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Zeemo Provides a New Look Custom Website for Liftech Handling

Through their partnership with Zeemo, Liftech has been given a brand new facelift that incorporates web design, video’s, photography and a content overhaul.

A leading name in Melbourne’s forklift and access equipment hire industry for more than 20 years now, an all-new look is just what Liftech needed to keep them on top of the game.

Known for supplying a wide and well-maintained fleet alongside first class service, Liftech is clearly committed to staying true to their vision of supplying premium access equipment to workplaces and sites across Melbourne. What’s more thanks to their specialised trucks hiring equipment can be transported straight to the customers site safely, efficiently and on time meaning projects can get underway without delay. With a range of equipment to choose from (including forklifts, scissor lifts, boom lifts and related accessories), their title of one-stop-shop is well deserved.

Keeping their fleet in premium condition is a top priority at Liftech, which is why they provide full servicing and on-going maintenance. All services are completed at a time that is convenient to the customer, ensuring as little disruption as possible.

Liftech is committed to making the hire experience as seamless as possible. With tilt trays and low loaders on hand, they make delivering equipment to your workplace and picking it up at the end of the job a breeze. Not licensed to use the machines on offer? Good news – Liftech also offer training! Their fully accredited training courses can be completed at their classroom facility in Dandenong or in the comfort of your own premises. Refresher courses are also available if desired.

Their longstanding history with Zeemo gave the team at Liftech the peace of mind that their online presence was in good hands.

The fully customised website has been designed to showcase the premium equipment on offer, as well as to highlight their dedication to superior customer service. This is further achieved through the use of attractive photography, an engaging layout and a complete overhaul of the existing content. Product videos featuring Liftech’s Founder have also been created to provide a quick overview of particular access equipment, their unique features and benefits.

Your access and handling needs will be met with ease when you have Liftech behind you.

About Zeemo

Zeemo is a Melbourne based digital agency that is committed to providing engaging online experiences for their clients.

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Best for you!

Gradle 6.5 adds file system watching to improve build times

Gradle 6.5, the latest version of the popular JVM-based build management tool, has been introduced with an experimental file system watching capability designed to improve build times.

With the opt-in file system watching enabled, Gradle 6.5 can keep what it has learned about the file system in memory between builds rather than polling the system on each build. This optimization substantially reduces the disk I/O necessary to determine changes since the previous build. Users can enable file system watching by using the parameter, --watch-fs on the command line.

File system watching will be enabled by default in a future Gradle release. The feature currently has some limitations including a lack of performance benefits for locations with symlinks and a lack of support for SUBST and network drives on Windows.

To switch to Gradle 6.5, developers can update their wrapper:

./gradlew wrapper --gradle-version=6.5

Other new capabilities in Gradle 6.5 include:

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Tag Archives: beauty

Terp Startup Iced Out Cosmetics Celebrates Those ‘Iced Out’ by Society’s Beauty Standards

This summer, the Dingman Center will be conducting interviews with the fifteen student startups who are participating in our Terp Startup summer accelerator at the College Park WeWork. Participating student entrepreneurs received a stipend up to $5,000 that would enable them to work exclusively on their startups over eight weeks in the summer.

Iced Out Cosmeticsimage1

Founder and CEO: Isha Kamara ’20, African American Studies major

DC: Tell us about your startup. What problem are you solving and for whom?

Kamara: Iced Out Cosmetics was created to make the groups most ostracized and made to seem less attractive by society feel beautiful and like they have a place in the beauty industry. As a first generation African woman who has been bullied most of her life for having dark skin, I decided to make it my purpose to create a brand for dark skinned people of color to prove to them that they are beautiful—that beauty is not just skin deep but also a mentality that everyone can achieve with confidence. The uniqueness of this brand is that my target demographic does not start and end with only black women. Many brands make the mistake of leaving out the LGBTQIA+, they are often overlooked by brands and have no real representation in the beauty industry. My brand will be a brand that celebrates dark skin beauty and the difference that adds to our beauty as more than an aesthetic.

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An Interview with Pitch Dingman Competition Finalist: POSH

In anticipation of the final round of the 2017 Pitch Dingman Competition, the Dingman Center is interviewing each of the five startup finalists about their progress and upcoming challenges as they prepare to compete for a total of $30,000 in startup funding on March 7.

From left: Elania Tait, Nathalyn Nunoo, William Kwao

Nathalyn Nunoo, Founder & CEO
William Kwao, Operations & Tech
Elania Tait, Public Relations

Posh logo black.pngPOSH is a web platform that offers a reliable, affordable way to book freelance beauty professionals for any occasion. The task of scheduling a makeup artist typically comes with a number of obstacles and uncertainties: How do I know that the artist will give me the look I want? Are their rates consistent with other makeup artists? What happens if they’re late (and they often are)? How much do I tip, and at what point in the process is it proper to do so? POSH conveniently answers those queries on the back-end to ultimately pair their customers with artists who are vetted, talented and consistently punctual. The payment rates are transparent, the tip is included and all the customer has left to worry about is the event at hand. Makeup artists see a benefit as wellall the complicated logistics of working with a client are handled through POSH, allowing them to concentrate fully on their art. With its emphasis on convenience and customer service, POSH’s initial customer base has inevitably led to a growing list of new clients.

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Beauty Made Easy with POSH

by: Megan McPherson

This summer, the Dingman Center will be conducting interviews with the eight student startups who are participating in the Terp Startup summer incubator phase of our Fearless Founders accelerator program. Participating student entrepreneurs received $3,500 stipends that would enable them to work exclusively on their startups over six weeks in the summer.

Picture this. You’re a bride, and today is your wedding day, the day you are meant to look more beautiful than any other day in your life. Every meticulously planned moment of the day seems to be going off without a hitch, until your makeup artist shows up an hour late. Forgetting about the bridesmaids, she hurriedly goes to work on your face, only to leave it a caked on, ghoulish mess. With no time for a do-over, you spend your last moments before the ceremony not quietly reflecting on the beautiful journey you and your significant other are about to embark upon, but rather hastily adding and removing makeup with a compact mirror. You arrive to your venue 30 minutes late, stressed and feeling less than fabulous.

POSHNo exaggeration: this is a real thing that happened to a friend of mine. On the most recent season of HBO’s Girls, Marnie undergoes a similar trauma on her special day. Booking a freelance makeup artist, expecting them to show up on time and also give you the end result you want is a task so notoriously difficult that it lends itself to parody. But it doesn’t have to be so hard. POSH, a University of Maryland startup founded by rising junior Nathalyn Nunoo, is a beauty consultation service that takes the stress out of booking freelance makeup artists.

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Cody St Clair

Drivers Bio:
Cody started out going to the local dirt track and hanging out in his dads pit and helping support his dads racing. When Cody turned 5 he started racing MX Quads traveling across the US with his Mom and Dad, Then at age 13 after working the summers at his Mom and Dads construction company , Cody saved up enough money to buy a 94yj rock crawler from a friend of his dad. A year latter Cody's dad and now Co-Driver Mark Klingele heard about King of the Hammers and attended the race and became instantly hooked. " WE HAVE TO DO THIS ONE DAY!" The seed was planted , The plan was to build the 94yj and let Cody drive and Mark co-drive. The guys formed a team and called it TEAM SCR MOTORSPORTS. They cut their teeth racing a smaller series called Dirt Riot and had several podium finishes and took two National championships. When Cody turned 16 it was time to Race the HAMMERS. It did not go as planned . With only a mile under their belts the car suffered a major break down taking them out of the race. Taking off a year in 2016 The team enlisted the help of TRIBE16. Adam Scherer and his guys built Cody a 4500 chassis car to race the next year at the hammers. Cody is now 21 with 4 King of the Hammers to his credit but still no finishes. This year looks promising, The car MISS TEXAS is dialed in and with Cody and Mark finishing 3rd in the national Championship for 2019, we are excited.

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The story of Christian Einshøj’s Haunted is quite simple. A son returns home to film his mother retelling the story of how she saw the ghost of her son. The son then follows his mother as she goes about her daily routine in the aftermath. In actuality, this is a story about grief, separation and family ties. Einshøj films his mother with total observation, there is no forced perspective, no bias, just an unflinching portrait of a family affected. There’s also a great comedy to the narration and editing structure, which adds to the all encompassing feel Haunted channels. DN caught up with Einshøj to have an extensive dive into this mysterious and beautiful film.

You’ve been working on Haunted for many years, what was the initial idea and how did it develop over time?

When I first heard my mother’s ghost story, I immediately wanted to use it in a film. I was very eager to get started and quickly wrote the world’s shortest application for a small film fund that had an approaching deadline. It said ‘My mother has seen a ghost. I go visit her and film her going about her daily business in the suburb’.

By some miraculous mishap, I got around 3,500 USD to make the film and went back home the week after. Meanwhile, I had conceived of this fancy-pants conceptual idea of shooting the whole thing analog on my father’s old Hi-8 camcorder. I don’t know what this aesthetic approach was supposed to suggest narratively, but luckily it never came to fruition as the old machine broke down the night I arrived, and I was forced to use whatever else I could scrape together out of my father’s photo gear. That turned out to be an old Canon 5D and a wonky lightweight tripod. So, the film was then digital.

The very first shot I did, is the scene where my mother tells me the ghost story. I had imagined the whole film to consist of scenes like this, where my mother talks directly into the camera, but I quickly realised that this was a terrible idea. Her awareness of the camera changed her personality completely and rendered her performance incredibly unnatural.

At this point, I should probably explain that I am very, very stupid. I never have any idea what I’m doing, as I never have a plan. The advantage of not having a plan, of course, is that it doesn’t matter if you change your mind. So, instead of shooting my mother by herself facing the camera, I started including other people in the scenes and turning her back to the camera, and it seemed to work. Other unplanned stuff occurred during shooting, like the missing man in the mountain, but the biggest revolutions hereafter occurred in editing.

Could you talk about writing the narration and structuring the film?

When I got back home I had no idea as to how I would structure the film. So, I spent two years figuring that out. The main structuring element, I realised, is my visit back home. That would automatically provide a beginning and an end. The ghost story itself is also important, of course, as it provided some action, and served as a useful decoy for what I really wanted to tell, which was the story of my dead brother. My ambition was to make a film about death and loss but in a light-hearted way. The ghost story relieved me of the burden of having to ask my mother the impossible question, “So, how did it feel when your son died?”.

The biggest challenge of structuring was the movement from the lighthearted, somewhat comic opening, to the heavier story of my mother’s loss. The presentation of the four sons became an important tool here, as it underscores the theme of loss. My idea, which I’m sure is way too subtle for anyone to notice, let alone appreciate, was to have each son represent a further degree of separation. I’m the first, and the closest, since I’m staying for a couple of days, Fred is the second, only staying for an hour, Alex third, not even physically present, Kristoffer fourth, no longer there. Inside my brain, when editing, this meant I’d provided the film with a movement towards death. The missing man in the mountain provided a further amplification of this movement, as he’s first merely considered missing, and towards the middle of the film, more likely than not, perished.

This inflated trust in your own images is a common director’s disease, I think. I’ve certainly observed it a lot of times in others, working as an editor, which is also the reason I thought I’d be immune to it, but clearly wasn’t.

The narration is a big part of the film, obviously. Weirdly, the first cuts actually didn’t have any narration at all, and hardly any archive. Needless to say, this didn’t make a whole lot of sense, and my friends were kind enough to let me know. What I realised was that I expected total strangers, who didn’t know my family, to feel the sorrow of my mother’s loss, just by watching the images of her, alone in the house. This inflated trust in your own images is a common director’s disease, I think. I’ve certainly observed it a lot of times in others, working as an editor, which is also the reason I thought I’d be immune to it, but clearly wasn’t.

I was very reluctant about having a voice over. First, it’s very uncommon in Danish documentaries. I think it’s considered bad taste because it’s reminiscent of television. Second, I really hate hearing my own voice, and certainly don’t think that I’m especially interesting, which having a personal voice over might seem to suggest. I played alongside Charlie Tyrell’s My Dead Dad’s Porno Tapes at Hot Docs, and I know he’s dealt with the same reservations towards voice over. He slipped around the problem by opting for a neutral narrator, a sort of godlike storyteller with no relation to anyone in the family, like in The Royal Tenenbaums. That worked really well for his film, and I envied that possibility, but I don’t think it would have worked for mine, as I’m also physically present.

Joachim Trier says something interesting about voiceovers, that they liberate the image to do something else, not being “enslaved” by narrativity. He was talking about Terrence Malick, but it rang true to me as well. It allowed me to add stuff that was not present in the image itself. For example, the voiceover following the bathroom scene, where I’m presenting her sympathy for this unknown missing man in the mountain as a mystery. If this works as intended, my mother’s inner life then becomes a mystery too, something one wants to get deeper into. With the image alone, this wouldn’t have been there.

This mystery, or sense that my mother might be hiding something, was also strengthened, I think, by her ambivalence towards being filmed, in these behind-the-scenes bits of her where she’s only reluctantly agreeing to being recorded. They also added a lot of humor and an important resistance for my character. Bizarrely, most of this, including the opening scene, wasn’t added until the very final weeks of editing. That specific scene was five years old, and not even part of the actual editing project. It was lying around on some lonely hard drive and I hadn’t even looked at it since I shot it. When I finally did, it felt tailor-made for the film. Without this clip, it just looked like my mother agreed to being filmed right away, and there wasn’t really any visible resistance. As is often the case in documentaries, I find, the opening scene was the very final piece of the puzzle, the last thing that was added before final cut.

You must’ve shot a lot more footage than ended up in Haunted. How did you finally decide what made it in?

Actually not that much. But I did shoot a couple of scenes where she’s talking with people outside the family about the ghost. They were kind of interesting in their own way. It turned out that so many people had their own ghost stories. Every time we did one of these scenes, the person she was talking to would reply with an experience of their own. All of them totally sane and educated middle-class people with steady jobs and plain, suburban lives. An old neighbour, for instance, had recently lost her husband to cancer, and one night, when she’d walked downstairs for a glass of water, he was sitting right there in front of her, by the dinner table. Like my mother, she wasn’t afraid but felt sort of comforted by the visitation. These stories were good but didn’t belong in the film, as they didn’t reflect back on my mother and her loss.

That became the guiding principle for which scenes to keep, and the reason both my brothers stayed in. I did shoot one of these storytelling scenes with my dad as well, but it wasn’t very interesting. Also, the film is about my mother’s loss of a son, so he didn’t really seem relevant in that equation. Her alive sons are though because they reflect what she’s lost.

Watching Haunted, I was struck by how personal the film is, yet you don’t try and shoot with a bias or like you’re trying to achieve something, it’s very observational, undirected, and aware, what was your creative approach to shooting the footage?

This is probably due to the fact that I didn’t have a plan. But, really, I think I was just very interested in my mother. Growing up, I don’t think I had this interest, I didn’t feel we had a lot in common, and as a boy, I was naturally more drawn to my father. When I shot this film I had just turned thirty, it had been ten years since I moved away from home, and suddenly I was considering the home in which I grew up with a renewed gaze. I don’t know why this change occurred, but it was very powerful. It was like this place that I knew so well, was suddenly completely foreign.

Capturing reality to me is not a matter of being a fly on the wall, but to stage situations that allow an amplified version of reality to play out.

This curiosity freed me to be more of an observer and to look without intruding. But at the same time, there is a lot of directing. None of these conversations would have occurred by themselves. They’re staged, but that doesn’t make the result less real. Capturing reality to me is not a matter of being a fly on the wall, but to stage situations that allow an amplified version of reality to play out.

You’ve cited Ross McElwee and Ozu as inspirations, what is it about those two filmmakers that you wanted to draw from?

Well, they’re certainly both obsessed with the subject of middle-class family and have made arguably some of the best films ever on that subject. Ozu elevates the everyday and common to something sacred and poetic. I support the unverifiable claim that Tokyo Story is the truest depiction of human existence ever committed to film.

It’s hard to avoid the influence of McElwee when you’re a character in an autobiographical documentary about your own family. In relation to form, I guess I’m drawing on Sherman’s March. I’ve actually only ever seen it once, and that was more than ten years ago, but ever since I’ve dreamt of making a funny, but earnest and precise portrait of the place I came from.

What does your mother make of the finished film?

At first, she was actually very disappointed. She didn’t say that she hated it outright, but when I showed her the final cut, her response was that she didn’t understand it and that she didn’t expect anyone else too. The look on her face was one of puzzlement, frustration and mild anger. After two years of editing, this was less than encouraging. I think she was hoping for a more straightforward biography kind of thing, even though I never pretended to be making anything like that. If the aim of the project was to bridge some gap of understanding between us, it had apparently failed miserably.

Her attitude changed, however, after the premiere in Toronto. We sat next to each other, and at one point during the screening, two girls in the row behind us starts crying. My mother probably wasn’t paying much attention to the film, seeing that it didn’t make much sense to her, so she had ample opportunity to notice the weeping girls and nudged me in the side to call my attention to it. From the look on her face, it was clear that she was utterly amazed that people not only understood it but felt an emotional impact. Her fears of my incompetence could be put to rest.

Now she is a very big fan and eagerly travels for festival screenings. In Sweden, she suddenly appeared out of thin air without even notifying me. She manages the film’s Facebook page and keeps very up to date with whatever is happening with the film. Last month it won an award in Iceland, and I got the news in an early morning text from her, three hours before the official notification reached my inbox. But she still doesn’t understand the film and is unceasingly impressed that others do.

What’re you working on next?

More family stuff! This time with my brothers and father, for a feature length project. With a little luck, I’ll finish it sometime next year. But that’s it. After this one, no more family films. I’ve been working on this project since 2008, and before that my father was filming and shooting photographs obsessively for 20 years. There’s a limit to how much scrutiny one household can take, and in our case, I think it’s about to be reached. Next time I’ll find subjects that I’m not even remotely related to.

Directors Notes is honoured to present the premiere of Haunted on our pages today. If you would like to join the filmmakers sporting a fetching DN Premiere Laurel, submit your film now.

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14 days old

Closing Date: 1/28/2021 6pm CT

Primary Duties and Responsibilities:

         Assist loan officers/relationship managers in gathering thorough and complete financial information from customers in a timely and efficient manner.

         Produce financial packages which will be used for credit decisions.

         Accurately and efficiently key financial information into credit analysis software.

         Assemble balance sheets and historical earnings statements from information gathered.

         Serve as resource person at branch in providing support of credit analysis software.

         Provide administrative support to branch operations and financial services departments.

         Role may have some additional duties in the support of hail and multi-peril insurance.

Required Qualifications:

         Associates degree in business administration, economics, accounting, agriculture or related field.

         Zero to two years experience in agricultural credit and operations or equivalent.

         Excellent communication and organizational skills.

         Demonstrated ability to work with others; strong teamwork and coordination skills.

         Knowledge of the financial services industry and commercial banking preferred.

         Ability to input basic financial information into credit analysis software.

         Demonstrated ability to effectively perform tasks during periods of high stress and workload.

         Detail orientated.

         Ability to use various technical applications and software.

         General knowledge of agriculture.

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Credit Technician

AgCountry Farm Credit Services
Fargo, ND 58102

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The clients were living in appalling, unsafe conditions. We got the facility shut down. #AdvocacyMatters

December 21, 2017 / #AdvocacyMatters

Three chairs in a wooden hut the residents of Simmons Adult Care used for smoking. The backs of two of the chairs are broken.

As the Protection & Advocacy system for people with disabilities in Ohio, Disability Rights Ohio constantly monitors facilities where people with disabilities live to make sure they are clean and safe and the residents are well cared for. In June 2016, DRO made a monitoring visit to Simmons Adult Care, a group of facilities for people with mental illness in the Cleveland area. What they found was shocking: unsanitary conditions, broken furniture, bugs, bathroom sinks propped up by scraps of wood, porches caving in and windows with gaping holes. Afterward, they submitted a report with photographic evidence to the Ohio Department of Mental Health and Addiction Services (OhioMHAS). A follow-up visit in November 2016 showed that the poor conditions remained unchanged over time, and DRO asked OhioMHAS to begin license revocation proceedings. In October 2017, OhioMHAS announced plans to shut down all Simmons locations and move all Simmons residents to other adult care facilities in the area.

DRO takes its monitoring responsibilities seriously. Concerned individuals can submit anonymous tips about facilities throughout the state by phone at 800-282-9181 (option 2), by email to intake (at) or by mail at 200 Civic Center Drive, Suite 300, Columbus, OH 43215-4234.

Find more information on the Abuse and Neglect page of our Self-Advocacy Resource Center.

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Please give. To the best of your ability.


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Inspiration in Your Email

Discover events, current conditions and local happenings in Siskiyou by entering your email below.

Yreka Community Theater

Yreka Community Theater

The Yreka Theater is the premier location for presentation of artistic talents as well as an ideal setting for seminars and ceremonies.

With auditorium seating for 304 people, a spacious stage and lighting and sound systems, the Theater will make your presentation a production to remember! The Yreka Theater is available to accommodate all manner of bookings – dance, concerts, theater, civic meetings, trade shows, conferences and seminars.

Photo Credit: Yreka Community Theater

810 N Oregon St, Yreka, CA 96097
(530) 841-2332

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November 4, 2020 By admin 0

09/Aug/, CC, 80, 01/Jul/, 25/Oct/, National Redress Scheme for Institutional Child Sexual Abuse (Consequential Amendments) Act. Recent Cases Bankruptcy Act Year & No: Act No. 33, Purpose: An Act This item may be affected by COMMONWEALTH REDRESS SCHEME FOR . Bankruptcy Act (Cth) – CC – Start date: 26/10/

Author: Vugal Dokinos
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Uploader: Tukora

Court may make orders in relation to registered trustees.

The Official Trustee in Bankruptcy Voluntary termination of registration Infringement notices for offences Provisions ceasing to have effect. Application adt the Criminal Code Trustee may sue, be sued etc.

Release of the Official Trustee Notification of death of administrator Provisions ceasing to have effect If a provision of the compiled law has expired or otherwise ceased to have effect in accordance with a qct of the law, details are included in the endnotes.

Extension of period of notice Trustee ceasing to object on some grounds Warrant for seizure of property connected with the bankrupt.

Amendment of proof of debt Making an order declaring a debt agreement void Bankrruptcy D—Giving information etc. Protection of certain transfers of property against relation back etc.

Certificate relating to discharge of obligations Failure of person to provide information Discharged bankrupt to give assistance Editorial changes For more information about any editorial changes made in this compilation, see the endnotes.

Right of creditors to request information etc.

Second or subsequent bankruptcy Editorial changes For more information about any editorial changes made in this compilation, see the endnotes. Leaving Australia with intent to defeat creditors bamkruptcy Two or more trustees acting in succession Review of assessment decisions Prevarication or evasion in the course of giving evidence Duties and powers of controlling trustee Leaving Australia with intent to defeat creditors etc Representation of corporation etc Financial affairs of a trust Transfer of proceedings to Family Court Record of proceedings or evidence Acts of controlling trustee to bind trustee of subsequent personal insolvency agreement or bankruptcy Entity entitled to claim in bankruptcy Rules nankruptcy to meetings Court may inquire on application of creditors etc Parties to a debt agreement Failure of person to attend before the Court etc Effect of composition or scheme of arrangement Duties of sheriff after receiving notice of presentation of petition etc.

When debtor disqualified from presenting declaration


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Tesla Q1 Deliveries And What To Expect In 2020

Against all odds, Tesla is still in a position that might allow it to sell more than 500,000 electric cars in 2020.

During the first quarter of 2020, Tesla delivered 88,496 electric cars (in line with preliminary numbers), which is 40% more than a year ago.

It was also the third straight quarter of positive financial results with a symbolic net income of $16 million (GAAP). Let’s check the car sales numbers and charts and see whether the previous forecast of “comfortably exceed 500,000 units” in 2020 is still possible.

Tesla Model S/X/3/Y Deliveries (quarterly) – through Q1 2020

Q1 2020 was the best first quarter ever, despite the temporary lockdown – first in China (in the first part of the quarter), and then in the U.S. (since late March).

Deliveries by model

  • Model 3/Y: 76,266 (up 50%, new record)
  • Model S/X: 12,230 (up 1%, first growth after five quarters of decline)

In Q1, Tesla managed to start production and customer deliveries of its all-new Model Y in the U.S., significantly ahead of schedule and also at a positive gross margin right from the start, according to the Q1 report.

A few months ago, Tesla was sure that it would be able to “comfortably exceed 500,000 units”. The manufacturing capacity installed in Fremont and Shanghai should still allow exceeding 500,000 sales in 2020, but a lot depends on when the lockdown will end in the U.S. It’s expected that the Tesla Factory will resume production from early May.

To sell more than 500,000 cars in 2020, the average quarterly sales by the end of the year would have to be above 137,000 – significantly above the all-time record of 112,095. It’s challenging, but with the Tesla Gigafactory 3 online and Tesla Model Y launch in the U.S., it seems quite possible.

“It is difficult to predict how quickly vehicle manufacturing and its global supply chain will return to prior levels.”

“We have the capacity installed to exceed 500,000 vehicle deliveries this year, despite announced production interruptions. For our US factories, it remains uncertain how quickly we and our suppliers will be able to ramp production after resuming operations. We are coordinating closely with each supplier and associated government.”

“We expect that production of both Model Y in Fremont and Model 3 in Shanghai will continue to ramp gradually through Q2. We are continuing to build capacity for Model Y at Gigafactory Berlin and Gigafactory Shanghai and remain on track to start deliveries from both locations in 2021.”

Source: Read Full Article


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Guest lecture by Arjen de Vries

How search logs can help improve future searches

In the European project Vitalas, we had the opportunity to analyze the search log data from a commercial picture portal of a European news agency, which offers access to photographic images to professional users. I will discuss how these logs can be used in various ways to improve image search: to expand the image representation, to make suggestions of alternative queries, to adapt the search results to user context, and to build automatically concept detectors for content-based image retrieval. I also present recent work on using the semantic information that has become publicly available in the form of linked data to improve the search log analysis. The results show that bringing in linked data gives insights beyond the more common term-based analysis, since queries related in the most frequent ways do not usually share terms. I conclude with a discussion of the implications of our findings for improving log analysis, image collection management, and search engine design.

The guest lecture takes place on 20 October 2010 at 13.45 h. in ZI-2126.


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CPCC Common Area Remodels

This remodel encompassed common area hallways and lobbies throughout the five multi-story office buildings in Central Park Corporate Center. The project included extensive repairs to walls after removal of existing wallpaper, all new paint, all new flooring, and revitalized lobbies with tray ceilings and new lighting packages.

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DNN Services

We set up and install DNN editions on secure OpenHost servers in NZ, Azure, AWS or any other server of your choice.

services from v5 through to the latest stable release including third party module compatibility checks, server hardening and security certificate install.

Creation of structured content and delivery via headless CMS or stateless API published across all channels.

Creation of role / department based security for authors, approvers and publishers with approval workflows and auto scheduled release.

Configuration of multi website / application platform with unlimited domain names from one DNN instance running on one server

Automated migration of scattered content across multiple sites into structured CMS with taxonomic grouping and advanced search.

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Animation GIF By P J Pentz

We build, host and service DNN community, DNN professional and Evoq editions because we believe it is the best open source platform on the market. If you are still cutting and releasing raw code in your web applications we suggest you come have a chat and see how the re-use of DNN database driven modules can help you to achieve your project goals quicker and at vastly reduced cost. We can host a website or web based application for you or develop on your in-house or cloud server.

DNN core modules

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Catch up over a coffee tea juice beer wine
and sort out a DNN solution for your business.


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Experience Analytics

Dashboards and reports for marketers and marketing analysts to identify patterns and trends in data.

Sitecore Experience Analytics provides overview reports and detailed reports for marketers and marketing analysts to identify patterns and trends in experience data collected from their websites and potentially other external data sources.

The Experience Analytics dashboard:

The Experience Analytics dashboard

When you open Experience Analytics for the first time, you see a dashboard page that provides an overview of your experience data. In the menu panel, there are several categories of reports, each containing different charts and graphs.

Experience Analytics contains the following categories of reports:

  • Dashboard – provides an overview of key analytics by displaying a selection of charts and performance indicators.

  • Audience – helps you gain an understanding of who your visitors are.

  • Acquisition – shows you what is driving traffic to your website. For example, from campaigns and other marketing channels.

  • Behavior – helps you to analyze the behavior of your visitors to understand how they interact with your content.

  • Conversions – the percentage of visitors that achieve a particular goal. This helps you understand how well your marketing efforts are working.

You can compare metrics such as page views, conversion rates, and engagement value and filter the data by date range or by website. You can use the reports to analyze the performance and optimization of your websites, and the level of commitment of your website visitors and contacts.

Although Sitecore provides sample marketing definition items, when you start a marketing plan or campaign, you must create your own taxonomy of marketing definition items.

After you create the definition items, you must deploy them and then create a custom report to help you interpret the data.

To perform more advanced tasks, developers can use Visual Studio and Sitecore Rocks to create new reports, edit, and add charts and graphs or create advanced filters.

If you want to change or customize a standard report that comes with Experience Analytics, it is best practice to copy an existing report, customize it and then rename it.

This is due to the risk of overwriting your customizations when you update to a future version of Sitecore.


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Data Subject Request (DSR) Form
Please fill out the below Roche / Genentech Data Subject Request (DSR) form and describe your request. This form is directed to US residents who have certain rights as data subjects in relation to their personal data under some state or federal laws.

If your request is to access, obtain copies of, correct, amend, rectify, or erase your personal data, or to limit the transfer of your data to certain 3rd parties, we may need to contact you and request additional information to verify your identity before processing your request. Additionally, depending on the scope of your request, we may be limited in how we can respond.

Information collected via this form and related to your request will be handled by Roche / Genentech's data protection officers and their teams, and our privacy operations teams. It will be used solely for the purpose of answering your question(s), and processing and (if possible) completing your request. Information provided on this form is not intended to be used for any other purpose or shared with other parties unless necessary to fulfill your request.

For additional information about your data subject rights, please visit our Roche Privacy Policy at

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If you do not wish use this form, you may submit your DSR by reaching out using the following alternate options:

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Latest Update: 2020-07-26 13:36:41

0. Introduction#

This is the official documentation of Orchestra Cities.

OC Logo

Orchestra Cities is a data and IoT-driven solution that allows cities to collaboratively develop and share Smart City Services using Open APIs and Open Standards. Launched in 2018 by Martel Innovate, Orchestra Cities was initially developed and tested with Antwerp and Helsinki as solution for the Select4Cities Pre-Commercial Procurement (PCP). Following the PCP, Martel further invested on the platform for the benefit of its customers.

Martel Innovate offers a commercial version of the platform and private deployment support for it (for more information

The tutorial presented in this refers to endpoints the commercial platform (which is the only public live instance available), nevertheless you can apply the same tutorials for your own deployment based on the open source tools that are composing the platform.

Orchestra Cities contributes and is based on FIWARE.


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The indefensible price of accessing the giant’s shoulders

Fourteen thousand three hundred and seventy five US dollars. That’s how much it would have cost me to access each of the 575 references cited in my PhD. It’s a ludicrous figure. About US$25 per article. Calculated using the average pay-per-view cost of the top 100 journals in 2014. Of course, it could be argued that this figure doesn’t account for the money that could have been saved by bundling purchases into annual subscriptions. On the other hand, it also doesn’t account for the thousand or so articles that were read, but never made it to the final cut. So let’s call it even. It’s an abstract figure. For me access to these articles was covered by the annual journal subscriptions purchased by the University of Melbourne. For researchers at smaller universities around the world, the costs to access these journal are prohibitively high. Leaving researchers in the dark and the articles locked behind paywalls.

The absurd world of scientific publishing

In order for you to get a decent understanding of how infuriating this situation is, let’s first take a quick walk through the embarrassingly absurd system that it is modern scientific publishing:

The taxpayers pay their taxes. The government takes a portion of these taxes and funds research. The scientist does the research. They write the research into an article and submits the article to a journal. The journal sends the paper out for peer review, an unpaid process where 3 independent scientists read and critique the paper to make sure everything’s above board. If peer review approves the article, the journal accepts it and agrees to publish it with the following two provisos: 1. That the scientist sign over the copyright of the article to the journal, and 2. That the scientist pays the journal to publish the article (usually between US$500-1000). If the scientist agrees to all this then the journal publishes the article behind a paywall where it will cost somewhere in the ballpark of US$25 to access it.

That’s right. The taxpaying public pay scientists to pay publishing houses to lock their research behind a paywall.

Now, on the scale of a single article, you could be mistaken for thinking the system was just a touch backwards, but not altogether cataclysmic. So let’s change the scale. In 2009, it was estimated that there were over 50 million scholarly research articles in existence dating as far back as 1665. We can add to that the estimated 1.8 million articles published across 28,000 journals every year and suddenly we’re talking about more than 60 million articles. And access to all this research doesn’t come cheap.

The financial cost of restricted access

“An institution the size of University of Melbourne could be paying around $10 million a year for the journals to which it subscribes. And because most journals are published in the US or Europe, even slight variations in foreign exchange can play havoc with the rest of the Library budget.”

Stephen Cramond (2011), then Electronic Content Manager, The University of Melbourne Library

Now obviously publishing houses aren’t charging university libraries US$25 for each of the 60 million articles currently thought to be in existence. After all these are multi-national market leaders, not profiteering monsters. Plus the growing acceptance of the open access publishing model, where articles are freely available to anyone who might wish to read them, has seen an impressive increase in the amount of publicly available research. In fact the movement has grown so popular that in 2011, an estimated 340,000 articles were published according to the open access standards within a year of their release. A figure that accounted for approximately 17{bd4fcb2b1bb8831f9d21169e24bf6da877e938d9d91fa1fda2e590f30a306918} of the 1.66 million articles published that year. If this rate has remained consistent across the last few years it’s reasonable to think that there could be as many as 3-4 million open access articles in online research databases. But that still leaves a hell of a lot of knowledge firmly locked away.

Rather than charging per article, publishers charge libraries for annual journal subscriptions which cost on average between $1000-4000. And to make things easier for the libraries, the publishers bundle journal subscriptions together in what we will assume is an effort to ease the financial burden such costs place on university libraries. This is of course not done in an effort to force libraries to subscribe to a series of superfluously expensive offerings by mixing them in with more oft cited sellers. After all, each of Elsevier’s 2500 journals are no doubt of equal importance. Apart from of course that one outlier, the BBA Biochimica et Biophysica Acta, which currently costs $26388 each year. These bundles are thought to bring the cost of subscriptions down substanitally; however, the fact that many publishers insist on libraries signing confidentiality clauses makes getting a decent read on the costs somewhat difficult.

Of the costings that have managed to slip through the confidentiality cracks the figures have been mixed. One report indicates that journal bundles brought average subscription costs to just shy of US$2.5 million dollars for research extensive universities in 2009, whilst others indicate that universities may be paying as much as US$8 million per year for online access to a single publisher. Perhaps the widely cited cost came from one of the wealthiest academic institutes in the world, Harvard. In 2012, Harvard released a memo reporting that its annual cost for journals was approaching US$3.75 million. In their memo, Harvard’s Faculty Advisory Council labelled the costs as “financially untenable” and “academically restrictive” before drawing attention to the fact that prices for online access to articles from two major publishers had increased 145{bd4fcb2b1bb8831f9d21169e24bf6da877e938d9d91fa1fda2e590f30a306918} over the previous six years. CPI increased just under 14{bd4fcb2b1bb8831f9d21169e24bf6da877e938d9d91fa1fda2e590f30a306918} over the same time period.

To make matters worse the top five publishing houses (Reed-Elsevier, Springer, Wiley-Blackwell, Taylor & Francis and Sage) control over 50 percent of scientific papers published. And they’re making an absolute killing from it. In 2014, “publishing leader” Elsevier reported a profit margin of 37{bd4fcb2b1bb8831f9d21169e24bf6da877e938d9d91fa1fda2e590f30a306918} on revenues of over US$3.5 billion. That’s over US$1.3 billion in profit and a profit margin almost 10{bd4fcb2b1bb8831f9d21169e24bf6da877e938d9d91fa1fda2e590f30a306918} higher than what Apple Inc reported the same year. And it’s a profit that’s made almost entirely by charging researchers at both ends of the equation.

The scientific cost of restricted access

“If I have seen further it is by standing on the shoulders of giants.”

Isaac Newton

The truth is the financial costs of access, whilst abhorrently exploitative, are not the main concern. If you’re like me you’re probably more inclined to think Harvard should simply increase their library budget than spend too much time feeling sorry for them. The real concern is what restricting access does to scientific progress. Take Newton’s quote. On the one hand it’s an amazing example of a humble brag, but on the other it speaks to the very heart of scientific discovery’s cumulative nature. The words conjure up a veritable pile of scientists one atop the next reaching upwards together in a tireless campaign to extend the bounds of human knowledge. Like a castell built from people in white coats. Beneath it all though is a simple truth. Scientific progress relies on researchers having access to the work of those who came before them. And when we deny them such access, we curb the rate of progress.

Enter Alexandra Elbakyan, a neuroscientist from Kazakhstan. In 2011, understanding that scientific aptitude often refuses to subscribe to the arbitrary dilineations of wealth, Elbakyan established Sci-Hub (.io), a site that bypasses the paywalls of scientific publishers and provides free access to research to anyone who required it.

“There should be no obstacles to accessing knowledge, I believe. Everyone has the right to freely participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.”

Alexandra Elbakyan, referencing Article 27 of the United Nations Declaration of Human Rights in an interview with RT

The site operates with a simple mission “to remove all barriers in the way of science”. And it’s working. At last count Sci-Hub provided access to just under 50 million papers and in January alone it was visited more than 3.2 million times. The site’s success has led to Elbakyan gaining the well deserved moniker of the Robin Hood of Science. In fact I’ve yet to come across a scientist who doesn’t in some way view Elbakyan as a hero of sorts.

Not surprisingly, Elsevier feels differently. Having already received a preliminary injunction against the site’s former domain, the publishing giant is now suing Sci-Hub for “irreparable harm”. Elsevier looks to be claiming statutory damages of $750-$150000 for each of the pirated works accessible through the portal, with a claim that could easily run into the billions. Of course, by “irreparable harm” Elsevier is eluding to the fact that since the site launched in 2011 the operating profits on their scientific, technical and medical division have not dropped below $1 billion or a 35{bd4fcb2b1bb8831f9d21169e24bf6da877e938d9d91fa1fda2e590f30a306918} profit margin. That’s right, Sci-Hub has had made no discernible impact on Elsevier’s bottom line. And it’s because, for the most part, the site’s providing access to researchers who previously couldn’t afford it. For researchers at wealthy universities, it remains easier to access the articles through their university’s subscriptions due to the at times sluggishness of Sci-Hubs burgeoning server network. The move to sue Sci-Hub is understandable in many ways, after all, regardless of how morally corrupt their business practices are they remain perfectly legal, whilst the actions of Sci-Hub fall foul of the law. However, the publisher may find that the lawsuit brings unwanted attention to a business model so hell bent on profits that they “make Murdoch look like a socialist“. After all, this story gives me the opportunity to reminisce about how staunchly Elsevier has opposed previous efforts by government to increase public access to publicly-funded research. Such as that time they supported the Research Works Act (RWA), a bill designed to make the NIH Public Access Policy illegal. A bill that literally would have made it illegal to make publicly-funded research available to the public. Or simply that time they supported SOPA. Good times.

For her part, Elbakyan remains unfazed by the lawsuit. And why wouldn’t she? Well clear of the US’ jurisdictional reach she’s extremely unlikely to ever feel the need to add to the publishers already bulging coffers. And so, thankfully, her work on the site continues. Allowing thousands of researchers around the world to continue to get unfettered access to the giant’s shoulders.

2 Replies to “The indefensible price of accessing the giant’s shoulders”

  1. “After all these are multi-national market leaders, not profiteering monsters”

    ha. ha. ha. See an Elsevier representative explain why confidentiality agreements are essential: (spoiler: the audience literally drowns him out by laughing at him)

    BTW: nice to see people in Australia picking this up and making online noises about it. And hopefully IRL too.

    1. Thanks for the link, David! Love the reaction from the crowd! It’s almost painful to watch him try and justify the confidentiality agreements as a means to ensure subscription costs don’t drop too far.

Leave a Reply


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Leslie Ford February 21, 2015

It’s not normal these days for a teen to live with their married mom and dad.

Fifty-four percent of U.S. teens 15-to-17-years-old do not live in a home with their married mother and father, according to the Fifth Annual Index of Family Belonging and Rejection released this month by the Family Research Council. Over half of American teens are about to enter adulthood without the tangible benefits of intact family life.

iStock_000011280271_Large-1260x650What are the advantages of growing up with a married mother and father? Children raised by their married parents have substantially better life outcomes compared with similar children raised in single-parent homes. The benefits are positive and measurable: higher education attainmentlevels, better emotional health and greater self-esteem. They even have higher regard for marriage.

Perhaps most importantly, teens from intact homes have a better chance of avoiding the pitfalls of high-risk behaviors. Boys who grow up without a father in the home are more likely to engage in delinquent behavior as teens. Girls without a father in the home are seven to eight times more likely to experience a teenage pregnancy.

>Marriage also influences the economic well-being of the family. Marriage decreases the chance of childhood poverty by 82 percent. It’s not simply the combination of two incomes—research shows that married families earn more and save more.

Although there is ample evidence that married mothers and fathers play an irreplaceable role in the lives of their children, the number of children born outside marriage has been steadily rising since the 1950s. Today, over 40 percent of children are born outside of marriage. Why does family life in America continue to slip away?

Fifty years ago, the 1965 report by future Sen. Daniel Patrick Moynihan drew attention to the proportion of low-income black children born outside marriage—which was then 25 percent.

The situation is now far worse. As noted in Family Research Council’s “Report on the State of the Black Family,” released as a companion to the Index of Belonging and Rejection, only 17 percent of black children reach age 15-17 in an intact family.

Despite the importance of marriage to well-being, welfare incentives can work to undermine it. Today, if a single mother receiving public assistance earns $20,000 and marries the father of her child who makes the same amount, they stand to lose roughly $12,000 as a result of the decision. It’s time for federal policymakers to reform the welfare state and start to curb marriage penalties.

Lasting cultural changes must also come from the ground up. The Index of Family Belonging and Rejection challenges all leaders to educate the next generation about the benefits and value of marriage. Revitalizing a culture of stable, healthy marriages may be a long term effort—but the goal is possible.


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Deck The Halls With These 12 Dog Christmas Decorations

Deck The Halls With These 12 Dog Christmas Decorations

This post contains affiliate links. Which means we may earn an affiliate commission. Read more here.

Our house isn’t a home without our much loved furry companions, especially during Christmas. Okay, so they may have found the stash of Christmas chocolate, sitting sheepishly with bits of broken foil marking the trail. But whatever mischief they get upto they’re such a big part of the Christmas magic! So it’s only fair, we deck the halls with an adorable range of dog Christmas decorations.

Here are 12 of our favourite personalised dog Christmas decorations to make your pooch feel special. The best part? They’re all from Etsy, so you’ll be supporting small independent businesses at a time when they need it the most.

Wooden Illustrated Dog Decoration

Shop: RachelBrooksArt –

We adore these illustrated wooden decorations from Rachel Brooks. Each wooden slate is coated in acrylic, with a watercolour portrait. What we love the most, is that each decoration is one-of-a-kind, illustrated based on your dog’s photos and direction.

They’re perfect for your Christmas tree and you can even decide to pop a Santa’s hat on top for extra festivities. Keep it plain and you can keep it out as a precious piece of art all year round.

Christmas Crackers for Dogs

Shop: BuzzyBearShop –

Why should dogs be left out of the festive traditions? These dog crackers are plenty of fun for dogs and humans alike (though you might want to give the treats to the pooch). Each cracker comes with a little treat, a festive collar accessory and a joke! They can even be personalised with a name at no extra cost.

The crackers don’t have any nasty bangs meaning there will only be waggy tails when these tasty treats are pulled.

Personalised Christmas Felt Ornament

Shop: RubySpanielDesigns –

With it’s gorgeous Christmas colours, these decorations made us all woof with excitement. Each decoration is personalised with a dog breed of your choice, made from quality felt with a scalloped edge & ribbon for hanging. The finishing touch is the name on the top and sprinkle of snowflakes.

Christmas Ceramic Personalised Dog Portrait

Shop: KatieSimpsonDrawings –

Katie makes these beautiful illustrated ceramic dog portraits from her home in Cornwall. Each one is uniquely painted based on a photo of your pooch (or pooches). The finishing touch is the red velvet ribbon, making a stunning bespoke keepsake for you to adorn your Christmas tree for years to come.

Personalised Christmas Jumper

We are a little obsessed with these tail-wagging Christmas jumpers. You can personalise this cute Jumper with a portrait of your dog wearing a cute knitted jumper with his own name on it. Several breeds to choose from, or alternatively, you can have a custom colour edit or custom drawing of your dog. This is the perfect outfit to wear while popping up your Christmas tree.

Personalised Dog Advent Calendar

Shop: TaliaGiftCompany –

Your dog loves nothing more than a tasty advent calendar to count down the hours till Santa Paws arrives. With this personalised pocket felt advent calendar, you can pop up to 24 of their favourite treats. You can also pop your dog’s name on the top.

This makes great eco-friendly alternative to traditional cardboard advent calendars as you can use it year after year.

Dog Christmas Rattan Wreath

Shop: RusticDogTreasures –

These beautiful Christmas wreaths are made to order, complete with 25 assorted tasty treats for your pooch. The treats are made up of Duck & Orange Bones, Salmon Bones, Pork & Apple Rounds, Heart Shaped Biscuit, Milky Paws and Chicken Bones. The best part? The wreath can be used year after year once the treats have been devoured by your furry friend!

Personalised Cross Stitch Family Decoration

Shop: ChillyCreates –

These bespoke decorations melted our hearts quicker than Frosty the Snowman. These portraits are cross-stitched based on photos of you and your perfect pooch. It’s completely customisable, including any text you would like!

Personalised Pet Portrait Bauble

Shop: ByKateUK –

Okay so we’ve gone a little bauble crazy in this guide, but each bauble looks like they’ve been made with so much love in Santa Paws workshop. This beautiful bauble is made by Kate, individually hand-painted with your dogs photo, ensuring a completely unique gift. You can choose from one or two dogs per bauble.

Personalised Santa Paws Christmas Eve Box

Shop Etsy: @SharpGiftAndEvents

On Christmas Eve, the latest tradition is to see children open a Christmas Eve Box. Why should our dogs miss out on the fun? This quirky personalised Christmas Eve Box is the perfect size for stuffing in treats from Santa Paws.

Personalised Wooden Advent Calendar Light Box

Shop Etsy: @LisaAngelLtd

Now, we’ve all wanted to see our dog’s names up in lights. With this adorable lightbox calendar, you can! This advent calendar is made from wood with a natural finish and filled with sparkling twinkle lights! It features 24 numbered boxes around the box frame ready for small treats and is finished in the centre with their name and paw prints.

Personalised Hand-drawn Wood Slice

Shop Etsy: @AlldrawnbyJennaGifts

These gorgeous personalised log slices make the pawfect addition to any tree or ornament on the wall or above the fireplace. The decoration comes completely personalised with a unique drawing of your pet or pets. They make the cutest decoration.

Gifts For Pets and Pet Lovers

Head over to Etsy to find another gift guide for pets and pet lovers. Here you can find more doggy decorations, personalised gifts and more. Including these lovely illustrated baubles from Gemma Eve Illustrator.

Illustrated baubles from GemmaEveIllustrator

Share Your Dog Christmas Decorations

We would love to see photos of your tail-wagging Christmas decorations, from tree ornements, to advent calendars. Share your photos in the comments below.

Looking for personalised Christmas dog stockings? Click here for a guide to 6 of our favourite picks.

Sign up to make sure you don't miss any pup-dates. We'll send you recommendations on dog friendly places to visit and stay and from time to time some exclusive offers which may interest you.

By pressing subscribe you agree that Dog Furiendly can send me promotional email messages with offers, updates and other marketing messages. You understand and agree that Dog Furiendly may use my information in accordance with their privacy policy. You may opt out at any time and will no longer receive communications from Dog Furiendly.

  • PepperoniCrawford

    I take centre place on our Christmas tree as the pawrents got a photo bauble of me for my first Christmas last year!

  • naomiandtheninjas

    So many cute ideas!

Leave your comment


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Can Dogs Eat Hummus? What You Need To Know!

Hummus is made from a base of chickpeas. Different recipes and different flavors incorporate different ingredients, but you will commonly find garlic, lemon, and tahini in most recipes. The food is considered a reasonably healthy treat for humans. After all, it contains vitamin B6 and manganese and is a good source of dietary fiber.

Most of us are advised to eat more legumes, and chickpeas are a beneficial form of this dietary group. However, while hummus might be good for owners, it is not considered a healthy snack for dogs. While your dog might be perfectly fine if he eats a small amount, some of the ingredients in this dish are considered toxic for dogs so it should be avoided.

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Is Hummus Bad for Dogs?

Chickpeas, or garbanzo beans, are actually considered good for dogs. They are found in some dry dog foods because they offer a good alternative to foods like corn. They should be prepared, and they should be served free from the additional ingredients that are often included in cans or chickpea dishes — this includes hummus.

three colors of hummus
Image Credit: Pixabay

While chickpeas are good for dogs, hummus usually includes lemon juice and garlic.

  • Lemons are packed full of citric acid, and this is found in highly concentrated form in lemon juice. This acid can cause a negative reaction to your dog’s stomach. In the short-term, it can lead to vomiting and diarrhea. Also, even if your dog does not get ill, there is no benefit for your dog to eating a lemon.
  • Garlic is another common ingredient found in hummus. Garlic, and other members of the allium family such as the onion, are toxic to dogs. They can cause damage to red blood cells and may ultimately lead to hemolytic anemia. Short-term symptoms include vomiting and diarrhea. Debate rages over what is considered a safe amount to feed your dog. Some dry dog foods even include trace amounts of garlic, but the best approach is to assume that any amount of garlic is toxic, and avoid feeding it altogether.

What Should You Do If Your Dog Eats Hummus?

If your dog steals a small amount of hummus from your plate, it is unlikely that they will experience any negative effects straight away, but you should keep a close eye on them because garlic, and potentially some other ingredients, may prove highly toxic to your four-legged friend. If he starts to vomit, has diarrhea, or shows signs of a seizure (for example shaking), you should get help straight away.

Provide plenty of water for your dog. They may become dehydrated, and you must provide enough water to replace any that is lost from sweating, vomiting, or pooping.

Sick dog on pillow
Image credit: PickPik

Healthy Alternatives To Hummus

There are plenty of healthy alternatives for dogs, and it really depends on the reason you’re considering feeding this treat to your dog. If you feel guilty because you’re enjoying chips and a dip while he gets nothing, get some natural, healthy dog treats and feed him a small serving of these instead. Alternatively, several fruit varieties can be very beneficial for your dog. Apples, bananas, blueberries, cantaloupe, and blueberries are all healthy alternatives to unhealthy hummus.

If you’re looking for a way to encourage your dog to eat chickpeas, the chickpeas themselves are not considered toxic and have several healthy ingredients. Prepare them yourself and add them to your dog’s daily meals.

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Is Hummus Safe For Dogs?

Hummus is a human food and while the chickpeas are healthy for your dog, other ingredients like garlic and lemon juice are not good for your canine. You should avoid feeding this type of food altogether. If your dog has stolen a small amount of hummus from you, this shouldn’t pose too much of a problem. Look for vomiting, diarrhea, or uncontrollable shaking, and seek veterinary assistance if your dog shows any of these symptoms. Feed other fruit, healthy dog treats, or just chickpeas if you want a healthy alternative.

Featured Image Credit: Pixabay


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'Gizmo Doggo' Personalized Pet Blanket – doggovinci
💕Valentine's Sale: Save 25% with Code VDAY25!💕

'Gizmo Doggo' Personalized Pet Blanket

'Gizmo Doggo' Personalized Pet Blanket

'Gizmo Doggo' Personalized Pet Blanket

Regular price $79.95 Sale price $69.95
Valentine's Coupon: VDAY25 for 25% Off!

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Personalize your favorite new blanket with a Doggovinci portrait based on your pet! Your super soft fleece blanket will feature a one-of-a-kind personalized design with deep vibrant colors!

  • Ultra comfortable soft fleeced Sherpa perfect for a cozy snuggle time with your fur baby
  • Light weight, portable and customized with a design matching your pets unique personality!
  • Your pet portrait will be printed using never-fade ink that will not fade in the wash
  • Proudly printed and shipped from the USA, We Ship Worldwide!

Our talented artists create your custom piece with attention to detail and love. Not only is our team made up of amazing artists, we are pet owners ourselves!

  • Pick your design and size
  • Upload your pet photos using our green select image button
  • Place your order
  • We'll do the rest!

    Photo Selection Guidelines

    • Please upload a clear close-up frontward facing photo of your pet at eye level and appropriate light (natural outdoor light works better than flash, try to avoid bad lighting and blurry photos).
    • Make sure your pet’s ears are within the photo frame and not cut off!

    • Please do not upload a photo of a photo or a screenshot of a photo, uploading an actual photo will have a higher resolution.

    After uploading your first photo, you can upload more by selecting on the left hand side menu of the uploader where you want to upload the file from: Local Files (most common), camera, Facebook, etc.

    ⭐Shipping Information⭐

    Where do you ship from/to?

    We proudly produce and ship our blankets from the USA, we ship worldwide!

    If you are ordering from the UK, Canada or Australia in December, we recommend ordering a canvas as we now offer local production in these countries and shipping will be faster for canvases, you can find our canvases here

    How long does production take on blankets?

    On average, our blankets are customized, packaged and shipped out within 7-10 business days.

    How long does transit take?

    USA Estimates: 7 business days with regular tracked shipping, 3 business days with expedited, 1-2 days with overnight following production.

    Canada/United Kingdom/Australia: 10-21 Business days

    Rest of the World 15-30 Business days.

    Please note that our production and transit times are estimates and can vary, generally by 3-5 business days.

    Tracked Global Shipping
    Portion of Profits Donated
    Integrated Easy Photo Uploads
    Satisfaction Guaranteed


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close SupportRx Injured Dog Support System by Topdog
close SupportRx Injured Dog Support System by Topdog

Recommended Support Harness
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1 Month Post Op

One Month Post Op Traditional RepairThings are starting to improve.  It has been one month (4 weeks) since Tucker had his traditional CCL repair knee surgery.  The skin on Tucker’s leg has almost fully healed following a bacterial infection of the leg post cast removal. The exception to the healing is an area about the size of one quarter, which is located in the crease of his ankle.  White and brown hairs are starting to grow back, and the leg is finally starting to look like a leg again.  We are now at one, ten minute walk per day, and he uses the leg with the same frequency as his other back leg.  He no longer holds the leg up, but he does some toe touching late in the day.

Tucker’s veterinarian is pleased with his progress following ccl surgery, and has now urged us to start exercising at his pace.  Since Tucker was a relatively lazy dog before the surgery, his only real advise was to take it slow.  He would prefer for us to err on the side of more frequent walks throughout the day rather than trying to do a whole lot at one time.  He highly recommends we get Tucker into our pool, or start taking him to the beach to try to build up the strength in his surgical leg.  We have been instructed to continue controlled, leash walking at all times, and he would like us to do this for at least the first 6 months after Tucker’s surgery, just to ensure he will not be engaging in any sort of activity that could jar the knee.

While observing his gait and sitting, the vet also noticed what I mentioned in my 3 week post.  He still does move his hips in a strange side to side motion when doing a slow walk, and he fully extends his leg straight when in a seated position.  The veterinarian feels that over time this awkward gait may change, that as the leg fully heals and scar tissue settles into the knee joint, his normal gait will be restored.  As for the position of his leg while seated, he was less confident that this would change over time.  He feels that since he learned to compensate for the discomfort of his knee by sitting that way, that he may just continue to sit that way because it feels better for his arthritis.

He is no longer on any type of medication, and we have decided against giving him Rimadyl (which the vet advised for the arthritic changes in his knee). The major reason we decided against the Rimadyl is the medications’s known effects on canine organs, including digestive and liver side effects; dogs taking Rimadyl need to constantly be monitored by a veterinarian for organ toxicity via blood work and physical exams.  He is back to taking a glucosamine and chondrointin supplement (right now he is taking Cosequin), and we are keeping him on the thin side, which mean less than 90 pounds for his svelte physique, by feeding him less dry food and more homemade lean meats.


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ViewSonic VX2363SMHL-W 23” Full HD, 2HDMI connectivity in white colour

  • $215.00
    Unit price per

ViewSonic VX2363Smhl-W VX2363SMHL-W 23” Full HD SuperClear® IPS LED multimedia display with 2ms response time, 2HDMI connectivity in white colour

The ViewSonic VX2363Smhl-W is a 23” Full HD 1080p display designed for entertainment, gaming, and multimedia applications. An MHL port enables seamless connectivity, and simultaneous battery charging, of MHL-enabled mobile devices to facilitate easy content sharing and mobile gaming on a larger screen. Additional versatile connectivity options include HDMI and VGA ports for added convenience in traditional PC environments. In addition, ViewSonic’s SuperClear® image enhancement technology delivers superior colour performance with excellent colour reproduction, while a 50M:1 MEGA Dynamic Contrast Ratio and integrated stereo speakers provide great multimedia and entertainment performance. Additional features include Eco-mode for increased energy savings, as well as a 100x100mm VESA mount for more flexible installation options. A premium design includes a frameless edge-to-edge glass faceplate and slim bezel beneath the glass, making the VX2363Smhl-W a stylish addition to any desktop.

Full HD 1080p for Superior Pixel Performance

The ViewSonic VX2363Smhl-W features Full HD 1920x1080 resolution for unbelievable pixel-by-pixel image performance. You’ll experience the most amazing clarity and detail whether it be while gaming or enjoying the latest in multimedia entertainment. A 16:9 widescreen ratio minimizes eye fatigue even after hours of playtime and is perfectly compatible with multi-window viewing without toggling.

MHL functionality for easy connection to mobile devices

Integrated with Mobile High-Definition Link (MHL), the VX2363Smhl-W enables users to connect compatible mobile devices, such as smartphones and tablets, directly to the VX2363Smhl-W display. This allows digital content from mobile devices to be viewed in stunning Full HD resolution on the larger screen of the VX2363Smhl-W, while also simultaneously charging the batteries of the mobile device.

SuperClear® Image Enhancement Technology with wide viewing angles

SuperClear® Image Enhancement Technology delivers the best colour performance and extends display viewing angles to 178 degrees both horizontally and vertically. Experience accurate and vivid colours with consistent levels of brightness whether looking at the screen from above, below, the front, or the side—with no colour distortion or decay.

ViewSonic Flicker-Free viewing for improved eye comfort

ViewSonic flicker-free displays deliver on the promise of more comfortable viewing. ViewSonic flicker-free technology nearly eliminates screen flickering at all brightness levels by providing a constant LED light source. This lets you work at your computer, play games, or watch movies longer – without eye fatigue. Care for your eyes with ViewSonic flicker-free technology!

ViewMode settings for digital content

Enjoy excellent performance and accurate colour rendering for everything you view on this display. With 5 different scenario presets, ViewSonic displays offer best-in-class calibration techniques to bring you the best digital viewing experience. This includes Game, Movie, Web, Text, and Mono presets to enhance black levels in games and movies, colour luster for online images, and colour temperature for reading text.

Blue light filter for more comfortable viewing

Prolonged exposure to certain levels of blue light can cause eye discomfort. ViewSonic displays feature a Blue Light Filter setting that allows users to adjust the amount of blue light emitted from the screen, enabling longer viewing times and increased eye comfort for work and multimedia applications.

ClearMotiv® II ultra-fast 2ms response times for blur-free action

ViewSonic’s exclusive ClearMotiv® II imaging technology delivers ultra-fast 2 millisecond liquid crystal response times, creating smooth images without streaking, blurring or ghosting. This blazing-fast response time is perfect for the most graphic-intense gaming needs, and just as great for watching sports or action movies. With ViewSonic’s VX2363Smhl-W, experience digital broadcast-quality, full-motion graphics with razor-sharp images that never blur.

Sleek Frameless Bezel Design

The distinctive and stylish ViewSonic’s VX2363Smhl-W fuses a frameless bezel design into simple black glossy design, to provide users a seamless display.

Energy-Saving LED Backlight with a long lifespan

The VX2363Smhl-W utilizes an energy-saving LED backlight that consumes 35% less power than conventional CCFL backlight displays, and has an extended lifespan of up to 30,000 hours. This provides for a lower overall cost of ownership, along with a higher ROI, making this display a great long-term investment.

Eco-mode conserves more energy and cuts costs

ViewSonic’s proprietary Eco-mode energy-saving feature is built into all LED displays, offering "Optimize (75%)" or "Conserve (50%)" settings that save up to 25% in electricity costs. In low ambient light, Eco-mode adjusts brightness and improves visibility, while reducing eye fatigue. With Eco-mode, the lifespan of the LED backlighting is also greatly increased.

Dual HDMI Inputs for Diverse Full HD Connectivity

HDMI is the highest, future-proof video standard, guaranteed for true digital picture clarity. Equipped with two sets of HDMI inputs, the VX2363Smhl-W display allows you to connect to a variety of HD devices including gaming consoles, Blu-ray players, laptop PCs, digital cameras, and many others for the ultimate true high-definition experience.

Dual integrated stereo speakers

The ViewSonic VX2363Smhl-W has two integrated 1.5W stereo speakers for enhanced multimedia performance with crystal-clear stereo sound.

The ViewSonic VX2363Smhl-W features a 100 x 100mm VESA-mountable design that allows you to mount the display on a monitor stand or on a wall, depending on your specific needs. You can easily detach the base by unscrewing four screws and then mounting the display on its new stand or wall mount.

    Type: 23" IPS LED
    Resolution: 1920 x 1080
    Display Area: 509.184(H) X 286.416 (V)mm
    Brightness: 250 cd/m2
    Contrast Ratio: 1000:1 (typ)
    Dynamic Contrast Ratio: 50M:1
    Viewing Angle: 178°/178° (typ)
    Response Time: 2 ms (GtG)
    Colours: 16.7M
    Colour Gamut: 95% sRGB coverage
    Video: D-sub x1, HDMI x 2
    Audio Out: 3.5mm plug x 1
    Audio Input: 3.5mm plug x 1
    1.5 W x 2

Delivery & Return policy:

Delivery is done through Aramex, packages with a weight of less than 5 kgs will be charged 6000 LBP. The term of delivery extends to be within one to four business days from the date of order confirmation. Read More

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Home WWE Live Result : Monday Night RAW Episode 1141 (6th April 2015)

Live Result : Monday Night RAW Episode 1141 (6th April 2015)

by John Bhatt
0 comment 388 views

Stay tuned for Live Results of WWE Monday Night RAW Episode 1141 (Season 23 Episode 13) aired on 06th April 2015.

RAW Episode 1141

Keep refreshing during Match hours.

Show started with The Authority. Seth Rollins, The Big Show, Kane & J&J Security. Randy Orton just came and interrupted the celebration and self appraisal. Randy asked a Championship Match which Kane denied.
Match 1: Randy Orton vs Kane

Seth Rollins argued with Kane for putting Roman Reigns, Ryback & Randy Orton in triple threat match to decide number 1 contender for Xtreme Rules.
In return Kane put Seth Rollins in a match which is next.

Match 2: Seth Rollins vs Neville

This was a tough match. Finally Seth Rollins won and Curb stomp Neville with the help of J&J Security.

Now it’s time for United States Championship open challenge with John Cena. The Champ is here…

Match 3: John Cena vs Stardust for US Championship

Bella Twins are next.

Match 4: Bella Twins vs Paige & Naomi

Match 5: Ryback vs Luke Harper

Match 6: New Day vs Lucha Dragons

Match 7: Roman Reigns vs Big Show

Match 8: Mark Henry vs Sheamus

Tag team match is scheduled for Thursday night smackdown.

Match 9: The Miz vs Damien Mizdow
This match is going to be awesome between Miz and his former Stunt Double and personal assistant Mizdow.

After this match here is main event for tonight.
Match 10: Roman Reigns vs Randy Orton vs Ryback

It’s over for RAW Episode 1141. We will be back with next episode of RAW.
Thanks for reading.
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BPDA gives nod to Globe HQ revamp; developers working on expansive community benefits package

The latest rendering of the BEAT proposed for the former Boston Globe site. Image courtesy Nordblom Co.

The Boston Planning and Development Agency (BPDA) approved the proposed $200 million redevelopment of the former Boston Globe headquarters at 135 Morrissey Blvd. into an “urban innovation campus” at its monthly board meeting Thursday.

Nordblom Co. plans to transform the site into a 695,000-square-foot hub of technological development, office space, and public amenities. In addition to renovating the 16.6-acre parcel, Nordblom will also take responsibility for rejuvenating and maintaining the adjacent state-owned Patten’s Cove, part of an expansive community benefits and mitigation package the city’s planning arm and the developers are in the process of finalizing.

As the building’s shell is in good shape, first built in 1958 and expanded through the years, the development team intends to hollow out much of the structure but not change its footprint. The floor plan will work with the old Globe’s existing layout, “which includes both dramatic high ceilings and large, open floor plates with ample natural light,” according to a release.

The newspaper decamped for new offices downtown in 2017 and moved their printing facilities to Taunton.

Related reading: A last farewell to the Boston Globe’s Morrissey fortress

Rebranded as ‘The BEAT’ -- The Boston Exchange for Accelerated Technology -- Nordblom anticipates the development will pull Greater Boston’s thriving technology, life sciences, and advanced manufacturing economy down into Dorchester.

“We are enthusiastic to move forward on The BEAT and would like to thank the city and community for their support thus far,” said Ogden Hunnewell, executive vice president/partner with Nordblom Co., in a statement. “Our plan will create local jobs and business opportunities, while optimizing tax revenues for the City. We expect The BEAT to be a highly desirable and bustling campus with abundant open space and adjacency to UMass Boston, with easy access to the MBTA Red Line.”

According to the Nordblom release, the project will feature office space, a fitness center, and a food hall with a possible brew pub. The site plans include about 868 off-street parking spaces and at least 209 bicycle storage spaces, according to BPDA project manager Raul Duverge.

Based on community feedback, Duverge wrote in an Wednesday email to the project’s Impact Advisory Group that Nordblom worked with them to create a local benefit and mitigation package. He emphasized it was a general outline of items to include in the cooperation agreement, which, following the BPDA decision, would be fleshed out further.

Included in the package is up to 2,500 square feet of space in the 135 Morrissey site to be a community job training and employment center open to the public, public access through the building atrium during business hours and after hours by appointment through neighborhood groups and local non-profit organizations, and gathering space for those groups and organizations at no charge based upon availability.

A striking addition to the ask is $500,000 to be contributed to a BPDA-administered fund that can be used for facilitating design and capital improvements at and adjacent to the MBTA's JFK/UMass Station, providing and supporting public open space improvements in and around the Columbia-Savin Hill neighborhood; and support local non-profit organizations. The design and capital portion could include amenities like improvements to accessibility, lighting, bike/pedestrian access, adjacent programming underneath Interstate 93, station platform access and layout, bus platform and layover space, and public realm improvements proximate to the station.

On the accessibility and transit side, Nordblom would fund and provide a new Hubway bike share station in or near the site. A new multi-use path between the BEAT and Patten’s Cove would better connect Savin Hill, with an interim multi-use path planned along the Morrissey Boulevard frontage until the state Department of Conservation and Recreation’s (DCR) reconstruction of Morrissey Boulevard is completed.

Nordblom would also commit to working with DCR on completing the design for Morrissey Boulevard along the site, including the state’s latest design for sidewalks, bike lanes, street trees, lighting, and interim pavement markings. The cracked asphalt sidewalk along 75-77 Morrissey Blvd. would be replaced with an accessible concrete sidewalk and new curb.

The building owners would provide and maintain a publicly accessible playground for toddlers and an enclosed dog park/run at or around the end of Wave Avenue, as well as adopt Patten’s Cove for at least 10 years.

And an unsurprising note in the agreement: no large commercial billboards would be built on the BEAT site.


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To unify Catholics, conservative Pope John Paul II to be canonised alongside progressive John XXIII

Editor’s note: I wonder who chose Pope John Paul II as the designated conservative of the two? As for unity – better look to the Mass and Holy Eucharist – since there’s not much genuine unity going on today in any other allegedly Catholic venue – including the Vatican.

1 Comment

  1. Modernists are already unified, and have been dominant in the Church for decades. This imminent travesty will merely serve to validate and strengthen modernism in the minds of the unfortunately clueless “faithful.”

    As the old saw explains: The mission of the “conservative” is to preserve the gains made by liberals. JP-II did a stellar job of that.

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Dragons & Diamonds for Android

By Kiloo Free

Developer's Description

Theres just one thing keeping you from treasure and riches beyond your wildest dreams: an infestation of deadly dragons.

But these arent just any old fire breathing dragons, oh no. Each one you encounter is more challenging than the last, wielding fiery, fearsome powers that no-one could tackle alone.

Build the best team of hunters:

To get your hands on that precious treasure, youre going to need a helping hand. The dragons have captured a host of brave, adventurous (or just plain greedy) bounty hunters and only you can rescue them. Build your team to rid the world of these terrible dragons, get in and grab the treasure before its too late.

Use your best strategy to win invaluable chests:

A team can only be as good as its battle plan. Your challenge is to find the best match of diamonds to defeat the dragons and the minion beasts who serve them - choose the right hunters for your quest, equip them with powerful items and face the vicious dragons on the battlefield.

Discover a lost world:

Enter the fantasy world of Dragons & Diamonds to journey on a puzzling adventure. Travel from dusty wastelands, across volcanic passes and frozen peaks while you explore a lost world filled with dangerous dungeons, treasure beyond imagination and vicious beasts waiting around every corner.

Play Dragons & Diamonds now:

Enjoy the challenge of this epic, free-to-play fantasy RPG

Defeat dragons by matching chains of diamonds for maximum damage

Match 3 or more diamonds of the same colour to damage enemies or heal your team

Choose the best combination of hunters for each battle

Collect loot to upgrade your party and make it even stronger

Save land after land from the dragon infestation as you explore the world

Think youve got what it takes to face this deadly challenge? Prove your might and install Dragons & Diamonds today, or the precious treasure will be lost forever!

Full Specifications

What's new in version 1.11.10

Release December 10, 2019
Date Added December 10, 2019
Version 1.11.10

Operating Systems

Operating Systems Android
Additional Requirements Requires Android 4.1 and up

Total Downloads 0
Downloads Last Week 0
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Fax UserControl for WinFax/TalkWorks

Fax UserControl allows you to select from an unlimited amount of users (or company) names and switch names instantly. If you have several users (or businesses) on one PC sending faxes, you would need to constantly change the sender name in the Program Setup. With Fax UserControl, you simply select the name and click Ok.
Price USD 0
License Free
File Size 201.95 kB
Version 1.51
Operating System Windows 95 Windows 2000 Windows 98 Windows Me Windows Windows XP Windows NT
System Requirements WinFax, TalkWorks