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• 15-Oct-2021 to 01-Dec-2021 (PST)
  • Vancouver
  • Vancouver, BC, CAN
  • Full Time and/or Part Time

Are you passionate about making people feel safe and providing excellent customer service? This is the perfect opportunity for those that need an entry level position to gain basic security professional skills!

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What would you do:

As a Retail Security Officer (RSO) you will be posted at the store entrance/exit or locations that have been identified as high loss to act as a visual security deterrence. RSOs are not expected nor permitted to apprehend shoplifters. As RSOs are often the first and last image a customer has of the retailer, we are seeking candidates that can demonstrate high-quality customer service and portray a professional image at all times.

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What would you bring:

  • Valid BC Security License
  • Excellent communication skills
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Securiguard is an equal opportunity employer, and we value the diversity of our staff. We are committed to building a facilitative environment of respect, inclusiveness, and career growth.

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S.E.M. Inc. warrants all parts of new equipment for one (1) year, from date of invoice against DEFECTIVE FUNCTIONALITY OR MATERIAL, but not against damage caused by vandalism, accident or improper operation and installation.

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S.E.M. Inc.’s obligation under this warranty is limited to correcting, or at its option replacing, without charge at its factory, any equipment, components or parts thereof which are returned to its factory (transportation charges prepaid) within one year after date of invoice. The part(s) returned under this warranty that are found without any problem after examination may be object of fees not covered under this warranty.

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Home Health Care Agencies in Naples FL

If you do not believe in taking chances when it comes to the health of your loved ones, and want to provide them the best medical care in the comfort of home, then a home healthcare agency in Naples is perhaps the best choice for you.

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Americare Home Health Services, Inc

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Bridgeport Home Health Care

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Moorings Park Home Health Agency

111 Moorings Park Dr | NAPLES FL 34105

United Nursing Services

5644 Tavilla Circle Ste 204 | NAPLES FL 34110

West Coast Home Health Care Agency Inc

2590 Northbrooke Plaza Dr Unit 203 | NAPLES FL 34119

Our Recommendations

  • How Can a Therapy Dog Help Seniors? Learn how a therapy dog can assist with many healthcare issues seniors face today, and provide an important emotional connection to improve quality of life.
  • How to Help Seniors Avoid Scams As technology changes, so do scammers and criminals. Learn how to help your elderly relatives avoid these three common scams.


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Cell models are ditching headphone jacks at a brisk clip, so in situation your new Android smartphone or Apple iPad Professional ships with out that treasured port, you could have to acquire a wi-fi headset to eavesdrop on podcasts, music, or video clip. Or most likely not. You maybe can even so use your system’s USB Form C port collectively with your favorite headphones — need to you get your palms on a USB Form C headphone adapter. Simply plug it into the charging port, soon after which plug your headphones into the a few.5mm audio jack on the opposite aspect of the adapter. It is that simple, and now we have hunted down a number of the best USB-C headphone adapters on the sector that will assistance you do specifically that.

Linklike 2-in-1 USB C to a few.5mm Headphones Adapter

Linklike 2-in-1 USB C to 3.5mm Headphones Adapter

The Linklike 2-in-1 USB-C to a few.5mm Headphones Adapter is developed to permit you to hear and charge concurrently on a huge selection of USB Sort C units. The unit’s created-in Realtek DAC Audio Chip emits superior-resolution audio at 24bit/96kHz. The adapter is extensively ideal with the iPad Skilled 2020 and 2018, Samsung Galaxy S20 and Detect 10, numerous fashions of the Google Pixel, HTC, Critical Cellphone, Huawei Mate 20, and distinctive Type C models. It helps Power Source (PD) fast charging for several units — with the notable exceptions of the Samsung Galaxy Notice 10 and Huawei telephones — and gives as significantly as 60W (20V/3A) electrical power output. Use it for quantity administration, Hd phone calls, and answering calls on appropriate models.

Belkin Rockstar 3.5mm Audio + USB-C Charge Adapter

Belkin Rockstar 3.5mm Audio + USB-C Charge Adapter

The Belkin USB-C audio adapter, notably created for USB-C models that absence a few.5mm audio ports, allows you to acquire heed to audio and various audio while charging your technique by suggests of a one USB-C port. This adapter choices USB-C charging and a three.5mm auxiliary port for tunes, films, cellphone calls, and more. The USB-C port is ideal with just about every rapidly cost 2.zero and USB-PD, delivering swift and guarded electrical power when related to appropriate chargers. The unit’s digital-to-analog audio converter provides significant-resolution, static-totally free, comments-no cost seem wherever you go.

Acessorz USB C to three.5mm Audio Aux Jack Adapter

Acessorz made this exceptional USB C to three.5mm aux cable twine to functionality excellent electronic audio converter (DAC) chips that remedy the audio problems encountered with most Form-C cellular models. With its Realtek DAC chips, it aids large-resolution 192khz audio significant good quality with no-reduction transmission of the audio sign. You ought to use this adapter to acquire heed to new music out of your car aux stereo speaker or as a headphone adapter with each other with your models. It entirely will help songs, with no contacting function. It is appropriate with most Sort C units just like the iPad Experienced 2018, Google Pixel 2, three, four, XL, OnePlus, Samsung Galaxy See 10, S10, S9, Huawei, LG, Crucial Cellphone, and Xiaomi. The cable is made with premium sturdy polished zinc-alloy and a gold-plated connector in addition a sturdy 4-foot nylon braided cable.

Apple USB-C to three.5mm Headphone Jack Adapter

Apple entails the rescue with its personal USB-C to a few.5mm adapter so you possibly can acquire heed to your favorite programming, motion photos, and tunes on the brand new USB-C iPad fashions — the iPad Specialist 11-inch and the iPad Experienced 12.9-inch (third technologies). The USB-C to three.5mm headphone jack adapter enables you to be part of devices that use a normal 3.5mm audio plug — like headphones or audio process — to your USB-C units. It’s a simple device that does the trick.

USB C DAC Headphone Adapter

This premium substantial good quality DAC adapter permits you to get satisfaction from too much fidelity audio in your smartphone with a crafted-in DAC significant-resolution chip that performs again with ultra-very low energy dissipation and multi-method dynamic energy administration. The adapter facilitates substantial-resolution audio output and noise low cost as much as 32 bits/384 kHz lossless to boost the one of a kind sound superior excellent of your mobile cellphone. It might travel stereo earbuds as substantially as 35mW/32Ohm to accommodate a assortment of tones. The trim design and style permits you to link with headphones and smartphones anytime and ensures computerized recognition of the headphones by way of the OMTP/CTIA regular. The system assists most Android 5.1 or earlier mentioned models with typical USB-C, equivalent to Google Pixel 2, 2 XL, three, a few XL, 4, Moto Z, Z2, OnePlus 7 Skilled, Huawei Mate 10 Professional, P20, Mate 20, and Samsung Galaxy S8, S9, and Notice 10 Skilled.

Jsaux USB Sort C to a few.5mm Headphone Jack Adapter

Jsaux presents substantial compatibility with its Form C to a few.5mm adapter and is acceptable with most Form C telephones just like the Pixel four, three, 2, XL, Samsung Galaxy S10, S9, S8, Moreover, iPad Skilled, Huawei Mate 30, 20, 10 Experienced, and a good deal of extra. This brightly coloured nonetheless compact adapter enables you to just take heed to songs in addition to reply cellphone phone calls collectively with your headphones and aids wire management as proficiently. It’s suitable with as a lot as 24little bit/96Khz, giving you with a wealthy substantial-fidelity sound.

Google USB Type C to three.5mm Headphone Adapter

This quick, compact adapter will allow you to progress to make use of your favourite three.5mm headphones the similar solution you in all probability did with the headphone jack. The adapter is smaller, light-body weight, and straightforward to stow in a handbag or backpack to just take with you anyplace.

ESR 2-in-1 USB-C Headphone Jack Adapter

The ESR 2-in-1 splits your USB-C port suitable into a PD-suitable USB-C port and a 3.5mm audio jack, allowing you to take heed to songs or look at flicks while concurrently fast-charging your technique. It aids the Vitality Source protocol specification 2.zero and QC 2.zero swift charging, as a great deal as 30W. Two chipsets promise steady, significant-fidelity audio transmission that’s acceptable with most USB-C and 3.5mm models. Supported units embody the Google Pixel 4, 4 XL, a few, 3 XL, Samsung Galaxy S10 As well as, S10, S10e, S9, S8, Recognize 10, iPad Experienced 2018, and further. If the adapter is not doing work at initially, attempt plugging your earphones and charging cable into the adapter earlier than plugging the adapter into your cellphone.

Ailun USB C to 3.5mm Audio Adapter

In the occasion you are on the lookout for the best sound, get a glance at the Ailun adapter. Its electronic audio converter (DAC) superior-resolution chipset presents a sampling demand of as significantly as 192KHz/24little bit to change electronic audio alerts to analog and maintain the unique sound higher good quality of your headphones. Sounds discounted and too much anti-interference alternatives support to present a wonderful listening abilities. The unit can help audio and contacting for quite a few USB smartphones and is appropriate with all sorts of smartphones with each other with the Samsung Galaxy S10, S10 As well as, Detect 10, Google Pixel, Pixel 2, Motorola Moto Z, Z Droid, Z Generate, Z Perform, HTC U11, Nexus 5X, Nexus 6P, OnePlus 2, iPad Expert 2018, and unique Form-C units. For the Samsung Galaxy S8/S9/N8, it helps music even so not calling.

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Adobe Fireworks CS6 [Mac]

Adobe Fireworks CS6 [Mac]

Adobe Fireworks CS6 [Mac]
Size	657.8 MB
Name: Adobe Fireworks CS6
Mac Platform: Intel
Includes: K
OS version: 10.6 or later
Processor type(s) & speed: 64-bit processor
RAM minimum: 512 MB
Video RAM: 512 MB
What's New
Version 12.0.1:
Added OS X 10.8 platform compatibility
Performance and stability improvements
Several usability improvements in the CSS Properties panel
Link for more information: http://www.adobe.com/products/fireworks.html
Adobe� Fireworks� CS5 software provides the tools you need to create expressive, highly optimized graphics for the web or virtually any device � from smartphones to kiosks to embedded displays.
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Keep designs crisp on destination screens of virtually any size with advanced rendering. Improved definition means objects in vector and bitmap modes appear sharper, even when converted from one mode to the other.
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Match colors precisely with designs from other Adobe graphics software via Adobe Swatch Exchange (ASE). Import an ASE file from Adobe Photoshop�, Illustrator�, or Kuler�.
Easy-to-use screen-based design tools
Create and edit vector and bitmap images, or import and modify native Adobe Photoshop and Illustrator files. Changes remain editable at any time, and final output is optimized for display resolutions.
Improved type handling
Produce exceptional type designs with the Adobe text engine. Copy and paste double-byte characters without loss of fidelity. Float text inside a path, and take advantage of many other improvements.
System requirements
* Multicore Intel processor
* Mac OS X v10.5.8 or v10.6
* 512MB of RAM (1GB recommended)
* 1GB of available hard-disk space for installation; additional free space required during installation (cannot install on a volume that uses a case-sensitive file system or on removable flash storage devices)
* 1280x1024 display with 16-bit video card
* DVD-ROM drive
* Broadband Internet connection required for online services and to validate Subscription Edition (if applicable) on an ongoing basis*

Password: mojado or coz45

Download Links:


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Tag Archives: sounds

Continue reading

Who “r” you?

My latest article for the BBC is on “r” – that sound we make in many different ways, and sometimes not at all, depending on who we are and where we’re from. It has a very interesting history, and not just in English!

What a single sound says about you

Different sounds that we think are the same sound (but others don’t)

My latest article for The Week is on sound distinctions that other languages make but we don’t. Some of these are things that even linguistics students don’t notice until they’re pointed out. It includes a video!

The subtle sounds that English speakers have trouble catching

You can get far by acting immature

That article I wrote for TheWeek.com about teenage noises, and its accompanying video, have grown slightly longer legs yet. It’s been reposted and featured on several sites, including PopSci.com and even in a column on Australia’s Crikey.com.au. The Huffington Post presented the video with a write-up.

And today listeners of National Public Radio’s Weekend Edition Saturday heard Scott Simon interview me about it – listen to it on their website. The segment is 3 minutes long, which means I still have 12 minutes of fame coming to me. I hope it’s not for something humiliating.

Annoying teenage noises

Annoying teenage noises

My latest article for TheWeek.com looks at annoying noises that callow adolescents make. I give a detailed phonological analysis of each of them – and I reproduce all of them in a video.

A linguistic dissection of 7 annoying teenage sounds

8 odd sounds from other languages you could never make except you probably already have

My latest article for TheWeek.com has been posted today:

8 bizarre sounds you’ve probably made without knowing it
And their prevalence in several foreign languages

(Please note that I don’t make up the captions for the photos. Where it says an uvular trill I would recommend reading a uvular trill.)

Watch a video of me reading it and making the sounds:

A Word Taster’s Companion: The world speaks in harmony

Today: the third installment of my how-to guide for word tasting, A Word Taster’s Companion.

The world speaks in harmony

It’s our ability to parse the flow of sound into separate sounds that makes language work. We have a conceptual understanding of the different sounds we make – ideal sounds, targets that we aim for and come variously close to when we actually speak. When the sounds are strung together, we still think of them as independent units. It’s like handwriting: the letters may flow together so you can’t say exactly where one ends and the next one starts, but you can see the different letters.

Now, when we hear someone talking, how do we know what different movements their mouth is making, what targets they’re shooting for? It’s all to do with the harmonics.

When you make a vocalization, your vocal cords are vibrating at a certain frequency – which, if you’re singing, is the note you’re singing – but they’re also echoing in your vocal tract at various frequencies that are multiples of the base frequency (two, three, four or more waves for every one of the base frequency). If you sing an A at 440 Hertz (vibrations per second), there are also echoes of that at, for instance, 880 Hertz and 1760 Hertz, among others.

Now, which harmonics sound louder and which sound quieter will be determined by the shape of the resonating space in your mouth. There’s a resonating space at the back of your mouth, from your larynx to the top of your tongue, and the higher your tongue is, the longer that space and the lower the frequency of the harmonics that stand out. There’s also a space between the front of your mouth and the closest point your tongue comes to your palate, and the smaller that space is, the higher the resonance. The stand-out harmonics those spaces engender are called formants: the one at the back is the first formant, and the one at the front is the second formant. (There are third and fourth formants that play smaller roles.)

Thus, [u] – “oo” as in “boot” – is heard as it is because it has lower harmonics coming out in both formants: the back of the tongue is high, making a big space between it and the larynx, and it’s also far back, making a big space between it and the front of the mouth. On the other hand, [æ] – “a” as in “cat” – is heard as it is because both formants are higher; the tongue is low and towards the front. And [i] – “ee” as in “beet” – has low resonances in the first set, and higher ones in the second set. The second set are always at least a little higher than the first, even when saying the low back vowel [a], as in “bother.”

We also recognize consonants this way. If they’re consonants that stop the flow of air, we recognize them by what the tongue is doing immediately before and after. If they let just a little air through, we also get the sound of the air as it hisses or buzzes. I’ll go into close-up details of the vowels and consonants in coming chapters.

So we hear these sounds, and we have a sense of where in the mouth they’re coming from, and we also have an idea of what sound could come next in any given word – by the time you’re a couple of sounds into a word, the possibilities are narrowed down quite a bit. We can also hear the effect of the tongue moving and changing the shape of the resonating space in the mouth. And we have learned a repertory of different sounds that we recognize as distinct speech sounds (I won’t say “letters”; those are what we write to represent the sounds). The actual sounds won’t always be exactly identical, but as long as they’re close enough to a target, an identifiable known speech sound, they will be identified as it, especially if the sounds around it lead us to expect it.

These target sounds – sounds that we recognize as separate speech sounds – are called phonemes. If you meet someone who speaks another language who can’t manage to differentiate “bit” from “beat,” that’s because their native language doesn’t have a distinction between those two vowel sounds, so they’re not used to making the distinction when speaking. They may even believe they can’t. They might have a heck of a hard time telling them apart when listening, too, because they both land close enough to the same target in the set of sounds they’re used to. It’s the same with English speakers hearing and making sounds from some other languages: we may not be able to tell apart sounds that, to the language’s native speakers, are obviously different. After all, learning language is also a process of unlearning: in order to have separate sounds, you not only have to treat similar sounds as completely different; you also have to forget that some sounds are different because you need to treat them as the same in order for your language to make sense.

Next: Horseshoes, hand grenades… and phonemes

A Word Taster’s Companion: What makes a word

Today: the second installment of my how-to guide for word tasting, A Word Taster’s Companion.

What makes a word

Let us start by looking at the parts of words. Take a word. In fact, let’s start with start. Here’s a simple question: what is this word, start, made of?

Did someone say five letters?

No, words are not made of letters.

That’s right: one of the first things just about anyone knows about words is the first thing they’re going to have to unlearn.

Tell me, what did you do first, when you were a very small child: write or speak?

You almost certainly learned to speak a few years before you learned to write. You knew the sounds long before you knew the symbols used to represent them on paper.

But aren’t those sounds letters?

They sure aren’t. Letters came along to represent sounds many thousands of years after humans started speaking. And anyone who can write English knows that the same letter is often used to represent several different sounds – for instance, fat, make, above – and the same sound can be represented by different letters – hay, hey, weigh.

Words are made up of quite a few different things, actually – and we’ll get to them all by the time I’m done with you – but on the most basic level of expressive form, words are made up of sounds (unless you are deaf and speak sign language).

And those sounds are made by the physical movements of your vocal tract. (If you speak sign language, they’re made up of movements of your hands and other body parts.) So when you say a word, you feel it. And when you hear a word, you know what it feels like.

So feel it. Feel this word: “Start.” Say it.

What do you feel your tongue doing? First the tip is up near the front of your mouth, behind the teeth and ahead of the ridge (that ridge is called the alveolar ridge). It’s letting some air through, making a hissing noise. Your voice is not activated: you could only whisper, not sing, while saying [s].

Then your tongue closes off the airflow. For a moment no air gets out of your mouth, because your nose is closed too (by means of a flap at the back of your mouth). Then you release it, and the tongue drops down and sits flat on the bottom of your mouth, and your voice starts up: [a].

Then, if you’re among those who say the [r], the tongue humps up like a cat stretching. It makes a narrower passage between itself and the roof of your mouth (your palate).

Finally, the tip of the tongue touches again and blocks the airflow as the voice stops – but you may find that even before the tongue gets all the way there the airflow has stopped; many people will make this stop using the closing point in the throat, the glottis, which is what you use to stop the air when you swallow or hold your breath.

So there you have it. One continuous movement of the tongue, with the voice engaged just in the middle. A continuous flow of physical movement and a continuous flow of sound. But we hear it as five sounds, because we have learned to divide the sound stream we hear into those sounds.

Next: The world speaks in harmony

The madder matter of t’s and d’s

One of the most common “have you ever noticed” things people like to make mention of in English pronunciation – especially North American English pronunciation – is how, in many words, such as matter and betting, “we say ‘t’ as ‘d’.”

I put that in quotes because that’s what people say.

It’s not really true.

Actually, we say them both as a third sound. It just happens that this third sound, to our ears, sounds more like [d] than like [t]. (By the way: I’m using the linguistic standard of putting a sound in brackets, [t], if it’s the sound we’re actually making, and between slashes, /t/, if it’s the sound we believe ourselves to be making whether or not we actually are making exactly that sound. So “hit it” will always be /hɪt ɪt/ but not always [hɪt ɪt].)

Here, I’ll prove that we don’t say it as [d]. Say the following, slowly and carefully, perhaps as though you’re speaking to someone who is hard of hearing:

I’m not kidding about the reckless betting.

No problem making /t/ and /d/ different there, right?

Now say it quickly, as quickly as you reasonably can, maybe two or three times in a row.

Those d’s and t’s seem to be pretty much the same sound now, right? All d’s, perhaps?

No, not all d’s. Say this slowly and carefully, perhaps as to someone who is having a hard time hearing you:

I’m not kidding about the reckless bedding.

Before, when you said “reckless betting” quickly, there was no problem with a hearer knowing you were talking about gambling. But when you say the [d] clearly, that’s out the window; you’re now talking about crazy quilts and sheets. You can’t say “bedding” clearly and be taken for saying “betting” under normal circumstances.

We tend to think that we’re saying it as [d] because most of us don’t have a letter to associate with what we are saying it as. But I’ll tell you what we’re really saying it as: a thing linguists call a tap. The tongue just taps the alveolar ridge without really stopping the airflow. We sometimes make a flap, which is when the tongue taps on the way past rather than bouncing off. A tap is like in “better” (said quickly and casually); a flap is like in “editing” (said quickly and casually). The International Phonetic Alphabet symbol for a tap or a flap is [ɾ].

Does that look like a partly-formed r? As well it might. Some speakers – particularly those with accents we might think of as “proper” British – will use it for /r/ in the middle of words, as in “very horrifying.” North Americans, who aren’t used to saying /r/ that way, often represent this as a d as in “veddy British.” But it’s not [d]. It’s [ɾ].

Here’s how sounds work in language: Every language has a set of sounds that are considered to be distinctive – swap in a different one and you have a different word (or a non-existent word). These distinctive sounds are called phonemes. Do not confuse these with the letters of the alphabet. For instance, c is a letter that can stand for the phoneme /k/ as in can, /s/ as in ice, or even /tʃ/ in some loan words such as ciao. On the other hand, /k/ is a phoneme that can be represented by c as in can, k as in kill, ck as in kick, ch as in school, q as in question, even que as in unique.

But a sound that is considered to be distinctive may have several different ways of being produced, depending on where it shows up. We just happen to hear them all as versions of the same sound and thus interpret them all as the same sound by habit without generally noticing that there is any difference. Take /t/, for instance. Say the following words:

ting sting matting mattress mat mitten

Each one has a different version of that /t/. Linguists call these different versions phones (as if that word didn’t have enough meanings already). The system of phones is phonetics, while the system of phonemes is phonemics. (Phonics is not a word linguists use.)

Put your hand in front of your mouth and say “ting sting.” You might feel an extra puff of breath on “ting.” If you say “pill spill” you will feel much more of a puff on “pill.” We put those puffs on voiceless stops (/k, t, p/) when they’re at the very beginning of a syllable – but not if there’s /s/ before them at the start of the syllable. Those puffs are called aspiration.

That’s two of the six different variations on /t/ – what linguists call allophones of /t/. I’m sure you can hear the different allophones in “matting” (with the tap) and “mattress” (with “mattress” the /tr/ together sound like “ch” plus “r”). Now how about “mat”? The difference with that one is that we don’t release /t/ when there isn’t another vowel or liquid after it – we just hold it closed. Usually we just close our throat (glottal stop) and sometimes we don’t even entirely touch the tongue to the roof of the mouth. If you have /n/ after it, as in “mitten,” just the nasal passage releases, unless you’re speaking carefully or formally.

All of these are thought of as /t/. All of them are heard as /t/. But they really do differ. In some languages some of them are treated as distinct sounds. You know how speakers of some languages can’t say “beat” and “bit” differently? That’s because those two vowels are allophones – different phone realizations – of the same phoneme in those languages. Well, we’re like that with things like the difference between aspirated and unaspirated stops.

Why do we do this? Economy of effort. A /t/ is a voiceless alveolar stop. We don’t always retain all those characteristics of voice (voiceless), place (alveolar), and manner (stop); we’ll stick with whichever is sufficient to make the sound recognizable while not having to make too much effort to say it, and sometimes we’ll add a little more distinction where needed. So at the start of a word, we add that puff of air to make it clearer that it’s not /d/. We don’t need to do that after /s/ because we never say /sd/ at the start of a word. In the middle of a word like matter, we just keep the place and a similar manner, but we don’t stick too closely to the voicelessness or the hard stop. At the end, as in “mat,” or before a nasal, as in “mitten,” we reduce it to a different stop (glottal) that takes less effort to say. That’s also what some people (notably some British people) do when they use a glottal stop between two vowels, as though “matter” were “ma’er” (or “ma’ah”). The quality of being a voiceless stop is enough; the other two voiceless stops (/k, p/) don’t reduce to a glottal stop in English.

So those are the allophones of /t/. What you need to know is that sometimes two different phonemes have, in some contexts, the same phone as an allophone. Most “short” vowels in English reduce to a neutral unstressed vowel [ə], for instance. The case in point today is [ɾ], which can be a version of /t/ or /d/ (or, in some kinds of English, /r/).

We think of voice as the difference between /t/ and /d/. But they’re stops – how do you voice a consonant when your air flow is stopped? You don’t, really. You know the difference between /t/ and /d/ mainly by how the sounds before and after behave. Say this:

mad mat

In “mad” your voice keeps going right up until you say the [d], but in “mat” you cut off a moment sooner. You also say the vowel a bit shorter.

Now say this:

The madder matter

The difference is very subtle, isn’t it? But you may say the [æ] before the /d/ a little longer than before the /t/, and you may cut the voice out just a little for the /t/ version. It’s not really enough to be sure about when you’re listening, but there may be that small effect of the sound you’re thinking about when you say it.

On the other hand, you might really say them both the same way.

It just happens that that way will not be with [d]. It will be with [ɾ].


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Review: Adam & Eve’s Tantalizer Clit Suction Massager

Let’s say you’ve had a rough day. You’re tired it’s 3 am and you just want to get to sleep, it doesn’t help that your house is in the high 80’s despite the buzzing of a swamp cooler. So you say to yourself  “You know what puts me to sleep real quick? A good orgasm.”…

Let’s Buy a Sex Toy!

“ Sex toys have long since graduated from the floppy rubber things you hide in your bedside table to beautiful works of interactive art.” -Gwyneth Paltrow. Congratulations! So you’ve decided to buy your first sex toy. Maybe you’ve seen Sex and the City or maybe your bff can’t stop talking about how AMAZING hers is….


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Seward House Museum: Fanny Seward Historical Fiction Chapter Four: Mr. Seward’s Surprise

Chapter four: Mr. Seward’s Surprise

Print out the instructions and reading to read-along at home.

Print out the activities to work on at home.

Fanny Seward, born 1844, lived throughout one of the most turbulent time periods in American history, and witnessed firsthand the social and political changes brought about by the Civil War. Her father, William Henry Seward, served as Secretary of State during this time, and Fanny visited her father in Washington, D.C. several times during this period. In this lesson students will read along with the author of the piece, Reagan Graney, and will then answer a series of questions about the section to check for understanding.

By reading the historical fiction story about Fanny Seward, students will understand that the 19th Century was a time of radical social, political, and economic change, which was shaped by several important historic actors. Students will also continue developing their reading comprehension, while learning how to think from the viewpoint of others, building empathy.

Common Core Standards

Refer to details and examples in a text when explaining what the text says explicitly and when drawing inferences from the text.

By the end of year, read and comprehend informational texts, including history/social studies, science, and technical texts, in the grades 4-5 text complexity band proficiently, with scaffolding as needed at the high end of the range.

  1. Provide students with a copy of “Chapter 4”, along with the “Fanny Seward: Activity 4” worksheet.
  2. Access the video of the author reading, and have students read along with their copy of “Chapter 4”
  3. Once complete, ask students to complete the “Fanny Seward: Activity 4” worksheet, and check for understanding.
Chapter Four: Mr. Seward’s Surprise

The next day, Fanny didn’t say a word about the people in the basement. She, Jenny, Will, and Mrs. Seward sat around the dining table, sipping tea and eating scones for breakfast—a completely normal Wednesday morning.

Between bites, they discussed the upcoming school year (Fanny would be homeschooled again), the aid societies the ladies would be joining (Fanny and Jenny would be helping to stitch flags and sew clothes for soldiers), and the private bank Will recently started (“Mother, how many times do I have to tell you? I’m making good money there,” he groaned when she
questioned him about it). Servants came in and out of the dining room, refilling teapots and water jugs, cleaning up dirty dishes and bringing out more scones. Sunlight shone through the big glass windows, sparkling upon the silverware on the table.

Mrs. Seward sighed deeply. “I’ve not heard a word from your father, you know,” she said.

Fanny looked up, concerned. “When did you last write to him?”

“Well, I write to him every day, of course,” Mrs. Seward said, filling her teacup. “But it’s been a few days since he last replied.”

“Perhaps the mail route from Washington is taking longer than normal,” Jenny offered kindly, sensing her mother-in-law’s worry.

“Oh, I don’t know,” Mrs. Seward said. “It’s just so unlike him.”

“Mother, please,” Will said, his tone a bit more biting than he likely intended. “Father is fine. You’ve said it yourself—he’s a busy man. He’s probably off travelling somewhere to gather information for the Union.”

“Should I write to Fred?” asked Mrs. Seward. Frederick Seward was Fanny and Will’s older brother. He lived in Washington with his wife, Anna, and served as Assistant Secretary of State alongside his father. Anna worked as the hostess at Mr. Seward’s house. They would both know what Mr. Seward was doing.

“If you so desire,” said Will. “But Fred’s going to tell you the same thing. Our father’s just bad at keeping in touch, nothing more.”

“Who’s bad at keeping in touch?” said a voice from behind them, slightly offended.

Fanny spun around. Standing in the doorway to the dining room was a short, funny looking man. He had bright red hair and striking blue eyes that pierced through wiry eyebrows; and upon his lips was a sly grin. It was Mr. Seward.

“Father!” Fanny cried.

Everyone stood up from their chairs and reached their arms out to the man, who laughed and hugged them each in return. Greetings flew through the air, along with several questions of “how did you get here?” and “why didn’t you tell us you were coming home?”

“I’m sorry I didn’t write to you first, dear,” Mr. Seward said to his wife. “I didn’t mean to worry you… I just wanted to make it a surprise.”

“Well, it certainly was,” said Mrs. Seward briskly. But she could not help a smile from forming on her face.

“It’s been eight months, Father,” said Fanny. “You must tell us everything!”

Mr. Seward laughed. “I will, my darling Fanny,” he said, “but first, could I have some tea? I’m parched.”

Mr. Seward sat down with his family for the first time since Christmas, and then he launched into stories from his time in Washington. He told them about Anna Seward, his daughter-in-law and Fred’s wife, who put together the most fantastic dinner parties for guests at his home there. He told them about taking carriage rides through the capital city, and the interesting people he saw on the streets of D.C. And he told them about the Presidential
Mansion, a huge, white building that sounded to Fanny like an extravagant castle, where he often sat with the Lincolns and had meetings, or even dinner.

“What is President Lincoln like?” Fanny asked her father, enthralled in his stories.

Mr. Seward laughed. “Hm… President Lincoln is…”

Fanny stared at him with bated breath. Lazy? Manipulative? Untrustworthy?

“…an inexplicable man.”

Fanny blinked. “Inexplicable?” she repeated.

“Inexplicable,” Mr. Seward said. “He can’t be described.”

Fanny felt slightly abashed. “Father, why does nobody know who this man actually is?” she asked, lost. “Do you think he deserves to be in charge of our country?”

Mr. Seward’s brows furrowed. “Well, of course I do!” he replied. “He is, without a doubt, the best and most capable man for the job.”

“So,” Jenny asked, “you do like President Lincoln?”

“By God, he is wonderful!” said Mr. Seward. “The President has become one of my closest friends and dearest mentors. He is complicated, and stubborn, and flawed, but he is a gift to our world and the person who will help to fix our nation.”

Everyone fell silent, thinking on these words.

Mr. Seward turned to Fanny, taking her hands in his. “I wonder, my dear, if you might like to meet President Lincoln?”

Fanny felt as though her heart had skipped a beat. “Do you mean… I could come to Washington with you?”

Mrs. Seward cleared her breath. “Henry, dear?” she said to her husband. “What are you asking, exactly?”

Mr. Seward looked up at her, and at everyone else. “Well, this is for everyone, of course!” he said, joyously. “I am here today because I think that it’s finally time you all visited Washington with me.”

“Oh, wow!” Fanny said, throwing her arms around her father. “I would absolutely love that.”

“Me as well,” said Jenny, beaming.

But Mrs. Seward was pale. “For how long?” she asked, quietly.

“Just a little while,” Mr. Seward said. “No longer than a month, or even a couple of weeks, I promise.”

Fanny looked at her mother, sensing apprehension behind her eyes. Her mother was frail; and she knew, though she’d never admit it, that Mrs. Seward always wished her husband would live in Auburn with her, away from the dangers posed elsewhere.

“Is it safe there?” Mrs. Seward asked.

“Yes,” said Mr. Seward. “I promise. I wouldn’t invite you all if I didn’t truly believe so.”

Mrs. Seward paused, looking down at her plate. Finally, she replied, “Okay. But only for a couple of weeks.”

Fanny smiled widely. She would finally be seeing the capital! And even more than that…she would be meeting President Lincoln.

Draw a picture of Mr. Seward. Then, explain why you drew him the way you did.

Access the previous or next chapter

1 2 3 4 5


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Search SFE    Search EoF

  Omit cross-reference entries

Entry updated 26 May 2015. Tagged: Publication.

US film magazine, slick Bedsheet format. Published and edited by Frederick S Clarke from Illinois until 2000; edited by Dan Persons to 2002; edited by Jeff Bond to 2006. Fall 1970-2006. The magazine reached Vol 38, no 3, dated May/June 2006, at which point the print edition ceased (but see below). Production schedule varied from four to six numbers a year, and was latterly bimonthly.

Cinefantastique specialized in sf, fantasy and Horror Cinema, and occasionally Television; it was well illustrated in both colour and black-and-white. This was by far the most useful US fantastic-cinema magazine, being less juvenile in orientation and (apparently) less dependent on the studios for pictorial material, and thus more independent in its judgments, than magazines like Starlog. Critical standards ranged from merely eccentric to excellent. Coverage was good on films with wide theatrical release, but patchy on films that went straight to video release and on television programmes, with good coverage of television Star Trek programmes, rather weak coverage of most other television shows. Features range from interviews through articles on production problems and on how special effects are worked to occasional retrospectives (usually good) on famous genre movies of the past. Reviews became briefer and weaker in the 1990s, with many films and television shows omitted altogether (and many credits misspelled or simply not given), so that Cinefantastique's usefulness as a comprehensive magazine of record was becoming dubious.

Following Frederick S Clarke's suicide in October 2000, there was an interregnum during which Cinefantastique was edited by established contributor Dan Persons. The magazine was acquired in 2002 by Mark A Altman's Mindfire Entertainment, which renamed it CFQ – though with the former title retained in small print on the cover – from Vol 35, no 1 (September 2002). In November 2006 the current editor Jeff Bond announced that CFQ was now "on hiatus". Subscriptions and much of the review coverage were transferred to the new, less specialized magazine Geek Monthly edited by Bond, which appeared to have replaced Cinefantastique. The original magazine was however relaunched as the Webzine Cinefantastique Online in August 2007, and continues thus. [PN/DRL]

see also: Imagi-Movies; Media Magazines.

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BAPA + NorCal XC league kickoff meeting

By February 17, 2020March 14th, 2020No Comments
You are all invited to join BAPA and the Northern California Cross Country (NorCal XC) League kickoff. This event will occur ONLINE on 14th March at 5pm. We will not be gathering at Red Lobster.  We welcome pilots of all levels to this meeting!  Even if you have not yet received your P3 rating, there will be valuable information and opportunities to chat with more experienced pilots.

Meeting agenda:

  • Short BAPA meeting to introduce officers and discuss opportunities for involvement
  • Awards ceremony for 2019 season winners
  • Introduction to the 2020 league

You can join via phone, or using Zoom (app or web browser) as below.

By default, when joining your video is off, and your microphone is muted. Please try to stay muted if not speaking. If you’ve used one of these systems before, you’ll know they can work great but a major weakness is horrible audio feedback/background noise!

Topic: BAPA/XC league virtual meeting
Time: Mar 14, 2020 05:00 PM Pacific Time (US and Canada)

Join from PC, Mac, Linux, iOS or Android:

Or iPhone one-tap (US Toll): +18333021536,,686869454# or +16507249799,,686869454#

Or Telephone:
Dial: +1 650 724 9799 (US, Canada, Caribbean Toll) or +1 833 302 1536 (US, Canada, Caribbean Toll Free)

Meeting ID: 686 869 454

International numbers available:
Meeting ID: 686 869 454


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Tuesday, November 30, 2021
Tags Save housing

Tag: save housing

Bayview Hunters Point Community Legal puts the law on your side,...

Civil law, intended to protect the vulnerable in our society, has been shown to be extremely effective at protecting the housing, property, family and employment rights of our neighbors when utilized. Sadly though, poor people in our society are almost never able to use the civil law to protect their rights. Simply put, this is because there aren’t enough trained lawyers available to help the poor, vulnerable and oppressed enforce their civil rights.


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Tuesday, November 30, 2021
Tags Shafia Monroe

Tag: Shafia Monroe

Shafia Monroe, founder of the International Center for Traditional Childbearing, seeks...

Shafia Monroe speaks wit’ the Block Report about how to stay healthy during pregnancy and the need for more Black midwives and doulas in the nation. Blacks have by far the highest infant mortality rates, with 17 of every 1,000 Black babies dying in their first year, compared with 3-4 in other communities. Learn more and meet keynoter Erykah Badu – who herself is a doula – at the ninth annual International Black Midwives and Healers Conference Oct. 9-11 in Portland, Oregon.


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Starting a new project takes a lot of energy. But reputation is the key and there is a lot of room for improvement.

For an entrepreneur, not having ideas is like not having food to eat. Her very survival depends on it… While people search for fresh locally grown veggies, in the finest farmer’s market in the city, the entrepreneur seeks out the newest and most unique ideas available around her.

Unlike shopping for veggies, a writer has to grow the idea herself… The seed may have been planted from outside, but holding onto the seed, and allowing it to grow into its own identity, is the job of the entrepreneur.


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Singapore markets open in 7 hours 23 minutes

Renault SA (RNLSY)

Other OTC - Other OTC Delayed Price. Currency in USD
Add to watchlist
6.36-0.17 (-2.60%)
As of 12:20PM EST. Market open.

Renault SA

13-15 quai Le Gallo
Boulogne-Billancourt 92109
33 1 76 84 04 04

Sector(s)Consumer Cyclical
IndustryAuto Manufacturers
Full-time employees170,158

Key executives

NameTitlePayExercisedYear born
Mr. Luca de MeoChief Exec. Officer1.95MN/A1967
Ms. Clotilde DelbosGroup CFO, Exec. VP & Deputy CEO486.24kN/A1967
Mr. Thierry HuonInvestor Relations DirectorN/AN/AN/A
Ms. Quitterie Dupontreue De PelleportSVP of LegalN/AN/A1977
Ms. Florence De GoldfiemDirector of Communication, Public Affairs, CSR ProjectN/AN/AN/A
Mr. Xavier MartinetSr. VP of Global MarketingN/AN/A1975
Mr. FranÃ§ois RogerGroup EVP of HR, Prevention & Protection and Real Estate & Facility ManagementN/AN/AN/A
Mr. Rudolphe LambertManaging Director of EuropcarN/AN/AN/A
Mr. Louis SchweitzerHonorary PresN/AN/A1943
Mr. RÃ©mi DeconinckManaging Director of Sport Technologies DepartmentN/AN/A1950
Amounts are as of 31 December 2020, and compensation values are for the last fiscal year ending on that date. Pay includes salary, bonuses, etc. Exercised is the value of options exercised during the fiscal year. Currency in USD.

Renault SA designs, manufactures, sells, and distributes vehicles in France and internationally. The company operates through Automotive, AVTOVAZ, Sales Financing, and Mobility Services segments. It offers passenger and light commercial, and electric vehicles primarily under the Renault, Dacia, Renault Samsung Motors, Alpine, and LADA, as well as under the Nissan, Datsun, and Infiniti brands. The company also sells powertrains and used vehicles, as well as spare parts; and provides various services, including sales financing, rental, maintenance, and service contracts. In addition, it offers finance for the purchase on inventories of new and used vehicles, and replacement parts; designs, produces, and sells converted vehicles; provides Renault EASY CONNECT for Fleet, a connected service for business users; and produces driving aids, such as steering-wheel mounted accelerators and brakes, multifunction remote control units to operate indicators, lights and horns, pedal transfers, etc., as well as manual or electric swivel seats. The company has a partnership with Harman International Industries, Incorporated. Renault SA was founded in 1898 and is based in Boulogne-Billancourt, France.

Corporate governance

Renault SA’s ISS governance QualityScore as of 26 September 2021 is 5. The pillar scores are Audit: 1; Board: 7; Shareholder rights: 7; Compensation: 4.

Corporate governance scores courtesy of Institutional Shareholder Services (ISS). Scores indicate decile rank relative to index or region. A decile score of 1 indicates lower governance risk, while 10 indicates higher governance risk.


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Stl - Cardinal's insignia

Word by letter:
  • Stl - Letter on S
  • 1 - st. word S
  • 2 - st. word T
  • 3 - st. word L

All questions by word:
Stl - Cardinal's insignia Stl - Letters on a cardinal's cap Stl - Cardinal insignia Stl - Cap initials at busch stadium Stl - N.l. central team inits Stl - N.l. cap monogram Stl - N.l. team: abbr Stl - Lambert airport code Stl - Busch stadium site: abbr Stl - Busch stadium team: abbr Stl - Mo town Stl - Cardinal's nest?: abbr Stl - Nat'l league cap letters Stl - Cardinals, on the scoreboard Stl - Super bowl xxxiv champs: abbr Stl - Letters on stan musial's cap Stl - Gateway arch city: abbr Stl - Cardinal letters Stl - Home of the n.l.'s cards Stl - Rams, on a scoreboard Stl - Cardinals' team letters Stl - Cardinal cap letters Stl - N.l. central team: abbr Stl - Lambert airport locale: abbr Stl - Cards, on scorecards Stl - Cardinal's home: abbr Stl - N.f.c. west team: abbr Stl - Cardinal's cap monogram Stl - The cards, on scoreboards Stl - Cardinal's letters Stl - N.l. cap stitching Stl - Letters for a cardinal? Stl - Mo. metropolis Stl - 2004 n.l. champs Stl - Cards, on the scoreboard Stl - Cardinals' cap abbr Stl - Cardinal cap logo Stl - Home of the nfl rams Stl - Arch city: abbr Stl - Albert pujols's team, on scoreboards Stl - Cardinals' cap insignia Stl - Mo. city Stl - Letters on a cardinal's hat Stl - The cardinals, on scoreboards Stl - The cardinals, on a scoreboard Stl - Cards' home: abbr Stl - Super bowl xxxvi losers against ne Stl - Cardinal letters? Stl - 2006 world series winners, on the scoreboard Stl - 2006 world series city: abbr Stl - Ram's home: abbr Stl - City in mo Stl - Home of the nfl's rams Stl - Code for lambert field Stl - They beat det. to win the 2006 world series Stl - N.l. insignia Stl - Arch city, for short Stl - N.l. central team Stl - Albert pujols' team, on scoreboards Stl - Letters on a cardinal Stl - Gateway city's airport code Stl - Cardinals, on scoreboards Stl - Cards, on scoreboards Stl - Caps on cardinals' caps Stl - They beat bos. in the '67 world series Stl - Cardinals insignia Stl - 2006 w.s. champs Stl - Lambert airport's home: abbr Stl - Insignia on cardinals caps Stl - The cards of the n.l. central Stl - Letters on cardinal caps Stl - Enos slaughter's team for 13 yrs Stl - Card's insignia Stl - Cardinal's cap letters Stl - Letters on a nl player's cap Stl - Nl team Stl - Cardinal's cap insignia Stl - Busch stadium locale: abbr Stl - Letters on a cardinals cap Stl - Busch stadium abbr Stl - The rams, on the scoreboard Stl - Home of the blues: abbr Stl - Letters on an nl cap Stl - Team in a division with chi, mil, hou, and pit Stl - Nl central insignia Stl - Arch site: abbr Stl - The gateway to the west: abbr Stl - Old twa hub: abbr Stl - Initials on a cardinal's cap Stl - Mo. town Stl - N.l. cap letters Stl - Nl city Stl - Letters on cardinals Stl - Card letters Stl - Letters on ozzie smith's cap Stl - Cardinal-cap letters Stl - N.l. team managed by tony la russa since 1996 Stl - Cardinals' home: abbr Stl - Cards, in brief Stl - Abbr. on a cardinal's cap Stl - Busch stadium letters Stl - Cardinals, on a scoreboard Stl - Scoreboard abbr. in the nhl, nfl, and mlb, but not the nba Stl - Inits. on a card's cap Stl - 2011 world series champs, on scoreboards Stl - Rams' city: abbr Stl - Letters on a cardinal cap Stl - 2011 world series winners, briefly Stl - Letters on cardinals caps Stl - Nl city since 1892 Stl - Busch stadium scoreboard abbr Stl - Home of washington u Stl - The rams, on sports tickers Stl - Nl central team Stl - Cardinal cap marking Stl - Letters for baseball's cards Stl - Blues home: abbr Stl - Arch home: abbr Stl - Gateway arch makeup Stl - Cardinal's cap abbr Stl - Home to the blues and once the browns: abbr Stl - After n.y., team with the most world series wins Stl - Team second to the yanks in ws wins Stl - The rams, on scoreboards Stl - Largest mo airport Stl - Home of the cardinals: abbr Stl - Rams, on chyrons Stl - Cards' cap monogram Stl - Gateway arch city (abbr.) Stl - Arch city (abbr.) Stl - Cardinals on a scoreboard Stl - Mo city Stl - Airport nw of the gateway arch Stl - Mo. city on the miss Stl - Holder of 11 ws wins Stl - Blues with sticks: abbr Stl - Cardinals cap letters Stl - Monogram on a cardinal cap Stl - Cubs' divisional rivals: abbr Stl - Home of mlb's redbirds Stl - Card initials Stl - Mlb cardinal's cap letters Stl - Nl central member Stl - 1904 world's fair city: abbr Stl - Home of the nhl's blues Stl - Letters on a red cap


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Shameless Wiki

When There's a Will is the eighth episode of the  Season 3 of the US version of Shameless.

The Gallaghers try to come up with a plan on how to fight back on keeping the home after learning that cousin Patrick Gallagher filed in a equally forged will. After many attempts to get rid of him fail, Carl poisons Patrick to kill him but he survives.

Fiona and Jimmy start their new jobs working with city waste which Jimmy quits but gets a job at a coffee shop.

Frank gets kicked out of Sheila's home; he continues to attend court-ordered alcoholics anonymous class and makes friends with a fellow member as he decides to pose as his sponsor in order to have a place to stay. Come to find out the man was just looking for a sponsor because he wanted a friend, he isn't really an alcoholic.

After a fight with Lip, which Karen instigated, Mandy moves out of the Gallagher home. He then visits Karen and they have sex. Sheila and Karen attend a down-syndrome support group. Sheila later learns from baby Hymie's other grandmother, Mrs. Wong, that Karen called her in order for them to take Hymie with them so she can return home.

Veronica and Kev continue their quest on having a child as Veronica's mom, Carol, starts turning up the romance; she might be slowly developing feelings for Kev.

When Patrick brings the police to evict the Gallaghers, Debbie claims he had sexually molested her. While he was being arrested by Tony Markovich, Fiona starts negotiations for a 50-year lease at $500 per month down from the $1800 he originally wanted. He begrudgingly accepts the offer and is released.

Regular Cast

Special Guest Star

Guest Starring

  • Christian Clemenson - Christopher Collier
  • Bernardo de Paula - Beto
  • Josh Perry - Jeremy
  • Elizabeth Sung - Mrs. Wong
  • Sunkrish Bala - Andy
  • Tara Karsian - Celia
  • Brent Sexton - Patrick Gallagher
  • Verda Bridges - AA Leader
  • Jerome Ro Brooks - Black Man
  • Bridget M. Brown - Down Syndrome Sister
  • James J. Collins - Court Clerk
  • Jonathan Erickson Eisley - Hippie Dad
  • Laurie Hendler - Activist Mother
  • Bryan Kelly - Menacing Man
  • Michael Patrick McGill - Tommy
  • Audrey Morgan - Homeless Lady
  • Barb Rossmeisl - Patrick's Wife
  • Andrew White - Market Owner
  • Nancy Youngblut - Mrs. Kandage
  • Christopher Kahler - Nerney

  • The Gallaghers officially declare Ginger dead.
  • This marks the first appearance of Patrick Gallagher, who is the cousin of Frank.
    • Patrick is married with two sons.
    • Patrick kicks the Gallagher children out of the house.
  • Sheila kicks Frank out, leaving him homeless.


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Laurie Duggan’s Old New and Selected

Laurie Duggan, New and selected poems, 1971-1993 (UQP 1996)

One result of reading poetry as it turns up in the secondhand bookshops is that I meet things out of sequence. As a retrospective of Laurie Duggan’s work, this book was superseded by 2005’s Compared to What: Selected Poems 1971–2003, and Duggan has published a number of books since then, not to mention his mainly photographic blog, Graveney Marsh. Still, this is the book I’ve got. It’s a fabulously mixed bag.

Laurie Duggan strikes me as a poet’s poet: not necessarily in the sense that he writes primarily for an audience of poets (though that could also be true), but in the sense that much of his work is concerned with the poet identity. You know how there are gay poets, and feminist poets, and nationalist poets? Well, there are also poet poets. Other poets turn up in his poems with extraordinary frequency, in two ways.

First, there are references to their work: there are poems imitating Rimbaud, Alan Wearne, John Forbes, John Tranter, and taking satiric digs at Les Murray, Robert Gray, A D Hope – ‘the last / Augustan poet claimed alive’ – and a number of translations from poets ancient and modern. I probably miss most of the allusions, but I spotted lines from Kenneth Slessor, James McAuley, Martin Johnston, and a number of 20th century US  poets.

And then there are poets as enemies, or more frequently as members of the community he belongs to:

Anna & Ken's blue V.W. crawls up the opposite hill
off for milk___cottage pie ingredients

That’s Anna Couani and Ken Bolton. I was reminded of a moment in Ken Bolton’s essay ‘Some Memories of John Forbes’ in Homage to John Forbes (2003):

I remember driving, with Anna Couani at the wheel and Laurie in the passenger front seat. The blue Vee-dub, … the car loaded up. As we got to the Broadway end of Glebe Point Road … we spotted John’s familiar figure steaming along ahead away from us down the footpath. … Laurie leaned out the window and called Heeeeyyy, POET!

And a host of poets, mostly of the so-called ‘Generation of 68’, turn up by first name as the book progresses. The sense of a community of poets persists to the final poem ‘Ornithology’ which starts out as an elegy for poets Bob Harris, Martin Johnston and Jas Duke (misspelling the title of Martin’s ‘In Memoriam’, incidentally), becomes an extended soul-searching, and could now be read as a foreshadowing elegy for John Forbes.

I don’t want to give the impression that these are coterie poems or an exercise in navel-gazing. In general, there’s a seductive, self-deprecatory wit and, especially in the continuing Blue Hills sequence (recently gathered into a single book by Puncher & Wattman) and The Ash Range from the mid 1980s, a deep engagement with place.

In a 2010 interview with Fiona Scotney published in The Long Paddock, the online component of Southerly 71/3, Duggan said this about his poetic approach:

I like the idea of plonking something here and something there next to it and the result is something else.

‘Plonking’ is a way of describing bricolage – a kind of verbal scrapbooking, of which Duggan is a superb practitioner. ‘Clayton West 1’, the first poem in the book, includes this:

____________________my Grandmother's cup
clinks in its saucer, table ordered with
teapot, grapefruit, marmalade

It’s just a newspaper headline at the breakfast table, but the result here is something else – what that something is, the poem leaves up to the reader to decide. I could give a hundred examples.

‘Plonking’ also happens in Duggan’s translations, especially of the epigrams of Martial, of which there are 50 here. If you compare them to a literal translation, again and again you see something from ancient Rome plonked down next to something from 20th Century Australia, to delightful effect. Take Epigram VII xx,

Cum facias versus nulla non luce ducenos,
Vare, nihil recitas. non sapis, atque sapis.

Though you write two hundred verses every day, Varus, you recite nothing in public. You are unwise, and yet you are wise.

And in Duggan’s ‘translation’:

Dransfield, who wrote
__200 poems each day,
was wiser than his editor
__who printed them.

This was my introduction to Martial, and I find it hard to imagine a better one.

As a reintroduction to Laurie Duggan, the book is pretty good too. Oh, inspired by a page of anagrams of contemporary Australian poets  (to stick with Michael Dransfield: ‘Dead man chills fire’), I offer one of my own: I laud a grunge.

8 responses to “Laurie Duggan’s Old New and Selected

  1. kathyprokhovnik

    I’m generally a reluctant reader of poetry Jonathan, but you’re starting to sway me!

  2. That’s great, Kathy. In some ways you could say I have a project of trying to overcome my own reluctance to engage with poetry written since about 1960. I’m starting to sway too

  3. kathyprokhovnik

    What’s so great about pre-1960 (except our respective births)?

  4. Dined with Anna just last night! Back in the latter 1980s while teaching at Nelson Bay High I was in contact with jas duke – using his poetry with some of my secondary classes! Saw some of his work – and that of Pi O (Migrant 7/9-2-5) at an exhibition on concrete poetry at the NSW State Library.

  5. Concrete Poetry exhibition was just towards the end of last year!

  6. Jim, the web of connections you describe never ceases to amaze me.

  7. Pingback: Laurie Duggan’s Homer Street | Me fail? I fly!

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Let the spring tide wash away the past – How to do a 4th step.

(The fourth installment of a series)

As we move further away from the cold and damp of winter, the sun begins to shine, and the air becomes fragrant with the early blossoms of spring. Sparrows, finches, and doves  work diligently to prepare their nests for their new chicks.

Spring is full of all that is vibrant and new.  It is full of life.  A time of Easter and baseball, and, for many, it’s also a time of spring cleaning.

We throw open the rain-stained windows letting fresh air in. Old toys and clothes are hauled away to a local charity. Gardens are planted in anticipation of a bountiful harvest of juicy tomatoes and fresh, home-grown, organic vegetables in late summer.

It’s also tax season. For many businesses this is a time to take stock in what has happened over the previous year and set budgets for the new fiscal year. Some business owners may look at ways to improve their revenue or cut expenses asking: Are we better off this year than last? What do we need to do differently to change, to grow? Where can we improve? What new opportunities are there? Challenges? How about our people? Are we pouring into them, training and equipping them  to benefit all stakeholders?

The nice weather may inspire a fresh start at new year’s resolutions that were quickly kicked to the curb through the last of the winter doldrums. Ones to work out, eat better, or plan summer vacations. Every day we have a fresh start, the key though is to start.

Did you know people spend more time planning a vacation than planning out their goals for the coming years?  It is no secret that many successful people have a healthy perspective of their strengths and weaknesses, and are what many call, “self-aware” and  diligently set and achieve goals. For those with lasting recovery, it is no different. There are steps to follow if one is to achieve lasting sobriety.

In previous blogs, I have written about steps one, two and three.

The First Step: A Journey of a Thousand Miles
The Second Step: Came to Believe
The Third Step: Made a Decision

The steps need to be done in order to the best of your ability, before attempting the next one.

Today, I am going to talk about the 4th step:
Made a searching and fearless moral inventory of ourselves.

Like spring, the fourth step for those in recovery represents a fresh start – a way to look at the underlying causes and symptoms of our addictions – the things we “drank and used” over.

You might be wondering what a fourth step is – what does it mean and what does it require?

There’s a simple plan to properly complete a fourth step. The entire process is outlined on pages 63-71 of the basic text for AA, 4th step

In summary, to start, one makes a list of their resentments – people, institutions, and principles –  that they are angry about. In addition, it is imperative that the inventory  include sections that outline and list our defects of character, fears and sex conduct.

For those new to the 12 steps or not in recovery this may sound like an easy task right? I mean how hard can it be to make a list of some of the things that piss us off or that we are afraid of? Well, that’s usually the easy part. The more challenging part that many don’t want to address lies deeper – taking an honest look at our character defects, or sin, and our sex conduct along with trying to look at the seeming cause of, and our part in, each situation.

It is easy for the simple things like making a shopping list, or cleaning out our garage, but for the things that cause us pain, shame, or guilt or which evoke some form of emotion, even making a list can be a challenge. Those are often things we don’t want to look at, let alone make a list of to later share with a trusted friend or pastor. We procrastinate and find a hundred other distractions to avoid taking an honest look inside at what the root causes of our inner turmoil.

I was no different than many in early recovery when it came to starting my fourth step. I balked. Why? Because I thought I was alone. That nobody could understand what I was going through. I was ashamed and full of fear and guilt. I was also worried about telling some of my secrets to another, but was reminded by my AA sponsor, that that comes in the fifth step and that I only had to complete an inventory now.

For alcoholics this is a life or death step. As the AA big book says, “Resentment is our number one offender…” Holding onto resentments leads us to drink and, for us, to drink, is to die.

Therefore, for the alcoholic, completion of this step, as well as the eleven others, is critical to not only lasting recovery, but to life.

There is a specific format and instructions on how to do this in the Big Book.  As with all the steps, counsel with a sponsor (someone in AA who has already worked these steps) is highly recommended.

You’ll want to get a notebook and create four columns. The headings should be as follows:

  • Resentments (broken out into three sections)
    People, Institutions, Principles
  • Fears
  • Character Defects (Flaws)
  • Sex Conduct

Here’s a sample outline:
4th step outline

Be mindful however that the list as discussed above is only part of the solution. The complete solution as outlined in AA, is found by reading through the Big Book and working all 12 steps, with a sponsor, and developing faith and trust with a power greater than ourselves through the fellowship of AA.

The solution is spiritual.

I know I cannot get sober of my own will power. That I found, was part of the problem that keep me out there so long. I can’t merely work my way into sobriety. Don’t get me wrong, it takes effort. But for the mental transformation to bring about lasting sobriety,  I had to get to a place of surrender as I have already discussed in previous blogs; to admit my problem, come to believe in a power greater than myself, which  I call God, and becoming willing to turn my will and life over to that power greater than myself.

By design, the spiritual solution and concept of a higher power is open-ended to enable alcoholics of any faith background, or none, to get sober if they want to.

As Maxine, an old-timer, used to say at virtually every meeting, “if the word God frightens you, a bottle of booze will scare you right back.”  She also would make it clear, that, “if you don’t do your 4th, you’ll drink a fifth! ”

Those words saved my life on several occasions. Usually when I was stuck in feeling sorry for myself agonizing over a new resentment that had surfaced. I knew I had work the step and pray to have it removed. I did the work, and left the results up to God. It worked.

The good news is for the fourth step we need only make the list and take a look at our thoughts, attitudes and actions and be willing to change. Faith is what relieves us alcoholics from the deadly grip of the spiritual maladies we’ve outlined in our fourth step; we see what the problem is, admit it, become willing to give it to God, and move on to the next step.

Don’t quit before the miracle. The miracle of recovery happens in the next step.

Know this, you’re not alone. Chances are high that we have a few things in common.

If you’d like to learn more about my own personal recovery journey, of pick up a copy of my book.

Thanks for stopping by.

God bless,

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Tag Archives: Planting

Fall Plantings – Did I Go Too Far?

This gallery contains 7 photos.

Finally! Yesterday I planted my last bulb.  I may have bought too many fall bulbs and plants this year.  ‘Why did I buy so many?’ I asked myself as I took on the arduous task of getting them all in the ground.   The answer … Continue reading

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Daily Immune Restoration

Daily Immune Restoration

  • This 2oz size is for normal maintenance usage after your immune system has already detoxified and you are looking for the benefits of natural stem cell regeneration.
  • Each bottle is a 30 day supply, three full droppers per day.
  • For chronic conditions, we suggest the Rapid Immune Recovery
  • 30-day full money-back guarantee.

Can be taken orally for internal conditions or applied topically to wounds. When taken orally, there may be normal detoxification symptoms such as headaches, cold/flu symptoms, fatigue, and defecation.

The immune system recovers by first detoxifying the body. After this initial detox, the extract is able to activate the stem cells to fully rejuvenate and restore your immune system.*

*Dietary supplement, not FDA approved.

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Shiaqga Bottles

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Good Karma - What's Your Mantra? - 0% (330ml)

"Black lager is a traditional old world beer style and it’s a AF Black lager, balanced roasted & toasted malt flavours smooth, sessionable, crisp, and clean. MANTRA a tool for the mind Mantra is a sound a vibration through which we mindfully focus our thoughts , our feelings and our highest intentions, eventually leading you to enliven a mantra. Whats your mantra?"


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Silver North Carolina Tar Heels 20" 8-Wheel Hardcase Spinner Carry-On

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Display your zeal for the North Carolina Tar Heels during your next trip with this 20" 8-wheel hardcase carry-on.


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Women's New Era Navy Penn State Nittany Lions Slogan 9TWENTY Adjustable Hat

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Enhance the options in your Penn State Nittany Lions accessory collection with this Slogan 9TWENTY hat from New Era. It features dynamic graphics, a contrast color underbill and an adjustable closure for the perfect look and fit. There's no better way to take your Penn State Nittany Lions pride with you everywhere you go than with this cool cap.


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WinCraft Tottenham Hotspur 12" x 30" Double-Sided Cooling Towel

Your Price: $21.99
  • Product ID: 3656847
  • Material: 100% Polyester
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  • Measures approx. 12'' x 30''
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Beat the heat with a towel you can proudly put on your shoulders. This Tottenham Hotspur double-sided cooling towel from WinCraft features your favorite team's identity in bold colors and graphics. Whether you're at home, the gym or on the field, this towel will keep you as cool as Tottenham Hotspur is under pressure.


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Mainland Mango Concert with Under Saddle pick-ups

Mainland Mango Concert with Under Saddle pick-ups
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  • Item #: MNG-CGP

Our Mainland Mango Concert series:

- Solid Mango wood construction

- Gloss finish

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- Set up with Aquila Strings

- Sealed gear tuners or friction pegs

- Mi-Si Acoustic Trio (ACTIVE)

We take great care in the set up of each ukulele, paying close attention to the action and tone. Each and every ukulele is checked for buzzes and defects before being sent out. When you order be sure to specify your preference of tuning peg type and color and we will set it up just for you.

TUNING PEGS for your ukulele
We offer you a choice of deluxe friction peg tuners or sealed gear tuners on your ukulele...
Deluxe friction peg tuners: Your choice of silver or gold color,with either amber or mother of pearl buttons. Much better than cheap plastic friction pegs.
Sealed gear tuners: Light weight tuners made especially for ukuleles. Gear ratio 14:1. Available in either silver or gold with either ebony or mother of pearl buttons.

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Five Senses Digital Basics for Special Ed | Distance Learning

Five Senses Digital Basics for Special Ed | Distance Learning

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FIVE SENSES DIGITAL BASICS | Functional, differentiated, and now PAPERLESS skill work that is the perfect addition to your science Block, rotations and centers. This digital basics set of science workpages will help your students practice basic skills, and once mastered, can be a set of skills they complete successfully and independently.

What is included?
• 13 (thirteen) digital workpages (please read list below to see skills practiced)
• instructions for opening and editing the document (*must have access to Google Slides™)
• direct link to copy and save the files to your Google Drive™

What skills are practiced?
  • 5 Senses - 13 pages (3 different skills)

Nervous or a little curious about going digital in a special needs classroom?

You can find other digital resources >> HERE. <<

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Free Delivery in Bellingham for orders over $50

Cypress Grove - Midnight Moon

Aged a minimum of twelve months, this blushing ivory-colored goat milk Gouda is dense and smooth. Nutty, brown butter notes are followed by a long caramel finish, and the texture has a slight crunch of protein crystals that form naturally with aging.


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Women's Pressbox Black Alabama Crimson Tide Shortstop Mineral Wash T-Shirt

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Elevate your game day ensemble to an even higher level when you put on this Alabama Crimson Tide Shortstop Mineral Wash T-shirt from Pressbox. This mineral wash tee features distinctive printed Alabama Crimson Tide graphics on the front, so you can guarantee people will see your enthusiasm for the team on full display. Your ferocity for the Alabama Crimson Tide won't be compared to anyone else in the stands when you are rocking this shirt.


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Star Wars Roleplaying: Imperials and Rebels

Star Wars Roleplaying: Imperials and Rebels

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Populate your Star Wars universe with a whole range of potential allies, enemies, and contacts. Three new Star Wars® Roleplaying Adversary Decks each come with twenty cards, representing different NPCs drawn from the Edge of the Empire™ Core Rulebook, the Age of Rebellion™ Core Rulebook, or one of their supplements. Adversary cards work with all three of the Star Wars roleplaying systems and present all your adversaries’ key statistics and information in an easily accessible fashion. Meanwhile, their art and description text help you set the scene and flesh out your NPCs’ personalities.

Every day, the growing Rebellion threatens the Galactic Empire on new battlefields and in new political arenas. As their military forces clash throughout the galaxy to win the war for either freedom or oppression, each side must also fight for the hearts and minds of the galaxy’s citizens. Every day, as another reprehensible Imperial action produces new Rebel recruits, many more Imperials hope to rise to power through the ranks.

As Rebel cell leaders, starfighter aces, Imperial stormtroopers, Imperial Moffs, and Bothan spies are all taking sides in the fight for the galaxy in the Imperials and Rebels Adversary Deck. Its twenty NPCs provide you access to all levels of authoritarian enforcers and freedom fighters alike. No matter how the tides of battle may turn, this deck will prepare you for encounters with nearly anyone you might meet amid the heat of the Galactic Civil War.

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Holbein Artists' Watercolor Half Pans, #611 Peach Black

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Holbein's vibrant watercolor half pans come in a thoughtfully selected range of 48 colors, with a contemporary sensibility and a unique emphasis on chroma (color intensity). Click a color below to browse, or check out the Product Description tab to learn more about these outstanding Japanese watercolors.

#501 Permanent Alizarin Crimson
#502 Carmine
#503 Opera
#504 Cadmium Red Light
#505 Cadmium Red Deep
#506 Vermilion Hue
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#508 Naphthol Red
#521 Brilliant Orange
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#524 Imidazolone Yellow
#525 Yellow Ochre
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#527 Cadmium Yellow Lemon
#528 Cadmium Yellow Deep
#529 Indian Yellow
#541 Leaf Green
#542 Bamboo Green
#543 Viridian Hue
#544 Emerald Green Nova
#545 Cadmium Green Pale
#546 Olive Green
#547 Sap Green
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#561 Cobalt Blue Pale
#562 Marine Blue
#563 Cerulean Blue
#564 Phthalo Blue
#565 Ultramarine Light
#566 Ultramarine Deep
#567 Cobalt Turquoise
#568 Prussian Blue
#569 Royal Blue
#581 Cobalt Violet Light
#582 Dioxazine Violet
#583 Quinacridone Magenta
#591 Raw Umber
#592 Raw Sienna
#593 Burnt Umber
#594 Burnt Sienna
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#596 Sepia
#597 Imidazolone Brown
#611 Peach Black
#612 Ivory Black
#621 Payne's Grey
#631 Chinese White
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Build your own set! Order 8 or more of these gorgeous watercolor pans and we'll include a 12-slot enameled metal tin (normally $14.95) for free. For orders with more than 12 colors, we'll include a 24 or 48 slot tin instead. No code needed. We'll automatically add the free tin.

There's a great debate among watercolorists: pan or tube? Tube colors are usually thought to be brighter and more concentrated, but that isn't always the case. Holbein Artists' Watercolor half pans are, in fact, more concentrated than Holbein tubes, because they are made by allowing the wet form of the color to dry. Most of the water evaporates, leaving more concentrated pigment and medium behind in the pan.

You'll notice right away that Holbein pans seem to glow when water is applied (as you can see in our third photo.) Their superior transparency and color intensity continues to impress as you start to mix and apply paint to paper. Holbein's bright colors are the absolute brightest we have seen, and their muted colors and earth tones are subtle and well-chosen.

These colors are very well suited to mixing because they don't get muddy easily, and there are many excellent primaries to choose from, whether you use the Red/Yellow/Blue or Cyan/Magenta/Yellow mixing system. Try adding alternate primaries to your set, like Opera or Carmine instead of plain red or Indian Yellow instead of plain yellow.

Holbein colors are made to the highest standards in Japan.

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Holbein Artists' Watercolor Half Pans, #611 Peach Black

Holbein Artists' Watercolor Half Pans, #611 Peach Black


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Tonic Water Mixer, 222mL

Sale price$1.49

Sugar free Zevia Mixers are here to save your cocktail game! Traditional Tonic without the sugar, calories or artificial sweeteners. Crisp, with a citrus bite and natural quinine, Zevia Tonic makes it easy to unwind and enjoy a premium Gin and Tonic at the end of a very long day.

  • Zero Calories
  • Gluten Free
  • Zero Sugar
  • Non GMO Project Verified
  • Nothing Artificial
  • No Caramel Color
  • Clear in Color
  • Kosher & Vegan

Carbonated water, natural flavors, citric acid, Stevia leaf extract, quinine

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Men's Under Armour #1 Red Maryland Terrapins Replica Jersey

Your Price: $94.99
You earn $2.85 FanCash on this item
  • Product ID: 4214760
  • Material: 100% Nylon
  • Mesh fabric
  • Screen print graphics
  • Embroidered fabric applique
  • Short sleeve
  • V-neck
  • Machine wash with garment inside out, tumble dry low
  • Tagless Collar
  • Officially licensed
  • Imported
  • Brand: Under Armour
Add an authentic touch to your game day outfit this season with this Maryland Terrapins #1 Replica football jersey from Under Armour. Its mesh fabric is lightweight and breathable for all-day comfort at home or the stadium. This jersey's replica design also gives you an official piece of gear for supporting your school on the gridiron.


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Women's Under Armour Heathered Red Maryland Terrapins V-Neck T-Shirt

Your Price: $34.99
You earn $1.05 FanCash on this item
  • Product ID: 3642080
  • Material: 65% Polyester/35% Cotton
  • Distressed screen print graphics
  • V-neck
  • Short sleeve
  • Machine wash, tumble dry low
  • Tagless Collar
  • Officially licensed
  • Imported
  • Brand: Under Armour
Your game day style is one to behold, but you're always looking for that new and exciting piece to elevate your style. Look no further than this awesome Maryland Terrapins V-neck T-shirt from Under Armour. It features distressed Maryland Terrapins graphics to show that your loyalty to the team is everlasting.


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Snow Leopard + Stripe Handbag & Wristlet

Regular price $62.50

The perfect bag for the busy girl on the go is this Snow Leopard style! This on tend bag is made from neoprene  and is perfectly sized to carry all of your essentials! This flat bottom design is fully lined and features double cord handles, interior zipper pockets and a snap closure.  Handbag includes a removable wristlet mini bag with zipper closure.  We love the combination of the snow leopard print and stripes, so chic!

  • Neoprene fabric
  • 18" Wide ... 12" Tall ... 10" Deep


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Top Flite 2019 Gamer Golf Cart Bag, Men's, Gray
Shop on Golf Galaxy

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Protect your equipment and stay organized on the course with the Top Flite 2019 Gamer Golf Cart bag. A 14-way padded divider keeps your clubs separated and protected as you drive through the course. Nine pockets provide you with plenty of storage space for all of your course accessories, and the bag is designed to be easily accessible while strapped into your cart. Make your day on the course a little easier with the Top Flite Gamer Golf Cart Bag. Divider: 14-way padded Pockets: 9 2 large garment pockets 2 velour-lined valuables pockets Easy-access golf ball pocket Large fully insulated beverage cooling pocket + more Details Three full-length dividers for easy organization Cart strap channel keeps pockets accessible while bag is stable Combination towel ring and glove holder for convenience Integrated Smart Lift handles on the top cuff and spine allow for easy transportation Padded single shoulder strap for carrying Cart compatible base ensures bag stays securely fixed to your push or riding cart Constructed of lightweight durable polyester and nylon materials

Golf Galaxy

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