text:
Jewish Conscience of the Church

Jules Isaac and the Second Vatican Council

  • Norman C. Tobias

Table of contents

  1. Front Matter
    Pages i-xxxiii
  2. Norman C. Tobias
    Pages 1-6
  3. Norman C. Tobias
    Pages 7-28
  4. Norman C. Tobias
    Pages 29-50
  5. Norman C. Tobias
    Pages 51-76
  6. Norman C. Tobias
    Pages 77-89
  7. Norman C. Tobias
    Pages 91-122
  8. Norman C. Tobias
    Pages 123-141
  9. Norman C. Tobias
    Pages 143-162
  10. Norman C. Tobias
    Pages 163-182
  11. Norman C. Tobias
    Pages 183-193
  12. Norman C. Tobias
    Pages 195-215
  13. Norman C. Tobias
    Pages 217-238
  14. Norman C. Tobias
    Pages 239-251
  15. Back Matter
    Pages 253-307

About this book

This book presents the backstory of how the Catholic Church came to clarify and embrace the role of Israel in salvation history, at the behest of an unlikely personality: Jules Isaac. This embrace put to an end the tradition, more than fifteen centuries old, of anti-Jewish rhetoric that had served as taproot to racial varieties of anti-Semitism.  Prior to Isaac’s thought and activism, this contemptuous tradition had never been denounced in so compelling a manner that the Church was forced to address it. It is a story of loss and triumph, and ultimately, unlikely partnership.

 Isaac devoted his years after World War II to a crusade for scriptural truth and rectification of Christian teaching regarding Jews and Judaism. Isaac’s crusade culminated in an unpublicized audience with Pope John XXIII—a meeting that moved the pope to make a last-minute addition to the Second Vatican Council agenda and set in motion the events leading to a revolution in Catholic teaching about Jews.

Pope Vatican Holocaust Catholic Scripture Theology

Authors and affiliations

  • Norman C. Tobias
    • 1
  1. 1.University of TorontoTorontoCanada

Bibliographic information

  • DOI
  • Copyright Information The Editor(s) (if applicable) and The Author(s) 2017
  • Publisher Name Palgrave Macmillan, Cham
  • eBook Packages Religion and Philosophy
  • Print ISBN 978-3-319-46924-9
  • Online ISBN 978-3-319-46925-6
  • Buy this book on publisher's site


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text:
Genetic Constraints on Adaptive Evolution

  • Volker Loeschcke

About these proceedings

Genetic constraints on adaptive evolution can be understood as those genetic aspects that prevent or reduce the potential for natural selection to result in the most direct ascent of the mean phenotype to an optimum. The contributions to this volume emphasize how genetic aspects in the transmission of traits constrain adaptive evolution. Approaches span from quantitative, population, ecological to molecular genetics. Much attention is devoted to genetic correlations, to the maintenance of quantitative genetic variation, and to the intimate relation between genetics, ecology, and evolution. This volume addresses all evolutionary biologists and explains why they should be wary of evolutionary concepts that base arguments purely on phenotypic characteristics.

ecology evolution genetics molecular genetics mutation phenotype plant

Editors and affiliations

  • Volker Loeschcke
    • 1
  1. 1.Institute of Ecology and GeneticsUniversity of AarhusAarhus CDenmark

Bibliographic information

  • DOI
  • Copyright Information Springer-Verlag Berlin Heidelberg 1987
  • Publisher Name Springer, Berlin, Heidelberg
  • eBook Packages Springer Book Archive
  • Print ISBN 978-3-642-72772-6
  • Online ISBN 978-3-642-72770-2
  • Buy this book on publisher's site

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text:
Oscillations and Waves

in Strong Gravitational and Electromagnetic Fields

  • Nail R. Sibgatullin

Part of the Texts and Monographs in Physics book series (TMP)

Table of contents

  1. Front Matter
    Pages I-XIV
  2. Nail R. Sibgatullin
    Pages 65-112
  3. Nail R. Sibgatullin
    Pages 202-238
  4. Back Matter
    Pages 349-362

About this book

This book is an updated and modified translation of the Russian edition of 1984. In the present edition, certain sections have been abridged (in particular, Sects. 6.1 and 8.3) and the bibliography has been expanded. There are more detailed discus sions of the group properties of integrable systems of equations of mathematical physics (Sect. 3.4) and of the Riemannian problem in the context of the infinite dimensional internal symmetry groups of these systems of equations. There is an extended discussion of the reasons for the acceleration and retardation of pulsars in connection with more recent achievements of X-ray astronomy. Part of the material of Chap. 8 of the Russian edition has been included in Chap. 7; thus the number of chapters has been reduced to seven. S. Chandrasekhar set for me an example of brilliant analytical penetration into the essence of physical problems, and my book touches on his work in many in stances. The results of modem quantum theories of strong fields are not presented, but they can be found in the fundamental monographs Quantwn Electrodynamics of Strong Fields by W. Greiner, B. Muller, J. Rafelski (Sprioger-Verlag, Berlin, Heidelberg, New York 1985) and Quantwn Effects in Intense External Fields [in Russian] by A. Grib, S. Mamaev, W. Mostepanenko (Energoatomizdat, Moscow 1988). This book was translated by Dr. N. M. Queen; I am very grateful to him. I thank sincerely H. Latta, C.-D. Bachem, V. Rehman, S. von Kalckreuth for preparing of the english manuscript.

Felder Gravitation Gravity Relativität Schwingungen in starken Feldern Theoretical physics Wellen in starken Feldern electromagnetic wave general relativity relativity

Authors and affiliations

  • Nail R. Sibgatullin
    • 1
  1. 1.Faculty of Mechanics and MathematicsMoscow State UniversityMoscowUSSR

Bibliographic information

  • DOI
  • Copyright Information Springer-Verlag Berlin Heidelberg 1991
  • Publisher Name Springer, Berlin, Heidelberg
  • eBook Packages Springer Book Archive
  • Print ISBN 978-3-642-83529-2
  • Online ISBN 978-3-642-83527-8
  • Series Print ISSN 1864-5879
  • Buy this book on publisher's site


text:
Yorkshire Pudding and Coke

It had been a long time coming. Six months ago it was the garish earring under the kitchen table that had given him away. Grace had never had her ears pierced and when her husband threw her case onto the backseat of the taxi she knew she would not be coming back. This time there were no feelings of sadness when the train pulled out the station, the sun had burned the clouds away and she read it as a good omen.

Within an hour the train had passed the grand house, he had often said he would buy when he reached retirement. And then she had discovered it was owned by his mistress of five years and the marital bank account had been plundered to buy lavish gifts to keep up the pretence of being a man from the same income bracket as his mistress.

With an hour before her connecting train arrived, she sat in a corporate coffee bar with the small case beside her. Just as she took out her book, the calm was fractured by two boisterous young men entering a side door. The dark haired male looked like her husband when he was younger; he had the same captivating blue eyes. While his companion ordered, he seated himself next to Grace and she could smell the tantalising aroma of roast lamb emanating from a box he had set in front of him.

He noted her quizzical look and, flipping the lid, said ‘It’s a roast dinner, you want some?’

Grace marvelled at how advanced take away meals had become. It was so different from the newspaper wrapped fish and chips her mother used to bring home after a shift in the restaurant below the rundown one bed apartment her family had once lived.

‘No thanks, I’ve already had food.’ she replied spitting crumbs across his collar and left shoulder.

He seemed not to notice as she wiped them away. Perhaps he was too polite to mention it.

‘What’s that you’re reading?’ he asked

‘A book by Joe Roberts, a travel writer.’

‘You like travel? Me, I’ve just finished a tour in Afghanistan.’

His companion staggered from the cashiers desk mumbling.

‘Take no notice of him,’ the young man said ‘he’s wasted.’

His friend was sweating profusely and had a blankness in his eyes.

‘I guess it stems from the Army culture of work and play hard,’ she said ‘have you ever read any of Hemmingway’s novels?’

‘No, why?’

‘It’s much the same in A Farewell to Arms, the protagonist’s life revolves around drinking and visits to brothels to escape the disillusionment of war.’

‘We felt the same way, when we were out there. We were in a country we had no business being there in the first place. It didn’t help that the Islamic life was so different to our own. We were like aliens from another planet. Our lads couldn’t get a handle on anything.’

‘My father was the same when he served in Tripoli before Gaddafi came to power. When he left the forces he couldn’t stop drinking.’ Grace said.

St Hilda's‘Not me,’ the young man said ‘I’m going to sort myself out. Get myself as far away from St Hilda’s as far as possible.’

 ‘It’s a ghetto, full of potheads, drunks and worse. Nobody works and everyone knows someone who’s dying from some sort of a disease.’

‘It sounds like where I used to live,’ Grace said ‘now I’m making a new life for myself.’

‘Really? I got the impression you weren’t from around here.’

She stared at the lamb roast on top of an outsize Yorkshire pudding in the box and then looked into his eyes. ‘Never be deceived by appearances, I’ve cooked a lot of Sunday roasts which went cold because my husband didn’t come home on time…’

Grace stopped talking; she noticed he was looking at her cleavage. Her heart rate increased. It felt odd that a man in his early thirties seemed to find her sexually attractive.

‘Look, I have to go now. My train is due soon.’ she said

He stood up and closed the lid of the box. ‘Here, let me help you with your case,’ he said.

Grace followed him out onto the platform admiring his taut physique and then thought about the wreck of a man she was leaving, who knew nothing about her yearlong secret life.

‘Coach F’ she said to her escort.

‘The train’s in. Get on and walk through it.’ he said.

He repeated his instruction several times. Determined to make an easy transition into her new life she walked along the platform ignoring him. It was a long train. Had she boarded when he said she should, she would found herself amid the oppressive havoc of frenetic passengers.

She stepped up onto lighting board, then into the cabin space and turned to face the man she had come to know as Jason.

‘Thanks and good luck.’ She said taking her case from him.

He leaned in to kiss her and she turned her head ensuring his lips made contact with her cheek.

‘When you get to where you are going, call me, please.’ He said pressing a card into her palm.

He leaned in again and held her head between his hands. This time his kiss found its target. Grace could taste an odd combination of mint and salt on his lips and realised why his eyes were ablaze with sparkling energy. In that moment she knew he would have to fight another battle after he left the army; one he would probably lose.

The train pulled away from the platform and in her reserved seat she unzipped her case, lifted a layer of clothing to reveal the banded wads of fifty pound notes she had kept hidden under the mattress. She closed the case, opened her book and removed the letter from a publishing company. The first paragraph read:

Dear Ms Linton,

Please find enclosed the first advance for your novel Snow-blind. We anticipate your completed manuscript within six months from the date of this letter.

Copyright© Talia Hardy. B.A. Hons. 2013

4 thoughts on “Yorkshire Pudding and Coke

  1. The flow of this story has surreal attitude that does great justice to those jarring life changes and the way social risks become less important. And the little details about hidden things intimating deeper stories is excellent. An addictive read with a great finish.

  2. I wish this story could continue. You pay attention to details, revealing human emotions and thoughts. I felt like I’d followed Grace on her train trip. And the ending … the letter from the publishing company makes me wonder what if she would really be able to achieve this target.

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text:
Road Trip to Maine: Day 3

Sunday came early as always; however, I missed its entrance, as my little eyes were closed in sleep, and remained so, until somewhere in the neighborhood of the eleventh hour.  So let’s just say, I “arose” at approximately 11’ish, and straight away, stumbled to the window to gaze into  yet another cloudy day in Maine.

Since I had slept much of the day away, I wasted no more time in getting out and about. First on the agenda was a visit to the Rachel Carson National Refuge, second was Nubble Light House and lastly a leisurely stroll through the picturesque town of Ogunquit Maine.

I thought it would be fun to share my day with you through the eye of the camera.  Hope you enjoy them!

Rachel Carson, fellow introvert, writer, and nature lover, spent most of her life writing about ecosystems of the eastern seacoast from Maine to Florida.  She was one of the first to warn of the dangers that chemical pesticides would have on all natural systems.  The refuge covers over 5,300 acres of protected natural habitats including barrier beach, dune, tidal estuary, salt marsh, and rocky coastline.

1 mile trail meanders through marshlands.

Color Kissed Leaves
Can I stop and read for a while?

Wonder who lives here?
The forest was full of widow-makers like this. I have to say it was a bit spooky. I walked gingerly.

Ogunquit Maine

All decked out in pumpkins

Nubble Lighthouse

4 thoughts on “Road Trip to Maine: Day 3

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text:
Holy Hail, again!

Tuesday June 13, 2017
Stratton Pond Shelter 13.6 miles

Total mileage 617

I was on the trail again by 5:30 am. Ahead of the rest of the group. I was racing to the next shelter to use the privy. I didn’t make it. 😣

The Flipping Four all left the shelter together and hiked aways together. It was pretty cool to hike in the group. We later separated. SOULFLOWER and I hiked on while HOOTIE and DISCOUNT stopped for water. Then SOULFLOWER stopped to pee. HOOTIE and DISCOUNT catch me then awhile later SOULFLOWER comes cruising up behind us then blows past and leaves us in her dust as she flies up Stratton Mountain. We all watch her with our mouths hanging open as we are huffing and puffing.

We regroup at the top of Stratton Mountain and eat lunch on the fire tower trying to avoid the swarms of black flies.

This is me sitting on the first landing of the fire tower (because that is a high as I will go) trying to avoid the black flies.

I arrive at Stratton Pond Shelter around 2 pm and head down to the pond to get water. I decide to go for a swim. I was covered in sweat, dirt and bug spray. It sounded great and it was. I was so happy to get clean.

As I was swimming in the pond I noticed that some dark clouds were rolling in so I didn’t stay in long. I collected my water and headed back to the shelter. Shortly after getting back it started to rain. It was a very hard rail with hail! The shelter had a metal roof so it was so loud and really cool. I love storms.

The photo above is if a local Vermonter who is hiking the Long Trail in celebration of its 100th year anniversary. His name is SATCHMO and he is hiking in the same style that the first hikers did when the trail was first constructed.

5 thoughts on “Holy Hail, again!

  1. That’s Mike DeBonis the Exec Director of the Green Mountain Club in the knickers! Be sure to thank him for all of his good work keeping the VT section of the AT in good shape if you see him again. Don’t you love those black flies? That’s why we started our like last year in August. Those bugs are relentless.
    Good hiking! Killington is in sight!!

    Liked by 1 person

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DT Make it Crafty CAS Inspiration | Hello Beautiful

Hi everyone,

have you seen all the fun chipboards in the Make it Crafty Store? I’ve chosen one of the new single words which are available in different sizes.

Here is the Clean and Simple card which I made with the Hello Brush Script Word Chipboard (2 inches):

I heat embossed the word in white and the 'backing layer' (which helps the word to pop) in black. Then I glued both pieces together with Ranger's «Multi Medium Matte». For the background I used the retired My Favorite Things «Stripes Cover-Up» die. I also die-cut a flower and some leaves with the beautiful Florilèges «Nature Fine» dies.

With Fall just around the corner, I tried a new more muted color combo with the Stampin' Up! cardstocks I’ve chosen. Finally, I assembled my card, stamped a WPlus9 sentiment (from the «Hand Lettered Hello» stamp set) right below the chipboard word and added some matching enamel dots.

Thank you so much for stopping by! Have a great day!

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Tag Archives: StoRin

Hair Fair! Dos.

Hair: Lovage, Kit Kat – !lamb [NEW, HAIR FAIR 10′]
Skin: Echo, Light – Tres Blah [DU4]
Upper Layer: Shoulder Cape Black Lace – AWRAM VIIE
Top: Ling Sheer Jersey, Carbonated Blood – Pink Outfitters
Skirt: 70’s love child – Boho [Past Project Themeory Item]
Shoes: Stilettos – Periquita

Lashes: Liner + Lashes #6 – Cheap Makeup
Hair Accessory: Old anniversary gift – Wild O
Necklace: Leda, Onix – Donna Flora

goody two-shoes – Estetica
Model187 – *EverGlow*
Model 315 – *EverGlow*

Hair: Glass Candy, Pale – !lamb [NEW, HAIR FAIR 10′]
Skin: Ember, Honey, Scene – Pink Fuel
Top: Button Tank, Light Grey – ::EmJay::
Undershirt: Classic Tee, Eggplant – Reek [NEW]
Skirt: Part of Flowey charc / red – .:StoRin:.
Leggings: Mesh Leggings, Black – The Closet
Shoes: Mole Shoes – Miel

Glasses: Classic Aviators – Reek [NEW]
Earring: Avenue C Squatter – Ticky Tacky [NEW]

POSES: Estetica
pose with no name
Mirror Model
Oh, mylanta!

Not going to lie, I so wanted all the hairs at lamb’s booth. BUT! I was good and stepped away before going completely broke. Here are my two faves <3

My mom saw the second look pictures earlier and said I looked like “Lady Caca” ’cause yeah, that’s what she calls Lady Gaga, lol! Anyhoo, I’m cuter I hope!

Leave a comment

Filed under Hair Fair, MV-SL-Fashion, Preview / Review

I was lost but now I’m found!

Okay, so I lied. I got so busy with real life (boyfriend coming to visit, Thanksgiving, finals, paper due, work). Then, when I finally started being productive in SL, I began building and got swept into winter decorating at Dork Street. It is so pretty and Kaitlyn’s ice rink is friggin’ awesome! We’ll have to take pictures soon.

Lets talk clothes...

My fave piece in the entire outfit is the sculpted skirt. It is part of the grey/purple flowey dress available at StoRin. I wanted to wear something cute, fun, and warm for the cold days so I played around with items in my inventory until I came to look like this. It was an interesting process. The leggings fatpack at Luck Inc are heaven for me. HEAVEN! They come in a variety of colors and match just about everything I wear. I went with the burnt umber color since I hadn’t worn that one. I was determined to make it work >:[ The belt? Also from Luck Inc. Its scripted and the colors are fun so of course I threw it on. So, there I was, standing in my cute skirt, belt, leggings, and TOPLESS. I searched a little more, found the tanks I grabbed at the Starlust Trash Hunt from Ohmai and went through them until I thought, “Hmm, this color seems nice with this.” But a tank, when its cold? I wanted to put something over or under it. I decided to go with under and went with the sweater from Cynful:D Last but certainly not least, SHOES. The shoes I went with are from the Cala collection at YS & YS. Aren’t they crazy good? YES THEY ARE. Yay shoe fair, I had an awesome time!

Make sure to check out the full outfit from StoRin, HERE.

Hair: Bonjour Operator, Kit Kat – lamb!
Skin: Dinah in Fall, Pastry, Ghost – Tyranny Designs (On sale)
Thrash Tank: Royal Highness, Eggplant: Ohmai (Starlust Trash Hunt)
Sinful Sweater: Charcoal – [Cynful]
Skirt: Part of the Flowey Grey / Purple Set – StoRin
Wide Leather Belt: Solid – Luck Inc
Wool Leggings: Burnt Umber – Luck Inc
Shoes: Cala Saona, Black Python – YS & YS

Filed under Litzi Days, Preview / Review


text:
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Most Richmond dumpster rental companies will take care of securing this permit for you if you rent from them. Make sure that if you’re planning to put the dumpster on the street, the company has made the appropriate arrangements. You should also ensure that you get the permit in a timely manner and at the correct cost. If you thought the dumpster company was getting a permit and they did not, you will be the one who will have to pay the fine that is issued by the authorities.

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Newborn baby

The gift – mothers’ milk bank

In Children and Family, Community and Relationship, Women's Health by LivingNowLeave a Comment

Like so many great ideas, the mothers’ milk bank was one was sparked as a response to a need.

Marea Ryan has worked as a midwife for 26 years and as a lactation consultant for 10 years. She has witnessed, intimately, the suffering of families whose babies have failed to thrive.

In 2003 she attended the International Lactation Conference in Sydney and was impressed by what she heard, particularly by what the Director of the donor mothers’ milk bank at Austin Texas had to say. The next day Marea observed an exchange that crystallised her desire to do something about a situation she had seen too many times. She wanted to give sick infants a chance of survival. In the nursery of the John Flynn hospital where she worked, Marea saw one mother unable to feed her newborn while another, literally, poured her excess milk down the drain.

Working as a professional photographer with live music performance, Marea was travelling around festivals and live music venues. As she went, she promoted the idea of a mothers’ milk bank and enlisted the help of women artists to raise the $100,000 needed to buy the milk bank equipment. The women were asked to donate a song. As a friend, Marea had supported a friend, Nadia Sunde – ABC radio announcer, musician, songwriter and mother – through the birth of her son Asher. In return, Nadia donated her time in the role of musical director. The result is the CD: ‘The Gift – a woman’s song’.

The CD features all-female vocals and original songs by artists such as aria nominated The Waifs; Mia Dyson, who has a song featured on the soundtrack of the recently released Australian film Look Both Ways. In addition, the CD has tracks from: Elixir – featuring Katie Noonan of ‘george’; country/folk singer Tiffany Eckhardt; soul jazz singer Melissa Forbes, blues singer Lil’ Fi (pictured on the cover), and former Goanna Band members Rose Bygrave and Marcia Howard. All of the songs have been donated to the Mothers Milk Bank project.

Kacey Patrick is a contributing artist and has worked as the marketing director for the CD. As the vocalist with Stringmansassy, Kacey met Marea at the Woodford Folk Festival two years ago. Marea went on to photograph a number of Stringmansassy’s performances and the duo performed at the opening of Marea’s exhibition in Byron Bay. In a further connection, Marea will be one of the midwives at the birth of Kacey’s first child, in November, at the John Flynn Hospital.

Why mothers’ milk?

The benefits of providing mothers’ milk to infants are irrefutable. For optimal nutrition, easy digestibility, immunological protection, provision of growth hormones and assistance in the healing of tissues; there is nothing to compare. Apart from premature birth, the other reason why infants may fail to thrive include : Cardiac conditions, mal-absorption syndrome, short-gut syndrome, renal failure, inborn errors of metabolism, burns trauma, feeding intolerance and infectious diseases (diarrhea, infantile botulism, sepsis). Without mothers’ milk, some infants are simply unable to thrive and develop.

One particular condition that is devastating for preterm infants, and which has shown a connection to lack of mothers’ milk, is necrotising enterocolitis (NEC). This condition causes the lining of the intestinal wall to become inflamed and to die. Between 2000 and 2002 there were 32 cases of NEC in Queensland as well as thousands of cases of preterm and sick infants who required mothers’ milk between birth and discharge from hospital.

The concept of the donor milk bank came into being early last century when wet nurses became more difficult to find. The first donor milk bank in the USA was founded in Boston in 1911. Unwed mothers were paid to provide their milk, which was then pasteurised and given to hospitalised infants. In 1934 a donor milk bank in the Chicago area sent milk to the famous Dionne Quintuplets in Canada.

In the UK, the first human milk bank opened at Queen Charlotte’s Hospital, London, in 1939 and others followed. Although many milk banks closed in the 1980’s with the discovery of the human immunodeficiency virus, there have been no documented cases of illness through donor milk in the last 30 years.

Many other countries, including Canada, Sweden, France and the Netherlands, have milk banks. In Brazil, postmen collect the milk on their rounds and deliver it to the bank. In Africa, the milk is pasteurised and given back to the mother to ensure that her baby does not contract HIV. It seems a scandal that, until now, nothing has been done to establish this life-giving service in Australia.

Support for the project

Marea has formed the private, not for profit company Mothers Milk Bank and has enlisted the help of many health professionals as she works towards getting the milk bank fully operational. Following a successful UK mode, it is hoped that the milk bank will be up and running by the New Year. The costs associated with the setting up of a milk bank are huge.

Special equipment to test and to pasteurise the milk, facilities for its refrigeration and storage, processes for the screening of potential donors and supply of pumps and bottles: these are a few of the many pieces of equipment and procedures that are essential to the realisation of this goal. It has taken one full year, for instance, to have the milk classified as a food by the Therapeutic Goods Act.

By Teresa Ralton

The project has received support from the Australian Federal Government and from groups such as the World Health Organization, UNICEF and the Australian Breast Feeding Organisation. It has also involved many doctors working in neo natal care and paediatrics. Milk donors are being sought and donations of financial assistance are gladly accepted. For more information about the project and about the CD please visit:

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Adventures in Mom-dom: OMSI

If you live in the great state of Oregon then you are most likely aware of the wonderful Oregon Musuem of Science and Industry, commonly known as OMSI.

It is God’s gift to parents and caregivers.

There are so many things to pull, push, build, destroy, watch, manipulate and learn it is FANTASTIC.  It truly makes my day when I get to go to OMSI. On Friday, we were taking the 15 up to the train for her maiden voyage to see her brother; this caused quite a bit of heartburn from mom and dad, but she did a great job. So since we were in Portland, the 11 and a friend and I  decided to go to OMSI.

Taking two 11 year olds to OMSI doesn’t seem like it’d be that tiring but I was exhausted at the end of the day. There were two happenings that made my day. My favorite moment happened when we entered the chemistry lab after playing in the turbine room with lots of levers and things to pull. The 11’s friend walked in, made a sweep of the room and saw a large silver handle hanging down from the ceiling in the corner. Thinking that it was another attraction, he reached up and proceeded to start the emergency shower rinse. 3 gallons of water gushed onto the floor as OMSI employees raced over and shut off the water valve, looking at the poor kid like he was an alien. To his credit, the shower lever was not clearly marked. We promptly left the chem lab. 5 minutes later I heard a mop bucket rolling across the floor as the reinforcement mop was being brought in to continue the clean-up. I was still laughing.

The second moment that made me laugh out loud came during our show at the IMAX theater. We were watching the movie Adrenaline Rush and one of the scientists in the movie was named Nick Anus. Now, as embarrassed as I was to be sitting with the kids who lost it at the mention of the scientist’s name, I was 11 once too and I probably would have lost it at their age too. Boys are so fun.

I’m rounding the corner to my finally days here as mom and I have to admit, I’m looking forward to getting my day job back. I’ve needed a beer on so many of these nights and it’s hard to be chained to the house. I’m sorry if I haven’t seen or talked to you recently. I’ll be done soon. I’ve also noticed that the 11 especially is picking up on my lingo. He now says, rather frequently, “Crappy Crapperson” “Epic Failure” “Criminny” “dur dah dur” “it’s go time” and much more. I had to laugh.

To be continued

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Good Morning: “Cincinnati Men” Now Available in Digital and Print

Cincinnati Men, L. N. Holmes, writing, Good Morning, flash fictionHello readers, writers, colleagues, and friends! Want some flash fiction to read? Don’t worry, there’s pictures!

Marc and Ava, editors of Garbanzo Literary Journal, recently asked me if they could publish “Cincinnati Men” in their first revived issue of Good Morning. Good Morning is a “political/humor/satire/lit magazine” first founded by the radical cartoonist, Art Young. I’d encourage you to learn about the history of this publication and its founder—and also about the newly revived version.

You can read “Cincinnati Men” and all the other good stuff within issue one of the magazine in digital and in print. Please support this exciting new venture if you can! You can also follow them on Twitter and Facebook.

As always, thanks for reading.

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mold-inspectionMold Inspection in Barrhead, Alberta you can count on

Water damage likely means you need a mold inspection in Barrhead. Your local ServiceMaster Restore® provides reliable, reputable assessment and remediation services to help you get your home back to normal as quickly as possible.

Reach us at any time; we’re available to you 24/7 to help you address any emergency you may have. Following the initial contact, we’ll schedule a timely appointment for our team of highly-trained professionals to arrive at your home. Speed of service is essential because if left too long, mold can worsen and spread to previously unaffected areas. You’ll be kept up to date about the remediation process from start to finish.

For more than 60 years ServiceMaster Restore has played a significant part in the lives of countless Canadian families following the tragedy of flood, fire, vandalism or others disasters in the home. We’re proud of our reputation for in-depth, dependable service all across the nation. Our methods and products are some of the best in the industry, providing you with a mold inspection in Barrhead that you can count on. The a mold inspection process includes:

ServiceMaster Restore, the trusted brand

Whether your property has sustained damage from water, smoke and fire or mold, you can count on the caliber of our restoration services. If disaster arises, contact us 24 hours a day, 7 days a week.

So put your trust in ServiceMaster Restore and we’ll not only restore your property but your peace of mind, quickly, efficiently and with the care you deserve.


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HomeStore LocatorGoodwill Industries of Middle Tennessee, 2101 Gallatin Pike N, Madison
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Founded in 1957 as a nonprofit organization, Goodwill Industries of Middle Tennessee’s mission is changing lives through education, training and employment. At Goodwill, we believe in giving a hand up, not a handout — a saying coined by Goodwill’s founder, the Rev. Edgar J. Helms. In the early 1900s, Helms performed missionary work in the slums of Boston. He hired the poor and needy to mend and repair used goods that he collected from wealthy Bostonians. The refurbished items were resold and given to the people who did the repair work, the basis for the mission of Goodwills throughout the U.S. and abroad. Goodwill Industries of Middle Tennessee is based in Nashville, Tenn. The agency employs more than 2,000 people and serves 48 counties throughout Middle and West Tennessee. We operate 33 retail stores and three outlets, more than 75 donation sites and eight Career Solutions offices. Goodwill is one of Middle and West Tennessee’s largest employer of people with disabilities with more than 88 percent of our workforce reporting some type of disability or disadvantage. Although affiliated with Goodwill Industries International in Bethesda, Md., we operate independently through our own governing board of directors. Goodwill accepts gently-used items that donors no longer want, need or use. Those items are sold either in our retail stores or online at Revenue from the sale of donated goods helps fund job training services and programs provided by Goodwill Career Solutions. In addition to retail sales, Goodwill depends on several other revenue sources, including state and local grants.


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The L/S Weekly Agenda

The L/S Weekly Agenda: 5/3 – 9

This week's best picks: Charles Bradley, Animal Collectie, La Luz.

Wednesday, 5/4 – Charles Bradley at Exit/In

I’ll spare you the retelling of the legend of Charles Bradley, as I’m sure most of you are familiar with the 67-year old’s impressive but tumultuous rise to his current status as a festival stage mainstay and modern soul superstar. Infamous for rollicking live performances and a voice that lays waste to any and all pretensions, it’s no wonder that his show here sold out pretty quickly. Luckily, for anyone not getting in the door at Exit/In, he was recently added to the Bonnaroo lineup as a fitting replacement for Mavis Staples, who chose to hit the road opening for Bob Dylan instead. In an example of against-type booking, local scuzz rockers Thelma and The Sleaze (who play shows almost as often as Mr. Bradley) open the evening. Sold out. File May 03, 11 15 28 AM

Friday, 5/6 – Animal Collective at Marathon Music Works

Venue choice and underwhelming new record aside, Animal Collective is one of the unassailable “can’t miss” acts whenever they hit the circuit. Known for melodic unpredictability and haphazard experimentation in the live setting, the band has recently been employing a cover of Martha & The Vandellas’ “Jimmy Mack” and reincorporating one of the fanbase’s favorite deep cuts, the 12-minute “Alvin Row.” Just don’t expect them to play “My Girls”, and for the love of God, do not heckle them to play “My Girls”, either. Ambient synth wizard Kaitlyn Aurelia Smith made one of my favorite records this year so far (it’s much better than the newest Animal Collective record), and she’ll open the night, given the steep task of trying to play louder than the crowd at Marathon. Also this one’s still on sale, so get to it. $25 until $27.

Saturday, 5/7 – La Luz at The High Watt

The last time that I saw La Luz was at the sadly now-defunct Stone Fox, on the tail end of last summer. Now, if you know anything about La Luz’s music, you know that it is tailormade for this specific season. Catch them kicking off the summer at The High Watt on Saturday with buzzing local grunge outfit Idle Bloom, and Massenger. $15.

LS Stars

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Y&R Vet Greg Rikaart Joins Days

TVLine | 10/10/2017 | Michael Ausiello
Click For Photo: https://pmctvline2.files.wordpress.com/2017/10/greg-r.png?w=620

Days of Our Lives fans have a new mystery to unravel: Who the heck is Emmy winner Greg Rikaart playing?!

TVLine has learned exclusively that the Young and the Restless vet is joining the NBC soap this spring for a multi-episode arc. A Days rep confirmed the casting, but declined to offer details on Rikaart’s character.

Rikaart - Move - Salem - Months - Y

Rikaart’s move to Salem comes five months after he was let go from Y&R following a 14-year run playing reformed perp Kevin Fisher, although he continues to make occasional guest appearances. The role earned him a 2005 Daytime Emmy...
(Excerpt) Read more at: TVLine
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Health Reform WK-EDGE CMS is failing its oversight responsibilities for ACA eligibility determinations
Thursday, October 5, 2017

CMS is failing its oversight responsibilities for ACA eligibility determinations

By Robert B. Barnett Jr., J.D.

CMS has generally failed to ensure that state health insurance marketplaces are properly verifying individuals’ eligibility under the Affordable Care Act, a report from the HHS Office of Inspector General (OIG) has found. Whereas a previous report had discovered that the states themselves were doing a poor job of verifying eligibility, this new report found that CMS was not fulfilling its oversight role to ensure that states had systems in place, and were using them, to determine eligibility (OIG Report, A-09-16-01002, September 25, 2017).

Background. The Patient Protection and Affordable Care Act (ACA) (P.L. No. 111-148) established health insurance marketplaces in all 50 states and the District of Columbia. The ACA gave CMS responsibility for overseeing implementation of the ACA provisions and for helping states establish their marketplaces. Certain qualifying individuals are eligible under the ACA for premium tax credits and for cost-sharing reductions. Eligibility for cost-sharing reductions depends on annual household income and family size. Marketplaces use multiple electronic data sources to verify the information that applicants submit to determine eligibility. As of March 31, 2016, about 9.4 million individuals were receiving the cost-sharing reductions, of which 2.1 million were enrolled through the state marketplaces. A previous OIG review of seven state marketplaces from 2014 found that the not all of the internal controls the states used were effective in ensuring that individuals’ eligibility for benefits under the ACA were working.

Oversight. The OIG reviewed CMS’s performance for the 2014 through 2016 coverage years to determine how well CMS was performing its oversight responsibilities. CMS requires that states submit various reports, including reports that identify eligibility determination errors. The rules requiring those reports, however, do not include any specific enforcement mechanisms for CMS to force compliance. About all that CMS could do would be to withhold establishment grant funds that are awarded to state marketplaces. Once those grants ran out, it was powerless to enforce compliance. In April 2015, CMS published a manual for employees that oversee and monitor state marketplaces. During open enrollment periods, CMS provides technical assistance to state marketplaces related to eligibility determinations. After open enrollment ends, CMS conducts open enrollment readiness reviews and state marketplace annual reporting tool (SMART) reviews. SMART is a document that state marketplaces submit annually to CMS to demonstrate that they meet program integrity standards.

Findings. OIG found that, while CMS provided technical assistance to state marketplaces and performed readiness and SMART reviews, it failed to ensure that the marketplaces (1) had in place systems that could properly verify applicants’ eligibility and resolve inconsistencies and (2) had or used the system functionality to verify what is known as the FTR process, which checks to ensure that the applicant filed a tax return that matched the application information. This oversight occurred, the OIG concluded, because CMS failed to set firm deadlines for the marketplaces to develop the functionality. Where marketplaces failed to develop the functionality, CMS provided technical assistance but never took any enforcement actions.

Each state marketplace is required to submit to CMS an annual audit of its processes and procedures designed to prevent improper eligibility determinations and enrollment transaction. OIG found that CMS failed to ensure that all state marketplaces completed their required independent programmatic audits. In addition, OIG identified weaknesses in CMS’s SMART reviews. For example, OIG found that CMS failed to complete its review of SMART documentation before the next open enrollment period. Also, it failed to ensure that marketplaces submitted complete eligibility and enrollment data to allow CMS to identify weaknesses in marketplaces’ eligibility determination processes.

Recommendations. As a result of OIG’s conclusion that CMS failed to provide effective oversight, OIG made the following recommendations to CMS:

  • Set firm deadlines for marketplaces to develop full system functionality for verifying applicants’ eligibility and resolving inconsistencies
  • Monitor the state marketplaces’ progress in developing the system functionality
  • Ensure that the state marketplaces complete the annual independent program audits.

To improve the SMART reviews, OIG recommended that CMS:

  • Complete its reviews before the next enrollment period
  • Continue to work with state marketplaces to develop the reporting capability to ensure that all reports are submitted
  • Require state marketplaces to submit additional data elements related to resolving inconsistencies.

CMS response. CMS disagreed with the first recommendation but concurred with recommendations two through six. Regarding the first recommendation—firm deadlines for full system functionality—CMS noted the statutory limitations that existed with regard to enforcement mechanisms. "Within the parameters of its oversight authority," CMS said, it would help state marketplaces achieve full system functionality. As a result of this response. OIG modified its first recommendation to suggest that CMS assess potential enforcement mechanisms that would ensure compliance and to recommend that CMS seek legislative authority to establish those mechanisms.

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Monday, 11 June 2012

Gosh I blink and 3 weeks have nearly passed!!!

WOW .... didn't realised that it has been so long since I last blogged. Loads happening still but at least their is a slight light at the end of the tunnel although this is sadly tinged with the fact that my F-i-Ls demencia is worse than even we thought ..... it's made worse by how well he looks and it is hard to believe that he had a serious heart attack and was in Harefield Hospital for 2 weeks.

Well as a great "brain break" I had the lush new CD from Polka doodles to play with ... Studio 12 Picknix.

OOOhhhh it is so much fun to play with and I used in Craft Artist. Everything was easy to add and use. I did think at first that I would struggle as I'm not a fan of digi scrap booking as I love a raised element to my projects but Nikky has designed the CD to be used either as a digi project or as a hybrid project. Now I have to say I am well and truly hooked and can't wait for the next CD. Here is one of my DT cards for the CDs launch on C&C ....

The CD comes with cutting files and I have used the hearts from the "Welcome Home" section. Copied and paste 3 times and then welded all the hearts together to create a huge background. I then cut this out on my CraftRobo. All the papers are from the same section on the CD too.

 Here is a close up of the hearts background and I have used some of the heart shapes to add further dimension (after a little inking). The frame was printed onto Safmat, placed on to some of the backing paper and then cut out.

Flowers and ribbon are from my stash. The sentiment was also printed on to Safmat and layered on to one of the papers.

Hope you get a chance to have a play with this fab kit,

Michelle said...

Oh thats lovely Lou! Love the hearts, they do come out well dont they?!

Must say I have never tried digi, I have got a basic Serif one and had one look at it and thought "Panic" So havent looked again!:)

Try and get some you time, important for charging the batteries remember:)
michelle x

Happy Days said...

Uh Oh - knew i shouldn't come on here to take a sneeky peek at your samples!! I now NEED a craft robo :(

Gorgeous card and I love what you've done with the hearts.

Claire xxx

Cheryl said...

oh gosh Hun,this is brilliant oh just adore what you have done here Hun,those hearts are so beautiful,hugs Cherylxxx

What's new on my blog this week ...

Memory Book 1 - Seaside Album (part 1) - TONIC THROWBACK TUESDAY


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Jembro Stores

This business is no longer available. This information has been provided for your convenience and may no longer be valid.
Staten IslandNY10314

Open Map

Jembro Stores can be found at Richmond Ave 985. The following is offered: Phonebook. The entry is present with us since Sep 8, 2010 and was last updated on Nov 14, 2013. In Staten Island there are 176 other Phonebook. An overview can be found here.
by opendius on August 21, 2015 from opendius


text:
1. Baby
  2. Childbirth
  3. Caesarean

Caesarean delivery

Labour and birth

Babies delivered by caesarean section, are not born vaginally but lifted out of the uterus through a surgical procedure. The surgery is usually performed when a vaginal birth would put the mother’s or the baby’s health at risk (although there’s some controversy about the way that risk is assessed).

The caesarean operation is often performed under an epidural anaesthetic (or spinal block), so that the mother is conscious for the birth of her child but does not feel the pain of the surgery; however in some cases, the anaesthetist may decide to use a general anaesthetic.

These days, the operation is considered extremely safe, with a very low mortality rate.

However, a caesarean birth is still not as safe as a vaginal birth, it does involve a longer and more traumatic recovery time and it is associated with complications for both mother and baby, so it is not usually performed without good reason.

Caesarean section can be scheduled before labour commences (this is called an ‘elective’ caesarean) or may be unplanned until a complication occurs part-way through labour and an ‘emergency’ caesarean is decided upon.

Reasons for Elective Caesarean

A caesarean section is recommended when vaginal delivery might pose a risk to the mother or baby. Ultrasound scans and other tests during pregnancy can reveal a raft of reasons for a planned caesarean delivery; some of these include:

  • if the baby has a known high-risk condition and needs to be delivered quickly
  • if the mother has a known high-risk condition (like pre-eclampsia or placenta praevia) or a condition that may be transmitted to the baby during birth – such as HIV+, Hepatitis or genital herpes
  • if the baby is in a breech (feet-first) or transverse (sideways) position and lodged too deeply into the pelvis to turn
  • triplets or higher multiples (and often even with twins)
  • if the mother has had a previous caesarean birth or previous uterine surgery

Reasons for an Emergency Caesarean

During labour, if things are not progressing normally and complications have occurred, your doctor may decide to perform an unscheduled Caesarean section to reduce the risk to the mother or baby. Reasons for caesarean delivery include:

  • if the baby goes into distress during labour and needs to be delivered quickly
  • if the mother’s health deteriorates during labour (for example, skyrocketing blood pressure, exhaustion, pre-eclampsia or eclampsia or other reasons)
  • very rare but extremely serious problems like cord prolapse (where the umbilical cord is pinched and oxygen to the baby cut off) or uterine rupture
  • if the baby moves into a position during labour that makes vaginal delivery difficult or dangerous
  • very prolonged labour that does not seem to progress
  • failed induction of labour

What to expect:

Before the operation, the area of your abdomen where the incision will be made (usually around the bikini line) will be shaved and swabbed to improve access and prevent cross-infection from the countless bacteria that live on your skin. You’ll be given an anaesthetic (either an epidural or a general anaesthetic.) A canular is usually placed in your arm with a saline drip, to maintain your fluid levels (which usually stys in for around 24 hours), and a catheter inserted into your urethra to drain your bladder (this one stays in about for around eight hours). Preparations for surgery may all happen in seconds if it’s a critical emergency.

You will usually be in the operating theatre for up to an hour. Unless you are rushed into surgery very quickly, your partner is usually encouraged to stay with you for the birth (but will have to be gowned and scrubbed.)

The surgeon makes a cut (usually a horizontal cut, through the abdomen into the lower section of the uterus, across the bikini line). The baby is lifted head-first through the incision, often with the assistance of forceps, and amniotic fluid removed from baby’s nose and mouth before the baby’s body is lifted free.

Delivering the baby is quite fast and happens in the first five to ten minutes. Then, the placenta is removed and an injection of oxytocin administered, to contract the uterus and reduce blood loss. Most of the operating time will be spent stitching and/or stapling the uterus and various layers of abdominal tissue, muscle and skin.

Babies delivered by caesarean section usually have smooth, round heads compared to vaginally-born babies, who can be a bit squished-looking at first. But without the pressure of the birth canal to help empty fluid from the lungs, many caesarean babies have excess mucous and fluid in their lungs and need to be suctioned to help them start breathing. However there are usually no long-term problems.

The staff will bring your baby to you for a cuddle as soon as possible, or your partner may hold the baby until you are able.

Following the operation, a tube is often inserted to drain fluid from the wound. You will usually be encouraged to get up and walk within eight to twelve hours to help you recover faster and to prevent blood clots.

You’ll still experience very heavy vaginal bleeding for some weeks following a caesearean, as with a vaginal birth, as the uterus sheds the build-up of blood cells that has protected the baby throughout pregnancy.

Most hospitals suggest you stay four to five days following a caesarean birth, although stays are often shorter if there are no complications.

Recovering from a caesarean operation will take longer than a vaginal birth, with most doctors recommending that you take breastfeeding-safe pain relief for at least a few days after the operation and avoid heavy lifting or even driving for the next six weeks or so, with full recovery taking an average of twelve weeks.

Looking after a new baby (with the sleeplessness and lifting involved) can be very draining after a caesarean operation, so it’s worthwhile trying to arrange live-in support from your partner or friend or relative for a few weeks.

By Fran Molloy – journalist and mum of 4

Caesarean vs natural birth

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text:
Arts & Culture » Movies

Film Review: This is the End

Rectum to Rapture: Rogan and pals party hardy when the rapture hits.

Dude, what did you use to light that bong? Rogan & Co. ride out the rapture at James Franco’s lux party pad.
  • Dude, what did you use to light that bong? Rogan & Co. ride out the rapture at James Franco’s lux party pad.

This is the End  |  B-

As much as Hollywood loves to extol its brand of glitzy, sun-soaked hedonism, there is an equally irresistible urge to burn it all down.

The apocalypse has been all the rage lately, with a diverse slate like 2012, Melancholia, Seeking a Friend for the End of the World, Oblivion and countless zombie flicks — all reveling in mass destruction. None of them, however, have made the end of days look like such a blast.

This is the End is a wildly inventive, rudely funny but erratic romp that pulls off the neat trick of being cynically crass, but also as close as mainstream gross-out comedy gets to profound.

Adam Sandler, who makes movies that are superficial excuses to hang out with his famous friends, has a shadow in Seth Rogen, who has apparently earned this status as well.

Here, Rogen, who also co-wrote and directed with partner Evan Goldberg, plays himself, which is essentially what he does in every movie.

In this universe, the ever-jovial stoner Seth is playing host to visiting Canadian pal Jay Baruchel, his co-star from Undeclared, who has never really warmed to the L.A lifestyle. Earnest and shy, Jay gets pushed out of his XBOX and Twizzler’s comfort zone, and dragged to a party with all the show biz types that make him squirm (as most of the stars — and many of the lesser-lights of alt comedy filmdom have gathered gather for an epic rager at James Franco’s custom designed mansion in the Hollywood hills).

A parade of familiar faces, many from the Judd Apatow pantheon, stroll through for amusing cameos, with a guest list that includes: Mindy Kaling, Jason Siegel, Kevin Hart, Emma Watson, Aziz Ansari, Rhianna and more.

Everyone is playing mildly enhanced version of themselves, except wispy Michael Cera, who plays an abrasive, drug-gobbling, womanizing party monster to hilarious effect.

Just as were settling in to the party, a full-blown rapture breaks out, with partygoers being swallowed up by massive sinkholes, infernos and beams of blue light — that suck people into the sky.

When the chaos settles slightly, Rogen, Baurchel, Franco, Craig Robinson and Jonah Hill are the survivors, holed up in Franco’s house, and left to squabble over their egos, bathroom habits and dwindling rations — including a prized Milky Way bar.

These are not the guys you’d expect to stay calm in a disaster, since actors are, as Robinson colorfully puts it, “soft as baby shit”.

What begins as a witty, winking meta send-up of show biz vanity, morphs into a full-blown apocalyptic special effects epic that plays a bit like a hyperactive, undersexed 16-year-old with the munchies. The blend of comedy bromance and outright fantasy is awkward, but Rogen knows his way around both genres. The movie gets derailed a bit by the appearance of the hugely obnoxious Danny McBride, who is currently gaining ground on Jen Jeong as the most unwelcome comedy party crasher.

McBride’s wearisome shtick involves a toxic blend of overconfidence, self-absorption and buffoonery, and his dick behavior stirs what passes for a plot in the movie’s jokey, loosely scripted middle third.

Anarchy brings out everyone’s deepest insecurities and there are candid, often uproarious discussions about friendship, faith, loyalty and selling out — when not interrupted by CGI demon attacks, gore, playful homophobia and masturbation jokes.

Persistent immaturity is the big gag though, notably, there are no girlfriends, no wives, no kids or family to worry over as these dudes stare down mortality — nothing really to get in the way of the rampant bromance. If This Is the End feels like a project made with a total lack of adult supervision, it also goes to dark and curious corners that studio comedies rarely dare to explore. Whether that’s heavenly or hellish is a matter of taste.  mt

This is the End opens on June 12, and is rated R; it has a running time of 107 minutes.


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Limpopo police puzzle over motive after couple burnt in car, another shot dead

Polokwane - The motive for the brutal murders of three people, including a couple found burnt in their car, was still unknown, Limpopo police said on Tuesday.

Lieutenant Colonel Moatshe Ngoepe told News24 that no one had been arrested for the killings that took place in Matiyani village outside Malamulele on Monday.

Ngoepe said it was alleged that a woman and a man, aged 30 and 31 respectively, were kidnapped by unknown people while driving a Toyota Tazz near Makonde village outside Thohoyandou.

"Afterwards, the murderers loaded them inside the boot of their vehicle and drove away to a secluded area near Matiyani village along the Punda Malia Road. They were fatally shot, set alight inside the vehicle and burnt beyond recognition," he said.

He said the body of an unknown man was also discovered a short distance away from where the couple was found.

"The body of the man, aged around 26, had multiple gunshot wounds," he said.

READ: Man guilty of brutal murder of teen

The motive behind the murders was still unknown but police were investigating.

A massive manhunt has been launched by Saselamani police, he said.

Provincial police commissioner Lieutenant General Nneke Ledwaba condemned the killings.

"There is no justifiable reason for anyone to take an innocent life in this horrific manner. We are going to hunt these suspects around the clock until they are brought to justice," he said.

KEEP UPDATED on the latest news by subscribing to our FREE newsletter.

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How to Prepare for a Career Fair

When: Mon., Jan. 9, 6 p.m. 2017

Learn what to do to make the most of your time at a career fair and the key reasons why it's something you should do as part of your job search.

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text:
Dilip Kumar diagnosed with pneumonia

Legendary actor Dilip Kumar, who was admitted to Lilavati hospital here due to chest infection, has been diagnosed with mild pneumonia, his wife Saira Banu said Thursday. The 95-year-old actor was admitted to Lilavati hospital in suburban Bandra on Wednesday.  "He is doing better now. The medical reports are saying a small patch of pneumonia is there. God willing, he will be out of it soon. But he is doing fine," Saira Banu told PTI.

.@TheDilipKumar has been admitted to Lilavati after he complained of breathlessness. Due to advance age, Saab has been routinely visiting the hospital for overall health care and health management. 1/2
— Faisal Farooqui (@faisalMouthshut) September 5, 2018

Dilip Kumar's nephew Faisal Farooqui first shared the news about the actor's ill health on his official Twitter account. "Saab has been admitted to Mumbai's Lilavati Hospital as he was bit uneasy due to a chest infection. He's recuperating. Requesting your duas and prayers," he had written. Known as the 'Tragedy King of Bollywood', Dilip Kumar has given memorable performances in films such as "Andaz", 'Aan', 'Madhumati', 'Devdas' and 'Mughal-e-Azam'.


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Live Music

Patricia Vonne ‘Top of the Mountain’ San Antonio Album Release Show

When: Sat., June 2, 9-11:45 p.m. 2018

Vonne has made a name for herself around the world as a multi-faceted musician, songwriter, actress, filmmaker and more. Now, with the release of her latest project, Vonne is positioned to once again enchant music lovers as she flows between genres and creates a sound only she could conjure. The official San Antonio album release show is being held at the Sam’s Burger Joint followed by Joe “King” Carrasco.

Price: $12-$50


text:
Screens » Film

San Antonio-born Actress Noël Wells Debuts Mr. Roosevelt, Her First Feature Film As Writer/Director

  • Courtesy

Actress and comedian Noël Wells, 30, has never been the type of person to wait for something to fall into her lap. Instead, she’d rather create her own material and make something happen for herself.

After gaining an online following by developing her own sketch and parody videos for her YouTube channel and performing with the Upright Citizens Brigade in Los Angeles, Wells did just that when she was hired as a Saturday Night Live cast member in 2013. Although her time on SNL lasted only one season, she went on to co-star in the first season of the critically acclaimed Netflix comedy Master of None alongside Aziz Ansari.

Now, Wells, who was born in San Antonio in 1986, attended Memorial High School in Victoria, and graduated from the University of Texas at Austin, is debuting her first feature film as a director and screenwriter. In Mr. Roosevelt, she plays Emily Martin, a down-on-her-luck comedian who returns home to Austin when she gets some sad news. During her visit, she stays with her ex and his seemingly perfect new girlfriend and is forced to come to terms with the fact that her life is not going as planned.

The Current caught up with Wells in Austin this past March at the South by Southwest Film Festival where she hosted the world premiere of Mr. Roosevelt, which opens in San Antonio October 27.

  • Courtesy

Current: Where did the inspiration for Mr. Roosevelt come from?

Noël Wells: [From] little anecdotes of my life that have happened over time that I’ve been collecting. Everything in the movie has happened to me in some sense, but everything in the movie is completely fictionalized.

C: What are the similarities between you and your character?

NW: She’s an amalgamation of these little quirks and ticks [I have], but she’s not me. When I was writing [the script], maybe she was a little more like me, but as you start doing the character it becomes something else. I do think I have a little bit of her combativeness when people cross her and she jumps down their throat.

C: Were you trying to do something unique with the genre and avoid clichés?

NW: This whole movie was me taking the indie film trope of coming home after being away for a little bit and finding ways to flip it on its head and making it a little more absurd. I think comedically, you want to push back on whatever came before.

C: Is part of the reason you wrote your own movie to star in because it just makes more sense to create the content yourself?

NW: Yeah, I think that’s how my whole career has worked. You don’t see all the things I’ve made before, but the only reason I have any career is because any time I’m not working, I am making my own things. You can’t just sit around hoping it’ll fall into your lap. It’s inevitable that I would make things. I find that the most satisfying.

C: What did you take from an experience like Saturday Night Live since you were on for only one season?

NW: It was a definite goal to be on that show. It was really sad [when SNL didn’t renew my contract]. The second that I found out, I had all this grief. But there was something in the back of my mind that said, “It’s going to be fine.” I got there because I make things and have a voice. The whole world thinks I just lost a job and what a loser I am, but they just don’t understand who I am or what I’m going to do.

C: Do you find the industry oversaturated today since there are so many more platforms for comedians to show off their material?

NW: Kind of. I don’t want to put a judgement on it, but I think whatever comedy is right now, it’s a cool kids’ club. It’s very in vogue and has become a trend. I think comedy is an underdog endeavor. It’s supposed to elevate people out of something darker. I think the idea of being cool right now is actually the opposite of what is funny.

C: How has Master of None helped you with your career and going to the next level?

NW: Master of None was so good and now people are like, “Oh, Noël can do that!” So, it just makes it a little easier. You get called into more rooms. People are willing to collaborate with you a little more. They’re just more receptive to hearing what you have to say or looking at the projects you’re working on. I was so nervous when I got hired [for Master of None]. I was so anxious that I was going to do it wrong or that I was going to get fired. But working with Aziz [Ansari] and having it be so collaborative and seeing how good it came out made me realize I am on the right track. You just have to find the people that work the same way you do. It was very rewarding. I was able to take that and funnel it into this movie.

Mr. Roosevelt opens at the Alamo Drafthouse Park North (618 NW Loop 410) on Friday, October 27. Wells will be in attendance October 28 for a screening of the film at 7:45pm, followed by a live Q&A, VIP afterparty and other surprises. Tickets are $25 at


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Restoring Tomorrow | Seven Days | Vermont's Independent Voice

Restoring Tomorrow

Rated NR 120 min. 2018

How do we reengage the disengaged? This challenging question confronts religious institutions across the country, and documentary "Restoring Tomorrow" seeks to answer - in cinemas Tuesday, November 13 at 7:00 p.m. local time. "Restoring Tomorrow" tells a universal story of hope, as it focuses on a landmark house of worship that was literally crumbling and a community's against-all-odds determination to restore it to new greatness. Following the event, audiences will join director Aaron Wolf and some of America's most dynamic religious and community leaders for a dialogue about what comes next.

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Son of Saul | Movie Reviews | Seven Days | Vermont's Independent Voice

Movies » Movie Reviews

Son of Saul

There's a reason 38-year-old Hungarian director László Nemes' feature debut won the Best Foreign Language Oscar last weekend. Son of Saul achieves the almost inconceivable: It reinvents the Holocaust movie.

The drama unfolds over a day and a half in Auschwitz. Yet we see no crowded trains, no ghostly smoke rising from crematorium chimneys, no rows of barracks — for that matter, few of the images familiar from previous screen accounts of this historical horror.

Instead, we see what one man sees, and he survives largely by keeping his head down. His name is Saul Ausländer (Géza Röhrig). As an opening title card informs us, he's one of the Sonderkommandos, Jewish prisoners forced to assist the Nazis in preventing their assembly line of death from slowing even for a second.

The opening sequence, one of the most powerful ever filmed, announces to the viewer that Nemes intends to tell his story using an entirely new cinematic vocabulary. The image is squared off, shot in 1.33:1 aspect ratio and almost always tight on its subject, who fills the frame in a way that heightens the film's sense of claustrophobia. The camera often shoots over Saul's shoulder, employing a shallow focus technique that blurs everything not in his line of sight.

What we hear is more nightmarish than what we see. A band plays. A friendly voice reminds newcomers to remember the number of the hook on which they've hung their clothing, telling them hot soup awaits them after their shower. We glimpse naked men, women and children passing through a metal doorway. Then the doors slam, and we hear screaming and pounding, louder and louder, until silence descends.

At which point Saul mechanically does his job. He takes down the clothes, separates valuables, drags bodies — which the guards refer to as "pieces" — from the room and scrubs blood from the floor in preparation for the next train. At the periphery of his vision, we make out corpses stacked beside flaming pits, prisoners being shot and members of his group planning an uprising.

Then we clearly see what Saul sees, the sight that sets the rest of the movie's action in motion. A boy has somehow survived the cyanide and been placed on a crate for inspection. After checking his heart with a stethoscope, the doctor calmly suffocates him and orders the workers to "open him up" for an autopsy.

Is this actually Saul's son, or is the murder simply the last psychological straw for him? We're never told. All we know is that Saul makes it his mission to save the boy's body from the ovens and find a rabbi to preside over a proper Jewish burial. He spends the balance of the film navigating the maze of the camp, bartering and making deals in the hope of doing this one decent thing, while atrocities of every variety unfold around him. The director's revolutionary approach allows us to accompany the protagonist down every hall, through every tunnel, sticking to him like a second skin and seeing through his eyes.

Right up to its mystifying final frames, Son of Saul offers a guided tour of the depths of human darkness. Sure, movies have been there before, but never in so direct and unadorned a fashion. Nemes has said his goal was to tell a Holocaust story "without projecting postwar emotions or emotions codified in film." In other words, to portray life in the camp as it was experienced in that tragic time and place, before its day-to-day drudgery had been converted into drama. I think you'll agree the filmmaker has created an unforgettably fresh hell.

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Related Film

Son of Saul (Saul fia)

Director: Laszlo Nemes

Writer: Laszlo Nemes and Clara Royer

Cast: Géza Röhrig, Levente Molnár and Urs Rechn

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