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Wednesday, December 31, 2014

Ring in the New Year with new items from PUTUMAYO!

What better way to celebrate the start of 2015 than with all-new items from PUTUMAYO? We've just received a large new shipment featuring blouses, accessories, skirts and dresses, including the super-cute Line Pleated Bunny Ear One-piece pictured above!

See all the new items on either our New Arrivals page or in our PUTUMAYO collection!

Sunday, December 28, 2014

Winter Sale! 30-50% off many items!

It's that time of year again - time for big savings!

We've taken 30-50% off many items in our store! All styles, all brands - there's something for everyone!

But hurry, because we're clearing space for new items and once these items are gone, they're gone!

Friday, December 19, 2014

New and restocked SEX POT ReVeNGe items!

Those of you who think you missed out on winter coats and parkas from SEX POT ReVeNGe this year, rejoice! We've just restocked a bunch of our popular winter items, along with some new items to add to your collection! That includes the META META BEAR Long-Sleeve Custom Cutsew above and the Weird Black Stripe Onepiece, among others.

We've restocked the Fur Layered Long Coat as shown above, as well as the Dangerous Creature Big Pull Parka, plus a bunch more!

Visit our New Arrivals or check out the full SEX POT ReVeNGe collection page - it's bursting at the seams right now.

Thursday, December 18, 2014

Morrigan New York's Palm Reader print now in stock!

We're excited to have local brand Morrigan New York's new dress release now in stock at our store!

The "Palm Reader Dress" features a unique print based on occult themes from medieval astronomy, fortune telling, and Turkish mysticism.

The dress is a lightweight elegant silk voile blend fabric with an empire waist and wide elastic neckline. These solid collar dresses come in both black and white and have the printed image delicately across the front bottom of the flowy skirt!  Available in small, medium, and large!

We have a limited number of these dresses in stock now! Stop by or order online!

Sunday, December 14, 2014

Holiday hours and shipping info!

Important info here to help you complete all your holiday shopping on time! (And to make sure you visit us while we're open!)

Holiday store hours:

12/24: 1-5PM
12/25: Closed
12/26-29: Regular hours (1-8PM)
12/31: 1-5PM
1/1: Closed

Regular hours from 1/2.  Please note that we are always closed on Tuesdays.

Holiday shipping info:

12/18: Last day we're confident in pre-Christmas domestic delivery with standard Priority shipping.
12/20: Last day we're confident in pre-Christmas domestic delivery with Express shipping

Please note that shipping does usually slow down a bit during this time of year due to volume, and that while we usually ship within 24 hours, we can't guarantee actual delivery dates. Consequently, these shipping dates are conservative. It's possible that an item ordered later than this would arrive by Christmas, but the chances drop dramatically.

Consider an email gift card if you miss these dates!

We hope you all enjoy the holiday season!

Thursday, December 11, 2014

New stock for the holidays from Innocent World and Lumiebre!

We've just received many new items from both Innocent World and Lumiebre! All of these items have a modern but classical Lolita look that complement each other, so wear them together or separately!

From Innocent World we have the Doll Museum series, with cameos of Teddy bears and dolls throughout the print! We also received the Three Archangels Tiered One-piece, with stained glass images of the three archangels Michael, Raphael, and Gabriel.

Check out our Innocent World collection page for these products and more!

Yes, it's back!

From Lumiebre we've restocked another stained glass print - the extremely popular collaboration with Midori Fukasawa A Chapel for Me umbrella. We've also restocked several other styles that had been sold out, and picked up a couple of new ones too, including the Angelo umbrella and Horror House ciel umbrella.

Visit our Lumiebre collection for more, and stop by our New Arrivals page to see all of our latest additions and restocks! Or come see us in store!

Monday, December 8, 2014

Victorian maiden Classical Bouquet series now up for Reservation!

We now have Victorian maiden's latest items available for reservation!

Please view the reservation policy here before ordering.

At this time, all reservations must be made through email at order@tokyorebel.com.

Reservation period ends December 13th 10PM ET.

Please click each image for more information from Victorian maiden's web site.

Items newly up for reserve (prices do not include tax or shipping, as applicable):

Please note that if a price is listed in strike-through, that is the regular price that will apply once the reserve period ends. The second price is the promotional reserve period price.

Classical Bouquet Ribbon Doll Dress - $265  $245
Available in:
Misty Rose
Misty Blue

AKIRA Tea Party Event Photos up!

We've uploaded more photos from our AKIRA Tea Party Event up in a gallery on our FaceBook page!
Here are the group pictures from both parties with AKIRA!

We've sent everyone their personal photos but for a general overlook of the event please check out some of our own shots during the party at our FaceBook here!

Thanks again everyone who attended!

Monday, December 1, 2014

Buy AKIRA's jacket, autographed photo book, and CD!

You may have heard that last weekend we held a tea party with KERA model AKIRA. It was unseasonably cold! Much colder than Japan at this time of year, so we lent AKIRA one of our Fur Layered Long Coats by SEX POT ReVeNGe for the duration of her visit. She wore this jacket to keep warm while transiting around the city before and after her events at our store. As a special thanks she signed the tag with a personal message, and now it's back up on our site and available for sale!

Please note the Leopard x Black Fur color and M Size of this jacket is the only available with AKIRA's special message.

In case you missed the chance to get one in store during our event, we'll now be selling AKIRA's band DISACODE's CD, Ryuu no Hige wo Ari ga Nerau (龍の髭を蟻が狙う)and a special photobook DISTYLE!! Vol. 1 featuring her and band mates Shin and Marcy! Each copy of the photobook is personally autographed by AKIRA! (Note that the CD's are not autographed.) Both items will be sold in store and online while supplies last!

Thanks for reading, we hope to hear from you soon!

Upcoming Order Schedule

The following is our approximate schedule for future orders we plan to place with our brands, subject to change at any time. If you are interested in special ordering an item, you can use this as a guide for when to order. We recommend ordering 1-2 weeks in advance. Please email us to start a special order.

  • PUTUMAYO - ordered, awaiting shipment
  • Innocent World - ordered, awaiting shipment
  • Listen Flavor - early March
  • Lumiebre - early-mid March
  • Yosuke USA - just arrived!
  • VICTORIAN MAIDEN - schedule varies, contact us

About this blog

This is the official blog of Tokyo Rebel, New York City's only Japanese street fashion store! We also ship worldwide. Specializing in gothic, Lolita, rock and punk styles, we carry real brands imported directly from Japan. Our brands include SEX POT ReVeNGe, Listen Flavor, PUTUMAYO, Innocent World, Novalar's, Lumiebre, Yosuke USA, ATELIER-PIERROT, Victorian maiden, Pullip, and more!

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Thursday, October 23, 2008

Business Week on HSAs

The October 13, 2008 Business Week has a detailed discussion of Health Savings Accounts (HSAs), covering the pros and cons for individuals.

The positives far outweigh the negatives for the responsible consumer. And as more patients adopt these sorts of plans (thus achieving a critical market share), I anticipate that the hassles HSA clients experience with insurance companies and providers' offices will start to decline.

(Via Gary Takahashi.)

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Monday, September 03, 2012

Our ECOTUS (Empty Chair Of The United States) shares more than a chair with Karl Marx

Our ECOTUS (Empty Chair Of The United States) shares more with Karl Marx than an admiration for empty chairs, Obama & his Regulatory Czar, Cass Sunstein, share with Karl a desire to do away with private property rights (gradually of course, progressively, don't scare people!, for goodness sake, just start by spreading the wealth around, then requiring govt to approve of private property, etc), isn't that great!

Why is that great? Well, because, as Karl said in chp 2 of his Communist Manifesto:
"In this sense, the theory of the Communists may be summed up in the single sentence: Abolition of private property. "
See if you can pick out any instances of History Rhyming in these fun facts from Karl's summary of the steps to Utopia:
"We have seen above, that the first step in the revolution by the working class is to raise the proletariat to the position of ruling class to win the battle of democracy.

The proletariat will use its political supremacy to wrest, by degree, all capital from the bourgeoisie, to centralise all instruments of production in the hands of the State, i.e., of the proletariat organised as the ruling class; and to increase the total productive forces as rapidly as possible.

Of course, in the beginning, this cannot be effected except by means of despotic inroads on the rights of property, and on the conditions of bourgeois production; by means of measures, therefore, which appear economically insufficient and untenable, but which, in the course of the movement, outstrip themselves, necessitate further inroads upon the old social order, and are unavoidable as a means of entirely revolutionising the mode of production.

These measures will, of course, be different in different countries.

Nevertheless, in most advanced countries, the following will be pretty generally applicable.

1. Abolition of property in land and application of all rents of land to public purposes.
2. A heavy progressive or graduated income tax.
3. Abolition of all rights of inheritance.
4. Confiscation of the property of all emigrants and rebels.
5. Centralisation of credit in the hands of the state, by means of a national bank with State capital and an exclusive monopoly.
6. Centralisation of the means of communication and transport in the hands of the State.
7. Extension of factories and instruments of production owned by the State; the bringing into cultivation of waste-lands, and the improvement of the soil generally in accordance with a common plan.
8. Equal liability of all to work. Establishment of industrial armies, especially for agriculture.
9. Combination of agriculture with manufacturing industries; gradual abolition of all the distinction between town and country by a more equable distribution of the populace over the country.
10. Free education for all children in public schools. Abolition of children’s factory labour in its present form. Combination of education with industrial production, &c, &c."
Isn't that great!

By moving gradually, progressively, step by step, the enlightened ones will move "to wrest, by degree, all capital from the bourgeoisie, to centralise all instruments of production in the hands of the State", and it's working pretty well, isn't it?

Not sure? Really? Here, let's count down the steps to our all facing an empty chair:
#10 Dept of Education? Common Core Curriculum? Race To The Top?
#9 Have you ever heard of Sustainability? The Farm Bill? Govt directed Smart Grid? Agenda 21?
#8 EEOC? And what did Obama mean by that " 'we need a civilian national security force" comment? Hmmm.
#6 FCC? Net Neutrality? Dept of Transportation? FAA? And let's not forget TSA. Remember, baby steps.
#5 The Fed, TARP, Consumer Financial Protection Agency (Yep, that's Fauxchahontas herself, Elizabeth Warren)
#4 If you're finding some reassurance in this, try thinking of emigrants as those with offshore bank accounts, and rebels as... well, have a cup of TEA and think it over.
#3 Death Tax?
#2 Hellooo IRS? The agency charged wtih providing the means of 'Spreading the wealth around'? The Enforcement Agency for the ObamaoCare bill?

... and rounding out the #1 spot, the neatest trick of all... (drumroll please...!)

#1 Regulatory Agencies. These are the means of abolishing private property (and Individual Rights) for various 'Greater Good!' causes. See above for reference.
As these steps are gradually tightened up, locked down and put into place, and as you may find that you are progressively unable to live your own life any longer, and as you may want to go complain to someone about it... you know what you'll be facing in your quest for Justice?

Yep. An Empty Chair.

Now that's moving Forward!

1 comment:

John Lien said...

Nice Post Van. We ain't there yet but it looks like we are down the road way too far to be complacent. It appears that many of the structures are in place. The others, like #9, aren't there but they seem to have a plan ready when the time is right. Overall, a pretty disturbing comparison.

Have you seen 2016? Nothing about "The Chair" that I hadn't heard about except it presented me with much detail as to how his mentors were extreme radical Communists/Socialists. It produced in me a feeling of betrayal by the MSM by hiding these facts.


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Women in Peking Opera

In the second instalment of this blog, complementing the exhibition “A Century of Women in Chinese Art” now on show at the Ashmolean Museum until the 14th of October 2018, we will look at examples in the museum’s collection of objects on Peking Opera themes.

These include two paintings by Gao Made 高馬得 (1919-2007); one by Guan Liang 関良 (1900-1986); a popular print from the beginning of the twentieth century showing a selection of heroes of the Water Margin (a common theme in Peking Opera); and a small group of matchboxes from the 1970s.

Three figures from the ballet version of Red Detachment of Women, 1970s, Gittings Gift, EA2008.36.c © Ashmolean Museum, University of Oxford

In the previous instalment of the blog mention was made of the Red Detachment of Women. The most famous version of this story is the ballet version, based on a 1961 film of the same name. Following this came the Peking Opera version, which, to the fan of Peking Opera is equally impressive, if not quite so exciting for the lay viewer.

Peking Opera version of the Red Detachment of Women

Before going any further I feel it is important to say a word or two about the term “Peking Opera”. The type of sung drama to which this term refers is known in Chinese as jingju 京劇 (or sometimes jingxi 京戲), a term that might be best translated into English as “Drama of the Capital”. The term “Peking Opera” is not a translation of the Chinese term jingju but was devised by English speakers in the nineteenth century to refer to this specific dramatic form.
Peking Opera was, then, an English-language term used to refer to the Chinese art form known in Chinese as jingju and in much the same way that “Peking University” is still the official name of that university (i.e. it has not changed its name to “Beijing University”), it should be seen as more correct to use the term “Peking Opera” when referring to jingju; the term “Beijing Opera” being something of an anomaly, with the word “opera” used simply to refer to a form of sung drama.

Gao Made, The Legend of the White Snake (Baishe zhuan 白蛇傳), 1990, Reyes Gift, EA1995.190 © the artist’s estate

Returning to the theme of Peking Opera as it appears in the Ashmolean exhibition. Gao Made’s interpretation of “Stunned by the Transformation” – a scene from The Legend of the White Snake (Baishe zhuan 白蛇傳) – is a good example of his work and is part of trend particularly prevalent after the foundation of the PRC to paint scenes from Peking Opera with a view to displaying one of China’s national treasures to the world. A similar promotion can be seen in the case of martial arts, the subject of the next instalment of this blog.

Gao Made is a largely self-taught painter and was heavily influenced by the cartoonist and guohua (“National Painting”) painter Ye Qianyu, an example of whose work can also be seen in the exhibition (EA1995.274). Gao is particularly well known for his paintings of scenes from Chinese drama following in the tradition of artists such as Guan Liang 关良 (1900-1986).

Guan Liang, Scene from the Peking Opera The Case of the Beheading of Chen Shimei (Zha Mei an 鍘美案), EA1968.74 © the artist’s estate

See for example a painting in the museum’s collection showing the Peking Opera The Case of the Beheading of Chen Shimei (Zha Mei an 鍘美案). This was a court case presided over by Judge Bao, a popular figure in Chinese fiction based on the Song dynasty magistrate Bao Zheng (AD 999-1062). In the painting, to the right, can be seen Chen Shimei who betrayed his wife Qin Xianglian by marrying the emperor’s daughter (the honour of coming first in the imperial examinations having rather gone to his head). At the order of Judge Bao, his faithful servant Zhan Zhao, who can be seen in the centre, executed Chen Shimei and saved the life of Qin Xianglian who Chen had plotted to murder.

The Legend of the White Snake a scene of which can be seen in Gao Made’s painting in the exhibition is one of the most popular dramas in the Peking Opera repertoire, not least because of the extraordinary acrobatic sequences that appear towards the climax of the story. The actor who plays the female lead – the White Snake – rarely leaves the stage during the entire length of the performance and has an extremely demanding role as both a singer and acrobat.

To place the story of the White Snake into geographical context we will first look at a poster that depicts West Lake in Hangzhou on a festival day in more recent times. In this scene a number of theatrical performances can be seen taking place amongst the thronging crowds. Towards the lower right-hand side of the scene can be seen a performance in miniature of the Model Opera Taking Tiger Mountain by Strategy (Zhiqu Weihushan 智取威虎山). Small though it is, it can be identified as the scene from this play in which the huntsman’s daughter Xiao Changbao 小常宝sings a solo aria in the company of the stories hero, a soldier of the People’s Liberation Army. It is interesting to note that the actress who played this role in the 1970 film became well known for her performance as Bai Suzhen, the lead role in “The Legend of the White Snake”.

An outline of the story is as follows:

At the time of the Qingming Festival, the white snake spirit, and her servant the green snake descend into the mortal world in human form as Bai Suzhen and Xiao Qing. On arrival at West Lake, Hangzhou, Bai meets with a young scholar, Xu Xian who offers her his umbrella against the rain. They fall in love, are married, and soon after establish an apothecary shop in Zhenjiang. The Buddhist monk Fa Hai knows of Bai’s otherworldly origins and persuades Xu to give her realgar wine (made from arsenic sulphide), in full knowledge that by doing so she will reveal her true identity. Having drunk the wine she reverts to her original form and Xu Xian promptly dies of fright. This is the scene depicted in the painting, before her actual transformation. In order to bring her husband back to life, Bai Suzhen is compelled to risk her own life to go in search of the antidote, a magic herb, found only at Mount Emei.

This is often performed at the time of the Dragon Boat Festival when realgar wine is traditionally drunk to drive away poisonous creatures such as snakes, centipedes and scorpions. The scene is also known as Stunned by the Transformation at the Dragon Boat Festival (Duanyang jingbian 端陽驚變).

Gao Made, Chun Cao Outwits the Magistrate , 1989, Reyes Gift, EA1995.192 © the artist’s estate

A woman takes centre stage again in a second Peking Opera excerpt illustrated by Gao. This is a scene from Chun Cao Outwits the Magistrate (a.k.a. Chun Cao Braves the Court). In this story, a maidservant Chun Cao, learns that a righteous and morally upright man – typical of the young scholar gentleman of the time – is to be wrongly sentenced to death. She decides to trick the magistrate into believing that the accused is betrothed to her mistress, the prime minister’s daughter, as a ruse to save him. The two eventually marry.

The men in the scene depicted by Gao – four attendants and the magistrate leading at the front – are all examples of the clown role, known as chou 丑in Chinese, and the white make-up applied to the ridges of their noses indicates this to be the case. In the centre is Chun Cao.

New Year’s Print showing characters from the Water Margin, EA2006.3 © Ashmolean Museum, University of Oxford

In a popular woodblock print showing a scene from a Peking Opera version of the Ming dynasty novel the Water Margin three women appear amongst the assembled crowd.

Wearing full Peking Opera regalia and seated in the centre of the Hall of Loyalty and Righteousness (in this print a depiction of the typical theatrical stage on which Peking Opera is performed) is the leader of the 108 rebels, Song Jiang, and assembled around him can be seen several other key figures in the story:

Centre stage, out in front, is Li Kui, a fearsome character known as the Black Whirlwind.

Standing on stage, to the right, is Lin Chong, one of the central figures in the popular Peking Opera Yezhulin (Wild Boar Forest). As with many full-length Peking Operas, Ye Zhulin was originally just a short excerpt from the Water Margin. On the left is Wu Song, whose story covers several chapters in the original novel: from the time when, under the influence of strong alcohol he beats a tiger to death with his bare hands and becomes the hero of the local villagers, to his involvement with the lecherous dealings of Ximen Qing and his own brother’s wife Pan Jinlian, both of whom meet their deaths at his hands for the murder of his brother.

To the left of the print can be seen three women. These are amongst the small number of women bandits that appear in the Ming dynasty novel:

At the back: Gu Dasao顧大嫂, nicknamed “Tigress” (Mu da chong 母大蟲 ), a prolific martial artist. In front, to the right, is Hu Sanniang扈三娘, also known as Yi Zhangqing 一丈青 (as indicated in this print). On the left is Sun Erniang孫二娘 who is nicknamed “Yaksha” (Mu yecha 母夜叉) after the female Buddhist spirit, due to her fierce and wild appearance.

In the Peking Opera Shizipo 十字坡 based on an episode in the book, Sun Erniang and her husband Zhang Qing own a tavern to which they lure travellers, drugging them, slaughtering them, and filling their steamed dumplings with their cooked flesh. Following an encounter with Wu Song (who did not fall for their ruse) and after a fierce fight between them, Wu becomes the sworn brother of Zhang Qing. The married couple later join the bandits at Liangshanbo.

Four matchboxes depicting figures in Peking Opera roles, EA2010.84 © Ashmolean Museum, University of Oxford

Wu Song can be seen as he appears in the opera Shizipo on one of four matchboxes in the Ashmolean collection. These are just a small sample of a collection of several hundred matchboxes that was accumulated in China in the 1970s and 1980s, and entered the museum’s collection rather more recently. Three more examples show heroes from the Water Margin. The first two, on the left of the picture, show Sagacious Lu and Lin Chong as they appear in the popular opera Yezhulin (Wild Boar Forest). The fourth example shows Qin Ming, the “Fiery Thunderbolt” a brave warrior figure, as indicated by his painted face and long stage beard.

In the Water Margin print, the banner on the left above the heads of the assembled crowd tells us that they are all gathered together in the bandit’s lair – Liangshanbo – in the marshes far from the eyes of the imperial court. The banner on the right: “Root out the Cruel to make way for Peace” (Chubao anliang 除暴安良) is part of the maxim of the bandits at Liangshan, which continues: “Carry out ‘The Way’ for the Sake of Heaven” (Titian xingdao 替天行道).

This depiction of the Water Margin is an example of a New Year’s Picture, a type of popular print that often took Peking opera excerpts as its theme. The New Year’s Picture that appears in the exhibition “A Century of Women in Chinese Art” is rather different as it shows two women in a domestic scene. Despite being different in both theme and appearance these prints both served the same function: to act as auspicious decoration displayed as part of the New Year festivities. A related print again shows three women in a domestic setting. This is replete with symbolism, showing off particularly well the clothes of the young women that are very much of the same period as the silk jacket and skirt on display in the exhibition.

Embroidered Jacket, 20th century (before 1938), EA2015.32

Embroidered Skirt, 20th century (before 1938), EA2015.32

For more on women in martial arts, as seen in the Water Margin, see the next instalment of this blog.

Dr Paul Bevan, Christensen Fellow in Chinese Painting, Ashmolean Museum

11 July 2018 Guided tour of the exhibition with Dr Paul Bevan

This entry was posted in Chinese Paintings Collection, Collection research, Temporary display and tagged , , , , , , , , , , , , , . Bookmark the permalink.


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Whose Funeral is it Anyway? Alison Cooley talks about the real Abascantianus

In October 2015, the AshLI Project had great fun staging a Roman funeral in the Ashmolean Museum as part it’s DEADFriday event. You can see the video here.

As our corpse, we chose Tiberius Claudius Abascantianus, a name familiar to us from a beautiful inscribed funerary-urn in the Ashmolean collection, which we had recently put on display in our new columbarium installation. Now you can hear the lightening talk that Prof. Alison Cooley gave that night, explaining what we know about the real Abascantianus:

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Congressional efforts to give the outdated No Child Left Behind Act a facelift headlined this year's Council of the Great City Schools annual legislative conference.

Graduation rates for black students in the 2012-13 school year was 70.7 percent and for Hispanic students was 75.2 percent, but white and Asian/Pacific Islander students still out-performed both other groups.

Prospective grantees would be urged to pitch projects designed to increase the number and percentage of students who graduate from high school ready for postsecondary education and the workforce.

The U.S. Department of Education's Office of Planning, Evaluation, and Policy Development is getting ready to "waive" hello to a new hire, from Bellwether Education Associates.

U.S. Secretary of Education Arne Duncan is pushing to close a loophole in the NCLB law that he says shortchanges poor and minority students.

At the National Science Teachers Association's annual conference this afternoon, U.S. Secretary of Education Arne Duncan spoke about standards and "overtesting," and was questioned on an encounter with parent protesters.

As states roll out new assessments aligned to the Common Core State Standards, they're also considering, or reconsidering, how to use them in accountability systems.

Sen. Lamar Alexander, R-Tenn., said the amendment offered by Sen. Pat Toomey, R-Pa., would bolster the U.S. Department of Education's role as "a National School Board."

The Washington state Senate took a critical step toward regaining the state's waiver from many of the mandates of the No Child Left Behind Act.

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Daily coverage of Seattle Sounders FC, MLS and world soccer.

July 6, 2012 at 2:17 PM

GM Adrian Hanauer discusses Open Cup bids, poor league form and testing fans’ patience

hanauer mug.jpgA group of reporters got a chance to catch up with general manager and part owner Adrian Hanauer after Friday’s practice and here is the transcript of that conversation:

* * *

(We just learned that you outbid Philadelphia for U.S. Open Cup hosting rights, but lost to Sporting Kansas City. Are you confident in the bid you placed?) “Yeah, you know again, the word I got was that our blind bids were identical — which is a shocker to me — and it was then decided by a coin flip. So it’s always something new to me. I’m still not sure where in the description of this process, the blind bid that U.S. Soccer was so proud of, (that it) led to a coin flip. But be that as it may, we first and foremost have a tough game with Chivas ahead of us. So if we get past Chivas, then we’ll worry about a final. Philadelphia is hosting Kansas City, and we would host Philadelphia if both Philly and Seattle win, so we will play our game and try to get through a semifinal and then deal with a final at that time.”

(One idea floated out there is having a permanent home for the Open Cup final — e.g. Kansas City — have you heard any of this?) “I think it’s a great idea. I’d love to see the Open Cup final in Kansas City every year. I’m just kidding. … I hadn’t heard that. If the state of Kansas wants to be become a $10 million sponsor of the U.S. Open Cup, I think that’s a great idea. Otherwise I think there are probably some better solutions.”

(You’ve now had all the coin flips and closed bids in this Open Cup process. How do you think it has compared the previous years?) “I still think the Open Cup is broken. It’s my personal opinion. I think that it can be so much more as a tournament with a bunch of concerted effort and brain power and some money thrown at it. But the details are behind us. It’s all about playing the games now, and hopefully our team will be up for the game on Wednesday and then be able to play in another final.”

(Is the bid simply a single figure? Is that the entire process?) “No. I think it’s pretty broad, but a compelling financial presentation. So as you can imagine, that might include a guarantee, it might include a percentage, it could include marketing, it could include hotel rooms — it could include a whole host of things, but we’re not going to get into the specifics of how we bid.”

(But it’s involved enough where identical seems unlikely…) “It does to me. Yeah.”

(Especially since you ended your bid with 26 cents, right?) “Exactly. (laughs) We should’ve done that. Good one. We’ll do that next year.”

(Are you OK sacrificing some league results to make another deep Open Cup run?) “No. There’s never been a discussion of sacrificing anything — sacrificing a win in Open Cup to get a league win, sacrificing a league win to get an Open Cup final.”

(Does a deep Open Cup alleviate any feelings of league form?) “No. I don’t mean to sound insincere, and it’s great that we’re in the semifinals of the Open Cup, but it sucks that we’ve had a run of nine without a win. So one isn’t making the other seem less painful or alleviating any of the urgency to start collecting more points.”

(At any point do you start calling these must-win games?) “I mean, look, at some point in the season, math dictates games are must wins, but we’re not at that point in the season. As (coach Sigi Schmid) always says, points count the same at the beginning of the season, in the middle of the season and at the end of the season. So we just need to keep focusing on collecting points and not get to a position where games are must wins in order for us to make the playoffs and hopefully finish in a position to host some games.”

(The fans have been so supportive, are you getting more feedback than usual asking what’s going on?) “Look, I’m a fan. (Majority owner Joe Roth is) a fan. We’re all fans. Yeah, first-hand knowledge — there is more grumbling. It just happens when you lose, and it’s warranted. Just like I think when you’re 7-1-1 fans sometimes will talk to me and maybe have an unrealistic view of how good we are, going 0-4-5 fans have an unrealistic view sometimes of how bad we are. And so, for sure when you’re losing you hear more grumbling, and it’s the nature of the business we’re in. It’s ultimately about wins and losses. That said, again, our fans have been fantastic, but we don’t want to test them. We don’t to test their loyalty anymore than sort of the normal ebbs and flows of a high-level team in this league. We’re testing them, we’re pushing them right now. We’d like to turn that around and reward them for that support, as well.”

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March 25th, 2011, 4:40 am

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Bryn Mawr Classical Review

Bryn Mawr Classical Review 2005.07.24

Alexander Weiss, Sklave der Stadt: Untersuchungen zur öffentlichen Sklaverei in den Städten des Römischen Reiches. Historia Einzelschriften no. 173.   Stuttgart:  Franz Steiner Verlag, 2004.  Pp. 265.  ISBN 3-515-08383-9.  €46.00.

Reviewed by Noel Lenski, University of Colorado at Boulder (
Word count: 3101 words

This book represents the publication of W's 2002 Bonn dissertation. Despite the fact that this version has been revised only moderately, it represents an extremely mature and fully developed piece of scholarship. The subject is satisfyingly well proportioned to a first book and was crying out to be investigated. Servi publici / δημόσιοι in the Roman empire had been previously dealt with comprehensively only in the 1897 monograph of L. Halkin and, despite some important articles and book chapters on the subject, had been largely ignored since.1 W. Eder's Servitus Publica (1980), though itself a fine work, focuses only on servi publici in the city of Rome and trails off markedly in the imperial period when, Eder assumes, public slaves were replaced by servi and liberti Caesaris.2 Because, to W's mind, Eder had already covered Rome adequately, W largely avoids the capital except where it impinges on the provinces or where he takes issue with Eder's conclusions. Rome aside, W was well aware that the hundred-year hiatus in scholarly attention to servi publici has witnessed the publication of scores of relevant inscriptions, not least the lex Irnitana, and a considerable advance in scholarship on ancient slavery.3 W takes account of both developments, though his focus is primarily trained on the epigraphy rather than new theoretical and comparative approaches to slavery. W has assembled a catalog of 397 inscriptions (305 of slaves, 92 of freedmen); these include 136 not yet included in Halkin, among which are 81 in Greek as compared to Halkin's exiguous 13; moreover, he judiciously rejects ten of Halkin's inscriptions (and a handful of others) as irrelevant or unusable. W has thus sifted and augmented the material introduced by Halkin and thereby doubled the epigraphic source base. This has allowed him to bring many issues into much sharper focus and to create the storied "standard work" on this important question.

After briefly reviewing previous scholarship, W divides the book into four chapters: 1. the acquisition of public slaves; 2. the activities of public slaves; 3. the position of public slaves in Roman society; 4. the historical development of public slavery. A brief appendix and the catalog of inscriptions follows, and the book closes with an extremely meticulous and useful quadripartite index locorum.

In the first chapter W articulates four categories of acquisition: purchase, confiscation, gift and inheritance, and natural reproduction. Evidence for each is produced, including evidence that allows W to elaborate and even rebut the extensive arguments already marshaled by Eder. Thus on purchase, where Eder, following Mommsen, had assumed that slaves could be bought by the city of Rome only through a legal fiction via locatio operis rather than emptio venditio, W shows that rubric 79 of the lex Irnitana. now proves the contrary: western colonies, and Rome probably as well, used emptiones to acquire slaves. W also uses his extensive epigraphic database to demonstrate that natural reproduction played a much larger -- probably the most important role -- in the acquisition of servi publici than Eder allowed.4 Indeed, W goes so far as to assert that the reason cities maintained servae publicae -- well attested in the epigraphy -- was primarily to ensure the natural reproduction of the familia publica.

The second, and far and away longest chapter, on the tasks of public slaves, is broken into six sub-categories. The first treats servi publici as personal retainers of magistrates. W opens with another refutation of Eder, again based on the new evidence of the lex Irnitana. Following Isidore of Seville, Eder had argued that the term limocinctus (clad in a purple-striped girdle) -- attested already in the lex Ursonensis of 44 BC (CIL 2:5439 = ILS 6087 rubric 62) -- was a generic term for servi publici. W shows, however, that the term was in fact much more circumscribed in its use, being limited to the retainers of the Duumviri and Aediles. Particularly striking in this section is W's demonstration that the Classical Greek city -- if Athens can be taken as representative -- had no such category of public slave retainer, but that Greek cities developed these in the Roman period, presumably in imitation of Roman municipal structures.

W's second category of public slave employment, urban administrators, is further divided under public finance, actores, archives, market inspection, grain supply, administration of alimenta schemes, and the so-called vilicus kalendarii Septimiani. The most commonly attested form of public slave administrator was the arcarius (treasurer), 25 of whom are known by name. We also know of six dispensatores (accountants) and three vilici summarum whose functions were closely related. W wisely resists the temptation to see in these designations some hierarchy rather than simple variation in nomenclature. Where slaves played a crucial role in managing public finances in the west, W is able to demonstrate that the cities of the east sometimes used slaves, but more regularly relied on free citizens -- often men of quite high standing -- to serve as οἰκονόμοι τῆς πόλεως. Indeed he argues that the shift to unfree οἰκονόμοι occurred only under the empire and, once again, in imitation of Roman civic structures. For servile actores publici W assembles six named instances, twice as many as Halkin, and also deploys the rich font of references from the legal and literary sources to show how prevalent they were, especially in their function as bursars. Regarding archival work, where public slaves are attested in Rome already by the second century BC, W collects not only four named slave tabularii but also six liberti rei publicae who continued to serve as tabularii after manumission. Regarding their eastern equivalent (γραμματεῖς) W moots the possibility that some slave archivists from Thyatira even adopted patronymics to highlight their status (TAM V.5.1075, 1084, 1142; cf. IGR V.4.1281, 1284). On market oversight we have only one epigraphically attested s(ervus) vil(icus) macelli (from Piacenza), but our knowledge is supplemented by a number of literary and epigraphic testimonia to the employment of public slaves in the service of aediles and ἀγορανόμοι. The one specifically named horrearius (from Beneventum) is matched by comparatively little other evidence for the management of civic grain supplies by public slave. By contrast, four named servi publici are attested in connection with alimentary programs, evidence supplemented by W to demonstrate that the brunt of administrative responsibility for these programs was born by slaves rather than the elective quaestores alimentorum. Finally, W treats an interesting inscription regarding the public slave vilicus kalendarii Septimiani from Savaria (CIL 3:4152 = ILS 7119) in which he offers important insights on the broader administration of kalendarii.

The third major category in chapter two treats the maintenance of public order. In this arena W finds no equivalent of the classical Athenian police force of Scythian archers. Indeed, though ample evidence of police activity exists from martyr acts and epigraphic testmonia, very little of it points to the use of public slaves as police. Instead they seem to have been deployed by police agents as servants, especially for the conduct of house searches, a job attested from the early Republic through the Great Persecution. Public slaves are also attested as prison personnel, most clearly in Pliny's famous letters 10.19-20. Nevertheless, where previous scholars have assumed empire-wide use of servi publici as prison guards, W -- building on the work of J.-U. Krause5 -- has argued that it was a more restricted and regional phenomenon. Again following Krause, W shows that slaves also served as executioners and, for that matter, that executioners and prison wardens were often synonymous, and often free.

In a fourth section on manual and technical labor, W points to fundamental differences between Rome and the cities in as far as Rome rarely used servi publici in banausic and menial jobs prior to Augustus and really only in aqueduct maintenance thereafter, while the cities relied more heavily on public slaves for manual labor all along. The unfree aquarii who maintained Rome's aqueducts are obviously well attested by Frontinus, but there are only three inscriptions attesting to municipal aquarii, from Philippi, Brundisium, and Venusium, a dearth of sources that W argues brings into question any serious role for public slaves in this arena. Much more commonly attested (eleven examples) are public slave plumbarii, whose job it was to produce, lay, and maintain lead water pipes -- again a job dominated by free men. Public slaves are also attested as personnel in public baths, where we even have two epigraphic testimonia of public slaves serving as surveyors (mensores) from Sipontum and Comum.

In a long section on public slaves in cult activities, W continues to break new ground by demonstrating both that Eder was wrong to assume that slaves could play no direct role in public ritual (as opposed to performing menial tasks for priests) and that Halkin was wrong to assume that they played a significant role in cultic activity in western cities outside Rome. There are in fact only two certain epigraphic attestations to public slaves operating in municipal cult activities, but both (a victimarius from Brundisium and an a sacris from Capua) indicate some direct involvement with ritual (AE 1964:138; CIL 10:3941). From the east, which had its own tradition of temple slaves quite independent of public slaves, we have much more abundant evidence for the cultic use of δημόσιοι. Evidence from Hellenistic Athens, Lagina, Lindos, Tymnos, Labraunda/Mylasa, and above all Delos is marshaled that shows slaves overseeing temple funds, maintaining buildings and grounds, keeping records of temple property and dedications, and even coordinating some cult activity. On this last, W argues convincingly that there was even a period on Delos -- after the Athenian takeover of 167 BC -- during which Athens several times imposed public slaves to serve as priests of the oriental cults in order to diffuse unrest. The realm of cult thus represents a departure from the normal pattern on two counts: first because in the cultic realm the east saw a more developed use of public slaves than the west, and second because the western cities did not here follow the example of Rome, where public slaves involved in cult activity outnumbered those in profane professions four to one.

W closes the second, long chapter with a section on the size of a familia publica. He begins with the observation, confirmed repeatedly in what precedes, that servi publici worked side by side with free laborers in virtually every task to which they were assigned. They thus never constituted the entirety of a city's public workforce. On the question of total numbers, W interprets the seemingly most useful inscription, a list recording the familia publica of Ostia (CIL 14:255 = ILS 6153), as incomplete --perhaps reflecting members of a collegium rather than the entire familia. Its 21 identifiable slaves and 35 freedmen must then be the starting point for Ostia's total. W also treats the relative numbers of occupations: his catalog lists a heavy preponderance of arcarii, followed by vilici, dispensatores, actores, and tabularii. Even here, however, many public slaves who occupied more lowly positions may have left no inscribed record of their existence, equally skewing our conclusions. W ultimately hazards a hypothetical average of c. 40 public slaves per city, but this is little more than speculation.

The third, much shorter chapter is devoted to the status of public slaves in Roman society. Here W is very much in concord with previous work which identified servi publici as quite privileged relative to other slaves and even to many ingenui, though he does modify previous arguments based on his own findings. Thus public slaves, though not generally allowed to wear the limus (as previously assumed), did receive their clothing at the expense of the state. This has become clear from rubric 79 of the lex Irnitana, which also confirms, contrary to Eder's argument, that liberti publici were expected to undertake operae. W also calculates the salary of aquarii at c. 1000HS per annum (based on figures given in Frontinus), a strikingly high figure that further confirms their status. The epigraphic testimonia also make it clear that public slaves regularly married freeborn women, albeit not under matrimonium iustum. Unlike Eder, and Mommsen before him, W does not see the regular practice of joining collegia as any particular privilege of servi publici over against private slaves, who often did the same. Above all, public slaves enjoyed the right to testamentary disposition over half of their peculium, not a negligible privilege in light of W's demonstration of the (often enviable) size of their fortunes.

The fourth and final chapter covers the historical development of public slavery. Here W highlights the quite striking differences between the Greek and Roman versions of the institution. Where the municipalities of the Latin west formulated their civic structures and the organization of their familia publica after the model of Rome, those in the east had their own structures prior to Roman encroachment. This meant that many eastern cities (particularly in Egypt and the near east) had no demosioi and those that did deployed them differently. Where eastern cities did use public slaves -- in general Greece and Asia Minor -- these already had fully developed structures for their employment (as administrative aids in finance and archiving, court servants, market watchmen, prison guards) by the time the Romans arrived. Roman involvement had only minor effects on this system -- like the development of the οἰκονόμος τῆς πόλεως on analogy with the arcarius. In the west, where more testimony is available, W builds from the assumption that servi publici adoopted new functions in the municipalities in imitation of (and therefore chronologically subsequent to) developments in Rome. As in Rome, they probably began serving in strictly religious roles, moved first into the profane realm as assistants to magistrates for conducting house searches, and then expanded from there. The choice of emperors from Augustus onward to turn over fields of responsibility formerly occupied by servi publici to servi Caesaris had a sort of trickle-down effect on the cities as well. Just as the familia Caesaris was modeled on the organization of the private household, so too that of servitus publica was modeled on the growing development of the familia Caesaris. W argues that this organization further changed as free and freed personnel gradually replaced public slaves in the civic workforce -- just as they did in the imperial bureaucracy.

There is very little to object to in a so well-researched, well-organized, and well-written book.6 On the contrary, there is very much to be praised, for W has taken a circumscribed but quite extensive problem and brought all of its aspects to life in admirable fashion. This book not only updates Halkin, it brings the scholarship on the question into an entirely new era, both in terms of meticulousness and comprehensiveness and in terms of sophistication and insight. Its wide-ranging learning and judiciousness will make it the standard work for the next century.

The only real problem worth mentioning results from the classic temptation to read too much into gaps in the source record. This is doubly true of epigraphy, where the very circumstantial specificity and reliability of inscriptions can seduce us into drawing larger conclusions than warranted about trends and patterns. The discussion of plumbarii on pages 122-5 provides a good example. W points out that the names of slave plumbarii survive in surprisingly large numbers whereas those of aquarii are relatively scanty; he thus concludes that the latter were relatively uncommon and the former relatively common. More likely this difference stems from the fact that the lead pipes that plumbarii produced and inscribed survive in much greater quantities (because mass produced and quickly inhumed in their ancient context) than the stone dedicatory inscriptions left above ground (and in much smaller numbers) by other public slaves like aquarii.

This same problem of reading too much into the gaps in our epigraphic data has also led to the single biggest oversight in the book, the general failure to take account of late antique source material, and especially to examine the Codices systematically. W is right to note that the last securely datable inscription to mention servi publici traces to AD 250.7 Despite observing, however, that the subsequent silence should not be over-interpreted because it corresponds precisely with the decline in the epigraphic habit, W allows himself to be seduced by it into believing that other sources for the institution also dropped off in the early fourth century. W would have it that the last textual references to municipal public slaves date to the early fourth century and that public slavery must have disappeared in the years to come (189-90; cf. 13; 107-9; 112-3). This conclusion is demonstrably false as I show in a forthcoming article which offers a wealth of sources for the survival of servitus publica in both Rome and the municipalities through the fourth century and down to as late as the sixth century.8 Apart from extending the timeline for public slavery, these later sources would generally have only enhanced what we can learn from earlier material. There are, however, times when they could even shed new light on issues that W must leave unresolved. At pp. 67-9, for example, W rightly points out that there were both free and slave actores. Because earlier testimonia indicate that the latter generally acted as treasurers, the former as legal representatives of the city, W concludes that this distinction was firm. Two laws of Diocletian make it clear, however, that unfree actores publici could and did act as legal representatives for cities as well (CJ 8.47.2; 8.50.3; cf. already CJ 11.37.1-2). So too, unfamiliarity with the later sources leads W to rank the παῖδας mentioned in a letter of Constantine permitting Chrestus of Syracuse to use the cursus publicus for travel to the Council of Arles as servi publici (W p. 36 n. 28 with reference to Eus. HE 10.5.23). These were, rather, imperial slaves in the employ of the cursus publicus (as W might have surmised based on his reference at p. 13 to Eder's discussion of the use of the term publicus to refer to all things associated with the public post system in late antiquity). To be fair to W, the late antique sources were simply beyond his research horizon at the time he completed the project nor does he make overstated or dogmatic claims about the decline of public slavery, which he sees simply as going extinct in some foggy period after the early fourth century (p. 190). His book should, however, be read in conjunction with my article to fill out the picture for the fourth century and beyond.

1.   L. Halkin, Les esclaves publics chez les romains (Brussels: Société belge de librairie, 1897; reprint New York: Arno Press, 1979). See also R. H. Barrow, Slavery in the Roman Empire (London: Methuen, 1928): 130-43; N. Rouland, 'A propos des servi publici populi romani'. Chiron 7 (1977): 261-78.
2.   W. Eder, Servitus Publica: Untersuchungen zur Entstehung, Entwicklung und Funktion der öffentlichen Sklaverei in Rom. Forschungen zur antiken Sklaverei no. 13 (Wiesbaden: Franz Steiner Verlag, 1980).
3.   For the lex Irnitana see J. González, 'The Lex Irnitana: A New Copy of the Flavian Municipal Law'. JRS 76 (1986): 147-241 and the relevant articles of T. Giménez-Candela, 'Una contribución al estudio de la ley Irnitana: la manumisión de esclavos municipales'. Iura 32 (1981): 37-56 and A. Weiss, 'Limocincti in Irni: Zur Ergänzgung des Duumvirnparagraphen 18 der lex Irnitana'. ZPE 135 (2001): 284-6.
4.   As already argued in the excellent study of E. Herrmann-Otto, Ex Ancilla Natus: Untersuchungen zu den 'Hausgeborenen' Sklaven und Sklavinnen im Westen des römischen Kaiserreiches. Forschungen zur antiken Sklaverei no. 24 (Stuttgart: Franz Steiner Verlag, 1994): 196-205.
5.   J.-U. Krause, Gefängnisse im Römischen Reich (Stuttgart: Franz Steiner Verlag, 1996): 255-56; 263; 305-308.
6.   Orthographical problems are sparse and usually minor, a major feat in a book so rich in detail. I note only p. 69 l. 14 missing a "wir" between "begegnen" and "in diesem"; p. 99 l. 32 for "kerkömmlichen" read "herkömmlichen"; p. 165 . 1 for "werde dürfe" read "werden dürfe"; p. 170 l. 32 for "bzeugt" read "bezeugt".
7.   AE 1933:113. W also notes that I. Aquileia 129 is likely datable to the fourth century based on letter forms. See also I. Aquileia 553 (not mentioned by W) and possibly Supplementa Italica 5.253 no. 3 = ILS 9420 (a. 323).
8.   N. Lenski, 'Servi Publici in Late Antiquity' in Die Stadt in der Spätantike, eds. J.-U. Krause and C. Witschel (Stuttgart: Franz Steiner Verlag, 2005) forthcoming.

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FRENCH CINEMA – Petit Paysan

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Date(s) - 03/09/2018
6:30 pm

Alliance Française Auditorium

Petit Paysan by Hubert Charuel (90′)

The 30-year old Pierre’s life revolves around the cows he raises to produce milk. When he realises that one of his cows is infected by a contagious disease which poses a threat to entire herd, he must race against the clock and try everything in his power to save them.

For members of AF Bombay only

♦ Trailer ♦

In partnership with Institut Français


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Currently Reading

Ashley's Book Montage

I'll Give You the Sun
Merciless, The
My True Love Gave to Me: Twelve Holiday Stories

Ashley's favorite books »

January 17, 2015

Update and Spotlight

Haha look already off to an awful start of my schedule goal, but I am posting at least :)

This past week I have finished my audiobook Merciless (Review), I have also put down I'll Give You the Sun by Jandy Nelson ( not exactly a DNF but just a "for right now" type thing). Since putting down I`ll Give You the Sun I have started reading Attachments by Rainbow Rowell and am roughly 46% done with it. I`m also working on listening to Frostfire by Amanda Hocking.

Besides updating you on what I`ve been reading this week I also want to show off two of the blogs that I really like. There are links to their website as well as to their FB/Twitter. Go check them out.

Icey Books

IceyBooks was founded in September of 2010 as a way to share our love for books. We review Young Adult, Middle Grade, and the occasional New Adult/Adult, host giveaways, chat with authors, and feature books, plain and simple. We post every day of the week, so there’s new content every 24 hours—or less!
Hafsah (21) & Asma (14)

I love talking to Hafsah not only about books but about gaming as well. She has also published her own book called Unbreathable. (My Review) I can always count on her to speak her mind about a book.

Perpetual Page Turner

Jamie is fantastic, her updates at the end of the month with her playlists have given me so many more bands to listen to while reading. Both her and Hafsah are great at telling it like it is. I can count on them for book recommendations.

What bloggers do follow and read their reviews?

One of the things I am most looking forward to this year is BEA in May. I not only want to meet authors and see NYC, I also want to meet the bloggers that I have read so much about online and talked to. I think that in itself would be amazing.

  1. Aww, thanks for the spotlight, Ashley! You are awesome :)

  2. This comment has been removed by a blog administrator.

Thank you for commenting. I reply to comments the end of every week. You are amazing readers :)

Review Tuesday Wednesday Thursday Saturday Teen Top Ten Tuesday Monday Top Ten update 4 Star INterview Friday Sunday 5 Star Debut Books 3 Star 4.5 star Challenge Discussion 2015 Armchair BEA Meme TBR Guest Post BEA 2015 Boyfriend DNF Holiday 5 Stars Authors Beth Revis Book haul Book tour Brian Challenges Goals New Years Recap Teaser Tuesday reading 2 Star ARC Adult Audiobook Author Event Bout of Books Christmas Covers Debut Author Feature Giveaway NYC Terah Edun Tour Twitter Video halloween 1 Star 2016 3.5 Stars 6 Star Adventure August Book Divas Characters Cover Reveal Katie Sise Kerstin Gier Life March Matched Ally Condie Melissa Marr Merciless New Releases News Questions Quick Read Read-a-thons Reviews Synopsis Tourist 101 2.5 Star 4-Star A Tear Jerker ARCAugust About Me Absent Adaptations Adrianna James Adventure Tuesday Alice in Wonderland Alsaid American gods Anna Banks Arrows Assassin`s Heart Attachments Audiobooks BEA 2014 BFFS Back To School Bedtime Birthdays Blast Blind Stitches Blitz Bloggers Book release Brain jack teaser YA lending Break Breathe Bumped YA McCafferty review Business Cards COYER Calleriro Catch-up Chat Child Cline Cody College Books YA Goals reviews College Books lists Companions Condie Confessions Courtlight Crown`s Game Danielle Vega Day One Delany Dewey Doppelganger Dragonet Prophecy Dreamland Dreamstrider Drizzt Dumplin Dystopian Ebooks Eliza Tilton Enchanted Entwined Events Every Last Word Falkoff Fangirl Feed Firsts Flynn Meaney Forgotten Realms Gift card Gifts Going Vintage Grave Mercy Hafsah Laziaf Hawkins Heather Dixon Help Hiatus History Holidays How to Hang a Witch Hybrid Fiction Incarceron book 2 Intoductions Jackson Pearce James Dashner James Frey Jessica Darling Kat Zhang Kids Kimberly Kontis Krystal Wade LEAP Laini Taylor Leah Rae Miller Leigh Bardugo Leila Sales Lizzie Jones M.T. Anderson Marie Harbon Marisa Martian May Maze Runner McKinney Memes Mermaids Metaltown Mind Games Mini Monthly Movies Nevernight New Adult Night Circus Nightfall Organization Paperback Parade Paradox Party Playlist Poseidon Q&A Quotes Rabbit Rainbow Rowell Rapture Read ReadOn Ready Player One Rebel Rebel belle Reign of Shadows Release Request Resolutions Retelling Reveals Robert Paul Weston Robin LaFevers Romina SHINE Salvatore Sanctuary Bay Santa Sapphique Sarah Sarah Crossan Schedule September September read goals fantasy YA Series Shades of Earth Shadow Bright and Burning Shadow Queen Shawn Stern Shelf Signing Silvia Day Sophie Jordan Spindle Spring Star-Touched Queen Starbucks Stephanie Dray Stone Subscription Boxes Sunday. 2014 Sweetly Syrena T.V. TTT Teaser Tuesday book blog numbers Thanksgiving The Birthright Legacy The Dead House Thousand Nights Tips ToD Touching the Surface Trading Travel Trees Crept In Trilogy Trip Unbreathable Unhinged Walk on Earth Wandering Satr Warga Wishlist. 2015 Wolf by Wolf Wrap-up Wrath and the Dawn Writing Year End Zeroes Zodiac contemporary haul list mature romance tag the summer i became a nerd tour


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Book review: Slam

There are many differences between a baby and an iPod. And one of the biggest is, no one’s going to mug you for your baby.

Nick Hornby Slam
Title: Slam
Author: Nick Hornby
First Published: 2007
My Rating: 4 of 5 stars (average rating on Goodreads: 3:28)
I would recommend this book to: A reader in need of quality entertainment
The Beginning: So thing were ticking along quite nicely.

Feeling blue? Need some light bookish entertainment? Always trust Nick Hornby to deliver a nice little paperback with at least two days of laughter. His novels are perfect for in-between reads. You know, when you’ve just finished a chunkster novel and you need something light and easy before your next read? I had just finished The Forsyte Saga, when I started this one, and it was the perfect read at a time like that.

It was well written with some clever and funny remarks, and, asides from a few insignificant details that didn’t really work for me, it was a very enjoyable read. The story is told from a teenager’s perspective, and Hornby really nailed that one. There were many “Oh, yeah, I remember that”-moments, which is one of the best feelings a book can give you, if you ask me.

I don’t know about you, but when parents do that pairing off thing to me, I decide on the spot that the person I’m being set up with is the biggest jerk in Britain. It wouldn’t matter if she looked like Britney Spears used to look and thought that Hawk – Occupation: Skateboarder was the best book ever written. If it was Mum’s idea, then I wasn’t interested.

4 thoughts on “Book review: Slam

  1. I really adore Nick Hornby’s ability to do exactly that: make you laugh and see something a little different without having to really think too hard about it 🙂
    “Slam” is one of his books that I haven’t read (yet), but I’m glad to hear that it is as satisfying as any Hornby novel.

    1. I haven’t read A Long Way Down – will get my hands on a copy some day soon 🙂

      I’ve read About a Boy and High Fidelity – loved both! I didn’t like How to be Good, and Juliet Naked was just OK to me.

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Proverbs Exposition

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The following sermons form part of a series of expositions of the book of Proverbs by the elders and other members of Brackenhurst Baptist Church.

Doug Van Meter - 14 January 2018

Introducing Wisdom (Proverbs 1:1)

At the end of a long life, Moses knew the priority of life: wise living. His prayer revealed this priority: “So teach us to number our days, that we might gain a heart of wisdom” (Psalm 90:12). What is the priority of your life? Where on the list of your resolutions is wisdom found? Is it there at all? Have you resolved for improved wisdom? There is no better way to fulfil this resolve than to turn to the book of Proverbs.

Scripture References: Proverbs 1:1

From Series: "Proverbs Exposition"

A sermon series through the book of Proverbs by the elders and other men at Brackenhurst Baptist Church.

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