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Entertainment & Arts

Figures reveal art auction gender imbalance

Yayoi Kusama
Image caption Yayoi Kusama, who is known for her polka dots, is the world's best-selling female artist

Of the top 100 artists whose works fetched the highest amounts at auction in 2017, just 13 were women, an analysis of sales data shows.

The top female artist was Japan's Yayoi Kusama, whose works sold for $65.6m (£48.9m) - putting her 13th overall, according to figures from MutualArt.

The 13 women in the top 100 accounted for sales of $263m (£175m) - 7.4% of the overall total of $3.5bn (£2.6bn).

The Art Newspaper's Anna Brady said she was "depressingly unsurprised".

Leonardo da Vinci was top of the 2017 auction rankings, thanks to the $450m (£337m) sale of the Salvator Mundi painting last November.

He was followed by Jean Michel Basquiat - whose works fetched $338m (£253m) in 2017 - then Andy Warhol, Cy Twombly and Roy Lichtenstein.

At the age of 89, Kusama is the only living woman in the top 50.

After her, the top-selling women were Louise Bourgeois, Joan Mitchell and Agnes Martin - who, like Kusama, made their names in 1950s New York.

The top-selling female artists:

1. Yayoi Kusama

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Media captionYayoi Kusama: Visions of polka dot infinity

2017 total auction sales = $65.6m (£49.2m)

The colourful Kusama (born 1929) is famed for paintings and sculptural installations that build seemingly endless patterns of polka dots. The Japanese artist was an influence on Pop Art in the 1950s and 60s and, in monetary terms, is far ahead of any other female artist.

2. Louise Bourgeois

Image copyright Getty Images

2017 auction sales = $36.8m (£27.6m)

The French-American artist (1911-2010) created suggestive sculptures that reimagined the human figure, body parts and organs. She's also known for her huge spiders, which have appeared around the world and are her biggest-selling works.

3. Joan Mitchell

Image copyright Getty Images

2017 auction sales = $30.5m (£22.9m)

From the abstract expressionism scene, Mitchell (1925-92) spun webs of bold brushstrokes on pale backgrounds, often inspired by nature. One of her paintings sold for $16.6m (£12.4m) earlier this month, smashing her auction record.

4. Agnes Martin

Image copyright Guy Bell/REX/Shutterstock

2017 auction sales = $26.3m (£19.7m)

Martin (1912-2004) was another of the key female abstract artists in New York in the 1950s, but her canvases - always square - were more minimalist and usually featured subtle pencil lines and blocks of pale colours.

5. Dame Barbara Hepworth

Image copyright Getty Images

2017 auction sales = $15.9m (£11.9m)

Dame Barbara (1903-75) was a British sculptor whose signature works were large, rounded blocks that evoke the shapes of nature and the human form - with holes in the middle.

The other British women in the overall top 100 were Bridget Riley and Cecily Brown.

The imbalance between men and women stems from a "systemic gender bias" in the factors that go into deciding an artist's value - which has existed for many years - according to Kate Todd, data analyst at MutualArt, an online art information service.

For decades, key museums and galleries have focused on exhibiting and collecting work by male artists, and have normally been run by men. Dealers and private collectors have also been predominantly male.

Anna Brady, who is The Art Newspaper's deputy art market editor, says: "You've had centuries of male collectors, male art historians and male critics, generally.

"I'm not saying they're incapable of appreciating female artists, but I think it brings with it a certain bias. Female artists have often gone under the radar.

"Things like having children has affected female artists over the years - and they just haven't been appreciated or have been taken less seriously over the centuries and the decades of the 20th Century."

In December, a study suggested that people do not rate a work of art as highly if they believe it is by a woman. That shows "a general bias", Brady says.

Oliver Barker, senior international specialist of contemporary art at Sotheby's, says there has been "institutional oversight" in the art world in the past, but that a "revolutionary change" is under way.

In the UK, the directors of Tate, the Serpentine and the Whitechapel galleries are all women, four of the last six Turner Prize winners have been women, and Barker says there are now more female art collectors and patrons.

"Historically the art world probably has been guilty of oversight," Barker says. "I think it's fair to say that in the '50s or the '60s, it was just harder for female artists to break through in a male dominated market.

'Got to be realistic'

"If you look at museum collections, the history of post-war collecting at the Tate of the Metropolitan or the Pompidou is probably largely male. Whether it's institutions or art schools or auction houses, we're trying to redress that balance."

But while he stresses that gender isn't considered when an auction house puts a price on an artwork, there are complex factors at play when deciding on something's value, and prices have "got to be based on reality".

"We can only reflect the market for a particular artist," he says. "[The price] has got to be based on what is the precedent for that particular art, what is the breakout appeal or opportunity that's here?

"We're in the business of also satisfying our vendors and purchasers so it's not just a question of trying to redress any balance of prejudice that historically has been institutionalised."

Gender inequality clearly isn't just a problem in auction houses - just 11% of the highest-grossing movies in the US last year were directed by women, while women make up just 15% of corporate boards around the globe.

'Signs of change'

In the art world, Anna Brady believes the gender balance is better in the primary market - the commercial galleries where art is initially sold - but that the pace of change of waiting for that to filter through to auctions is going to be "painfully slow".

Galleries and dealers are making an effort to push artists who were overlooked in the past and those who are now emerging, according to Kate Todd.

"There's some really great momentum behind contemporary female artists at the moment," she says. "I think it's going to take some time for them to reach their upper level - to break into that core group of consistently top achieving artists, simply because the volume of work isn't there yet.

"But there are some really exciting signs of female artists who are changing the landscape and who give some hope that there's going to be some disruption in that top group sooner rather than later."

Five artists under 50 who are rising up the auction rankings:

Image copyright Getty Images
Image caption The Sick Leaves by Cecily Brown
  • Cecily Brown - a London-born artist whose works fetched $14.8m last year - up from $613,000 in 2016.
Image copyright Getty Images
Image caption A la Warhol by Njideka Akunyili Crosby
  • Njideka Akunyili Crosby - the record price for a work by this Nigerian-born, Los Angeles-based artist, who is in her 30s, reached $3.4m this month.
Image copyright Getty Images
Image caption Lynette Yiadom-Boakye was nominated for the 2013 Turner Prize
  • Lynette Yiadom-Boakye - a British artist whose portraits of black figures sold for a total of $2.5m last year.
Image copyright Getty Images
  • Jenny Saville - another Brit, she saw her unflinching portraits fetch $11.8m in 2016 and '17.
Image copyright Avery Singer
Image caption Avery Singer - Fellow Travelers, Flaming Creatures, 2013
  • Avery Singer - aged 30, she made the art world take notice when a 2013 work, one of just a handful of her pieces to have come up for auction so far, smashed expectations to sell for $735,000 this month - six times higher than its upper estimate.

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Forum: Gestalt Therapy October 26th, 2006, 06:04 PM
Replies: 5
Views: 35,721
Posted By ItalianGT
Re: Welcome to the Forum

Hi, I'm Antonio, I'm an italian Gestalt student. I'm very glad to speak in this forum. I'm coming form Sardinia when I'm learning the Psycosocial Gestalt Therapy method. Here, we have to spendt 4...
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England loss a 'wake-up call', accepts Kane

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England's perfect record in UEFA Euro 2020 qualifying ended in Prague on Saturday (AEDT) despite Kane's early penalty putting Southgate's side ahead.

Defender Jakub Brabec equalised within five minutes then, in the closing stages at Eden Arena, substitute striker Zdenek Ondrasek hit the winner on his international debut.

England would have qualified for the finals had it won but is now joined on 12 points at the top of the group by Czech Republic.

Qualification can still be sealed on Tuesday (AEDT) when England visits Bulgaria with Southgate demanding a response from the Three Lions after a first qualifying defeat in 10 years.

"In terms of a wake-up call, we have had a lot of plaudits but there is a lot of work to be done to be a really top team — tonight was clear evidence of that," Southgate said.

"I always have to accept responsibility. We tried something to be more solid without the ball and that did not happen. We were poorer using the ball in the first half.

"In terms of the players, there are players who are not playing well for their clubs. That is the situation we are in. But we collectively have to accept the result and as manager I have to accept it.

"We have to respond in the right way, we have a couple of days to prepare and we have to reward our supporters with a better performance. There were not many positives. We accept defeat, and accept we have to be better than we were."

Kane hit his 24th international goal but the striker agreed with Southgate's assessment of England's below-par performance in Prague.

"I think it was down to us," Kane said. "It was a perfect start to an away game.

"We were sloppy with the ball, we didn't move it as quickly and we weren't pressing as we normally do.

"The second half was better, we had a couple of chances to put the game to bed and we didn't and unfortunately we gave one away at the end.

"Every away game in Europe is difficult. They had the crowd behind them, sometimes the pitch is not as easy to play, but that's no excuse. It's a bit of a wake-up call but we're in a good position.

"There's still stuff to work on for sure. We gave the ball away too cheaply and we'll have to go away and look at it. There's no need to panic and we'll go again [on Tuesday]."


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Paige Yelich, MPAS, PA-C

Paige Yelich, MPAS, PA-C grew up in Katy, TX. She received her Bachelors of Science in Communication Studies from The University of Texas at Austin in 2016 and went on to obtain a Masters of Physician Assistant studies at The University of Texas Medical Branch in Galveston in August of 2019. Paige joined the team at Bellaire Dermatology in October 2019.

She is Certified by the National Commission on Certification on Physician Assistants and licensed by the Texas Medical Board. Paige is a Member of the Society of Dermatology Physician Assistants, American Academy of Physician Assistants and the Texas Association of Physician Assistants.

Outside of the office, she enjoys traveling, being outdoors, playing tennis, trying new Houston restaurants, and spending time with friends and family. Paige is a proud Longhorn and spends many fall weekends cheering on the football team at home games in Austin! She is passionate about educating patients on medical and cosmetic dermatological concerns. Paige is excited to be a part of the Bellaire Dermatology family,

and serving the Houston community!

Professional Memberships

"These guys hung the moon. They actually care! Dr. Teller takes his time & his team has an eye for precision, they work alongside him for a great result that is just perfect for me. I’ve been coming for so long for this very reason. I would just never not. They are very extensive. I can’t thank them enough!"

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BN TV: Watch Ronke Raji’s Perfect Nose Contouring Tutorial in this 2 for 1 Special

Nigerian YouTuber Ronke Raji is giving a 2 for 1 special in her new tutorial video. The beauty vlogger shares her natural hair styling secret for how she achieves her snatched bun and a tutorial for her highly talked about contoured nose.

  1. Thenationalistparty

    March 18, 2017 at 5:29 pm

    So a white looking pointed nose is the ‘perfect’ nose, whilst the black nose is……..

    • Bhukumie

      March 23, 2017 at 5:50 pm

      This comment just exudes ignorance…you know nothing about makeup, pls take a thousand seats

  2. Iyke

    March 18, 2017 at 6:26 pm

    How about how to stimulate my mind?
    What is contouring????

    • D'Gifted

      March 18, 2017 at 7:41 pm

      nice one.

    • Idomagirl

      March 20, 2017 at 12:39 am

      Then why did you click on the link?

  3. Nakoms

    March 18, 2017 at 6:38 pm

    Before looks better!

  4. Californiabawlar

    March 18, 2017 at 6:54 pm

    Okay so how ridiculous is it to copy someone that’s copying you?
    As someone with big lips, I was made to feel self conscious as a kid. I obviously grew into it with time and well… when I realized what those lips do tho lol. But anyways I still can’t imagine now lining my entire mouth so I can look like a white man in black face. What’s the point? I just scrolled back up to look at her before lips…damn right gorgeous!
    I hate to be a Debby downer but black people need to do better!

    • A Real Nigerian

      March 18, 2017 at 7:12 pm

      “As someone with big lips,”
      So, Yoruba then?

    • Californiabawlar

      March 18, 2017 at 7:42 pm

      Ahn ahn! You’re just now haxing? You’re the only tribally ambiguous porson on this blog…
      And yes big juicy bubble gum lips ?

    • Sam B

      March 19, 2017 at 12:42 am

      Because Kenneth Okonkwo, Kanayo O Kanayo, Stephanie Linus, Uzo Aduba (all beautiful btw) are Yoruba abi.
      You just hate blackness and you hate yourself. Dumb ass

    • A Real Nigerian

      March 19, 2017 at 2:24 am

  5. Me

    March 18, 2017 at 8:43 pm

    Looks better without all that slap on her face. The lip liner thing is not a good look AT ALL!

  6. funmilola

    March 18, 2017 at 9:10 pm

    there’s something ridiculous about nose ring and her before looks much better than the after,the lips look heavy.

  7. What an ass

    March 18, 2017 at 9:44 pm

    What’s with the lip? Looks terrible tbh???. Shoulda stuck with the make-up free face.

  8. Allegra

    March 18, 2017 at 10:00 pm

    The lip style is called Ombre. Haba ladies.

  9. Tobi

    March 18, 2017 at 11:22 pm

    Wow!! who would have known behind that comical show girl mask is a real beauty queen. The mask would make sense on a stage. The sweet face for everyday use. Anyways to each their own.

  10. Obiageli

    March 18, 2017 at 11:29 pm

    Your nose is snatched cause you were born that way beautiful. Don’t be modest Tell em.

  11. Segi

    March 19, 2017 at 1:08 am

    Why do black women keep propagating the falsehood anyone wants to be like them? Women; irregardless of race, are mostly vain. We alter our outward appearance to soothe our vanity. You don’t find white women chorusing you want to look like them with 24inch hair, bleached out skin and contact lenses.

    • Californiabawlar

      March 19, 2017 at 2:28 am

      I’ve never judged people for bleaching or wearing weaves, at least not publicly. I mean I don’t subscribe to it but hey! Personal choices. And at least you’re looking like someone else. However it’s a whole new level of lack of self awareness to follow a trend that leaves you looking like a stupid caricature of yourself.

  12. Bokun

    March 19, 2017 at 11:41 am

    The makeup is quiet artistic, it has transformed her into some apocalyptic alien walking down the catwalk. I can’t imagine anyone walking about with all that makeup on though it’s a tad extra. The before picture shows how beautiful she is. The after pics showcase how artistic she is. I hope she gets snapped up by some big production company that could use her artistic skills.

  13. Kay

    March 19, 2017 at 9:40 pm

    the makeup is gorgeous! Why so many negative comments tho? People need to relax abeg

    • Bhukumie

      March 23, 2017 at 5:56 pm

      Thank you! Gorgeousssss and she’s very talented. We makeup lovers appreciate good work, stop hating and appreciate

  14. Uberhaute looks

    March 20, 2017 at 9:11 am

    This is what we call #instagrammakeup in the professional community, adopted and loved by most Nigerians.
    Explanation : instagram makeup is when you use tons if products on your face and Photoshop at the end of the day! ☺

    As a pro makeup artist, if you don’t empty your powder, highlighter, glitter and blush on the clients face, she’s never satisfied (most of them).
    So, here we are. *my humble opinion*

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Alkaline Vegan Breakfast

I have converted from being a traditional omnivore to a strict alkaline vegan. To break it down, I ate meat and dairy my entire life. After hearing about Dr. Sebi two months ago, I started to research his work and nutritional guide. I was taken back by why he chose specific foods on his diet. After hearing that what we eat causes most of all health conditions,

I switched cold turkey and have not looked back. I had to create and replicate foods. I was glad to know many others had started their alkaline vegan journey. As my blogs go on, I will detail how this new lifestyle has changed me as a whole, for the better. Today I am sharing my alkaline "oatmeal". I was over at Whole Foods yesterday and was looking for an alternative to oatmeal. I remember asking my mom whenever she was over to make me her version of traditional oatmeal. Of course it contained granulated sugar, oats and milk. I missed that warm breakfast. I found quinoa flakes. In the bag it looks pretty flaky not like the beads we are used to seeing. I used hemp milk, organic agave nectar and cinnamon to sweeten. Is it hard? Absolutely. I have to constantly look for new ways of cooking the same things over and over again. The long-term benefits outweigh my struggles. Below are the things I used to make this dish. My recommendation to all is to research Dr. Sebi; watch his videos. Understand his reasoning behind selecting certain food for his list. Our bodies are electric do not forget that!!!

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Kings of Baxter

Watch Kings of Baxter on 11 June including live Q&A with James Evans, Huw McKinnon and Director Jack Yabsley.

Kings of Baxter is an award-winning documentary which offers a rare insight into life behind bars for young men, and the power of Shakespeare and the arts to effect change.

Bell Shakespeare has worked with the Frank Baxter Juvenile Detention Centre on the NSW central coast since the inception of its juvenile justice program in 2010. The program has become renowned for using Shakespeare as a vehicle for self-reflection, self-confidence and skills development with young offenders.

In 2015, production company Grumpy Sailor were granted unprecedented access to follow Bell Shakespeare’s Associate Director James Evans and Resident Teaching Artist Huw McKinnon along with 15 young men at Frank Baxter Juvenile Justice Centre over 3 months, as they rehearsed and workshopped Macbeth, culminating in a performance for their fellow detainees, friend and family.

The film makers document life on the inside for these young men, as well as the effects of the program and the emotional toll it takes as they work towards their performance. The film offers an opportunity to sit with the boys in the lonely silences of their stark dorm rooms, to witness the anxiety, the humour, the machismo, the crises of confidence and the truths, as they are pushed to be vulnerable and exposed on stage.

Kings of Baxter was awarded Best Australian Documentary in 2017 at the Antenna Film Festival and Best Film 2018 at the Melbourne Documentary Film Festival.

Thursday 11 June 7.30pm AEST. The documentary runs for 66 mins and will be followed by a live Q&A facilitated by author and social researcher Dr Rebecca Huntley with James Evans, Huw McKinnon and Director Jack Yabsley.

Watch the extended trailer.

Kings of Baxter features Associate Director James Evans and Resident Teaching Artist Huw McKinnon.

Director Jack Yabsley
Producer Claire Yvonne Evans
Executive Producer Susan MacKinnon
Director of Photography Joshua Glenn Heath
Editors Pete Ward and Lindi Harrison
Music Composer Hylton Mowday
Sound Design Andrew Stevenson

A Grumpy Sailor Production

Produced with assistance from Foxtel Arts, Screen New South Wales, Screen Australia, the Australian Cultural Fund and the Documentary Australia Foundation.

Bell Shakespeare’s Juvenile Justice Program is supported by The Neilson Foundation and The Scully Fund.


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Morons on the Loose: Raunchy Vegas tale spins weird and wacky | Film | Bend | The Source Weekly - Bend, Oregon
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Morons on the Loose: Raunchy Vegas tale spins weird and wacky

I wanna hold your hand. Todd Phillips, director of the GG Allin documentary Hated, and the testimony to immature behavior, Old School, now brings us The Hangover, a journey down a path of tasteless jokes and weird slapstick that will keep you strangely riveted as you try to find out what's next. This is Bachelor Party meets Memento.

The gist of the plot is a bachelor party in Vegas gone askew. Four dudes go to Vegas: There's a dentist, Stu (Ed Helms), who lies to his wife; Phil (Bradley Cooper), a school teacher/cool guy happy to get away from the wife and kids; the nice guy groom, Doug (Justin Bartha), and Doug's brother-in-law, Alan (Zach Galifianakis), an oddball/weirdo/idiot savant/moronic pest. After a night offscreen partying they wake up in shambles-the hotel suite is trashed, a chicken, a tiger and a baby have all appeared out of nowhere and one of them (Doug) is missing. Neither they nor the audience has a clue as to what led to the wreckage. Then the race is on to nurse their hangovers, put some pieces back together, find their friend and get back to the wedding in time.

What sets this movie apart is that we're not treated to a bunch of flashbacks telling the story as the characters go, "Ahh, that's what happened," as they get closer to their goal. What we get is what they get: nothing. We follow the characters as they put two and two together and the clues begin to fall into place. And we move right along with them, trailing their sick skid mark of a night, trying to fill in the gaps. In essence, we are not simply watching a comedy road-trip-bachelor-party-gone-wrong (this is no Very Bad Things) we are actually participating in a kind of messed up whodunit detective story.

While the set-up is a little long, by the time the dilemma unfolds we're right there with them. Credit goes to Phillips for actually giving it the feel of a journey rather than just gross out/bad taste jokes.

Delivering an extreme departure from their earlier work, writers Jon Lucas and Scott Moore (Ghosts of Girlfriends Past) provide some of the best dialogue I've ever heard, most of which I cannot print here. But trust me these are lines you've never heard in a movie before.

In spite of all the ludicrous events, the characters emerged as more than cardboard caricatures-even if it took a while to warm up to Alan's eccentricities. Daily Show alum Rob Riggle steals the show. Heather Graham sufficiently pops in as the spunky hooker-with-heart-of-gold role. And Mike Tyson's Phil Collin's sing-along is a stroke of brilliance. While a "Who Let the Dogs Out" segment seemed overkill, as did spin-offs on Rain Man and Beautiful Mind, Phillip's ability to tie all together at the end is genius. Even after some not-too-sincere attempts at decency and morals, it's still a sick twisted mess of a movie-and that's good.

The Hangover ★★★✩✩
Starring Bradley Cooper, Zach Galifianakis, Ed Helms, Justin Bartha, Heather Graham. Directed by Todd Phillips. Rated R.

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