text:
Search - Notting Hill (Collector's Edition) on DVD

Notting Hill (Collector's Edition)
Notting Hill
Collector's Edition
Actors: Hugh Grant, Julia Roberts, Richard McCabe, Rhys Ifans, James Dreyfus
Director: Roger Michell
Genres: Indie & Art House, Comedy, Drama
PG-13     1999     2hr 4min

Anna Scott (Julia Roberts) is the world's most famous movie star. William Thacker (Hugh grant) owns a travel bookstore in the quaint neighborhood of Notting Hill. When their paths cross, the couple comes to face the ulti...  more »

Larger Image

Movie Details

Actors: Hugh Grant, Julia Roberts, Richard McCabe, Rhys Ifans, James Dreyfus
Director: Roger Michell
Creators: Michael Coulter, Duncan Kenworthy, Eric Fellner, Mary Richards, Richard Curtis, Tim Bevan
Genres: Indie & Art House, Comedy, Drama
Sub-Genres: Indie & Art House, Romantic Comedies, Hugh Grant, Julia Roberts, Drama
Studio: Universal Studios
Format: DVD - Color,Widescreen,Anamorphic - Closed-captioned
DVD Release Date: 11/09/1999
Original Release Date: 05/28/1999
Theatrical Release Date: 01/01/1999
Release Year: 1999
Run Time: 2hr 4min
Screens: Color,Widescreen,Anamorphic
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 11
Members Wishing: 0
Edition: Collector's Edition,Special Edition
MPAA Rating: PG-13 (Parental Guidance Suggested)
Subtitles: English
See Also:

Similar Movies

My Best Friend's Wedding
Director: P.J. Hogan
   PG-13   1997   1hr 45min
Runaway Bride
   PG   2000   1hr 56min
You've Got Mail
Director: Nora Ephron
   PG   1999   1hr 59min
Hugh Grant Collection 4 Film Favorites
Music and Lyrics / Two Weeks Notice / Mickey Blue Eyes / An Awfully Big Adventure
   UR   2008   7hr 1min
Four Weddings and a Funeral
Deluxe Edition
Director: Mike Newell
   R   1999   1hr 57min
Love Actually
Full Screen Edition
Director: Richard Curtis
   R   2004   2hr 15min
Thirteen Days
Director: Roger Donaldson
   PG-13   2013   2hr 25min

Similarly Requested DVDs

The Holiday
Director: Nancy Meyers
   PG-13   2007   2hr 18min
When Harry Met Sally
Director: Rob Reiner
   R   2001   1hr 36min
Miss Pettigrew Lives for a Day
Widescreen & Full Screen Edition
Director: Bharat Nalluri
   PG-13   2008   1hr 32min
Up in the Air
Director: Jason Reitman
   R   2010   1hr 49min
My Big Fat Greek Wedding
Director: Joel Zwick
   PG   2003   1hr 35min
Love Actually
Widescreen Edition
   R   2004   2hr 15min
The Notebook
   PG-13   2005   2hr 3min
Sweet Home Alabama
   PG-13   2003   1hr 48min
Director: Norman Jewison
   PG   1998   1hr 42min
Kate Leopold
Director: James Mangold
   PG-13   2002   1hr 58min

Member Movie Reviews

Randal A. (Movieran) from SATELLITE BCH, FL
Reviewed on 4/30/2017...
Very Nice Movie (Hollywood Love Story)
1 of 1 member(s) found this review helpful.
Jennifer D. (jennicat) from ST AUGUSTINE, FL
Reviewed on 3/29/2014...
I have watched this movie over and over. I love it. I think Hugh Grant is great! Of course Julia Roberts, well!
2 of 3 member(s) found this review helpful.
Mindy A. from PINEHURST, TX
Reviewed on 9/27/2012...
Julia Roberts character is a total cad in this movie, but she changes in the end and it turns out to be a good love story. I love anything with Hugh Grant - he is so funny.
4 of 5 member(s) found this review helpful.
Dorothy M. from FEDERAL WAY, WA
Reviewed on 5/18/2010...
Excellent movie with excellent actors.
3 of 6 member(s) found this review helpful.

Movie Reviews

Pleasantly, not what I'd expected!
E. D. Garcia | San Francisco, CA | 05/15/2000
(5 out of 5 stars)

"Let me just say that I'm not particularly a Julia Roberts fan. So when my wife asked to go see Notting Hill in the theater, I politely declined... but I figured that I'd give her a suprise and buy the DVD for her. Well, I sat and watched it with her, and was pleasantly suprised, myself!Set in the real-life Notting Hill section of London, this VERY fairy-tale story is filled with moments of true belly-aching laughter, painful heartbreak, and one delightful "car chase."Julia Roberts portrays Anna Scott, a fifteen-million-dollar per picture movie actress who gets tangled in the trappings of love with William Thacker, a bumbling, but likeable book-shop owner convincingly played by Hugh Grant. Notting Hill wastes no time in setting up this premise and rockets off from there. The film moves along at a good pace and only has one noticible slow spot. The music chosen to accompany the film is beyond perfect. Watch the screen closely when you hear "Ain't No Sunshine" by Bill Withers. I would be remiss if I did not mention "Spike". Rhys Ifans plays Spike, William's very odd, very Welsh flat mate. You can't help but laugh every time he's on the screen. Luckily, the director and editor didn't over-do Spike's antics, so we can truly enjoy the moments when he's on.The Collector's Edition goodies make the DVD a true gem and a great bargain. The musical highlights let you quickly jump into the middle of the movie to enjoy a song while watching the movie roll. (After you've watched the movie, go find "Ain't No Sunshine"!) The deleted scenes give a glimpse of what could have happened in the film. After watching, I'd say that I agree with the director's choice of endings.This movie proves that romantic comedies can still be done well... and you don't have to have Tom Hanks and Meg Ryan to do it."
About a girl, asking a boy to love her.
Daniel J. Hamlow | Narita, Japan | 09/07/2003
(5 out of 5 stars)

"Hugh Grant's role as Travel Book Shop employee William Thacker reprises the same shy, humble, lovable, but lonely character with a small group of friends that made him a star in Four Weddings And A Funeral. That may be because Notting Hill, like FW&AF, was written by Richard Curtis. "And so it was another hopeless Wednesday when I walked a thousand yards to work, not suspecting that this was going to be the day my life would be changed forever." In two words, that catalyst is Anna Scott, currently one of Hollywood's biggest stars, who is promoting her latest film Helix, a sci-fi film whose costume design and one interior setting owes a nod to Kubrick's 2001. She happens in his bookshop, but that first meeting sets off a series of meetings where they spend time with each other.Eccentric barely describes Spike, his Welsh roommate with a shock of wild blond hair. Never have I seen a more comical opposites since Felix and Oscar of the Odd Couple. Spike is clearly the Oscar of the pair, but then again, I doubt if Oscar would have worn a T-shirt saying, "Get It Here", with an arrow pointing downwards, or unwittingly mistake mayonnaise for yogurt.In the course of meeting Anna, he in turn introduces her to his small group, including a married couple, Max and Belle, the latter in a wheelchair, a stockbroker named Bernie, and William's wild-looking sister Honey, whose bulging eyes and feathery hair makes her nevertheless lovable in a different sort of way.However, they live in two different worlds. As William puts it, "I live in Notting Hill, you live in Beverly Hills." Both have different schedules, lifestyles, and perspectives on things. Yet his inner smile lights up whenever she pops in and spends some time with him. And applying a metaphor used, Anna is a goddess. "You know what happens to mortals who get involved with the gods?" That's terrible for William, who confides in Spike that it's like "taking love heroin and I couldn't have it again. I've opened Pandora's Box and there's trouble inside."Anna is a typical box-office draw who has to put up with the tail side of the fame coin. The many boyfriends, the laying out of her private life in the tabloids, but also how she's unable to live an ordinary life and how she has to put up with unkind words, as when she overhears a group of businessmen saying how actresses are equal to prostitutes and that she is the definitive actress. Ouch! But despite the fame, in the end, she's "just a girl asking a boy to love her."The one pullback aerial shot that has the couple approaching the bench dedicated to a loved one, while Ronan Keating sings Keith Whitley's "When You Say Nothing At All" was a perfect combination of great camera work enhanced by a haunting love song.Hugh Grant has another winning role and seems to have the knack of starring opposite great female leads and being compatible. Be it Andie McDowell (Four Weddings) or Emma Thompson (Sense And Sensibility), he does himself and Julia Roberts great credit. After seeing this at the theatre when it first came out, I sighed with relief that I finally found the most charming movie with Julia Roberts since Pretty Woman. All the actors portraying Williams' small circle also lend great support, but Rhys Ifan steals the show as the outlandish Spike. Those who liked Four Weddings will definitely go for Notting Hill, which has a tad more sweetness, like apricot and honey."
One fine, funny romantic comedy
Matthew Horner | USA | 03/22/2002
(4 out of 5 stars)

"Julia Roberts and Hugh Grant each appeared in two movies in the summer of 1998. Roberts starred in the smash hit, Runaway Bride, while Grant had top billing in the unsuccessful Mikey Blue Eyes. All this proves is that she can carry a picture, and he can't. Business and star politics aside, Notting Hill is easily the best summer movie they were in. The plot is as preposterous as they come, but this is permitted in romantic comedy. Grant plays William Thacker, who runs a little travel bookstore on Portobello Road in London's Notting Hill district. Roberts is Anna Scott, the biggest female movie star on the planet. This is amusing in itself, since Roberts is exactly that in real life. On location in England, Scott wanders into William's shop one afternoon. He doesn't even recognize her until a customer does. Later, he runs into in the street, where he spills orange juice all over the both of them. Accepting an invitation to clean herself up, she goes to his flat. Emotions begin to smolder. What unfolds is by the book boy meets girl, boy loses girl, etc., but it's all done in witty, bright and sophisticated fashion.Notting Hill utilizes two of the oldest Hollywood romantic devices - the two main characters have failed at love, and they come from social scenes that are polar opposites. Its writer and director are shrewd enough to know that these are tensions which can add the comedy to romance. She flounders in his world, and we laugh. He stumbles in hers, and we laugh still more. Even in the inevitable scene where their world collide, and the romance seems doomed, we find amusement. This is the best and most successful British comedy [excluding their trademark period pieces] since Four Weddings and a Funeral, which also had but one major American character. We get a parade of those eccentric English characters we adore. By far the funniest is Spike [Rhys Ifans], who is William's ditzy, clueless flat mate. Most of his best scenes cannot be written down for a family publication, but I can say that they are bawdy, as opposed to tawdry. Spike does not know how to dress, how to carry on a conversation longer than two sentences or how to react normally to life's simplest situations. He may be the one character who is most likely to also exist in the real world. Ifans is almost assured of receiving a Best Supporting Actor nomination next spring. Roberts and Grant are in top form. She doesn't grin her way out of every emotional moment, and he keeps his trademark stutter in check. It's hard to say how much real chemistry there is between them, but it hardly matters, because they are two of the most charming and affable actors on the screen today. Their performance are right up their with what I consider to be their best - she in My Best Friend's Wedding, he in Sense and Sensibility.The photography is excellent. One scene, in which William walks along Portobello Road as the seasons change, is remarkable. It's one of those complex-to-do creations that comes off as seamless and simple. Also of note is a moment where Spike, in his underwear, unwittingly opens the flat door and walks into a sea of screaming, photo-snapping journalists. It is a classic comedic moment.I don't think it matters all that much that the plot is a tried and true one. After all, the point isn't whether or not you paint a landscape, but how well you paint it. If Notting Hill were a painting, it wouldn't be a masterpiece, but it would be very pleasing to the eye nonetheless."


Content-Type: application/http; msgtype=response

WARC-Identified-Payload-Type: text/html

WARC-Type: response

text:
Susan Banki received a Sylff fellowship between 1999 and 2002 while attending the Fletcher School of Law and Diplomacy at Tufts University. She has written numerous articles on Burma. This article, written in the wake of Cyclone Nargis, was originally featured in the May 2008 issue of the Far Eastern Economic Review (Vol. 171, No. 4) and has been posted here by courtesy of FEER.

Activists who promote political reform in Burma have, for years, debated the advisability of allowing international aid into the country. Many groups have argued that Burma's military junta selectively distributes all aid through government channels and hence only strengthens the authoritarian regime. But in the wake of Cyclone Nargis, which has killed as many as 140,000 and displaced as many as 2.5 million, there is a general consensus among even the most strident supporters of aid sanctions that Burma urgently needs international assistance.

It's a bitter irony, then, that when the country needs it the most, Burma's generals have been slow to allow humanitarian aid to enter. While intense pressure from the international community has improved the flow of aid somewhat, only a fraction of international assistance has yet entered the country, and Burma continues to block visas for humanitarian workers.

There is no question that Burma needs more aid. That is the first priority. But some ways of giving aid will be more effective than others, and some even have the potential to induce political transformation in Burma, as the 2004 tsunami served as a catalyst for reconciliation in the Indonesian province of Aceh.

While Aceh and Burma are dissimilar in many ways (foremost among them that the secessionist movement in Aceh was in the process of discussing a peace agreement when the tsunami hit, while the recent referendum in Burma excluded much of the opposition), if the international community can draw on some of the lessons learned in Aceh, it will increase the likelihood of political reform in Burma. Thus, here are some strategies for maximizing the effectiveness of aid immediately and encouraging the possibility of reconciliation in the intermediate term.

First, the international community must continue to push for more aid to enter the country. United Nations Secretary-General Ban Ki-moon's visit to Burma this week is an encouraging sign, and the fact that 10 U.N. helicopters were allowed to fly aid into the country, is hopefully a sign that the junta is loosening its grip. While reliable reports indicate that some aid is being sold on the black market in the capital, Rangoon, the need continues to be so great that whatever aid makes it into the country will improve the lives of some of Burma's terribly impoverished citizens.

Second, aid agencies should get their foot in the door as soon as possible, even if it means compromising the humanitarian principle of independence in the short term. Burma's military-security apparatus is only so large, and the hope is that as aid enters in mass quantities, it literally overwhelms the control of Burma's generals. Thus far, the junta has proved quite resistant to influence, but now that ASEAN has agreed to handle the influx of foreign aid, more agencies may find ways to enter Burma.

Third, and related, agencies should continue to push to place more humanitarian workers on the ground. Any attempt to airdrop aid without obtaining the regime's permission is a poor substitute for the entrance of humanitarian workers. Burma needs more foreign workers not because there aren't enough logisticians and disaster experts in-country at present, as some have claimed, but rather, because foreign workers represent the best possibility of opening up Burma to the outside world. This is precisely what the regime fears, and why it continues to insist that few foreign workers be permitted to enter. Humanitarian workers from India and China, both of which have recently been permitted, is a start, but agencies should continue to lobby for access for as many foreign workers as possible.

Fourth, journalists should continue their attempts to enter Burma so they can deliver firsthand reports and keep Burma in the news. Aceh only gained attention in the international media about 10 days after the 2004 tsunami, when between 300 to 500 journalists finally were able to file onsite reports. If Burma's generals believe that media reports will make the rest of the world more sympathetic to the tragedy, and more willing to help, then they may permit some journalists to enter.

Fifth, agencies should, whenever possible, find unofficial means to work with civil society groups and Buddhist monks to distribute aid. This suggestion will prove difficult since the regime has banned monks from assisting others, has instructed citizens not to seek shelter in monasteries, and insists that all aid go through government channels. But opportunities to bypass official channels will present themselves, particularly in light of the fact some Burmese officials ignored orders to remain in the capital and instead went AWOL in search of family members. Other Burmese officials are rumored to be greatly frustrated by commands from the top that they cease helping villagers in need. These examples represent a breakdown in the military's strict hierarchy and could be a lever for incremental change.

Sixth, agencies should make attempts to build pathways for future longer-term development aid. For example, the timely prevention of cholera would be best accomplished by effective water-sanitation systems, which aid workers should try to introduce as part of their relief provisions. A caveat, however: the Burmese generals are insisting that the disaster relief phase is over and that all aid should now be focused on rehabilitation and reconstruction. Its request for 11 billion dollars must not be separated from the current relief effort, but must instead be linked to it. Linking emergency relief with development aid has two possible positive consequences: first, it sets the stage for a more robust post-emergency phase in which recipients of aid are better off, and second, it will lengthen the "window of opportunity"—the post-disaster phase when the regime is at its most vulnerable and political transformation is most possible.

Finally, all parties to the ongoing conflict in Burma should encourage dialogue and communication among opposing parties in the name of rebuilding Burma. It has been argued that one of the key catalysts for peace in Aceh was the commitment to a ceasefire by the insurgent forces, a move that made the Indonesian military more willing to permit aid into the country. In Burma, a parallel concession by opposition parties would be to refrain from pointing fingers of blame at the junta.

Responses to natural disasters in the context of conflict can initiate phases of cooperation and reconciliation, as occurred in Aceh. Alternatively, and more commonly, disaster responses can entrench current power structures and foster further conflict. This latest tragedy in Burma, must, somehow, be turned into a possibility for political transformation, by using aid carefully and effectively. Through it, the international community can create the opening that the people of Burma deserve.

Ms. Banki is a research fellow at the Institute for Ethics, Governance and Law at Griffith University in Australia. She has written numerous articles on Burmese refugees and migrants, political mobilization directed toward Burma, and aid to Burma.

This article was originally featured in the May 2008 issue of the Far Eastern Economic Review (Vol. 171, No. 4) and has been posted here by courtesy of FEER.

Message from the Tokyo Foundation:Why don't you write an article too?

“Voices from the Sylff Community” is a space showcasing the activities and opinions of Sylff fellows and faculty members. We have received contributions from fellows and faculty members all over the world.　We are looking forward to sharing YOUR voices with people around the world, including global issues with local perspective, grassroots issues requiring global attention, and your first-hand experience.
For further details, please click here

Susan Rachel Banki

Susan Rachel Banki*

The Fletcher School of Law and Diplomacy

Received Sylff fellowship in 1999-2002.
Visit Japan Program 2004.
Academic achievements, social engagement initiatives:
DECRA Fellow (Australia Research Council), member of Asia Pacific Refugee Rights Network (APPRN)
Current affiliation: University of Sydney

Susan Banki's research interests lie in the political, institutional, and legal contexts that explain the roots of and solutions to international human rights violations. In particular, she is interested in the ways that questions of sovereignty, citizenship/membership and humanitarian principles have shaped our understanding of and reactions to various transnational phenomena, such as the international human rights regime, international migration and the provision of international aid. Susan's focus is in the Asia-Pacific region, where she has conducted extensive field research in Thailand, Nepal, Bangladesh and Japan on refugee/migrant protection, statelessness and border control. She is currently investigating the local, regional and international mechanisms (and the interactions between them) that serve as potential levers for change.

Leave a comment

Sylff Institution

First Name

Family Name

E-mail address

  • All comments will be verified by the sylff secretariat staff before being posted.
  • E-mail address will be used by the secretariat only to communicate with the author and will not be published online.

Related Voices

warcinfo:
isPartOf: CC-MAIN-2021-39
publisher: Common Crawl
description: Wide crawl of the web for September 2021
operator: Common Crawl Admin (info@commoncrawl.org)
hostname: ip-10-67-67-177
software: Apache Nutch 1.18 (modified, https://github.com/commoncrawl/nutch/)
robots: checked via crawler-commons 1.2-SNAPSHOT (https://github.com/crawler-commons/crawler-commons)
format: WARC File Format 1.1
conformsTo: https://iipc.github.io/warc-specifications/specifications/warc-format/warc-1.1/


text:
How Many Syllables are in Superreflection | Divide Superreflection into Syllables

How many syllables are in superreflection? 5 syllables

Divide superreflection into syllables: su-per-re-flec-tion

How to pronounce superreflection:
US English Accent and Pronunciation:
British English Accent and Pronunciation:

Definition of: Superreflection (New window will open)

Are you a freelance writer? If so, join our writing community with freelance opportunities, unique promotional opportunities, and free writing tools.

Freelance Writing Opportunities

Superreflection Poems: (See poems with this word. New window will open)

Synonyms and Words Related to Superreflection

(0 Syllables)

What do you think of our answer to how many syllables are in superreflection? Are the syllable count, pronunciation, words that rhyme, and syllable divisions for superreflection correct? There are numerous syllabic anomalies found within the U.S. English language. Can superreflection be pronounced differently? Did we divide the syllables correctly? Do regional variations in the pronunciation of superreflection effect the syllable count? Has language changed? Provide your comments or thoughts on the syllable count for superreflection below.

Comment on the syllables in Superreflection

A comprehensive resource for finding syllables in superreflection, how many syllables are in superreflection, words that rhyme with superreflection, how to divide superreflection into syllables, how to pronounce superreflection in US and British English, how to break superreflection into syllables.


text:
What are some opposite words for arrogator?

Antonyms for arrogatorar·roga·tor

This page is about all possible antonyms and opposite words for the term arrogator.

Matched Categories

Princeton's WordNet

  1. arrogatornoun

    a person who through conceit makes pretentious claims to rights or advantages that he or she is not entitled to or to qualities that he or she does not possess

How to pronounce arrogator?

How to say arrogator in sign language?

Find a translation for this antonym in other languages:

Select another language:

  • - Select -
  • 简体中文 (Chinese - Simplified)
  • 繁體中文 (Chinese - Traditional)
  • Español (Spanish)
  • Esperanto (Esperanto)
  • 日本語 (Japanese)
  • Português (Portuguese)
  • Deutsch (German)
  • العربية (Arabic)
  • Français (French)
  • Русский (Russian)
  • ಕನ್ನಡ (Kannada)
  • 한국어 (Korean)
  • עברית (Hebrew)
  • Gaeilge (Irish)
  • Українська (Ukrainian)
  • اردو (Urdu)
  • Magyar (Hungarian)
  • मानक हिन्दी (Hindi)
  • Indonesia (Indonesian)
  • Italiano (Italian)
  • தமிழ் (Tamil)
  • Türkçe (Turkish)
  • తెలుగు (Telugu)
  • ภาษาไทย (Thai)
  • Tiếng Việt (Vietnamese)
  • Čeština (Czech)
  • Polski (Polish)
  • Bahasa Indonesia (Indonesian)
  • Românește (Romanian)
  • Nederlands (Dutch)
  • Ελληνικά (Greek)
  • Latinum (Latin)
  • Svenska (Swedish)
  • Dansk (Danish)
  • Suomi (Finnish)
  • فارسی (Persian)
  • ייִדיש (Yiddish)
  • հայերեն (Armenian)
  • Norsk (Norwegian)
  • English (English)

Discuss these arrogator antonyms with the community:

    Use the citation below to add these synonyms to your bibliography:

    "arrogator." Synonyms.com. STANDS4 LLC, 2021. Web. 28 Sep. 2021. <https://www.synonyms.com/antonyms/arrogator>.

    Are we missing a good antonym for arrogator?

    Browse Synonyms.com

    Free, no signup required:

    Add to Chrome

    Get instant synonyms for any word that hits you anywhere on the web!

    Free, no signup required:

    Add to Firefox

    Get instant synonyms for any word that hits you anywhere on the web!

    Are you a human thesaurus?

    Which of the following is a synonym of the word Grunt?
    • A. Praise
    • B. Frown
    • C. Shout
    • D. Growl

    Nearby & related entries:

    Alternative searches for arrogator:


text:
Mobile dashboard design: Choose your orientation

Note: This is the second installment of a three-part series on designing mobile dashboards. Before you think about the orientation of your dashboard, first define your focus.

Now that you’ve picked the metrics to include in your mobile dashboard, it’s time to decide whether to go vertical or horizontal. It’s important to make this decision before you start building your dashboard or transforming an existing one. Why? The answer is simple: screen size. Because the phone screen is very small, the orientation you choose will impact many steps, from your analysis to the layout of your views. Here are some tips to get you started.

1. Choose Your Primary Design Orientation

Since phones are tall and narrow, it’s hard to design a visualization that works well on both vertical and horizontal screens. That's why we have to choose a primary screen orientation.

In my experience, I’ve found that the vertical format usually works better than the horizontal one. Plus many phone users seem to prefer consuming data on a vertical screen. That being said, users do have the freedom to flip their phones to their preferred orientation. So we have to make sure our dashboard doesn’t break when flipped to the non-primary orientation. Here’s an example that works in either portrait or landscape. Here's the portrait view:

And here's the landscape view:

(Click on either image to view and download workbook.)

2. Define Your Navigation and Sizing

For simple single-tab visualizations, you don’t have to think about navigation. You just need to size your dashboard so that it fits nicely on your targeted devices in both orientations. My targeted devices are the iPhone 6 and the iPhone 6 Plus, and the dashboard sizes listed below work perfectly on both of them. This range size enables the visualizations to shrink and enlarge based your device sizes and orientations. The views will fit when vertical and scroll when horizontal.

For multi-tab visualizations, pick your navigation method first—before you start your analysis or lay out your views on the dashboards. Below is a simple chart to help you get started. Again, these size options are based on the iPhone 6 and the iPhone 6 Plus.

If you’re using Story Points, it may be useful to temporarily set the dashboard size to the desired range then shrink your window to your primary screen orientation (vertical, for example). This will give you a good guideline about the views, the height, and how all the elements will look together. Once you bring the views into Story Points, you can change the setting to range size (min: 320 x 550, max: 736 x 736), then reset your dashboard sizing from range (min: 320 x 550, max: 736 x 736) to automatic.

3. Use Layout Containers to Control Your Dashboard Elements

Layout containers are particularly useful when designing a mobile dashboard. Putting your views, filters, and legends in a vertical or horizontal layout container allows you to control their layout more precisely and fix their height or width as needed. This not only helps you customize your design, but also prevents scrunched views when your dashboards are seen on screens of different sizes or orientation. Click here to learn how to use layout containers.

Want to get started with mobile analytics? Download our new iPhone app.

Blog abonnieren


text:
“We strongly believe in the importance of having hands-on experience on the latest technology solutions.” – AGC Fujisoft

Sanjeev Verma, Executive Director, AGC Networks and President & CEO at Black Box Corporation, explained to CNME Editor Mark Forker, how the company is leveraging its partnership with Cisco to help to address the new demands and expectations of its customers – and how the hybrid workforce is here to stay in the digital economy.

To enable enterprises of all sizes you must be able to stay securely connected” – Computer Data Networks, Kuwait

CNME Editor Mark Forker secured an exclusive interview with Hanaa Al-Nashwan, Vice-President, Computer Data Networks, Kuwait, to learn how the IT leader has helped its customer become more resilient in the face of new threats that have emerged as a direct consequence of the global COVID-19 crisis.

The free newsletter covering the top industry headlines


text:
Bay City Blues / It's a Love Story

insert title graphic picture code here

Picture Credit: Your wikiname

Show Information
English Title: Bay City Blues / It's a Love Story
Japanese Title: ベイ・シティ・ブルース ／ イッツ・ア・ラブ・ストーリー
Romanized Title: Bei Shiti Buruusu / Ittsu A Rabu Sutorii

Troupe: Flower
Year: 1994
Performances: Chunichi Theater, 2/1 - 2/13

Based On: Hamlet
Author/Director: Koike Shuuichirou
Music Composed/Adapted By: Yoshida Yuuko, Kai Masato
Choreography: Shou Sumire, Maeda Kiyomi

It's a Love Story:

Author/Director: Yokozawa Hideo
Music Composed/Adapted By: Nakamoto Kiyozumi, Odakane Bonpei, Kuratomi Shinichi
Choreography: Hayama Kiyomi, Yamada Taku, Nakura Kayoko

Available on DVD: No

Harvey Jr. Anju Mira
Olivia Morina Miharu
Leonard Maya Miki
Holden Aika Mire
Clark Kaikyou Hiroki
King Harvey Isono Chihiro
DianaShino Yuka

Others: Misa Noeru, Ichihara Kei, Machikaze Kana, Mitsuki Ayu, Amachi Hikari, Kokonoe Haruka, Takaragi Meri, Yumeno Chikoto, Shou Tsukasa, Takumi Hibiki, Hama Shioka, Morina Miharu, Asaki Yui, Nagisa Aki, Hatsukaze Midori, Himiya Reiko, Kizuki Ayumu, Shihou Akeno, Aya Hiromi, Kaori Yutaka, Masono Arisu, Maio Tsubasa, Akiyoshi Akane, Shiki Kaoru, Sachimi Anna, Yuuya Naho, Tsukikage Hitomi, Chinami Yuu, Kochou Asuka, Asakura Aoi, Otoki Mika, Suzukake Miyuki, Masaoka Nao, Nanase Kai, Asami Hikaru, Asazono Miki

Bay City Blues

The story takes place just after the end of World War II in San Angelo, the biggest city on the west coast. King Harvey the head of the Elcinoa Mafia family ruled the city. King had a magic touch with dice. He built up a huge fortune by gambling. When he was powerful enough he knocked out the gang that was his rival, the Brass family, and became King of San Angelo.

King Harvey was generous with bribes and the city police chief was in his pocket. Even though some of the Brass gang wanted revenge, King appeared invincible with his own might and with police protection.

One day Harvey's luck ran out. Someone, supposedly from the Brass family, shot and killed King Harvey. The killer escaped.

Harvey Junior, just back from the war, arrived home to find that his father had been gunned down the day before. The son had always hated Mafia life. Before the war he had been studying philosophy at graduate school. The war changed him and he had wanted to make peace with his father. He was too late.

Harvey Junior met all the people he knew before at the funeral, Eric his father's right hand man for twenty years, Holden a detective who used to be the son's best friend, cousin Clark, his old friend Leonard, Gloria his father's second wife, Clark's partner Perry, and Leonard's younger sister Olivia. Harvey has not seen Olivia since she was a child. She is a beautiful woman now and Harvey falls in love with her at first sight.

Gloria, King Harvey's widow, becomes the head of the Elcinoa mob. In fact, she is only a figurehead. The real chief is Clark. Eric and others who were King's top men are moved out of the central controlling group. Harvey Jr. is ordered to do the book keeping for a nightclub called Misty Swing. Actually, the real business is a casino hidden in the back. The police leave it alone because the Police Chief is one of the Casino's best customers.

When the young Harvey first steps into the Casino he sees the ghost of his father. The ghost tells the young man that he was murdered by Clark, Perry and Gloria. This is the first time father and son have ever had a heart to heart talk. The son decides to get revenge for his father's death. King Harvery gives his son his lucky golden dice that he used to make his fortune and build up the Elcinoa gang.

Every time Harvey rolls the golden dice he wins. Olivia soon realizes that every time Harvery has the golden dice in his hands he changes. He becomes someone else. He is not the dear old friend she has known since she was a little girl. Olivia runs out of the club. Some mobsters from the Brass gang bother her. Harvery comes to the rescue, Olivia and Harvey realize how much they love each other. They spend the night in each other's arms. Olivia' s brother, Leonard, finds out. He tells Harvey he had better ask Olivia's father for permission to marry his sister. Harvey refuses. Leonard is outraged. Olivia is thrown into despair by the shock that she was no more than a plaything for Harvey. They don't know that Harvey is trying to uncover the truth behind his father's death. If he married Olivia now it would put her in great danger.

A month later an extravagant birthday party is being held for Clark at the Elcinoa house. During the party Clark and Gloria's engagement is announced. Harvey is now certain that this pair were involved in his father's murder.

Harvey arranged a short comedy to entertain the guests. The play is about a man who killed the king and then took the king's wife. The play makes the three conspirators, Clark, Perry and Gloria, very nervous and they wonder if someone knows what they did. Gloria goes to her room. She feels sick and guilty. Harvey comes to see her. Gloria begins to confess. Perry bursts into the room. A fight breaks out between the two men. Somehow a gun fires. Perry falls to the floor, dead. Harvey flees.

Everyone is after the son of King Harvey. Clark and the whole Elcinoa family are out to kill him. Leonard wants revenge. Harvey disgraced his sister and murdered his father. The Brass family want to get rid of the son of their old rival. Holden, the detective, lets Harvey hide in prison. Olivia comes to Harvey. They clear up all their misunderstandings and pledge everlasting love. But Harvey's enemies are closing in.

Leonard arrives first and fires at Harvey. Olivia throws herself into the path of the bullet. She dies in her lover's arms. Leonard knows the truth now. Not only did he kill his beloved sister but he killed her for nothing. His father was in on the plan to kill King Harvey. He realizes Clark is the one he should have been after. He turns to shoot but Clark is faster. Leonard slumps to the floor. Harvey kills Clark. It is over.

The police write off the whole matter as Mafia infighting. Harvey has lost a father, close friends and his one true love. He leaves San Angelo.

It's A Love Story

Other Information

Any other interesting or important stuff.

None yet.

Merchandise Cover Art

None Yet
None Yet
None Yet
None Yet

Created by caithion. Last Modification: Friday 08 of December, 2017 00:28:21 GMT-0000 by caithion.


text:
Butterfly Lovers/Southern Cross Revue III

insert title graphic picture code here

Picture Credit: Your wikiname

Show Information
English Title: Butterfly Lovers/Southern Cross Revue III
Japanese Title: 蝶・恋（ディエ・リエン） －燃え尽きるとも－/サザンクロス・レビューIII
Romanized Title: Die Rien - Moetsukiru Tomo - /Sazankurosu Rebyuu III

Troupe: Star
Year: 2003
Performances: National Tour: 4/25 - 5/18

Butterfly Lovers
Based On:
Author/Director: Ueda Shinji
Music: Yoshida Yuuko
Choreography: Hanayagi Yoshijirou

Southern Cross Revue III
Based On:
Author/Director: Kusano Akira
Music: Takahashi Kuni, Kuratomi Shinichi, Miyagawa Akira
Choreography: Hayama Kiyomi, Shou Sumire, Nakura Kayoko, Ueshima Yukio, Iga Yuuko, Wakao Risa

Available on DVD: Yes (released 10/20/06)
DVD Scene/Music Cut: Yes
The song from scene 12E Rio (singer: Ema Naoki, etc.), Southern Cross Revue, was cut.

Yukiwaka (a young man who has come to the capital from Aki to learn Bugaku)Kozuki Wataru
Kirine (like Yukiwaga, Kirine has an eye on getting a Bugaku positon, but in reality she is a daughter of the land of Hitachi)Dan Rei
Seigetsuni (Kirine's nurse)Jou Hiroe
Yoshikiyo (Kirine's uncle)Ema Naoki
Noritsune (Yukiwaka and Kirine's Bugaku teacher)Nishiki Ai
Korenaka (Noritsune's pupil)Shiomi Maho
Suetoki (Noritsune's pupil)Suzumi Shio
Messenger (brings the message to Kirine that her father is on the verge of death)Yuzuki Reon

Other Cast: Shinobu Murasaki, Takao Rio, Shiomi Maho, Shiran Masumi, Miki Chigusa, Momoka Sari, Ayame Hikaru, Marino Yui, Kanou Chika, Mine Keito, Suzuno Katsuki, Hoshikaze Erena, Aozora Yahiro, Koto Marie, Haoto Rino, Mashio Shin, Sendou Kaho, Mishiro Ren, Ryouma Tomo, Minami Mari, Umezono Sachi, Amao Keika, Kazuki Shin, Mikoto Sanae, Yumeno Seika, Minaho Sari, Maiha Megumi

Butterfly Lovers

Set in the Heian Age, this is the tale of Yukiwaka and Kirine, two young men who have both come to the capital to learn Bugaku (court dance). They are both learning together, and grow close as siblings as they aim to become official Bugaku dancers.

However, Kirine has a secret. She is actually a young lady from Hitachi. For two years, with her father's blessing, she has come to the capital in pursuit of her ambition to learn Bugaku. However, women are not allowed to learn Bugaku, so she has concealed her identity and pretends to be a young man.

Kirine secretly falls in love with Yukiwaka, but continues to keep her secret from him. Then one day during rehearsals he realizes she is a woman. She is overjoyed to not have to deceive him anymore, and admits her feelings to him. The two fall in love.

It is then that a messenger arrives with the news that Kirine's father is deathly ill. Kirine and Yukiwaka make a vow to meet again, and Kirine returns home. Her father dies suddenly, and in order to protect the family, Kirine's uncle determines to marry her to his son. Despairing, Kirine commits suicide. Shortly after that, Yukiwaka sets out to find her....

Southern Cross Revue in China

A Carioca crowd clad in vibrant colors. They begin the intense carnival.

Carioca Man S: Kozuki Wataru
Carioca Woman S: Dan Rei
Carioca Men A: Ema Naoki, Takao Rio, Shiomi Maho, Mine Keito, Yuzuki Reon
Carioca Women A: Kanou Chika, Koto Marie
Carnival Queen: Hoshikaze Erena
Dos: Shinobu Murasaki
Uno: Nishiki Ai

Carioca Man (singer): Shiomi Maho

Cuba, surrounded by the Caribbean Sea. Three young men dance heatedly in the carnival night.

Mambo No. 1: Shiomi Maho
Dos: Shinobu Murasaki
Uno: Nishiki Ai
Pipirochi: Ema Naoki
Peperochi: Kanou Chika
Poporochi: Momoka Sari
Paparochi: Yuzuki Reon

Latin Man S: Suzumi Shio
Latin Men A: Takao Rio, Mine Keito

Buenos Aires

Night at a men-only tango club. Gentlemen in tailcoats dance a bewitching dance.

Buenos Aires Man S: Kozuki Wataru
Buenos Aires Men A: Ema Naoki, Shiomi Maho, Suzumi Shio, Yuzuki Reon

Duos: Shinobu Murasaki

Brazilian Night

The Rio Carnival! The stars sing a Latin Medley.

Rio Man S: Kozuki Wataru
Rio Woman A: Dan Rei
Rio Men A: Takao Rio, Shiomi Maho, Suzumi Shio, Yuzuki Reon
Rio Man (Singer): Mine Keito
Rio Woman (Singer): Kanou Chika

Fiesta Man: Kozuki Wataru
Fiesta Woman: Dan Rei

Butterfly Carnival

The butterfly singer arrives and sings a love song. A crowd of butterflies dance.

Butterfly Singer: Dan Rei
Butterfly Dancers:
Mariposa (solo singer): Suzumi Shio

Patagonia ~ Carnival Fantastic

Tragedy under the sparkling Southern Cross for visiting lovers.

Nonino: Kozuki Wataru
Juanita: Dan Rei
Bernardo: Ema Naoki
Riff: Takao Rio
Krupke: Shiomi Maho
Chino: Suzumi Shio
Anita: Kanou Chika
Graziella: Momoka Sari
Anybody: Umezono Sachi
Dos: Shinobu Murasaki
Uno: Nishiki Ai
Nonino's Shadow: Kano Seiya
Juanita's Shadow: Maiha Megumi

Southern Cross Revue (Finale)

The carnival's great parade.

Etoile: Dan Rei

Other Information

The official homepage for composer Miyagawa Akira can be found here.

None yet.

Merchandise Cover Art

None Yet
None Yet
None Yet
None Yet

Created by jenebi. Last Modification: Friday 13 of June, 2014 15:35:35 GMT-0000 by KaleidoscopeKingdoms.


text:
Drum, Resound to the Sky! / Rhapsody in Love

insert title graphic picture code here

Picture Credit: Your wikiname

Show Information
English Title: Drum, Resound to the Sky! / Rhapsody in Love
Japanese Title: 鼓よ空に響け / 愛のラプソディ
Romanized Title: Tsuzumi yo Sora ni Hibike / Ai no Rapusodi

Troupe: Moon
Year: 1973
Performances: Takarazuka Grand Theater, 03/01 - 03/22
Shinjin Kouen Performances: n/a

Drum, Resound to the Sky!

Based On:
Author/Director: Suganuma Jun
Composer: Yoshizaki Kenji
Choreographer: Hanayagi Juraku
Conductor (Takarazuka): Totoki Kazuo
Conductor (Tokyo): n/a

Rhapsody in Love:

Based On:
Author/Director: Takagi Shirou
Composer: Nakamoto Kiyozumi
Choreographer: Kita Hiroshi, Yamada Taku, Akiko Kanda
Conductor (Takarazuka): Mizoguchi Takashi
Conductor (Tokyo): n/a

Available on DVD: No
Available on Blu-Ray: No
DVD Scene/Music Cuts: n/a

SoutaKoshiro Miyako
KotamaHatsukaze Jun
OtowakaDai Takiko
Kanze no TayuuMiyama Shigure
Otowaka's Older SisterMiyuki Sachiko
Otowaka's WifeChigusa Mikage
WakatayuuHaruna Yuri
FujiyaShioji Asako
UmekojiKanou Yachiho
TonheiAsou Kaoru
ChikusamaruTsune Hanayo

Other Cast: Megumi Sakae, Misaki Arisa, Koyanagi Hizuru, Maruyama Midori, Hanakouji Jun, Mizunose Akira, Kozakura Maki, Aoi Yuka, Urara Mika, Shinju Miharu, Ai Erina, Komatsu Miho, Ikuyo Hikaru, Natsushiro Miki, Minou Yutaka, Ibuki Noboru, Saezuki Shou, Misato Kei, Kumi Kaoru, Miho Masaki, Akimiya Sayuri, Natsugusa Michiyo, Enatsu Jun, Fujishiro Jun, Ariake Jun, Kouki Mika, Minami Yutaka, Daigo Katsura, Ai Michiru, Yumi Takashi, Yakumo Akemi, Nagazuki Hikaru, Mizuno Ryou, Suzu Reiko, Jou Haruki, Houjou Yukari, Hanabusa Rie, Kizuki Miho, Mitake Eri, Kozato Natsu, Shiga Midori, Mayu Akari, Oouchi Shigeru, Harumiya Eri, Kuni Chihiro, Musashino Michiyo, Kitahara Chikoto, Izu Youko, Tomo Chiharu, Remi Ryou, Ushio Haruka, Mari Reika, Natori Rei, Natsuki Teru, Kuretake Hikaru
Ken-1: Mine Saori, Takashio Tomoe, Kotobuki Hizuru, China Yumino, etc.

Drum, Resound to the Sky!

Set in the Warring States Period.

Nobushi fighter Souta defeated the enemy warlord in battle and searched for his head, but when he finally found it his companion had stolen it and gis chances of promotion. Fed up, he decided to return to civilian life and set out for the capitol.

When he reached the capitol, Sout was intrigued by the sound of drumming and followed it to a house. There he found a school of famous sarugaku theater, in the house where Otowaka and his younger sister Kotama lived.

Souta applied to become a pupil of the school, but Otowaka sends him away, saying his does not accept warriors. However, Kotama is drawn to something in his eyes and tells him clean himself up and come try once more.

The next day a nearly unrecognizable, good-looking Souta appears, and Kotama takes him to her brother. From that day forward, Souta and Kotama are tempestuously in love.

One day, Kanze no Tayuu ( high-ranking Noh actor) pays Otowaka a visit and speaks of having him accompany their performance. Otowaka teaches his pupils a new way of drumming, but keeps teaching Souta in the old way.

The Noh actor blames Souta for his out-of-place drumming. Souta, always brought down and shackled by the world, escapes onto the path of Mikawa Manzai....

Rhapsody in Love

A revue show on the theme of love.

Other Information

None yet.

Merchandise Cover Art

None Yet
None Yet
None Yet
None Yet

Created by caithion. Last Modification: Sunday 27 of October, 2019 15:24:25 GMT-0000 by caithion.


WARC-Identified-Payload-Type: application/xhtml+xml

text:
Article Archive for September 2011

Zebras Good For Cattle
Posted in movies, Science on 30 September 2011
Stats: and 6 Comments

I don’t know much about cattle ranching and if zebras can really help but I’m ALL for more zebras roaming the countryside whether it’s Kenya, California or Texas! “Our findings provide further evidence that biodiversity conservation and economic development can be simultaneously achieved in human-occupied savanna landscapes,” Via Maybe the phrase, All Hat, No […]

How Do You Say-Imply “Selling Ice to Eskimos?” in German?
Posted in Travel on 30 September 2011
Stats: and 3 Comments

Taking coals to Newcastle/Selling ice to the Eskimos Russian: Yezdit’ b Tulu s svoim samovarom He’s going to Tula, taking his own samovar German: Eulen nach Athen tragen Taking owls to Athens Hungarian: Vizet hord a Dunába He’s taking water to the Danube Spanish: Es como llevar naranjas a Valencia It’s like taking oranges to Valencia […]

Mattel Disney Pixar Diecast CARS: Christmas CARS 2011
Posted in Disney Pixar, Mattel Disney Pixar CARS on 30 September 2011
Stats: and 19 Comments

Looks like it’s Christmas stocking season at toys R Us already … Thanks for the pic, Mariela P! This is the first ever release of Snowplow Lightning McQueen paired with Whee-Hoo (Snow Cap) Mater together. Last year Whee Hoo Mater was available in the Santa CAR 3-pack AND as a single.Whee-Hoo Mater does not appear […]

The Internet Community Can Solve Medical Mysteries? Who Knew?
Posted in Uncategorized on 29 September 2011
Stats: and 5 Comments

Are you a brainac? Do you have free time at work? Play games to solve mankind’s mysteries! Checkout FOLDIT. Unraveling a retrovirus For more than a decade, an international team of scientists has been trying to figure out the detailed molecular structure of a protein-cutting enzyme from an AIDS-like virus found in rhesus monkeys. Such […]

The Fox Tv Series Terra Nova Review
Posted in Uncategorized on 29 September 2011
Stats: and 7 Comments

They are re-airing it this weekend. Since the series in year one (13 episodes) is going to cost $50 million (at least), Fox is rolling the big dice on it. They were hoping it was an immersive experience like AVATAR with scary beasts JURASSIC PARK (obviously) and spooky mystery like LOST. Or appointment TV. It […]

Another Amusing Poster From Pop Lab Chart – Hollywood Haircuts Roundup
Posted in Design on 28 September 2011
Stats: and 6 Comments

Now you walk into your barber shop and ask for a Chewbacca. 🙂 From Pop Lab Chart (they have other fun posters).

Disney Pixar CARS 2 Diecasts: Japan Takara Tomy Playsets – Wicked Cool
Posted in Disney Pixar CARS 3 on 28 September 2011
Stats: and 14 Comments

On the surface, this giant McQueen doesn’t look much much … But push down on McQueen and he OPENS UP INTO … Yep, he opens up in a track! (see the video below for all its functions). There’s also a Mater that converts into the oil rig! They run about $65-$80 with the Yen to […]

For All Old School DC Comic Geeks
Posted in comics on 27 September 2011
Stats: and 11 Comments

From Comics Cavern … Old School DC Color Guide DC decided to relaunch all their titles this year – Comic Booked has gathered up all the covers (some NSFW).

Disney Pixar CARS 2 Diecasts: Takara Tomy Checklist (Video Link)
Posted in Disney Pixar CARS 3 on 27 September 2011
Stats: and 15 Comments

If you’re collecting the Japanese Takara Tomy CARS 2 diecasts, here’s your checklist. While these are 1:64 in scale, they all diecast metal – no plastic front plates and skimping on metal – they are rock solid and HEAVY. The “re-release” series. The CARS 1 CARS seem a little off kilter in their size and […]


text:
Steph Curry

The Golden State Warriors superstar Steph Curry put on a shooting clinic during the NBA All-Star Game. The 32-year-old guard made 10/19 field goals and 8/16 three-pointers.

He finished the game with 28 points, helping Team LeBron defeat Team Durant by 20 points. The three-time NBA champion also own the Three-Point Shooting Contest.

Anthony Davis, who had to miss the All-Star Game due to an injury, was in awe of Curry’s performance. “This man Stephen Curry is a cheat code bruh!!” he tweeted.


text:
Glitter Crown Bow Tails:

Please note the picture shows the finished item(s) after cutting to size - supplied items will be uncut. The stated price is per individual item. Approximate Dimensions: 2.5 inch tall, 3.75 inch wide. The finished bow in the photos are just for inspiration!

Glitter Crown Bow Tails

  • Returns will gladly be accepted within 14 days, however the buyer is to arrange and finance the return postage. To process the refund, all I ask is that the items are in a resaleable condition.

  • Items will be packaged securely and sent via Royal Mail 1st Class. Proof of postage is always obtained for the buyer's peace of mind.


text:
Cart 0
Grammie's Tea Cozies - Teacups

Grammie's Tea Cozies - Teacups

"Grammie's Tea Cozies." Insulated, reversible, high quality, cotton fabric with steaming cups of tea. Rich blue, green and brown colors. Grosgrain ribbon tie. Fits 4 - 6 cup teapots and is machine washable and dryable. Handmade by a local, very dear Grandmother

Share this Product

More from this collection


text:
clock menu more-arrow no yes

Filed under:

UNC 83 FSU 62

New, 9 comments

The Heels advance to the ACC Semifinals with a win over FSU as all eyes turn to P.J. Hairston's injured left hand.

A perfectly good game where UNC shook off some early first half execution woes to build nice 2nd half lead was ruined by yet another freak injury. This time it was P.J. Hairston who had the webbing of his hand split open causing him to bleed profusely all over the court. The injury required eight stitches and his status for Saturday is to be determined. Given how this sort of thing has gone for UNC of late, optimism doesn't feel like a viable option.

Up to the point, UNC had played well over the course of the game with Hairston leading the way. The sophomore made the most of playing in his hometown hitting five threes on his way to 21 points. James Michael McAdoo put together a solid first half scoring 10 of his 12 points but was limited to only 14 minutes by foul trouble. Still, it was Hairston and McAdoo who largely carried the Heels to an eight point halftime lead.

After intermission, FSU pulled to within four before UNC used a 13-0 run to open the game up. Reggie Bullock helped fuel the spurt with six points in a 27 seconds span. Bullock would scored 13 of his 17 points in the second half and also collected nine rebounds. Also of note was the play of Marcus Paige, who effectively shook off two turnover ridden games to dish out 10 assists versus one turnover to go along with nine points.

Given McAdoo's foul trouble and FSU's size, UNC handled the adversity well and weather his absence. Jackson Simmons had three rebounds in 11 minutes and Desmond Hubert played well in ten minutes on the court. If Hairston cannot go against Maryland in the semifinals, UNC will need to fall back to the traditional lineup since, according to Roy Williams, there is no time to prep Reggie Bullock to play the four. The solace there is UNC did beat Maryland earlier in the season with the traditional bigger lineup. Hairston was 1-8 for three points in 25 minutes that day while Reggie Bullock had a career high. It is not ideal, but certainly doable providing Maryland is not playing out of their collective minds as they did against Duke.


text:
Juan Muñoz

Back Drawing

Not on display

Juan Muñoz 1953–2001
Chalk and ink on canvas
Support: 1410 × 1000 mm
Presented by Marian Goodman Gallery, New York 2008

Back Drawing is one of a group of studies of disembodied torsos produced by the Spanish artist Juan Muñoz during the early 1990s. This painting shows a naked back, in white chalk on a black background, sharply highlighted to accentuate contour, shadow and texture. The torso dominates the upper half of the canvas. Except for the lone hand suspended above the torso, other body parts are absent; the lower body and left arm are truncated and the shoulders form an awkward and uneven diagonal as if the figure is bending forward. In two later Back Drawings 1992 (illustrated in Wagstaff, pp.52-3) for which Muñoz used oil pastel, the figures’ aging skin and stooping shoulders are emphasised, but in this one the back, although arched and with protruding shoulder blades, has smooth flesh. The artist based this work on photographs of himself. Muñoz commented: ‘With the back drawings I wanted to draw the back and make it very beautiful, enticing yet giving nothing away.’ (Quoted in Possible Worlds, p.58.)

Whilst some of these paintings might be related to sculptures such as Backs on Bronze 1990 (illustrated in Wagstaff, p.51), others are not explicitly connected with sculpted works, and the unusually large scale of Back Drawing suggests that the artist saw it as an independent work. Indeed, Muñoz aimed to keep his sculptures and drawings as separate entities. Back Drawing was produced at a time when Muñoz was gaining international renown particularly as a sculptor: 1990 was the year of his first solo exhibition outside Europe at the Renaissance Society at the University of Chicago.

Back Drawing has the stark monochromatic quality of a huge photographic negative, and the use of intense black ink suggests a connection with the artist’s early interest in printmaking. Muñoz had studied lithography and advanced printmaking when an art student in London in the 1970s, the time when he also began to experiment with sculpture. Later, the artist explained that he aimed to ‘retain the illusionistic elements of painting and photography’ for his sculptures (quoted in Juan Muñoz, p.149). Back Drawing has a pronounced three dimensional effect achieved by the startling contrasts of light and dark, and the same supernatural and dreamlike quality that characterises much of his sculpture.

Muñoz used a similarly dramatic chiaroscuro in a further series of paintings, known as the Raincoat Drawings (1988 onwards). The Raincoat Drawings (including Tate T11979) focused on eerie domestic interiors devoid of human occupants; in the Back Drawings Muñoz used figurative subjects but privileged form and luminescent effects over the fashioning of an identity. The absence of identity and the inability of the subject to communicate are recurrent themes in Muñoz’s sculptures and installations. His figures often face away from the viewer, challenging expectations of an ‘exchange’ between viewer and subject, as with Towards the Corner, 1998 (Tate T07872) and Shadow and Mouth, 1996 (illustrated in Wagstaff, pp.74-5).

Further reading:
Neal Benezra and Olga M. Viso, Juan Muñoz, exhibition catalogue, Hirschhorn Museum and Sculpture Garden, Washington, D.C. and the Art Institute of Chicago, 2001.
Possible Worlds: Sculpture from Europe, exhibition catalogue, Institute of Contemporary Arts, London, and Serpentine Gallery, London, 1990.
Sheena Wagstaff, ed., Juan Muñoz: A Retrospective, exhibition catalogue, Tate, London, 2008.

Alice Sanger
October 2008

Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.

You might like


text:
Shipping details
Same as Billing
Add/Edit Shipping details
Name SKU Price Quantity Tax Discount Total
Product prices result

Selected shipment

No shipment selected

You must enter your your Billing/Shipping details first in order to be presented available shipping options for your country

Please Add billing information

0,00 €
0,00 €
Company Name
Notes and special requests
Terms of Service

Terms of service

Terms and Conditions

TAXCODE SA created the website with the view to inform about its products and the possibility of purchasing them with the beyond terms of use, which its visitor/user has to read carefully. TAXCODE SA has the right to change, modify these terms, abstract or add part of them without further notice. You are prompt to often check these terms for possible changes. Using the website and the e-shop of TAXCODE SA means the unconditional acceptance of the following terms.

Navigation in the website does not require someone to be registered. Registration is needed to order products. Visitor/user agrees on a) giving true, accurate, valid and full information when asked and b) preserving and updating his/her registration data, so that it is true, accurate, updated and full. This information is strictly confidential and needful strictly for the completion of the order and not given to third persons in any case. TAXCODE SA is not responsible for leakage of confidential information due to digital rupture of its website or its database.

During user’s registration, some data is required to execute the order. Furthermore, the user must create a username and a password. It’s highly recommended that the user changes frequently his password and the passwords selected must not be the same and easily detectable for security reasons. The user is the only person who is aware of these passwords, must keep them safe, must not communicate them and he is solely responsible in case of leakage to third parties.When a subscribed user enters his codes and there is no activity on his part for fifteen (15) minutes, he is automatically disconnected from the member area of the site for security reasons.

TAXCODE SA does not collect users’ private data apart from the necessary and legal for legitimate purposes in order to edit an invoice in the case of ordering products (name/company name, postal invoicing and delivery address, e-mail address, telephone number, VAT number).

Your e-mail address may be used for advertisement purposes and only for TAXCODE SA’s products, in the form of a newsletter. Any user can be unsubscribed of the newsletter recipient list, if wished, through the appropriate link shown. The e-mail addresses are not provided in anyone and in any case.

Your data are not editable beyond purchasing reasons, are not provided or shown in any third part, except the competent legal authorities under law enforcement.

Users have in any time the right to update, access and object to their personal data.

Everything mentioned above agrees with the relevant Greek law.

  • TAXCODE SA uses in its website the encryption protocol SSL, TLS 1.2, for safe data transportation.
  • All payments by debit or credit card are made through the digital platform e-Commerce by Alpha Bank.

Alpha Bank offers Alpha e-Commerce service, in accordance with up-to-date security standards (Verified by Visa, MasterCard Secure Code, e-mail alerts):

Card data (card number, CVV2, expiration date etc.), is transmitted over the Internet in an encrypted format (SSL 128-bit encryption) and is not accessible through TAXCODE SA.

All systems and procedures used by Alpha Bank block any third party from accessing the Bank’s data and its information systems.

Alpha Bank’s payment page in which card details are entered, bears a digital certificate to allow anybody to check its authenticity, i.e. to make sure that it is a genuine web page of either the Alpha e-Commerce Service or the Alpha e-Pay (ex-DeltaPay) Service.

The administration and management of the Alpha e-Commerce Service is carried out by an authorised person of TAXCODE SA who is provided with personal access codes (username and password).

In case that the issuing bank supports the use of a password for the execution of on-line payments with a card and the cardholder has registered for this service and received such a code, the Alpha e-Commerce Service requires automatically that the cardholder (our Customer), types this password.

The Alpha e-Commerce Service follows the world’s best practice for e-commerce payments and is fully compatible with the international security protocols verified by Visa and Mastercard SecureCode for secure on-line card payments.

TAXCODE SA takes all the necessary technical and other measures in order to provide valid and updated information (characteristics, price, availability etc.) about its products and services and it is expressly reserved for any incorrect information due to human (for example by mistake registration) or technical error (for example failure to update system, possible website downtime). In the case that a product or service presents an abnormally low or high price, the user is kindly requested to contact TAXCODE SA by phone at 2102583640 or by email at This email address is being protected from spambots. You need JavaScript enabled to view it..

The website may contain references [via (hyper)links, banners, videos] that are likely to transfer the user to third party websites. TAXCODE SA does not represent, control or is responsible for their content, accuracy, privacy policy, operation, legality, accuracy. The user must review the terms of use and privacy policy available on these websites. The placement of these (hyper)links is solely for the convenience of visitors / users of the website and their placement is not an indication of approval or acceptance of the content of the respective websites on the part of TAXCODE SA.

With the order of goods, user agrees to the fact that all or part of the goods ordered are available and without further notice and the fact that all or part of the goods ordered will be sent to him/her within a logical period of time, accompanied by the legal invoices.

TAXCODE SA has no obligation and it is not responsible for the availability of the products appeared on the website as available to order.

If an unavailable product is prepaid during order and it will not be available during short time and after the customer’s notice, the money paid is fully returned.

The prices concern only the acquisition of the hardware or software. For further setting of a product or training to a product's use, further charge might be applied.

Ways of ordering

Orders can be done via TAXCODE SA’S e-shop, by e-mailing us (This email address is being protected from spambots. You need JavaScript enabled to view it.), by phone dialing in 00302102583640 or by coming into the TAXCODE SA’S head office.

Delivery charge

For every delivery inside the region of Attica-Athens, there is no extra delivery charge, unless any consumable product is ordered (roll papers, batteries).

For every delivery for the rest of Greece, there is an extra delivery charge, which is appeared in details during the e-order, after the filling in of the delivery address.

For every delivery outside Greece, the customer must contact TAXCODE SA.

Ways of payment

Payment can be done:

  • on cash when delivered by courier
  • on cash or by credit/debit card in TAXCODE SA’s head office
  • with bank transfer on the account number appeared during the e-order, after the specific way of payment is chosen
  • with a debit or credit card (Visa, Visa Electron, MasterCard, American Express, Diners Club), through the secure digital platform e-Commerce by Alpha Bank
  • through PayPal using your credit/debit card

Delivery time

For Greece only:

The products are sent by Taxcode SA:

  • the same day, if ordered until 12 pm
  • the next working day, if ordered after 12 pm
  • in the occasion of a bank deposit, the products are sent by Taxcode SA the next working day and only after the deposit is confirmed.

In every occasion, delivery is made the next working day after the sending day.

If any matter (for example availability) occurs, the user will be informed on time by phone or via e-mail.

For other countries: customer has to contact TAXCODE SA.

Product warranty

All products have 1 year warranty, unless indicated otherwise.

Stock products, although are new and not used, have not warranty, because they are discontinued by the manufacturers.

Defective products

The defective product is returned to TAXCODE SA and is replaced with another one, with no extra charge, if the same product is available.

If it is not available, it is replaced with a similar product and the difference is paid, if it is more expensive.

Cancelling order (according to the Greek law)

The received products can be returned in their original condition, within fourteen (14) days from the delivery date. Any delivery cost for the return is charged on the customer. After the products are checked and verified that were not used, customer will get a full refund of their initial price.

The extra delivery amount is not refunded.

If the package is opened, you cannot return the product.

All contents of the website, design, photos, texts and all of its data archives are copyright of TAXCODE SA and protected by Greek law, European law and the international conventions and treaties.

Any copying, by any means and in any form, in whole or in part, transferring or production of any derivative work based on this content or misleading the public about the real provider of this website is forbidden.

The reproduction, republication, uploading, posting, transmission or any other use of content in any manner or means, for commercial or other purposes is permitted only with prior written consent of TAXCODE SA or any other copyright holder.The names, images, logos and trademarks listed and used for the description of the online store with the trademark TAXCODE SA or products or services of the TAXCODE SA or third parties are assets of TAXCODE SA or third parties respectively, protected by applicable trademark laws.Their use on the website does not provide in any case for a license or right of use by third parties.

TAXCODE SA is not responsible for any damage (direct loss, indirect, consequential, positive damage) caused to the visitor/user of the website, where he/she navigates in his/her on account. Taxcode SA cannot guaranty that the web pages and the contents will be provided without interruption or errors and that the errors will be corrected.

TAXCODE SA is not responsible for any technical and misprint error or spelling mistakes on the prices or the product features.

TAXCODE SA is not responsible for the transactions made on the bank’s website or for browsing into third party websites.

The user of the website accepts that he does not use the website or the e-shop of TAXCODE SA to send, publish, e-mail or otherwise transmit any content that is illegal, harmful, threatening, offensive, annoying, slanderous, defamatory, obscene, libelous, infringing on anyone’s privacy, expresses empathy or racial, ethnic or other discrimination, may cause harm to minors in any way, and is not entitled to be transmitted in accordance with law or contractual or management relationships (such as internal information, proprietary and confidential information acquired or disclosed as part of labor relations or covered by confidentiality agreements), infringes any patent, trademark, trade secret, copyright or other proprietary rights of third parties, contains software viruses or any other codes, files, or programs designed to interrupt, damage, destroy or destroy any function of any software or computer hardware, intentionally or unintentionally violates applicable Greek and Community law and its provisions, may harass third parties in any way and any content used to collect or store personal data about other users.

The Athens Courts are responsible for any dispute.

Consumer Protection

(external link of Greek Ministry of Development & Investments)

click on the photo below:

On line Dispute Resolution Platform

(external link of European Consumer Center of Greece)

click on the photo below:

 odr logo

Click on the following link (external link of Ministry of Development & Investments):

Last Version: December 2019

Cart empty


text:
About The Founder

Tayla Andre

If you log on to SparkOnlineFM, YouTube, iTunes, or iHeartRadio, and listen to my show “Wake up with Tayla Andre.” you’ll quickly understand “Unorthodox Conversations Leading to Universal Consciousness” means I am passionate about educating, motivating, and emancipating my listeners from fear of the unknown. I am a mom, author, real estate agent, and advocate.

With over a decade of experience I have interviewed some of society’s most sought out personalities, including New York Best-Selling Authors, Grammy Award-Winning Artists, international public figures, and all levels of political affluence.

As the author of ‘Finally, Home’ my book equips the reader with the confidence to be engaged with the home buying process without feeling vulnerable or exploited. ‘Tayla Made Real Estate Easy’ is not just a catchy hashtag. It is my goal; a goal to simplify one of the most challenging processes you will go through as an adult; a goal to educate you properly on credit and teach you the strategies to finding the home of your dreams. It is not just a good book or an easy read, it is the secret to a seamless home buying experience.

Although my real estate career began out of passion for understanding gentrification, my brokerage at Thumbprint Realty turned me into the professional agent I am today. Clients seek me out not only because I have years of experience, learning from the best in the field, but because I am dedicated and motivated to serve.

I am one of the founding parents of CPLAN, a student-centered, and parent-driven community. CPLAN seeks to transcend divisions: We hold district, charter, regional, and Metropolitan Council for Educational Opportunity (METCO) systems accountable to ensure equitable educational outcomes.

I am currently being mentored by Dr. S. Atyia Martin the CEO and Founder of All Aces, Inc., an education social enterprise with a mission to activate the power of consciousness, critical thinking, and community to catalyze transformative action that advances racial equity and resilience.


text:
The Inside Scoop - Easter Blessings

Regular Price:
Your Price: Sale Price: $17.00
(You save )
(5 reviews) Write a Review

Add hand-lettered, faith-based sentiments to your Easter cards that will send a message of hope and love with our The Inside Scoop - Easter Blessings stamp set.

Part of our The Inside Scoop collection, this set includes a variety of sentiments that are as perfect to use on the inside of your cards as the outside. Sentiments include:

  • Hallelujah
  • May your Easter be filled with the power & peace that comes from His resurrection.
  • He is not here. He has risen! Just as He said. (Matthew 28:6)
  • My Redeemer lives
  • Praising God together as we celebrate our risen Savior and the new life He gives.
  • Lamb of God
  • Wishing you a blessed Easter

Set of 7 red rubber cling stamps mounted on foam. Comes on a 4 1/2" x 6 1/2" storage panel with a color-printed index.

Additional Details

5 Reviews

  • 5
    Love this series

    Published by Pat S on Mar 9th 2020

    Love having multiple options available for the Inside Scoop for each holiday

Related Products

Customers Also Viewed


text:
Finally, one of South Africa’s most-wanted serial killer Joshua Bomba Shongwane has been arrested by the Hawks after a successful manhunt.

He fled from the Tembisa Magistrate’s court in Ekurhuleni after he overpowered, shot and killed a police captain Malesela Alfred Lamola while they were making their way up the court stairs in October. The police captain died on the scene after he succumbed to the multiple gunshot wounds.

It took the tireless efforts of members of the Hawks’ Tactical Operation Management Section and the National Investigation Unit to arrest the serial killer this time.

He was arrested at his hiding spot in Eerstruste‚ Pretoria. Also found in his possession was an Audi A1‚ which was found to have been hijacked in KwaThema‚ Springs in September this year.

Hawks head Lieutenant-General Mthandazo Ntlemeza warned killers and armed robbers hiding in the country to either turn a new leaf or be ready to face the wrath of the law when caught.

“No one kills a police officer and enjoys peace of mind. People who threaten the security of our state by killing police officers will be hunted down and we will ensure that they face the full wrath of the law,” he added.

Shongwane will now face charges of murder‚ hijacking‚ escaping from custody‚ possession of an unlicensed firearm and possession of a hijacked motor vehicle, when he appears in the Tembisa Magistrate Court on Tuesday.

The suspect is allegedly behind nine hijackings committed in Tembisa, Rabie Ridge and Kagiso in 2012.


text:
WA Press Photography Awards 2012

While we have so much on this month, we almost missed one of the most important Photographic awards in WA. The WA Press Photographer Awards, last Friday night the people who help shape our ideas on current affairs had the 2012 Awards. As usual the standard was extremely high the winning portfolios show not only a great eye, great technique but also an ability to work under all conditions and capture that moment.

We congratulate Theo Fakos/The Sunday Times the winner of WA Press Photographer of the Year 2012 great work.

Runner up was Matthew Poon/Community Newspaper Group well done Matthew love your work well deserved

Third place is Lee Griffith/The West Australian, Lee has been producing great images for many years now. Again really well deserved

Congratulations to all who entered, after Fotofreo we hope to have more images from the awards posted.

Call Now Button


text:
Is your remote team happy and productive?

Try a Live demo with our fun bots

Having a remote team creates a unique set of challenges when it comes to understanding how each team member is feeling and their current state of mind.  Running a Remote Team Happiness health check gives everyone in the team to share their response around key factors that impact distributed teams.

Investing time in finding out how everyone feels is a strong signal about creating the right culture and discussing ways to improve communication, trust and collaboration in the team based on real data. Regular check ins for remote teams are even more important when you can’t meet face to face, giving people the opportunity to express their thoughts without the fear of losing their jobs. This can boost morale, lower stress and improve productivity.

TeamRetro provides a tool that lets each member in your remote team indicate their response to health dimensions, then instantly visualises the responses to produce an overall indicator of where your team is most and least happy.

Remote Team Happiness

Remote Team Happiness Health Dimensions

Right out of the box, TeamRetro asks each member in your team to respond to a set of dimensions that impact the happiness, effectiveness and productivity of remote workers. Want to measure something else? Change, add or remove dimensions and descriptions that reflect your team.

How to create a Health Check in TeamRetro

Start Health Check

Your template is ready to go
Under Health Checks, select the health check you’d like to complete. Decide if you want to survey the team anonymously, using aliases or openly.

Invite Participants
Invite your team wherever they are.
Invite by a unique and secure code, email address, share a link, use a QR code or post to your Slack channel. They can use their phone, tablet or PC.
Health Check Survey
Survey the team independently and efficiently
Ask the team to reflect and rate along each dimension from happy to unhappy. You’ll see when everyone has finished. Use the in-built timer to keep things on track.
Grouping of ideas after brainstorming in a retrospective meeting

Reveal and discuss the results

Your health check data is displayed showing the average response and tally of each response. Sort dimensions by most positive, negative or mixed responses to make discussions more meaningful.

Grouping of ideas after brainstorming in a retrospective meeting

Keep conversation on track with Presentation Mode
Switch to presentation mode to sync devices making it easier to facilitate and focus conversations. Capture comments and actions along the way.

Grouping of ideas after brainstorming in a retrospective meeting

Review your action plan
Assign action owners and set due dates for new items and review prior actions. This action list can be tracked, shared or integrated into your other workflow tools.

Grouping of ideas after brainstorming in a retrospective meeting

Share the results
Great work, you are all done! Share the results with your team via email, download and print or publish to tools like Jira, Asana and Trello. Results can be tracked in your dashboard.

How important is remote team happiness?

  • With the Future of Work and State of Remote Work showing the prevalence and significant presence of remote and distributed teams, it means scrum masters, leaders and managers need to be conscious of how to integrate and include remote workers into the team.
  • Research validates our assumptions that happy workers are more productive. In a study by iOpener with 3,000 respondents in 79 countries showed that the happiest employers are 50% more productivity and 108% more engaged.
  • Given that you can manage what you measure, knowing happiness levels can lead to improvements in company and team culture.
  • Regular, consistent and authentic engagement with staff to learn, listen and take action on what has been shared by teams can shift the needle in terms of creating greater engagement and overall team happiness.
  • It’s about progression, not perfection!


text:
Home News Matt Centrowitz One-...

Matt Centrowitz One-Ups Olympian Dad, Wins Team USA's First 1,500m Gold Since 1908

By Karen Rosen | Aug. 20, 2016, 11:43 p.m. (ET)

Matt Centrowitz celebrates after winning gold in the men's 1,500-meter at the Rio 2016 Olympic Games at the Olympic Stadium on Aug. 20, 2016 in Rio de Janeiro.

RIO DE JANEIRO — “Welcome to the club.”

Those are the words Matthew Centrowitz heard from Sebastian Coe as he stood on the victory podium after winning the men’s 1,500-meter at the Rio 2016 Olympic Games.

Coe was Olympic champion in 1980 and 1984 in the 1,500 and is now president of the IAAF, track and field’s global governing body.

The club only had two U.S. members before Saturday night. Centrowitz became the first American to win a gold medal in the metric mile since Mel Sheppard in 1908, who followed James Lightbody in 1904.

“I’m just, happy to bring gold back to the U.S.,” Centrowitz said. “Having a bit of history along the way is very humbling.”

Centrowitz was not to be denied this time.

Four years after finishing fourth in London, he led at every split, and then held on down the straightaway against a tough field.

Centrowitz finished in 3 minutes, 50 seconds flat, about 20 seconds off his personal best in the tactical race.

He held off several challengers and ran a last lap of 50.62 seconds to edge Taoufik Makhloufi of Algeria, whose time was 3:50.11. Nicholas Willis of New Zealand, the silver medalist eight years ago in Beijing, was third in 3:50.24.

Centrowitz said he was also congratulated by Hicham El Guerrouj, the world record holder. Hours before the race, he woke up from his nap to an good luck email from Jim Ryun, the former world record holder who lost his bid for gold in 1968 to Kip Keino and the altitude in Mexico City.

“He’s been my biggest inspiration,” Centrowitz said of Ryun. “Three of my idols reached out to me today.”

And then there’s the two-time Olympian who has had the biggest influence on Centrowitz’s career: his father Matt, who competed in the 1,500 in 1976 and would have run the 5,000 in 1980 if not for the U.S. boycott.

“On my victory lap, I saw my dad and my sister on the backstretch,” Centrowitz said. “I looked at my dad and I yelled out, ‘Are you kidding me?’”

His dad answered back in kind. “And then I said, ‘Are you kidding me’ again and we just kept going back and forth,” said Centrowitz. “It hasn’t sunk in. I think we’re both absolutely astonished right now.”

For the senior Centrowitz, the accomplishment will sink in deeply soon – in ink. He’ll have a tattoo that corresponds to one his son got a couple years ago.

“I felt my dad was a huge reason my success,” said Centrowitz, who won the world championship bronze medal in 2011, the silver in 2013 and was indoor world champion this year. “I wouldn’t be here without him, he brought me to the sport, whetted my appetite year in and year out. We have the same name, both went to Oregon, both school record holders, sociology major, the list goes on.”

The tattoo on Centrowitz’s chest says, “Like Father, Like Son.”

“A couple of months ago, he said, ‘If you get a medal, I’ll get a tattoo as well. Depending on the color, the more say you have.’”

Said Centrowitz, “I’m thinking, ‘Like son, like father.’”

But going into Saturday’s race, Centrowitz wasn’t confident he would be able to boss his dad around to the highest level.

“I thought on the best day, I could maybe get a silver medal but, sure, in the back of my head I thought I could get gold. I would have been really happy with a silver and coming away with gold is unbelievable."

Download the Team USA app today for breaking news, 2016 U.S. Olympic Team bios, videos and more.

He was particularly worried about Asbel Kiprop of Kenya, who had the fastest time this year of 3:29.33.

Centrowitz said he had five different strategies playing out in his head depending on how the race unfolded. He knew he wanted to get out in front, but was surprised when he stayed there.

“I wasn’t confident,” he said. “I was thinking someone was going to come by me on the backstretch. No one did. I was like, ‘Here comes someone. Someone’s gotta come.’ My legs felt great until the last 20, until it felt like I was buckling a little bit. I was like, ‘Come on, man, you’re right there.’

“As soon as I crossed the line, I literally was looking at the board like, ‘Did somebody go by me?’ Did I really just hold that caliber of a field off in an Olympic final. I could not script it any better.”

The last Team USA athlete to medal in the 1,500 was Leo Manzano, who won the silver at the London 2012 Olympic Games, but did not make the U.S. team this year, finishing fourth at the U.S. Olympic Team Trials for Track and Field.

In London, Centrowitz was the runner placing fourth, just off the podium.

“Different field;  was a different athlete than four years ago,” Centrowitz said. “It’s so hard to compare the two. I came into this championships with a different mindset. I’m in great shape. I wanted to just run to my capability. It wasn’t a redemption thing for London. It was about being the best I could on this day.”

He now plans to race in Europe and pursue the American record. But if he never gets it, that’s OK.

"I don't think there is any achievement in the sport that tops a gold medal, no world record, no (other) medal. I mean the Olympics is the pinnacle of track and field,” Centrowitz said. “It's the best it gets.

“Hey, I could retire right now. I could literally physically never make another team, do well in another race and it doesn’t matter because I have the Olympic gold.”

He laughed. “That’s just a joke. Obviously, this leaves me hungry for more and more things in the future.”

Related Athletes

head shot

Matthew Centrowitz

Track and Field
head shot

Ben Blankenship


WARC-Identified-Payload-Type: application/atom+xml

text:
tag:blogger.com,1999:blog-1830041839784954098.post2034007594638444025..comments2021-09-28T00:04:54.053-04:00Comments on Tech Junkie Blog - Real World Tutorials, Happy Coding!: Docker : Adding Docker Repository Key and Updating Docker To Get The Latest VersionJason Huynhhttp://www.blogger.com/profile/06651747254494826114noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-1830041839784954098.post-83252666417251096872021-09-11T13:32:45.346-04:002021-09-11T13:32:45.346-04:00My name is Upan, I have more than 3 years of exper...My name is Upan, I have more than 3 years of experience in Shopify dropshipping store development and products listing. I help my clients to boost their sales by importing the best product reviews for their products.

Will you import reviews from aliexpress to shopify?
Order Link: https://www.fiverr.com/share/XmW1EmDigital Marketing Hubhttps://www.blogger.com/profile/13250562878275044317noreply@blogger.com


text:
New customers and orders | Techpilot

For suppliers

On the Techpilot platform, over 30,000 different drawing parts in 280 manufacturing technologies are requested annually. The purchasing companies come primarily from Germany, Austria and Switzerland.

Thanks to our intelligent matching algorithm, suppliers only receive customized inquiries and can directly submit an offer online. Good offers are the basis for the initiation of a long-term customer relationship.

Easily acquire orders

Customized inquiries

Our intelligent matching algorithm finds the perfect supplier for every part. The company profile is the basis for the algorithm.

Suppliers are informed directly via e-mail about matching inquiries and have easy access to inquiry details and the attached drawing files in the “My Inquiries” ection online. Important decision-making criteria are identified in a transparent manner. This allows suppliers to understand if it is a non-recurring, project or series requirement and what the reason for the inquiry is.

All current and past inquiries are additionally available for suppliers to identify interesting inquiries independent of the company profile.

Submit online offers

Buyers value the well structured comparison of offers in our e-sourcing solution. The basis for the comparison is the submission of a digital offer on the Techpilot platform.

The calculated price is submitted via a userfriendly input mask for each item and scale quantity. In addition, users are able to add deviating delivery and payment terms. Suppliers can also make use of the possibility to include an individual message or attachment to the offer.

A good offer often opens the door for future orders and long-term customer relationships.

Direct buyer contact

Drawing parts are characterized by a multitude of specific requirements regarding quality, price and delivery logistics.

Suppliers are therefore able to directly contact the respective buyer to clarify any open questions before submitting an offer. This allows suppliers and buyers to individually discuss suggestions for amendments or deviating logistics concepts, for example.

Our goal is to connect buyers and suppliers with each other directly and to establish ideal partnerships for each part.

Experience how you can easily acquire orders with Techpilot.

Request demo


text:
Strategies and purpose to buy Instagram Followers?

Purchasing Instagram followers will be most felt by businesses or brands that use the social media platform to seek for clients and long term customers and give them satisfying services. It is right that everyone starts from the base zero, and that there is a certain number of followers that will be an indication of progress for your business. Waiting to get many followers can take a long time, which could have been used in doing other stuff. This can be done in spite of posting or sharing beautiful photos of whatever you deal with on Instagram.

The most effective strategies that many marketers are there on a social media platform and social media marketers put in place to increase sales on Instagram is buying followers. Increasing the follower base means increasing the number of potential people who could be clients for your business. The fact that Instagram is growing by the day implies that you are set for success and ready to go on the path to make your brand popular. For this reason, only the businesses that will understand how to utilize the power of this social media platform will make it big, and you want to be on the right side when success starts trickling down.

Purchasing Instagram followers is not only beneficial to businesses alone but for your private purpose as well where you love to work as an entrepreneur or as a freelancer. Some people would like to get to the limelight and would like to use Instagram for their endeavor. Having a large follower base on the platform can translate too many more followers, thereby helping you achieve your desire for fame.

See also  Download Google Datally: mobile data-saving & WiFi app Apk

Only a few people know about buying Instagram followers that some have had it twisted. If you are one of such people, you need not worry since, by the end of this piece, you will be aware of the strategies and purpose to buy Instagram followers.

Increasing the follower base

The more followers you have means higher engagement and more sales. Besides that it gives your Instagram account a higher authority, so more users are willing to follow you and follow your business or brand as well.

Higher conversion rate

With an increase in the number of followers on your Instagram account, you build a social reputation as a business that delivers its promises and does nothing less than to satisfy its clients.

Boost your business or brand promotion

Buying Instagram followers will help your Instagram account to look popular in a particular manner, which boosts account presence a lot on the social media platform. People tend to trust people who have more followers and they think they have some genuine content also.

Easy, safe, and secure

Fast and uncomplicated delivery all over the world. All you need to do is just select your service and checkout with PayPal account for the payment. That’s it! It just takes less than 3 minutes.

Your privacy matters

All of our services are 100% discreet & anonymous. No one will find you out that you bought views, likes, followers, etc. And yes, of course, your personal information is safe and secure as

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.


text:
Track your order
God says you are - Bessie

God says you are - Bessie Horizontal Poster

God says you are - Bessie Horizontal Poster

Horizontal Poster - $18.95
Floating Framed Canvas Prints Black - $54.95
Floating Framed Canvas Prints White - $54.95
Horizontal Poster - $18.95
Gallery Wrapped Canvas Prints - $44.95
Easel-Back Gallery Wrapped Canvas - $44.95
Campaign details

1. Select size, style and color.

2. Click to "BUY IT NOW" button.

3. Enter ship and billing information.

4. Done!
Guaranteed Satisfaction & Safe and Secure Checkout via Paypal/Visa/Mastercard
Product details
  • Printed on 200 GSM paper
  • Edge-to-edge print with no borders
  • Dimensions 17 inches x 11 inches
  • Products are proudly printed in the United States
  • This item is unframed

All products are made to order and printed to the best standards available. They do not include embellishments, such as rhinestones
Shipping info

Orders will ship between Oct 5 and Oct 13.

Learn more about our shipping rates here and our returns, refunds, and exchanges policy here.
Keywords & Tags


text:
That's WAY more than boys.
Image may contain Clothing Apparel Human Person Toy and Doll
Joanna Neborsky

We've known for a while that more teenage girls experience depression than teenage boys, but it turns out the problem may be worse than we once thought. According to a new study, more than one-third of teenage girls experience depression.

Research published in Translational Psychiatry shows the amount of teenagers overall who experience depression is higher than previously thought. The research also found a pretty staggering gender gap in rates of depression among teens. While 14% of boys in the study reported being depressed, 36% of girls reported the same. That represents just over one in three girls experiencing depression.

Researchers looked at data from 2009 to 2014 that dealt with nationally representative samples of people between ages 12 and 17. They found that the gender difference in who experiences depression starts early — around age 11 — but it's unclear why. What is clear, researchers say, is that we should be offering resources to young people so they know where to turn if they start experiencing depression.

“Our study reveals that depression is far too common and is associated with serious problems in school and at home for adolescents,” Elizabeth Miller, MD, senior author of the study and director of the Division of Adolescent and Young Adult Medicine at the Children’s Hospital of Pittsburgh, said. “While we still have much work to do to understand why so many more girls experience depression than boys, adults who work with young people — especially clinicians, school teachers and counselors — should recognize adolescent depression and connect young people who display signs of depression to appropriate mental health services. Don’t wait and expect things to get better without help.”

This is especially important because we know that depression can have negative impacts on young people. As the study notes, experiencing depression is associated with problems at school, relationship issues, and even suicide attempts. We also know that depression is the leading cause of poor health across the world, and it even cause physical pain. According to the Mayo Clinic, symptoms of depression include feelings of hopelessness, loss of interest in hobbies or things that previously made you happy, a change in sleeping patterns, a lack of energy, a change in appetite, feelings of worthlessness, and more. And while it's so common and can be so harmful, there is treatment available and it works.

One study found treatment for mental illness is associated with fewer depressive symptoms in teens. Since it's so common, particularly for girls, it's so important that treatment is accessible, and that we all know there's no shame in asking for help.

If you or someone you know is contemplating suicide, call the National Suicide Prevention Hotline at 1-800-273-8255 or text Crisis Text Line at 741-741.

Related: Mental Health Treatment Associated With Fewer Depressive Symptoms for Teens


text:
Skip to main content

Tarina Tarantino

Celebrate Fashion's Night Out With Sephora

Celebrities! Freebies! And Makeovers! What more could a beauty junkie ask for?! Fashion's Night Out is back TOMORROW(!!!) and it's bigger than ever! If you're still trying to figure out your plan of action for the most exciting shopping event of the year, then look no further, because beauty behemoth Sephora has got you covered. Sephora is taking full advantage of FNO by hosting interactive events in all 15 of their Manhattan locations. In addition to raffles, product giveaways and makeovers, some of the hottest names in beauty will be stopping by select Sephora locations for exclusive appearances, including Gwen Stefani (squeal!), Kat Von D, Tarina Tarantino, Josie Maran, Michelle Phan and Alexandra Richards. Now the only question is, how are you going to decide which location to go to?

Tarina Tarantino Black Friday Sale

WHEN: November 28 through November 20WHERE:  tarinatarantino.comTHE DEAL: Enter the code "sparkle20" at checkout and receive 20% off your entire order before tax, shipping and handling....