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Old 08-05-2010, 08:44 AM   #43
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Dojo: Taikyoku Budo & Kiko - NY, PA, MD
Location: Greater Philadelphia Area
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Posts: 997
Re: What paths lead to internal power??

Dan Harden wrote: View Post
Dude! It does help doesn't it?
I myself am pleased to see that discussing a directed singular force at
y 2 = 2 px or x 2 = 2 py or more so a hyperbolic parabola; creates an angle of deflection that is not equal to the angle of incidence. More so, if the parrabelum has fluid properties and enough cohesive tensegrity to dissipate that force in redirecting. This is how people learn the arts. It's why the older methods were so ineffective at instructing the real masters of old. Today we are sooo much better...right?
It's the real path to internal power.
Wait, wait, I'm talking solely about how the interrelated actualities of the sum of our individualities in the natural world inherently lead to internal strength!!

What you seem to be proposing is more along the lines of a Johnny Quick formula for superpowers . . which if true means I will need to switch my mental paradigm (AGAIN!) to accommodate the scientific nature of appropriated formulaic functions and terms to fit the end result of why my momemtum-consumption based shear proportions confer a knowledge of internal strength via language manipulation on the order of terminology overload.

Furthermore, this formulaic approach has some merits in that, much like the hand-holding-holistic-IS-in-nature approach, it allows me the ability to "belong" to the internal strength discussion, but insulates me from being on the hook to actually show someone that I can do what I say.

In all of these cases, I can appeal to an authority greater than myself . . Look!! Internal Power is in NATURE!!! No, YOU look, Internal Power is in the case studies of human anatomy, SEE??? No, No, No, You fools!! Internal Power is best described by adding scientific layers of descriptors so that it can be completely wrapped and encompassed with pneumatics.

Upon reconsideration, and after thoroughly reviewing your algorithm for a full two minutes I think it serves as an excellent introduction to internal strength, taking it a step further, perhaps talking about how manipulating the angle of incidence via gyrations such that the angle of transference results in everything from nullification in space, to a broad dissipation over multiple surfaces versus a single surface and then borrowing the force to amplify via returning it. Then the metacarpal connective shear to center mass can result in a controlling CPU governor that elicits a continuous stream of system overriding inputs and outputs.

By Jove, I think we're cracking this nut!!

(or at least something's cracked . .)


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Old 12-09-2013, 09:53 PM   #1
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Heater Filter

A big thank you for everybody that helped with my old problem. Now, I just have a question; is there is a filter for our 73 Airstream heater system? And where is it located.

Thank you again.

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Old 12-09-2013, 10:40 PM   #2
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No, there is none. There are no filters on any RV heaters I have ever seen, old or new.
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Cleveland drafts Alaskan Dylan Baker in 5th round

Posted by Van Williams, ALB Media Director | Jun 5, 2012

After making college players swing and miss, Juneau pitcher Dylan Baker is hoping to be a hit in the big leagues.

Baker today was drafted by the Cleveland Indians in the fifth round of the Major League Baseball Draft.

The 6-foot-3 right-hander with a rocket arm was arguably the top pitching prospect out of junior college this year.

He went 13-0 with a 1.91 ERA as a sophomore at Western Nevada College, striking out 126 in 84 innings.

Still, Baker had to deal with the stereotype that baseball players don’t come out of The Last Frontier.

"Whenever you talked to people, they’re like, ‘Oh you’re from Alaska, no one is good from there.’ I mean, we’re just out here playing baseball, there are good people," Baker told me.

"We work our ass off just as hard as they do, just because the competition isn’t as good doesn’t mean you can’t have good players.

"I take a lot of pride being from Alaska because everybody thinks because you’re from Alaska you’re never going to be good. It makes me happy to shove it in their face a little bit."

Other notable draft picks from Alaska

1990 Marshall Boze, Soldotna, 12th, Milwaukee Brewers

1994 Trajan Langdon, Anchorage, 6th, San Diego Padres

2000 Brian Montalbo, Anchorage, 4th, Atlanta Braves

2001 Chad Bentz, Juneau, 7th, Montreal Expos

2001 Chris Mabeus, Soldotna, 13th, Oakland Athletics

2006 Corey Madden, Anchorage, 21st, Florida Marlins

2008 Chris Aure, North Pole, 15th, Pittsburg

2009 Matt Way, Sitka, 5th, Philadelphia Phillies


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May 24, 2012 Published in Other News, Traffic & Transportation

Summer Months Deadliest For Teen Drivers

Citing the fact that summer’s arrival also ushers in that period (May – August) when the greatest number of U.S. teen traffic deaths occur, a Washington-metropolitan area alcohol education group has launched a parental-education initiative to combat both teen drinking and drunk driving this summer.

The McLean-based, nonprofit Washington Regional Alcohol Program is providing area parents of teens with “Ten Tips for a Safe Summer.” WRAP’s tips designed to inform Greater Washington parents on how best to deter teen drinking during the dangerous summer months are available on the organization’s web site at:

“During the summer months, nearly twice as many U.S. teens die in traffic crashes compared to the rest of the year,” said Kurt Gregory Erickson, WRAP’s President. “For too many parents, unfortunately, summer’s unstructured time may also be a deadly time for their teenage children and their friends.”

In 2010, over one-quarter (27.5%) of all teen traffic fatalities occurring in the Washington-metropolitan area involved alcohol according to WRAP (and as excerpted from the organization’s 19th-annual report, “How Safe are Our Roads?, A Data Report on the Impact of Drunk Driving on Highway Safety in the Washington Metropolitan Region” prepared by the Metropolitan Washington Council of Governments and also viewable online at According to the National Highway Traffic Safety Administration, almost one-in-five (18%) young drivers (16-20 years old) killed in U.S. crashes in 2010 had a blood alcohol concentration of .08 grams per deciliter of higher.

According to the American Medical Association, approximately 11 million American youth under the age of 21 drink alcohol. Although the following national studies highlight a recent downward trend of alcohol consumption by U.S. teens, the reports’ findings also show that nearly half of the teens who drink do so in excess, consuming five or more drinks in a row and one or more times in a two week period:

Binge Drinking: The latest Monitoring the Future survey (2011) sponsored by the National Institute on Drug Abuse, reported that the majority (47.6%) of U.S. high school seniors don’t view binge drinking on weekends as carrying a great risk (an increase in such an attitude from the previous year). In addition and while alcohol use rates have declined consistently in the last four years, alcohol is still the drug of choice for all three surveyed age groups (8th, 10th and 12th grade students).

Alcohol and Marijuana: According to this month’s released 22nd-annual Partnership Attitude Tracking Study by The Partnership at and MetLife Foundation, 56-percent of U.S. teens in grades 9-12 admit to consuming alcohol in the last year. In addition and in citing a 21-percent increase in marijuana use by U.S. teens since 2008, researchers have documented past year marijuana use by teens with increased alcohol use by the same (45% to 84%).

Alcohol and Risky Behaviors: according to the latest National Youth Risk Behavior Survey (2009) commissioned by the U.S. Centers for Disease Control and Prevention, over one-quarter (28.3%) of U.S. high school students rode in a motor vehicle driven by someone who had been drinking alcohol and nearly ten-percent (9.7%) had, one or more times, driven a motor vehicle, themselves, when they had been drinking alcohol.

WRAP’s updated, ten tips for parents to deter underage drinking and drunk driving this summer include advice on: how parents can best talk with their teen about alcohol use bolstered by studies confirming that parents can have a significant – if not most significant – impact as to whether their teens will engage in risky behaviors including the use of alcohol; providing structure to the summer month’s unstructured times for teens citing that children of “absentee parents” were four-times more likely to abuse substances than children in highly-structured homes; and even how to safely host a teen party this summer including not serving beverages in easily-tampered cups, amongst other tips.

In addition and as part of WRAP’s tip for parents to “lay down the law” with their teenage children, the organization reminds parents of two new local drunk driving laws including:

VIRGINIA…On July 1st of this year, a new law (HB 279) becomes effective in Virginia ensuring that all persons convicted of DUI in that state will be required to install ignition interlock devices in their cars.

MARYLAND…Effective last fall, a new law (HB 1276 and SB 803) in Maryland mandates ignition interlock devices for all persons under 21 years of age convicted of driving with virtually any amount of alcohol (.02 + BAC) in their systems.

Most importantly, if you suspect that your child is drinking, intervene. Talk to your child and obtain qualified professional help if necessary. The U.S. Department of Health and Human Services found that harsh, inconsistent discipline and hostility or rejection toward children has also been found to significantly predict adolescent drinking and alcohol-related problems. Set clear expectations and be consistent with discipline for rules not followed.

WRAP officials also suggest that parents be aware of social networks their children use. Party promoters often prey on youth via social media sites and by promising a good time and access to alcohol for a fee, according to WRAP.

“Make no mistake about it, parents play an integral role in when and if their children drink alcohol,” said Erickson. “These tips are simply meant to reinforce their efforts to foster a healthy and safe summer for them and their teenage children.”

The National Institute on Alcohol Abuse and Alcoholism found that young people who begin drinking before age 15 are four times more likely to develop alcohol addiction than those who didn’t begin drinking until age 21. In addition, youth who drink alcohol participate in other risky behaviors including driving while impaired, riding in a car with a drunk driver and, via impaired judgments about sex and contraception, placing them at increased risk for HIV infection, other sexually-transmitted diseases and unplanned pregnancies.

For the 20th year in a row, WRAP recognized Greater Washington teens fighting underage drinking and drunk driving via the organization’s hosting of its annual GEICO Student Awards this spring awarding three area high school student groups with plaques as well as cash prizes to help sustain their efforts in promoting alcohol and drug-free lifestyles to their fellow students.

Commemorating its 30th year, the nonprofit [501(c)(3)] Washington Regional Alcohol Program is an award-winning public-private partnership working to prevent drunk driving and underage drinking. Through public education, innovative health education programs and advocacy, WRAP is credited with keeping the metro-Washington area’s alcohol-related traffic deaths consistently lower than the national average. WRAP, however, may best be known to area residents via the organization’s popular free cab ride service for would-be drunk drivers, SoberRide.

For more information, visit WRAP’s web site at

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alexis morgan

a short story by Alexis Morgan
© 2017.

Silas was counting the seconds until he could crawl into bed and pass out. However, he wouldn't leave it up to his reluctant hostess to wipe up the bloody mess he'd made of her kitchen. "We need to clean up the floor before we go."

The woman was nothing if not stubborn. "I can take care of it. You need to lie down before you fall down."

"I do, but you've put in a full day, too. Rather than waste more time arguing, tell me where the mop is."

In the end, she insisted on helping, but at least they got the job done. Lydia put away the cleaning supplies and then repeated what she'd said earlier. "If you can still walk, I'll show you the apartment."

Moving slowly, Silas grabbed his pack and followed Lydia into a small office that opened off the back of the kitchen. He would have offered to carry the basket of groceries she'd put together for him, but right now it was all he could to put one foot in front of the other. He paused just inside the doorway to look around. At first glance, there was no obvious exit out of the small room except the door he'd just come through.

Lydia, who had still been looking pretty shaken by his collapse, smiled just a little as she slid her hand under the top of the desk. She must have pressed a button or flipped a switch of some kind because there was a soft click and the tall bookcase in the corner shifted slightly.

"This building was a speakeasy back in the day, and I guess the owner wanted to make sure he had a bolt hole if the cops came calling. There is another way to access the apartment, but that would entail both of us hiking around the block to come in from the other side. I don't know about you, but I don't have the energy for that tonight."

Maybe she really was tired, but he suspected she was more worried about him than she was herself. Knowing she saw him as being weak stung, but he didn't blame her. After all, he'd just done a face plant on her kitchen floor.

She gave the bookcase a hard tug, swinging it away from the wall to reveal a hidden staircase. "There's a release just inside, so you can come and go anytime you want. Having said that, Joseph always made a point of coming through the front door. He preferred to keep this route to his personal quarters a secret from most of the staff. The only two who know about it are myself and my head chef, Caleb. He's the only other holdover from when Joseph was still running the restaurant."

alexis morganWithout waiting for him to respond, she disappeared through the opening, leaving him no choice but to follow her down the narrow staircase. At the bottom, she stopped in front of a door that seemed to face the wrong direction. If the apartment was under the restaurant, the entrance should have face the other way. Meanwhile, Lydia unlocked the heavy metal door and then handed him the key she'd used.

"I have a duplicate, but I won't enter uninvited."

"Fair enough, but I thought the apartment was under the restaurant."

She shot him a grin over her shoulder as she opened the door farther and flipped on the lights inside. "Actually, it's under the back parking lot. The basement directly under the building is all storage for the restaurant. The two areas are divided by a solid concrete wall, so no one can gain access to the apartment from the other side."

"It is. I love the whole idea of some prohibition mobster having his own escape route. Or maybe his customers used it as a hideout when the cops were after them." If it kept the Feds out, chances were he'd be safe from the pack currently hunting him. Well, unless they traced his scent as far as the office. "On that note, it might not be a bad idea to accidently spill some bleach or even some wine in the kitchen and your office. Either one will cover up the smell of blood."

Lydia froze in place. "Do you think whoever is hunting you will follow you here?"

He owed her his honesty. "I did my best to throw them off the trail, but I can't promise that they won't managed to find me. I thought I'd lost them before I got to this area. I didn't use credit cards or a cell phone that would have let them trace me electronically. Right after I reached town, I checked into a cheap motel and paid cash. However, the pack tracked me somehow. When I came back from dinner, something happened at the motel that had the place swarming with cops, and the door to my room was standing open."

And he hadn't slept since. It was getting harder and harder to stay upright.

She finally moved farther into the apartment. "And what would have happened if you'd been in the room when those guys got there?"

He leaned against the doorframe. "Let's just say, you wouldn't have a new temporary tenant to bother with."

"Are these guys a danger to me or my customers and employees?"

The slight quiver in her words added to his guilt over dragging her into his mess. "My people haven't stayed hidden from humanity this long by being reckless. Having said that, they're also not above physical violence when they think the situation warrants it. They want me dead, and they're getting more brazen in their efforts to find me. Normally, they would never have done anything that would drag the police into pack politics."

She stood back and motioned him to come farther into the main living area of the apartment. As he walked past her, she asked, "And the bottom line?" alexis morgan

He did a slow turn to check out his new temporary home. When he was once again facing her, he finally answered. "If they come looking for me, tell them where I am and get your people out of the line of fire. I don't want anyone else to die because of me."

Lydia drew a sharp breath at his stark assessment of the situation. What the hell had he done that had killers hot on his trail? It wasn't any of her business, but as he had just pointed out, she had her employees and customers to think about.

He must have sensed her dismay, because he dropped his pack on the floor and stepped close enough that she could feel the heat of his big body. "I promise I will do everything in my power to protect you from my problems. All I need is some downtime to let my injuries heal up and a few hot meals under my belt. A day, maybe two at the most. But like I said earlier, say the word, and I'm out of here."

Once again, she studied the intriguing man in front of her and then offered him a rueful smile. "Even if I was tempted to do that, which I'm not, I have serious doubts you could make it back up the stairs. Let's get the bed made up, so you can lie down before you fall down again."

His pale eyes turned frosty. "I'm not helpless, Lydia. Even half dead and bleeding, I'm more than capable of taking care of myself."

"I believe you. That doesn't mean you should have to."

Rather than continue the discussion, she walked away, stopping long enough to grab a fresh set of towels from the linen closest. "As you can see, this is the living room/dining room area. The kitchen is fully equipped. The guest bedroom is through that door, not that I figure you're going to be hosting any sleepovers while you're here. The master suite is down this hallway."

He followed right on her heels, but she wasn't surprised when he came to an abrupt halt right after walking into the giant bedroom. She hadn't been lying when she'd said the apartment was sparsely furnished, but the one exception was this room. She had never been able to figure exactly how Joseph had gotten the giant platform bed into the place. The dresser, too, for that matter.

Silas looked a bit stunned. "Wow, I never expected anything like this."

She laughed. "I did replace the mattress, but the new one is top of the line just like the old one was. I've always hoped that Joseph would come back to visit sometime, and he does like his comfort. I also upgraded the television, and the cable service is still hooked up.

Pointing at a door in the corner, she added, "The bathroom is just as fancy. There are towels, extra toothbrushes, and other stuff in there. Feel free to use whatever you need."

She started to walk away but then turned back. "Oops, I almost forgot. You need to know how to get out of here the other way. There's another metal door at the end of the hallway. That same key works on that lock, too. On the other side is a passageway that comes out in an old single-car garage on the far end of the parking lot. It faces the other street, so no one associates it with the restaurant. You should be safe coming and going that way."

Before leaving, she risked his temper one last time. "Are you going to be all right getting yourself situated down here? I can hang around for a while longer if you need me to."

His jaw tightened. "I'll be fine."

At least this time there was no hint of anger in his voice when he answered. Maybe he knew she meant well or maybe he didn't have the energy to waste. "Okay, then I'll be going. On the way out, I'll stash the groceries in the fridge."

He followed her as far as the hallway. "Thank you for everything."

"You're welcome. If you need anything before the restaurant opens in the morning, just pound on the back door, and someone will let you in. I'll lock up on the way out."

alexis morgan"One more thing. My twin soul is an arctic wolf with white fur. Unlike most of my kin, my eyes stay blue when I shift. The ones hunting me are mostly arctic, too, but their eyes are brown."

"Good to know."

Although it was hard to get her head around the fact that the man behind her could shift forms like that. It was if she had been dropped into the middle of a fantasy movie.

As she walked away, she could feel the heavy weight of his gaze on her back. Just as she was about to walk out, he called after her, "Don't forget the bleach, Lydia. It plays merry hell with the sense of smell for the twin-souled."

With that happy thought, she trudged back up to the kitchen and got the mop back out.


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Gilbert and Sullivan Double-Header at the Majestic, 4/26/1936

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Haight Roofing CO Inc, - in Seattle, WA

Haight Roofing CO Inc is a practicing in Seattle, Washington. This Contractor is listed on All contractors & builders with a speciality in Building & Home Construction.

You can reach us on phone number (206) 784-8414, fax number or email address . Our office is located on 4910 15th Ave NW, Seattle, WA,

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Haight Roofing CO Inc is listed under Building & Home Construction in Seattle, Washington .

Contact this Contractor to find out if they offer building, home construction, heavy construction, special trades contracting, window installation, plumbing, concrete/masonry jobs,gardening, interior design, B2B contracting, remodeling & repair, heating & Ventilating, electrics, roofing or painting jobs.

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I'm wondering if Haight Roofing is still in business? The number has been disconnected.

Written 2 weeks ago on a Monday (2018-05-14)

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Haight Roofing CO Inc
4910 15th Ave NW
Seattle, WA 98107

Contact Haight Roofing CO Inc to find out about hours of operation / office hours / business hours.

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Listed hours are general only. Call (206) 784-8414 to learn about office hours.

Monday: 9:00 AM to 5:00 PM
Tuesday: 9:00 AM to 5:00 PM
Wednesday: 9:00 AM to 5:00 PM
Thursday: 9:00 AM to 5:00 PM
Friday: 9:00 AM to 5:00 PM
Saturday: Closed
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Tactical Driving Tips

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The winter season and also owning purchasing period is right around the corner. We need to keep in mind that in the winter months, with snow and also freezing conditions, our owning tactics have to transform. Accidents will certainly take place on the snow as well as ice that would not on completely dry sidewalk. This short article will certainly cover the vital points to bear in mind as well as how you can drive securely.

One of the most important point that every person needs to remember is that you can not stop as quickly on icy or snow covered pavement. You have to own slower which will certainly give you more time to reduce. When you need to come to a stop anywhere give on your own even more time by starting to slow down earlier than usual. When owning behind other automobiles make certain that you leave a.
larger range between you and also the automobile in front. In this manner you will certainly have more time to slow down as well as respond to unanticipated stops.

Decrease anywhere as well as anything that you do. Take turns slower, drive on straight roads slower and also reduce alittle also on small contours in the roadway. Anytime you have to turn that guiding wheel ease of the gas appropiately. You have to be intentional in all your activities. Anytime that you need to push.
on the pedals, gas or brake, do it easily and also steady. When making a turn ease that steering wheel gradually and also do not make fast jerky activities.

Always recognize your roadway conditions. Even when it is not snowing the road will certainly ice up in places where there is dampness. This will certainly happen much more during the over night hrs when it is chillier and also there is no sunshine. Sometimes an area will certainly look just damp yet is is in fact ice, “black ice” as we understand it. Know bridges as well as walkways. These road surfaces are constantly cooler and also therefore freezes up first. If you do find yourself.
on ice just coastline, do not brake or transform the wheel, up until you pass over it.

Drive defensively. Always be on the lookout for various other motorists that are making every one of the blunders. Strategy junctions meticulously trying to find various other skidding automobiles. Keep an eye in your back sight mirror for vehicles hitting you from behind. Keep sufficient distance far from everyone so you don’t become part of their accident.

Car news

Even after taking all your safety measures you will eventually find yourself associated with a sliding circumstance. When you do, DO N’T PANIC! Take your foot of the gas and do not hit the brakes. You after that want to steer your cars and truck right into the skid. People always listen to that yet don’t know just what to do anyhow. If you are driving straight and also the rear of your vehicle is gliding to the left as well as the.
front of the vehicle to the right, after that you have to countersteer your vehicle to the left. If the automobile fixes itself then correct the alignment of the wheel back out. Occasionally the vehicle will over appropriate itself and currently it is gliding the various other method. If this takes place just countersteer once more in the contrary direction.

Adhere to these suggestions and hopefully you won’t end up being the next crash figure. People with suv’s are not unsusceptible to these guidelines. Keep in mind not to drink and also own, remain off of your cellular phone and also always wear your seat belt.

auto body repair shop NJ


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Frequently Asked Questions

Are aluminum tools just for prototypes and low volume production?

QC-10 Aluminum has outstanding hardness and strength for increased mold life. The myth that aluminum molds are only for prototypes and limited production is false. Tool life is the subject of debates and it is clear that the factors that affect tool life include:

-part geometry
-plastic resin type
-molding conditions / environment / training required when running AI molds
-tool design

What about the types of resin used to mold my part?

You can mold most filled and unfilled resins in our aluminum molds.

Are there different types of aluminum?
    Yes, there are several types of aluminum but the 6000 and 7000 series alloys are the most common. AIM designs and builds injection mold tooling utilizing Alcoa’s QC-10® aluminum. QC-10® is a high hard type of aluminum mold plate and is an optimum material for a wide range of injection and blowmold applications. With a thermal conductivity near five times that of steel, QC-10® can improve production cycle times by up to 25%.
Do aluminum tools have to be handled differently in production?

Aluminum tools must be treated with a bit more care than steel tools. They can be damaged with excessive clamp pressure, excessive injection pressure or by removing stuck parts without proper care. Things like a screwdriver should never be used. Training in the set-up, running and maintaining of aluminum molds is highly recommended. Cleaning is another important factor when running aluminum.

Can aluminum molds be polished or textured?

Yes, they can be polished to a near SPI #2 finish. With few exceptions, any texture added to a steel mold can be added to any aluminum mold. Any plating and coating can be added but the application temperature must be below 250°F.

Does the mold material affect flatness of the part?

When molding molten plastic into any mold the hope is that the plastic will cool evenly at the end of the molding cycle. If it does not, the hotter areas of the plastic, often caused by hot spots in steel molds will continue to shrink as they cool causing internal stress and that usually leads to parts that warp or are not flat or straight. Aluminum’s ability to manage temperature evenly across the surface of a mold completely eliminates hot spots.

Can your molds be used for the gas assist process?

We have customers who use aluminum molds for gas assist and also the Mucell process. The nature of the process is one where less injection pressure is required to complete the fill and uniform mold surface temperature is a must.

I get the same price and leadtime quoted for an aluminum mold as I get for steel. So why not just go with steel?

It is common for mold makers to not offer both steel and aluminum. If they do, the price and leadtime is often about the same. This is often because they build both types of molds with the same process no matter the metal. You will most likely get your best quote on steel from a steel mold-maker as you will get your best price on aluminum from an aluminum mold-maker.


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Restaurant Closed

Stan’s Restaurant on Main Street in Blackfoot has been a gathering place in Blackfoot since 1951.
So when the longtime, family owned eatery closed its doors rather abruptly last week, the word got out fast, leaving patrons and vendors asking “why?”
Attempts were made by the Morning News to reach the longtime restaurant owner,Gregory Richardson, for comment on the closure of Stan’s last week.
Family spokesman Tom Richardson (Gregory’s brother) offered to shed some
insight on the closure and the history of Stan’s.
“My parents, Stan and Doris Richardson, opened the restaurant, on March 18, 1951. It served as a 24-hour truck stop cafe since this was the main
highway going through back then,” he said. “The truck stop became well known for its chili, slot machines and old-fashioned punch boards. “
“That was the year that Gregory (the youngest of four children) was born, so he literally grew up around the business. I really don’t remember when he officially took over the restaurant, because he was just
always there. It was natural that he took over the restaurant,” he
Through the years, the restaurant expanded, adding more dining space and a bar (most recently called Bali Hai Lounge). Stan’s grew to be one of the busiest restaurants in Blackfoot. Many flocked to Stan’s through the years for the home-style roasted chicken, cinnamon rolls, Sunday breakfasts and mixed drinks.
Stan’s also served as a meeting place for local organizations such as Rotary Club, the Chamber of Commerce, company Christmas parties and was even a popular hangout for students playing hooky.
To this day, Stan’s had a uniqueness all its own, with its original 9-stool lunch counter still intact, old-fashioned juke boxes, a sunken bar and taxidermy mounted sea creatures on the walls.
However, Tom reports that, sadly, Gregory has battled some serious health problems the past few years and that the restaurant just became too much for him to handle. He is currently hospitalized after undergoing major back surgery on Monday.
“He just kind of lost his zeal for the restaurant and was finding it difficult to stay on top of the business,” Tom said.
Tom went on to say that Gregory has no children to take over Stan’s and that he made the tough decision to close the doors prior to his back surgery, putting the restaurant up for sale after over 60 years of business.
Most recently, Stan’s employed about 15 people. Stan’s Restaurant is listed with Kathy and John Chidester of Town & Country Real Estate in Blackfoot.
Kathy said that she hopes someone will take over the restaurant quickly
and make it as good, or even better, than it was before.
“It would be easy for someone to slide in and take over this place...all
the equipment is here and ready to go,” Kathy said.
“An added plus is that a liquor license is already in place. That’s worth a lot. To get a new one is time consuming and costs over $80,000.”
Anyone interested in the purchase of Stan’s Restaurant can call John
or Kathy Chidester at 785-2474 or 681-2474.


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Lakeway Invitational: Final Results
04 Mar 2007
see also: Lakeway Invitational, The Hills Country Club

AUSTIN, Texas (March 4, 2007)-- The team of John Aguillon and Ed Martinez opened the first day at the Lakeway Invitational at The Hills Country club by firing a 66 and staking themselves to an early lead at par-72 course.

Their second-day score was seven strokes higher, allowing the team of Eddie Podzemny and Charles Young to sneak into the lead until Aguillon and Martinez stormed back on Day 3 with a 71 for a total of 210. Podzemny and Young faltered in the finale, shooting a 76, falling by four strokes.

In third place was Chris Brauner and Trey Owen, who finished 70-76-73--219, followed by Marc Watson and Don Williams (74-74-73--221).

In the net division, Bill Strong and David New's 58-59-64--181 was six strokes better than their nearest competitor.

ABOUT THE Lakeway Invitational

Format: 54-hole Better Ball of Two Person Team, one round each on the Yaupon, Hills Signature, and Flintrock Falls courses. Open (40 team) and Net (20 team) Divisions. Entry fee: $400 per team

View Complete Tournament Information

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Carlsbad, CA 92011

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Local Communities and Nomad Artists

by Martí Peran

These notes are nothing more than some preliminary remarks aiming at approaching a series of complex problems that, from our point of view, need to be recognized within the new, fashionable, artistic practices, which are dedicated to the exploration of their public dimension through the direct contact with local communities, and they operate in specific socio-cultural contexts. In fact, each one of these points forms a sort of index of subjects that should be delineated and expounded with the utmost tenacity but, for the time being, these points may serve as a guide for some subsequent analysis. Therefore, like a disorderly collection of ideas, we are going to throw the dice without distinction.

A recognized aesthetic tradition, of positivist character, concedes to the artist the special capacity to circulate, through his work, an efficient expression of the “genius loci”, of the specific character of the place or, even better, of the hypothetical “essential spirit” of the place in question. From this perspective, the artist, even the “genius”, doesn’t construct an extravagant and alien to the majority imaginary but, on the contrary, he converts himself to the most legitimized voice to express and represent several essential attributes of a community, even though this community may not be initially capable of recognizing them in the aforesaid representation. This pretension, which is full of conceit, now hardly can be supported. Nevertheless, even if this happens by unexpected and barely conscious ruptures, something from this tradition may still be surviving.
In the world of globalized art and, above all, of art like a felicitous instrument for the aggrandizement of the spectacles of consumption, we are witnessing an explosion of biennials and disparate events that, in many cases, are planned with the view of “normalizing” the locations in which they take place. Cities that hardly exist on the map, either on national, continental or global scale, aspire to appear in it with the impetus of the artistic event. Similarly, places that are extremely well-known, because of their “problematic” nature though (the case of Tijuana or, mutatis mutandis, of the Basque Country in Spain) also resort to art, aiming at a regeneration –or a make-up– of the aforesaid problems, regardless of how honest are their initial intentions. In both cases –either in the “inexistent” places or the “problematic” places– the artists are invited to intervene with their equipment of the best intentions, but at the same time they are compelled to move from place to place like savior nomads. “Save the place” could be a good slogan for the legitimization of the figure of a new errant artist who, pressed by the following commission, hardly can recognize a situation, a reality or a community in order to apply to it his own strategies, before moving to an other area of the planet. Clearly, the artist “engaged” with the place and its people, doesn’t arrive in principle with a desire of manipulation or Messianism; on the contrary, he is supposed to have a sufficient humility and honesty, so as to respect the idiosyncrasy of the place of operations; but this very respect, along with his capacity as an occasional agent, he facilitates this automatic adoption of his habitual “modes of action”, to the extent that already relies on his already proven efficacy. After all, the “artistic” nature of the intervention appears once more as crucial, even though now its ingenuity isn’t found in its supposed capacity to reveal an essential background but, quite the opposite, in its capacity to contribute to the construction of a new image that, in fact, has little to do with real tensions. Moreover, the supposed “genius loci”, we shouldn’t forget that, is nothing more than the narration that aspires to impose itself as hegemonic on behalf of better established ideological sectors.

In the first idea that we have outlined, contemporary art appears like a kind of a “sanitation protocol”. And this holds good, for in order to by-pass this danger we have stressed some corrective strategies: action in concert with other social agents of the place, which are alien to the world of art, accentuating a type of action that should be directed from the local users themselves, or development of some projects in co-ordination with the axes of the so-called “network aesthetics” (facilitating thus the horizontality in the construction of signifiés, multiplying the crossings of subjects and information and substituting every desire for stability, in favor of some “products” that are subject to constant change), even if we don’t need the literal mediation of the Internet. All these, as we were saying, can effectively make up for the dangers of what in the name of art ends up designing a distorted image of the place and its real demands and expectations. Because this is precisely the real problem: the clarification of the order of things. In other words, what comes first? Could it be the engagement through an effective insertion in a territory, or the necessity to guide this insertion in order to become more “legitimate”? Over the last few years the notion of “agency” has been imposed, with huge success, as a possible response to this disjunction. Indeed, the displacement of artistic action towards agency allows the elimination of every spark of the artistic and, consequently, annihilates any temptation to emancipation with the assistance of art. Agency, in principle, is nothing more than the offer of a possibility, the activation of instruments with which the community can channel in an effective way its imaginary or its real demands; in this manner, the art of “agency” is converted to an authentic production of services that always appears “behind” reality or, even better, appears only in connection with some real and pre-existing demands that, at best, use the “artistic” in order to empower and amplify themselves. Having reached this point, the conclusion is obvious: an agency cannot be articulated in any territory, but has to be articulated where this agency is demanded by real life. Consequently, the nomad artist of the global circuit will not be able to operate as an “agent” in the context of any biennial or event to which he is invited, but only where, behind the institutional invitation, exists a living world that, probably, is about to be eliminated behind the curtain of this very “resort to culture”.

The last note that we would like to offer to this debate belongs to a level distinct from the one on which we were allowed to focus by previous problems. We may now put forward a reflection excessively abstract, but we have already recognized the preliminary character of these notes, and thus we can allow it to ourselves, at least, as an annex of sorts.
What we are interested in now is the recognition a possible paradox that is hard to be solved: the one that derives from the encounter between the action that is concerted with a specific territory or community and the necessarily “distorting” profile of authentic nomadism. In fact, we can suppose in principle that the artistic practices that are directed to the real conditions of a place/community aspire to cure with efficacy the deficiencies that can be recognized (a lack of visibility, the demands that need new instruments for their channeling, the unraveling of a potentiality that is stifling in pre-established structures) and, lastly, a series of horizons that demand a peculiar state of attention and listening. Furthermore, we could summarize them by calling upon the notion of “genius loci”, even if now this is done with a heterodox manner, reinstating thus the original notion of expression. It could be formulated either way, but the artistic practices with which we are preoccupied now –the mode of agency included– require a kind of initial passivity, or even objectivity, in the approach of the place, which allows us to recognize the context of operations with the least possible distortion and with the greatest disposition to the initially less visible. The contemporary artist, however, because of his condition as a nomad agent, which either results from the expansion of the world of art or, at best, it is the consequence of the historic condition that compels us to construct daily our subjectivity and to maintain a an always vulnerable relationship with the territory, in every kind of work-related or emotional vicissitudes; because of this very nomadism, the artist in question is converted to distorting reflection of the image of any place from which he passes through. It is, in effect, the authentic “nomadology”; it is the one that converts subjects –just because it is in a perpetual state of transit– to perturbating elements, to apologists of the un-quiet, thwarting every temptation to lessen the realities below any solid narrative. The story constructed by the nomad always is a story that “infects” the place that writes it and, consequently, we can suspect that in this way it would be hard to “sanitize” territories, not even with the intervention of the strategies of agency. It is nothing more than a superficial doubt, a paradox that may not be propounded in the best of ways, but we believe that it has an adequate draught that compels us to always remain in a state of alertness when we aspire to redirect art to the heterogeneous space of the public. This disjunction compels us to take a position on whether we should prioritize the effort to contribute to the uncovering of this heterogeneous and volatile condition or, merely, the effort to exercise it in order to construct one more episode of this infinite story. In that case, the connection with any place/community becomes suspicious.


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Pelican Room

This lovely room is actually two rooms in one. The large main room features a double bed.
Stroll through the double doors to the annexe, which has two single beds and views out to
the pool.

The ensuite bathroom includes a shower, toilet, basin and hairdryer.
Ideal for a couple, with one or two kids.


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dBTechnologies to Participate in the Inaugural AES at NAMM Pro Sound Symposium

For Immediate Release - January 15, 2018 - This year at the 2018 Winter NAMM Show, dBTechnologies will be presenting the latest products in the ViO series in both a classroom setting and a hands-on workshop as a part of the inaugural AES@NAMM Pro Sound Symposium. “Engineers of all levels working at venues of all types will find something for them in both the classroom training and hands-on workshop,” says Megan Recio, US Marketing Manager for dBTechnologies. Attendees of the ViO Line Array System Fundamentals classroom session will have an opportunity to learn more about the cutting edge loudspeaker design and how it has been implemented into the flagship ViO series. The hands-on workshop will cover system deployment, including flying and rigging the ViO series, tuning with the groundbreaking new Auroranet software and critical listening.

Bringing years of both music and sales experience, Darin Meskil, Senior Product Specialist for dBTechnologies in the United States will lead these training sessions. Joining him will be Andrea Brasolin, the dBTechnologies Product Specialist for Europe and the MEA region. Nearly 50 years of combined experience between these two experts guarantee attendees will enjoy both informative and engaging sessions from dBTechnologies.

The Symposium also includes a dedicated listening session for those interested in hearing the full power of dBTechnologies ViO series on Friday, January 26th at 7pm on the 5th floor Lanai Deck.

A complete schedule and information on class registration, location and times is available on the AES website.


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Need A Massage?

I understand how important it is for you to feel comfortable and capable in your body so that you can be active in the things that bring you joy, and I’m dedicated to helping you reach your goals. Treatment with me will include evidence based therapy, involving muscle energy, myofascial rehydration, deep tissue and neuromuscular techniques to accompany your individualized home exercise/stretch program as is indicated by your goals and concerns. Let’s get you out there playing stronger, smarter, and injury free!

View Availability & Book Appointment

Direct Billing For Most Insurance Policies

Moksha Yoga #10 – 40437 Tantalus Road

call or text 778-970-0999


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99 Cents Only Stores Settle Retail Hazardous Waste Disposal Violations in California

City Attorney Mike Feuer, together with 29 California District and City Attorneys, announced Tuesday that San Joaquin County Superior Court Judge Bob McNatt has approved a settlement with Los Angeles-based 99 Cents Only Stores LLC, that includes over two million dollars in civil penalties and costs, supplemental environmental projects, and enhanced environmental compliance efforts.
“This judgment protects the environment and public health,” said Los Angeles City Attorney City Attorney Mike Feuer. “And it demonstrates the strong commitment of prosecutors and environmental agencies throughout California to enforce our hazardous waste laws.”
Under the settlement, which includes a Final Judgment and Permanent Injunction against 99 Cents Only Stores, the corporation must pay $1.8 million in civil penalties, $312,500 in costs and $250,000 in supplemental environmental projects. Under the terms of the settlement, 99 Cents Only Stores also must implement certain enhanced compliance efforts.
This Judgment is the culmination of a civil enforcement investigation into 99 Cents Only Stores’ improper storage, handling, and disposal of hazardous and pharmaceutical waste products into company trash bins at each of the 251 stores and distribution centers in California. Instead of being sent to authorized disposal sites, hazardous waste as well as other contaminated materials were allegedly being unlawfully transported to area landfills. Upon being notified by prosecutors of the widespread issues, 99 Cents Only Stores worked cooperatively to remedy the issue and train its employees to properly handle hazardous wastes being generated through damage, spills and returns. The hazardous waste is now being collected by state-registered haulers, taken to proper disposal facilities and properly documented and accounted for.
As a result of the prosecution and settlement, California 99 Cents Only Stores have also adopted new policies and procedures designed to eliminate the disposal of retail hazardous waste products and pharmaceutical waste into store trash bins for eventual disposal into local landfills, not equipped to handle such wastes.
Deputy City Attorney Jessica Brown prosecuted the case for the Los Angeles City attorney’s Office.

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Wednesday, March 30, 2011

Syllogizing the Obama Doctrine

In his address on Monday night (1), President Obama put forth what has been called the “Obama Doctrine” for the use of military force (2).  It is a narrow doctrine--perhaps only applicable in instances where intervention may save civilian lives--but was explicated with clarity.  Here, then, is the formalized doctrine as laid out in his speech:
P1 There is the potential for violence on a horrific scale in X,
P2 The US has a unique ability to prevent or stop such violence,
P3 There is an international mandate for action to prevent such violence, and
P4 There is local support for the military action in the area to be struck,
C  It is permissable to intervene militarily in X for the purpose of preventing or stopping such violence. (3)
Under this rubric, questions as to why the US should not presently intervene in the Ivory Coast (4), for example, under such a doctrine are besides the point.  This “Obama Doctrine” enumerates the conditions under which the US may use military force in a particular type of conflict.  It is not a measurement for determining whether these conditions obtain in a particular instance nor is it stating the necessity of the use of force were such conditions to be present.  In the case of Ivory Coast, that conflict lacks the international mandate for action that the Libyan intervention has, in the form of a UN resolution and an international coalition.

NB: Regarding the title of this post, I intend ‘syllogism’ to mean merely the formalization of a particular policy doctrine.  As a commenter stated, this formalization provides something close to the necessary and sufficient conditions under which President Obama deems the application of military force appropriate (or at least the sufficient conditions).  Of course, the premises laid down above are not fashioned in the proper syllogistic form of a major premise, a minor premise, and a conclusion, but that is again besides the point.  A by-the-book syllogism can easily be constructed by condensing P1-P4 into a major premise, stating that those conditions do obtain in the minor premise, and keeping the conclusion right where it is.

(1) Obama, Barack. “Remarks by the President in Address to the Nation on Libya” at the National Defense University, Washington, D.C. March 28, 2011
(2) “The birth of an Obama doctrine” in Lexington’s Notebook, the Economist online. March 28, 2011.
(3) The speech states these points quite succinctly:
“In this particular country -– Libya -- at this particular moment, we were faced with the prospect of violence on a horrific scale. We had a unique ability to stop that violence: an international mandate for action, a broad coalition prepared to join us, the support of Arab countries, and a plea for help from the Libyan people themselves. We also had the ability to stop Qaddafi’s forces in their tracks without putting American troops on the ground.... Some nations may be able to turn a blind eye to atrocities in other countries. The United States of America is different. And as President, I refused to wait for the images of slaughter and mass graves before taking action.”
(4) McFarland, K. T. “What We Learned From Obama's Libya Speech,”, March 29, 2011.

Test said...

If I recall correctly, President Obama did not make the stronger claim that the United States ought to intervene militarily. Instead, I believe he concluded that it was permissible that the United States intervened.

At least in interviews after his speech, it appeared that President Obama was taking the position that his speech outlined the necessary and sufficient conditions of permissive military intervention, but was noncommittal as to the stronger normative claim of when the United States was obligated, in any sense, to intervene.

Moreover, as an important premise, President Obama relied on the endangerment of U.S. interests. What those interests currently are, as well as what other interests would be likewise sufficient to justify military action in other cases, he was again not so clear.

James said...

I think that's about right. Thanks for the refinement.

Patricia Howell said...

I think the admin of this web site is really working hard in support of his website, for the reason that here every material is quality based stuff. facebook login

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Analytic Politics is licensed under a Creative Commons Attribution-Noncommercial 3.0 United States License.


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Starting a Cedar/Padauk flamenca negra

I'm pretty excited to use this combination of woods for the first time, on a flamenco guitar.  I'm a big fan of Padauk (also known as Coral) as a back and side wood for flamenco guitars.  It falls somewhere between Cypress and Rosewood, making a guitar with very broad range that also packs a strong flamenco punch.  I'm going to dip into my stash of rare Andaman Padauk for this guitar.  It will be for sale when finished.

Enough talk, let's get down to business with the first set of pictures.

First, strips of stacked veneers are sawn and thicknessed to make the rosette mosaic.

The mosaic log which is sawn into 2mm thick tiles.

AAAA Western Red Cedar soundboard being joined on my homemade jig.

Cutting out the soundboard.

Rosette tiles and border strips ready to inlay.

Some quick circle math.

Using a circle cutter to score the channel for the rosette tiles.

 Gluing in the tiles is really fun.

Gluing in the tiles is really fun.

Separate channels are cut for the border and the rosette is complete.

Lots of tiny pieces of wood.

Meanwhile, the neck and scarf joint are prepared.

And the back is jointed with help of a shooting board.


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Andy Narell is back playing all the pans again with another breakthrough album of progressive steel band music    Featuring his Panorama compositions from 2014-2016, plus new music for live and sampled pans, he’s joined by Adriano Tenorio, Vinson McMurtery, Isaac Narell, Gregory Louis, and the Great Animal Orchestra.

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Tuesday, February 5, 2013

Around Mandalay

U Bein Bridge Sunset
A Day's End
U Bein Bridge, Amarapura

After almost two weeks of travelling in Burma in mostly cold, tranquil and remote areas surrounded by mountains and lakes, arriving in Mandalay felt like being woken up from a dream. After a 6-hour bus ride from Hsipaw, we arrived in the city of Mandalay welcomed by the heat and the swarm of taxi and moto drivers.

busy streets of Mandalay

As we made our way to our hostel, we saw how busy the streets of the city are– the traffic, noise, and crowded markets. It was alive and full of energy. In retrospect, I realized how it made more impact on me compared to Yangon. The city felt more real to me. It felt like being back in India.

Only two days to explore the city and its surrounding sites, we decided to rent a motorbike. I was only a passenger, but I knew how hard it was for my friend to drive in the chaotic streets of the city. But we both knew that renting one instead of hiring a taxi would give us more freedom to explore. And I knew that he really liked the challenge and excitement it brought. Especially when we were stopped by a police officer and asked for a driver’s license, that’s another experience worth remembering.

I’m not really a fan of cities, but driving around Mandalay was a wonderful experience.

The one thing I’ve always wanted to see in Burma was the U Bein Bridge at sunset, I’ve seen beautiful photos and I wanted to see it for myself and hopefully capture it as well. A 1.2 km teak bridge across the Taungthaman Lake, U Bein is said to be the longest teak bridge in the world. It is used by the people to cross from Amarapura to the Taungthaman village.

U Bein Bridge
U Bein Bridge Sunset

U Bein Bridge 2
U Bein Bridge Sunset

We sat down by the lake and patiently waited for the sunset. And it didn’t disappoint. It was spectacular. I love sunsets (as you all can see from my various photos) and so far this has been one of the best I’ve seen.

Aside from the sunset, on the bridge one can also see people ending their day – families on benches, monks passing by, and people on their bicycles.

Just on the other side of the Ayeyarwady River is Sagaing, famous for being a religious center for Buddhist monasteries. We also learned that Burmese people go here to meditate and for a retreat. Even before crossing the Ava Bridge, one can already see the numerous stupas covering the hills of Sagaing.

view from the other side of the river

Ava Bridge

You can climb the staircases/hills to go up the various pagodas, or just walk to see some of the monasteries. We were lucky to have been welcomed by a monk into one of the monasteries.

one of the stupas on top of a hill in Sagaing

this young monk opened the gates for us

inside one of the monasteries

i can't explain it, but i just love this photo inside the kitchen of the monastery

cute little monk :)

Most people go to Mingun by riding a boat from Mandalay. But this site can also be reached by motorbike from Sagaing. It may be a long one, but the ride can be worth it as you pass by different villages.

Minguin is where the ruins of Mingun Pahtodawgyi (built by King Bodawpaya) can be found. It was supposed to be the largest pagoda to be built in the world, but construction was stopped due to a prediction of the King’s death upon its completion. It was also destroyed by an earthquake twenty years after.

ruins of the Mingun Pahtodawgyi

Along with the pagoda is a bell that is said to weigh 90 tons, and is considered to be the second largest bell in the world.

Mingun Bell

But one of the most memorable experiences I had in Mandalay was when we stopped for a while in the road along the river. We initially wanted to take photos of the river, but these children came up to us and just offered their smiles. They didn’t ask for anything despite the fact that they were just living by the side of the road. They just wanted to laugh with us and have their photos taken.

these children came up to us when we stopped by the road

just look at their smiles

Burmese Kids Mandalay

It’s just one of those moments when you feel so overwhelmed by the innocence of children and how much joy they can give you just by smiling.


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10 Empowering Things to Do in April

Thumbnail image for we can do itPower. It’s how we light the night sky, propel our cars, and fire up our computers.

And it’s how we make our mark on the world. Because power is simply our capacity to make things happen. Whether that’s finding a cure for cancer or educating our children.

It’s all too easy to give away our power, little bit by little bit, carelessly. As women, we’re pressured to believe that we have to choose between being powerful and being nice. That’s a false dichotomy.

This month, take back your power. Here are 10 easy ways to begin:

  1. Just say ‘No.’
  2. Turn off the digital alerts.
  3. Ask for something you want.
  4. Watch “The Good Wife” (CBS, Tuesday evenings).
  5. Write, or update, your bucket list.
  6. Steal an hour for yourself.
  7. Step up your exercise routine.
  8. Make a tough decision.
  9. Let go of one outworn obligation.
  10. State your opinion.

(Want more power? Sign up for my free eletter.)

Comments are closed.


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One of the nation's premier classical repertory companies. The Huffington Post

Seven Pierce-English

cast_1617_pierceenglishsevenAT A NOISE WITHIN:

17/18 Season: Ensemble, A Christmas Carol (’17)

Previous Seasons: Abram/Ensemble, Romeo and Juliet; Fleance, Macbeth; Ensemble, A Christmas Carol (‘13-‘16)

EDUCATION/TRAINING: American Academy of Dramatic Arts, Lee Strasberg Institute for Theatre and Film, Summer with Shakespeare at ANW


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Monday, February 29th, 2016

case/lang/veirs Bio (2016)

Several years ago on a whim, k.d. lang sent an email to Neko Case and Laura Veirs that said, “I think we should make a record together.” The three musicians were very different and barely more than acquaintances--but they liked and admired each other, and it instantly felt right. “She lit the flare,” says Case. “She shot it into the air and we said, ‘Let's do this.’ Laura and I both responded immediately. There was no question.”

The result is case/lang/veirs, a true collaboration between three phenomenal, self-driven artists: avant-rock icon Case, legendary musical nomad lang, and indie folk star Veirs. The women wrote all 14 songs and shared lead vocals equally, sometimes even within the same track. Full of stunning harmonies and spellbinding rhythms, case/lang/veirs travels through aches and eras, torch songs and tributes to the undersung.

They worked over two and a half years in Portland, Oregon, where lang and Veirs both live, sometimes in lang’s loft with a view of Mount St. Helens, others in Veirs’ dining room or backyard studio. The album was written from the ground up without any real plan beyond a desire to make music together and a faith that it would reveal itself. “I just wanted to do something different, something fun,” says lang, who started the initial writing with Veirs. “We grappled with how to proceed in the beginning, because we thought scheduling with Neko, who lives in Vermont and is always on the road, would make it hard to get enough good songs written. We thought, should we do a cover record? But we all felt the strongest thing to do would be to try to write, so we persevered. Laura is such a prolific writer, so she really drove the songwriting, and it came together.” They produced the album with Tucker Martine, at his Portland studio in November 2015.

“At first we thought what can we possibly write about, we don't even know each other,” says Veirs. “There were no themes. So k.d. and I were having trouble writing and went on a walk. We saw this firework stand and we started looking at the names of the different fireworks, and one of them was called ‘Delirium.’ We were like, ‘that's a good song title,’ and we started building.”

From there, Case joined for extended sessions, solidifying a process and dynamic that brought the album to life. “She came in and, of course, Neko has a way of making everything great,” says lang. “She can even use one word to totally transform a song,” adds Veirs. “We were writing things like ‘the walls are falling in,’ you know, trying to find a way of saying this person is in a delirious state. She said ‘kaleidoscoping in,’ and I was like, that's it. One word and the chorus went from cliché to magical. As for k.d., she’s a living legend and an amazing editor. It was working with someone who is thinking in ways that I have never thought or been able to see. It was just so fun just to see that happen and to feel like, yeah, it's better with other people. That was a revelation for me, because I've been such a solo artist for so many years. I’m so grateful.”

“I have such admiration for both of them,” says Case. “k.d. is on the superstar spectrum, and Laura is fully independent. It's a cool thing to bring those things together and see what people do. For me it was about just letting myself shut off and follow the melodies. They're both really talented at coming up with melodies, which are the hardest for me. It was like, ‘Oh. This is like giving me my own bumper car. Thank you.’”

And the final product is a true sum of its formidable parts. “You know how all the famous live records aren't actually live, there's overdubs on everything, or some things are recorded in the studio and they add crowd noises,” says Case. “People, when they make collaboration records, often don't write the songs together. They bring the songs in. We wanted to make this a real collaboration.”

“The combination of spirits, the combination of artistry, is very unique, because we have definite similarities, but we are very, very different, and it creates a really interesting thing,” says lang. “It's a truly collaborative record where our individual essences are firmly in place.”

case/lang/veirs' artist page

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- Elliott Erwitt

Born and raised in the southern part of Germany in a small city between Stuttgart and Munich I’ve started my first photographic experiences with my Dad’s analog SLR in school. However while there is a lot of fascination developing your own pictures by hand in the darkroom, I always felt that my creative process was hindered by the disconnection caused by the time gap between shooting and seeing the final picture.

Many years later, when I had bought my first digital camera (a Minolta Dimage F200) my interest in Photography was relighted, however it took a couple more years until I had the money to buy my first DSLR - the beginning of working more seriously on my photography skills as a hobby besides my daily job as User Experience Designer. So while others embrace the process of analog photography I am more sold by the speed and the possibilities of digital photography and editing.

Photography will definitely stay a hobby. I enjoy the freedom to do and experiment whatever I want to do, whenever I want to do it. The most rewarding part of photography as a hobby is finding a personal balance and the process of slowing down the world, when I am seeking beauty in every day’s things through the viewfinder of my camera.

This site shows a selection of my photography work as well as some of my thoughts in the essays related to photography.


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Alleged Discrepancies

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Did God Create Animals or Man First?

by  Eric Lyons, M.Min.

After reading the first two chapters of the Bible, some skeptics, in an attempt to disprove the Bible’s inerrancy, have accused the writer of Genesis of erring in regard to the record of events occurring on day six of creation. While Genesis 1:24-27 plainly indicates that man was created after the animals, critics claim that Genesis 2:18-19 teaches that man was created before animals. They strongly assert that such language by the author of Genesis proves that the Bible is not divinely inspired.

Does Genesis two present a different creation order than Genesis one? Is there a reasonable explanation for the differences between the two chapters? Or is this to be recognized as a genuine contradiction?

Some Bible students resolve this alleged contradiction simply by explaining that the Hebrew verb translated “formed” could easily have been translated “had formed.” In his Exposition of Genesis, H.C. Leupold stated:

Without any emphasis on the sequence of acts the account here records the making of the various creatures and the bringing of them to man. That in reality they had been made prior to the creation of man is so entirely apparent from chapter one as not to require explanation. But the reminder that God had “molded” them makes obvious His power to bring them to man and so is quite appropriately mentioned here. It would not, in our estimation, be wrong to translate yatsar as a pluperfect in this instance: “He had molded.” The insistence of the critics upon a plain past is partly the result of the attempt to make chapters one and two clash at as many points as possible (1942, p. 130, emp. added).

Hebrew scholar Victor Hamilton agreed with Leupold’s assessment of Genesis 2:19 as he also recognized that “it is possible to translate formed as ‘had formed’ ” (1990, p. 176). Keil and Delitzsch stated in the first volume of their highly regarded Old Testament commentary that “our modern style for expressing the same thought [which the Holy Spirit, via Moses, intended to communicate—EL] would be simply this: ‘God brought to Adam the beasts which He had formed’ ” (1996, emp. added). Adding even more credence to this interpretation is the fact that the New International Version (NIV) renders the verb in verse 19, not as simple past tense, but as a pluperfect: “Now the Lord God had formed out of the ground all the beasts of the field and all the birds of the air” (emp. added). Although Genesis chapters one and two agree even when yatsar is translated simply “formed” (as we will notice in the remainder of this article), it is important to note that the four Hebrew scholars mentioned above and the translators of the NIV, all believe that it could (or should) be rendered “had formed.” And, as Leupold acknowledged, those who deny this possibility do so (at least partly) because of their insistence on making the two chapters disagree.

The main reason that skeptics do not see harmony in the events recorded in the first two chapters of the Bible is because they fail to realize that Genesis 1 and 2 serve different purposes. Chapter one (including 2:1-4) focuses on the order of the creation events; chapter two (actually 2:5-25) simply provides more detailed information about some of the events mentioned in chapter one. Chapter two never was meant to be a chronological regurgitation of chapter one, but instead serves its own unique purpose—i.e., to develop in detail the more important features of the creation account, especially the creation of man and his surroundings. As Kenneth Kitchen noted in his book, Ancient Orient and the Old Testament:

Genesis 1 mentions the creation of man as the last of a series, and without any details, whereas in Genesis 2 man is the center of interest and more specific details are given about him and his setting. Failure to recognize the complementary nature of the subject—distinction between a skeleton outline of all creation on the one hand, and the concentration in detail on man and his immediate environment on the other, borders on obscurantism (1966, p. 117).

Norman Geisler and Thomas Howe summarized some of the differences in Genesis 1-2 in the following chart (1992, p. 35):

Genesis 1   Genesis 2
Chronological Order   Topical Order
Outline   Details
Creating Animals   Naming Animals

The fact is, “Genesis 2 does not present a creation account at all but presupposes the completion of God’s work of creation as set forth in chapter 1.... [C]hapter 2 is built on the foundation of chapter 1 and represents no different tradition than the first chapter or discrepant account of the order of creation” (Archer, 1982, pp. 68-69). In short, Genesis chapters 1 and 2 are harmonious in every way. What may seem as a contradiction at first glance is essentially a more detailed account of chapter one. The text of Genesis 2:19 says nothing about the relative origins of man and beast in terms of chronology, but merely suggests that the animals were formed before being brought to man.

If one still rejects both the possibility of yatsar being translated “had formed,” and the explanation of the two chapters being worded differently because of the purposes they serve, a final response to the skeptics allegations is that the text never says that there were no animals created on the sixth day of creation after Adam. Although in my judgment it is very unlikely that God created a special group of animals to be named by Adam (after creating all others before the creation of man—Genesis 1:20-27), some commentators hold this view. After his comments concerning the translation of yastsar, Victor Hamilton indicated that the creatures mentioned in 2:19 refer “to the creation of a special group of animals brought before Adam for naming” (p. 176, emp. added). Hamilton believes that most all the animals on the Earth were created before Adam; however, those mentioned in 2:19 were created on day six after Adam for the purpose of being named. In U. Cassuto’s comments on Genesis 2 regarding the time Adam named the animals, he stated: “Of all the species of beasts and flying creatures that had been created and had spread over the face of the earth and the firmament of the heavens, the Lord God now formed particular specimens for the purpose of presenting them all before man in the midst of the Garden” (1961, p. 129, emp. added). Both of these long-time Bible students recognize that the text never says there were no animals created after Adam, but that all animals were created either on days five and six (before and possibly even after Adam was created). However unorthodox (or unlikely) this position may be, it does serve as another reason why skeptics have no foundation upon which to stand when they assert that a contradiction exists between Genesis 1:24-27 and 2:19.

Archer, Gleason L. (1982), An Encyclopedia of Bible Difficulties (Grand Rapids, MI: Zondervan).

Cassuto, U. (1961), A Commentary on the Book of Genesis (Jerusalem: Magnes).

Geisler, Norman L. and Thomas A. Howe (1992), When Critics Ask (Wheaton, IL: Victor Books).

Hamilton, Victor P. (1990), The Book of Genesis (Grand Rapids, MI: Eerdmans).

Keil, C.F. and F. Delitzsch (1996), Keil and Delitzsch Commentary on the Old Testament (Electronic Database: Biblesoft), new updated edition.

Kitchen, Kenneth (1966), Ancient Orient and Old Testament (Chicago, IL: Inter-Varsity Press).

Leupold, Herbert C. (1942), Exposition of Genesis (Grand Rapids, MI: Baker).

Copyright © 2002 Apologetics Press, Inc. All rights reserved.

We are happy to grant permission for items in the "Alleged Discrepancies" section to be reproduced in part or in their entirety, as long as the following stipulations are observed: (1) Apologetics Press must be designated as the original publisher; (2) the specific Apologetics Press Web site URL must be noted; (3) the author’s name must remain attached to the materials; (4) textual alterations of any kind are strictly forbidden; (5) Some illustrations (e.g., photographs, charts, graphics, etc.) are not the intellectual property of Apologetics Press and as such cannot be reproduced from our site without consent from the person or organization that maintains those intellectual rights; (6) serialization of written material (e.g., running an article in several parts) is permitted, as long as the whole of the material is made available, without editing, in a reasonable length of time; (7) articles, excepting brief quotations, may not be offered for sale or included in items offered for sale; and (8) articles may be reproduced in electronic form for posting on Web sites pending they are not edited or altered from their original content and that credit is given to Apologetics Press, including the web location from which the articles were taken.

For catalog, samples, or further information, contact:

Apologetics Press
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Montgomery, Alabama 36117
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Moschino Men's Collection Spring-Summer 2012
Fashion Article Posted June 27, 2011

Fashion Articles  Fashion Articles 2011

Fashion Articles 2009

Fashion Articles 2008

Moschino Men's Fashion Collection Spring-Summer 2012  2012 Moschinon Men's Fashion  Moschino 2012 Mens Fashion Collection - Spring - Summer

Below is a brief summary of some of the fabulous fashion from the Spring-Summer 2012 men's fashion collection from Moschino.

50's Rock' n' Roll

Jersey jackets have contrasting collars and pockets. Jackets are inspired by old two-tone baseball uniforms, and the classic double-breasted blazer is featured.

Bowling shirts have an embroidered "M" for Moschino or come in checkerboard prints in the predominant shades of red, white and black.

Two-tone calf leather and monotone deerskin mocassins both have the typical fifties-style white sole.

Elvis, in full "Blue Hawaii" style, is the inspiration.

Print palm tree motifs are featured and also appear on fil coupé shirts. Cotton/linen jackets and shorts have contrasting floral prints and Vichy checks in shades of aviator blue, brown, and sand.

Hibiscus prints in different colors accompany the famous blue suede shoes.

Las Vegas

The daytime look features playing card prints on T-shirts and shirts. Evening is bolder, with more dazzling colors and prints.

Tuxedos have a dazzling "spotlight" effect and are embellished with two-tone sequins in tromp l'oeil.

Jackets and trousers are covered in gold, while "double-face" footwear, like playing cards, is divided in half.

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London, United Kingdom – Nice Touch Games today is thrilled to announce that Robo & Bobo 1.5.7, the five star 3D puzzle game, will be free on iOS for a limited time, starting December 14, 2013. The game takes place inside a vast robot factory where scientists are testing a robot’s love for its teddy bear to the limits. Players must program Robo using the intuitive, text-free system, and help him pass increasingly difficult test-chambers to reach Bobo the teddy bear, his one and only friend.

The 3D puzzle game features fiendish levels with moving platforms, teleporters and other hazards that will have players thinking like a programmer to reunite Robo & Bobo. With adorable funny characters, beautiful graphics and achievements the game is sure to keep players entertained.

Device Requirements:
* iPhone, iPad and iPod touch
* Requires iOS 4.3 or later
* Optimized for iPhone 5
* 54.3 MB

Pricing and Availability:
Robo & Bobo 1.5.7 is Free for a limited time and available worldwide through the App Store in the Games/Puzzle category. Robo & Bobo also offers In-App Purchases, and is also available for Android, WP8. Don’t miss the game Kotaku called “logical and adorable” while it’s free for a limited time!

Robo & Bobo 1.5.7
Download from iTunes
Purchase and Download (Google Play)
Purchase and Download (Windows)
YouTube Video (Gameplay)
Press Kit (zip)

Nice Touch Games is a games entertainment company based in London England. Started in 2011 by ex-Sony and Electronic Arts developers Richard Bunn and David Green to create fun mobile games with that “nice touch” players love. Previous titles include the free, award-winning Crazy Horses: Unstabled!, Crazy Horses: Match Maker and Santa’s Crazy Reindeer. Copyright (C) 2011-2013 Nice Touch Games Ltd. All Rights Reserved. Apple, the Apple logo, iPhone, iPod and iPad are registered trademarks of Apple Inc. in the U.S. and/or other countries. All other trademarks and trade names are the property of their respective owners.

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Hi guys, I am new to this forum and forums in general, so I am sorry if I have put this question in the wrong spot or done something wrong. In fact, I am new to aquatic care too...

I am trying to set up a low cost and functional filtration system for 2-3 tanks. I have one turtle tank, one fish tank (with one goldfish ha) and the turtle's feeding tank. My plans for the tanks are pretty elaborate because I am a trying to get it to work well, whilst being a cheapskate. Preferably, I wanted to build 3 canister filters for each tank, each with their own pump, that would, through lots of valves, all connect to the same UV filtration device (this would be used only by 1 tank at any given time). It's kinda simple in theory, once you get your head around it, but there is a lot that I don't know that has set me back a lot (pump types, electricity for the pumps, etc). My second thought was to buy a proper canister filter for the turtle and get a cheap filter for my single goldfish but I had already bought a separate UV filter, so I kinda have to keep going. I also wanted a external pump so I could use a large tube to suck the dirty water out of the turtle tank. I wanted a large tube because turtles' shells shed and I am not sure if a submersible pump would be able to pick them up (due the the slits they absorb water through).

So, my question is if this pump:
( http://www.ebay.com.au/itm/12V-DC-80...item4abe9bb41a )
would be suitable for a homemade canister filter. I heard you need something pressurised and that was the cheapest I have come across. I was previously looking at this pump:
(http://www.ebay.com.au/itm/300820201...84.m1423.l2649 )
or something similar but I don't know if it will do the job or not. I have thought of making the canister filters by putting them in old 1kg 'Peach Slices' plastic containers. I am unsure if they could hold the pressure either but I was going to line the canisters up next to each other and insert tubing from one to another. I would also insert the dirt water at the bottom and let the water rise through the filter medium, is that the correct or preferred way in my situation?

Will those pumps be too much or to little power?

I am thinking of changing the tube sizes through the process, will the pressure be too much?

I was going to have the mechanical 'peach slices' container before the pump, as a kind of pre-filter to avoid pump damage, then the Bio and Chem (chem empty for now) containers, good or bad idea?

Sorry for the long winded questions, but any help would be greatly appreciated. I am a bit lost in it all.


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Class A Commercial Properties

Research shows that trees can stimulate economic development, help units rent more quickly, improve tenant retention, and increase property values. Because of this, we focus a great deal of our attention on providing great commercial tree care service. It is essential that the health of your trees be maintained in order to reduce the chances of premature decline and unnecessary risk.

Since 1981, Arborguard has partnered with hundreds of commercial property managers to maintain safe, healthy, and beautiful properties, managed for sustainability. Whether our clients manage large multi-structure office complexes, or single structure sites, our custom tailored tree care programs reduce unexpected problems and costs, keeping you on track and on budget.

During a visit from an Arborguard ISA Certified arborist you can expect a visual review of your trees to address important concerns such as:

  • Potentially hazardous conditions
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  • Safety issues such as pruning for security, lighting, and visibility
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In addition, our TreeKeeper® inventory technology can quantify the environmental benefits (e.g., carbon sequestration and pollution removal) that your property’s trees provide. This information can help earn you LEED Certification points, and enhance your green messaging and sustainability efforts.

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