online)
- Diss. physiol. anat. de nervis exhalantibus. Jena 1761 (Resp. Johann Theodor Köhler, Online)
- Programma Invitatorivm De Nitro Semivolatili Egregio Adversvs Febres Malignas Atqve Exanthematicas Remedio. Jena 1762 (Dekanatsprogramm zur Promotion von Christian Jacob von Friz, Online)
- Programma invitatorium de chorda tympani primum. Jena 1762 (Dekanatsprogramm Johann Michael Hieck, Online)
- Programma exhibens responsionem ad problema: Num stragulorum atque indusiorum in fabribus putridis exanthematicis mutatio sit facienda? Jena 1762 (Dekanatsprogramm zur Promotion von Anton Högg, Online)
- Diss. inaug. med.-chem. de saponibus quibusdam mineralibus. Jena 1763 (Resp. Wilhelm Heinrich Sebastian Bucholtz (1734–1798), Online)
- Diss. chem-med. inaug. de oleo vini atque sale sedativo Hombergii. Jena 1763 (Resp. Thomas Reindel, Online)
- Diss. med. inaug. de arteriis non-sanguiferis. Jena 1763 (Resp. Christoph Friedrich Carl Cappe, Online)
- Progr. de vasis corporis animalis aereis. Jena 1764
- Diss. de medicamentis refrigerantibus. Jena 1764
- Diss. de fluvio aquarum spuriaruin in gravidis. Jena 1765
- Diss. de morbis ex impedita absorptione. Jena 1765
- Diss. de singulari topicorum temporibus applicandorum praeseantia. Jena 1765
- Diss. de caussis sternutationis eiusque effectibus. Jena 1765
- Progr. III de medicamentis cordiacis. Jena 1765
- Progr. de hytrope uteri. Jena 1766
- Elementa Medicinae Forensis. Jena 1767 (Online; herausgegeben von Christian Rickmann), deutsch: Gerichtliche Arzeneygelahrheit, worinnen die vornehmsten Materien des bürgerlichen criminal- und geistlichen Rechts, nach denen neuesten und besten medicinischen Grundsätzen erläutert und erkläret werden. Leipzig und Bautzen 1768 (Online), Leipzig und Bautzen 1770 (Online, übersetzt Christian Gottfried Langen)

### Herausgeberschaft
- Teichmeieri institutiones medico-legales cura Faselii. Jena 1762

## Weblink
- Werke von und über Johann Friedrich Faselius in der Deutschen Digitalen Bibliothek

wikiname: dewiki

title: Johann Friedrich Faselius

in_language: de

wikitext:
[[Bild:Johann-Friedrich-Faselius.jpg|thumb|Johann Friedrich Faselius]]
'''Johann Friedrich Faselius''' auch: ''Fasel'' (* [[21. Juni]] [[1720]] in [[Bad Berka|Berka/Ilm]]; † [[16. Februar]] [[1767]] in [[Jena]]) war ein deutscher Mediziner.

== Leben ==
Johann Friedrich Faselius war Sohn des Pfarrers und späteren Archidiakons in [[Weimar]] [[Anton Ehrenfried Faselius]] (* 6. September 1682 in Weimar; † 11. August 1739 ebd.) und dessen am 23. Juni 1711 in Buttstedt geheirateter Frau Maria Dorothea Praetorius, Tochter des Apothekers in Neustadt an der Orla Johann Christoph Praetorius.

Obwohl sein Vater schon in seinen Kindesjahren starb, erhielt er seine erste Ausbildung von Privatlehrern und besuchte das Gymnasium in Weimar. Am 26. April 1740 immatrikulierte er sich an der [[Universität Jena]],<ref>Günther Steiger, Otto Köhler: ''Die Matrikel der Universität Jena. 1723 bis 1764.'' Max Niemeyer Verlag, Halle (Saale), 1969, S. 353</ref> wo er zunächst philosophische Studien bei [[Johann Peter Reusch]], [[Johann Bernhard Wiedeburg]], [[Basilius Christian Bernhard Wiedeburg]], [[Joachim Georg Darjes]] und [[Georg Erhard Hamberger]] absolvierte. Sich den medizinischen Wissenschaften zuwendend, frequentierte er die Vorlesungen an der medizinischen Fakultät bei [[Johann Christian Stock]], [[Johann Adolph Wedel]], [[Hermann Friedrich Teichmeyer]], [[Simon Paul Hilscher]], [[Adolph Friedrich Hamberger]] und [[Carl Friedrich Kaltschmied]]. Am 28. Juli 1746 wechselte er an die [[Universität Leiden]]. Hier wurden [[Hieronymus David Gaub]], [[Adriaan van Royen]], [[Pieter van Musschenbroek]], [[Bernhard Siegfried Albinus]] und [[Frederik Bernard Albinus]] seine Lehrer.

1747 besuchte er die [[Universität Straßburg]], wo er weitere Anregungen von [[Georg Heinrich Eisenmann]] (1693–1768) und [[Johann Jacob Fried]] (1689–1769) erhielt. Danach kehrte er wieder in die Niederlande zurück, wo er an der [[Universität Utrecht]], der [[Universität Groningen]], der [[Universität Franeker]] und der [[Universität Harderwijk]] weitere Eindrücke sammelte, bis er schließlich wieder nach Jena zurückkehrte, wo er am 23. Juni 1751 unter die Kandidaten der Medizin aufgenommen wurde. Nachdem er unter Kaltschmied am 9. August 1751 seine Abhandlung ''de Naturae sanguinis venae portarum'' verteidigt hatte, wurde er am 18. Oktober 1751 zum [[Doktor der Medizin]] promoviert. Nachdem er sich am Vorlesungsbetrieb der Jenaer Hochschule beteiligt hatte, erhielt er eine [[außerordentliche Professur]] in Jena. Am 3. August 1758 erwarb er zudem den akademischen Grad eines Magisters der Philosophie und wurde im selben Jahr am 18. September [[ordentlicher Professor]] der medizinischen Fakultät der Salana.<ref> Johann Ernst Basilius Wiedeburg: ''Beschreibung der Stadt Jena nach ihrer Topographisch- Politisch- und Akademischen Verfassung.'' Jena 1785, S. 604, ([https://books.google.de/books?id=g30AAAAAcAAJ&hl=de&pg=PA604#v=onepage&q&f=false Online])</ref> Zudem beteiligte er sich an den organisatorischen Aufgaben der Jenaer Hochschule. So war er einige Male [[Dekan (Hochschule)|Dekan]] der medizinischen Fakultät und im Wintersemester 1763 [[Liste der Rektoren der Friedrich-Schiller-Universität Jena|Rektor der Alma Mater]].

Faselius' Hauptwerk ist erst nach seinem Tod von [[Christian Rickmann]] (1741–1772) herausgegeben worden und trägt den Titel ''Elementa Medicinae Forensis''. Der Bautzener Jurist Christian Gottfried Lange (1732–1780) übersetzte dieses Werk in die deutsche Sprache, woraufhin es noch weitere Auflagen erlebte. Dieses rechtsmedizinische Werk brachte ihm Anerkennung in der Fachrichtung ein, zudem setzte er sich für eine Beschränkung der Folter ein und machte sich um die Entwicklung der [[Geburtshilfe|Tokologie]] verdient. So geht auf ihn eine Eignungsprüfung für Hebammen zurück, welche später [[Justus Christian Loder]] in Jena durchsetzte.

Von seinen Kindern kennt man die Söhne Ehremuth Christian Gottlieb Friedrich Faselius (* um 1757 in Jena; † 21. Mai 1814 ebd.) welcher herzoglich Sachsen-Weimarischer Amtsadvokat, Kommissionssekretär und Amtsarchivar in Jena wurde. Johann Adolph August Leopold Faselius (* 4. Juni 1762 in Jena; † 31. August 1811 in Jena) wurde Stadtkirchner und Kandidat der Theologie in Jena<ref>Johann Christian Jacob Spangenberg: ''Handbuch der in Jena seit beinahe fünfhundert Jahren dahingeschiedenen Gelehrten, Künstler, Studenten und anderen bemerkenswerten Personen, theils aus den Kirchenbüchern, theils aus anderen Hilfsquellen gezogen und nach dem Jahre 1819 geordnet.'' Jena 1819, S. 30 ([https://books.google.de/books?id=Ly9RAAAAcAAJ Online])</ref> und Johann Christian Wilhelm Faselius (* Jena; † 1833 ebd.) wurde Stadtschreiber und Stadtsyndicus in Jena, 1810 Amtmann in Kapellendorf, später Justizrat und Stadtrichter in Jena, verheiratet mit Ernestine Juliane Tröster (geb. 1771).<ref> Norbert Oellers, Georg Kurscheidt: ''Schillers Werke.'' Nationalausgabe. Böhlaus Nachfolger, 2003, ISBN 3740000317, S. 594</ref>

== Werke (Auswahl) ==
* Dissertatio academica qva sistitvr Epicurvs athevs contra Gassendvm, Rondellvm, Baelivm : Epicurus als ein Atheist wider Gassendum, Rondellum und Bälium. Jena 1741 (Präsens [[Johann Achatius Felix Bielcke]], [http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10816963_00002.html Online])
* Scorbutica in purpura in purpuram febrilem malignam ipsis netechiis coniuncta conversa, adhibitam curationem exhibens dissertatio. Jena 1744 (Präsens Johann Christian Stock, [http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10815993_00002.html Online])
* Diss. med. inaug. anatom.- physiol. de sanguinis in venam portarum ingesti vera natura. Jena 1751 (Präsens [[Carl Friedrich Kaltschmied]], [http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10663459_00002.html Online])
* Diss. med. physiol. de pulmonibus organis humores ad futuras secretiones praeparantibus, nec non sanguificationis atque nutritionis primariis. Jena 1752 (Resp. Johann Jacob Perthes, [http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10833169_00002.html Online])
* Diss. med. physiol. sistens resolutionem problematis, num foetus in utero materno transpiret. Jena 1755 (Resp. Jeremias Daniel Brebiz, [http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10667582_00002.html Online])
* Diss. med. Physiologico Pathologigico-Semiotica sistens Morbos arteriarum cum suis causis, effectibus atque signis tam diagnosticis quam prognosticis. Jena 1757 (Resp. Jeremias Daniel Brebiz, [http://reader.digitale-sammlungen.de/resolve/display/bsb10703596.html Online])
* Diss. Num foetus in utero materno transpiret? Jena 1755
* Diss. de obstructione sanguinis menstrui. Jena 1757
* Progr. de usu clysterum in febrium exantheniaticorum curatione. Jena 1758
* Diss. pathol. med. de cacochymia purulenta. Jena 1759 (Resp. Johann Christoph Buch, [http://reader.digitale-sammlungen.de/resolve/display/bsb11028405.html Online])
* Diss. anat. physiol. inaug. de circulo Willisii. Pro Loco. Jena 1759 ([http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb11028335_00002.html Online])
* Dissertatio Physiologico-Medica Inavgvralis De Absorptione. Jena 1760 (Resp. Franz Peter Emcken, [http://reader.digitale-sammlungen.de/resolve/display/bsb10954310.html Online])
* Programma invitatorium de uracho. I. Jena 1760 (Dekanatsprogramm zur Promotion von Johann Conrad Dencker, [http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10822674_00002.html Online])
* Programma invitatorium de uracho. II. Jena 1760 (Dekanatsprogramm zur Promotion von Johann Conrad Saelzer, [http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10822678_00002.html Online])
* Programma invitatorium de uracho. III. Jena 1760 (Dekanatsprogramm zur Promotion von Johann Gottfried Bolmann, [http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10822684_00002.html Online])
* Programma invitatorium de uracho. IV. Jena 1760 (Dekanatsprogramm zur Promotion von Friedrich Gotthold Dürr, [http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10822672_00002.html Online])
* Programma invitatorium de uracho. V. Jena 1760 (Dekanatsprogramm zur Promotion von Theophil Christoph Forst, [http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10822686_00002.html Online])
* Programma invitatorium de uracho. VI. Jena 1760 (Dekanatsprogramm zur Promotion von Johann Friedrich Poppo Bühner, [http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10822680_00002.html Online])
* Programma invitatorium de uracho. VII. Jena 1760 (Dekanatsprogramm zur Promotion von Johann Laurentius Friedrich August Krumm, [http://reader.digitale-sammlungen.de/resolve/display/bsb10822654.html Online])
* Diss. path. med. inaug. de visciditate humorum. Jena 1761 (Resp. Johann Theodor Köhler, [http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10822699_00002.html Online])
* Diss. physiol. anat. de nervis exhalantibus. Jena 1761 (Resp. Johann Theodor Köhler, [http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10822698_00002.html Online])
* Programma Invitatorivm De Nitro Semivolatili Egregio Adversvs Febres Malignas Atqve Exanthematicas Remedio. Jena 1762 (Dekanatsprogramm zur Promotion von Christian Jacob von Friz, [http://reader.digitale-sammlungen.de/resolve/display/bsb10822747.html Online])
* Programma invitatorium de chorda tympani primum. Jena 1762 (Dekanatsprogramm Johann Michael Hieck, [http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10822730_00002.html Online])
* Programma exhibens responsionem ad problema: Num stragulorum atque indusiorum in fabribus putridis exanthematicis mutatio sit facienda? Jena 1762 (Dekanatsprogramm zur Promotion von Anton Högg, [http://reader.digitale-sammlungen.de/resolve/display/bsb10822708.html Online])
* Diss. inaug. med.-chem. de saponibus quibusdam mineralibus. Jena 1763 (Resp. Wilhelm Heinrich Sebastian Bucholtz (1734–1798), [http://reader.digitale-sammlungen.de/resolve/display/bsb10955343.html Online])
* Diss. chem-med. inaug. de oleo vini atque sale sedativo Hombergii. Jena 1763 (Resp. Thomas Reindel, [http://reader.digitale-sammlungen.de/resolve/display/bsb10957604.html Online])
* Diss. med. inaug. de arteriis non-sanguiferis. Jena 1763 (Resp. Christoph Friedrich Carl Cappe, [http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10822795_00002.html Online])
* Progr. de vasis corporis animalis aereis. Jena 1764
* Diss. de medicamentis refrigerantibus. Jena 1764
* Diss. de fluvio aquarum spuriaruin in gravidis. Jena 1765
* Diss. de morbis ex impedita absorptione. Jena 1765
* Diss. de singulari topicorum temporibus applicandorum praeseantia. Jena 1765
* Diss. de caussis sternutationis eiusque effectibus. Jena 1765
* Progr. III de medicamentis cordiacis. Jena 1765
* Progr. de hytrope uteri. Jena 1766
* Elementa Medicinae Forensis. Jena 1767 ([http://digitale.bibliothek.uni-halle.de/vd18/content/pageview/4511404 Online]; herausgegeben von Christian Rickmann), deutsch: Gerichtliche Arzeneygelahrheit, worinnen die vornehmsten Materien des bürgerlichen criminal- und geistlichen Rechts, nach denen neuesten und besten medicinischen Grundsätzen erläutert und erkläret werden. Leipzig und Bautzen 1768 ([http://gdz.sub.uni-goettingen.de/dms/load/img/?PPN=PPN63224559X&DMDID=&LOGID=LOG_0001&PHYSID=PHYS_0004 Online]), Leipzig und Bautzen 1770 ([http://digitale.bibliothek.uni-halle.de/vd18/content/pageview/4380728 Online], übersetzt Christian Gottfried Langen)
=== Herausgeberschaft ===
* Teichmeieri institutiones medico-legales cura Faselii. Jena 1762

== Literatur ==
* [[August Hirsch (Mediziner)|August Hirsch]], [[Ernst Julius Gurlt]]: ''Biographisches Lexikon der hervorragenden Aerzte aller Zeiten und Völker.'' Verlag Urban & Schwarzenberg, Wien und Leipzig, 1885, Bd. 2, S. 341, ([https://archive.org/details/biographischesl04hirsgoog Online])
* [[Johann Samuel Ersch]], [[Johann Gottfried Gruber]]: ''[[Allgemeine Encyclopädie der Wissenschaften und Künste]]''. Friedrich August Brockhaus, Leipzig, 1845, 1. Sektion, Bd. 42, S. 22 ([https://books.google.de/books?id=pjgMZLoSj8AC&hl=de&pg=PA22#v=onepage&q&f=false Online])
* [[Carl Friedrich Kaltschmied]]: ''Progr. inaug. de hernia incarcerata, exulcerata cuvesica : ita ut faeces et urina ex rupto perinaeo profluerent, aegro per 17 annos conservato.'' Jena 1751, [http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10663460_00002.html Dekanatsprogramm zur Promotion von Faselius]
* [[Johann Christoph Adelung]]: ''Fortsetzung und Ergänzungen zu Christian Gottlieb Jöchers allgemeinem Gelehrten-Lexico.'' Johann Friedrich Gleditsch, Leipzig, 1787, Bd. 2, S. 1023, ([https://books.google.de/books?id=4spEAAAAcAAJ&hl=de&pg=RA2-PA1025#v=onepage&q&f=false Online])
* [[Johann Georg Meusel]]: ''Lexikon der vom Jahr 1750 bis 1800 verstorbenen teutschen Schriftsteller.'' Gerhard Fleischer d. J., Leipzig, 1804, Bd. 3, S. 284 ([https://books.google.de/books?id=5LADAAAAYAAJ&pg=PA284#v=onepage&q&f=false Online])
* {{ADB|6|577|578|Faselius, Johann Friedrich|August Hirsch|ADB:Faselius, Johann Friedrich}}

== Weblink ==
* {{DDB|Person|135964784}}

== Einzelnachweise ==
<references />

{{Normdaten|TYP=p|GND=135964784|LCCN=n/88/50101|VIAF=35997096}}

{{SORTIERUNG:Faselius, Johann Friedrich}}
[[Kategorie:Mediziner (18. Jahrhundert)]]
[[Kategorie:Hochschullehrer (Friedrich-Schiller-Universität Jena)]]
[[Kategorie:Rektor (Friedrich-Schiller-Universität Jena)]]
[[Kategorie:Geboren 1720]]
[[Kategorie:Gestorben 1767]]
[[Kategorie:Mann]]
[[Kategorie:Absolvent der Friedrich-Schiller-Universität Jena]]

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text:
# Deserve (song)
"Deserve" is a song recorded by Canadian rapper Kris Wu featuring American rapper Travis Scott. It was released on October 12, 2017, through Ace Unit Culture, as the first single of Wu's debut studio album Antares (2018). The song was written by the performing artists and produced by Louis Bell. A music video for the song was directed by Colin Tilley and released on October 16, 2017.

## Recording and composition
"Deserve" was written by Kris Wu and Travis Scott, while production was handled by Louis Bell. The song was recorded in summer 2016 in Los Angeles. Wu told Zane Lowe, host of Apple Music 1: "[...] One of the homies said that he had reached out to Travis Scott, and he was actually in New York. Then we threw out this idea of collaborating and he was really down. He flew out from New York to L.A. and then we met in the studio, kicking it, vibe out a little bit, and then we just got on the record and made this amazing record." Wu later told Beatrice Hazlehurst of Paper that the songs creation "was super organic, Travis was out of town but we had this idea for a collaboration, you know, East and West." The song has been described as an "Auto-Tune driven" hip hop song, which features "harmonizing vocals and mellow raps"

## Reception
Billboard's Tamar Herman described "Deserve" as a "trap-laden banger built to be played in clubs around the world."

## Music video and live performance
A Colin Tilley directed music video for the song was released on October 16, 2017. On the release day, Wu and Scott performed the song in the Up&Down Club in New York City, organized by 88 Rising.

## Charts
| Chart (2017)                                  | Peak position |
| --------------------------------------------- | ------------- |
| US Bubbling Under Hot 100 Singles (Billboard) | 4             |
| US Hot R&B/Hip-Hop Songs (Billboard)          | 44            |

wikiname: enwiki

title: Deserve (song)

in_language: en

wikitext:
{{Use mdy dates|date=May 2021}}
{{Short description|2017 single by Kris Wu}}
{{Infobox song
| name          = Deserve
| cover         = Kris Wu - Deserve Single Cover.jpg
| type          = single
| artist        = [[Kris Wu]] featuring [[Travis Scott]]
| album         = [[Antares (Kris Wu album)|Antares]]
| released      = {{Start date|2017|10|12}}
| recorded      = 2016
| genre         = [[Hip hop music|Hip hop]]
| length        = 3:02
| label         = Ace Unit Culture
| writer        =
* [[Kris Wu|Wu Yi Fan]]
* [[Travis Scott|Jacques Webster]]
| producer      =
* [[Louis Bell]]
| misc        = {{Extra chronology
 | artist     = [[Kris Wu]]
 | type       = single
 | prev_title = I Choose the Road
 | prev_year  = 2017
 | title      = Deserve
 | year       = 2017
 | next_title = Miss You
 | next_year  = 2017
}}
{{Extra chronology
 | artist     = [[Travis Scott]]
 | type       = single
 | prev_title = [[4 AM (2 Chainz song)|4 AM]]
 | prev_year  = 2017
 | title      = Deserve
 | year       = 2017
 | next_title = Blue Pill
 | next_year  = 2017
}}{{External music video|{{YouTube|pCdWnY4Dn2w|"Deserve"}}
}}
}}
"'''Deserve'''" is a song recorded by Canadian rapper [[Kris Wu]] featuring American rapper [[Travis Scott]]. It was released on October 12, 2017, through Ace Unit Culture, as the first single of Wu's debut studio album ''[[Antares (Kris Wu album)|Antares]]'' (2018). The song was written by the performing artists and produced by [[Louis Bell]]. A music video for the song was directed by [[Colin Tilley]] and released on October 16, 2017.

==Recording and composition==
"Deserve" was written by [[Kris Wu]] and [[Travis Scott]], while production was handled by [[Louis Bell]]. The song was recorded in summer 2016 in [[Los Angeles]]. Wu told [[Zane Lowe]], host of [[Apple Music 1]]: "[...] One of the homies said that he had reached out to Travis Scott, and he was actually in New York. Then we threw out this idea of collaborating and he was really down. He flew out from New York to L.A. and then we met in the studio, kicking it, vibe out a little bit, and then we just got on the record and made this amazing record."<ref name="Complex">{{cite web|url=https://www.complex.com/music/2017/10/kris-wu-travis-scott-deserve|title=Travis Scott Links With Kris Wu for Smooth Collab "Deserve"|last=Cowen|first=Trace William|work=[[Complex (magazine)|Complex]]|date=October 11, 2017|accessdate=May 2, 2021|archive-date=September 25, 2020|archive-url=https://web.archive.org/web/20200925080817/https://www.complex.com/music/2017/10/kris-wu-travis-scott-deserve|url-status=live}}</ref> Wu later told Beatrice Hazlehurst of ''[[Paper (magazine)|Paper]]'' that the songs creation "was super organic, Travis was out of town but we had this idea for a collaboration, you know, East and West."<ref>{{cite web|url=https://www.papermag.com/kris-wu-is-the-bridge-between-the-east-and-west-weve-been-waiting-for-2497741401.html|title=Kris Wu is the Bridge Between the East and West We've Been Waiting For|last=Hazlehurst|first=Beatrice|work=[[Paper (magazine)|Paper]]|date=October 19, 2017|accessdate=May 2, 2021|archive-date=November 5, 2020|archive-url=https://web.archive.org/web/20201105183648/https://www.papermag.com/kris-wu-is-the-bridge-between-the-east-and-west-weve-been-waiting-for-2497741401.html|url-status=live}}</ref> The song has been described as an "Auto-Tune driven" [[Hip hop music|hip hop]] song, which features "harmonizing vocals and mellow raps"<ref name="BillboardRel" /><ref name="BBMV" />

==Reception==
''[[Billboard (magazine)|Billboard's]]'' Tamar Herman described "Deserve" as a "trap-laden banger built to be played in clubs around the world."<ref name="BillboardRel">{{cite web|url=https://www.billboard.com/articles/columns/hip-hop/7997565/kris-wu-travis-scott-deserve-listen|title=Kris Wu Teams Up with Travis Scott for 'Deserve': Listen|last=Tamar|first=Herman|work=[[Billboard (magazine)|Billboard]]|date=October 11, 2017|accessdate=May 2, 2021|archive-date=October 18, 2017|archive-url=https://web.archive.org/web/20171018170658/http://www.billboard.com/articles/columns/hip-hop/7997565/kris-wu-travis-scott-deserve-listen|url-status=live}}</ref>

==Music video and live performance==
A [[Colin Tilley]] directed music video for the song was released on October 16, 2017.<ref name="BBMV">{{cite web|url=https://www.billboard.com/articles/columns/hip-hop/7998844/kris-wu-deserve-video-travis-scott|title=Kris Wu & Travis Scott Pledge to Give Women Everything They 'Deserve' in Their New Video: Watch|last=Lamarre|first=Carl|work=[[Billboard (magazine)|Billboard]]|date=October 16, 2017|accessdate=May 2, 2021|archive-date=April 6, 2018|archive-url=https://web.archive.org/web/20180406114919/https://www.billboard.com/articles/columns/hip-hop/7998844/kris-wu-deserve-video-travis-scott|url-status=live}}</ref> On the release day, Wu and Scott performed the song in the Up&Down Club in [[New York City]], organized by [[88 Rising]].<ref>{{cite web|url=https://popcrush.com/kris-wu-and-travis-scott-takeover-new-york-with-deserve/|title=Kris Wu and Travis Scott Take Over New York with 'Deserve'|last=Frances|first=Lai|work=[[Townsquare Media#Web publications and services|Popcrush]]|date=October 14, 2017|accessdate=May 2, 2021|archive-date=November 12, 2020|archive-url=https://web.archive.org/web/20201112000900/https://popcrush.com/kris-wu-and-travis-scott-takeover-new-york-with-deserve/|url-status=live}}</ref>

==Charts==
{| class="wikitable sortable plainrowheaders" style="text-align:center"
|+ Chart performance for "Deserve"
! scope="col" | Chart (2017)
! scope="col" | Peak<br />position
|-
{{single chart|Billboardbubbling100|4|song=Deserve|artist=Kris Wu|accessdate=May 2, 2021|rowheader=true}}
|-
{{single chart|Billboardrandbhiphop|44|song=Deserve|artist=Kris Wu|accessdate=May 2, 2021|rowheader=true}}
|}

==References==
{{reflist}}

{{Travis Scott songs}}
{{Authority control}}

[[Category:2017 singles]]
[[Category:2017 songs]]
[[Category:Travis Scott songs]]
[[Category:Songs written by Travis Scott]]
[[Category:Song recordings produced by Louis Bell]]

title: from the album Antares

Released: October 12, 2017

Genre: Hip hop

Label: Ace Unit Culture

Songwriter(s): Wu Yi Fan Jacques Webster

Producer(s): Louis Bell

title: Kris Wu singles chronology

"I Choose the Road" · (2017): "Deserve" · (2017) · "Miss You" · (2017)

title: Travis Scott singles chronology

"4 AM" · (2017): "Deserve" · (2017) · "Blue Pill" · (2017)

title: Music video

Music video: "Deserve" on YouTube

title: Travis Scott songs

Days Before Rodeo: " Drugs You Should Try It "

Rodeo: " 3500 " " 90210 " " Nightcrawler " " Antidote "

Birds in the Trap Sing McKnight: " Through the Late Night " " Beibs in the Trap " " Goosebumps " " Pick Up the Phone "

Astroworld: " Stargazing " " Carousel " " Sicko Mode " " R.I.P. Screw " " Stop Trying to Be God " " No Bystanders " " Skeletons " " Wake Up " " Yosemite " " Can't Say " " Butterfly Effect "

JackBoys: " Highest in the Room " " Out West " " What to Do? " " Gatti "

Utopia: " Hyaena " " Thank God " " Modern Jam " " My Eyes " " God's Country " " Sirens " " Meltdown " " Fein " " Delresto (Echoes) " " I Know ? " " Topia Twins " " Circus Maximus " " K-pop " " Telekinesis "

Other songs: " Whole Lotta Lovin' " " Champions " " Go Off " " Watch " " Chopstix " " Power Is Power " " Antisocial " " The Scotts " " TKN " " The Plan " " Franchise " " Durag Activity " " Bubbly " " Escape Plan " " Mafia " " Down in Atlanta " " Raindrops (Insane) " " Trance " " Niagara Falls (Foot or 2) " " Krzy Train " " Water " (remix) " Get Off Me " " Née-Nah " " Type Shit " " Cinderella " " Parking Lot " " Oh Shhh... " " Active " " South of France " (remix) " 4x4 " " Reflections Laughing " " Crush " " Philly "

As featured artist: " Chimes " (RMX) " Workin " " Bake Sale " " Baptized in Fire " " Kelly Price " " Love Galore " " Portland " " Know No Better " " Sky Walker " " 4 AM " " Deserve " " Ghostface Killers " " Krippy Kush " (Remix) " Dark Knight Dummo " " Go Legend " " Close " " Champion " " Zeze " " Overdue " " Mile High " " First Off " " The London " " Take What You Want " " Hot " (Remix) " Give No Fxk " " Turks " " Solitaires " " Top Floor " " Wash Us in the Blood " " Buss It " (Remix) " Hats Off " " Praise God " " Fair Trade " " Flocky Flocky " " Hold That Heat " " Never Sleep " " Pussy & Millions " " Open Arms " " Embarrassed " " Wit da Racks " " Aye " " Say My Grace " " At the Party " " Fuk Sumn " " FTCU " (SleezeMix) " Ice Age " " Can U Be " " Stuff "

As an uncredited vocalist: " Space Cadet " " Young Wheezy " " Low " " Creepin' "