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So what's this site all about?

This blog site is my story or walk for the last 10 years, being led like many for some unknown reason to some very deep seated truths regarding The WORD, which has been hidden for centuries, until now that is.

To get the full story, please start with "In The Beginning". You can quickly navigate using Postings By Order on the left, or at bottom by clicking on Newer and Older Posts. You may very well identify with what's written here, and I hope it blesses you.

I also want to share with you the reason for naming this blog "And Now Thus Said Yahweh". It's due to my searching one day for a name to start this blog, and I felt led to simply let the Scriptures fall open to a page, and my finger fall on a verse. When I looked down it was verse 36 stating Yahweh speaking, which we know when He speaks, all of creation happens. In the following verses He says what is going to happen in our future, that He will bring back His people out of all the lands where we've been scattered and bring us back to "the land", Yisra'el. This is the reason why I'm sharing my witness to you, so you understand what's coming some day.

Yirmeyahu (Jeremiah) 32:36-41 The Scriptures '98 (36) "And now, thus said Yahweh, the Elohim of Yisra'ĕl, concerning this city of which you say, 'It shall be given into the hand of the sovereign of Babel by the sword, and by scarcity of food, and by pestilence': (37) 'See, I am gathering them out of all the lands where I have driven them in My displeasure, and in My wrath, and in great rage. And I shall bring them back to this place, and shall let them dwell in safety. (38) 'And they shall be My people, and I shall be their Elohim. (39) 'And I shall give them one heart and one way, to fear Me all the days, for the good of them and of their children after them. (40) 'And I shall make an everlasting covenant with them, that I do not turn back from doing good to them. And I shall put My fear in their hearts so as not to turn aside from Me. (41) 'And I shall rejoice over them to do good to them, and shall plant them in this land in truth, with all My heart and with all My being.'

Crossing Over From Mitsrayim

Crossing Over From Mitsrayim
Yam Suph - Sea of Reeds

Thursday, February 15, 2007

I hope you are pursuing in your studies to prove these things out, and if you have any questions, please don't hesitate to ask. Also keep your eyes and your ears on Yisra'el, as prophetic events are at our very door. I may soon write what's going on, or if some other resource puts it all together, then I'll direct you to that link(s).

Alright, now last time I left off telling you that my 2nd wife and I went through some painful times. It was difficult for my her to see what was wrong with Christmas. She had come through a difficult time in her previous marriage, and this festival (holiday) was one that she and her sons had put a lot of themselves into with the building of their traditions in keeping this celebration. It was one of the things she felt had held them together during her divorce of her first husband. It was a very special time for them, and she was bound and determined to keep it. Before we got married this did come up as an issue, and I said I would be able to put up with it, because I had known about its pagan roots since the late '90's.

Mid February of 2004 we were unable to go see Michael Rood when he came to town. I was very disappointed, but I had a very bad injury to my low back, and that very night I had been scheduled to have an MRI done. On the other hand, she was secretly thrilled that we weren't able to go, because she didn't want to hear Michael explain one more time about how Christmas was steeped in paganism.

She also didn't quite see what was wrong with going to "church" on Sunday, though we were attending a congregation of like minded people, on Sabbath. One of the liturgy songs she later told me called the "V'sham'ru" (You Shall Keep) which is about keeping Sabbath, that she would stand there and be silent during the singing. Then one 1st day (sunday) as I recall, I had refused to accompany her to go to one of her son's churches. I had my reasons because of everything I had learned, that it was not the place to be, and I didn't want to hear the false teachings anymore nor the pagan idols. But none the less, she was very upset with me as she drove off that day.

I had been printing off various studies and giving them to her, attempting to show her what the truth was. However, she started in kind by handing me what she found from churchianity, and for the most part I already knew, but was unable to convince her otherwise. A lot of this information was found online.

It soon got to be a paper war, back and forth, with neither one of us reading the others ammunition. Then she started not coming as often to worship and fellowship on Sabbath. Due to the arguments and such I felt our marriage was in deep trouble. So toward the end of summer one night after Oneg (a meal we share after Sabbath worship if you remember), I went and counseled with a group of the men there. I shared with them some of what was going on, and I was at my wits end on what to do. They told me to back off, just be quiet and let Yahweh do his work. This was a real tough one for me, as I have a hard time being quiet, but I thought okay, it's in your hands Yahweh, and I did just that with a lot of prayer. Those at this congregation were also in prayer for us too.

Of course this stopped the paper war and sharing anything new with her, and just kept attending each Sabbath with or without her. During late fall/winter she pretty much stopped going all together. We once again had Christmas, though I did it under protest, as I told her this was the last time I would do this. Next time I'll move out if I have to during the month of December, as all the decorations and so forth were the symbols of paganism. She later told me when I had told her that, that she thought she could live with me being gone during December just fine!

Now here's where the story starts getting interesting. During the first week of December, her Mom, who by the way was attending a Messianic congregation, and also claiming that she was Jewish (much to the chagrin of her entire family) had fallen and broken her hip. Her diabetes further complicated things as well. The very next day my wife lost her job, but Yahweh did provide for us during this time.

After the first of the new year (according to the pagan Gregorian calendar), she decided once and for all that she was going to prove me wrong! Understand she grew up in the church, she went to a Christian college, and her first husband became a pastor. So she had learned and lived churchianity more than most.

She set out doing extensive studies each day for many hours at a time. She went and talked with her Mom in the hospital about all this too. Her Mom was on the side of truth, but she herself wasn't keeping Torah very well herself.

Well, the day came a couple months later that we ended up having one final conversation about it all, including about my agreement before we were married to allow Christmas, and how she felt I had lied. I told her I had wanted to have a heart after Yahweh's, just like King David did, and it's all about Him not me, so I had to change for truth's sake. This was one thing I had shared with her when we first started dating about having a heart after His, and she too wanted the same heart. So I asked her if she lied about this to me, and at that very moment, it was all over, that spirit of doubt and division, and what ever else you'd call it flew right out the window! I felt it in my spirit, I kid you not! We sat there in silence for a minute and from that moment on it was far better. She later admitted that I was right, and tells the story to others, but more importantly was that she came to understand that Yahweh's Word was right! Remember the counseling I had been given by the men? Yahweh brought it all about!

Understand that I've shared this very personal story with you, not to put her down, but she's just like all of us, who struggle with the truth in shedding the heaps of falsehoods that we've inherited from our fathers. Remember when I started going down the path of seeking truth, 1997! And look how long it took me to get on track and quit compromising.

Her Mom's health continued to dwindle, and we were making many trips to the hospital. Family showed up from all across the country such as her kids, and grandkids, brothers, sisters, nephews and nieces. We were able to share a lot with quite a few of them, as we were given resource material, such as books like "Fossilized Customs" and "Come Out of Her My People", along with some other booklets.

Well the day came when her Mom passed away at the end of May while the sun was setting that 6th (Friday) day. She entered into His rest once and for all. Many showed up at her funeral, and again we were able to share more.

Praise Yahweh, when both people in a marriage are able to be on the same page. You're able to freely share, discuss, and debate things with the truth before and between you! It's simply amazing to say the least!!! Baruch HaShem Yahweh! (Bless the Name Yahweh!) I hope that if you are in this type of situation that you too will hold fast to the truth no matter what! By the way, her Mom was right about being from the tribe of Yahudah! Many Latins in the Americas are Sephardic, ie. Hebrews from Spain. Remember this, all Yahudim (Jewish) are Hebrews, but not all Hebrews are Yahudim. Remember there are twelve tribes, not only one.

So now we come to the point of answering what did Yahshua say he brought? If you recall I had stated this question in my last post. Well without further ado, here's the answer in:

Matthew 10:34-38 "Do not think that I have come to bring peace on earth. I did not come to bring peace but a sword, (35) for I have come to bring division, a man against his father, a daughter against her mother, and a daughter-in-law against her mother-in-law – (36) and a man's enemies are those of his own household. (37) "He who loves father or mother more than Me is not worthy of Me, and he who loves son or daughter more than Me is not worthy of Me. (38) "And he who does not take up his stake and follow after Me is not worthy of Me.

That's right, He came to bring a sword or division right into our families! Let me tell you first hand that I've definitely seen a division when it comes to family. I've been accused of being in nothing more than a cult, and that at least one believes that what I do to be just as bad as satan worship. There have been many arguments, and it normally gets to the point that they no longer want to discuss it and just shut down the debate. There's been many a tear that's been shed over this, and let me warn you, if you have any close friends or family, which most people do, you will most likely be rejected.

I've had to turn down various things like going to the annual Christmas Eve family dinner, where gifts are exchanged, and everyone brings food and has a great time, while sitting in front of a phallic symbol (xmas tree) with it's ornaments (testicles) hanging off of it. With the house adorned with all the other hung pagan symbols like wreaths (female organ or the sun, take your pick) and so forth. I've supplied you with links previously to read about this and other pagan celebrations, and yes I miss the time to get together with family and friends, but there are other times we can do this. Remember this about what Yahweh says in:

Debarim (Deuteronomy) 12:30-31 guard yourself that you are not ensnared to follow them, after they are destroyed from before you, and that you do not inquire about their mighty ones, saying, 'How did these nations serve their mighty ones? And let me do so too.' (31) "Do not do so to Yahweh your Elohim, for every abomination which Yahweh hates they have done to their mighty ones, for they even burn their sons and daughters in the fire to their mighty ones.

So we're not to do the pagan customs and say we're doing it to worship Him. We're only to do unto Him what He says we can do. Does this mean we can't celebrate Thanksgiving? No, we certainly can, along with some others, but not when it's been part of false worship.

While the going does get tough at times, it is very rewarding to continue to learn what the truth really is, and keep getting more and more revealed, and now keeping His Feasts that's in the Written Torah, so He has set times of celebrations for us as He knows we all like to party!

Understand this, that Yahshua the Messiah is the Word, and the Word is the Written Torah, therefore Yahshua is the Written Torah. So it stands to reason that if the Written Torah has been done away with, as churchianity claims, then Yahshua's been done away with as well. But we know that's not true! So keep your faith in Yahshua and learn and begin to walk Torah, just like it says in:

Revelation 12:17
And the dragon was enraged with the woman, and he went to fight with the remnant of her seed, those guarding the commands of Elohim and possessing the witness of יהושע (Yahshua) Messiah.
Until next time, when I'll share with you some more of my walk along with some more truths yet to be revealed, and quite possibly what is soon to unfold before our very eyes. It's frighteningly exciting you might say!

May Yahweh Bless You and Guard You,
Yahochanan (John)

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That Maker Show Ep. 10

Hello World, and welcome to That Maker Show with me, chalkers, your host to all things new in the maker movement.

This week we’re talking about a software giant getting into 3D printing hardware, the Arduino Zero, NFC manicures and an awesome kickstarter project.

Autodesk’s 3D Printer

The leading 3D modelling software-maker, Autodesk, is going into hardware. They’re releasing their own stereolithographic 3D printer.

Autodesk wants drive the adoption of its new Spark software. Autodesk wants Spark to be used by 3D-printer manufacturer startups, in the same way Android has been used for smartphone manufacturers. Other manufacturers can use Spark to power their 3D printers while experimenting with the design and polymers.

Arduino Zero

Arduino have officially announced the Arduino Zero. A 32-bit big brother to the 8-bit Arduino Uno.

All digital pins (except the transmit and receive pins) are now PWM. The Analog pins now offer 12-bits of resolution opposed to the 10-bits on the UNO. It also sports an embedded debugger so no additional hardware is needed. Details on pricing and availability are sparse but for more technical details check out the Arduino site.

NFC Manicure

Becky Stern over on the Adafruit YouTube channel shows a couple of experiments with NFC. She embeds them in novel places so it’s easy to unlock your Android smartphone.

She shows a couple of examples of embedding NFC tags into rings but the most fascinating example is painting an NFC tag on to your thumb nail with nail polish. Funky!

Kickstarter of the Week

This week’s awesome Kickstarter project is an ISP shield.

ISP or In System Programming is a way to shrink your projects down. If you don’t want to embed your full Arduino in your projects and want to program the Atmel chips to embed them instead, this shield is for you. It’s compatible with Arduino Uno and Leonardo and their compatible clones.

Once again, thanks for watching, remember to subscribe for your weekly dose of maker news.

Notable mentions

Hit me up @chalkers on twitter if you have any stories you’d like me to cover. If they don’t make it into the show I’ll include them as notable mentions in the show notes.

Hosted and Written by: Andrew Chalkley (@chalkers)
Produced by: Michael Poley (@michaelpoley)

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Kevil’s Ace BMW (2) on Dartmoor, Devon

Fit image Go back
Nikon D800e
Focal length
80-200 f2.8 @ 80mm

Published on

Kevil’s Ace BMW café racer photographed by Andrew Butler on Dartmoor, Devon

This site is now an archive site whilst which appends our main updated site. Most of the images here will be transferred across soon and the updated site will then be handling print sales.

In the interim please call if you are interested in purchasing images.

Many of the photographic images in this website are available for purchase as art quality photographic prints. If you are interested in purchasing an image please call 01392 42 74 74 in the first instance.

We also undertake a range of commercial photography commissions for clients either locally in Devon and the south-west or nationwide and further afield.

Backed by a wealth of experience for our Exeter based Design Credo graphic design clients, commercial users can be reassured that we will be providing work that is fit for purpose.

    • For commercial photography clients we are able to provide suitable image files on a per/use basis.
    • In addition to this we can provide printed output, either images or mounted simply.
    • Finally we can undertake commissioned work either for commercial clients or for non-professional use.

We are now able to provide a selection of our photographs as high quality archival quality ‘art’ prints. These high quality photographic prints are printed to an archival standard to ensure longevity.

Photographs are currently available unframed high quality prints on Hahnemühle 308gsm photo-rag paper. This is an extremely high quality paper and provides excellent prints.

We offer delivery via Royal Mail special delivery which will need a signature.

How To Buy Prints

Our ‘prints for sale’ can be viewed from from the drop-down of the various folio sections of this site.

Have a browse and call us on 01392 42 74 74 to discuss sizing and delivery. We will create a specific sales portal to handle your purchase through PayPal. You will be able to use a credit/debit card but do not need to have your own PayPal account.

As a guide a 40x30cm print will be around £45 (+Vat).

Once an item is selected for purchase you will be transferred to the checkout section to review your selection and then either make your payment or continue shopping.

We use the PayPal secure payment gateway to process our online sales. Please note that you do NOT need a PayPal account to use this service and are able to purchase items with your credit or debit card.

We are able to offer a pre-arranged collection service form the Exeter area.

If you are interested in using any of these images commercially please contact us to discuss availability and terms. We are able to provide high quality digital files generally through a secure linked download area.

To open discussions about pricing we will need to know details about the scope of the intended use.

We will invoice as Masscommunication Ltd, a VAT registered company. We are happy to receive payment either via cheque or preferably direct bank transfer.

Please note that copyright rights cannot be assumed to have been purchased until payment has been made in full.

Your cart is emptyVisit The Shop

Once you have chosen the items that you would like to purchase check and confirm the items in the ‘Your Purchases’ tab (above). You can edit quantities or remove items.

If you wish to purchase more photographs press the ‘Countine Shopping’ button, your existing items will remain in the shopping cart.

Once you have made your selection press the ‘Checkout With PayPal’ button (‘Cart’ tab), you do not need a PayPal account (see ‘PayPal tab).

You will be transferred to the PayPal secure payment area to make your payment.

You will be offered a number of ways to pay; credit card, debit card, PayPal.

You will be asked for a delivery address.

Once you have made your payment you will be retuned to this site.

PayPal will process your payment and send you confirmation.

We will send a full receipt when we despatch your goods.

We currently only sell items for delivery to UK addresses.

Delivery and postage and packaging is FREE on all sales over £100

Please allow up to 5-7 days for your order to arrive. If your require an item urgently or for a special occasion please call us to see if we have stock of it and arrange delivery.

Photographs are sent with Royal Mail and will require a signature at your delivery address.

You may pay via PayPal or with your debit or credit card.

We use the PayPal payment gateway to securely process your payments.

Please note you do NOT need a PayPal account to pay for your order. On the PayPal payment page look you will be offered the option to pay with your Credit or Debit Card.

High Quality Photography

Based in Exeter Devon in the south-west, but offering commercial photographic services nationally, professional photographer Andrew Butler specialises in a range of subjects including, motorbike photography, car photography, architecture and the landscape as well as photography of the arts.

He also specialises in informal portrait and people photography.

A lot of Andrew's work has a reportage photographic style and is suited to editorial publications.

Andrew Butler has sold images to a wide range of customers including: national and international motoring magazines, Arts Council England, multi-national companies and SMEs looking for high quality photography that is tangibly different.

As a member of The Chartered Society of Designers Andrew's work doesn't stop at the boundaries of photography and will blend seamlessly with your print or online design needs.

© Copyright Andrew Butler

Nikon D800e
Focal length
80-200 f2.8 @ 80mm

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ZTE Axon Elite android settings An error occurred

ZTE Axon Elite android settings An error occurred

What to do, if in the annex com android settings An error occurred on the ZTE Axon Elite?. We can help find a solution to get rid of your problem.

Detailed error information

Com.android.settings — the process responsible for the Android system settings, an error may occur because of the curves and firmware updates, because of flaws in the hardware and software.

How to fix error on com.android.settings errors ZTE Axon Elite?

ZTE Axon Elite android settings An error occurred

This error is very problematic, but it is easily corrected! you can not always close it by pressing the OK button.

So, the solution is simple, it is necessary to change the date and time for real

Option 1

go to «Settings – Date and time – remove the checkbox network time zone, fix the date and time if they are wrong, and then restart the device. In most cases, these methods help resolve the problem.

option 2

Go to the menu «Settings – Applications – go to the All tab, navigate to the application with the name "Telephone (com.android.phone)" – press "Erase all data" and "Clear cache". Reboot the machine.

option 3

Make settings to factory default reset (all data will be deleted). To do this, turn the unit off, then hold down the power button and the volume down at the same time, there will be Recovery menu, where it is necessary to select Wipe Data / factory reset and then confirm by clicking Yes.

Written material: Tsvetkov Luky.


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Galaxy Grand Prime 4G

Samsung Launched Galaxy Grand Prime 4G in India for Rs. 11100

Samsung officially launched the Galaxy Grand Prime 4G in India for Rs. 11,100. The company announced this device along with the other Galaxy Core Prime 4G and Galaxy J1 4G in February. While the Galaxy Core Prime 4G was launched in June, today we saw the launch of the second device. The Galaxy J1 4G is not yet launched, even the company haven’t provided any information about that launch of the device.

Samsung Galaxy Grand Prime 4G

“Samsung is committed to develop innovative products basis deep consumer insights. With the 4G variant of the Galaxy Grand Prime we continue to expand our product offerings in the mid segment with the aim to provide uncompromised smartphone experience, at very competitive prices,” said Asim Warsi, Vice President, Marketing, Mobile & IT at Samsung India

The specifications of the Galaxy Core Prime 4G are almost identical to its 3G variant. A the name suggests, the latest device comes with 4G LTE connectivity and runs on Android 5.1 Lollipop unlike the Android 4.4.4 KitKat on the 3G variant.

The specifications of the device include a 5-inch qHD (540×960) TFT display. Under the hood, there is 1.2GHz unknown quad-core processor with 1GB of RAM. We expect the processor to be the 64-bit Snapdragon 410 processor with Adreno 306 GPU. There is an 8GB of internal storage with a microSD card slot (up to 64GB).

Samsung Galaxy Grand Prime 4G

On the camera front, it comes packed with an 8MP rear camera with LED flash and a 5MP front camera with wide-angle lens for better selfies. It has a battery of 2,600mAh capacity that delivers upto 14 hours of talk time.

The dual SIM 4G LTE device comes with other connectivity features like Wi-Fi, 3G, Bluetooth 4.0, GPA/A-GPS, NFC and microUSB 2.0. It measures 144.8 x 72.1 x 8.6 mm and weighs 156 grams. The Galaxy Grand Prime 4G will be available in the colors – Gold, White, and Black. Earlier today the company also launched the Galaxy A8 priced at Rs. 32,500 in India.

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Manual press brake miami

Manual Press Brakes. A manual press brake from Baileigh offers a lot of functions for a low price. These combination machines save space, since they work as shears, box brakes, andor slip rolls. We recommend these models for small maintenance and R& D shops as well as hobbyists. See our huge selection of metalworking Forming Brakes, Siding Brakes, Straight Brakes, BoxPan Brakes and Press Brakes from major brands like Jet, Birmingham, Baileigh, GMC, Woodward and more!

All Standard press brakes are designed meet O. S. H. A and ANSI B11. 3 standards Each press brake is equipped with our super efficient manifold lube system that brings and European clamping systems in lieu of manual system. Primarily for realignment of Manual press brake miami Using proper press brake setup procedures. August 29, 2002 By: Bob Butchart Think about it: If your setup is off, the rest of your press brake operation will soon follow. Find Used or Surplus Brakes, Press, Hydraulic, Cincinnati, Amada, DiAcro, Accurpress, Pacific, LVD, Wysong& Miles, Heim, HTC, Niagara Directory of listings by FM Hydraulic Press Brake Operation, Safety and Maintenance Manual (EM446) Included is a copy of EP205 Lubricants To download files, add to cart, check out Things every press brake operator should know.

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The offered machine is made by our professional utilizing the quality tested raw material and cutting edge. Buying Used Press Brakes The choice of using a second hand press brake depends on where and how it will be implemented. The force and matrix size are more important factors than the dimension of a press brake, in contrast with manual press brake.

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Charges to Provincial Synod

22nd Provincial Synod--Atlanta, Georgia. October 4, 2017

Psalm 95, verses 10 & 11 - Forty years long was I grieved with this generation, and said, It is a people that do err in their hearts, for they have not known my ways; unto whom I sware in my wrath, that they should not enter into my rest.

In the Name of the Father, and of the Son, and of the Holy Ghost.  Amen.
A Roman Catholic theologian of my acquaintance once said of the late Father Andrew Greeley, for whom my acquaintance did not have a high regard, that Andrew Greeley never had an unpublished thought.  I am not quite that bad, but some of you at least will know at least something about my pet peeves and theological opinions.  One of them is my dislike for the use of the American confection called the Venite, exultemus, in substitution for Psalm 95.  Psalm 95 is the canticle used in the pre-Reformation office of Mattins and is used in every Anglican Prayer Book save the American.  But in addition to its firm place in tradition, there are several reasons to prefer Psalm 95 to the alternative.  For one thing, Psalm 95 is an actual psalm, while the other is not.  For another, chapters 3 and 4 of the Epistle to the Hebrews contain an extensive meditation upon Psalm 95, which is particularly pertinent to morning prayers and daily self-examination.
Perhaps most importantly, however, my text from this psalm, with its reference to Israel’s forty years in the wilderness contains one of those rich themes which weave together several layers of the Old Testament with both our Lord’s life and gospel and also the history and calendar of the Church.  In addition to the forty years of the Exodus, we have Psalm 95’s reflection upon that and then Hebrews’ recapitulation of that reflection.  We might add the forty years of the reigns of David and Solomon, the forty days of Noah’s flood and of Elijah’s journey to Sinai, our Lord’s forty day fast, the forty days of his Resurrection appearance, and the annual Lenten fast.  Of course we know that forty is a conventional biblical figure for ‘many’, for a long period, and, in the case of forty years, for a full generation.  But a surprising number of these examples of biblical and ecclesiastical forties – in fact all of them apart from the forty days between Easter and the Ascension – involve periods of testing and trial, penitence, and even punishment.  Forty is ‘the day of temptation in the wilderness’, when man usually errs in his heart and grieves and proves and provokes the Lord.
Now consider that we gather today on the fortieth anniversary of the Congress of Saint Louis.  I will return to this very notable coincidence in a few moments.
My Charge to you this year is in many ways colored by the fulfilment and completion of developments that my recent Charges have outlined.  In recent years I have noted the increasing cordiality and cooperation that have bound us in the Anglican Catholic Church to the Anglican Church in America, the Anglican Province in America, and the Diocese of the Holy Cross.  Bishops Grundorf, Hewett, Marsh, and I first met as a group in 2012 at Saint Alban’s in Oviedo, Florida.  Thereafter we have met again in person most years and more recently have had a monthly conference telephone call.
In recent years the Ecumenical Relations Department has recommended after careful study that our Church recognize the certain validity of the orders and episcopal acts of those three other Churches.  The College of Bishops has acted upon that departmental recommendation.  This acceptance removed one major obstacle to the progress we will make and celebrate this week.  Furthermore, contacts amongst our Churches are not limited to leadership.  In the past five years contacts among our bishops, clergy, synods, and parishes have multiplied in number and grown in friendliness.  As we look this year to formalize and extend these developments, I do not think anyone believes that the Metropolitan or a small group is imposing something on our Church.  Rather an organic and widely based development is being recognized and ratified.
This week our Provincial Synod is meeting at the same time and under the same roof as the highest level of meetings of the ACA, APA, and DHC.  Our College of Bishops this week already has approved the establishment of full communion with those three Churches, and recommends that this Synod ratify our actions symbolically by accepting the Ecumenical Relations Department report.
As I have said recently in The TRINITARIAN, this happy development is not a panacea.   It will not make dysfunctional parishes suddenly successful or inadequate priests competent.  Failure can be pooled and extended.  But the reality is that the certain trumpet of Continuing Anglican witness has been muted by our past divisions.  Too often efforts have been wastefully duplicated, rival parishes have weakened each other, and unscrupulous persons have evaded reasonable control or discipline by jurisdiction-hopping.  All four of our Churches have some strong parishes, able bishops, effective parish priests, and resources, and in many cases our strengths should prove to be complementary and mutually reinforcing.  It is my hope and my expectation that growing unity will encourage growth in a synergistic fashion.
Now let me return to the fortieth anniversary of the Congress of Saint Louis.  The tremendous hope and enthusiasm which marked the Congress led to a sad history of division, squabbling, and confusion.  We do not need to rehearse the reasons, nor do we need to parcel out blame.  There were many good people, much sincere effort, and – yes – much solid and lasting achievement.  But we decidedly failed to rebuild an attractive, compelling, successful, and united Continuing Church.  Our potential too often was squandered.  It’s as if the children of Israel, after crossing the Red Sea, had deposed Moses, split into half a dozen parties, headed in half a dozen directions, none of which carefully heeded the pillar of fire or the cloud of smoke.  Yet somehow we have found our way to more or less the same destination, now convinced that either we must grow more and more together or wither apart.
I would like to assure you that in the last year, as the leaders of our four Churches have had monthly conversation, we have operated by consensus.  On a number of occasions issues have arisen which could have ended our cooperation or might at least have blunted the degree of our agreement.  On such occasions we have always decided to move forward together, adopting the position that was necessary to permit such unity.  This approach has not meant the compromise of essential principles, but rather the opposite.  Nothing essential has been sacrificed, and all of us have agreed that the Affirmation of Saint Louis, imperfect though it may be, sets the essential parameters for our agreement and cooperation.  That is, we returned to our initial position before the splitting and fussing began.  To return to my image of the Exodus, it is as if we agreed that the Ten Commandments will do after all and then decided to resume our journey together.
The result will be, as I keep saying, a Church that will be big enough that we probably will find that it includes some people we don’t like.  We can have a Church that includes only people we like very much, but it will be miniscule.  Our goal should be a Church with some people we don’t much care for.  Nonetheless, as I have worked with Bishops Grundorf, Hewett, and Marsh, I have found that they are easy enough to work with and pleasant enough to be with.  Most of their priests are much like most of our priests, and Sunday morning and parish life in most of their parishes are much like Sunday morning and parish life in most of our parishes.
I do not mean to indulge in the kind of impiety that trashes everything done by our predecessors.  There were reasons why we have not all been together in recent decades, and I think that our unity now will be stronger because some of our divisions did produce some positive things, or at least did flow from some necessary causes.  I think we have established the principle that the Continuing Church should not have a kind of mini-pope, but should be governed by a true college of bishops, with bishops reasonably limited by law, synod, and metropolitan, and with the metropolitan and later primate limited by law, synods, and an episcopal college.  I think we have shed people who really long to bathe in the Tiber or the Bosphorus, as well as people truly uncomfortable with the clear and correct insistence in the Affirmation on seven Councils and seven sacraments.   I hope and believe we are coming to agree that the Affirmation’s call for tripartite synods at every level of Church life is sound.  And, let’s be frank, we have shed some ecclesiastical adventurers and bad apples, and are better for it.  I am sure other things were intended by God as he let us fuss and split and fight.  But it is better now that we agree and move forward together.
As we look to the future, I believe and pray that this process of growing communion and unity will continue and will move towards institutional, organic unity.  I even hope for such movement sooner rather than later.  I also believe and pray that a united Continuing Church, centered in our four Churches, will become a magnet that can attract folk in smaller Continuing bodies, as well as folk who at present are in rather confused neo-Anglican groups such as ACNA.  It is noteworthy that we should have with us this week an Anglo-Catholic diocesan bishop from ACNA, representatives of the Polish National Catholic Church, and bishops and clergy from the Episcopal Missionary Church, the Charismatic Episcopal Church, and other bodies that feel some kinship with us.  Many of these contacts are new and are the fruit of larger numbers and wider relationships.
We have this year relatively little canonical legislation to bring forward.  It is my hope that we can move through our necessary business relatively quickly, and so will have more time to enjoy fellowship with each other and with our fellow Continuing Anglicans.  I will anticipate tomorrow by saying that our banquet speaker, Father George Clendenin, was one of the organizers of St. Louis and one of the drafters of the Affirmation.  His presence is a tangible and personal connection between the maturing Continuing Church and its first days.
Finally, allow me to conclude this Charge by thanking a few people.  I am grateful to Deborah Weaver, whose organizational skills and attention to detail have handled a multitude of problems for me and for us all and have saved us a great deal of money.  Provincial Synods have always been in the black since we handed their organization over to Debbie.  I would also like to thank all of those who have made contributions for the travel costs of our overseas clergy:  in particular I note generous gifts from the Diocese of the Mid-Atlantic States; Father Neil and Sharon Edlin; Mr. John Ward; and Christ Church, Metairie.  I am grateful to Mrs. Willis Longyear and Mrs. William Garbee, who once again have hospitably welcomed our bishops and overseas guests before the opening of Synod.  And, finally, I am grateful to Father Athanaelos from my procathedral and other clergy and people of Saint Barnabas’, Dunwoody, Saint Hilda’s, Atlanta, Our Redeemer, Marietta, Saint Stephen’s, Athens, and Saint Francis’, Gainesville, who have provided volunteers to assist with many tasks associated with the Joint Synods this week.
I do hope this will be for all of us a happy and inspiring week.  God bless you.
In the Name of the Father, and of the Son, and of the Holy Ghost.  Amen.


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This handy electronic brochure summarizes the key features of FSL's TaxVantage® annuity products as well as the rules and restrictions of an annuity contract.

Product Details

The more you understand the provisions and benefits of FSL’s annuity products, the better you can use them as solutions and ensure suitability for your customer’s needs.

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The resident state of the customer determines which forms to use. Each state has specific requirements so please make sure to select the appropriate jurisdiction for your customer.


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text: Gazebo: Q&A Forum - RSS feed source question and answer forum for GazeboenCopyright Askbot, 2010-2011.Fri, 09 Mar 2018 02:43:21 -0600How to use potential fields (Hierarchical Paradigm) to control my robot I'm new in Robotics and I'm reading Introduction to AI robotics book and one of the task that I have to do is to implement in a simulator potential fields from Hierarchical Paradigm. I've been reading the tutorials and I suppose that I have to implement a plugin for a model that will use a range sensor (a sonar? a laser?), is that correct? What do I have to do if I want to implement potential fields in Gazebo?Fri, 09 Mar 2018 02:43:21 -0600


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» » delcam ShoeMaker 2014 CAD
Article info
  • Views: 1276
  • Author: vipsoft
  • Date: 3-09-2014, 10:14
3-09-2014, 10:14

delcam ShoeMaker 2014 CAD

Category: Cad Cam

delcam ShoeMaker 2014 CAD

Delcam CRISPIN has launched the 2014 release of its ShoeMaker CAD software for the design of all types of footwear. This version offers improved visualisation of designs with the new KeyShot rendering engine, the ability to create lasts for boot designs, more options for heel design, and additional items in the extensive library of accessories supplied with the software.

For further details on the new release, please go to www.footwear-cadcam.com.

ShoeMaker is the only footwear CAD program to integrate fully the 3D design of lasts, uppers and soles, so allowing the complete shoe to be developed and visualised in a single system. This integrated approach benefits all footwear designers, but is particularly advantageous for companies making sports shoes and other designs that include complex soles.

With the KeyShot rendering software now built in to ShoeMaker, laptops, tablets or smart-phones can be used to show more realistic images of new designs to prospective buyers for styling and marketing reviews. This reduces the need for physical samples, cutting overall costs and shortening product time to market.

Similarly, using more realistic images improves communications between design and manufacturing teams, minimising the chance of errors and again helping to introduce new designs to market more quickly.

A more advanced rendering package, KeyShot CAD Pro, is available as an upgrade which offers additional features including unlimited rendering resolution, render queues and turntable animation.

The images have also been made more realistic with more options for shoe relaxation. The relaxation can now be spread either smoothly or linearly, and with different effects for designs that either do or do not feature a tongue.

ShoeMaker 2014 also has the ability to design a boot leg extension for any last. The full range of dimensions to control the shape of the extension can be entered and edited in the 2D window, and the design is then created in 3d. Once the design has been finalised, it is possible to grade the extension area, simultaneously with the other areas of the last.

A new series of options for heel creation has been added, including options specifically for the design of stiletto, flat-breast and straight heels. A range of sliders and buttons can be used to adjust the heel parameters, such as the amount of curvature on the front, back and sides of the heel, and the tangency at the top of the curves.

A key part of ShoeMaker’s ability to speed up the creation of novel designs is the large library of data supplied with the software, including ranges of materials of different types and colours, plus accessories including eyelets, buckles and zips. This library has been extended with the addition of more styles of loops, most of which can also be used as lugs. Two new stitch types have also been added to the stitch library.

ShoeMaker still offers a very easy-to-learn interface, making it ideal for concept designers that might come from an artistic background rather than an engineering education. All of the icons feature specific footwear imagery, making the software very intuitive to use.

Of course, ShoeMaker remains fully compatible with the complete range of Delcam CRISPIN software for 2D and 3D manufacturing, including the programs for costing, material cutting, mouldmaking and inspection. A single file can be used for each complete project, from initial concept design through to mass production. This makes data management and project planning much simpler, and so allows faster introduction of new designs, with greater confidence that the designer’s intent is captured in the finished footwear.
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Posts Tagged ‘Tortoise General Store’

Tenugui Cloth Napkins

tenugui cloths

Lydia and I were so excited to see gardening editor Stephen Orr’s Thanksgiving table setting in the new Martha Stewart Living.  The picture hasn’t made it online, but if you flip to page 106, you’ll see why.  Stephen set his table with a few of our favorite things!  Lots of natural elements like branches, quail eggs and individual flowers in low vases as well as Lydia’s Heath plates in mixed colors (French grey, mist and aqua) and my tenugui cloth napkins in mixed prints and different shades of blue.

The article inspired me to purchase a new fall collection (you can see my old one here) so that I’ll be ready for my Thanksgiving guests.

I’ll be doing all-white plates and mixing napkins in navy, burgundy and gold.  Each tenugui costs $13 at Tortoise General Store and each cloth makes 2 napkins.  You simply cut them in half and toss them in the washing machine.  They come out as soft as an old T-shirt with frayed edges.  Use scissors to clip any long strings and press with a hot iron before setting your table.

Can you believe we’re already thinking about Thanksgiving?  We’ll be sharing our centerpiece decor, tips for executing your feast in a small kitchen and our Turkey Day countdown in the next few days.  Number two on the countdown?  Make sure you have enough napkins.  Check.

Have a wonderful, candy-filled weekend!

Tortoise General Store

By Sarah Lagrotteria

Tucked into a little split-level bungalow on Abbot Kinney are all things wonderful Japanese kitchen-style.  Tortoise General Store is easy to miss, but keep an eye out as you stroll down the road for a window display of pottery and cookware that is both elegant and earthy.  Or, check their online store and blog.

My favorite Tortoise product is their Tenugui cloths.  These are essentially Japanese bandanas (you might recognize them as what Mr. Miyagi wrapped around his head), but the patterns are so much richer and the fabric so much softer to the touch.  I haven’t tried them as headwear but I do swear by them as napkins,  kitchen towels, and hostess gifts.

Here’s my current collection:

See how soft the cotton looks after a few washes!  Like the butteriest of old cotton Ts.

And here’s TGS’ new fall collection:

Personally, I’m not so into the bunnies (maybe it’s just me, but red eyes scream rabies), but I love the big Chinese mum print in the second row! And are those figs at the top left?

Per the saleswoman’s advice, I cut the long cloths in half to make perfectly-sized napkins, leaving the edges to fray which is quite nice.  I like to mix the patterns and set them against solid plates for a happy, casual look.  When they get dirty just toss them in the wash.


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Apprenticeship toolkit

Do we still need e-portfolios?

The new apprenticeship standards, introduced in England between 2017 and 2020, have shifted the role of on-programme training and learning towards developing skills and understanding in preparation for an end-point assessment (EPA). Does this mean evidence of progress in an e-portfolio or similar platform is no longer needed?

Although qualifications are no longer a mandatory requirement for apprenticeships, qualifications can still be built into a standard by the Trailblazer group if felt necessary.

The new standards cover behaviours as well knowledge and skills and a portfolio of evidence may still be part of the Assessment Plan for the standard drawn up by the Trailblazer Group.

When assessing which platform(s) to use for evidencing learning prior to assessment, check you can:

  • Map to criteria and standards
  • Support creative ways of capturing evidence of skills and competences
  • Have progress dashboards and live reports
  • Complete reviews online and offline with an app for Windows, Apple and Android tablets and smart phones

Examples of effective practice

HIT Training plans to introduce web streaming to provide evidence of catering skills in an e-portfolio and to prepare apprentices by observation for their EPA.

PROCAT provides trainers with portable remote routers so they can collect evidence and undertake reviews online in the workplace. A bring your own device policy on the provider’s premises makes it easy for apprentices to upload video evidence of their practical skills. Apprentices, trainers and employers have access to all evidence on OneFile.

In this video a trainer describes the benefits of using e-portfolio evidence in Smart Assessor for catering and hospitality learners.


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Integrating Our Labs

Patients will likely never see the inside of a hospital lab, but it’s a department that’s critical to the care they receive – 75 per cent of medical decisions that physicians and care teams make are based on lab results. And in some cases, those results are needed quickly to make life-saving decisions.

of medical decisions are based on lab results

St. Joseph’s Health Centre and St. Michael’s Hospital made the move to join our labs in 2016, creating an integrated system that improves turnaround times for tests and allows clinical knowledge to be shared across both sites, improving quality of care for patients at both organizations.

“The faster we can get results to our physicians, the faster treatment can begin for our patients,” said Dawn-Marie King, integrated director of Laboratory Services. “That’s why it’s important that we’re able to process specimens as quickly as possible. Every minute counts to the people we serve.”

St. Joe’s and St. Michael’s process almost 8 million lab tests every year. The partnership allows for more on-site testing so that fewer samples have to be sent out to third-party labs, saving time and reducing costs.

“By working together, we’ve been able to expand our areas of expertise and offer even more tests at the two sites, and we’re constantly looking for more opportunities to expand our services,” said King.

staff members work in the lab

The integrated lab system has more than 400 staff members who work 24-7. The lab is split into five divisions that are broken down into a number of specialties, including:

  • Biochemistry performs a wide variety of tests for diagnostic and therapeutic purposes in blood, urine and other body fluids. An integrated lab allows centres of excellence (i.e. the immunology lab at St. Joe’s and the specialty chemistry labs at St. Michael’s) to grow and excel for patient-centred care.

  • Transfusion medicine is responsible for providing blood and products for transfusion. If a patient requires a transfusion because of surgery, injury or disease, donated blood is added to his or her own blood.

  • Hematology analyzes blood cells for disorders such as leukemia, anemia and possible infection. They provide a complete picture of a patient’s blood, including a blood count. They also investigate bleeding disorders by analyzing how quickly blood clots, monitor patients taking anticoagulants and analyze other types of body fluids, such as joint fluids.

  • Microbiology analyzes specimens from the body (such as urine or blood) to look at bacteria, fungi and viruses that might be present, and tests the effectiveness of antibiotics against bacteria in the samples to allow doctors to effectively treat infections. The lab also provides support to the infection control program by screening for multi-resistant organisms and examining how infections spread throughout the hospital.

  • Pathology examines samples from the body for diagnosis of diseases such as cancer. The various tests performed on tissue (histology) and body fluids (cytology) in pathology enables the pathologist to make a diagnosis that will indicate to the clinician the proper course of patient treatment. Pathologists also perform autopsies to determine the cause of death.

  • Molecular biology applies DNA and RNA detection techniques to the diagnosis, prognosis and targeted therapy of various diseases, including colon, brain, breast and cervical cancer.


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Sixth Archigram magazine. Reversible magazine with two fronts: one 1960s themed, the other 1940s themed. Cover designs by Geoff Reeve. Video available in Magazines section.
Page 15 ( 2 versions below )
ARCHIGRAM, Eckhard Schulze-Fielitz, Frei Otto, Josef Weber, Dalibor Vesely, Arthur Quarmby, Ionel Schein, Yona Friedman, Claude Parent, Cedric Price, Metabolist Group, Fredric Kiesler, Jerzy Soltan, Constant Nieuwenhuys
Archigram Archives
Jan Matyal, Jan Stepanik, Juri Halou also mentioned in connection to Dalibor Vesely; Groupe Architecture-Principe mentioned in connection to Claude Parent.


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Tube Amps / Music Electronics
For current discussions, please visit Music Electronics Forum. The sunn still shines online!

ampage archive

Vintage threads from the first ten years

Search for:  Mode:
previous: Bruce If you want to run 6L6s, you should... -- 1/14/2001 6:24 PM View Thread

Re: guts-n-stuff

1/14/2001 8:37 PM
Frank DeSalvoRe: guts-n-stuff
sorry, meant 6v6 :)

Bruce Oh, OK. Well, for what it's worth, ... -- 1/15/2001 8:11 AM


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***: figpucker has quit IRC (Read error: Connection reset by peer)
figpucker has joined #newsgrabber
figpucker has quit IRC (Client Quit) JensRex: I have a sneaking suspicion that the precompiled wpull is kind of poopy.
"ERROR Fetching \u2018https://site.com/example.js\u2019 encountered an error: Connect timed out."
That's never going to work. Invalid URL. JAA: Looks valid to me? \u2018 and \u2019 are the markers around the URL, ‘URL’.
Something's broken about those two characters, obviously. JensRex: I know, but it looks like someone used it as an example url.
I don't know if the job failed because of that. Kaz: not much anyone can do about that, that URL will be tried a few times then fail, and wpull will move on to the next one
people put all sorts of bizarre shit into their sites, nothing to worry about too much JensRex: Okay good. It just got hung up there for a long while. Thought it might fail out. JAA: I'm not really familiar with NewsGrabber, is it using wpull 2.0.x? Kaz: can't remember what the timeout is for stuff like that, could be up to like 5 minutes JensRex: No, 1.2.3. JAA: Ah ok Kaz: considering site.com does have a valid A record JensRex: pipeline.py is Python2, so it can't use regular wpull because that's Python3 only. And the precompiled wpull is weird. JAA: https://github.com/ArchiveTeam/NewsGrabber-Warrior/blob/31b29fc0ba61a05b081c06852d9ae9413421cab5/pipeline.py#L254-L259
Ah right, same as the Flickr project.
We really need to move this to Python 3.
It's been almost 10 years since that was released... JensRex: Hmm, investigating youtube-dl failure further: https://bpaste.net/show/73eb42a23506
I'm not sure what to make of that.
Newsgrabber fails on every video job here. JAA: Python 2 vs. 3?
That paste is clearly using Python 3... JensRex: That's just using the precompiled wpull.
Uninstalled local youtube-dl --> https://bpaste.net/show/a7fe1552962c JAA: Hmm
So that "precompiled" wpull is Python 3.4, as far as I can tell.
I wonder though, why can't you run the normal wpull with Python 3? pipeline.py doesn't "import wpull", it just executes a subprocess. JensRex: I tried that yesterday in a test VM. It failed spectacularly. ***: ErkDog_ has joined #newsgrabber
ErkDog_ has quit IRC (Remote host closed the connection!)
figpucker has joined #newsgrabber
figpucker has quit IRC (Client Quit)


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Series AB/3 - Photographs

Identity area

Reference code

GB GB1179 AB-AB/3

  • c1885 - c1915 (Creation)

Level of description

Extent and medium

11 items

Context area

Archival history

Immediate source of acquisition or transfer

Content and structure area

Scope and content

Some of these photographs depict Adolph Brodsky posing alone, while in others he is posing with groups of students, or with the other members of the Brodsky Quartet. Also included are photographs of friends and acquaintances of the Brodskys, some of whom are unidentified. Many of the photographs have been autographed.

Appraisal, destruction and scheduling

System of arrangement

Conditions of access and use area

Conditions governing access

Conditions governing reproduction

Language of material

Script of material

Language and script notes

Physical characteristics and technical requirements

Finding aids

Allied materials area

Existence and location of originals

Existence and location of copies

Related units of description

Other photographs are in the AB collection

Related descriptions

Notes area

Alternative identifier(s)

Access points

Subject access points

Place access points

Name access points

Genre access points

Description control area

Description identifier

Institution identifier

Rules and/or conventions used

Level of detail

Dates of creation revision deletion

Accession area

Related subjects

Related people and organizations

Related genres

Related places


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Robots and War

Robots have long been a staple in the realm of science fiction, but advances in robotics in recent years have swept away the fiction and led to the very real use of robots, particularly on the battlefield and in the airspace over global hotspots. In advance of his appearance at the IdeaFestival, author P.W. Singer joins us to talk about his book Wired for War: The Robotics Revolution and Conflict in the 21st Century.

Audio MP3

Related Links:


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Keywords filter

Search results

Collection Title:

Fred E. Gulick Collection

Repository:Oregon Health & Science University, Historical Collections & Archives
Summary:The collection consists of 1 half-sized document box of photographic prints, news clippings, event programs, correspondence, certificates, tickets, and other material that illustrate the life and work of prosthodontist Fred E. Gulick, D.M.D., F.A.C.D. The collection spans 1889-1957 and highlights different aspects of Gulick's life, including his childhood, dental education, military service, and professional involvement.

Document(s) 1 to 1 (of 1)    10 | 25 | 50 | All


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My passion is design.

I am a designer and artist based in Chicago who believes in the power of architecture and design to create and reveal beauty in the world.

I attended the University of Maryland where I studied architecture (M.Arch., 2010) and scenic design for theatre (B.A., 2007). While at Maryland, I participated in the 2011 Solar Decathlon as a member of the WaterShed conceptual and schematic design team. WaterShed won the international competition, placing first overall as well as taking first in the Architecture category.

For my Master’s thesis at Maryland, I worked closely with the congregation at Beth Israel, a Jewish temple near Cleveland, Ohio on the design of a new sanctuary and campus. My thesis can be read here.


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• The lab is accepting graduate students for 2019. Please apply through the UCSD Psychology Graduate Program. We are especially interested in students who are interested in straddling mouse/human research, with co-advising through UCSD Neurosciences.
  • We are always keen to have motivated undergraduate students to help with our behavioral and other experiments. Some programming is useful but not necessary. Please consider applying for 199 course credits through the Psychology Department.

Please enquire or apply by emailing adamaron [at] ucsd.edu


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I have been exploring the notion that the World is Sound in both my meditation and music practice.  I don’t usually miss the East coast but I sure would like to see this exhibit.  Below is an article I found on “Lion’s Roar”.  At the end of my post is a short promotion video for the Exhibit.

Touching Sound: A visit to the Rubin Museum’s thrilling new exhibit

From The World Is Sound: Milarepa, Central Tibet, 15th – 16th century; Parcel gilt silver with gilt bronze base; 5.12 5″ h. x 4.125″ w. x 4″ d. Long-term loan from the Nyingjei Lam Collection, L2005.9.62 (HAR 68492) 012; Photo courtesy of the Rubin Museum of Art.

“The World Is Sound,” at New York City’s Rubin Museum of Art, features the work of Éliane Radigue, Laetitia Sonami, Bob Bielecki, Christine Sun Kim, Hildegard Westerkamp, John Giorno, Pauline Oliveros, and more. Lindsay Kyte takes you there.

The entrance to the Rubin Museum of Art was alive with sights and sounds as their annual block party, this year called “Sounds of the Street,” welcomed visitors with free admission on Sunday, July 16. Revelers danced to live music, children made crafts, families enjoyed tasty treats, and then, it was through the doors to experience The World Is Sound, the Rubin’s newest exhibit that encourages visitors to “learn to listen with your whole body.”

When I got to the exhibit, housed on the sixth floor, at the top of the museum, I saw visitors giggly from the outdoor festivities suddenly stop, lower their eyes, and begin to intently listen. It was unusual, this experience. A museum visit can often be a hands-off, glass-encased, roped-off glimpse into a past and people that seem so far removed from our current state of being. But not this exhibit.

The first piece I encountered was “Four-Armed Avalokiteshvara in His Pure Realm of Potalika,”—pigment on cloth, and framed in glass. Seemed like a typical “look but don’t touch” experience. However, I saw visitors doing strange things. The piece was featured in a little alcove between two walls (as were a lot of other pieces), like this one:

Photo by Filip Wolak, via Rubin Museum of Art.

People were walking up to the glass frame and putting their faces close to the piece, standing still, really seeing it. Or so I thought, until it was my turn.

A sign indicated I should “touch the wall to listen to the mantra.” Tentatively, I did, as I leaned in toward the piece. All of a sudden, inside that alcove, the sound of monks chanting filled my ears. And, with my hand on the wall now feeling the vibrations of the sound, it felt like I had put my hand on the heart of some being, who was now chanting for me the meaning of this piece, to make it come alive for me. This tactile experience of the sound was so unexpected I was nearly moved to tears.

The World Is Sound, according to the Rubin’s description, “employs sound in new ways to animate and intensify the experience of art in the Rubin’s collection. Organized cyclically—from creation to death to rebirth—the exhibition explores different dimensions of sound and listening and its many functions in Tibetan Buddhism. Featuring work by more than 20 artists, The World Is Sound juxtaposes new site-specific commissions and works by prominent contemporary sound artists with historical objects from the museum’s collection of Tibetan Buddhist art to encourage reflection on how we listen and to challenge entrenched ways of thinking.”

The showstopper was the “leg bone trumpet.”

A row of headphones attached to a wall allowed visitors to hear creations by sound artists. A long bench in a white-walled room invited visitors to lie down to listen to a translated Tibetan funerary text, which could only be heard once you were fully lying down:

Photo by Filip Wolak, via Rubin Museum of Art.

A glass case of ritual text with musical notation suddenly came alive with sound as you stepped up to it. And one of the most popular experiences, on the day I visited, was a display wall of glassed-in musical instruments, which looked like a typical museum exhibit. Except when you approached each, suddenly, you heard the sound of it being played:

Photo by Filip Wolak, via Rubin Museum of Art.

The showstopper was the “leg bone trumpet (kang ling),” associated with the Buddhist concept of impermanence, as it is made from a human leg bone retrieved from a Tibetan sky burial. Played as a musical instrument, it elicited a hushed “wow” from myself and the lady next to me. We just stopped, and listened, and looked at each other.

It was then I realized “looking” is often a private experience, but “listening” is often shared, even with strangers, as you try to grapple with the juxtaposition of life outside dancing on the street and a sound that immediately places death in front of you to remind you that this moment is just that—only a moment.

The World Is Sound is on view at the Rubin until January 8, 2018.

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Sunday, January 16, 2011

What Are You Doing This Year?

2010 ended as badly as it started for me but I'm determined to not let it get me down. We had four, yes four deaths in our family between Thanksgiving and the end of the year. I take it especially hard when someone dies of cancer. It seems so unfair. And one of the deaths was due to cancer. But enough about that.

One of the things I wanted to do in the New Year was open an Etsy shop for Rose. She has been in my shadow so to speak and her art deserves it's own space to grow and flourish.

She amazes me how quickly she creates something. I have to look at my work a million times and tweak and change and ponder before I consider it complete. But not Rose. She creates, it's done and she moves on to the next project.

For as long as I can remember she has been obsessed with smoking. Both my maternal grandfather and my uncle, moms' brother smoked and she has always wanted to do so as well. She would grab their cigarettes from the ashtray and run while trying to take a puff before anyone caught her. As a result her drawings often depict smokers. She also loves to draw hearts and flowers and every now and then she will render something abstract. Her art is always happy and cheerful and because she is mostly nonverbal I hope it's a reflection of how she feels.

You can find her shop at I hope you'll visit and come back and tell us what you thought.

Have a great day everybody, thanks for stopping by.


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Community and Creativity at Residencies Near and Far: Chad Stayrook in Conversation with Caitlin Masley-Charlet

By Caitlin Masley-Charlet

Caitlin Masley-Charlet speaks with artist Chad Stayrook about his experiences at artist residencies around the world, the effects that residencies have had his artistic practice, and the development of Present Company, the artist-run space in Brooklyn that he cofounded.

2017: Indigenous Futures

By Kate Morris and Bill Anthes

On November 15, 2016, a “National Day of Action,” demonstrators in cities from Los Angeles to New York took to the streets in support of the efforts of the Standing Rock Sioux to block construction of the Dakota Access oil pipeline (DAPL). According to tribal leaders, the presence of the pipeline constitutes a dire threat to the tribe’s water supply, and will desecrate scores of sacred, historical, and cultural sites along its intended 1,172-mile route.

Building a Table

By Ryan Kuo

In “Building a Table,” artist and writer Ryan Kuo discusses his use of HTML to construct the data tables in his artist’s project, Tables of Content, and the profound implications that seemingly benign systems of ordering have on society. With an introduction by Art Journal Open’s former web editor, Gloria Sutton.

Damon Davis’s Negrophilia: Encounters with Black Death

By Olubukola A. Gbadegesin

Olubukola A. Gbadegesin speaks with multidisciplinary artist Damon Davis about his mixed-media collage series, Negrophilia, and the importance of self-representation. “We’ve got to represent ourselves,” Davis says, “Because if we let others tell the story, important parts are going to be erased.

Restructuring Place in Hawaiʻi: Jaimey Hamilton Faris and Margo Machida in Conversation with Sean Connelly and Lynne Yamamoto

By Jaimey Hamilton Faris and Margo Machida

Jaimey Hamilton Faris and Margo Machida speak with Hawaiʻi-born artists Lynne Yamamoto and Sean Connelly to discuss their sculptural works for the inaugural Honolulu Biennial, Middle of Now|Here (March 8–May 8, 2017). Connelly’s Thatch Assembly with Rocks (2060s) (2017) and Yamamoto’s Borrowed Time (2017) recognize the significance of locality and place in illuminating the enduring impact of entwined histories and shifting alignments among the native, local, and global.

The Prehistory of Exhibition History

By grupa o.k. (Julian Myers and Joanna Szupinska)

Art history has long included studies of exhibitions as episodes or turning points within more expansive narratives. Such moments have opened art histories based in the studio, or among the members of a small, bohemian circle, to a larger social field that includes politics, audience, and market, before returning to the private or small-group interactions that have equally served to drive art’s internal means.

Introduction: The Politics of Legacy

By Rachel Middleman and Anne Monahan

In 1974 news that David Smith’s executors had stripped paint from some of his sculptures catalyzed a long-running public conversation about executors’ responsibilities to artists, artworks, and art history. Forty years later, news that the same estate’s administrators tried to stifle the exhibition and sale of Lauren Clay’s diminutive, painted-paper objects inspired by that earlier incident has yet to prompt a similar critical response.

Art Embedded into Protest: Staging the Ukrainian Maidan

By Nazar Kozak

Around 9:00am on January 24, 2014, Maxym Vehera, an amateur artist, comes to Hrushevskyi Street in Kyiv, mounts his portable easel some one hundred yards from the riot police line, and spends five hours painting the scene of a street fight in progress. Black smoke from the burning barricade veils the sky, tear gas irritates the frosty air, a stun grenade explosion shuts all senses down. The canvas falls to the ground, into the mixture of snow and ashes. Vehera picks it up, wipes off the dirt, and continues to paint amid chaos.

In Submission

By Ryan Kuo
“As platforms from Submittable to Snapchat streamline personal publishing into drag-and-drop gestures,” writes Ryan Kuo, “the work being submitted becomes not the work, but a signpost redirecting us to a semblance of the work, subject to Terms and Conditions.” “In Submission” is the first of a three-part series by writer and artist Ryan Kuo for Art Journal Open.

Communing with Dore Ashton

By Michael Corris

A tribute to Dore Ashton, “one of the most energetic, widely published, and politicized American writers on art, and one of the chief proponents of the artists of the New York School (she decried the label Abstract Expressionism).” Michael Corris shares his remembrances of Dore Ashton as well as the audio and transcribed text from their 2011 conversation about Ashton’s experiences with the New York art world in the 19650s and 1960s. Alfredo Jaar’s film, Dore Ashton, you know (2015), and photographs by Madeline Djerejian and Polly Bradford-Corris are also presented here.

Candida Höfer’s Türken in Deutschland as “Counter-publicity”

By Amy A. DaPonte

Millions of Turkish immigrants settled in Germany after World War II to answer the call of politicians who needed to refresh the labor force after the war. Images of Turks at work or leisure in the parks, homes, markets, shops, and bars of 1970s West German cities populate Candida Höfer’s large, multiformat series entitled Türken in Deutschland (Turks in Germany, 1972–79).

Solitary/Solidary: Mario Merz’s Autonomous Artist

By Elizabeth Mangini

In 1968, while demonstrating students occupied university buildings less than a mile away, the Italian artist Mario Merz hung a handful of neon lights bent into the numerals 1, 1, 2, 3, and 5 above the kitchen stove in his home on Via Santa Giulia in Turin. It wasn’t yet an artwork, just something to think about in the place where he and his wife, fellow artist Marisa Merz, gathered to talk with each other and with friends.

Art-Science: An Annotated Bibliography

By Roger F. Malina

We are witnessing a resurgence of creative and scholarly work that seeks to bridge science and engineering with the arts, design, and the humanities. These practices connect both the arts and sciences, hence the term art-science, and the arts and the engineering sciences and technology, hence the term “art and technology.”

Happyville in the Rearview: A Conversation between Joel Tauber and Pedro de Llano

By Pedro de Llano

Curator and art historian Pedro de Llano speaks with artist Joel Tauber about Tauber’s The Sharing Project (2012–16), an installation and film project that looks at the socialist Jewish community of Happyville (1905–1908) in South Carolina as a way to consider complex questions about social, political, and economic issues in today’s world.

A New Configuration: Marco Breuer in Conversation with Vanessa Kauffman

By Vanessa Kauffman

Artist Marco Breuer and Vanessa Kauffman, communications and outreach manager of Headlands Center for the Arts (Sausalito, California), discuss Breuer’s experiences as an artist-in-residence at Headlands and other residencies, and the way that the flexibility and differences in the studio set-up at each residency creates opportunities for new discoveries.

Root and Ramble: Kija Lucas and Amy Cancelmo in Conversation

By Amy Cancelmo

Amy Cancelmo, art programs director at Root Division (San Francisco, California), speaks with artist Kija Lucas about her experiences as an artist-in-residence at Root Division and other residencies, and her cross-country travels to work on her projects In Search of Home and Objects to Remember You By: An Index of Sentiment .

Outside of Time: Patricia Fernández Carcedo in Conversation with Vanessa Kauffman

By Vanessa Kauffman

Vanessa Kauffman, communications and outreach manager for Headlands Center for the Arts (Sausalito, California), speaks with artist Patricia Fernández Carcedo about her experiences as an artist-in-residence at Headlands and other residencies, and the importance that walking holds within her artistic practice.

Humans Have Been Human for So Long: Shana Lutker and Mika Yoshitake in Conversation

By Mika Yoshitake

Curator Mika Yoshitake and artist Shana Lutker discuss Surrealist fightfights, making sense of the past through the lens of the contemporary, and the research process for Lutker’s exhibition Shana Lutker: Le “NEW” Monocle, Chapters 1–3 at the Hirshhorn Museum and Sculpture Garden in Washington, DC (October 27, 2015–February 16, 2016), which was curated by Yoshitake.

Space Travel: Trisha Brown’s Locus

By Amanda Jane Graham

In 1974 the choreographer Trisha Brown moved to 541 Broadway in SoHo, New York City. The cast-iron “nexus” for postmodern dance, commonly referred to as “the dance building,” had what the former Brown company dancer Elizabeth Garren describes as a “communal atmosphere.” Purchased and renovated by the Fluxus founder George Maciunas “with dancers in mind,” 541 was wider than the majority of the standard buildings in the neighborhood, and more important, it contained no interior pillars, making it an ideal choreographic work space.

Caitlin Masley-Charlet and Diana Shpungin in Conversation

By Caitlin Masley-Charlet
Caitlin Masley-Charlet, deputy director of Guttenberg Arts (Guttenberg, NJ), speaks with artist Diana Shpungin about her experiences as an artist-in-residence at Guttenberg Arts and other programs, artistic community, and the importance of having space for experimentation. This is the first conversation in a four-part series by Caitlin Masley-Charlet, focusing on artists who were recently in residence at Guttenberg Arts.

Small Boats, Slave Ship; or, Isaac Julien and the Beauty of Implied Catastrophe

By Emma Chubb

Three horizontal screens stretch across two gallery walls, suspended from the ceiling and hung in a slight arc. At first, the two flanking screens remain dark and only the center screen is illuminated. It shows an expanse of blue water, waves rippling with gold and reflecting the setting sun as they gently curl forward onto a barely visible beach.

The Arctic Plants of New York City: An Annotated Bibliography

By James Walsh

I’ve been working since 2008 on a long, complex project centered on plants that grow in both the arctic (I always use the lowercase) and New York City, of which there are a surprising number. Along with identifying and pressing these plants, I’ve been reading eighteenth-century herbals and floras and more recent works on edible plants and botany generally, and have had a particular interest in mental travel and in writers who combine botany and literature.

Knight’s Heritage: Karl Haendel and the Legacy of Appropriation, Episode Two, 2012

By Natilee Harren
In “Episode Two” of her three-part essay, “Knight’s Heritage: Karl Haendel and the Legacy of Appropriation,” Natilee Harren explores appropriation, artistic heritage, and medieval suits of armor through the context of an encounter between Karl Haendel and an artist of an earlier generation, Robert Longo.

Leaving Düsseldorf

By Godfre Leung

Godfre Leung reviews Sabine Breitwieser, Laura J. Hoptman, Michael Darling, and Jeffrey D. Grove, Isa Genzken: Retrospective, and the exhibition Isa Genzken: Retrospective; Kathy Halbreich, ed., Alibis: Sigmar Polke, 1963–2010, and the exhibition Alibis: Sigmar Polke, 1963–2010; and Elodie Evers, Magdalena Holzhey, and Gregor Jansen, eds., Leben mit Pop and the exhibition Leben mit Pop.

Knight’s Heritage: Karl Haendel and the Legacy of Appropriation, Episode One, 2000

By Natilee Harren

In Natilee Harren’s three-part essay series on issues of appropriation and artistic heritage, she examines episodes in the work of the Los Angeles–based artist Karl Haendel. In “Episode One,” Harren looks closely at Haendel’s Knight’s Heritage, 1963 (2001), which he made as a graduate student, and how it relates to the career and work of the sculptor Anne Truitt (1921–2004). Haendel made his work, a reconstruction of a 1963 work by Truitt, based on photographs, without ever having seen the Truitt sculpture itself.

Two for One: robbinschilds in conversation with Dina Deitsch

By Dina Deitsch

In the final installment of her three-part interview series, curator Dina Deitsch speaks with robbinschilds about site, collaboration, and the process of creating Constructions I–IV, which was commissioned for the 2011 exhibition Temporary Structures: Performing Architecture in Contemporary Art at the deCordova Sculpture Park and Museum.

In, Around, and Afterthoughts (On Participation): Photography and Agency in Martha Rosler’s Collaboration with Homeward Bound

By Adair Rounthwaite

It seems obvious to state that photographs play a central role in our ability to study participatory art. Art historians, however, have largely bracketed this as an issue that might be important for how we conceive the politics and aesthetics of participation.

The New Geography: Earth Music and Land Art, Version 2.0

By Mike Maizels
The apologists for “Big Data” seem to be everywhere these days. In forums ranging from TED talks to marketing campaigns, we are now being bombarded by the just-on-the-horizon possibilities of Total Information. It is no surprise that a particular articulation of these ideas has also surfaced in the world of contemporary art practice.

Dada Dance: Sophie Taeuber’s Visceral Abstraction

By Nell Andrew

In a recent landmark exhibition on the intersection of art and dance, Danser sa vie, the Centre Georges Pompidou displayed an enigmatic photograph identified as the artist Sophie Taeuber dancing at the Cabaret Voltaire in 1916. It is not uncommon for a photograph to stand in as an icon of a live event and offer what we hope is access to some present now passed, but for decades scholars have disagreed on the date and location of the Taeuber photograph.

Sexing Sculpture: New Approaches to Theorizing the Object

By Jillian Hernandez and Susan Richmond

This forum, which originated as a panel at the 2013 Annual Conference of the College Art Association in New York, developed from the following question: how do sculptural practices uphold or, conversely, equivocate the certainties of gendered and sexual embodiment?

Through the Looking-Glass, Darkly

By Tina Rivers

When H. H. Arnason published the first edition of his 1968 book The History of Modern Art, it ended with a one-page entry on “Psychedelic Art.” Positioning the inchoate movement as a bridge between the modern and contemporary periods, the entry was a blueprint for a future that would never come to pass, and was expunged from all further editions, helping to relegate psychedelia to the proverbial dustbin of history.


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Famil to Chile with Chimu Adventures

Family to Chile with Chimu Adventures

Famil to Chile with Chimu Adventures

Famil to Chile with Chimu Adventures

Chile is alive or ‘hot hot hot’. To understand her past is to understand her future. Conquered by the Spanish conquistadors in 1540 and it was not until 1818 that Chile gained her independence. Since then there have been upheavals in leadership that have resulted in the Chile we see today. One of the most well know Presidents is Pinochet who assumed rule following the coup d’état in September 1973. He overthrew the democratically elected Unidad Popular government of Salvador Allende ending civilian rule. But time moves forward and today Sebastian Pinera currently resides over a very modern Chile.

Now let’s talk about the more palatable side of Chile – wine. Producing world class wines as the 9th largest producer in the world has been an exciting time for the country. The region stretches on the West coast with Casablanca – yes this is the original- being noted for many boutique establishments. Bodegas Re is a perfect place to sample true boutique style wines and visit their Balsameria where they are perfecting incredible vinegar and syrup varieties.

The Carmeneire’ grape is now producing some of the finest reds while Pinot Noir is making its mark in the cellars of Santiago and beyond. The Leyda and Limari’ valleys alongside Casablanca are well known for their exquisite Sauvignon Blanc while Malbec lovers wines are among the most popular varieties.

Heading northwest of Santiago will position you perfectly in the coastal port of Valparaiso. What can only be described as artistic and cultural, the UNESCO listed (2003) city is well known for street art and the Nobel Prize winner (1971) Pablo Neruda who is renowned for his love poems alongside his political career. The Chilean rail begins in Valparaiso and it is home to the Chilean Navy. I don’t think a few days in this beautiful city would go astray. Try out their cuisine at one of the many restaurants.

An odd addition to Chile is that it boasts the largest swimming pool in the world. Built at a cost of 1 billion dollars it opened in 2006 after taking 5 years to construct. Algarroba is situated on the stunning Pacific coast in central Chile, it rivals the French Riviera in Nice. Chile also has the longest coastline (6500 klms) in the world. Just north of El Canelillo is the Isolte Pajaros Ninos a small rocky promontory where you will find the migratory Humboldt penguins. The Seno Otway Colony in Punta Arenas is home to around 150,000 strong Magellanic penguins during the months of November to January. Their powerful agility entering and existing the water is just incredible to watch – as it is when they waddle too fast and then plank as they fall flat.

Perhaps better known off the coast of Chile is RAPA NUI or more commonly referred to as Easter Island. The Moai- large stone heads resting on ahus ( pedestals) gazing to the sea – are wrapped in legend as nearly 900 statues created during the 13th to 16th centuries have stood the test of time on this volcanic island.

While there is so much more to Chile like the phenomenal Tierra del Fuego shared by both Chile and Argentina with snowy mountains glaciers and tundra, the Atacama Desert in complete contrast is where I will end my story. The driest desert in the world stretching from the Andes Mountains to the Pacific for 1,000 kilometres is without doubt, the provider of some of the most exquisite sunrises and sunsets imaginable. But far from being and arid desolate wilderness, Atacama is alive with llamas, Vicunas who produce the most expensive wool – and Guanaco (wanaku) the only wild species of llama -and the cutest bunny like creature – the Vizcacha. Of course there are the usual lizards that languish on rocks watching the tourists as if they were aliens. Visit Rainbow valley which reminds me of a moonscape and the petroglyphs of Yerbas Buenas mark the tide of time with windswept rock faces hovering as if protecting a long ago secret. The Tatio geysers and salt lakes (much smaller than the Uyuni in Bolivia) give the traveller a glimpse of the volatility of mother earth.

So do you sleep in the desert? Of course you do – in one of the most stunningly designed resorts such as Alto Atacama, the Explorer and Tierra Atacama. There are so many options that you are spoilt for choice. Our hosts for this expedition the Alto Atacama provided us with the ultimate experience and I cannot acknowledge them enough. Close to the township of San Pedro de Atacama the resort has thought of your every need. From trilogy massages to excursions to the unknown – well they will be at first – and the exposure to the stars through their astronomy programme, you will have no problem in filling your time. Feeling like you are close to heaven as you recline on your own couch, wrapped in a blanket, while listening to the resident expert explain just how close you are to the constellations is a highlight, you could almost reach up and touch the stars.

The Alma Project observatory is located 50 kilometres from San Pedro de Atacama and is open every Saturday and Sunday morning to the public-free of charge – but you must register well in advance. The construction of the Alma Observatory in Chile has contributed immensely to the development of astronomy in the country.

For more information go to www.almaobservatory.org/en/about-alma-at-first-glance

So as the sunsets over the Andes Mountains I need to acknowledge the company that made this journey possible Chimu Adventures. Without your guidance and planning this adventure would have only been a dream.

Source = Deanne Scanlan
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One thought on “Famil to Chile with Chimu Adventures

  1. Chile does not have anywhere near the longest coastline in the world. It comes in at around No. 19 depending on how you measure it. Canada has by far the longest coastline at over 200000 km.

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Lattone, Gortnaderrary

  • Type: Townland

Lattone, Gortnaderrary is a Townland in County Leitrim, province of Connacht, Republic of Ireland. - AsNotedIn

Name of Notable Genus AsNotedIn No Address Proximity Area
Name Genus AsNotedIn Address Proximity Area
Worm Ditch (Black Pig's Dyke)
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Particulars for Lattone, Gortnaderrary:
Republic of Ireland Locale Townland

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