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Full list. 320 DVD threshold, 383/163 BD.

2017 12/04 – 12/10 Anime DVD List

Anime Rank All Rank Last Rank Week Sales Total Sales #Wks Title
2 12 4,069 4,069 1 Free!: Timeless Medley Yakusoku
3 17 2,416 2,416 1 Kidou Senshi Gundam Thunderbolt Bandit Flower
4 20 1 1,768 19,352 2 Granblue Fantasy The Animation v7
9 42 909 331,422 20 Kimi no Na wa. RE
10 43 892 892 1 Kamisama Minarai: Himitsu no Cocotama Movie
11 46 49 860 110,432 178 Tonari no Totoro (2014 re-release)
12 47 44 851 3,126 3 Soreike! Anpanman: Buruburu no Takarasagashi Daibouken!
14 50 786 786 1 ONE PIECE 19th Season: Whole Cake Island v4
15 52 21 752 19,222 7 Granblue Fantasy The Animation v6
17 69 59 558 18,145 10 Meitantei Conan Movie 21: Karakurenai no Love Letter RE
18 70 32 555 16,949 16 Granblue Fantasy The Animation v5
19 75 33 519 17,190 20 Granblue Fantasy The Animation v4
20 78 70 495 3,888 3 THE IDOLM@STER SideM: Prologue – Episode of Jupiter
21 81 60 492 6,010 5 Crayon Shin-chan: Shuurai! Uchuujin Shiriri
22 83 71 488 29,586 13 Kono Sekai no Katasumi ni
23 88 42 468 18,244 24 Granblue Fantasy The Animation v3
24 90 51 450 19,095 28 Granblue Fantasy The Animation v2
25 91 445 445 1 Isekai wa Smartphone to Tomo ni. v4
26 100 396 48,959 176 Majo no Takkyuubin (2014 re-release)
27 52 386 24,504 29 Granblue Fantasy The Animation v1
28 89 383 16,461 19 Doraemon: Nobita no Nankyoku Kachikochi Daibouken
30 31 320 6,215 3 Uchuu Senkan Yamato 2202: Ai no Senshitachi v3

Other releases (concerts etc)

2017 12/04 – 12/10 Anime BD List

Anime Rank All Rank Last Rank Week Sales Total Sales #Wks Title
3 6 8,745 8,745 1 Kidou Senshi Gundam Thunderbolt Bandit Flower
4 9 6,356 6,356 1 Free!: Timeless Medley Yakusoku
7 27 1,437 1,437 1 Kidou Senshi Gundam Thunderbolt Bandit Flower (4K UHD)
8 28 1 1,435 24,987 2 Granblue Fantasy The Animation v7
9 29 5 1,419 13,581 3 THE IDOLM@STER SideM: Prologue – Episode of Jupiter
10 30 1,397 1,397 1 Net-juu no Susume
13 37 1,184 1,184 1 Bishoujo Senshi Sailor Moon R BD Box v2
14 38 1,161 1,161 1 Isekai wa Smartphone to Tomo ni. v4
15 42 8 1,079 8,208 2 THE IDOLM@STER Cinderella Girls Gekijou 2nd Season v1
16 43 1,041 1,041 1 Youkoso Jitsuryoku Shijou Shugi no Kyoushitsu e v3
17 45 9 875 7,043 2 Mahoutsukai no Yome v1
18 46 3 847 16,347 2 Owarimonogatari Season 2 v2 (Hitagi Rendezvous)
19 51 7 766 9,710 2 Senki Zesshou Symphogear AXZ v3
20 52 742 742 1 Mazinger Z BD Box v1
57 47 700 38,613 5 Kidou Senshi Gundam The Origin v5
61 32 600 16,607 3 Uchuu Senkan Yamato 2202: Ai no Senshitachi v3
65 99 580 274,420 20 Kimi no Na wa. RE
82 43 471 24,972 7 Granblue Fantasy The Animation v6
91 184 429 112,591 20 Kimi no Na wa. LE
98 383 383 1 Denshin Mamotte Shugogetten BD Box
285 285 1 Bakuon!! BD Box

Other releases (concerts etc)
25 1,721 1,721 1 5th Anniversary Terashima Takuya Live BD Box
66 579 579 1 Game Symphony Japan 21st Concert Atlus Special: Persona 20th Anniversary
70 565 565 1 Idol Time Pripara Summer Live 2017
306 15,237 4 Mizuki Nana Live Zipang x Izumo Taisha Gohounou Kouen: Gekka no Utage
237 28,210 11 THE IDOLM@STER Side M 2nd Stage: Origin@l Stars (Complete Side)

Fall update:
Net-juu BD sells 1,397. 6.6% underestimated. The DVD singles finished this week as well, but only the first one ranked (and then only thanks to biz leaks). Along with that one DVD vol, Series Average: 1,518. It had really picked up in the rankings in the last few weeks but there just wasn’t enough time for that to add up to much of anything.

Deremas Gekijou s2 v1 adds 1079 BDs, total 8,971.

Mahoyome v1 adds 875, total 7,043.

Summer update:
Smartphone v4, final volume, sells 1161/445, total 1,606. Series average: 1,418.

Youkoso Jitsuryoku… v3 sells 1,041 BDs, DVDs do not rank.

Owarimono s2 v2 adds 847 BDs, total 18,164.

Symphogear s4 v3 adds 766 BDs, total 10,629. This may be the first volume that sells less than its s3 counterpart, but s3 had the extended rankings, which added an extra 464 discs in wk3-5. Disregarding those, s4v3 is only 44 discs behind where s3v3 was in wk2.

Past seasons:
Granblue v1 adds 386 DVDs, total 56,215.
v2 adds 450 DVDs, total 45,196.
v3 adds 468 DVDs, total 42,558.
v4 adds 519 DVDs, total 40,679.
v5 adds 555 DVDs, total 39,564.
v6 adds 471/752, total 44,194.
v7 adds 1435/1768, total 44,339.
Series average: 44,678. 45k sure looks like a lock, huh? Just needs to add a total of 2,254 more discs across all 7 volumes. v7wk3 should be good for at least half of that, and v1-6 could fill in the rest. Though it will get a little harder for v1-6 to rank again as the holidays ramp up.

OVAs, Movies, Boxsets etc:
Gundam Thunderbolt Bandit Flower sells 8745/1437 BDs, 2416 DVDs, total 12,598.

Free Yakusoku sells 6356/4069, total 10,425.

Bakuon BD Box sells 285.

Imas SideM Prologue adds 1419/495, total 17,469. Now a wk3 increase was certainly unexpected, 1.9k this week vs 1.4k last week. I figured it’d be more like 700 BDs and unranked DVDs. Unusual for Imas to have much of a tail.

Upcoming Releases for 2017 12/11 – 12/17
2017/12/13 Action Heroine Cheer Fruits v3
2017/12/13 Akagami no Shirayuki-hime BD Box
2017/12/13 Boku no Hero Academia 2nd v6
2017/12/13 Gate: Jieitai Kano Chi nite, Kaku Tatakaeri 2nd Season BD Box
2017/12/13 Himouto! Umaru-chan R
2017/12/13 Kekkai Sensen & Beyond v1
2017/12/13 Little Witch Academia v9
2017/12/13 Monster Hunter Stories Ride On v4
2017/12/13 Naruto Shippuuden: Akatsuki no Shirabe (live event)
2017/12/13 Nejimaki Seirei Senki: Tenkyou no Alderamin BD Box
2017/12/13 Sakura Quest v6
2017/12/13 Shingeki no Bahamut Virgin Soul DVD v3
2017/12/13 Shokugeki no Souma BD Box v2
2017/12/13 Yowamushi Pedal New Generation v9
2017/12/15 Kakegurui v3
2017/12/16 Youkai Watch Story Collection: Akaneko v3
2017/12/16 Youkai Watch Story Collection: Shiroinu v3

18 Responses to “2017 12/04 – 12/10 Weekly Sales List”

  1. Avatar las says:

    We got some info on the sales of the movie theater exclusive Yuuki Yuuna Washio Sumi Chapter BDs. Apparently 7000 each? https://mantan-web.jp/article/20171211dog00m200021000c.html

    I guess this puts a better spin on the 2k-4k sales the BDbox version of the prequel is getting.

    • something something says:

      Hm let’s see… The interview is with a producer at MBS named Maeda Toshihiro, so while he’s not from Pony Canyon I have to assume he knows the same numbers they do, meaning 7k per is the actual publisher shipment number. So that probably would have been roughly 5k if covered by Oricon.

      It’ll be interesting to see if the Yuusha volume sells a lot more than the Washio Sumi volume. If it doesn’t, then it implies that a lot of people who bought the original film releases probably wouldn’t have bought the TV series anyway.

      It’s nothing we can include in a sales number (I don’t like to mix publisher numbers and Oricon numbers, since it’s unfair to the 99% without publisher numbers), but it’ll be an interesting footnote to consider when discussing the show.

  2. Avatar Tuna says:

    Are you not expecting the GBF BDs to also appear in this chart?

    • something something says:

      We’ll probably see at least v6 in the full list for a couple hundred. Depends what the thresholds end up being. The DVDs have always had longer legs than the BDs, even if the BDs still sold more overall.

  3. Avatar Flushme says:

    I miss the extended rankings.

  4. Avatar Quall says:

    What do you think will Symphogear AXZ ever be on CR?

    • something something says:

      I’m not holding my breath. The only saving grace is nobody got it, so it’s at least not impossible. Perhaps they’ll catch up when season 5 airs, but I doubt we’ll see it before then, if we ever do.

  5. Avatar Anonymous says:

    1.4k is pretty cool for Thunderbolt’s UHD release. People were really unhappy about what was released with the UHD version since it was more expensive and barely had any additional content. Also pretty big jump considering s1 only sold ~300.

    Wish Net-Juu sold better, it was a very sweet romance. Hopefully everyone involved made their money back.

  6. Avatar Shinseira says:

    Maybe you’ve covered it somewhere, Something, but what has been or do you think is the biggest factor for disc market shrinking on TV series? I notice outside of series that were a big IP, famous mobage, or Idol show, it’s rare to see 10k+ now.

    • something something says:

      It’s the same decline in physical media sales seen everywhere, both in other types of series and in other countries. Less people want to own physical DVDs, BDs, or CDs anymore, and streaming/digital services are becoming increasingly viable replacements for a lot of people.

      • Avatar Shinseira says:

        So this is applying to LN and Manga’s, too? and I’m guessing you’re talking about breakouts like AbemaTV, right?

        • something something says:

          Yes, but print is a little different from video, for a few reasons.

          Print has historically required some kind of per-unit payment before you get to read it, while video tends to be distributed for free (barring OVAs, films, and premium channels), as long as you have access to the right TV stations. It’s easier to sell print as digital-to-own than video. Neither Japan nor the US has ever had a significant digital download-to-own anime service. I don’t recall exact numbers off the top of my head and it’ll vary from series to series, but my understanding is that at least a quarter of the manga-buying market has gone digital already. That will not happen with anime, not in the same way.

          There’s a massive difference in pricing strategy as well. Buying an anime DVD/BD is an exponentially bigger investment than buying a volume of manga. How do you price a digital purchase of a video when the physical media market is ~¥3000/episode? Anime, unlike manga, is priced for hardcore fans/collectors, which doesn’t translate well into the low-cost/high-volume business model that drives digital media.

          Fundamentally, the difference I see is that print primarily monetizes ownership (e.g. buying a volume off Bookwalker), while video primarily monetizes viewership (watching a subscription or ad-supported stream on Niconico). Print buyers are used to many small transactions. Video buyers are used to free(ish) viewing with purchases of their favorites.

          But as new viewers get more comfortable with relying on streaming, with its free or low-cost subscription fees, they never become disc buyers in the first place. That step where ownership is monetized gets circumvented with video in a way it does not with print. People who buy physical media of their favorite shows, like me, are a dying breed. And disc sales will gradually continue to reflect that, no matter how much video publishers prop them up with mobage codes, event tickets, and other bonuses.

          Regarding Abema TV, I didn’t have any specific company or service in mind. There are dozens of streaming platforms where you can find anime in Japan (even a niche series like Flip Flappers was available on something like 14 of them).

  7. something something says:

    Still waiting on the full list to go up, btw. I saw it was posted in the 2ch thread but as usual it’s almost impossible to catch it in the few minutes it’s live, and it’s not been posted to the JP urisure or that CN forum yet.

  8. something something says:

    Full list posted.

Leave a Reply to something


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Arts Ballet Theatre of Florida Season Finale Fragmentos and Shostakovich Suites 5/5-6/12

Arts Ballet Theatre of Florida’s Season Finale: Fragmentos and Shostakovich Suites
May 5, 2012, 7:00 p.m.
Broward Center for the Performing Arts.
201 SW Fifth Avenue
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May 6, 2012, 5:00 p.m.
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Only two shows will be presented..
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Arts Ballet Theatre of Florida, under the direction of Ballet Master Vladimir Issaev ends its season with the world premiere of contemporary choreographer Edgar Anido’s piece “Fragmentos” and the return of Vladimir Issaev’s exciting neo-classical ballet “Shostakovich Suites”.

Arts Ballet Theatre’s professional corps of 13 dancers have spent the last weeks working on a very demanding and exciting repertoire before they pack their dancing gear to fly to Poznan in Poland where they will perform at the International Dancer’s Festival.

Shostakovich Suites is an exhilarating choreographic piece by Vladimir Issaev, inspired by the music of this Russian composer who was a revolutionary in contemporary composition while suffering the brutal despotism toward talented artists during Stalin’s era.

Fragmentos by Cuban choreographer Edgar Anido is a work that portraits part of Anido’s young memories, and the reflection of those memories on his present.

Edgar Anido is a dancer and choreographer based in New Jersey who currently works for Complexions Contemporary Ballet of New York. These pieces will be performed by the professional dancers of the company where principals Kaori Fukui, Jun Tanabe, Lillian Hill, Fan Shi and Kohhei Kuwana have the responsibilities of the main roles.

Photos by JoeyG Photography & Patricia Laine

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Moon Hostel offers clean and affordable dormitory rooms. here you will find everything you need for your comfortable stay Friendly staff is ready to assist you any time.

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Grade-specific expression profiles of miRNAs/mRNAs and docking study in human grade I-III astrocytomas.

Research paper by Dan D Li, Pan P Chen, Xia-Yu XY Li, Li-Yang LY Zhang, Wei W Xiong, Ming M Zhou, Lan L Xiao, Fang F Zeng, Xiao-Ling XL Li, Ming-Hua MH Wu, Gui-Yuan GY Li

Indexed on: 08 Oct '11Published on: 08 Oct '11Published in: Omics : a journal of integrative biology

Although several miRNAs have been identified to be involved in glioblastoma tumorigenesis, little is known about the global expression profiles of miRNAs and their functional targets in astrocytomas at earlier stages of malignancy. In this study the global expression of miRNAs and mRNAs in normal brain tissue samples and grade I-III astrocytomas were analyzed parallelly using microarrays, and the grade-specific expression profiles of them were obtained by unsupervised hierarchical clustering. It was also confirmed that miR-107, miR-124, miR-138, and miR-149 were downregulated significantly in grade I-IV astrocytomas, and overexpression of miR-124 and miR-149 inhibited glioblastoma cell proliferation and migration. Furthermore, grade-specific changes were discovered in the central biological processes, regulatory networks, and signaling pathways associated with dysregulated genes, and a regulatory network of putative functional miRNA-mRNA pairs was defined. In conclusion, our results may contribute to a better understanding of the molecular mechanisms involved in astrocytoma tumorigenesis and malignant progression.


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The Immortal RX-7 Formula

Do you remember your first introduction to the Mazda RX-7? I do.

I was 17, in auto class, and my teacher drew an oval on the board with an odd-looking triangle inside and asked if any of us students knew what it was.

No answer came back, and once he regained the classroom’s attention after writing ‘wankel’ under his drawing, he launched into telling an abridged version of how Mazda used the rotary engine as a way to mark its independence among other Japanese automakers. Several manufacturers, both Japanese and non, invested in development of the rotary engine, but Mazda was the only one to stick it under the hood of various cars fit for public consumption.

In the late ’90s, the time of his lesson, the only Mazda model left with a rotary engine was the RX-7.

Once Mr. Dinner (real name) got into a more technical description of the motor – its use of the constantly-firing combustion cycle, oval-shaped housing, spark plug placement, and intended location and function of the apex seals – I seem to distinctly remember many eyes glazing over. When the lesson was finished, most of the class buggered off, but a friend and I stayed at the board attempting to make sense of the sorcery we’d just been exposed to.

At the time, each of us were you’re typical V8 fanatics; if it didn’t have push rods and Flowmasters were were somewhat out of our element. That said, I was intrigued by the rotary engine’s uniqueness, but still skeptical (you’ll have to forgive me, I was young and ignorant).

Skepticism didn’t turn into interest until I heard my first truly tuned rotary. ‘Brap, brap brap‘ gave the ‘thump, thump, thump’ I was used to a serious run for its money.

At launch, Mazda put the rotary engine in a variety of vehicles, but I don’t think it can be disputed that it’s seen most of its market adoption in the RX-7. It’s a tough call to say whether or not the RX-7 would still have the immense following it does today if it had been fitted with a more traditional power plant, because many a well-designed car has been made or broken by a curious, or simply uninspiring engine choice.

As gear-heads, turning our collective enthusiasm toward a car that can be a temperamental, oil-burning, money-consuming enigma seems entirely illogical. But then again, logic likely drives less than 20% of our car-buying decisions.

Despite its faults, the RX-7 remains on a pedestal of greatness. I have a friend who currently has three of them. None run and I swear each time I open WhatsApp there’s a message informing me he’s bought another; bless his wife and accountant. I’m willing to bet that most of you have that same friend, and if you don’t, you might be that friend…

But again, why do we love these cars? Are we gluttons for punishment, intrigued by their mystique, or is it something else? Is taming a rotary similar to being a snake charmer, something that takes a special amount of dedication and bites to the arm to master?

Outside In

Stepping away from the conundrum that consumes fuel, oil, and money under the hood, I challenge you to name a Japanese vehicle that has looked as consistently great throughout its entire model run as the RX-7 did. Sure, that run ended in 2002 (before cars seem to continuously balloon in size), but perhaps it’s best to take the Seinfeld route and go out on top rather than whimper into non-existence.

From Matasaburo Maeda, to Akio Uchiyama, to Tom Matano and Yoichi Sato, all designers both tapped into and carried the torch appropriately from one generation to another. I’m sure some of you have your own favorites, but I honestly have a hard time picking a single, visually-superior version. They all just look so damn good. And not even just one way.

Inside Out

Non-superficially, a quirky motor and great styling falls entirely flat if the driving experience is well… sh*t. But the RX-7’s is far from that. The chassis has always maintained an ideal balance and remained fairly light. Early model RX-7s featured a live axle, 4-link rear end, but that was later refined out and replaced with a very capable independent rear suspension.

The cars didn’t make a ridiculous amount of horsepower in any iteration, but the power-to-weight ratio was always quite respectable – especially with the turbocharged models. As time has gone on and we’ve grown to better understand the rotary, some real fire-breathing monsters have been created.

We’ve featured David Mazzei’s ‘Formula Seven’ before, so you’ll have to forgive the abridged rundown. But if you’re not familiar, this car quite literally both breathes and spits fire putting down 1,000whp.

David‘s car is more than just fireworks under the hood of course. The custom four-rotor 26B turbo motor sits between a tube front end, it rides on Megan Racing coils, and the driver straps in for the ride via a Sabelt 6-point harness and Bride Vios III seat. Feed front fenders, and rear over-fenders thankfully remain faithful to the original body lines, so all the aforementioned praise I showered upon the FD3S’s OEM design remains true.

Cars like David’s prove that the incredibly well balanced nature of the RX-7 make them great for any build. Street, rally, drift, drag or circuit – with an RX-7 the possibilities are endless, arguably even more so if you perform the sacrilegious act of yanking the motor that made the car famous from its moorings. But let’s not go there during this rotary-themed month on Speedhunters.

20191103-IMG_9170-Edit copy

Instead, I’d like to ask what makes the RX-7 such a significant vehicle to you? We’ve celebrated specific rotary events this month, but for this post let’s just celebrate why we each love the platform as individuals.

Is it the engine, track capability, or is it something much simpler like the car’s repeated pop culture influences or the resurgence of the rad era? Perhaps it’s something I’m missing entirely. We’d really love to know. Especially those of us on the staff with space in our garage, money in our pockets, and a lack of sense in our brains.

Dave Thomas
Instagram: stanceiseverythingcom

Photos by Mike Kuhn
Instagram: mikekuhnracing

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Marcello Spineda

one of my fav rx7,along with another famous 4 rotor (Hi Rob! :lol )

Rotary's are a lifestyle. Those people in the lifestyle become family. It is an amazing experience. I own an FD and I will never give it up, it is pure driving pleasure, the look, the sound, the smell, and the feel. Mazda's RX7, has always, had it all... Crossing my fingers for a legendary return one day.

At the time I bought my 80 RZX-7 (1983) it was crushing all racing classes and autox specifically. Its the main reason I got the car. Didn't autox as much as I wanted due to life (work/moves etc) but have always loved that car. Still have it and am still enjoying it. BTW, mine was only on jackstands for about 3 years cause of rear axle bearings and working for a 2000 bubble era startup. Other than that its a driver all the time.

That four rotor is quite the treat to the ears and the eyes. Amazing build.
Rotary month brings great articles and... words!! “Braptized”
The text in the article inspired me to think “WhatsBrapp” as a medium for, say, rotary-frieds.

Tom Westmacott

The RX-7 formula is based around one simple idea - the power density of the rotary lets you make a traditional FR sports car much quicker, but without burdening it with a physically large and heavy engine and thus turning it into a Grand Tourer. Simple, but irresistable to the keen driver, combining the intimacy and agility of a four-cylinder roadster with the smoothness and ability to go on pulling hard deep into triple digits of something with a 'proper' six- or eight-cylinder powerplant. Once you've tasted that, pretty much anything smaller seems crude and underpowered, anything larger unnecessarily clumsy and aloof.

With the FD specifically, first it's the best looking affordable car since Jaguar unveiled the E-type in 1961. Next, it's super-quick and exciting to unleash in a straight line, the way it squats, hooks up and leaps forwards. In the corners it's ultra-responsive, letting the driver pick the attitude as the short wheelbase exaggerates each throttle input. And finally it's a classic of the bubble era, that unrepeatable period when anything seemed possible at the peak of Japan's postwar recovery. As such, optimism shines out of every panel gap, in a way that it just doesn't with more recent machines.

My FD is currently in a rebuilding process from the ground up. When I get back to Japan I hope to have a fully running car in 2021.

What's makes it significant to me ?
One of my father's friend was a Mazda dealership when I was young.
We were invited for the FD debut in 1991.
I was 8 years old and allowed to sit behind the wheel. The engine sound was my first automotive thrill.
29 years later I still remember that day and still want one, I hope soon :)

If you haven't already, I highly recommend you check out the updates on YouTube. It now has an F1 style airshifter with hydraulic blipper. So much awesomeness ( :

Just love the heat exchangers location. Subtle yet effective.

Is it just me, or is the shaft of the turbo missing? Just see a hollow CW nut there...

Hands down the best looking Japanese sports car.

This the type of car I imagine when I think about 'SPEEDHUNTERS'. Absolutely stunning.

"Mazda was the only one to stick it under the hood of various cars fit for public consumption"

Guessing the NSU Ro 80 was not fit for public consumption? lol

I thought the was emphasis on "various cars". Unless I'm wrong, NSU only had the Ro80 and the Spider.
Mazda rotarized big and small sedans and coupes, a pick-up truck, sports cars, and a small bus.

your right - the NSU Ro 80 was not fit for public consumption! lol

Agreed haha!

And no, it wasn't long ago I hadn't either.

I must admit that I've never seen nor heard of that car or manufacture before.

Holy shit

Rotaries are just addictive. I entered the rotary realm the hard way... Buying a 192bhp RX8. After 5 years, I got rid of the 4-ports engine to have 6-ports I got supercharged. Then came along my FD with a single (low RPM) big turbo. And now, I'm starting a new project with a Porsche 912 body and a billet pro aluminium 20B. Addictive, as I said.
The snake charmer/tamer is a pretty accurate description of what it feels like to own and operate rotaries. They're mythical / mystical creatures of the sports cars fauna.

I always thought that the solution to the rotary's inherent issues would be to make each rotor a "sealed unit," with it's own permanent lubrication system and valvetrain. Once the life of the rotor expired (100k or whatever,) it would be swapped out for a new or rebuilt unit. Probably doesn't make any mechanical sense but a guy can dream...

I hear all the time about how much oil rotaries use, how dirty they are and how fast they wear out. My experience was very different. I drove my '87 RX-7 to the redline buzzer constantly for 212,000 miles before the engine gave me any trouble. The engine always seemed to want to go harder, unlike most which seem out of breath before the redline. When tuned, it barely registered on smog tests. Yes, it did generally need an extra pint between oil changes, but that's it.

Was your 87 a turbocharged? 1st and 2nd gen RX-7s are known for going 200,000 miles without trouble, it's the turbo models that have longevity problems. I don't know what the deal is with the RX-8, but I've read Mazda reduced the oiling amount for the RX-8 because of emissions and that reduced engine life.

In an interesting turn of events, I just grabbed this FD RX-7 that has been sitting sadly for many, many years. In the months ahead, I'll be going through it, and bringing that beautiful sounding BRAP BRAP back to life. I cannot wait to hear it fire up for the first time and see mouse nests shoot out the catless exhaust, on fire.


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Ari Benjamin Meyers: Escaping the music-industrial complex

 Kunsthalle for Music Composed by Ari Benjamin Meyers Witte de With Center for Contemporary Art, Rotterdam January 25 – March 3, 2018  Courtesy: the artist and Esther Schipper, Berlin; Photo: © Andrea Rossetti
 Kunsthalle for Music Composed by Ari Benjamin Meyers Witte de With Center for Contemporary Art, Rotterdam, January 25 – March 3, 2018  Courtesy: the artist and Esther Schipper, Berlin; Photo: © Nieuwe Bilden Makers
 Kunsthalle for Music Composed by Ari Benjamin Meyers Witte de With Center for Contemporary Art, Rotterdam, January 25 – March 3, 2018  Courtesy: the artist and Esther Schipper, Berlin; Photo: © Andrea Rossetti
 Photo: Jens Gyarmaty

Kunsthalle for Music has no home. It is an attempt to create a contemporary space for the exhibition or performance of music that is not moored to a fixed location and is not defined by pre-existing formats. Founded by artist and composer Ari Benjamin Meyers, its first show recently took place at Witte de With in Rotterdam. In this conversation with Robert Schulte, he talks about packaging music, finding new economic models for what is not pop, and how art can lead the way.

"Music is live, performative, spatial" is something you said recently. Wouldn't that mean that recordings are only congealed, second-level forms?

That’s not the way I see it. My view is more that recordings are fundamentally different from music. Now that statement probably sounds very strange, but what I mean is that if we understand music to be something live, spatial, and social, then a recording can be, let’s say, a simulacrum of music. It’s not music but rather something else, and in fact can lead to its own forms, modes of reception, disciplines, etc. The problem, though, is that we don’t really have the proper terminology for all this, and so in the end we wind up calling everything music.

Kunsthalle for Music is an attempt, as I understand it, to free live and performative music from its event character with a fixed start and ending, by bringing it to a long-term open exhibition format. What is to be gained from that?

I think there’s quite a lot to be gained from it, maybe first and foremost a new understanding of what music is and what music can be, perhaps also of how music functions. I think for almost everyone today, and certainly in the Western world, we inherently understand music as something extremely prepackaged. This obviously includes recordings, of course, but in a sense also includes what we would consider the live moment, which would be concerts or basically something on a stage (with a few exceptions). I think it would be accurate to say that if you combine the stage with recordings, this is the way that the vast majority of our music is consumed. And of course it might seem odd to group together recordings and concerts, but when you see how both are so extremely packaged, then you begin to get a sense of the extent of the commercialization of music and how it becomes necessary to quantify things: you buy a ticket, you buy a record, etc. And that in turn works itself into the music: it comes in quantifiable amounts. A concert usually has a certain length, for example. And so I think with Kunsthalle for Music the attempt is to present a different mode of presentation and reception for music that’s not so easily quantifiable. The start and end times are fluid, for instance, and we don’t give out a schedule.

What does that do for the visitor?

Essentially you’re entering the situation in medias res, you get what you get, and your ears have to be open the way your eyes are open when you enter a museum. It’s the taking-in of everything that’s happening, and giving it an order, perhaps later. I’m trying to create an experience like that, but for music. And it’s of course in a way quite radical, because in order to do that, many of the fundamental rules have to be broken. That a piece of music must be performed from beginning to end, and must always be presented intact, or that we need perfect acoustics, or that there must be absolute silence in the auditorium. Kunsthalle For Music even questions who is able, or who has the right to perform certain pieces of music. The ensemble of Kunsthalle for Music, the eight performers that we had now in the show in Rotterdam, were a very mixed group. We had professional musicians next to professional dancers and professional performers who have a music background but who are not themselves primarily professional musicians. So even within the group we had a mix of amateur and professional musicians, and this is unusual, and another kind of established music performance taboo that we are breaking with the show.

There is quite some emphasis on the probability of variations on what is to be heard and seen. People are encouraged to come to the exhibition more than once, and to come by not only at the set times when the musicians who are playing live are present. Maybe give me some insight on what unexpected is to be expected during the first exhibition and why this is something you’re decidedly aiming at.

These are very important points that are really central to Kunsthalle for Music. A Kunsthalle for Music exhibition is not, let’s say, merely or simply a series of musical pieces that are performed. I call it a musical show, and it’s much deeper, in that the entire exhibition itself works and functions, in a way, like a large-scale piece of music. I consider myself the composer of the show more than something like the curator of the show. And you see this in the fact that the exhibition is always changing, and the fact that the music within the show is changing, and that we add things during the show, and that the performers have the ability within the show to add and change things, that we really show everything. I conceived the entire exhibition as a score, and in fact there is a meta-score that underlies the whole show. In that sense it is important to me that visitors are given the opportunity to come more than once. If you understand the exhibition as a composition it would be a shame to allow people to only experience one little part of that composition.

I would like to talk about the economic question for experimental contemporary composers: in 1918 Arnold Schoenberg founded the Society for Private Musical Performances. It was quite esoteric, but one characteristic of those weekly live performances was that the program wouldn’t be published. You had to buy a ticket for a year upfront and selective visits for single events that you liked weren’t possible, because you just didn’t know what was on that night. Would you say that bringing music into the exhibition space similarly frees it from certain structural demands?

This is a very important question, because to the Kunsthalle for Music there’s definitely that aspect of suggesting a possible new economic model or basis for contemporary music. You know, the situation in the music business, which I sometimes kind of provocatively call the music-industrial complex, can handle recordings, and the dissemination and sale of recordings, and it can handle concerts, and the sale of tickets and merchandise, etc. And that’s essentially it. I mean, a composer can of course also write music for film, and for commercials, but in the area of, let’s say, “pure” music – or even something like contemporary music – those are the available modes, and there’s really nothing else. If you want to work as a musician or a composer, and this applies to any genre, you will make records and give concerts. The system of quantity-based sales – how many tickets did you sell, how many records did you sell – is the dominant mode in the performing arts, and it works very, very well for popular music.

What’s strange is that exactly the same mode is in place for the most experimental or unorthodox composer or music. That’s really quite bizarre, because if something works for Lady Gaga, there’s really no reason at all to think that it would work for an experimental contemporary composer. Now, what’s interesting with the art world and the art market (as complex and crazy as it is) for me, as someone coming from the performing arts side, is that in fact it’s not volume-based. It has a completely different model. And so the idea that musical works could enter that market, could be exhibited, that composers could be represented by galleries, this opens up a whole new possibility for an economic, financial structure for a truly contemporary music that could exist on its own artistic terms, as opposed to being something quantity-driven, which of course will always strive, even subconsciously, to somehow be popular.

Kunsthalle for Music
Composed by Ari Benjamin Meyers
Witte de With Center for Contemporary Art
January 25 – March 3, 2018

Ensemble: Bergur Thomas Anderson, Billy Bultheel, Sandhya Daemgen, Sara Hamadeh, Alexander Iezzi, Nanna Ikonen, Jackson Moore, Pau Marquès i Oleo

ROBERT SCHULTE is an editor at Spike. He lives in Berlin.


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Retired NBA Star Paul Pierce Said 1 Thing That Has Fans Scratching Their Heads

Toward the end of the 2018-19 NBA season, Paul Pierce made one of the most outlandish claims we have heard on sports television in quite some time. During a segment on ESPN, Pierce was asked whether Dwyane Wade had a better career than him.

He quickly stated that he was the better player and thought it was an outrageous question to ask. Pierce immediately was roasted on social media and received one of the harshest reality checks from a coworker we have seen in recent memory.

Was Paul Pierce a great player during his prime? Yes. Will he end up in the Hall of Fame? Yes, he will. Was he better than Dwyane Wade? Sorry, but no. Let’s take a look at each player’s biggest accomplishments to prove why Wade was the better player.

Career statistics

First, let’s look at the numbers. Paul Pierce averaged 19.7 points, 5.6 rebounds, and 3.5 assists per game for his career. He finished with a career-high 26.8 points per game in the 2006 season and averaged more than 20 points for seven straight seasons of his career.

Dwyane Wade averaged 15.0 points, 4.0 rebounds, and 4.2 assists per game in his career, but his peak was much more impactful than Pierce’s.

During his prime, Wade was one of the best scorers in the NBA. He averaged a career-high 30.2 points per game in 2009 and averaged more than 20 points per game for nine straight seasons.

The drop off for Wade near the end of his career was much steeper than Pierce’s, but there’s no denying when both were at their best Wade put up superior stats.

Individual accomplishments

If you watched the video from above, then you saw Jalen Rose rattle off several statistics that gave Wade the edge over Pierce.

Wade was an All-Star 13 times compared to Pierce’s 10. He was selected to an All-NBA team eight times compared to Pierce’s four.

Pierce never won a scoring title during his time in the league, while Wade achieved the goal during his 2008-09 campaign. Wade also made the All-Defensive team three times compared to Pierce’s zero. When you look at it from the individual standpoint, there’s no way anyone can say Paul Pierce was a better player than Dwyane Wade.

What Paul Pierce said about his career compared to Dwyane Wade left fans scratching their heads.
Paul Pierce (right) had a stellar career, but he wasn’t on the same level as Dwyane Wade (left). | Jim Rogash/Getty Images

Championships are the measure where a lot of players compare each other. How many rings do you have? Pierce won a championship with Boston’s big three in Boston in 2008. The Celtics trio — Pierce, Kevin Garnett, and Ray Allen — was one of the best teams in the league that season, finishing with 66 wins en route to the championship.

Boston couldn’t sustain that same level of dominance over the next few seasons, and the Celtics traded Pierce and Garnett to the Nets.

By 2008, Wade had already established himself as one of the best shooting guards in NBA history, and with a declining Shaquille O’Neal, he almost single-handedly won the first championship for the Miami Heat over the Dallas Mavericks in 2006.

Miami was down 0-2 in the series and struggling to find points in Game 3 when Wade went on an offensive explosion to help them eventually hoist the Larry O’Brien trophy. He then teamed up with LeBron James and Chris Bosh to form their own big three in Miami.

The “Heatles” were the dominant Eastern Conference team during their four years together. They went to four straight NBA Finals, winning two of them, and possessed one of the toughest perimeter defensive lineups in the league. That version of the Heat won back-to-back titles in 2012 and 2013.

Who do you think was better?

After looking at everything we have analyzed between both players, who do you think ended up with a better career? Paul Pierce has made a strong case for himself, but when we look at everything in a vacuum, we have to side with Jalen Rose and fans on social media who say Dwyane Wade had the better career.


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How to breed animals in Minecraft

(Image via Farzy on YouTube)
(Image via Farzy on YouTube)
Modified 29 Apr 2021

Breeding in Minecraft is an important asset to the game; it allows the player to create more animals when there might not be more in the surrounding area.

This could be used for creating a food supply, farming materials, trading, or just to create an army of pets.

With so many new mobs in the game, and changes to the old methods of breeding, it gets confusing as to how exactly players are supposed to attract certain animals and breed them.

Without further ado, here's how to breed every single breedable mob in the game, including the upcoming Minecraft Axolotl and Goat mobs.

Breeding Foods in Minecraft

Two foxes about to be bred using sweet berries (Image via Emma Witman)
Two foxes about to be bred using sweet berries (Image via Emma Witman)

There are a variety of foods that players can use to breed animals in Minecraft. Many of the same food items are used to breed different animals, but there are definitely some that fall outside the standards.

The most standard method of breeding in Minecraft is using wheat. Cows, mooshrooms, and sheep will follow the player if they're holding wheat. Those same Minecraft mobs can be bred by right clicking two of the same animals with wheat in-hand.

Pigs, though they used to be breedable with wheat in previous versions of Minecraft, now require either carrots, beetroot, or potatoes to breed.

Horses and donkeys can only be bred while tamed. They can breed using golden apples, enchanted golden apples, or golden carrots.

Chickens can be bred using any type of seed, including: wheat, pumpkin, melon and beetroot seeds.

Wolves, once they've been tamed, can breed using almost every type of raw, or cooked, meat. This includes: rotten flesh, raw or cooked steak, raw or cooked porkchops, raw or cooked mutton, raw or cooked chicken, and raw or cooked rabbit. Wolves cannot be bred using any type of fish meat, or rabbit stew.

Ocelots must trust the player before breeding. Cats must be tamed and at full health before being bred. Both Minecraft mobs work similarly to wolves, but in an opposite fashion. They can be bred using any form of raw fish, including: raw cod, and raw salmon. They cannot be bred using cooked fish.

Rabbits can be bred using yellow dandelions, carrots, and golden carrots.

Llamas must be tamed before breeding, and can be bred using hay bales.

Turtles are slightly different than the other Minecraft mobs. They do not have babies on the spot after breeding, instead they lay eggs that take a few in-game days to hatch. Turtles must be bred using seagrass on, or near, a sandy area so they can lay their eggs immediately after breeding.

Pandas are the only Minecraft mob to have extra breeding conditions. There must be at least eight bamboo blocks within a five block radius of the two mobs. Don't push the pandas too close though! If the two are too close together when fed they won't breed, and instead will attack the player.

Foxes can be bred using sweet berries, which will allow the player to create a baby fox that trusts the player instead of running away.

Bees can be bred using any type of one or two block tall flower.

Striders can be bred using only warped fungus.

Hoglins are similar, but can only be bred using crimson fungus.

Axolotls and Goats

(Image via Minuthu on YouTube)
(Image via Minuthu on YouTube)

Out of the mobs being released in the Minecraft 1.17 Caves & Cliffs Update, only the axolotl and goat can breed.

Goats work in the exact same fashion as sheep, cows and mooshrooms. Meaning they'll follow the player with wheat in hand, and breed with only wheat.

Axolotls are somewhat similar to cats and ocelots. They breed using only a tropical fish, or a bucket of tropical fish. While ocelots and cats can't use tropical fish to breed, axolotls can.

Also Read: How to find iron in Minecraft easily

Published 29 Apr 2021
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New Zealand Health 1959 Birds Set Fine Mint

Health Set of 2 Values Fine Mint
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S3120 Starrett Manual Band Saw Machine

The S3120 has been developed with productivity, robustness, and high-speed cutting performance in mind. It is ideally suited for professionals or businesses looking to acquire a versatile, low-maintenance piece of equipment that offers them an excellent cost-benefit ratio.

  • Two speed switch
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  • Control panel (internal voltage 24V)
  • CE compliant


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ATLANTA — It's not too often that tours of new buildings start with the toilets. But they're a big part of a different kind of building in Atlanta.

And so, Shan Arora, who oversees Georgia Tech's Kendeda Building, troops visitors pretty quickly to a ground floor bathroom where the toilet begins to hum, and then foam. There's no conventional flushing, with the toilets consuming only a teaspoon of water per use. And the waste is composted in digesters in the basement instead of being piped to a treatment plant.

"We say there's a lot of potty talk in the Kendeda Building," Arora said.

Georgia Tech is announcing on Thursday — Earth Day — that the building has won certification as the 28th "living building" worldwide. That means the building has proved over a year of operation that it meets the standards of the International Living Future Institute that it does more good for the natural environment than harm.

"Sustainability gets us to a point where we're not doing as much damage as we are," Arora said. "But we've already done so much damage that we have to get to a point where we're regenerative or restorative."

Paid for by a $25 million donation from the Kendeda Fund, the building is, above all, a demonstration project. It's meant to show that the technology is ready for wider use, especially in a southern environment.

The Kendeda Fund is the private philanthropic arm of Diana Blank, the first wife of Home Depot cofounder Arthur Blank. It also provided $5 million more for programming, to ensure the building gets used to its highest potential.

"Kendeda's goal was not really to build a building," said the foundation's sustainability advisor, Dennis Creech. "Our goal was to be a catalyst for changing how buildings should be designed."

More than 5,000 people toured the building while it still was under construction. Creech said it will be impossible to track all the "ripples" from the building, but said he knows of two or three buildings now being designed that have been influenced by the Georgia Tech structure.

The International Living Future Institute says a building should be like a flower, giving more than it takes. It prescribes requirements under seven "petals" — place, water, energy, health and happiness, materials, equity and beauty.

It's the mindset of what's possible that may be the biggest change.

For example, the building does not have conventional air conditioning. Electricity for cooling is typically the heaviest energy demand in the American South, with long, hot, humid summers. Instead, the building mostly relies on dehumidifying the air, making it more comfortable and less sticky while reusing water that is extracted. Designers also focused on keeping inside and outside air separate, meaning the building has few air leaks.

Finally, there is a piping system that can pump cold water through concrete floors to cool the building if it gets above 78 degrees Fahrenheit (25.6 degrees Celsius). But Arora said that even on the hottest days last summer, the cold-water system never turned on, because the building never got that warm.

Dexter Harper, a Georgia Tech air conditioning mechanic who monitors the building's systems, said his coworkers were skeptical about the lack of typical air conditioning.

"When I first started, they said 'You're going to burn up at 78 degrees in the summer.' That's the farthest thing from the truth," Harper said.

Not surprisingly, there are solar panels. A large solar canopy shades the building while generating more than twice as much electricity as the building uses.

There's also a focus on excluding materials that designers consider harmful. Even the big glass windows have dimples to warn off birds from accidentally flying into them.

Builders diverted more material from landfills during its construction than new waste it generated, using old tiles from a demolished Georgia Tech building to cover the walls above the humming toilet in the bathroom.

And it means foaming toilets. The building isn't connected to city sewers and is designed to be independent of the water system, too. The building has gone through a long process to get permitted by the state as its own municipal water system, treating rainwater for drinking. The canopy collects rainwater for the treatment system and sends additional water to be slowly released back into the ground, instead of running off into concrete drains.

Beyond that, the focus on health, happiness and beauty makes the building a magnet for students. On Tuesday, biochemistry doctoral students Jay Haynes and Brooke Rothschild Mancinelli were in the rooftop garden, tending the vegetables. It wasn't for research, but just for fun.

"Once you know better is possible, how can you look back?" asked Arora.

Follow Jeff Amy on Twitter at


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MADRID — Three men whose social media posts allegedly encouraged extremist attacks against French targets are in custody in Spain after Spanish police and the European Union's crime agency traced them to the southern city of Granada.

The men threatened violent attacks against French people and French interests abroad after French magazine Charlie Hebdo republished caricatures of the Prophet Muhammad last September, Spanish police and Europol said in statements Thursday.

The caricatures enraged many Muslims, who found them blasphemous.

Europol described the three men in Granada as "a terrorist cell."

Spanish police said the trio focused their efforts on persuading young people to carry out violent acts, creating specific online content directed at them.

When police arrested them in Granada earlier this week, they also found "very valuable documentation" for their investigations, the Spanish statement said.

A judge on Thursday ordered them to be remanded in custody.


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Introduction to Robotics using Sphero - Teacher PD

Learn the basics of Robotics and Coding using Sphero via classroom-focused tips and practical activities

This Teacher Professional Development class is designed for those new to Sphero or robotics and will take you through:

  • What do we mean by 'robotics'?
  • What is a Sphero robot?
  • How do we code Sphero's?
  • How can we integrate Sphero into the classroom?

You have unlimited access to this class for 30 days - across any and all devices you own.

  • Contact STEM Punks about options for 1 year and for student classes.

Technology requirements:

For this class you will require a Laptop or Desktop PC, Mac or some Chromebooks. You will need access to the Google Chrome Browser. Some tablets such as iPad may work well also.

Your Educator

Jonathan Nalder
Jonathan Nalder

Over 19 years in Education, Jonathan has seen how Learning, digital tools, and futures thinking transform lives - and just as the fully digital and automated era begins, he has dedicated himself to helping students and Schools transition successfully to this new era in big picture and practical ways.

Frequently Asked Questions

How long do I have access to the course?
After enrolling, you have access to this course for 30 days - across any and all devices you own.
What if I am unhappy with the course?
We would never want you to be unhappy! If you are unsatisfied with your purchase, contact us in the first 7 days and we will give you a full refund.
Is this a personal license or a school license?
This class is a personal license, for School Licenses please contact STEM Punks on +61 7 3289 5092 or email [email protected]

Get started now!


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Home Page

Stickney Church of England Primary School and Pre-School

Learn • Enjoy • Achieve

In a caring Christian Community developing full potential and mutual respect for all

Y5 Orienteering

We've had 2 3 5 9 5 visitors


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How does a Reflective Journal help you with Goal Setting and Life?

How does a Reflective Journal help you with Goal Setting and Life?

How does a Reflective Journal help you with Goal Setting and Life?

How does a Reflective Journal help you with Goal Setting and Life?

reflective journal

I'm sitting at my mother's family table which looks out onto my parent's deck. I have my dad's grandfather's 100+ year old grandfather clock sitting behind me ticking away the time, the wind in the ornamental pear tree, the dogs tap-tap-tapping as they run and explore the garden, the evening sounds of the birds and the wind chime singing along. My family isn't here, but I'm surrounded by family history in my mother's parent's old home, looking out on the garden my father has nurtured from nothing but grass and clay.

The washing machine is also humming along in the background, while not as pretty, at least gives me some comfort around productivity! I didn't vacuum, but I have managed four consecutive loads of laundry. #adulting.

reflective journal goals

I have been working on my personal reflections journal pretty consistently throughout the year - this means making goals and actively working my way towards them. A lot of my goals have been about my wellbeing and creating routines for my life. Turns out these are pretty big goals - and goals that will evolve over time. They are also goals that I think I will take with me into the first part of 2020 at the very least. I think we need to let go of this goal completion mentality and start thinking about the process more than the final destination.

In 2019 I  gave myself permission to not finish goals each quarterly cycle, but continue them on, slightly tweaked into the next cycle. I didn't think this was possible last year and I would drop goals and move on to the next because I thought I had to. I felt like I needed to. Well. I don't. If you have some goals that you are still trying to tackle - I give you permission to persevere.

I also made a goal to spend more time with my dogs. I love them dearly, but they are sooooo needy being Staffy crosses. It's the Staffy in them that's needy. They're amazing dogs and they deserve me to step up. So, I'm going to bring them along with me where I can.

I have loved keeping a reflective journal. I can see my growth and progress over the year. I can see what I've achieved as well as what challenged me - and what also may challenge me! I can write myself notes and encourage myself. I can find some gorgeous inspo online and print them out and use them to brighten up my goals and plans. I can add photos from my life and document in my journal that way.

So now I must head home, travelling upon a motorway that I spent nearly 2000 hours and 35,000+ kilometres with over four years. Insane numbers. I now have a few minute commute. I have more time to spend on what matters most - the people I love, the creatures I adore, and nurturing myself.

On December 28th I am going to start thinking about my personal human goals for 2020 with my amazing friend Sonya Forrest. She runs a Vision Board workshop and last year I went with the fabulous Loretta from Needle + Felt.  My vision board from 2019 is in a frame and next to my front door and it is divine. I am so in love with it. It reminds me each day to work towards my goals. It's pretty and serves a soul*full purpose. I look forward to doing another one!

On January 4th in Sydney I'm also going to be hosting my own workshop (eek!) with  educators to work on our Personal Reflective Journals. It will be us, our journals,  a big pile of stationery and our dreams for the up and coming year.  I'll have plenty of time to work out what I would like my professional goals to be for 2020 as a preschool teacher returning to teaching full-time! Squeee. I can't wait.

Kindness to you,

  • Oh Carmen! Thank you so much for your kind words. I wrote another article for the other website which I’ll post below. Its hard to know where to start! I have been coming to realise over the past couple of years that its import to just start and not overthing things too much. <3 – Gaby

    Gaby @ Sticks & Stones Education on

  • I loved the resources I bought from you especially the Travelling in Space planets. I give you five stars Gaby for sending it so quickly to me.
    Love your reflective journal would love to learn how to start of one for myself.

    Carmen Goonewardena on

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Stinky Movie – Andrew Brewer Interview

We’ll be running short interviews with the crew members of the Stinky Movie trip to Bulgaria. We’ll feature questions from us and will throw in the mix the best questions that some of you asked for each one of the guys over our Instagram, check all of them HERE. The one that you’ll read bellow is with Andrew Brewer, growing up watching Brewer snowboarding in some of the most epic snowboarding movies, the Tech9 movies from back in the day, got us hyped to have him here. He came and nailed it on every spot that he snowboarded at and every bar that he entered to. Here are his Bulgarian impressions.

-The trip to Bulgaria was the first time, when pretty much all of the Stinky Fam got together. What was the feeling meeting the whole crew?
The feeling was awesome. I had never met a handful of the people. Meeting Jonas for the first time was rad cause we both ride for Death Label. It was just fun hanging with everyone. Such a big crew and always such close quarters made it a blast. Cant wait til next time!!

-How was Bulgaria? What’s the impression that you’ve got to the country from that trip?
I think the first thing that impressed me with Bulgaria was how beautiful it was. Im a huge history fan and seeing all the old buildings is incredible. Second thing was just how reasonable everything cost. Beers and food were delicious and so cheap. I know everyone balled out a bit.

-What was the first thing you’ve said to your friends once you got back from the trip?
There are a couple things I talked about when I got back. First was probably just the size of the crew. Ive never hit any spot let alone a street spot with over twenty people. Other than that I always talk about Borovets and our hotel rooms. Looking off our balcony onto that town with the ski resort all lit up at night just seemed like a fantasy dream world. I really hope to go back there sometime.

-What was the feeling to be on that national TV show?
Haha TV was awesome. When I was told they wanted me I kind of cracked up. It was really tricky though concentrating on the interviewer speaking in Bulgarian and then trying to talk over the interpreter. What a cool experience though. Luckily I had my wing man Jeffy to share the stage with. TV studios are crazy. Oh hahaha and then watching our interpreter get denied a selfie with the host of the show cracked me up. Haha good times.

-What u think about our home mountain @uzanaruns ? Instagram Question by @uzanaruns
Your home mountain was so sick. The fact you guys have any open canvas to build what you want is so cool. And just riding the rope tow at night was incredible. The view at the top on a misty night looking down under the lights, at essentially your own private resort, was almost indescribable to people. Loved that place.

– 5 Bulgarian words?  Instagram Question by @ko.leto

Oh jeeze man. I only remember the word Rahkia haha.

The Stinky Movie is on a World Premiere Tour right now, check all the dates HERE. And follow the #stinkymovie tag for tour, photo and behind the scene updates. You can now buy the “Stinky Movie” merch with the exclusive VHS release, DVD, print book and a custom Movie Sock from here, or just the movie from iTunes here.


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Grid View

Friday, February 28

Textile Treasures: Spotlight on Cathedral Tapestries

Friday, February 28, 2020
1 PM - 2:15 PM

This unique guided tour includes a "behind-the-scenes" visit to the Cathedral's world-renowned Textile Conservation Lab, which conserves tapestries, needlepoint, upholstery, costumes, and other textiles. Particular focus will be the Barberini collection of the Life of Christ tapestries and the Acts of the Apostles tapestries, based on cartoons by Raphael.


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It is preferable that the family call the parish office and speak to the parish priest before going to the funeral home to make arrangements. This allows the family to go to the funeral home with different options for the funeral mass to take place. As well, once the family has met with the funeral home and a time and date has been set in agreement with the parish priest for the funeral mass, the family should also plan to meet with the parish priest to prepare the funeral mass before it takes place.

The Catholic Church prefers that the funeral mass take place with the body of the deceased loved one present. After the mass, the body can then be taken to be cremated. While this incurs the added expense of renting a coffin and paying for the hearse to bring the remains of the loved to the church and take them to the place of cremation, families are encouraged to do what is possible to choose to have the mass with the body present. If this is not possible, please speak to the parish priest about other options.

Funeral wakes (which include the recitation of the holy rosary for the deceased loved one) take place the evening (or day) before the funeral mass. The wakes are usually led by the parish deacons. The parish priest will discuss all these details with the family when they meet with him.

Once the remains of the loved one have been cremated, the Church requires interment or entombment of the remains in a columbarium, burial plot in a cemetery, or mausoleum.

Options like scattering the ashes from the air, on the ground, floating them on the sea, or keeping the cremation ashes at home or wearing amulets with cremation ashes are not considered respectful.


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The Affirmation of Our Faith

Our belief concerning the Bible:
We believe the Bible to be the inspired and only infallible written Word of God.

Our belief concerning God:
We believe that there is only One God, eternally existent in three persons: God the Father, God the Son and, God the Holy Spirit.

Our belief concerning the church:
We believe in the blessed Hope, which is the rapture of the Church of God, which is in Christ, at His return.

Our belief concerning sin:
We believe that the only means of being cleansed from sin is through repentance and faith in the precious Blood of Jesus Christ.

Our belief concerning salvation:
We believe that regeneration by the Holy Ghost is absolutely essential for personal salvation.

Our belief concerning Christ:
We believe that the redemptive work of Christ on the Cross provides healing for the human body in answer to believing prayer.

Our belief concerning the Holy Ghost:
We believe that the Baptism of the Holy Spirit, according to Acts 2:4, is given to believers who ask for Him.

Our belief concerning santification:
We believe in the sanctifying power of the Holy Spirit, by whose indwelling the Christian is enabled to live a holy and separated life in the present world.

Church Of God In Christ Website:


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Living as Community
Support Us

To help support St Mary’s please click on the link below.

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For St Mary’s Safeguarding information please click here.

Featured News

Featured News

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Thought for the Week – 2nd May 2021

It was almost exactly a year ago that I introduced you to the vicar, the imam and the rabbit via a joke sent to me by a colleague at work. After diligent work by a member of the congregation from Billingsley, I can now reveal the next chapter in their adventures.

A vicar, an imam and a rabbit wander into a blood donor clinic. The nurse says “what blood group are you”? The rabbit says “I think I’m a type O”.

Those who show kindness by making us laugh have surely entertained angels unaware.

Rev David Poyner

Thought for the Week – 25th April 2021

The news this week has featured two big stories. On Monday it was the breakaway super-league; five of the top English clubs and Tottenham Hotspurs had agreed with clubs in Italy and Spain to form their own league in preference to playing in the UEFA Champion’s League. I could not quite see why it was necessary for leading politicians to drop everything to attend an emergency meeting of the Premiership, (the elite, breakaway league formed by the top 24 English clubs thirty years ago) and threaten changes in the law. However, I was equally unimpressed by the reason trotted out by the president of one of the Spanish clubs for forming the super-league; he said it was about “saving football”. As was pointed out by the Rev Sam Wells, that takes a strange view of what was to be saved in the name of football; twelve powerful European clubs and bad luck to Aston Villa, Kidderminster Harriers and everyone else. I am not sorry it has collapsed.

The language of being “saved” is often used in Christianity. I am sometimes uncomfortable with how it can be used in this context; again, an obsession with the individual and a narrow focus on belonging to an “in-club”. This is not how the early church understood Jesus’s message; they were quite clear that through Jesus, God was reaching out to all humanity. Which brings me to the second story; the “Earth Day” summit on Thursday, where President Biden led the way in pledging real action to reduce climate change, to “save” the planet; to save creation, using vicar-speak. And this ties in with another conviction of the early church; that through Jesus, God was not just reaching out to humanity but was embracing all the universe, the entire natural world. Of the two visions of salvation that we have been offered this week, I know which I think is cross-shaped.

Rev David Poyner

Thought for the Week – 18th April 2021

John Donne’s insight
I write this reflection shortly before the funeral of Prince Philip, on Saturday (17th). I suspect I, along with many others throughout the country, will be watching it. I find it hard to ignore the sight of any funeral; a hearse with a coffin always stops me. It of course speaks of my own mortality; it makes me reflect on the Christian hope, that life in Christ never ceases. Death brings us all to the ultimate reality that is God, but along the way it also brings us into contact with shared grief and loss at the ending of a person’s life.

Some four centuries ago, the priest and poet John Donne picked up on some of these themes when he heard the tolling of a funeral bell, for a person unknown to him. I think he felt the same emotion as I do; in the Kingdom of God, we are all involved in mankind.

“No man is an island entire of itself; every man is a piece of the continent, a part of the main; if a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as any manner of thy friends or of thine own were; any man’s death diminishes me, because I am involved in mankind. And therefore never send to know for whom the bell tolls; it tolls for thee.”

Rev David Poyner

Thought for the Week – 11th April 2021

Like many people I was saddened by the news of Prince Phillip’s death, just a few weeks from his 100th birthday. Of course I knew he was in poor health, so perhaps the news should not have been a surprise, but I still had to reread the email carefully to make sure it was correct. Prince Phillip was part of a generation that was tough!

I suspect Phillip himself would have been the first to admit to faults. He was notoriously outspoken; in these times of heightened sensitivities about giving offence to others, he did sometimes seem as though he was from another age. I suspect he was strong-willed and enjoyed leadership. This is not necessarily a problem; we need leaders, but it does not always make for easy working relationships or good publicity. There again, my guess is the World War 2 naval officer prioritised leadership over public relations.

What I am most struck by is Prince Phillip’s sense of duty. Well into his 90s, he braved pouring rain and cold to carry out his functions, at some cost to his own health. He gave up his career in the navy to support his wife in her role as Queen. He always seemed to be there when the Queen needed his advice. But he was also aware that he did have power and influence in his own right and it seems to me that he tried to use that for the common good. Perhaps his greatest legacy to young people is the Duke of Edinburgh Award scheme, to encourage qualities of leadership and self-belief in them. He was the first president of the World Wildlife Foundation; a keen shooter, he was also aware of the importance of conservation and care for the environment long before this became fashionable.

Today (Friday), at 4.00pm, a small group of us assembled at Billingsley Church, to toll a bell and then say prayers for Prince Phillip and those who particularly feel loss; his own family. This Sunday evening, in a change to what is planned, our evening service in Billingsley Church at 6.00pm will focus on the man and his life, giving us time to reflect on the themes of duty and service. At times such as these, I am reminded of John Donne’s words on hearing a funeral bell toll, his recognition of our shared humanity; “Ask not for whom the bell tolls… it tolls my friend for thee”.

Rev David Poyner

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• St. Mary's Webmaster

New Year's Day Benefice Walk

Those of us who were able to make the journey from Woodbridge St Mary’s to Great Bealings St Mary’s set off independently at various times on New Year’s Day. Several walkers started their journey from the porch - including some who delayed their departure so they could hear the bells ring out at midday.

Some arrived at their destination in time to hear the Great Bealings bells being rung at midday, others were near enough to hear the bells beckoning them from across the fields.

We socially distanced ourselves in the churchyard for a brief respite to reflect on why we were there, before returning home.

The route home varied. The bravest walkers followed a beautifully scenic route regularly used in the past by a local former marathon runner as his training ground. Photos of the walk can be found on the About Us webpage HERE


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Warrego Energy Share Price and Company Fundamentals

0.000 (0.000%)
52 week
0.13 - 0.275

Last traded: Yesterday at 6:10 AM

Warrego Energy Limited engages in the exploration and development of oil and gas properties. The company holds interest in the EP469 basin covering an area of 224 square kilometers; and interests in the STP-EPA-0127 basin, which comprises an area of 8,700 square kilometers located in Perth Basin, Western Australia. It also holds interests in the Tesorillo project, which include two petroleum exploration licenses, such as the Tesorillo and Ruedalabola permits covering an area of 38,000 hectares in Spain; and the El Romeral property. The company was incorporated in 2007 and is headquartered in Perth, Australia.

Key Metrics

PE ratio

PB ratio

Dividend yield

Market cap

Enterprise value

Company profile

Primary activitiesWarrego Energy is a next generation oil and gas company focused on creating maximum stakeholder value.
Industry / SectorOil & Gas E&P / Energy
Mailing address39 Albert Street Aberdeen AB25 1XU United Kingdom
Phone / Fax44 12 2497 4980 /

Warrego Energy does not pay dividends.

Company Executives

As of May 2021, following are the company executives and directors listed on Warrego Energy.

NameTitleAgeTotal Pay
Mr. Dennis DonaldCo-founder, Group CEO, MD & Director504.5k
Mr. Duncan Angus MacNivenExec. VP of Europe411.83k
Mr. David Arthur John BiggsExec. Director & CEO of Australia70k
Mr. Jani SurjanGroup Financial Controller & CFO
Mr. Stuart NicholTechnical Mang.
Mr. John NewmanCompany Sec. & Gen. Counsel
Mr. Jeff RileyHead of Marketing & Communications
Mr. Peter VeenhofEVP of Joint Ventures, Uruguay & Spain59

Profitability and management effectiveness

Profit margin

Operating margin

Return on assets

Return on equity

Profitability ratios are a class of financial metrics that are used to assess a business's ability to generate earnings relative to its revenue, operating costs, balance sheet assets, and shareholders' equity over time, using data from a specific point in time.

The return on equity signifies how well the management is running the company in terms of capital management. The ideal return on equity is greater than 10%. The return on equity is calculated as net income divided by total share holders equity.

Valuation and Trading Info

The market capitalization of Warrego Energy is 232.46M and its enterprise value is 199.57M. The enterprise value to revenue ratio of WGO is -152,807.11.

The WGO's stocks Beta value is 0.42 making it 58% less volatile compared to ASX market index. Technology stocks and small caps tend to have higher betas than the market benchmark. This indicates that adding the stock to a portfolio will increase the portfolio’s risk, but also increase its expected return. On the other hand utility stocks often have low betas because they tend to move more slowly than market averages.

Companies similar to Warrego Energy (WGO)

Warrego Energy (ASX:WGO) Frequently Asked Questions

1. What is Warrego Energy's Stock Symbol?

Warrego Energy trades on ASX under the ticker symbol "WGO".

2. What is Warrego Energy's stock price today?

One share of WGO stock can currently be purchased for approximately $0.235.

3. How can I contact Warrego Energy?

Warrego Energy's mailing address is 39 Albert Street Aberdeen AB25 1XU United Kingdom. The company can be reached via phone at 44 12 2497 4980.

4. What is Warrego Energy's official website?

The official website of Warrego Energy is http://www.warregoenergy.com.

5. Which share registry manages Warrego Energy's stock?

Warrego Energy's stock is managed by BOARDROOM PTY LIMITED.


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Bloggers, you can use photographs from here for free, if your your blog is non-commercial. If a commercial website, the cost is nominal. All pictures on this blog are copyrighted to me. If an image is used, do attribute it as specified here! These photos are only for blogs/websites. If distributed, same conditions apply to end-user. Brick and mortar businesses have to pay (unless non-profit).Thanks.

The photos cannot be sold. For commercial purposes other than the web, pay as specified here. Select photos by using the SEARCH function under the Archives, found at the bottom of page (my email id is there too) or labels at bottom of each post. To see original image, click on image or ask me for a bigger and better one.

Do the right thing, be ethical. It speaks volumes for your character. If you use images from this site, follow the attribution requirements. Click here for more ABOUT THIS BLOG

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Apple Watch Shipments by Model: 2016 to Q1 2021

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Report Summary:

In a record first-quarter for Apple, WatchOS shipments worldwide leaped +29% YoY in Q1 2021. Despite Covid, Apple Watch Series 6 and lower-cost SE models proved wildly popular. Cellular penetration remains steady, as Apple works to expand operator support. Our report tracks global shipments and 4G attach rates for every Apple Watch MODEL from 2016 to Q1 2021.

Table of Contents

1. Title Page
2. Table of Contents
3. Analysis of Key Trends
4. Apple Watch Shipment by Model
5. Methodology
6. How Can We Help You
7. Analyst Contacts

For more information about our services please contact us or email support@strategyanalytics.com

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Welcome and thank you for visiting!

The charts, graphs and comments in my Trading Blog represent my technical analysis and observations of a variety of world markets...
* Major World Market Indices * Futures Markets * U.S. Sectors and ETFs * Commodities * U.S. Bonds * Forex

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Tuesday, December 13, 2011

More bad news from "Down Under"...

Further to my post on December 11th (http://strawberryblondesmarketsummary.blogspot.com/2011/12/home-loans-and-trade-balance-lower-down.html), data released tonight shows a big drop in Consumer Sentiment in Australia, as shown on the graph below (provided courtesy of www.forexfactory.com). This latest release shows it tied with the low registered in July this year...both months are the lowest reading since the October 2008 low...not a good reading for consumer spending, which accounts for a majority of overall economic activity.

At the moment, the AUD/USD forex pair is trading lower and has fallen below the 1.00 parity level, as shown on the 4-hour chart below. The next support level is 0.99, followed by 0.97.


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