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9799692b348 Nivedhanam: Caramel Sauce

Wednesday, February 18, 2015

Caramel Sauce

I love the sauces that is served with the ice creams and the list is topped with caramel sauce. Did I know that it is so easy to make at home? No I did not as I did buy a readymade caramel sauce from the super market and licked it in the ice creams we ate at home.. Then I wanted to try this sauce at home and thought it would be so hard, but I was so wrong. This one is so simple and can be stored easily and used when needed. You need very few ingredients and I am not sure why I did not try this before. Enjoy your ice creams, shakes, cakes, pancakes and waffles with this delicious sauce.. Indulge!!

Sugar - 1 1/2 cups
Water - 1/3 cup
Heavy Cream - 1 1/4 Cups
Vanilla Extract - 1/2 tea spoon

Mix sugar and water in a heavy bottom vessel with a handle and is deep enough
Heat this on medium heat until sugar dissolves and it bubbles lightly. Do not stir
Gently swirl. This is the reason you need to have the vessel with handle
Increase the heat to high and boil uncovered until the sugar becomes honey color. This measures about 350 F on candy thermometer(if using)
Gently swirl the pan again and be very careful as it will be quite hot..
Switch off the flame and from a little distance slowly add the cream
The cream will bubble like crazy and this is the reason you will need a deep vessel
Now the caramel will solidify
Switch the heat back on to low heat and simmer for 2 minutes until the caramel is fully dissolved
Allow it to cool completely which should take about 4 - 6 hours
The caramel will thicken a little and come to sauce consistency
The delicious finger licking caramel sauce is ready

Check out the Blogging Marathon page for the other Blogging Marathoners doing this BM

  1. I've always had trouble making caramel sauce -- I either end up with burnt or with not-so properly made caramel sauce. Yours came out looking great.

  2. This is a classic basic suace..very nicely prepared

  3. Yours looks great! It is a art to get a perfect caramel sauce.

  4. I have not attempted to make this sauce at home. I agree it is an art!

  5. Feel like licking that spoon, very attractive sauce.

  6. It looks spoon licking good. :)
    Suma Gandlur

Dear Friends,
Thank you for reading my blog post. Your comments and feedback is very valuable and I appreciate it very much. Please leave your valuable comments and feedback for this post. Thanks Sowmya

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PAC Donation

Thank you for your continued support of our great profession. Your donations allow us to advocate on behalf of the pharmacy profession in our state legislature and beyond.

The NJPhA Political Action Committee (PAC) is a voluntary, bipartisan voice that advances the interests of NJPhA members and pharmacy practice before the New Jersey Legislature. Its purpose is to establish pharmacy practice and pharmacists as a viable political force. To that end, NJPhA PAC has helped gain approval for many pharmacy-related legislative actions in the New Jersey Legislature.

Service Beyond Advocacy

In addition to building relationships with legislators, NJPhA PAC supports pharmacy educational and research objectives, teaches members about the legislative process, and sponsors Legislative Day, an opportunity for NJPhA members to interact with legislators.

Effective Advocacy Costs Money

We need your financial support.  It’s that simple.  The sums need not be huge.  Every donation helps and will be greatly appreciated.

Thank you for your contribution!

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Noahide Prayer
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Noahide Prayer

For Noahides, prayer is considered a mitzvah when performed in response to personal needs or circumstances.

Develop a Torah Personality
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Develop a Torah Personality

Help for perfecting your relationship with HaShem and yourself.

Listen To Noahide Yeshiva Class
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Listen To Noahide Yeshiva Class

Listen to the overview from a previous class from the Noahide Torah Study Yeshiva Course.

Get More Torah Wisdom
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Get More Torah Wisdom

Torah wisdom should always flow through you. Learn about Hashem and you will learn about yourself!

Ask a Posek (Judge)
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Ask a Posek (Judge)

When it comes to learning the Noahide halacha why go to a Rabbi who only has a smicha? Why not ask a Posek who is an expert in halacha.

After The Flood
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After The Flood

Ever wonder what happened when Noah and his family exited the Ark after the Flood?

"To the world you might be one person, but to one person you just might be the world".
"Tzedaka may not save us, but it makes us worth saving"
"The only thing necessary for evil to exist is for good people to do nothing."

Wisdom From Pirke Avot

Simon the Just…used to say,
“Upon three things the world stands:
On Torah, on (Divine) Service, and on Deeds of Lovingkindness.”
Pirke Avot 1:2

Ben Zoma said,
“Who is wise? The one who learns from all people…
“Who is mighty?  The one who subdues the evil inclination…
“Who is rich? The one who rejoices in his portion….
“Who is honored? The one who honors other human beings….”
Pirke Avot 4:1

The Most Important Part of Studying Torah

The most important element in validating interpretations of the written and oral Torah is the concept of Mesorah. Mesorah is the greatest proof to the authenticity of any concept, practice, or interpretation.

Although the seven Noahide laws have their origins in Adam and Noah, God chose to transmit and preserve them via Moses and the giving of the Torah at Sinai. This placed the Seven Mitzvos within the structure and system of Torah study and learning. Therefore, the seven Noahide laws must be interpreted and understood within the context of the Torah.

This point cannot be stressed enough: Jewish, and therefore Noahide, study and interpretation of the Torah is unique and unlike the study of any other religious texts.

More on the Mesorah

The Truth About the Ger

Don't ever be afraid of seeking truth or speaking the truth, as it says in

Proverbs 12:19...

Truthful lips will be established forever, But a lying tongue is only for a moment

Are Noahides Allowed to Pray?

For Noahides, prayer is considered a mitzvah when performed in response to personal needs or circumstances. If one experiences challenges for which he does not pray, his lack of response is tantamount to a denial of God as the sovereign ruler of all things and all events. When one does pray in such circumstances, it demonstrates reliance and belief in the Creator.

When a Noahide prays to give thanks or praise absent a personal need, he still receives reward for such prayer even though it is not of the same nature as prayer prompted by personal needs.

As with all personal prayers, there are no fixed texts for Noahide prayer. Since all Noahide prayer is essentially personal prayer, it is ideally expressed using sincere words from the heart.

For More on Noahide Prayer

Tools For Noahide Torah Study

The journey of Noahide Torah study is endless in depth and has no destination.  You will realize this when your very essence proclaims, "the more I learn, the less I know"!  Before you make this proclamation remember that it is a mitzvot for a Noahide to study the Noahide Laws and apply them in every aspect of their life.  After you make that proclamation you will realize and appreciate why it is a mitzvot for a Noahide to study the Noahide Laws and apply them. The study of Torah is what gives us our awe of the Creator.  The more we study the more awe we gain.

List of Tools Here

Do you know why more and more Christian & Messianic believers are turning to God?

Rabbinic Oversight Committee

Project Oversight Committee

Though this Noahide Laws Study Project's research is being undertaken by the Yeshiva Pirchei Rabbinic Staff the oversight committee is pictured below with a partial biography on each.

Project Director-Rabbi Avraham Chaim Bloomenstiel studied in many of Israel’s preeminent academies of Torah study. He received his ordinations as a rabbi and dayan (adjudicator) from HaRav HaGaon Moshe Halberstam ztz’l (Eidah HaCharedis), Rav Zalman Nechemya Goldberg (former chief justice of the Rabbinical High Court of Jerusalem), Rav Meir Sirota (Eidah HaCharedis) and Rav Dan Channen (moreh hora’ah of Ramat Beit Shemesh).

He was certified as a shochet (kosher slaughterer) by HaRav HaGaon Nesanel Kostelitz and Rabbi Yechezkel Feit (Rosh HaShochtim of Empire Poultry). Rabbi Bloomenstiel learned safrus (scribal practice) in Israel and the United States. His ordinations and certifications as a scribe came from Rav Avraham Tzvi Wosner (Rav of Satmar, Monsey, NY), Rav Moshe Halberstam ztz’l (Eidah HaCharedis), and Rav Dovid Leib Greenfeld (Vaad Mishmeres Stam International). Rabbi Bloomenstiel is recognized as one of the United States’ leading experts on scribal laws, traditions, and practices. He is also the author of the Maayanos HaKesuvim, a multi-volume commentary on the laws of safrus, shechita, milah, and other sections of Shulchan Aruch, and is a contributing author on Jewish topics and religion for the Encyclopedia of Psychology and Religion. Most recently he authored an appendix on the laws of conversion for the book B’nei Avraham Ahuvecha: Gerim in Chassidic Thought.

HaRav Yitzchak Tzvi Oshinsky, a lifelong resident of Jerusalem, Israel is considered one of the shining young Prodigies in the City.  He resides in Yerushalayim with his wife and three daughters.

HaRav HaGoan Brodie the Rosh HaYeshiva and head of The Chevron Yeshiva in Ge’ulah (the heart of Jerusalem), in his approbation to R’ Oshinsky’s recent publication on the laws of Mourning (Aveilus) has acclaimed R’ Oshinsky to be one of the great Torah Scholars in the City. His concentration coupled with his ability to clearly understand and explain the subject matter at hand has caused the Rav to be in demand by many nationally and now internationally as he has taken on the role of Chief Lecturer in the area of Aveilus (the laws of mourning) for the Shulchan Aruch Learning Project.

R’ Oshinsky, in addition to his duties at the Shulchan Aruch Project, is a judge in the Jerusalem Jewish Court as well as teaching at Mishkan HaTorah in Yerushalayim as well as conveying lectures to Kollels on Fridays. R’ Oshinsky learned to be a Dayan (judge) in Nishmat Israel in Bayit Vegan, Yerushalayim. He received his Semicha (Rabbinic Ordination) from the Chief Rabbinate of Israel entitling him to be the Rabbi of  the City as well as a Dayan for the Chief Rabbinate. In addition the Rav received Semicha from HaRav HaGoan Yitzchak Koliz Z’tl, the Jerusalem Rav and from HaRav  R’Nechmia Goldberg Shilta. In addition R’ Avraham Kohen the Rosh HaYeshiva of Nishmat Yisrael also granted Semicha to the Rav and so to from Mifahal HaShas.

R’ Oshinsky as well has authored a book on the Laws of Mourning as well as a book on topics of Money, Community. The Rav’s high level of academic Scholarship has led him to be involved with the examination system in the Rabbinate and thus his incredible innate ability to understand and convey such a difficult area of learning to us is a real privilege and one we expect many from around the world will take advantage of.

Rabbi Peretz Moncharsh was born and raised in Minneapolis, MN and learned in the Yeshivos of Philadelphia, Brisk- R Dovid, Mir and Kollel La’asukei Shmaytsa.  He currently lives in Beitar and is a Moreh Horaah on both the Ashkenazi and Sefardi Batei Horaah as well as the Rosh Kollel of Kollel Shaarei Horaah. Rabbi Moncharsh received Semicha from R’ Zalman Nechemia Goldberg, R’ Yaakov Tufik (the Sefaradi Rav of Beitar) and the Rabbanut.

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How Do Nonprofit Leaders Manage Unsolicited “Great Ideas?”

How Do Nonprofit Leaders Manage Unsolicited “Great Ideas?”id-100134015

By: Eugene Fram                                                                                Free  Digital Photo

What does a board member or CEO do when a donor or valued volunteer approaches him/h with a great idea that needs to be implemented at once? Since most of these ideas are what a Stanford professor terms bad ideas, the board chair and CEO are often between a hypothetical rock and a hard place!  To agree to a proposed project that is impractical or irrelevant to the mission will put the nonprofit at risk. But to reject an eager volunteer or potential donor could have serious donor related financial or interpersonal consequences.

When bad ideas are suggested, nonprofit directors and CEOs traditionally have hastily reviewed them—then prolonged the evaluation process hoping the presenter will lose interest in it. When an immediate reply is called for, a full review of the project will involve board and management time and effort to provide a fair assessment. If the verdict is negative, everyone hopes for the best!

Professor Jonathan Bendor of Stanford University, who studies tech organization, proposes a solution that can be effectively used by nonprofit directors to address this “wicked” type of problem. *  (Persons in tech organizations are constantly generating new ides, only a handful of which meet customer requirements.)

Example of such a “wicked” problem

The CEO of an association received the following e-mail, with a cc, to the board chair from a major donor. In addition the donor immediately left a voice mail for the CEO, “Did you get my important e-mail?”

As you know, we are trying to get more people to our association’s evening lecture series on aging. I have noted that we have very few people attending who appear to be in the above the 65+ age cohort.   Obviously these persons could benefit from participating. The group is our most important tool to meeting the association’s mission.   I suggest we hire a bus to bring them to the meetings and to return them home.   To avoid having the bus going to each of their homes, we could establish easily accessible locations in various neighborhoods where they could meet and depart the bus.

The CEO then sent the following targeted rubric to his three senior managers and to four senior board directors, asking for their evaluations of the suggestion. Along with the board chair he wanted to be ready for a hostile response, if the suggestion is rejected.

Using A Rubric

A rubric is a format that uses established criteria for evaluating ideas and hopefully highlights innovative ones.   Following is one that has been formatted for the hypothetical situation described above in italics.

On a scale of 1 to 10, with one being low and ten being high, judge the above idea against all these criteria. Place a number value in the space after each item.

Example: Potential levels for each of the of the ten criteria: Little- one through four; moderately-five and six, and substantially-seven through 10.

  1. Supports the organization’s mission ______
  2. Is consistent with our vision and cultural values._____
  3. Can be implemented with no more than XXX in direct costs _____
  4. Can be implemented with no more than XXX in indirect costs ______
  5. Can require additional capital expenditures _____
  6. Can be implemented within the current staffing or board structure_______
  7. Can require a long trial period before it can be validated as having impact_____
  8. Can be supported by the CEO and/or a majority of the board_______
  9. Can be viewed by others in our field as being innovative______
  10. Will have significant positive impact for our clients.______

Comments: (Please express a summary opinion briefly.)

The form is then compiled anonymously. The CEO reviews the results with the board chair, and then reports to the donor or valued volunteer. If the idea is rejected but presented with sensitivity, it allows the originator to feel his/h idea has had a fair hearing. If accepted, the Chair and CEO can suggest plans for further study and challenges (perhaps additional financial support?) for implementation.

Bendor’s approach (see link) can be well applied in both the tech and nonprofit environments. Most importantly, it provides a venue to help identify innovative ideas with the greatest potential for success.

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Unhappy Annibirthentine’s Day

, , , , , , , , | Romantic | February 15, 2018

Me: “Hey, [Coworker], it’s Valentine’s Day!”

Coworker: “Not only that; it’s also my wedding anniversary.”

Me: “Aww, how romantic!”

Coworker: And it’s my birthday!”

Me: Wow! Your husband must be planning something really special, eh?”

Coworker: “Nope. I’m pretty sure he forgot.”

Me: *pause* “How could he possibly forget?”

Coworker: “I wonder that every year.”

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NSFAS Extended Grant Application Closing Dates

By | April 20, 2018

NSFAS Extended Grant Application Closing Dates

The new policy on free education will allow first year students to receive a fully paid grant from the National Student Financial Aid Scheme (NSFAS).

This is according to the statement released by President Jacob Zuma in December 2017.

The University of South Africa (Unisa) has confirmed that eligible students who have not yet applied for government funding will receive an extension.

However first-time students at Unisa will need to meet the following requirements before they can apply for financial aid.

Can I get a grant?

In order to qualify for the extended grant students at Unisa must:

  • Already be accepted to study at Unisa
  • Be registering at Unisa for the first time for an undergraduate qualification
  • Have no prior registration at a higher education institution
  • Have a combined annual household income that doesn’t exceed R350 000
  • Be a South African citizen

When can I apply?

The closing date for Unisa students is 26 January. Students are invited to apply before then during Unisa’s registration period.

Where should I apply?

Go to the Unisa Extended Grant page to apply online or visit a Unisa regional office for assistance.


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The mission of Nevada Society for the Prevention of Cruelty to Animals (NSPCA) is to save homeless pets in Clark County. NSPCA provides shelter, care and finds loving new homes for dogs, cats, rabbits and other small animals.

Founded in 1982, NSPCA is a 501(c)(3) nonprofit organization. NSPCA does not receive any government funds, nor is it funded by any national SPCA – we rely entirely on the generosity of individuals and local businesses to help animals in need.

Thinking of contributing to our cause?

There are many ways that you can help out.

Follow our story

Sign-up for our e-newsletters and get the inside scoop.

Want to volunteer?

Want a great way to save lives and get more involved.


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NASA Logo, National Aeronautics and Space Administration
NASA Space Science Data Coordinated Archive Header

Cosmos 289

Cosmos 289 was a second generation, high resolution Soviet photo surveillance satellite launched from the Plesetsk cosmodrome aboard a Soyuz rocket.

Alternate Names

  • 04034
  • Cosmos289

Facts in Brief

Launch Date: 1969-07-10
Launch Vehicle: Soyuz
Launch Site: Plesetsk, U.S.S.R
Mass: 4730 kg

Funding Agency

  • Unknown (U.S.S.R)

  • Surveillance and Other Military

Additional Information

Questions and comments about this spacecraft can be directed to: Coordinated Request and User Support Office

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Tuesday, October 15, 2019

Announcing the Peggy Corkum/Musique Royale Legacy Award

Musique Royale and Barbara Butler join the Nova Scotia Talent Trust in supporting the legacy of Peggy Corkum's commitment to the arts.

Believing that everyone needed music in their lives, Peggy Corkum donated grand pianos to Government House, St. David's Church, Dalhousie University, and the Central Halifax Library. She supported the Nova Scotia music community, including Symphony Nova Scotia, Cecilia Concerts, Musique Royale, the Music Room, the Royal Nova Scotia International Tattoo, Scotia Festival of Music and others. Having retired as a Major from the Canadian Armed Forces after a career of travelling the world as a flight nurse, Peggy enjoyed playing piano for the pure joy of making music.

After her passing in December 2018, her good friend Barbara Butler, Artistic Director of Musique Royale, started to fundraise for an award in Peggy Corkum’s honour to be administered by the Nova Scotia Talent Trust. The award will go to the pianist who, amongst all others, shows the greatest artistic potential and excellence.

“After Peggy’s passing, I wanted to find a way to honour her. I imagined young pianists who aspired to a career in music having the opportunity someday to perform on the very pianos she so generously gave. I’ve always admired the work of the Nova Scotia Talent Trust and the celebration of your 75th anniversary seemed like the perfect opportunity to realize such an award. The generosity of friends of Musique Royale made it all possible,” says Barbara Butler.

The Peggy Corkum/Musique Royale Legacy Award is valued at $1000 and thanks to Peggy Corkum’s extended community, and Barbara Butler’s commitment, it will be awarded to aspiring artists for at least twenty years to come.

About Musique Royale

Musique Royale is a not-for-profit organization based in Lunenburg, Nova Scotia, dedicated to promoting traditional and early music in historic venues throughout the province. Since its founding in 1985, Musique Royale has continued to celebrate venues of architectural and historic significance and bring world-class music to communities across the province.

Founded in 1985 by John Grew and a small group of dedicated friends, the French and English overtones in the festival's name were chosen specifically to refer to the presence of more than one cultural force in Nova Scotia's development, and to pay tribute to the province's diverse musical heritage. Current Artistic Director, Barbara Butler, continues to guide the organization in its original mandate, while promoting its growth from a summer festival to include a year-round concert series on the south shore.

Want to hear more? Please sign up for our newsletter

Want to support the next generation of Nova Scotia artists? Donate today!

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The Board of Directors and Management Team of the Ogden, Utah-based, Weber State Federal Credit Union are excited to announce its name change to, Ascent Credit Union, effective May 1, 2020.  The new brand identity is part of the 63-year old credit union’s journey to expand and grow membership beyond the Weber County community and to bring the credit union’s extraordinary service and technologies to those living in Davis, Box Elder and Morgan Counties.

The decision to change the credit union’s name was not made lightly. “While we will always be a dedicated partner to Weber State University, as our original founders were faculty/staff of the university, we needed a name that was more reflective of our membership as a whole and will allow us to grow and expand into new areas. We chose the name Ascent because it is unique, and represents what our true purpose is – to inspire upward financial success, and to help our members achieve their dreams,” said Vickie van der Have, President/CEO.

The new name is part of a strategic re-branding for the credit union. “We are here to be helpful, approachable, dependable, trustworthy and compassionate. We used these five values to help build the new brand. From the logo design and colors, to how we train and hire our employees, the new brand will affect everything within the credit union, and we couldn’t be more excited to bring this new name and brand to life with the same great service that our members have come to know and love from Weber State Credit Union.” said Cami Higgs, Marketing Manager.

While looking to the future, the credit union is honoring the past. “We would not be here without the loyalty of our founding members, and that legacy will not be forgotten,” said Brock Mortensen, Vice President/CFO. “We will continue to support our current members with even better products and services while working to expand the credit union and bring our great service to a broader community.”

Another important part of the rebrand includes the introduction of enhanced business services. The credit union will offer improved business accounts to facilitate the growth of small businesses within the communities it serves. Additionally, new business loans, such as Commercial Real Estate, Equipment, and Lines of Credit will be available to business members. “Expanding into different communities brings with it a whole new business demographic, and we’re ready to help in as many ways as we can,” said John Cole, the credit union’s Chief Lending Officer.

The upcoming name change is not the result of a merger, and the credit union will continue to operate with the same Board of Directors and staff members. “We will still have the same great people at our branches that you all know and love,” said Charles Ulrich, Chairman of the WSCU Board. “We are opening a new branch in the Syracuse area sometime in the summer of 2020 and are very excited to bring our great services and technologies to the people of Davis County.”


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Palliation of Pain with Radiopharmaceuticals

This tutorial provides 1.0 CEUs and is ideal for:

  1. Nuclear Medicine and Radiology Technologists. The VOICE program of the Society of Nuclear Medicine and Molecular Imaging (SNMMI) has reviewed this program and approved it for a maximum of 71 continuing education hours. Because these tutorials have been approved by the VOICE Program, they are accepted for CE credit in all 50 states and by ARRT and NMTCB, even if you are not a VOICE/SNMMI member.
  2. Physicians requiring CME Credits to maintain IAC Accreditation. All or a portion of this educational activity may meet the CME requirement for IAC Nuclear/PET Accreditation. Our website is listed on the resources page of the IAC website.

Proceed to the Tutorial: Palliation of Pain Tutorial

Proceed to the Quiz: Palliation of Pain Quiz

Purchase Tutorial: Payment Link (Credit Card or Payment)

This tutorial gives a comprehensive overview of Radionuclide Therapy for the purpose of palliating pain caused by bony metastases. This is a very valuable, but highly under-utilized procedure that renders pain relief (sometimes complete) in ~80% of all patients treated with the available therapeutic radiopharmaceuticals.

This tutorial covers

  • A historical overview of palliation of pain with therapeutic radiopharmaceuticals
  • A description of these radiopharmaceuticals and the physical properties of the associated alpha and β- emitting radionuclide as well as typical recommended doses
  • The epidemiology of cancer resulting in pain from metastases, especially breast and prostate cancer
  • All the therapeutic approaches utilized for palliating bone pain, with special emphasis on radiopharmaceuticals
  • Eligibility criteria for undergoing the study  Internal radiation dosimetry of each available drug
  • Typical clinical outcomes
  • Very detailed information about clinical use of each of the three available drugs.

OBJECTIVES: At the conclusion of this presentation, attendees should be able to:

  • List the three therapeutic radiopharmaceuticals available for palliation of pain from bony metastases and give their typical administered doses and the mode of decay and half-life of each of the radiopharmaceuticals
  • Discuss the demographics of breast and prostate cancer and the expected clinical outcomes following administration of each of these drugs
  • List other therapeutic approaches for palliation of pain that do not involve use of radioactivity and the limitations of each
  • List at least three eligibility criteria for undergoing this type of radionuclide therapy
  • Compare the whole body and bone marrow internal radiation doses for each of the three available radiopharmaceuticals.

If you have taken one of the tutorials, received a score of 80% or above, and wish to receive CE credit: Make sure you submit all of the requested information when taking the test. It’s not necessary to send us the score sheets since we receive them electronically when you submit your answers for scoring.

Within 24 hours of receipt of your submitted score sheets and payment for the tutorial(s), we will do all of the following:

1. Send a certificate to you via e-mail
2. Send a certificate to you via US Mail
3. All members of the SNMMI will have to self-report their CE Credits on the SNMMI Website ( We will automatically send detailed self-reporting instructions to you along with your CE Credit Certificate.
If you have any problems with the self-reporting system, please contact the VOICE Coordinator directly at 703 708-9000. ).

If paying by check, please make payable to Consultants in Nuclear Medicine and mail your payment to:   Consultants in Nuclear Medicine 2910 W. Estes Avenue  Chicago, IL 60645-2394

To make sure your check is in the appropriate amount, please note the following:
If a tutorial awards 1 CEU, the cost is $20.00
If a tutorial awards 2 CEU, the cost is $30.00
If a tutorial awards 3 CEU, the cost is $40.00

If paying by credit card: we offer a secure internet service via PayPal, a well known internet provider ( for all of our Online Tutorial Courses.

Simply click the appropriate link for the tutorial for which you wish to receive CE credit.   Check your “shopping cart” order carefully- adding or deleting items before you proceed to check out.   “PayPal” credit card payments are available for anyone although you will need to submit more information if you are a new user without an established “PayPal” account.   Please use the PayPal links on the website to submit your payment.   If your credit card information does not match your score page information, please include a copy of your PayPal payment statement so we can match transactions correctly.

All of our tutorials are available for your use in reviewing for your Board Certification Examination.   There is no charge to use these tutorials unless you wish to obtain CE Credit.

Please feel free to review the tutorials as often as you wish; the test may be taken once.  If a score <80% is obtained, then the test may be retaken once.
If the score is still <80%, please contact Dr. Karesh, Tutorials Coordinator, by e-mail at for further instructions.


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Forum Thread: Metasploit for Absolute Begineer.

I am learning hacking and pentesting, I have some programming knowledge but I know nothing about metasploit. can anyone plz give me a nice video tutorial for metasploit for absolute begineer. thank you.

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10 Responses

Do you have video because I don't like reading plz.

If you want to actually progress, you have to read. There are very few video resources and most of those are both dated and low quality.

Ok I will read good article and watch good videos in thank you jack sea.

That's an ambiguous statement you're making there. The difference is only due to the fact that videos can not be updated as easily as text. Else they are pretty good.

-The Joker

I don't know if it covers the basics, but there's a good free course 'Metasploit Unleashed' by community at OffSec

-The Joker

If you want to learn about Metasploit, You MUST read this.

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Environmental Score is a representation of the safety of this products ingredients based upon a combination of the best outside scientific research available and our own internal research. An environmental score between 1-2 indicates that the ingredients in this product have been found extremely safe based on currently available scientific data. The Environmental Score is not affiliated with the Environmental Working Group.

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Packaging Information

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NYCHRP Condemns the Killing of Bernardino “Toto” Patigas and Attacks on Human Rights Advocates!

For Immediate Release

April 22, 2019

Reference: Louie Sawi, Chairperson, New York Committee for Human Rights in the Philippines (NYCHRP),

NYCHRP Condemns the Killing of Bernardino “Toto” Patigas and Attacks on Human Rights Advocates!

NYCHRP condemns the extrajudicial killing of Escalante City Councilor and human rights worker Bernardino “Toto” Patigas, 72, on April 22, 2019. He is the Secretary General of the North Negros Alliance of Human Rights Advocates, a member organization of Karapatan-Negros chapter. Karapatan is the Philippines’ major human rights organization. He was also running for reelection as Sangguniang Panglungsod (City Council) member. Patigas survived the Escalante massacre, where 20 farmers and farmworkers were killed during a protest on September 20, 1985, marking the 13th anniversary of Marcos’ declaration of Martial Law; Patigas continued to participate in fact finding missions in Negros and advocate for human rights.

Patigas is Karapatan’s 48th human rights worker killed in action. The murder of an incumbent City Councilor is another case of election-related violence. Moreover, de-facto Martial Law and Oplan Sauron have killed yet another peasant in Negros.

Patigas’ human rights work has led to harassments and threats on his life. In 2017, trumped up charges were filed against him then dismissed. In April 2018, Patigas’ name and picture, together with that of slain human rights lawyer Benjamin Ramos and 60 other individuals and rights advocates, were included in a poster of alleged communist personalities.

Peasant activists of Negros see Patigas’ death as an extension of the extrajudicial killings occurring as a result of Oplan Sauron or SEMPO (Synchronized Enhanced Managing of Police Operations). Oplan Sauron is a series of joint military and police offensives against supposed drugs and criminal activities, but has quickly shifted into an anti-insurgency operation leading to various forms of extrajudicial killings, armed intimidation and harassment, and the illegal arrests of farmers and peasant advocates struggling for genuine agrarian reform. Oplan Sauron and Memorandum Order 32, an executive order that imposes de-facto Martial Law in Negros, Samar, and Bohol, uses the redtagging of peasant organizations and their members as justification for grave human rights violations.

A few hours after the killing of Patigas, other human rights advocates received threatening text messages. The messages displayed:

“Condolences: Nag-umpisa na kami, ang priority namin ay ikaw, si Clarissa, Roque, Nolie, Rey, Aldren, Patigas, Cristian, Dolly, at si Alyas Tatay Ogie na makikita sa Silay at sa Libertad. Itong lahat ang priority namin na tapusin ngayon taon.”

[TRANSLATION] “Condolences: We already started, you are our priority, along with Clarissa, Roque, Nolie, Rey, Aldren, Patigas, Cristian, Dolly, and Alyas Tatay Ogie who can be seen in Silay or Libertad. They are our priorities for this year.”

Members of NYCHRP are alarmed by the brutal murder of one of their kindred human rights activists. This attack is a violent trifecta of human rights violations. Bernardino “Toto” Patigas, as an incumbent City Councilor, deserved the due process of free and fair elections. Duterte’s fascism threatens our call for fair and free elections. We don’t believe his government will provide those electoral conditions to flourish. As a human rights advocate, Patigas deserved the civil and political right to redress grievances with the government and to assemble and speak to issues that affect the community. Smear campaigns, including redtagging and terrorist-labeling,  have resulted in dangerous forms of rights violations against human rights activists, whose names were alleged like Patigas. As a peasant leader, he was silenced because of his opposition to the continued rule of the hacienderos in an import-dependent, export oriented economy and his support of genuine land reform. Duterte is the number one enemy of #GenuineLandReform, protector of the oppressive hacienda system begun by Spanish colonizers and perpetuated by the plantation system imposed by US colonialism and imperialism.

As human rights advocates in the United States, we stand with our fellow human rights defenders in the call to oppose the red-tagging and extrajudicial attacks on innocent people. We remain steadfast in our support for the struggle for genuine freedom and national democracy in the Philippines, and to oppose tyrants and fascism as they arise in the country.

#JusticeforTotoPatigas! #StoptheKillings #ActivismIsNotACrime #DefendTheDefenders #GenuineLandReform

#StopKillingFarmers and peasant advocates! #StopTheAttacks against peasant organizations, activists, and civilians!

Tinay Palabay. (2019, April 22) [Facebook Post] Retrieved from

Saka Pilipinas. (2019, April 22) [Facebook Post] Retrieved from


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text:
The Eland Connection

by Joe Novara

A surprise takeaway from Bushman cave paintings

     “Yes, sir. What is your room number?”
    “2212. What the hell. Can’t you tell that from your switchboard?”
    “Sorry. What was your order again?”
    “My order. We ordered a club sandwich and chicken wrap fifty minutes ago. If it isn’t

 up here in the next ten minutes, I’m going to come down to the lobby and raise holy hell!”
    “I’m sure it’s on its way.”
    Frank slammed the phone down and stared past his wife placidly reading a novel and out onto the Indian ocean.

      “C’mon now,” she appealed without looking up, “We’re in Africa. Not
your office. And you’re not going to be there, ever again. It’s called retirement.”
    “They’re all so noisy and loud and inefficient. Swarming here and there around the buffet table. Indians. Africans. Muslims. Sikhs. I didn’t see a single white person.”
    “That’s why we travel, dear. To see other people—their way of doing things.” Peeking over the top of her reading glasses, Amelia added, “And to feel what it’s like to be a minority.”
    There was a knock on the door and a whiff of food.
    6:15 the next morning, Frank and Amelia sat in the echoing white-marble lobby. A child screeched, a man shouted to a friend. Frank flinched. Amelia patted his knee.

      “So, tell me about this tour,” he demanded.  “Where exactly are we going? How long a ride is it?”
    Amelia closed her eyes, took a deep breath. “We’re going to the

Drakenburg mountains to see San cave paintings.”
    “Bushmen. They lived in that area 3000 years ago.”
    “When do we get back?”
    “Frank, this is...decompression time. Change of pace. You’re off the clock. Okay?”
    Frank started to reply when a white woman in cargo pants and a starched white shirt emblazoned with a Thompson Tours logo, strode up to them and announced, “Mr. and Mrs. DeWitt, I presume.”

      He grinned broadly. That was more like it—a little chop-chop in a world of la-dee-dah. There were only the two of them in the tour van and Frank was content to let his wife chat with Wendy, their guide. An hour out of town, Wendy pointed out a huge sprawling slum covering several hillsides.

      “That’s the settlement,” she announced. “No roads or running water. Those women sitting on overturned five-gallon buckets are waiting for a water truck to arrive.”
    Amelia, camera out and clicking, captured the scene from inside their speeding space capsule. Frank willed himself to relinquish control, to be led along by the two women. But couldn’t
resist looking up San Cave Paintings on his iPad as they tooled up and around lush green mountains dotted with cattle and tourist lodges. One of the paintings portrayed stick-figure
hunters attacking a cow-sized antelope—an Eland. It reminded him of football—the Xs and Os
of primitive man’s playbook for winning the big game. Now that could be interesting, he decided.
    At the Giant Castle park, four hours later, he tagged along his wife and Wendy like a child on a field trip. Amelia stopped every ten yards to take shots of thatched roofs, flowers, a baboon.
    The path to the caves offered eye-catching views of river bottoms and craggy peaks that required more photo-ops until Wendy announced that they would miss the 11:00 tour at the caves still some ways off but they could continue to take their time and make the 12:00. Frank, adding an hour’s wait to a later cave tour, then lunch, followed by a four-hour return trip back realized they would not get back before dark. No way.

     “It’s 10:40. Can’t we hurry and still get there by 11:00?” he asked the guide.
    “Not me,” Amelia announced from her squat, focusing on a mountain flower. “You two go, if you want. I’ll make my way back to the restaurant and have some tea.”
    Frank took his first hard look at the guide. Wendy might have been in her late 50’s early 60’s. Fit. As the British would say—keen. Yeah, he thought. After twenty hours on planes and
four hours of driving, he needed to let off some steam.

     “Double time?” he asked.
    “Yiss,” she replied in that distinctive South African way. “Let’s scarper.”
    For the next twenty minutes, Frank trailed Wendy scampering between rocks on the increasingly primitive path. They climbed up and over tangled tree roots and across bridges before hop-scotching over rock-filled rills. He pushed himself, breathing faster and harder, only to find Wendy’s shapely bottom farther away with each step. Well, that wouldn’t do. He picked
up the pace as they climbed through a shaded, damp passage filled with slippery rocks and slender trees offering welcome hand holds. Still she climbed. Finally, he crested a rise and saw Wendy in front of a locked gate. He looked at his watch. 11:05. Surely the cave guide couldn’t be far along on a tour. Wendy called-out. He whistled. No response.
    “I bet he’s sleeping,” Wendy said, “or not even here. Blast.”
    “Wasted effort,” Frank rasped, despite having enjoyed the workout.
    After a moment for both to catch their breaths, Wendy said, “Well, we could just wait forty-five minutes for the 12:00 tour.”
    Frank scanned the shaded cove in front of the cave. Nothing to see. A mosquito whined around his ear. “What the hell would we do up here for an hour?”
    Wendy, arched an eyebrow and hunched a shoulder. Before Frank could wipe the surprise from his face, she chuckled and started back down the trail. They moved more slowly
and carefully on the way down, shaking legs making it difficult to negotiate precarious footholds in the gloom of the sheltered trail. When Wendy stopped for a slug of water, Frank took the lead and scooted past a huge boulder into the sudden glare of a sun-strobed meadow and the shock of a wild animal watching him.
    He stopped dead. Thirty yards ahead a female Eland, belly-deep in grasses, stopped grazing to return his stare. This was what the cave painters would have hunted to sustain their
lives. If he were a Bushman, this is when he would have nocked his poison arrow and let fly. And if he remembered the documentary he saw once, the Bushman would have tracked the beast until it died and then would have apologized for killing it and expressed his gratitude for the
sustenance it gave his family. Beautiful animal. Such exquisite lines. So eminently paintable.
    Of course, she didn’t realize that her essence was captured on the walls of the cave up above. But, then he didn’t exactly know that either, except for his faith in Wikipedia. She didn’t
know she had ancestors. She didn’t know that a man felt compelled to paint her, to preserve her image. Because she was beautiful. Because her death kept him alive. Because he wanted to prolong his time, to let others know he had been here, noticing, admiring this animal. But this animal knows none of that. She doesn’t know yesterday. Doesn’t anticipate tomorrow. Doesn’t laugh or cry because she doesn’t know the difference between what is and what could be. She is simply here. Now. Being. Existing.
    What retirement could be. No need to produce. To reproduce. To make more. To compete. You can just be.
    Wendy stumbled into the clearing, calling out. “Ohh, there you are. Thought I’d lost you.”
    The Eland loped away.
    Back at the coffee shop, Wendy announced that she was going to see the management and get their money back. Frank joined Amelia at an open-deck picnic table and absently reached  for her soda.
    “Sure, help yourself,” she jabbed.
    “Huh?” Frank broke his preoccupied stare down the river-cut valley.
    “What’s come over you?” Frank shrugged.
    “So, how was it?” Amelia asked.
    “Never saw the paintings. The cave-guide either wasn’t there or decided to play it by the book—on time or no go.”
    “What a waste...”
    Frank took a slow thoughtful sip of the Coke. Looked at the can for a moment and gently set it down. “No. Just the opposite.”
    Amelia, about to bite into her chicken wrap, paused and lowered it to her plate, chin tucked in anticipation.
    “I saw an Eland up there,” he muttered.
    “A real one?”
    Frank nodded. “Ten yards away from me. Long green grasses hanging from her mouth. She wasn’t afraid. Just stared at me. So magnificent. And I knew what the Bushmen saw in her.
Why they wanted to paint her. Why she was their god.” Responding to Amelia’s perplexed expression, he added, “Like American Indians and the Bison. This was their source of life, of sustaining life.” Silence from Amelia. “How to say this...I saw what the Bushmen saw 3000 years ago and I wanted to get down on my knees.”
    Amelia cocked her head, “Maybe this is one of those, ‘you had to be there’ deals. But I’m not buying it.” She grabbed a quick snap of her sandwich and shook her head. “Frank DeWitt getting New Age on me!”
    Frank closed his eyes, took a deep breath. “Okay, when I was a kid, sometimes I would try to imagine what forever would mean—being in heaven forever. No yesterday. No tomorrow. Just on and on and on. Scared the shit out of me. Kept me awake for hours. Did you ever wonder about that?”
    “Well...I did. And that animal showed me how it could be.” Frank locked eyes with his wife. “I was in that animal.” Pleading for understanding he went on. “She was just the
now. And, don’t you see, that’s what eternity would The San saw it. They tried to grab it with paint and pictures. But I got the original.”
    Wendy stomped onto the porch. “I got our money back,” she announced, holding several thousand Rand in her outstretched hand.
    “Keep it for a tip,” Frank said.
    “Wendy, get us back to our hotel,” Amelia demanded. “We got to get this guy out of the sun.”

About the author: A former corporate trainer and writing instructor, Joe Novara and his wife live in Kalamazoo, Michigan. Writings include novels, short stories, a memoir and various poems, anthologies and articles. Nine of his young adult novels and stories are accessible through He maintains a web/blog: Writing for Homeschooled Boys that includes his publication list. Another blog, Free Floating Stories+ posts a short story every week. A novel, Come Saturday…Come Sunday and a novella, I’m Here, are available through Amazon.


text:
Bruce Linton, Terry Matthews entertain crowd at Best Ottawa Business Awards

The 2018 CEO of the Year Bruce Linton. All photos by Mark Holleron.

Quality mentorship and family ties were major themes of the evening at the 2018 Best Ottawa Business Awards as the capital’s top companies and entrepreneurs were honoured for the past year’s achievements.

Some 760 members of the Ottawa business community turned out to the Westin hotel on Friday evening to share in the wisdom of award recipients such as CEO of the Year Bruce Linton.

The co-CEO of Smiths Falls-based marijuana producer Canopy Growth thanked OBJ and the Ottawa Board of Trade for the recognition, not for self-serving reasons, but for the prestige and legitimacy that the award lends to the emerging cannabis industry in Canada.

“It would’ve been a lot easier not to pick me and I’m glad you did,” Linton said in his acceptance speech. “A toast to Ottawa, because I am going to use this as a tool that opens up a whole lot around the world.”

Facebook Embedded Video Player

Ordinarily, Linton wouldn’t be the type to bask in the spotlight – humility was one of the first lessons that his mentor, Wesley Clover founder Terry Matthews, taught him. In a further show of deference, Linton went on to apologize to Matthews, his board of directors, Canopy’s Mark Zekulin – “He does the work and I cause the work,” he said of his co-CEO – and his family for his tendency to get distracted and bombard others with questions as chief executive.

Reflecting on what brought him to this moment of his career, however, he recalled a colleague’s backhanded assessment of his curious nature and held it up as a paragon of leadership: “It’s not that you’re stupid, it’s just that you don’t know anything.”

Linton wasn’t the only mentee of Matthews receiving honours at the BOBs. The local tech magnate was in attendance and interviewed onstage about Steve Spooner, chief financial officer at Mitel and the inaugural recipient of the CFO of the Year award.

Steve Spooner
Mitel's Steve Spooner, the inaugural recipient of the CFO of the Year award. Photo by Mark Holleron.

The story goes that Spooner turned down Matthews the first time he came calling to join Mitel at CFO, but caved a couple of years later. Having now served in the role for 15 years, Matthews had a few tongue-in-cheek compliments to give to the seasoned finance veteran.

“With Steve, he’s still a young person, he’s still learning. I can report really good progress,” Matthews said of the 60-year-old CFO of the Year.

“I’ve noticed some characteristics that say he’s going to be good,” he said, earning some laughs from the crowd.

Facebook Embedded Video Player

For Spooner’s part, he thanked both Matthews and another mentor, Mitel director Peter Charbonneau, for getting him to this point. Despite an onstage brain cramp in which he momentarily forgot the name of Mitel chief executive Rich McBee, he also made point to thank his boss and called him a “world-class CEO.”

Accepting the Lifetime Achievement Award on behalf of his father, Giant Tiger founder Gordon Reid, was member of Parliament for Lanark-Frontenac-Kingston Scott Reid. The proud son said his father was not in attendance because he is a “quiet man,” but noted that the 85-year-old CEO still worked five days a week as the head of the Ottawa-born retail beast.

“He’s still very much in the driver’s seat,” Reid said.

Scott Reid
Scott Reid accepts the Lifetime Achievement Award for his father, Giant Tiger CEO Gordon Reid. Photo by Mark Holleron.

He went on to read a few prepared remarks from his father, in which the senior Reid noted that the first Giant Tiger franchise opened many decades ago in Maniwaki, Que. Today, that store is operated by the original franchisee’s grandson, an example that led Reid to stress the importance of family to the Giant Tiger model and his own success across a lifetime in retail.

“Family – three generations in this case – is an important factor in our success. We must take this opportunity – all of us – to look into our own mirrors and say to ourselves, ‘Congratulations on a job well done,’” he wrote.

Other firms congratulated on “a job well done” on Friday evening are listed below.

Full list of winners and categories:

2018 Lifetime Achievement Award: Gordon Reid, Giant Tiger Stores Limited

Award Sponsor: EY

2018 CEO of the Year: Bruce Linton, Canopy Growth Corporation

Award Sponsor: Boyden

2018 CFO of the Year: Steve Spooner, Mitel

Award Sponsor: Deloitte

Best Business

• Giant Tiger

• Martello Technologies

• MDS Aero Support Corporation

Award Sponsor: BDO Canada

Best New Business

• PureColo Inc.

• Slice Labs Inc.

Award Sponsor: Hilton Lac-Leamy

• Desk Nibbles

• Rewind

• Wicket

Award Sponsor: Invest Ottawa & RBC

Best Performance: Co-op

• PCL Constructors Canada Inc.

Award Sponsor: Algonquin College

Best Performance: Customer Experience

• DS Plumbing

Award Sponsor: Janet LeBlanc + Associates

Best Performance: Export

• OPIN Software

Award Sponsor:  Strader-Ferris International

Best Performance: HR

• Fullscript

Award Sponsor: TAG HR

Best Performance: Marketing

• Assent Compliance

Award Sponsor: Algonquin College

Best Performance: Sales

• RE/MAX Affiliates Realty

Award Sponsor: Desjardins Business

Best Performance: Social Entrepreneurship

• Ottawa Community Housing Corporation

Award Sponsor:  La Cité Collégiale

Best Performance: Sustainability

• Regional Group

Award Sponsor:  Hydro Ottawa

Best Not-for-Profit

• RA Centre

Award Sponsor:  Commissionaires Ottawa

Deal of the Year: Real Estate

• Broccolini

Award Sponsor:  Perley-Robertson, Hill & McDougall LLP

Deal of the Year: Private Equity

• Assent Compliance

Award Sponsor: Perley-Robertson, Hill & McDougall LLP

Deal of the Year: Tourism

• First Air

Award Sponsor: Perley-Robertson, Hill & McDougall LLP

Deal of the Year: Finance

• Martello Technologies

Award Sponsor: Perley-Robertson, Hill & McDougall LLP

Kanata North Company of the Year

• Intouch Insight

Award Sponsor: Kanata North BA

Kanata North Team of the Year

• Syntronic Research & Development Canada

Award Sponsor: Kanata North BA

Newsmaker of the Year

• Amazon-Broccolini

Award Sponsor: MNP


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Nice Sketches, Etchings for the Poet Mallarmé

The French poet Stéphane Mallarmé (1842-1898), whose career is currently the subject of an interesting exhibition at Hunter College- A Painter’s Poet: Stéphane Mallarmé and His Impressionist Circle -has long been regarded by artists, esthetes and specialists in modernist thought as one of the saints of the artistic vocation. In his lifetime he enjoyed the friendship and esteem of Manet, Renoir, Redon, Degas, Gauguin and Whistler, and in the 20th century he continued to exert a considerable influence on writers, painters, composers and masters of the ballet. Yet his own poetry was often so hermetic-Mallarmé himself readily acknowledged that it was unabashedly “extreme” in this respect-that it still defies all attempts to explain its meaning with anything resembling intellectual precision. While its meaning remains elusive, however, the sheer musicality of Mallarmé’s poetry continues to enchant its dedicated readers.

To make such a difficult figure even remotely intelligible to a late 20th-century public is certainly a formidable task, and I intend no disparagement of the current exhibition at Hunter in saying that it only partially succeeds. By concentrating on Mallarmé’s relationship with certain painters of his period, A Painter’s Poet does succeed in illuminating an important aspect of his career, for Mallarmé had a real passion for painting and often wrote about it with keen insight. See, for example, the passage in his essay on “The Painting Jury for 1874 and Monsieur Manet,” which is translated in the exhibition’s catalogue, in which Mallarmé speaks of “the delicious range found in the blacks” in Manet’s The Ball at the Opera . Yet it is a disappointment that the painting itself is not included in the exhibition.

For that matter, there are no paintings to be seen in A Painter’s Poet . Although Manet is one of the principal subjects under examination in the catalogue, he is represented in the exhibition by his illustrations for Mallarmé’s most famous poem, L’Après-midi d’un faune (1876) and his translations of Edgar Allan Poe.

A Painter’s Poet is not, then, primarily an art exhibition. It is a documentary exhibition designed to trace the course of a certain aspect of Mallarmé’s career-or, more accurately perhaps, a certain aspect of his   homage to Mallarmé’s life and work. It does not attempt to give us any independent account of the paintings to which Mallarmé was most deeply indebted for his thinking about art. There are, to be sure, some delightful surprises among those works on paper-the Portrait of Mallarmé (1891), an etching by Paul Gauguin, for example, which I had never seen before, though it turns out to be on loan from the collection of the New York Public Library. There are also two marvelous etchings by Henri Matisse from the edition of Mallarmé’s Poésies published by Albert Skira in 1932. Those are likewise on loan from the New York Public Library.

The real substance of the exhibition is to be found in the extraordinary selection of autographed manuscripts on loan from the Bibliothèque Littéraire Jacques Doucet in Paris. These are, of course, mainly of interest to specialists in the study of French literature, yet their presence is likely to be fairly thrilling even for the nonspecialist who has an interest in Mallarmé. Among these documents are the charts Mallarmé devised for the teaching of English, a task that occupied a large part of the poet’s life. For Mallarmé earned his living-and a hard living it was, too-as a schoolmaster, a vocation that exacted a kind of martyrdom that is not unrelated to the sainthood he achieved as a poet and as a prophet of absolute purity in art.

For there is in all of Mallarmé’s writing and thinking-not only in his poetry but in his prose writings as well, including his letters-a profound and uncompromising rejection of the quotidian world he inhabited as a long-suffering schoolmaster and as a rare genius trapped in the workaday conventions of the bourgeois life of his time. The humdrum social realities that Mallarmé considered too “base”-that is, too contemptible and valueless-to qualify as proper subjects for poetry and art, were precisely the realities of his daily life. His mission as an artist was therefore conceived as a quest for transcendence.

“To name an object,” he insisted, “is largely to destroy poetic enjoyment.” The ideal, for Mallarmé, was “to suggest the object.” What he called “the magic charm of art” required, then, not description “but rather evocation , allusion , suggestion .” It was only by abandoning the objects of earthly life that poetry and art could achieve a “universal musicality”-a musicality that he identified with “a state of soul.”

This was, without doubt, the most radical view of the artistic vocation to be found in the entire history of the modern movement, and it has remained a very controversial view down to the present day. That it was upheld by a writer who was so closely identified with the Impressionist painters, who exulted in the depiction of the quotidian realities Mallarmé rejected in his own work, remains a considerable paradox-and all the more so since it was in the early history of abstract painting, which Mallarmé did not live to see, that his theories seemed to have been triumphantly fulfilled for the first time. Like many a prophet seeking release from the workaday banalities of the world, Mallarmé did not live to enter the Promised Land himself. What he would have thought of an art devoid of objects, had he lived to see it, we cannot know, but that was certainly the direction in which his own artistic theory and practice were heading.

A Painter’s Poet , organized by Jane Mayo Roos and a group of Hunter College graduate students, remains on view at the college’s Leubsdorf Art Gallery, Lexington Avenue at 68th Street, through March 20.

Nice Sketches, Etchings for the Poet Mallarmé


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A Century Later, Artist Sue Coe Takes Up Käthe Kollwitz’s Social Justice Crusade

Sue Coe, Healthcare Not Warfare, 2017. Galerie St. Etienne

Contemporary British-American artist Sue Coe has long been known for her political activist illustrations, which explore subjects ranging from animal cruelty to class and gender issues. Likewise, German artist Käthe Kollwitz, who worked alongside the Expressionists at the turn of the 20th century and through the first and second World Wars, explored similar social problems of systemic violence and political tyranny her drawings. Now, New York’s Galerie St. Etienne will showcase work by these two women, separated by nearly a century, in their exhibition “All Good Art Is Political,” opening October 26.

Indeed, Coe has noted her own profound debt to the German artist in terms of specific pictorial motifs as well as more general subject matter, and the exhibition marks a rare opportunity to see the works in tandem. The exhibition is one of many around the world—although the only in the U.S.—marking Kollwitz’s 150th birthday this year. Including roughly 60 painting, drawings, and prints by both of the artists, it probes their shared believe that art can inspire constructive social change.

Coe spoke with Observer just before the show opened, explaining what drew her to Kollwitz’s work, how she has continued to seek social justice in the former’s stead, and why political art is always necessary in times of change.

Käthe Kollwitz, The Prisoners, 1908. Galerie St. Etienne

When did you first encounter Kollwitz’s work and how has it influenced your own?

When I went to art school, there were no women represented in the history of art books. No women teaching art. I was encouraged to enter illustration, as females were considered candidates for making children’s books. The teachers told me it was a waste of time educating me, as I would get married and have children. They were married and had children but were somehow exempt. I asked why there were no female teachers and was told: “Sue, if you find a woman artist who is any good, we will employ her.” I pointed out they were not any good, yet had jobs.

From then, I resolved to discover women artists and found Kollwitz. Usually there would be just one image by her in entire volumes on German Expressionism. Her work had it all: a strong political content, a brilliant grasp of technique in all media and was relentless in its courage. Her courage manifested in making ordinary scenes of working people extraordinary, and pushing back against violence and warrevealing the struggle of humanity against injustice.

Sue Coe, Grenfell Tower Corporate Murder, 2017. Galerie St. Etienne

The exhibition is divided into different sections, bringing together works by both you and Kollwitz that explore issues such as class, gender, and war—especially how violence operates within these contexts. What is the import of these themes in relationship to Kollwitz’s era and our own? Have these issued changed over time?

What struck me was how these works spoke to each other [and related to] the conversations of today: the issues of violence, and power and control of the state over the most vulnerable. Kollwitz worked through two world worlds, she observed the massive economic inequality that destroyed families, she witnessed the murder of those who resisted. She projected onto the children a type of innocence, which I extend to nonhuman animals. It’s startling and shocking how these issues have not changed at all. Profit is still valued above all life. What has changed is that artists working today are aware of climate change and there is an increased sense of urgency. A war on all life is taking place, for the profits of a few.

Käthe Kollwitz, Nie Wieder Krieg (Never Again War), 1924. Galerie St. Etienne

Your newer works in the show address major recent events such as Trump’s election and the Grenfell Tower disaster. How do you decide what social issues to turn your attention to, and to represent them in order to evoke thoughtful change?

Hah, I was doing an interview about Kollwitz and mentioned that if Kollwitz was alive today, she would most certainly address Grenfell Tower, which came about because of economic austerity. To save a few dollars, the working poor were living in a building with broken fire alarms and no access to fire escapes. Then I realized I’m here, I have to do it.

People are reluctant to witness terrible things when they have no power over the situation, and that is the first lesson. “What can I do to change this? Nothing, so I don’t want to see it.” By making the effort to enter the realm of powerlessness, we align ourselves with the victim, and change starts to happen. Art doesn’t happen until the viewer says it does, many times artists are testing to see what works to create change. Trump, is important to address, but he is the symptom of the disease. The crime is economics. He is the diversion who has managed to make Americans hate each other.

Right now, a lot of artists and institutions are keen to make political work or stage politically-minded exhibitions. Do you feel that the more political art out there, the better?

Yes, as political art creates a dialogue and encourages people to participate in society. It breaks down the increasing isolation and desperation among people. As social conditions continue to deteriorate, the voice of the resistance will rise. It would be dangerous and naive to assume this voice will always be from the Left. The dominant class will manipulate culture to defend their class interest They will divide in an attempt to conquer. Based on history, this window of free speech will close very quickly and we have to take advantage of the opening while we can.

Art made by human hand is an antidote to digital psychosis. We step away from being mere consumers of Stuff. By writing a poem or making a painting, art slows time down, helping us to see the world around us. Political art can carry multiple meanings, its shoulders are broad. I see the making of political art that resists violence a sign that there is still hope.

Margaret Carrigan is a freelance writer and editor. She planned to go to law school but she did terribly on the LSAT, so she got a master’s in art history instead. She lives in Brooklyn with her cat, who is named after Alyssa Milano’s character from the early aughts CW smash hit series Charmed.

A Century Later, Artist Sue Coe Takes Up Käthe Kollwitz’s Social Justice Crusade


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Activists protest over sedition case against celebs

Jaipur: Activists, theatre artists, and filmmakers staged a protest in the Pink city on Monday over the registration of a sedition case against 49 celebrities after they had expressed concern over rising incidents of mob lynching in an open letter to Prime Minister Narendra Modi.

They condemned the filing of the case against celebrities like Aparna Sen, Adoor Gopalakrishnan, Ramchandra Guha, Mani Ratnam, Anurag Kashyap and Revathi.

President of Indian People’s Theatre Association Ranveer Singh said that it seems that not only has the government become autocratic but the court is also not showing any discretion.

“The eminent persons have tried attracting the attention of the prime minister towards mob lynching incidents and demanded appropriate action. How can it be termed as sedition?” Singh said.

He said that it seems that the country is being governed by fascist powers.

State secretary of Janwadi Lekhak Sangh Sandeep Meel said that this “undemocratic act is nothing but an attempt to intimidate” the intellectuals and artists of the country.

“At a time when the entire world is celebrating the 150th birth anniversary of Mahatma Gandhi, this FIR is flagging the freedom of expression,” he said.

Several other artists, filmmakers and intellectuals joined the protest.


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