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seawater desalination industry Applications

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    Wastewater treatment management for desalination industry

    Due to decreasing adequacy and quality of water resources across coastal mainland communities and island nations across the world, municipalities are seeking advanced, innovative and efficient potable drinking water treatment solutions. These solutions will need to assist them to meet the needs of an expanding population in a cost effective and sustainable manner while achieving increasingly tighter regulatory compliance. Brackish water and seawater desalination solutions are effective solutions to meet and...

    By Genesis Water Technologies, Inc. based in Maitland, FLORIDA (USA).

  • Fiberglass Reinforced Plastic (FRP) Equipment for Desalination Industry

    The seawater reverse osmosis(SWRO) process is very commonly used for desalination industry,  SWRO plants around the world use miles and miles of corrosion resistant FRP low pressure  piping as a distribution network to carry seawater from the sea to the plant, to distribute  the potable water that is produced, to carry the brine back to the sea and for internal plant treatment piping.

    By Zhongyi GRP Industrial based in Jizhou, CHINA.

  • Water treatment solutions for the desalination

    Our Filters are Highly Resistant to Corrosivity. Reverse osmosis is one of the most widely applied desalination technologies. Previous to the process of separtion of water from salt and minerals, seawater or brackish wter requires the elimination of large size particles in order to assure a good performance of reverse osmosis membranes. Our sand filters facilitate the removal of these suspended solids to avoid membrane fouling. In addition, after reverse osmosis process, water has to be remineralized through...

    By Poltank S.A.U. based in Sant Jaume de Llierca, SPAIN.

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    Water treatment

    Water treatment mainly involves industrial wastewater, seawater desalination and municipal wastewater treatment. Recently, more and more wastewater has been produced and water resources are more and more scarce, so some treatment prior to discharge is becoming more and more necessary.

    By Horizon Water Co., Ltd. based in Chaoyang District, CHINA.

  • Using evaporation to dewater Reverse Osmosis reject waste streams

    Reverse Osmosis (RO) technology has been used for years in various industries to separate dissolved solids from water by forcing the water through a semi-permeable membrane. RO is also commonly used to purify drinking water and desalinate seawater to yield potable water. The water and other molecules with lower molecular weight (specific weight of molecules allowed to pass through is dependent on the selected membrane) pass through the micropores in the membrane, yielding a purified water stream called the...

    By ENCON Evaporators based in Hooksett, NEW HAMPSHIRE (USA).

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Looks like Cara Delevingne is going Method (well, sort of).

The 22-year-old supermodel, who landed the lead role for the forthcoming movie adaptation of Paper Towns in September, has been busy practicing her American accent for the film, opting to test out her skills while speaking with E! News at the Topshop VIP dinner in NYC on Tuesday.

"Excuse my American accent," the supermodel, who showed off her killer figure in a tiny LBD, joked on the red carpet. "I have to stick in it for a while."

Delevingne will play Margo, starring alongside Nat Wolff in the upcoming Jake Schreier-directed film, which is based on the popular YA novel of the same name by John Green (who also penned The Fault In Our Stars).

Cara Delevingne

Dimitrios Kambouris/Getty Images

In September, Green praised Delevingne acting skills, gushing over the model's outstanding audition. "Cara Delievigne's audition blew everyone away (including me!) and she understands Margo profoundly. I am so excited!" he tweeted, later joking about his misspelling of her surname.

Director Jake Schreier also "seconded" John's rave reviews of Cara's audition, adding, "It was something special."

The model of the moment has begun "filming in North Carolina," but luckily, she revealed that she won't have to perfect her Southern twang.

"It's better when I have a few drinks, I'm sure," she quipped of her American English.

Delevingne made her acting debut back in June in the British short film Timeless.

Are you excited for Paper Towns? Tell us in the comments!

PHOTOS: Check out more models turned actors!

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Sensors Measuring with maximum precision

Together with its control systems, Erhardt+Leimer sells approx. 15,000 sensors per year in the different industries.

Due to the heterogeneity of the industries and, as a consequence, of the webs to be detected, a very wide range of sensors has been developed in the course of time, among which our sales staff are always able to find the perfect solution for our customers’ applications – whether it’s infrared, ultrasonic or color line sensors for reliable web edge or web center guiding.

Erhardt+Leimer Sensors

Erhardt+Leimer Cameras

Cameras The eyes of your production

For challenging control tasks the product families of the line and matrix cameras with CCD and C-MOS technology, developed by E+L, are very often used. Not only do they make it possible to detect edges with a much higher accuracy, but also to detect several events on the web simultaneously  – depending on the application – that can then be used for web guiding.

The detection of surface defects concerning the structure and color intensity tops off the enormous spectrum. In addition, laser-based measurements such as width, thickness and profile measurements are offered.

Bright field and dark field illumination, both continuous and as Xenon or LED flash with exposure times in the low microsecond range, allow for precise measuring technology, even at machine speeds of 1000 m/min and higher.

Key Pads / User Interfaces Innovative operating concepts

Erhardt+Leimer offers a broad product range for the important human-machine interface, from digital inputs via key pads with and without fully graphical displays to multi-touch monitor user interfaces.

Furthermore we offer ultra-modern web-based operating concepts, from simple commissioning to service functions to complexity-reducing representations of challenging control processes.

Every year we sell several 1000 systems to our markets, which confirms the high customer acceptance level of our solutions.

Erhardt+Leimer Key Pads

Erhardt+Leimer Connection / Remote Control

Networking / Diagnostics Integrated automation. Get connected.

The prerequisite for straightforward integration of our automation solutions is the possibility to realize all common connections to the customer’s machine. We therefore offer our customers all common interfaces and the data formats required around the world, such as

  • CAN
  • CANopen
  • ControlNet
  • DeviceNet
  • Profibus
  • Ethernet IP
  • etc.

A likewise decisive, critical factor of success concerning connections is the real-time transmission of the required information, which is a core requirement especially with processes that are difficult to control, at high speeds etc.

What E+L therefore expects from its solutions is that they do not only meet the requirements mentioned above, but also lead the way with features relevant for the future, such as self-reporting devices, global positioning, preventive maintenance etc.

Positioning Fast. Dynamic. Precise.

The challenge for E+L has always been finding solutions for web speeds between 10 m/min and 1,500 m/min to be used in the different market segments.

For this purpose E+L offers a brushless motor of the latest generation, developed and manufactured by E+L itself, with an integrated absolute encoder, setting new standards in terms of dynamics, maintenance and accuracy.

Erhardt+Leimer Positioning


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Marketing Your Home

When a listing is marketed through the Sotheby’s International Realty® network it immediately begins a journey to worldwide exposure.

The sale of a significant home is truly noteworthy. To represent a home of distinction requires highly-qualified real estate professionals with global reach and local expertise.  Founded in 1976, the Sotheby’s International Realty brand is a unique and distinctive network of brokerage agencies offering a wide selection of luxury homes, estates and properties for sale throughout the world.

Please view our video, and contact us to learn more.


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Good Bad Flicks
Exploring Swordfish

Cecil | 24 Apr 2017 12:00
Big Player Embed Help 31,985 Views

Exploring the making of Swordfish.

I love B movies, so I try to give these obscure flicks some attention in the hopes more people will check them out. See more videos on my YouTube Channel.


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Hong Kong SAR Suppliers

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Wholesale Photo Albums Supplier 1

[ Aberdeen, Hong Kong Sar ]

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It Took the Media Far Too Long to Realize How Uniquely Dangerous Trump Was

And thus, we all lost.

Getty Images

The Shorenstein Center at the Kennedy School of Government has released a new report about the press coverage of the 2016 election. It reads less like an analysis of the performance of a free press and more like the autopsy of someone who threw himself in front of a train.

Much of the candidates' "good press" was in the context of the horserace—who is winning and who is losing and why. At any given moment in the campaign, one of the candidates has the momentum, which is a source of positive coverage. Figure 2 shows the tone of the nominees' coverage on non-horserace topics, those that bear some relationship to the question of their fitness for office—their policy positions, personal qualities, leadership abilities, ethical standards, and the like. In Trump's case, this coverage was 87 percent negative to 13 percent positive. Clinton's ratio was identical—87 percent negative to 13 percent positive. "Just like Tweedledum and Tweedledee," as Barry Goldwater said dismissively of America's two parties in the 1960s.

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This is the destructive power of the horserace coverage, which is the easiest way to cover politics and the least informative.

The horserace was the main focus of Clinton's coverage, accounting for more than two-fifths of her coverage. Her policy positions received less attention than did Trump's (9 percent versus 12 percent) and the coverage was less focused. Whereas his position on immigration received considerable attention, she did not have a single policy issue that accounted for more than 1 percent of her coverage. If she had a policy agenda, it was not apparent in the news. Her lengthy record of public service also received scant attention.

Which is at least partly how all those Rust Belt voters came to believe that "nobody" was listening to them. And, while the report also finds that the coverage of Donald Trump was almost uniformly negative, it appears to have been the emphasis on the horserace coverage that balanced the whole thing out and created a level playing-field as regards the respective qualifications of the two candidates for the office that never should have been there in the first place.

Criticism dogged Hillary Clinton at every step of the general election. Her "bad press" outpaced her "good press" by 64 percent to 36 percent. She was criticized for everything from her speaking style to her use of emails. As Clinton was being attacked in the press, Donald Trump was attacking the press, claiming that it was trying to "rig" the election in her favor. If that's true, journalists had a peculiar way of going about it. Trump's coverage during the general election was more negative than Clinton's, running 77 percent negative to 23 percent positive. But over the full course of the election, it was Clinton, not Trump, who was more often the target of negative coverage (see Figure 1). Overall, the coverage of her candidacy was 62 percent negative to 38 percent positive, while his coverage was 56 percent negative to 44 percent positive.

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The greatest failure of all the institutions that failed to keep a mountebank like the president-elect out of office—and this is especially true of this particular institution—was a persistent inability to recognize how sui generis he, and his campaign, and its appeal, really were, and how dangerous that was. The Clinton campaign never really got a handle on it and that was what doomed it late in the game. The press appeared to recognize it only as a shiny object and not as a genuine threat to democratic institutions, including itself. My guess is that a lot of people in my business either will ignore this report, or dismiss it as the work of parachuting dilettantes. Which means that nothing will change, and nothing will be solved.

Click here to respond to this post on the official Esquire Politics Facebook page.

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Title IX

East Texas Baptist University is committed to providing a safe and non-discriminatory learning, living, and working environment for all members of the University community.

East Texas Baptist University is committed to providing an institutional environment where all persons may pursue their studies, careers, duties, and activities in an atmosphere free of threat of unwelcome and unwanted sexual actions. This policy prohibits sexual and gender-based harassment, sexual assault, sexual exploitation, stalking, intimate relationship violence, and retaliation (collectively referred to in this policy as prohibited conduct). These forms of prohibited conduct are harmful to the well-being of our community and its members, the learning and working environment, and collegial relationships among our students, faculty, and staff.

The University will comply with Title IX of the Education Amendments of 1972 (Title IX), which prohibits discrimination on the basis of sex in the University's programs and activities; the Jeanne Clery Disclosure of Campus Security Policy and Campus Crime Statistics Act (Clery Act), as amended by the Violence Against Women Reauthorization Act of 2013 (VAWA); Title VII of the Civil Rights Act of 1964; Chapter 21 of the Texas Labor Code; Chapter 40, Section 819 of the Texas Administrative Code; and other applicable law.

This policy sets forth the procedures that will be used to investigate and respond to reports of prohibited conduct. The University will respond to reports about prohibited conduct with measures designed to eliminate the conduct, prevent its recurrence, and remedy any adverse effects of the conduct on individuals, members of the campus community, or University-related programs or activities.

While East Texas Baptist University encourages students to abide by the University’s Sexuality and Gender Statement, the University recognizes that each student will make independent decisions about their own conduct. The University expects students to reflect Christ-like character, conducting themselves in a manner consistent with biblical principles.

This policy governs the conduct of East Texas Baptist University students, regardless of enrollment status; faculty; staff; and third parties (i.e., non-members of the University community, such as vendors, alumni/ae, and visitors).

Third parties are both protected by and subject to this policy. A third party may report potential policy violations committed by a member of the University community, and the University will take appropriate steps to investigate and respond to the conduct consistent with the authority granted by the University's jurisdiction over the respondent. A third party who is accused of violating University policy may also be permanently barred from the University or subject to other restrictions for failing to comply with this policy.

This policy applies to conduct that occurs:

  • on campus or University property;
  • in the context of any University-related or sponsored education program or activity, regardless of the location (including travel, research, or internship programs);
  • by an ETBU student, regardless of location, under the Student Conduct Code;
  • through the use of University-owned or provided technology resources; or
  • when the conduct has a nexus to the University, such as continuing adverse effects or the creation or continuation of a hostile environment on campus.

Title IX Personnel Contact Information

Title IX Coordinator

Dr. Heather Hadlock
Vice President for Student Affairs
903.923.2319 |
1st floor, Ornelas Student Center

Title IX Deputy Coordinators

Mrs. Tara Bachtel
Assistant Vice President for Student Affairs
Director of Human Resources
903.923.2325 |
1st floor, Ornelas Student Center

Lee Ferguson
Vice President of Financial Affairs
903.923.2048 |
305 Marshall Hall

Den Murley
Director of Graduate Admissions
903.923.2079 |
104A Scarborough Hall

Larry Northcutt
Director of Security, Compliance, and Accountability
903.923.2117 |
106 Marshall Hall

Dr. Emily Prevost
Assistant Provost
903.923.2074 |
405 Marshall Hall

Shelby Thomas
Learning and Leading Coordinator
903.923.2375 |
301 Marshall Hall


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Whoa! You can't buy your own item.

Amber Bracelet, Baltic Amber Natural Beads

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Amber Bracelet, Baltic Amber Natural Beads

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  • Handmade item
  • Bracelet length: 18 Centimeters
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  • Style: Art nouveau
  • Favorited by: 6 people
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Baltic amber bracelet. Amber Bracelet for adults. Amber jewelry with certificate of authenticity.

Size: ~6,7 x 4,3 mm
Weight: ~4,5 grams
Amber: polished
Material: Baltic amber, elastic rubber
Length: ~18 cm/ 7,1 inch
Code: 1977

5 out of 5 stars

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The item for sale is…


text:
sky (n.)

c. 1200, "a cloud," from Old Norse sky "cloud," from Proto-Germanic *skeujam "cloud, cloud cover" (source also of Old English sceo, Old Saxon scio "cloud, region of the clouds, sky;" Old High German scuwo, Old English scua, Old Norse skuggi "shadow;" Gothic skuggwa "mirror"), from PIE root *(s)keu- "to cover, conceal."

Meaning "upper regions of the air" is attested from c. 1300; replaced native heofon in this sense (see heaven). In Middle English, the word can still mean both "cloud" and "heaven," as still in the skies, originally "the clouds." Sky-high is from 1812; phrase the sky's the limit is attested from 1908. Sky-dive first recorded 1965; sky-writing is from 1922.

sky (v.)

"to raise or throw toward the skies," 1802, from sky (n.).


text:
eurock     reviews   features   podcasts   email   bio

The Story so far...

1970's- FM radio, Alternative Magazine & 1st US Indie Distributor of Euro Rock

1980's- D.I.Y. LP + Cassette & CD label

1990's- Distribution via the WWW

2010- ~ Multimedia Podcasting, Interviews & Reviews.

Label & Artist Submissions Accepted for Review...

Exclusive Post Millennium Interviews

w/ Musicians & Producers

Pioneers of Euro Electronic

Space, Progressive, Experimental Music

Past ~ Present ~ Future!

A Special New Feature!
Subscribe & Keep Up with the
Latest New Releases
MP4 Excerpts
Interviews w/ CON, Cluster,
Damo, Mani & More...

Download from:
Apple iTunes

Mikhail Chekalin

Klassik Krautrock

Amon Duul 2

Ash Ra Tempel Live Paris

Manuel Göttsching

Baumann & Roedelius in Studio '78

Embryo in Tangiers

Guru Mani

Klaus Dinger

Ralf & Florian - LIVE USA 1975

Bartos & Fleur - LIVE USA 1975

Popol Vuh

Conny Viet

Tangerine Dream OHR Era

Uli Trepte Spacebox LIVE

Wolfgang Sequenza

Klaus Schulze

Floh de Cologne

Manuel & Rosi

Tangerine Dream Virgin Era

Witthuser & Westrupp

Starry Eyed Girl

Rolf Trostel

Rudiger Lorenz

Din A Testbild

Der Plan

Artistes Français

Lard Free

Urban Sax

Gilbert Artman

Art Zoyd

Univers Zero

Etron Fou Leloublan

Pascal Comelade

Armand Miralles

Annanka et Ivan - Fondation

Thierry Muller - Ilitch

Yochk'o Seffer

Richard Pinhas

Patrick Gauthier

Shub Niggurath

Andre Baldeck - Decko

Déficit des Années Antérieures

Didier Bocquet

Dominique Grimaud - Video Aventures

Monique Alba - Video Aventures

Patrick Vian - Red Noise

Zazou et Racaille - ZNR

Jean Pascal Boffo - Troll

Bernard Szazner

Igor Wakhevitch

Robert Frances - Sirenes Musique

Neuronium & Ashra

Neuronium & Vangelis

Michel Huygen - Neuronium

Juan Crek & Victor Nubla - Macromassa

Luis Perez

Carlos Alvarado - Via Lactea

Gerhard Augustin Interview

The Godfather of Deutsch Rock

Throughout the history of music, as well as other forms of art and entertainment there have always been celebrities. Behind the scenes are the dealmakers who sometimes get attention as well (for better, and for worse). Occasionally there are those who serve as a catalyst for something bigger. Be it a cultural shift, change in musical style, or discovery of groundbreaking artists or bands, it is uncommon for them to get much attention or recognition. Often it is those with visionary ideas that make things happen, and later get overlooked when the story of how it all began is told.

One such dedicated promoter of music is Gerhard Augustin. At a time in Germany when English was largely an alien language, and “schlager” (German folk/pop music) was the norm, Gerhard grooved to a different beat as a DJ in Bremen. As co-founder of the famous TV show “The Beat Club”, and A&R man who engineered the signing of Amon Duul 2, Popol Vuh and Can to Liberty/United Artist Records in 1969-‘70, he helped lay the establish for a cultural shift and musical revolution in Germany. Gerhard possessed an open mind and the business skills to act as a bridge between the underground and establishment. In effect, he was the godfather of Krautrock, which still resonates musically in the world of pop music influencing countless contemporary bands.

His story is fascinating and it is past time that it was told. I think you will find the following interview offers a fascinating glimpse into the past, giving long overdue credit to one of Europe’s unsung musical pioneers. In many ways, Gerhard is "the Godfather of Deutsch Rock". As an A&R man for Liberty/ United Artists Records he got signed and produced the first albums of perhaps the three ultimate German bands of that time - Can, Amon Duul 2 & Popol Vuh.

Q: Tell me, in the beginning how did you get German TV to allow you to produce "The Beat Club” music program? What year was the first program broadcast?

In 1963, I became the first German DJ in Bremen. There was a restaurant called The Gypsy Cellar that sometimes had live music in their basement. I knew the owners, I recommended to them that they turn it into a discothèque for dancing and they agreed. So we put in two turntables and named it the Twen Club. It became one of the first youth clubs at that time.

I had just come back to Germany after Kennedy was shot as I had been from living a while in the USA. I had seen Shindig there and Top of the Pops in England so around 1966 I started trying to promote doing a German version of those programs that turned into The Beat Club. Radio Bremen produced the program, which was directed by Michael Leckebusch and hosted by Uschi Nerke and myself. The first show aired Sept. 23, 1966 on a Saturday afternoon at 4 PM.

Immediately reactions came in, letters, calls, etc. People from the older generation (old Nazi’s) hated it, young kids loved it and said things like “keep it going” and so on. It caused a real reaction between the generations.

Q: It became a sensation on the pop scene and helped start some of the most famous pop groups on their road to fame and fortune. Who was your favorite English pop group that appeared on the show?

My favorite band in those days was The Who. We had become friends earlier when I had worked in England and our friendship continues today. I had met their manager, Kit Lambert, who gave me an acetate copy of their first single “Can’t Explain” b/w “Bald Headed Woman”. They were trying to get a label for it in the early days. I also liked very much The Kinks and the Stones who I met while in London around 1962. Everyone hung out at a pub near the Marquee Club back then.

Q: I have seen tapes of many of the English stars that appeared on the program. However, at one point you started to feature also the newly emerging bands from the German space rock scene. How in the world did you get mainstream German TV station executives to allow that?

The whole Beat Club thing was a result of the relationship I had with Mike Leckebusch over the years. When we created the show together, we became great friends. However, slowly over time, he wanted to take more credit for the show and later some English managers recommended he should use a British DJ instead of me so the show might be of more interest to the English market. Larry Page and Robert Wace were the main ones behind this, they were part of a sort of 1960’s UK music mafia of old business types who wanted to control pop music in Britain. Eventually they gave Mike some money to buy a big house, a Jaguar and all those things, so I got phased out and he went on to gain fame and fortune himself. It’s an old story. He became very corrupt and there was lots of payola going on with the show back then.

The English pop stars were often on the show because their songs were in the charts in Germany. Soon the record companies started helping with this as they realized that even though TV production was very primitive in those days – black and white, etc., they saw it could influence sales greatly.

As for getting the more experimental bands on the show, I think Mike always had a bad conscience about pushing me out of The Beat Club. He knew I was the originator of the idea for the show and developed it after the other shows I’d seen on my trips overseas. Therefore, as a result of this, every time I came up with a new German progressive or experimental act I would bring it to him for exposure. I got groups like Amon Duul 2 and Popol Vuh on the show, but it took a lot of convincing. In the end because of his guilt, he would put them on as sort of a favor to help me out.

Q: Was it just after doing The Beat Club that you became the head of A&R at Liberty/UA Records and were involved in production of the first Amon Duul 2 and Popol Vuh records (around 1969-1970)?

Well, not quite… When I left The Beat Club, in 1968-1969 I went to America and lived in San Francisco. There I discovered bands like Santana and CCR for the German market. I also met Bill Graham and we became good friends. He introduced me to the Grateful Dead, Quicksilver, Sly & the Family Stone, Ike and Tina Turner, Tom Donahue (the original FM DJ playing underground music) and Ralph Gleason who was one of the first journalists to write about the new underground music in the Bay area. I was very fortunate to be in the right place, at the right time for all that was happening in SF then.

While I lived in SF, I worked at KQED TV and was awarded a scholarship and got a diploma in Mass Communications at Stanford University. After graduation, I got a job in Los Angeles with United Artist Records and learned all about how the company worked. They then sent me to Germany to work for the company there. When I got over there they wanted to sign some domestic German bands to their roster. Sigi Loch, head of the famous Star Club record label, started a German flagship label for UA/Liberty Records, to aim both at the home market and abroad. I got them to sign AD 2, Popol Vuh and Can. The record company knew little about that type of music of course, so it was sometimes a rather strange situation as you might imagine.

Q: While doing The Beat Club and promoting AD 2 and Popol Vuh did you, do the actual music/video production or work have help from others like Olaf Kubler, etc?

I was only involved in financing and management of the video production. We did one for “All the Years Round” by AD 2. That was the first music video production in Germany. We paid a director and video company to do the filming. It was played, but there were very few media outlets for that type of thing in those days. We did several other videos as well, but that was the early days of TV and the experimental bands were not really attractive to the mainstream media.

Q: Amon Duul 2, I believe actually started as a political collective then the main members broke off to form a specific music group.

Amon Duul did begin as a political commune in Berlin. It was formed by the coming together of politicos from Berlin like Rainer Langhans and Uschi Obermeier (who became a famous model later), with musicians from Munich – Chris Karrer, Peter and Ulrich Leopold and Falk Rogner. Renate was not involved as she was living in England then working as an au pair. After a while there was a split into AD 1 (the political people), who recorded one big party/session before they descended into chaos. That resulted in several records having nothing to do with the real AD 2. Amon Duul 2 (the musical side) moved back to Munich where the group was joined by John Weinzierl and Dave Anderson (who came over from England). The first album of AD 2 – PHALLUS DEI – was recorded in two days at Trixie Studios in Munich. It was the first space rock album and caused a sensation on the young scene.

Lothar Meid in the beginning was playing with Embryo, before he joined AD 2 later. He also played with Olaf Kubler (who was a jazz saxophonist). They played jazz and soul music on Sunday afternoons in a couple clubs around 1968-’69. Olaf also produced and published the AD 2, and many other albums. He was a real Mafiosi type involved in the music business.

Q: What was the scene like back then? Did those records sell large numbers – for example, do you remember how many copies YETI and TANZ DER LEMMINGE & AFFENSTUNDE sold?

For the new underground groups without a hit single it was very hard. Some of the old Nazis were still in control of the media, so they would never give exposure to the new more experimental rock music. Society in Germany was just about to start changing, so a few dared to promote this new music and ideas, but rock and roll was new to Germany. Here that sort of thing basically started 10 years later than in the USA. Most people still listened to Frank Sinatra, Sammy Davis Jr., Johnny Mathias and Peggy Lee. For the most part, English was not spoken much at all. Beat Music started to change this around 1965. Later many German bands started to copy the English bands, covering their songs, and playing on The Beat Club as the most famous English bands became too big and expensive. In addition, payola started playing a large part in the music scene and it all started to change in many ways.

Q: During the heyday of the "space rock" scene in Germany was that type of music a significant market and did the albums produced by those bands sell a great deal? Alternatively, perhaps has the myth always been bigger than the reality?

Sales of these albums were actually very low. AD 2 was the first to start selling with PHALLUS DEI. Then Can had their song “Spoon” on a German TV crime show called “The Knife”. That caused it to hit the charts and ultimately it went silver, which in Germany meant selling 250,000 copies. Later their album, EGE BAMYASI, with that song on it started selling as well. Can made good money actually.

Over time AD 2 sold maybe 60,000 copies of PHALLUS DEI, their other albums sold between 20, 000 – 50,000 worldwide sales over the years. They still sell today reissued on CD. AD 2 never had a hit single, although we tried with “Archangels Thunderbird”, and a couple others, so their sales were smaller.

Q: Over the last few years, it seems there has been renewed interest in some of the original German bands. AD 2 reformed and did concerts in Japan and England. Is the band still together now? Who are the current members?

There was actually some confusion surrounding the name and music of Amon Duul 2 as some albums came out in England that were not really connected to the band. Therefore, there was a court case in Germany where the members of AD 2 were actually certified. They are – Renate Knaup-Krötenschwanz, Chris Karrer, Peter Leopold, Lothar Meid, Falk Rogner and John Weinzierl. A couple years back some of them reformed and we did some recording and live shows in Japan and the UK. However, for something more permanent the chemical formula was not good…

Q: What about Florian Fricke, do you still have any contact or work with him?

Florian Fricke was also from Munich. On the first Popol Vuh album, AFFENSTUNDE, he used the first Moog synthesizer in Germany. Along with Eberhard Schoener, they pioneered the use of synthesizer in Germany. Later Florian sold his Moog to Klaus Schulze who became one of the leading electronic musicians in Germany even up to today.

Florian had perhaps more success than AD 2 because I arranged to have his music used in five of Werner Herzog’s films that helped him gain more exposure internationally and better sales. In fact, one of his songs, originally in AGUIRRE, was also used in a successful American film that won a prize at the Cannes Film Festival; it was called BEFORE NIGHT FALLS. I was producer of most of the Popol Vuh albums, and am also the godfather of his son Johannes. Sadly, Florian passed away a few years ago…

Q: What is your main area of work these days? You have a company called Gammarock Productions. Do you still do video production and perhaps consult for record labels?

Gammarock is a company I formed in 1976, in LA, with Patrick Gammon (who died in 1996). Now I handle all the music publishing, as well as the video and music production for the Gammarock material, which includes Popol Vuh and many more mainstream artists. We place artists with labels and get the music into films, etc.

I also now do a public radio show again here in Bremen again. I have always loved being a DJ and still do today.

Q: After all these years what is the most memorable thing that music has brought into your life? A special concert, album, or travel to some faraway place?

Music has always been the most important thing for me - more important than sex, love or relationships. Music is essential to my life whether I sing it, play it, hear it, work with it, or make money with it. In my opinion, as a publisher, producer, musician, artist and music lover, in the movies, music is more important than the actual pictures. It makes the film come alive. I am what you call a music freak. I have made my living all these long years with music, being a DJ, doing shows, and writing eight books about different artists along with anthologies on pop, rock and beat music.

Some of the most memorable events in my life are associated with music. I traveled with Jimi Hendrix that last 3 weeks of his life. He was a very beautiful person and musical genius. Also with the Rolling Stones, I had many breakfasts, trips, concerts, shows… I met John Lennon at the house of Jann Wenner (of Rolling Stone) in NYC, around the time of the recording and release of IMAGINE… I toured around the world with Ike and Tina Turner - Australia, Japan, Africa, at the height of their career and during their times of trouble and breakup.

Q: Could you imagine a life with no music in it?

Truly, I do not even want to think about a life without music. I have met so many musicians, actors and great people; music has been a most wonderful life for me.

-Archie Patterson


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I have been wondering, how much of banks lending is project financing and how much is based on existing assets?

Ball-park figures is what I am looking for really.

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Privacy Policy

Exmoor Trim are compliant with PCI DSS (Payment Card Industry Data Security Standard) Version 2.0

We take online security extremely seriously and have taken rigorous precautions to ensure that your information is processed with confidentiality and accurately. See below to read more about our security and privacy policy.

We Do Not Share Personal Information

Exmoor Trim will never email you to ask you to disclose or verify your Exmoor Trim account password, credit card or bank account number. If you are contacted or receive an unsolicited email which asks you for any of this information, disregard the request and report the incident to our Customer Services team.

We take online security extremely seriously and have taken rigorous precautions to ensure that your payment information is processed confidentially and accurately.

We don't have access to any sensitive payment details for our customers. When you input your card details during shopping, our card processor, which is Paypal retains all the information about your card and only issues Exmoor Trim with a unique transaction identifier. This number then allows us to process the cost of your order against your card. It also allows us to issue refunds. We don't have access to your card details.

We also have a rigorous audit program, involving independent and regular assessment of our infrastructure and processes to ensure that they meet and continue to meet, the requirements laid down by the Payment Card Industry Standards Council.

Please be aware that in the interests of credit card security you may be contacted by phone prior to the dispatch of your order with a request for additional information.

1. Introduction

1.1 We are committed to safeguarding the privacy of our website visitors; in this policy, we explain how we will treat your personal information.

2. Collecting personal information

2.1 We may collect, store and use the following kinds of personal information:

2.1.1 Name

2.1.2 Address

2.1.3 Phone Number

2.1.4 Email Address

2.1.5 IP address

2.2 This information may already be stored on our internal systems and our website and simply verifies you as a customer of Exmoor Trim. We will never collect sensitive information about you without your explicit consent. You can check the information that we hold about you by visiting your account or emailing us. If you find any inaccuracies, we will delete or correct it promptly.

We may use technology such as Google Analytics to track the patterns of behaviour of visitors to our site. If you have any questions/comments about privacy, you should email us at

2.3 Before you disclose to us the personal information of another person, you must obtain that person's consent to both the disclosure and the processing of that personal information in accordance with this policy.

3. Use of personal information

3.1 We use the information you provide for the following purposes:

3.1.1 To send updates regarding the status of your enquiry or order

3.1.2 To send newsletters and details of offers and promotions in which we believe you will be interested if you have agreed to this when signing up

3.1.3 To improve the design and content of the Exmoor Trim website

3.1.4 To understand the buying behaviour of our registered users

3.1.5 To deliver advertising across various social media and other online platforms (e.g. Facebook)

3.1.7 We use cookies to give you the best experience on our website

3.2 When you place an order we need to know your name, email address, delivery address and for telephone orders your credit or debit card number and the card's expiry date. This allows us to process and fulfil your order and to notify you of the status of your request. We may also ask for your telephone number which enables us to contact you urgently if there is a problem with your order.

4. Security of personal information

4.1 We will take reasonable technical and organisational precautions to prevent the loss, misuse or alteration of your personal information.

4.2 We will store all the personal information you provide on our secure servers.

4.3 All electronic financial transactions entered into through our website will be protected by encryption technology.

4.4 You acknowledge that the transmission of information over the internet is inherently insecure, and we cannot guarantee the security of data sent over the internet.

4.5 You are responsible for keeping the password you use for accessing our website confidential; we will not ask you for your password (except when using it to log in to our website).

5. Amendments

5.1 We may update this policy from time to time by publishing a new version on our website.

5.2 You should check this page occasionally to ensure you are happy with any changes to this policy.

5.3 We may notify you of changes to this policy by email.

6. Your rights

6.1 You may instruct us to provide you with any personal information we hold about you; provision of such information will be subject to:

6.1.1 the supply of appropriate evidence of your identity

6.1.2 requests can take up to 28 days to process

6.2 We may withhold personal information that you request to the extent permitted by law

6.3 You may instruct us at any time not to process your personal information for marketing purposes

6.4 Please let us know if the personal information that we hold about you needs to be corrected or updated

6.5 In practice, you will usually either expressly agree in advance to our use of your personal information for marketing purposes, or we will provide you with an opportunity to opt out of the use of your personal information for marketing purposes

7. Our details

 8.1 This website is owned and operated by Exmoor Trim Limited

8.2 Exmoor Trim Limited Ltd is registered in the United Kingdom at Williton Somerset / Company No: 4352392 / VAT No: 634658321

8.3 You can contact us by writing to the business address given above, by using our website contact form, by email to

This privacy policy sets out how Exmoor Trim uses and protects any information that you give Exmoor Trim when you use this website. Exmoor Trim is committed to ensuring that your privacy is protected. Should we ask you to provide certain information by which you can be identified when using this website, then you can be assured that it will only be used in accordance with this privacy statement. Exmoor Trim may change this policy from time to time by updating this page. You should check this page from time to time to ensure that you are happy with any changes.

What we collect

We may collect the following information:

  • name
  • contact information including email address
  • demographic information such as postcode, preferences and interests
  • other information relevant to customer surveys and/or offers

For the exhaustive list of cookies, we collect see the List of cookies we collect section.

How long we store your personal data for

If you have made a purchase from us we store your personal information for a minimum of 7 years as HMRC and other government bodies require us to keep transactional and invoicing records for this length of time. If you have requested information from us via our website or via phone we will store your personal data on file for a minimum of 1 year, but we will not send marketing information to you unless you have given us permission to do so.

What we do with the information we gather

We require this information to understand your needs and provide you with a better service, and in particular for the following reasons:

  • Internal record keeping.
  • We may use the information to improve our products and services.
  • We may periodically send promotional emails about new products, special offers or other information which we think you may find interesting using the email address which you have provided.
  • From time to time, we may also use your information to contact you for market research purposes. We may contact you by email, phone, fax or mail. We may use the information to customise the website according to your interests.

What legal basis are used to justify the collection of your personal data?

We use ‘contract’ and/or ‘legitimate interest’ as the legal basis for collecting, storing and processing your personal data when:
  • You make a purchase;
  • You contact us with a booking enquiry; or
  • You submit a review.

How can you stop receiving marketing information from us?

If we send you marketing promotional material and you do not wish to receive further information or change your preferences, or you wish to unsubscribe from our mailing list you have the right to do so at any time, but either clicking ‘unsubscribe’ on the email link or emailing us at

We are committed to ensuring that your information is secure. In order to prevent unauthorised access or disclosure, we have put in place suitable physical, electronic and managerial procedures to safeguard and secure the information we collect online.

How we use cookies

A cookie is a small file which asks permission to be placed on your computer's hard drive. Once you agree, the file is added and the cookie helps analyse web traffic or lets you know when you visit a particular site. Cookies allow web applications to respond to you as an individual. The web application can tailor its operations to your needs, likes and dislikes by gathering and remembering information about your preferences.

We use traffic log cookies to identify which pages are being used. This helps us analyse data about web page traffic and improve our website in order to tailor it to customer needs. We only use this information for statistical analysis purposes and then the data is removed from the system.

Overall, cookies help us provide you with a better website, by enabling us to monitor which pages you find useful and which you do not. A cookie in no way gives us access to your computer or any information about you, other than the data you choose to share with us. You can choose to accept or decline cookies. Most web browsers automatically accept cookies, but you can usually modify your browser setting to decline cookies if you prefer. This may prevent you from taking full advantage of the website.

Links to other websites

Our website may contain links to other websites of interest. However, once you have used these links to leave our site, you should note that we do not have any control over that other website. Therefore, we cannot be responsible for the protection and privacy of any information which you provide whilst visiting such sites and such sites are not governed by this privacy statement. You should exercise caution and look at the privacy statement applicable to the website in question.

Controlling your personal information

You may choose to restrict the collection or use of your personal information in the following ways:

  • whenever you are asked to fill in a form on the website, look for the box that you can click to indicate that you do not want the information to be used by anybody for direct marketing purposes
  • if you have previously agreed to us using your personal information for direct marketing purposes, you may change your mind at any time by writing to or emailing us at

We will not sell, distribute or lease your personal information to third parties unless we have your permission or are required by law to do so. We may use your personal information to send you promotional information about third parties which we think you may find interesting if you tell us that you wish this to happen.

You may request details of personal information which we hold about you under the Data Protection Act 1998. A small fee will be payable. If you would like a copy of the information held on you please write to .

If you believe that any information we are holding on you is incorrect or incomplete, please write to or email us as soon as possible, at the above address. We will promptly correct any information found to be incorrect.

List of cookies we collect

The table below lists the cookies we collect and what information they store.

COOKIE nameCOOKIE Description
CART The association with your shopping cart.
CATEGORY_INFO Stores the category info on the page, that allows to display pages more quickly.
COMPARE The items that you have in the Compare Products list.
CURRENCY Your preferred currency
CUSTOMER An encrypted version of your customer id with the store.
CUSTOMER_AUTH An indicator if you are currently logged into the store.
CUSTOMER_INFO An encrypted version of the customer group you belong to.
CUSTOMER_SEGMENT_IDS Stores the Customer Segment ID
EXTERNAL_NO_CACHE A flag, which indicates whether caching is disabled or not.
FRONTEND You sesssion ID on the server.
GUEST-VIEW Allows guests to edit their orders.
LAST_CATEGORY The last category you visited.
LAST_PRODUCT The most recent product you have viewed.
NEWMESSAGE Indicates whether a new message has been received.
NO_CACHE Indicates whether it is allowed to use cache.
PERSISTENT_SHOPPING_CART A link to information about your cart and viewing history if you have asked the site.
POLL The ID of any polls you have recently voted in.
POLLN Information on what polls you have voted on.
RECENTLYCOMPARED The items that you have recently compared.
STF Information on products you have emailed to friends.
STORE The store view or language you have selected.
USER_ALLOWED_SAVE_COOKIE Indicates whether a customer allowed to use cookies.
VIEWED_PRODUCT_IDS The products that you have recently viewed.
WISHLIST An encrypted list of products added to your Wishlist.
WISHLIST_CNT The number of items in your Wishlist.

Cookie Settings


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Willie Retreat Macquarie Marshes - NSW

DEG: -30.89673 147.48558
DMS: 30º 53' 48.23" S 147º 29' 8.09" E
UTM: 55 J 6581742mN 546407mE
Altitude: 132m

Address & Contact

Cnr Warren - Carinda Road and Gibson Way
Phone: 61268244361
Email: N/A
Web: N/A

Willie Retreat Macquarie Marshes is located on Willie Station which in turn is located between Warren and Carinda in north central NSW. Willie Station still runs sheep and also cattle on agistment, rainfall permitting, but is mainly dedicated to providing station stay accommodation for tourists visiting the Macquarie Marshes. NSW National Parks use the facilities for training park staff in activities such as pest control.
The retreat was set up years ago by the present owner, Myra Tolhurst with her late husband Phillip, who undertook a huge task of restoration including the creation of a "mini marsh" within easy walking distance of the accommodation area.
Accommodation is centered on the old shearers' quarters which has been named Willie Retreat. Nearby is a small caravan park with powered sites, a few on site vans, a bunk house of rooms with four bunks per room and a spaceous camping area with good shady areas.
The marshes are mostly enclosed by private property so the best views are to be had from Gibson Way which runs through the centre of the marshes but which is often cut after good rainfall around the source of the Macquarie River. About 20 Km from The Retreat an observation platform provides excellent views of water bird habitat when there is adequate water in the marshes. When dry there is little to see.
At the retreat itself pet emus, tame wallabies and a very docile pig called Patrick welcome visitors. Also near the homestead is the remains of an original Cobb & Co depot.
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Distance from Willie Retreat Macquarie Marshes 77.58km S
Mean Max. °C34.333.230.525.620.617.016.418.522.626.530.032.9
Mean Min. °C19.519.216.411.
Mean Rain mm50.847.641.634.536.232.929.329.427.735.036.642.9

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Pity the poor Chevrolet Volt. It’s built by GM, the company that took a multi-billion-dollar taxpayer bailout. It’s a car that comes with a $7,500 government rebate. Now it’s being dissed by Fox News and chain-mailers for costing more to drive than a gasoline-powered car selling for a third as much. GM got hosed, not so much by Fox News as by a parallel chain letter (“Cost to Operate a Chevy Volt”) that overstated the cost of electricity by a factor of 10. The Volt costs a lot to buy but it’s clearly cheaper to run than a gasoline-only car. did a good job deconstructing the chain mail. On battery power, the Volt costs around 5-7 cents a mile to drive, less not more than a gas-engine car.

Here’s the backstory. Perhaps tired of being dinged by Fox for the bailout thing and for a compact car that costs almost $40,000 after rebate ($46,500 list), GM put a press fleet Chevrolet Volt in the hands of Eric Bolling of Fox’s The Five (video embedded below). Maybe they thought Bolling would feel the same kind of love for the Volt that tree huggers experience upon climbing into their first Toyota Prius. Not quite. Bolling criticized the battery-power performance of the Volt, about 25 miles, when the Nissan Leaf approaches 100 miles. Bolling noted that, two days in a row, “The car ran out of electricity in the Lincoln Tunnel on my way to work,” which prompted a co-host Kimberly Guilfoyle to pipe up and say, “I’d rather roller skate backwards in the Lincoln Tunnel than drive that thing and break down.” Bolling added, “Why would you put out an electric car that gets only 25 miles?”

The show mistook the Volt and Leaf as the same kind of car. The Leaf is an electric-only vehicle, good for 75 miles, maybe 100, then you park it. GM calls the Volt an extended range vehicle; “hybrid with a big battery” would be a good description, too. Where a hybrid might get two miles from its battery, the Volt with its bigger battery pack gets 25 to (on a very good day) 50 miles. When the Volt runs out of battery power, it auto-switches to the small gasoline engine and soldiers on for 300 miles. The reason for the medium-size battery is because most daily driving is less than 25 miles, which means the car can be charged overnight, and for longer trips it switches to gasoline.

Nissan Leaf chargingThe “Cost to Operate a Chevy Volt” chain letter went beyond the Fair and Balanced Network’s opinion that the Volt wasn’t a good deal financially for taxpayer or Volt-owner. Using a figure of $1.16 per kilowatt hour for electricity, the chain letter concluded, “So Obama wants us to pay 3 times as much for a car that costs more than 6 times as much to run and takes 3 times as long to drive across the country.” Electricity actually costs about $.127 per kilowatt hour now; a tenth of what the chain email states. The battery pack stores 16 kWh of energy, but, says GM, not all 16 kWh are used. A full charge adds 9.6 kWh that can be used to move the Volt and another 3-4 kWh are used in charging on a 120-volt system, less with a more efficient 220-volt charger. So a full charge on 120V power consumes 13.4 kWh of electricity, or $1.57. The Fox News 25-mile jaunt thus cost 6.3 cents per mile; if the Volt got 35 miles on a charge (not unusual), it would be 4.5 cents per mile. A compact car getting 35 mpg would cost 10 cents per mile using $3.50-a-gallon gasoline.

The chain letter’s claim that it would take three times as long to cross the US as a gasoline car assumes the Volt owner would stop to refill the gas tank and recharge the battery each time, meaning you’d drive 4.5 hours then stop for 10 hours, drive 4.5, stop for 10, limping across America. That’s absurd but that’s what you expect when you get letters prefaced by “Urgent. You MUST read this and pass it along.” A response on a GM blog was right on target when it started by quoting mathematician and ex-Dartmouth College president John Kemeny: “The man ignorant of mathematics will be increasingly limited in his grasp of the main forces of civilization.”

The GM bailout may or may not have been a good idea. But GM is back now, its new cars range from decent to world-class, and it’s on a pace that might see it earning $10 billion in profits this year.

Read more at and GM


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Officials: Evidence in Botham Jean's apartment supports some of Officer Amber Guyger's account of killing  9/14/2018 1:58:12 AM  2

Evidence from Botham Jean’s apartment supports Dallas police Officer Amber Guyger’s account that she shot Jean from across the room as she stood inside his apartment door, two law enforcement officials with direct knowledge of the case told The Dallas Morning News.

The evidence, at least so far, doesn’t conclusively show whether the door was unlocked or ajar.

Amber Guyger(Kaufman County Jail)

“We just don’t know,” said one of the two law enforcement officials, who spoke on the condition of anonymity because they weren't authorized to discuss the case publicly.

Jean's family has said they don't believe he would have left the door open.

Court records obtained Thursday show Dallas police also found, among other things, two spent cartridge casings and 10.4 grams of marijuana in the apartment. The law enforcement officials said the marijuana was on the kitchen counter.

An attorney for the family was not available for comment Thursday.

Guyger, who lives directly below Jean, shot and killed him around 10 p.m. Sept. 6 after she says she drove to the wrong level of the parking garage and mistook his apartment for her own. Guyger told police that the door was ajar and that she thought Jean was an intruder.

The two shell casings were found just inside the door, indicating that that's where Guyger was standing when she fired her gun, one official said.

That official said there was no blood near the door that would have indicated Jean was there when he was shot. There was "a small amount along the paramedics' route with Botham," one of the officials said. "But that was mostly outside the apartment."

Blood was taken from Guyger to test for drugs and alcohol. Similar tests are conducted during autopsies. The results have not been made public, and the tests may not yet be completed.

Jean's death has prompted protests in Dallas about the shooting of a black man in his own home by a white police officer who shouldn't have been there. Guyger was charged Sunday with manslaughter.

Botham Shem Jean(Facebook)

Critics of the investigation say affidavits by the Dallas Police Department and the Texas Rangers, which took over the investigation, offer conflicting accounts, an indication that Guyger’s account changed.

A search warrant obtained by Dallas police says “an unknown male, inside the apartment confronted the officer at the door.” Another affidavit, obtained by the Texas Rangers to arrest Guyger three days after the shooting, says Jean was “across the room” when the officer walked through the door.

The Dallas police search warrant was obtained Sept. 7, just hours after the shooting. A police spokesman said later the same day that investigators had not yet interviewed Guyger, who called 911 to report the shooting. Guyger was interviewed by Texas Rangers before that agency obtained the arrest warrant on Sunday.

One of the law enforcement officials said Guyger has always said she was in the doorway but Jean was not. The same official said Jean was 12 to 15 feet away from the door when first responders arrived.

“That is where he stood when he was shot and where he fell,” that law enforcement official said.

Guyger said that the apartment was dark and that when she saw "a large silhouette," she thought she was being burglarized, the arrest warrant affidavit says. She said she drew her gun, "gave verbal commands that were ignored" by the man she took to be a burglar and fired twice, investigators wrote.

Jean was struck once in the torso and was rushed to Baylor University Medical Center, where he was pronounced dead.

Guyger had parked on the fourth floor instead of the third, where her apartment is, law enforcement and Mayor Mike Rawlings have said. The law enforcement official said Guyger told police she had been carrying her heavy protective vest when she arrived at Jean’s apartment. It was in the apartment when first responders arrived.

Along with Guyger's ballistic vest, investigators seized a black backpack with police equipment and paperwork inside and "two packages of used medical aid," the warrant says. A metal marijuana grinder was also found in the apartment.

An attorney for Jean’s family, Lee Merritt, has said two independent witnesses have come forward to say they heard knocking on the door in the hallway before the shooting. Merritt said one witness reported hearing a woman's voice saying, "Let me in, let me in." Then they heard gunshots, he said.

The law enforcement official said police spoke to one of those witnesses the night of the shooting and the witness did not offer that account to police.  Law enforcement, however, is looking into those accounts.

There had also been complaints about noise coming from Jean’s apartment. Merritt told CNN the complaints came from Jean’s “immediate downstairs neighbors.” He did not say whether Guyger had complained.

Guyger was at work during the day and had just ended a 15-hour shift when she shot Jean.

Merritt and the law enforcement official said there had been a noise complaint the day Jean was shot. The law enforcement official said Jean told his girlfriend that two women from the leasing office came by his apartment after he got off work and he wasn’t playing music at the time.

Jean worked for the accounting firm PricewaterhouseCoopers and was known as “Bo.” His funeral was Thursday, and his body will be flown to the Caribbean island of St. Lucia where he is from.

Guyger is free on a $300,000 bond after turning herself in at the Kaufman County Jail.

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Why don’t doctors do liposuction on morbidly obese patients, to reduce the excessive number of fat cells under the skin, which will remain, ready to refill with fat, even when weight is lost through other means? Is it ever possible to reduce fat cells by liposuction BEFORE having bariatric surgery such as lap-band, sleeve, or gastric bypass surgery?

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Creative organizing at Walmart

March 1, 2012 - A new strategy to advocate for workers' rights at Bentonville, Ark.-based Walmart is utilizing what has been called "pre-New Deal unionism" -- and it is showing some real gains.

Behind the Wal-Mart Campaign in Maryland

April 16, 2005 - Katrina vanden Heuvel at The Nation has a post up today about the recent victory in the Maryland General Assembly, which passed legislation requiring companies with 10,000 or more employees to spend at least 8% of their payroll on health benefits for workers.


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V Jewellery
Joan short necklace

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Rhodium Plated Sterling Silver Joan short necklace from V Jewellery featuring a luminous lavender cubic zirconia that sits beautifully within baguette cut Cubic Zirconiums while the diamond cut chain is fitted with an extender that allows you to set the clasp at 14, 15 or 16 inches so that it can be worn as either a choker or short necklace. This necklace is hand-set on a silver diamond cut curb chain complete with signature V logo tag.

Designer colour: LAVENDER

Designer Style ID: 3242

Farfetch ID: 12319514

Composition & Care
Rhodium Plated Sterling Silver , Zirconium
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Romeo Gigli Vintage
lace sheer blouse

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Military green lace sheer blouse from Romeo Gigli Vintage featuring a round neck, long sleeves, a gathered design and a back tie fastening. Circa 2000. Please note that vintage items are not new and therefore might have minor imperfections.

Designer colour: MILITARY GREEN

Made in Italy

Designer Style ID: RO280

Farfetch ID: 11533431

Size & Fit

Measurement Information

Centimeters Inches

1.73 m
82 cm
88 cm
59 cm

Model's wearing: 38 IT

5 ft 8 in
32.3 in
34.6 in
23.2 in

Model's wearing: 38 IT

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Composition & Care
Polyamide 100%
Washing Instructions:
Dry Clean Only
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No matter how many items you purchase, or where in the world you order from, you will only pay one fee.

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Delivery duties are included in the item price when shipping to all EU countries plus USA, Canada, China, Australia, Puerto Rico, Switzerland, Singapore, Republic Of Korea, Kuwait, Mexico, Qatar, India, Norway, Saudi Arabia, Taiwan, Thailand, U.A.E., Japan. This means all import duties are included in your order. The price you see is the price you pay.

Delivery duties are not included in the item price when shipping to all other countries. This means you may be liable to pay import duties on receipt of your order.

Designer : Romeo Gigli Vintage

Romeo Gigli was born in Italy and later settled in New York where he started designing his own clothes in the late 1970s. Developing new ways to reveal the female form with natural lines and destructured tailoring in stark contrast to the structured jackets and padded shoulders commonly found in the 1980s. Working mostly in stretch linen, silk and chiffon his dreamy clothes are most commonly referred to as ‘preraphaelite’.

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Designer Glasses

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  5. Oakley Crosslink Zero OX8076
    Oakley Crosslink Zero OX8076
  6. Ray-Ban Ja-Jo RB6392
    Ray-Ban Ja-Jo RB6392
  7. Gucci GG0166O
    Gucci GG0166O
  8. Polo Ralph Lauren PH2083
    Polo Ralph Lauren PH2083
  9. Chloe CE2145
    Chloe CE2145
  10. Chloe CE2144
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  11. Chloe CE2147
    Chloe CE2147
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Designer Glasses

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More and more people are buying designer frames not only for their ability to protect the eyes, but also for their aesthetic appeal. The desirability for designer eyewear is due to its quality and exclusivity. Every collection is designed from scratch by a team of talented designers, each pair is individually hand-crafted by expert craftsmen. This, is the difference that sets apart luxury eyewear and mass-produced high street eyewear.

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Don’t Forget To Add Lens Coatings

Never leave your lenses uncoated as this will damage your lenses. Even with basic scratch-resistant coatings, you’ll only receive the minimum protection against surface scratches. If possible, splash out a bit more on lens coatings; go for the advanced or premium coatings instead. Advanced coatings will protect your eyes from glare and your lenses from scratches and abrasions.
Premium coatings cover everything advanced coatings offer plus it repels dirt and smudges. Elite coatings offer the highest level of protection in all the areas covered by advanced and premium coatings.