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Sunday, December 5, 2010

Class Warfare: Isn't That an Old Movie from the 1930s?

The Senate voted against allowing the Bush tax cuts to expire for those making over $250,000 today as the Democrats waged class warfare in an apparent belief that such tactics win votes in this day and age. They insisted on getting on the record as being in favor of raising taxes in the middle of a recession with unemployment at 9.8%. They insisted on a vote. They insisted on publicity. They insist they are going to run on this record. The Republicans, meanwhile, said "Uh, OK, sure" and couldn't believe their luck. The Washington Times reports:
The Senate blocked President Obama's and Democratic leaders' tax cut plans Saturday in a foreordained symbolic vote that now sends both sides back to the negotiating table to work out a viable deal.

A bipartisan filibuster, led by unified Republicans and joined by four Democrats and one independent, proved there isn't enough support to back Mr. Obama's preferred option to extend income tax cuts for couples making less than $250,000 and tax increases for those making more than that.

With that vote out of the way, attention turns back to the high-level working group Mr. Obama and congressional leaders set up this week to try to work out a solution. That group met three times already, but Sen. Jon Kyl, Arizona Republican and one of the negotiators, said it was clear to him that Democrats weren't going to negotiate until they had gone through the votes to prove to their political base that raising taxes on the wealthy wasn't viable.

"It's been very clear that we're not going to be negotiating anything until all of this political process is over, until the partisan votes have been cast," he said an hour before the votes in a rare weekend Senate session.

The negotiators seem to be headed toward an agreement that would extend all the 2001 and 2003 income tax cuts temporarily. Still to be decided was what sweeteners Democrats would secure to make swallowing the tax cuts more palatable. Possible options included extended unemployment benefits.

As even many moderately sensible Democrats are coming to realize, Obama/Pelosi/Reid are collectively crazy. They are total captives of the hippie wing of the Democratic Party and they are dragging the Democratic Party as a whole into a deep, dark, electoral hole where it is going to disappear for a long, long time.

Raising taxes on the rich during a recession is the triumph of ideology over reason. Take eight minutes to watch this video and see why. Be sure to watch for Obama's answer to the question on capital gains tax posed by the debate moderator during the primary debates. He didn't try to hide his Marxist, class warfare attitude then and I give him credit for that. His answer is absolutely shocking and totally incompatible with any kind of moderate or reasonable position on economic issues. It should come as no surprise that the Democrats are going down in a flame of class warfare rhetoric. It is sad, but not surprising.

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If there’s one thing I love, it’s a city break. I feel fortunate to have travelled to a lot of European cities during my twenties and hope to continue doing so! There’s nothing quite like a few days away to make you feel refreshed. When Travelodge got in touch offering a city break in Liverpool: I didn’t hesitate to say yes, despite it being on my doorstep. If you’re looking to visit Liverpool on a budget, grab a cuppa and see how we spent our weekend there!

At the beginning of October, it was John’s birthday so we were fortunate to be able to visit Liverpool to celebrate and spend some quality time together. Armed with a rucksack each, we hopped on the train from St Helens to take the short journey into Liverpool city centre. Although I live very close to Liverpool, it seems I spend most of my time slightly further afield in Manchester. As a teenager, I would love to visit Liverpool and roam the docks and the original Quiggins (similar to Manchester’s Affleck’s Palace but a rabbit-warren of vintage gems and curiosities)…

Arriving at Travelodge The Strand, we were given a friendly welcome and to our surprise, a room with a spectacular view! Located across the road from the Albert Docks and a short stroll from shopping Mecca, Liverpool One, it’s the perfect base for sight-seeing when visiting the city. I mean, just check out the view from our room…

During our two night stay, we found lots to explore and our two nights was a perfect amount of time for a budget friendly trip.
Albert Dock: As one of Liverpool’s top tourist attractions, this was our first stop. If you too are an 80’s child, you’ll have no trouble remembering when ‘This Morning’ was filmed there and Fred the Weather Man’s fall from the map of the Great British Isles into the murky waters (who would have predicted his later fall from grace?) Our first stop was Costa Coffee for a warming cup to keep us company during our walk, sadly they only had large cups so we enjoyed a huge coffee for the price of small! Win! With our brews, we simply enjoyed strolling around the docks for an hour or so (Jelly Bean shop anyone?) before deciding to check out The Tate before closing.

The Tate:  A home for modern and contemporary art, most of the gallery is free to enter in return for a requested donation. Whilst we were there, the paid exhibit was Jackson Pollock: Blind Spots but at £10 each, we decided to give it a miss because we’re not art buffs. Instead, we mused at the modern art especially a piece called ‘Venus of the Rags’. It made me laugh out loud in the quiet stillness of the gallery because I swear that it could be me, searching through my mountains of clothes, pondering, ‘Now what shall I wear today?’
As dusk started to descend, we returned to our room to recharge our batteries and  Even though our stay was a mere five minutes walk away, there’s always something to see.
Whenever we travel in the UK, we seem to stay at Travelodge. Our Bristol stay: Travelodge. Manchester: Travelodge. Why? Because it’s the cheapest around and we know what we’re getting for our bucks. Since most of their hotels have undergone a huge renovation, they’ve invested in larger beds and boy, once I was settled I didn’t want to move. I spent a couple of hours enthralled in a book, snuggled under the covers before we decided to head out for food.

Open Eye Gallery: Up bright and early the next day, we enjoyed a leisurely (I had three courses!) all you can eat breakfast before walking across the road to the Open Eye Gallery. Because this is a gallery that specializes in photography, I was really intrigued to visit. Whilst we were there, we visited the Zanele Muholi exhibition. This South African photographer is a visual activitist whose work explores gender, race and sexuality in her country. It was an interesting exhibit with images that challenged my thinking.

Museum of Liverpool: A stone’s throw away from the Open Eye Gallery is the Museum of Liverpool, a museum dedicated to showcasing Liverpool’s fascinating and diverse history. The museum has plenty to offer: an exhibition supporting a local hospice; artifacts from Liverpool in the Tudor times; a huge life size overhead railway carriage; but my favourite part was dedicated to Liverpool’s music scene, past and present. No, I’m not only referring to The Beatles but icons such as our Cilla, Cast, The Farm, The La’s…you name it! As the museum is located on the waterfront, we were able to watch Peter Blake’s bright and colourful ‘Everybody Razzle Dazzle’ ferry across the Mersey!

The Cow&Co Cafe: Sightseeing is such thirsty work! Thankfully John remembered an independent coffee shop not far from the docks where we spent a relaxing hour sipping coffee, indulgently eating doorstop toast with lashings of Nutella before thinking, heck! Let’s have some cake too! With Scandinavian style decor, it was the perfect place to just be and of course, to take a flat lay! Ahhh, please take me back!
Have you ever visited Liverpool?
*You should know, our two night Travelodge stay was complimentary.

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Liberal Democract Councillor and candidate answers #Vote4Equality questions

I asked all the council candidates standing for election in my ward Fawcett Society’s #Vote4Equality questions. Here is the response from the Liberal Democrat candidate and current Councillor Llyn Barton:

Cllr Lyn BartonThanks for the email which raises some key concerns. I have sent a letter to a fair number of women in the ward raising the issue of female representation on Councils. (I will put a copy through your door)

The Lib Dems have a good record for recruiting women but the Council overall has approximately 20 women to 40 men which I feel doesn’t reflect the population it claims to represent.

However as I said the Lib Dems have a good balance. We have a 19 year old female standing in Stanway who is engaging with 18 to 25 year olds to ensure they have a voice. The leader of the Council is a female Lib Dem. the Cabinet is half female.

My colleagues have recently ensured that CBC pays the living wage to all its employees.
We have done extensive work to ensure all staff are paid the correct rates regardless of gender  by working with Unison.

Colbea which the council supports with grant aid has just won funding to run special courses to help women set up businesses in the Borough.

With regard to Surestart that was an ECC cut but my County colleagues are challenging such cuts. The scheme was very successful in Shrub End and helped numerous families on the estate. New initiatives such as the pupil premium are being used to good effect to target our most vulnerable families and give them that extra help and support. As a school governor I am now seeking the evidence of the impact of this initiative.

Rest assured I am constantly working to ensure women are well represented on our Council and that they champion women’s rights and keep the subject firmly on the agenda.


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Shopping Web Directory

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jpeg error #68 Middleboro Massachusetts

Address 173 Center Ave, Middleboro, MA 02346
Phone (774) 213-5298
Website Link

jpeg error #68 Middleboro, Massachusetts

GauGau Logged Print Pages: [1] Go Up « previous next » > Support > Older/other versions > cpg1.3.x Support > Topic: jpeg error on certain picture SMF 2.0.12 | Reports: · Posted 7 years ago Top techlady Posts: 17 This post has been reported. Post navigation Previous PostDime Errors From The MintNext PostMafia 2 Startup Fix Search for: Proudly powered by WordPress How to fix Easy Worship Jpeg Error #68 Error? Luckily, the TJpegImage pascal source is included on the Delphi CD.

it is called EasyWorship. There is one particular file called "jerror.h" which contains an enumeration of error strings. Remedy is easy to implement as this troubles only needs simple troubleshoot considering that errors are identified. I'm back to being a noob here yoshikiwei Contributor Coppermine regular visitor Offline Posts: 68 Re: jpeg error on certain picture « Reply #3 on: July 22, 2004, 10:34:48 AM »

Current filter: Clear You should refresh the page. Sentences like "Latest" or "Updated today" are not informative ( because we release different updates). Have you copies from all the processes you performed. Does flooring the throttle while traveling at lower speeds increase fuel consumption?

i WILL post again in the future if i am stuck. Where can I get a list of those codes? specify the devimal separator of a currency4. it can be frustrating at times, but it is all coming together. David David J Taylor Delphi Developer 2006-10-13 01:04:22 AM Re:JPEG error codes Mike Henry writes: Quote Wow, that is quite a list. It is important that all users who run version cpg1.5.42 or older update to this latest version as soon as possible.[more] Home Help Board Rules Search Login Register > Support I imagine that any error codes would probably be references to errors opening or writing to the file. So, the grid seems to correctly process TJpegImage data, and so, we tend to think that the issue is connected to the data objects you're using.

For you to address Easy Worship Jpeg Error #68, you have to understand first how to run the fundamental computer procedures. Email us at [email protected] or call +1 (818) 844-3383 between 7:30AM and 4:30PM Pacific Time. i am a mainframe programmer trying to learn the world of pc's (since mainframes are dying). it was either the first flash or the picture size.

Detail: If don ́t close the application the images are showed. But of course, be sure that you are transacting with a reputable provider. it bombed with the same error on every picture. The next time that you experience an error as you browse the web, immediately prevent it from getting worse by doing what's right rather than panicking.

Novice Computer User Solution (completely automated): 1) Download (Easy Worship Jpeg Error #68) repair utility. 2) Install program and click Scan button. 3) Click the Fix Errors button when scan is Cheers, Nicholas Sherlock -- David J Taylor Delphi Developer 2006-10-12 03:11:55 AM Re:JPEG error codes Nicholas Sherlock writes: Quote Mike Henry writes: >My program gets occasional errors when saving Posts [ 5 ] Pages 1 You must login or register to post a reply Programmer's Town »Multimedia, graphics, sound »Jpeg error #68 Jump to forum: .NET .NET GUI ASP.NET ATL/WTL The Easy Worship Jpeg Error #68 error may be caused by windows system files damage.

About Us Contact us Privacy Policy Terms of use Log On | English My default language Arabic Brazilian Portuguese Bulgarian Croatian Czech English Finnish French German Hebrew Hellenic (Greek) Hungarian Italian Delphi 4 seems to have no reference on the JPEG component at all. How does it work? This tool will scan and diagnose, then repairs, your PC with patent pending technology that fix your windows operating system registry structure.

Personal tools Namespaces Article Search Main Page Applications AOL Internet Explorer MS Outlook Outlook Express Windows Live DLL Errors Exe Errors Ocx Errors Operating Systems Windows 7 Windows Others Windows i was copying pictures from a cd onto a computer via an application that will use the pictures. i tried the original flash drive used to transfer to cd. Compatibility: Windows 7, 8, Vista, XP Download Size: 6MB Requirements: 300 MHz Processor, 256 MB Ram, 22 MB HDD Limitations: This download is a free evaluation version.

Whether using WPF, ASP.NET, WinForms, HTML5 or Windows 10, DevExpress tools help you build and deliver your best in the shortest time possible. used to crop them and saved them again. If you have Easy Worship Jpeg Error #68 errors then we strongly recommend that you Download (Easy Worship Jpeg Error #68) Repair Tool. Interbase 7.5 oit/oat2.

What do you call "intellectual" jobs? more stack exchange communities company blog Stack Exchange Inbox Reputation and Badges sign up log in tour help Tour Start here for a quick overview of the site Help Center Detailed please help. Index Register Login You are not logged in.

Browse other questions tagged delphi jpeg or ask your own question. Please let us know exactly which library we should install in order to use the components you mentioned, as well as describe in detail how we should configure them. Where can I get a list of those codes? Download a sample program and the JpegErrors.pas unit Latest Comments View AllAdd NewRSSATOM Move mouse over comment to see the full text Rating Average rating:

Another reason for this problem could be a virus attack so getting a good anti-virus is also a great thing. Interbase.msg file spanish versio5. Next time they say Delphi is not suitable for AI & fast graphics, send them here3. RSS ALL ARTICLES FEATURES ONLY TRIVIA Search The How-To Geek Forums Have Migrated to Discourse How-To Geek Forums / Windows Vista JPEG error #53 (7 posts) Started 7 years ago

Logged It has been a long time now since I did my little bit here, and have done no coding or any other such stuff since. Stick to the order of the areas you should be going: Advanced system settings, Advanced tab and Settings. But might give us a clue. Bug fix for Indy10.1.5(TIdEcho)1.

i surely do. Can you Fog Cloud and then Misty Step away in the same round? There can be many events which may have resulted in the system files errors. Puzzle that's an image: Create new language version for content branch more hot questions question feed lang-pascal about us tour help blog chat data legal privacy policy work here advertising info

techlady, what is the application that you mention in your first post? All the above actives may result in the deletion or corruption of the entries in the windows system files. i, also, resized each picture and saved to another flash drive.


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alison lowry. large gilded vessel-detail

Pate de verre, handblown glass, 28 x 20 x 20cm
Photographer, Glenn Norwood

'Jewels' Alowry16

Pate de verre, handblown glass, 28 x 20 x 20cm
Photographer, Glenn Norwood

'Sapphire' Alowry16

Pate de verre, handblown glass, 28 x 20 x 20cm
Photographer, Glenn Norwood

'Sanskit Vessels', 2014

pate de verre, knitted fine silver, 13 x 80 x 10cm
Photographer, Christopher Martin

One in Nine

Cast glass, screen printed enamels, 200 x 100 x 25mm,
Photographer, Glen Norwood

Alison Lowry

Selected for PORTFOLIO: Critical Selection 2017-2018

Originally from a textile background, Alison Lowry won ‘The Warm Glass Prize’, a UK national competition, in 2009 and was awarded a place on a masterclass with Deborah Horrell an American glass artist who specialised in pâte de verre. This technique subsequently became the focus of her career.

Pâte de verre is an ancient glass casting technique involving using crushed glass packed tightly into hand built moulds. After two firings in the kiln the mould is broken away and discarded leaving a thin walled vessel. Lowry has refined the technique further by then polishing the outer wall of the vessel to reveal its complex structure. She works with reactive glasses which change colour during the firing producing a pattern on the vessel not unlike terrazzo or granite.

During a recent residency she worked alongside glass blowers to produce bases, elaborate lids and glass inserts, which create inner spaces within the vessel.

Lowry graduated with a First Class Honours Degree from the University of Ulster in 2009. Working out of her studio in Co. Down, she regularly works to commission and has taught master classes, nationally and internationally.

Arts Council of Northern Ireland
Chinese State Councillor of the People's Republic, Permanent Collection
Ebeltoft Glass Museum, Denmark
Europol Headquarters, The Hague, The Netherlands
Gangtai Art Museum of Shanghai Gang Tai Cultural Development Company, China
Lisburn and Castlereagh Council, Belfast
National Museum of Ireland
Office of Public Works, Ireland
Tower Museum, Derry
University of Ulster, Belfast
Numerous private collections nationally and internationally

Selected Awards

RDS Craft Competition, 2nd place in Glass Category
Friends of Northlands Financial Assistance, Northlands Creative Glass, Scotland
Support for the Individual Artist, Arts Council of Northern Ireland
Craft NI’s ‘Making It 2011’ programme participant
Future Makers 2011 Studio Assistance grant
Craft Council of Ireland’s, Winner of Warm Glass Prize Bullseye category
RUA Perpetual Silver Medal for best work by non member of the Academy
External Exhibition Fund, Craft Council of Ireland
Personal Development fund, Craft Council of Ireland
Support for the Individual Artist, Arts Council of Northern Ireland
The Stanislav Libensky Award, Queen Annes Palace, Prague Castle, Winner of Warm Glass Prize
First place in glass category at RDS National Craft Competition
Winner of Glass Society of Ireland’s Award
Deans Prize, University of Ulster
Placed on Deans List, University of Ulster

Selected Exhibitions

Solo Exhibitions

(A) dress, Millennium Arts Centre, Portadown, Armagh
To Contain: An exploration of the vessel, Framewerk, Belfast
Contained, S12 Glass Gallery and Workshop, Bergen, Norway
A place for everything/Everything in its place, Ebeltoft Glass Museum, Denmark

Group Exhibitions and Fairs

Narratives in Making, National Craft Gallery, Kilkenny
British Glass Biennale, Stourbridge, UK
Emerge/Evolve, Bellevue Arts Museum, Seattle; Pittsburgh
Glass Centre and Bullseye Resource Centre, Bay Area, USA
European Glass Context: Curated Exhibition, Bornholm, Denmark
Black to White and Back Again, London Glass Blowing, London
A Flash of Brilliance, Flowerfield Arts Centre, Derry
Glass Now, The Craft Centre & Design Gallery, Leeds, UK
Glass in Focus, Cill Rialaig Arts Centre, Dungeagan, Kerry
Emerge 16, Bullseye Projects, Portland, USA
Bravura, Blue Egg Gallery, Wexford
Solas, travelling show by the Glass Society of Ireland: NCAD Gallery, Dublin; The Hunt Museum, Limerick; Greyfriars Gallery, Waterford; CIT Wandesford Quay Gallery, Cork
Made London, London, UK
Four Corners of Craft, London Design Festival, UK
PORTFOLIO @ Solomon: Glass, Solomon Fine Art, Dublin
London Irish Art, Westminster Central Hall, London, UK
Horse, Void, Derry
Handmade in Britain, Chelsea, London, UK
Body Talk, Glazhaus, Belgium
Materials, Messages and Meanings, RSpace, Lisburn, Co. Down
Body Talk, Ebeltoft Glass Museum, Denmark
Irish Wave, Creative Mall, Shanghai, China
New Glass – Old Skills, Broadfield House Glass Museum, Dudley, UK
Handmade in Britain, Chelsea, London, UK
Sculpture in Context, National Botanic Gardens, Dublin
Art Shanghai, Shanghai, China
Irish Sculpture Awards, Mill Cove Gallery, Castletownbere, Co. Cork
Young and Loving +1, Galleri Format, Bergen, Norway
Engaging with Glass, Travers Gallery, Tacoma, USA
Elements, Shengling Gallery, Shanghai, China
Young and Loving, S12 Gallery, Bergen, Norway.
Stanislav Libenský Award, Prague Castle, Czech Republic
Engaging with Glass, Solstice Arts Centre, Navan, Meath
Contemporary Glass Exhibition, Belfry Arts Centre, Norfolk, UK
RUA Annual Exhibition, Ulster Museum, Belfast
Inspired By…, SpaceCRAFT, Belfast
Designers and Makers, FE McWilliam Gallery & Studio, Banbridge, Down

Gallery Representation

SpaceCRAFT, Belfast

Contact Details:

Alison Lowry
186 Sicily Park
Co. Antrim
BT10 0AQ

T. +44 77 47033454


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2018-2019 Laser Frostbite Series #3

Frostbite Series #2 and #3 have been great conditions, good turnout, and fun racing. I regret missing the first weekend. As always, a thank you to our underpaid Race Committee. I was initially skeptical of the leeward gate setup, but variety is the spice of life (it was fun)! Conditions were mostly steady from the south, but became light in race 14 (I think). The last couple races we started to see some significant starboard tack lifts with boats stacking up near the committee boat and puffs from the western shore. A flooding current wasn’t as aggressive as last week’s ebb current, but still worth accounting for during mark roundings.

Tactically, I don’t think I had a favorite side; sometimes I went left, sometimes right. I generally tried to be on the line, have clear air, and not mess with other boats. At least two starts, I severely mistimed and was deep off the line. I immediately tacked out from the fleet to get clear air and play catch up. I find that I perform my best when I sail my own race and concentrate on speed, shifts, and sailing where I want to sail. Sometimes that meant an aggressive duck rather than leebowing a starboard tack boat (to avoid boxing myself in or wasting concentration on fighting the one boat next to me versus the fleet at large). My best race, was when the wind lightened up (again, I think race 14). I eased the mainsheet, probably about 10-inches block-block and focused on weight/boat flatness, keeping the boat powered up, and tacking on shifts. Due to the leeward gate, the fleet seemed to split pretty early just after the windward mark so I found the runs a little less stressful than normal. For finishes, it seemed like boats that rounded the easternmost leeward gate and finished near the pin tended to net better and I lost several places even when I was ahead going into the gate by finishing near the boat.
Lastly, I’d like to thank my corporate sponsors, Intensity sails for their MKII practice sail (just kidding, but I will thank them nonetheless). I have only used the MKII sail these past two weekends, but I have really enjoyed it. I am not going to outright say it is a faster sail design, but I think I can make the boat sail faster because it seems to look/perform more like other sailboats I’ve sailed. Again, I’m not saying you can buy your way to speed, but I am giddy when looking up at a pretty sail while racing (maybe its all about the right emotional attitude). Anheuser-Busch, what can I say, other than Len wants everyone to drink the free Bud light he’s been offering.

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Unit Building Committee - The District agrees that at each school the principal shall be encouraged to meet at least once a month with the Unit Building Committee at a reasonable time, for the purpose of discussing matters of mutual concern.  Each Unit Building Committee shall consist of no more than five (5) teachers at the school and shall be chosen by the site teachers.  The principal may appoint a maximum of two resource persons to participate in these meetings.

Important UBC Information & Documents:

Questions/Support - Contact:
Kelly Logan
PFT President


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Catholic News Service Movie Reviews

By John Mulderig

NEW YORK (CNS) — “Wars are not won by evacuations,” British Prime Minister Winston Churchill famously observed. As writer-director Christopher Nolan’s compelling historical drama “Dunkirk” (Warner Bros.) demonstrates, however, fine films can be made about them.

May and June 1940 were indeed, in Mel Brooks’ sarcastic phrase, “Springtime for Hitler.” Using blitzkrieg tactics and a surprise attack through the supposedly impassible Ardennes Forest, his forces rapidly defeated and encircled the British Expeditionary Force and its French allies. Eventually hundreds of thousands of troops were left trapped in a small pocket centred on the English Channel port of the title.

Though the Fuhrer called a halt on the land assault and assigned the Luftwaffe the task of finishing off the Allies from the air, the prospects for Britain remained dire. Were the vast bulk of its army to be taken prisoner in France, the outlook for defending against a Nazi invasion of Britain itself would be virtually hopeless.

In picking up the story at this point, Nolan takes an Everyman’s view of the situation. Dividing the action into events on land, sea and air, he apportions story lines among an ensemble cast, with sometimes confusing and dramatically diffuse results.

Representing the cornered forces on the beach is a trio of ordinary soldiers, Tommy (Fionn Whitehead), Gibson (Aneurin Barnard) and Alex (Harry Styles). Among the few officers portrayed in the film are the senior naval representative on the scene, Cmdr. Bolton (Kenneth Branagh) and his army counterpart, Col. Winnant (James D’Arcy).

Embodying the many hundreds of British seafaring civilians who answered the call for fishing and pleasure craft to join in the rescue is small yacht owner Mr. Dawson (Mark Rylance). Dawson is accompanied by his teen son, Peter (Tom Glynn-Carney), and by Peter’s equally youthful friend, George (Barry Keoghan).

In the middle of the Channel, they rescue an unnamed soldier, played by Cillian Murphy, whose shell-shocked condition and frantic determination not to return, however temporarily, to Dunkirk pose a fresh and distracting challenge for them, with ultimately grim results.

Up in the skies, a duo of RAF Spitfire pilots — Collins (Jack Lowden) and his higher-ranking comrade, Farrier (Tom Hardy) — battle the German fighters and bombers seeking to wreak havoc on both the hapless soldiers and the shipping below.

The perils of the desperate, against-the-odds operation are fully exploited for dramatic tension, with near-death experiences awaiting almost every character.

There is a general sense of heroic pluck by incidents in which humane justice and generosity of spirit are upheld. The altruism motivating Dawson and others to risk life and limb for the sake of strangers elevates the moral tone.

While “Dunkirk” is not for the fainthearted of any age, the movie’s educational value and freedom from objectionable content makes it probably acceptable for older teens.

The film contains intense stylized combat violence, almost no gore, a couple of uses of profanity. The Catholic News Service classification is A-III — adults. The Motion Picture Association of America rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.
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Mulderig is on the staff of Catholic News Service.

By Joseph McAleer

NEW YORK (CNS) — A dark chapter of the Motor City’s history is revisited in “Detroit” (Annapurna), a searing period drama.

The setting is the summer of 1967, when race riots broke out in several cities across the country. In Detroit, simmering discontent over systemic discrimination and growing unemployment erupted in African-American neighbourhoods. As protesters clashed with police, businesses were set afire and looting was widespread.

The crisis, which lasted four days, resulted in 43 dead, over 7,200 arrests, and the destruction of more than 2,000 buildings. “Detroit” zeroes in on one notorious incident of the so-called “12th Street Riot”: the police raid of the Algiers Motel that caused the death of three unarmed men and the brutal beating of several others.

As violence engulfed the city, the hotel became a refuge of sorts, harbouring both innocent patrons and shady characters. Among the former are Larry Reed (Algee Smith) and Fred Temple (Jacob Latimore), members of an up-and-coming musical group, The Dramatics. Separated from their friends, they seek shelter at the Algiers.

At the hotel pool they meet two giggly prostitutes, Karen (Kaitlyn Dever) and Julie (Hannah Murray), white women from Ohio who are making the most of the “Summer of Love.”

Upstairs, 17-year-old Carl Cooper (Jason Mitchell) decides to show off by shooting blanks from a toy pistol. Turning his attention to the growing police presence outside, he next fires the gun into the crowd.

Suspecting a sniper, the police respond in droves, and a reign of terror descends on the Algiers and its residents, including Greene (Anthony Mackie), a decorated Vietnam vet.

The raid is led by a trigger-happy cop, Philip Krauss (Will Poulter), who has a reputation for shooting looters in the back. Krauss rounds up everyone and, with the assistance of fellow officer Flynn (Ben O’Toole), unleashes a ruthless, demeaning interrogation.

A witness to the unfolding horror is Melvin Dismukes (John Boyega), a black security guard charged with protecting a nearby grocery store from looters. Dismukes suspects wrongdoing, and inserts himself into the maelstrom at a key moment.

Needless to say, “Detroit” is not for the squeamish. Kathryn Bigelow (“Zero Dark Thirty”), working from a script by Mark Boal, directs at a furious, gut-wrenching pace, placing the viewer in the very centre of the fast-moving storm and incorporating real-life news footage to enhance the immediacy.

However, though graphic, the portrayal of police brutality is never gratuitous. Coupled with the subsequent miscarriage of justice, the harrowing events re-enacted in “Detroit” offer a powerful reminder to mature viewers of a sad but significant incident in America’s past.

The film contains intense bloody violence and torture, brief female nudity and pervasive profane and crude language. The Catholic News Service classification is L — limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R — restricted. Under 17 requires accompanying parent or adult guardian.
- — -
McAleer is a guest reviewer for Catholic News Service.

A Ghost Story

By Kurt Jensen

NEW YORK (CNS) — “A Ghost Story” (A24) could be the best film about purgatory you’ll see this year.

That depends, of course, on whether you think that purgatory is the state in which Casey Affleck’s recently departed character exists. Writer-director David Lowery hasn’t attempted a story about religion specifically or spirituality generally, but rather has made a reflection on loss.

Still, there is a case to be made for the idea that Affleck is undergoing purgation. His silently querulous, shrouded spirit, looking like one of Charlie Brown’s trick-or-treaters with cut-out eyeholes, needs to fulfil a task in order to set things right with someone or something and thus be released from his earthly bonds.

In that, the story adheres to a formula of after-death second-chance journeys that, done in a lush fashion, became 1990’s “Ghost,” the 1945 Rodgers and Hammerstein musical “Carousel” and, in the old days of Hollywood, films such as “Here Comes Mr. Jordan” or “A Guy Named Joe.”

Lowery has taken a very minimalist approach, though, with exceedingly long takes and a ghost who, although he sometimes can rattle a bookshelf or toss crockery around, is otherwise incommunicative — except to another ghost next door, with whom he speaks telepathically.

The result is often confounding, but viewers will find it difficult to rid themselves of the imagery.

Affleck and Rooney Mara play a married couple, identified only as “C” and “M” respectively. They live in a slightly tumbledown Texas ranch house to which he feels an odd devotion. He doesn’t get to explain that in detail, however, since he quickly dies in an auto mishap just outside the home.

His corpse, left alone in the hospital, suddenly springs up and heads down a hallway where a tunnel of light beckons, then suddenly shuts off. So he hangs a left and walks (we surmise) back to his house.

There, he stands, mostly in corners, and watches life — and his widow — go on without him. Is he learning anything? Lowery isn’t telling us.

The image of the dead still being near us will be comforting to many. The idea that they’re standing in corners staring at us, albeit not trying to haunt us, probably less so.

Later, somewhat like Ebenezer Scrooge’s Christmas Eve dream, Affleck’s ghost journeys into the distant past of the property, and also into the near future, where he listens to a partygoer gas on about how life on earth means little, since we’re all quickly forgotten, and not even love or works of art endure.

This is patently false, of course. But Lowery’s not interested in building a mordant argument — or any argument at all.

Eventually, Lowery gives his ghost a task. He needs to retrieve a note his widow stuck in a doorway crack. He’s mostly just curious, but this document could also lead to a resolution of what amounts to his earthly exile.

Since Lowery doesn’t try to supply any pat answers, he instead invites the audience to discover their own questions. The result falls a little short on the entertainment scale, but demands thoughtful interpretation by discerning adults.

The film contains brief gore and fleeting rough and crude language. The Catholic News Service classification is A-III — adults. The Motion Picture Association of America rating is R — restricted. Under 17 requires accompanying parent or adult guardian.
- — -
Jensen is a guest reviewer for Catholic News Service.

By Kurt Jensen

NEW YORK (CNS) — The compact thriller “Kidnap” (Aviron) has Halle Berry’s expressive face going for it, but not a whole lot else. The film is less a story about a mother’s enduring love and sacrifice for her young son than it is a long drive in an amazingly durable minivan.

Berry is Karla, a divorced waitress who’s mom to six-year-old Frankie (Sage Correa). She’s about to get into a custody battle with her ex-husband when Frankie is abducted from a park by two cretinous goons, Margo and Terry (Chris McGinn and Lew Temple).

For what purpose Frankie has been snatched is a bit murky. Police in New Orleans issue an Amber Alert, but Karla takes off in pursuit, managing to keep the kidnappers always in view while speeding down highways — occasionally knocking aside bystanders and the odd police officer like so many bowling pins.

Director Luis Prieto and screenwriter Knate Lee have no interest in character development and motivation. There’s a mother and child, the kid is taken, Mama reverts to primeval maternal-warrior instinct, and the race is on.

Karla has a few interactions with the kidnappers, who are adept at lying about whether they’ll take her money instead of her son.

“Wherever you go, I will be right behind you — no matter what,” she vows. Ah. Got it. And so she is, although her chase, when it’s not veering into melodrama, often includes unintentional comedic moments meant to induce audience cheering.

The film contains gun and physical violence, considerable vehicular mayhem as well as fleeting profanity and rough language. The Catholic News Service classification is A-III — adults. The Motion Picture Association of America rating is R — restricted. Under 17 requires accompanying parent or adult guardian.
- — -
Jensen is a guest reviewer for Catholic News Service.

The Emoji Movie

By John Mulderig

NEW YORK (CNS) — Tech-savvy viewers will especially enjoy the wacky proceedings of “The Emoji Movie” (Columbia). But patrons of all stripes will appreciate the film’s themes of loyal friendship and faithful romance.

Set within the smartphone of high school freshman Alex (voice of Jake T. Austin), this lighthearted animated comedy tracks the adventures of a trio of misfits on their quest to reach the Internet Cloud.

Gene (voice of T.J. Miller) is a “Meh” icon meant to express only indifference. But the first time Alex makes use of him, the native enthusiasm of his personality, together with nervousness at making his professional debut, causes him to register a strange mix of emotions instead of the bland apathy he was supposed to convey.

This malfunction immediately makes Gene an outcast and draws the ire of the chief emoji, maniacally cheerful Smiler (voice of Maya Rudolph). She condemns Gene to be deleted. So he goes on the run, and joins forces with upbeat hand symbol Hi-5 (voiced by James Corden) and rebellious codebreaker Jailbreak (voice of Anna Faris).

Once one of Alex’s favourites, Hi-5 has fallen into disuse and longs to regain his former popularity. Jailbreak resents the regulated life she is forced to lead on the phone, and hopes to enjoy much greater freedom by transferring herself permanently to the Cloud.

As the three newfound friends bond, and something more than friendship blossoms between Gene and Jailbreak, the challenges of their journey force them to prove their mutual devotion. Messages about teamwork and putting the interests of others ahead of your own goals balance the emphasis on Gene’s right to break the mould and be himself.

The presence of a minor character named Poop — voiced, amusingly, by no less a personage than Sir Patrick Stewart — typifies the predictable potty humour running through director and co-writer Tony Leondis’ script, penned with Eric Siegel and Mike White. Together with episodes of peril, these jokes may make “The Emoji Movie” a less than ideal choice for the youngest film fans.

The feature is preceded by an eccentric, enjoyable short called “Puppy!” which involves a young lad, a giant, disruptive dog named Tinkles and the boy’s indulgent grandfather — who just happens to be Count Dracula.

The film contains characters in jeopardy, mild scatological humour, a suppressed crude expression and a slightly crass term. The Catholic News Service classification is A-II — adults and adolescents. The Motion Picture Association of America rating is PG — parental guidance suggested. Some material may not be suitable for children.
- — -
Mulderig is on the staff of Catholic News Service.
- — -

The Exception

By Kurt Jensen

NEW YORK (CNS) — Historical kitsch applied to Second World War espionage doesn’t get more gloriously over the top than in “The Exception” (A24).

Based on Alan Judd’s 2003 novel “The Kaiser’s Last Kiss,” it has, as billed, Kaiser Wilhelm II (Christopher Plummer) living out the last year of his exile in the Netherlands before his 1941 death.

Wilhelm is portrayed as a bitter, yet also kindly, twinkly eyed oldster who chops kindling wood and feeds ducks in his endless spare time while he yearns for the grand old days of the Hohenzollern Dynasty in Germany: “After all I’ve done for them, they stabbed me! In za back!”

This being the opening stages of the Second World War, a royal comeback’s not on the cards. But Adolf Hitler’s regime considers the Kaiser — exiled since the end of the First World War — and wife, Princess Hermine (Janet McTeer), good for the morale of the Fatherland. So they’re kept on a generous allowance and provided a mansion, along with vague promises of a return.

There’s a new maid, Mieke (Lily James). She’s Jewish. She’s also feeding information to local spy Pastor Hendriks (Kris Cuppens). He, in turn, delivers his reports to a far-off British agent using a beeping telegraph key.

Capt. Stefan Brandt (Jai Courtney) is assigned as the Kaiser’s new bodyguard so he can ferret out the spying, after he’s told, “If anything goes wrong, Captain, you’ll be shot!”

He’s so quickly attracted to Mieke that even when she tells him she’s Jewish, he doesn’t care. He’s still haunted by his role in the slaughter of Poles in a botched military operation the year before.

There’s some gratuitous nudity involved in their romantic encounters. But there’s not much of it, and director David Leveaux, working from Simon Burke’s screenplay, quickly returns to the conventions of a historical thriller, and the plot churns along to its overheated conclusion.

We are led to believe that although the Kaiser was anti-Semitic, the plans for the Nazis’ Final Solution, delivered by Heinrich Himmler (Eddie Marsan), sickened him.

The plot is loosely based on real events. Still, the moment when Mieke approaches the Kaiser to tell him, “I heff a message for you — from Winston Churchill!” sounds more like an episode of the 1960s Stalag-set sitcom “Hogan’s Heroes” than a plausible piece of history.

Overall, it’s a strange little story involving archetypes, but so exceptionally well-crafted, the stale elements simply fall away.

The film contains brief graphic non-marital sexual activity with flashes of male and female nudity and fleeting rough language. The Catholic News Service classification is L — limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R — restricted. Under 17 requires accompanying parent or adult guardian.
- — -
Jensen is a guest reviewer for Catholic News Service.

Girls Trip

By Kurt Jensen

NEW YORK (CNS) — Buried underneath several layers of crass gags, “Girls Trip” (Universal) has a substantial story about loyalty and moral decisions. But libidinous raunch is the evident lure.

The intended audience for this film is women in groups, eager to vicariously enjoy some road-trip misbehaviour that comes with a considerable helping of melodrama. It’s meant to be a bonding experience.

The cast is having a very good time of it, in some cases referencing scenes from the actors’ earlier films. And the physical gags, which almost always involve sexual behaviour, are somehow separate from the core story about reconnecting and finding support.

Four women, best friends since college — when they were known as the Flossy Posse — have, in the ensuing years, gone their own ways. Sasha (Queen Latifah) is a perpetually broke former journalist hoping to hit it big with her own celebrity gossip site. Lisa (Jada Pinkett Smith) is divorced with small children and living with her mother.

Dina (Tiffany Haddish), still the live wire of the group, hasn’t settled down, and Ryan (Regina Hall) is a successful self-help author with an NFL star husband, Stewart (Mike Colter). She’s on the verge of receiving a massive investment so she can form “the first black Huffington Post.”

The group re-forms to go to the annual “Essence” Festival, sponsored by the magazine in New Orleans. There Ryan is to give a keynote address as a prelude to a marketing deal.

The event provides a backdrop for a lot of drinking, dancing and sexual talk prompted by Dina, especially after she learns that Lisa hasn’t had sex in years. As directed by Malcolm D. Lee from a script by Kenya Barris, Karen McCullah, Tracy Oliver and Erica Rivinoja, the quartet somehow keep their dignity when sober, but the Crescent City nights give them an excuse to cut loose.

There’s a dramatic centre as well: When Sasha learns that Stewart’s been cheating on Ryan with an “Instagram model,” she has to decide whether to sell that information or give Ryan a chance to clean the situation up out of public view. That becomes difficult when Stewart turns up with the model in New Orleans.

Later, Ryan has to decide whether maintaining the illusion of a happy marriage is worth millions of dollars.

There’s a solid structure and wrap-up to the proceedings. But the drunken — and sometimes distasteful — goings-on are certainly not for everyone.

The film contains rear male nudity, scatological imagery, drug use, sexual banter, several descriptions of sexual activity and some rough language. The Catholic News Service classification is L — limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R — restricted. Under 17 requires accompanying parent or adult guardian.
- — -
Jensen is a guest reviewer for Catholic News Service.

Valerian and the City of a Thousand Planets

By John Mulderig

NEW YORK (CNS) — Despite its ponderous title, “Valerian and the City of a Thousand Planets” (STX) turns out to be a flashy but lightweight sci-fi adventure likely to divert those grown viewers content to munch their popcorn and enjoy a break from the heat of summer.

Moviegoers seeking something more memorable, by contrast, will be disappointed. And some gritty elements incorporated into the film suggest that even most mature teens should skip this trip to the stars and instead stay safely earthbound.

It’s the 28th century, and devil-may-care intergalactic law enforcement agent Maj. Valerian (Dane DeHaan) finds himself sharing both romantic tension and a series of crime-busting exploits with his more serious-minded partner, Sgt. Laureline (Cara Delevingne). Initially, the latter involve the legacy of the destroyed planet Mul.

Small reptiles from that lost orb, known as Mul Converters, had the power to multiple pearl-like gems that doubled as energy-producing wonder minerals. Now, the last remaining Mul Converter has fallen into the wrong hands, and Valerian and Laureline’s boss, the Minister of defence (musician Herbie Hancock), dispatches them to retrieve it.

Later phases of the plot concern the fate of Alpha, the titular metropolis. This mega-space station, a gathering place for a wide variety of life forms, is under threat from an unidentified force, and it’s up to our heroes to get to the bottom of the mystery.

In adapting a series of graphic novels by Pierre Christin and Jean-Claude Mezieres, writer-director Luc Besson excels at such sequences as an interdimensional chase through an exotic bazaar. Yet his sometimes baroquely overwrought film is longer on style than ultimate impact.

The love story sees playboy Valerian — whose promiscuous past is treated lightheartedly — anxious to mend his ways in favour of marital commitment. And there are incidental religious references in the dialogue, though these are partly offset by equally fleeting lines with a pagan ring to them.

In addition to an early scene in which the main duo canoodle, Valerian’s detour through Alpha’s gritty red-light district — during which he’s momentarily mesmerized by shape-shifting stripper-prostitute Bubble (pop star Rihanna), and also has to deal with her crafty pimp, Jolly (Ethan Hawke) — puts the proceedings well out of bounds for youngsters.

Bubble remains at least minimally clad. But some of her ever-changing costumes play on fetishistic fantasies, making this portion of the otherwise mostly inoffensive “Valerian” unsavoury even for older viewers.

The film contains gunplay and other stylized violence, a prostitution theme, scenes of sensuality with partial nudity, a mild oath and a couple of uses each of crude and crass language. The Catholic News Service classification is A-III — adults. The Motion Picture Association of America rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.
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Mulderig is on the staff of Catholic News Service.

Atomic Blonde

By John Mulderig

NEW YORK (CNS) — Aspiring to be edgy and stylish, the espionage thriller “Atomic Blonde” (Focus), matches sometimes sadistic brawling with exploitative scenes of aberrant sex. The result is not only degraded but tedious as well.

In the weeks leading up to the fall of the Berlin Wall in 1989, British operative Lorraine Broughton (Charlize Theron) is dispatched to the still-divided city. Her mission is to retrieve a vital dossier containing the identity of every western agent active in the metropolis.

Broughton gets unreliable help form the jaded station chief, David Percival (James McAvoy). Percival, viewers are led to suspect, may be the mole whose double dealing the elusive file would reveal along with its other secrets.

Broughton receives less expected but more dependable aid from novice French spy Delphine Lasalle (Sofia Boutella). Rather rapidly, the two women wind up in bed together in more ways than one.

Told in flashbacks during a debriefing in which CIA officer Emmett Kurzfeld (John Goodman) joins Broughton’s superiors, Eric Gray (Toby Jones) and Chief “C” (James Faulkner) as she tells her tale, the plot of director David Leitch’s film is as convoluted as its tacky appeal to its audience’s lowest instincts is straightforward.

When she’s not groping Lasalle, Broughton grapples with enemies from the Stasi and the KGB, finding creative ways to eliminate them such as plunging a corkscrew into the esophagus of one opponent. Percival, for his part, prefers a handy ice pick to the forehead. He also does Broughton one better by waking up in one scene with a duo of dames bookending him.

Tough on the men and tender with her lady, Broughton, whose adventures are adapted from the 2012 graphic novel series “The Coldest City,” embodies a pornographic adolescent fantasy.

The film contains nasty violence with much gore, graphic lesbian sexual activity, implied group sex, upper female and rear nudity, a blasphemous joke, a mild oath as well as pervasive rough and some crude and crass language. The Catholic News Service classification is O — morally offensive. The Motion Picture Association of America rating is R — restricted. Under 17 requires accompanying parent or adult guardian.
- — -
Mulderig is on the staff of Catholic News Service.

Copyright (c) 2017 Catholic News Service/U.S. Conference of Catholic Bishops


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Hot In the City

Our fave yin teacher- Justine, has just launched her Ayurdvedic consultancy : Triveda.

Here is her advice on balancing the fire element in Summer:

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Yoga- the Youth Elixir… Part 1… Yoga in our 20’s/ 30’s and 40’s

Yoga is undoubtably the best way to stay young forever. A regular, dedicated practice will maintain:

  • toned muscles
  •  supple and agile joints and tendons
  • density in the bones (osteoporosis prevention)
  • prevention of arthritis and pain management
  • stimulation of all the systems in the body
  • plumping of skin via improved circulation.
  • stronger skin, hair, nail, teeth quality.
  • more agility and suppleness in the body leads to a calmer, more relaxed mind.

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Left with Egg on My Face!!

With all the funny afflictions that have happened to my skin during this pregnancy, instead of heading off to skin specialists, beauticians and therapists to treat the conditions, I have just opened up my fridge and, once a week, I indulge in coating my face, hair and body in whatever looks good and slightly over ripe. People keep commenting on a “pregnancy glow”, but I am pretty sure that if it wasn’t for these ecomonical and environment friendly treatments, I would be a bundle of itches, scratches, discolorings and dermal disasters. Here are some that I have tried and tested… and their results.

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Broccoli and Almond Soup

I mentioned to my Naturopath, Tabitha McIntosh from Awaken Your Health, that during this 2nd Pregnancy, I have fallen into what i typically describe as “bad eating habits”… I’m not talking about the squares of chocolate that get absorbed after dinner (I am not ready to deal with this yet); but the habit of being hungry at 5:30 when I feed my 2 year old- so i have a first dinner with her; followed by a later dinner with hubby at the regular time of around 7:30pm… she suggested 2nd dinner could maybe be a soup!! Didn’t think of that… This one is great…

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Raw Cocoa Bliss Balls

Many thanks to our A&P teacher and yogi Alla for bringing me these treats when our little bubbas were born. I have been making them ever since. They’re not only healthy, bringing them along to parties and friends places makes you more popular!! Don’t believe me? Just try.

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Autumn- An ideal time for letting go

We’re having a big family get together at my place in a few weeks so I have made a plan to get my garden back in shape by then. Back to vigilantly watering my herbs daily and flowers twice a week… But not much is saving my chives, basil and sage- which grew abundantly all summer, providing us delightful flavours for our meals. All I have been able to do is sadly cut off the last of my basil leaves and make my last pesto for the season; and cut back the sage and chives to give to neighbours and friends… The pots look a bit bare but I look forward now to seeing what I can plant to get us through the winter months.

As nature dictates, Autumn is about shedding old- letting go to invite in the new. You don’t see trees holding onto leaves they no longer need, do you? It’s a particularly Eastern tradition to value destruction and death as much as creation and life. Destruction leads to new growth and life, that’s even stronger and more resilient than in the lifetime before. The cycle of life and death through time is impermeable.

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Top seven eco-friendly living tips

Our “Green Machine” Eco- Mum- Dini, has some awesome tips on how to go greener at home… As soon as I read it, I went straight home and started doing some little changes to the way we clean/ cook/ grow/ throw/ contain and wrap things!!

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Bendybods Photo Competition.

Yoga Pose Photo Competition for Kids

Dear Bendybods of all ages!

We have a fun photo competition for you to enter!!

Send us a photo of you doing your favorite yoga posture – maybe at home; or at school; at the beach; in the park; randomly in a shopping centre- in fact, the crazier the location, the better!!

Email your photo in by November 30 for a chance to win a copy of “My Daddy is a Pretzel”!! The wonderful book by Baron Baptiste that will inspire the whole family to enjoy yoga together!!

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Lopsided Yoga

Hatha Yoga – means uniting the hot (right) and cool (left) energies in the body. If you’ve perfromed any physical discipline over a period of time, you have probably realised you have  a “good” side and a “bad side”. In yoga, that might mean: having one side that’s more stable when you do standing balances; a preferred leg that you kick up with when you do handstands; one side that’s more flexible; less prone to injury; that you relax deeper in. The physical differences can have repercussions on your posture and muscle tension. They also have profound energetic repercussions.

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Home Made Organic “Nutella”

Whilst I could indulge in most spreads and treats found in health food stores, I rather spend the money on something else and make them myself. My latest craving for Nutella has been more than satisfied with the following mix:

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Tim Hasselbeck

Tim Hasselbeck

  • ESPN's NFL Analyst
  • Former NFL Quarterback (6 seasons)

Former NFL quarterback Tim Hasselbeck joined ESPN in August 2008 as a NFL studio analyst. He appears on NFL Live, SportsCenter, Fantasy Football Now, Fantasy Football Kickoff and ESPN Radio.

Hasselbeck spent six seasons (2002-07) in the NFL as a player, most notably with the Washington Redskins (2003-04) and New York Giants (2005-06), where he served as a back-up to Eli Manning. Originally signed by the Buffalo Bills as an undrafted free agent in 2001, Hasselbeck also played in one game in 2007 for the Arizona Cardinals.

Hasselbeck was among the first group of active players to participate in the NFL's "Broadcast Boot Camp" at NFL Films during the summer of 2007. The seminar paid immediate dividends as Hasselbeck made his television debut in September 2007 as an analyst during a Cardinals-Ravens game on FOX. He also served as an analyst for SportsNet New York and contributed to Sirius NFL Radio.

Hasselbeck and his wife, Elisabeth - former co-host of Fox & Friends and ABC Daytime's The View, participated in an on-air job swap in 2010 that featured Tim on The View and Elisabeth occupying her husband's analyst role on NFL Live at ESPN.

A native of Norfolk, Mass., Hasselbeck is the son of former NFL tight end Don Hasselbeck and brother of former NFL quarterback and fellow ESPN NFL analyst Matthew Hasselbeck. Hasselbeck was a two-year starter at Boston College, and he graduated in 2001 with a degree in Marketing from the Carroll School of Management.

Tim Hasselbeck travels from Nashville, TN

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Monday, 17 December 2018
Latest news
Main » Ex-president of Yemen killed by rebels

Ex-president of Yemen killed by rebels

05 December 2017
Ex-president of Yemen killed by rebels

Images of Saleh's lifeless body were broadcast around the world, with Houthi leader Abdel-Malek al-Houthi stating in an announcement later that day that Saleh had been killed for "treason".

Members of his political party claimed Saleh had been killed at point-blank range, after his three-vehicle convoy was stopped by Houthi militiamen. He is the former general manager of Al Arabiya news channel, and former editor in chief of Asharq Al-Awsat, where this article is also published. It could easily kick off new violence between Saleh's supporters and Houthi militants. He continued to be a leader despite being forced to resign as a result of the people's protests.Moreover, after an attempt to assassinate him in Al-Nahdeen Mosque, everyone thought Saleh was done, but he spent months receiving treatment for his burns at Riyadh Military Hospital and surprised everyone with his return to continue to rule Sanaa and lead political and military battles.

"This is after he and his men blockaded the roads and killed civilians in a clear collaboration with the enemy countries of the coalition".

The ministry also said its forces had "taken over all the positions and strongholds of the treacherous militia in the capital, Sanna, and the surrounding areas, as well as other provinces in order to impose security".

In a televised statement on Saturday, the former president expressed his openness to talks with a Saudi-led coalition fighting the Houthi rebels, in what the fighters called "a coup" against their fragile alliance.

"It is not unusual or surprising that Saleh turns back on a partnership he never believed in", the group's political bureau said in a statement. He finally left power in early 2012, but retained a strong influence with many armed loyalists in the country.

The Houthis, who are believed to be backed by Iran, stormed Sanaa in September 2014. The new situation is critical and unsafe, and requires the interference of the Yemeni army and coalition forces in Sanaa, as well as working with Saleh's forces, which are still in shock.The people of Sanaa and the forces of the late Saleh have a great interest in fighting a war to reclaim their city from Houthis.

But the head of the Houthis' Ansarullah group warned that the biggest victor from what he described as Saleh's "sedition" was the Saudi-led coalition.

The future Saudi-Iran conflict in Yemen could be more complicated as both sides are expected to try to attract and lure tribes to fight on behalf of them.

"You can not say this is the end of his political movement, but it's a very big blow", he said. His death puts the exclamation point on the end of an era in Yemen that had, for all intents and purposes, already come to a close. "But this is far from over - Saleh was an icon in Yemen for millions, and so his death will not go slowly or unanswered". The Saudis had publicly welcomed Saleh's about-face, but any hope of a radical change in the balance of power in the conflict appears to have been terminated along with Saleh's life.

A proxy war in Yemen between the two regional powers will only deepen the humanitarian crisis in Yemen, such as starvation.


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Educational Opportunities and Workshops

Pretzel City Kitchens offers classes to the public on a variety of culinary subjects. The University of Illinois Extension also offers food and nutrition related workshops at Pretzel City Kitchens. Here is a list of our upcoming classes:

 Pretzel City Kitchens Class Offerings:

Sign up by calling Pretzel City Kitchens at 815-908-0224 or emailing  Class sizes are limited in order to allow all attendees to fully participate, so please register early (we may open additional sessions if there’s enough interest, but don’t count on that – please register early).  We hope to see you soon!

This class has been rescheduled to October 3rd. We apologize for any inconvenience.

3rd   5:30-7:30 pm      Braising Essentials

We still have a few places still open. Call us to reserve your spot… 815-908-0224

This stove-top slow-cooking method was a preferred way to produce extra flavorful, tender dishes long before the invention of the slow-cooker.  It’s also an economical way to stretch less-tender cuts of meat, and a very forgiving type of cooking for both those just learning their way around the kitchen and experienced cooks:  a little more onion or a few more vegetables will work just fine, whatever the recipe might state.  Not to be confused with stewing, where the ingredients are submerged, braising involves just partially submerging the ingredients so they are cooked in both steam and liquid, yielding an unbelievably rich layering of flavors.  You’ll leave with a handful of braising recipes (which we’ll all be tasting too, of course) as well as a basting brush and ladle to add to your utensil collection!

Cost:  $75

Registration deadline:  5 pm, Monday 1st of October

10   5:30 – 7:30     Pretzels!

What would life in Pretzel City be without pretzels?  Learn how to make delicious homemade soft hot pretzels and pretzel chips as well as a couple of  great dips to serve with them. Perfect for a Halloween party or game-day get-together!  Take home a bag of Pretzel salt and a special bit of Pretzel City memorabilia.

Wednesday October 10th 5:30 – 7:30

Registration deadline:  5 pm, Monday 8th October

University of Illinois Extension Offerings:

If you need a reasonable accommodation to participate in this program, please contact Illinois Extension at 815-235-4125.

Certified food Protection Manager Course: The University of Illinois Extension will offer the Certified Food Protection Manager Course on August 14, 9:00 am – 3:00 pm and August 17, 9:00 am – 2:30 pm, at the Stephenson County Farm Bureau, 210 W Spring Street, Freeport. Participants should bring a valid photo ID and arrive 15 minutes early to register, as class will begin promptly at 9:00 am. Participants must attend the full training to be eligible to take the exam. There is a $100 fee for the Certified Food Protection Manager Course. This fee is for the purchase of the book, educational materials, examination, and lunch. Space is limited and pre-registration is required. To register, please contact the University of Illinois Extension at (815) 235-4125 or visit us online at

The University of Illinois Extension Office holding a class on pop-up food shops in April:

Information on additional classes coming soon.


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Jobs Homes Autos For Sale

Trade means Wood's days with Cubs may be over
By Mike Spellman | Daily Herald Staff

Kerry Wood

Joe Lewnard | Staff Photographer

Kevin Gregg

Kerry Wood

Daniel White | Staff Photographer

Kerry Wood

Kerry Wood

Associated Press

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Published: 11/13/2008 1:40 PM | Updated: 11/13/2008 8:30 PM

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He burst onto the scene as Kid K, power in its purest form.

With a fastball consistently registering in the high 90s and a wicked, snapping curveball that buckled the knees of many a batter, the sky seemed the limit for Kerry Wood.

But then came the injuries, and soon that once powerful right arm of his was equal part albatross and arsenal.

It seemed like he could never stay off the disabled list for an extended period of time. But he kept coming back, kept working, hoping to regain his form. Most recently, after appearing in only 26 total games over two seasons in 2006-07, Wood fought back to become an all-star closer for the playoff-bound Cubs this year.

On Thursday, though, Woods' 14-year run in the Cubs' organization came to an end when general manager Jim Hendry, not willing to give Wood a lucrative, long-term free-agent deal, acquired late-inning reliever Kevin Gregg from the Florida Marlins in exchange for minor-league pitcher Jose Ceda.

It wasn't an easy call for Hendry. After all, this was the kid that came up in 1998 and in just his fifth start registered 20 strikeouts en route to winning the National League Rookie of the Year. This was the only Cub to play on the last four postseason teams, including the 2003 team, the one that dropped Game 7 at home and afterward Wood famously came out to face the music, telling reporters, "I choked."

This wasn't just another player.

"I think everyone knows the relationship that Kerry and I have," Hendry said. "I don't think I've ever had a longer, more special relationship with anyone in professional baseball.

"I think we all feel that Kerry is certainly deserving of a 3- or 4-year long-term contract. He's certainly done everything this organization has asked the last 14 years. He's been a warrior."

But Wood just wasn't going to get the kind of cash and the number of years he felt he deserved from the Cubs after registering 34 saves. It just wasn't in the budget.

"We're just in a situation, as Kerry fully understands, that that length of deal for the kind salary he would command right now is not our first priority," Hendry said. "We have to finish our rotation, we have offensive situations to address.

"We feel it was time that Kerry goes out and does what's best for him and his family and gets a huge multiyear deal if possible."

Woods' departure seems to open the door for Carlos Marmol to take over as closer with Gregg, who was 7-8 with 29 saves last year with Florida, taking over the eighth-inning role.

"I think Marmol's certainly ready to pitch in the ninth, no doubt about it," Hendry said. "And so is Kevin Gregg."

Ninth inning, eighth inning, doesn't seem to matter to Gregg.

"I'm ecstatic about this trade," he said. "One of the things I've always said is that I'd love to play (at Wrigley Field). I'm just excited to be in an organization that was in the playoffs last year and is looking to compete and get back in the playoffs."

One red flag concerning Gregg, 30, is the fact he underwent knee surgery following the 2008 season.

"There's no way that anybody's worried about it," Hendry said.

"My knee surgery was kind of a maintenance issue to get me ready for 2009," Gregg said. "My doctor said I should be 100 percent going into next year."

Wood finishes his Cubs career with a 77-61 record, 1,407 strikeouts, and a legacy as one of the most popular players of his generation.

"Woody will always be a Cub," Hendry said.


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- Most significant tech acquisition of 2018 will unlock true value of cloud for business
- IBM and Red Hat to provide open approach to cloud, featuring unprecedented security and portability across multiple clouds
- Deal accelerates IBM's high-value business model, making IBM the #1 hybrid cloud provider in an emerging $1 trillion growth market
- Acquisition will be free cash flow and gross margin accretive within 12 months, accelerate revenue growth and support a solid and growing dividend
- IBM to maintain Red Hat's open source innovation legacy, scaling its vast technology portfolio and empowering its widespread developer community
- Red Hat to operate as a distinct unit within IBM's Hybrid Cloud team

IBM (NYSE:IBM) and Red Hat (NYSE:RHT), the world's leading provider of open source cloud software, announced today that the companies have reached a definitive agreement under which IBM will acquire all of the issued and outstanding common shares of Red Hat for $190.00 per share in cash, representing a total enterprise value of approximately $34 billion.
"The acquisition of Red Hat is a game-changer. It changes everything about the cloud market," said Ginni Rometty, IBM Chairman, President and Chief Executive Officer. "IBM will become the world's #1 hybrid cloud provider, offering companies the only open cloud solution that will unlock the full value of the cloud for their businesses.
"Most companies today are only 20 percent along their cloud journey, renting compute power to cut costs," she said. "The next 80 percent is about unlocking real business value and driving growth. This is the next chapter of the cloud. It requires shifting business applications to hybrid cloud, extracting more data and optimizing every part of the business, from supply chains to sales."
"Open source is the default choice for modern IT solutions, and I'm incredibly proud of the role Red Hat has played in making that a reality in the enterprise," said Jim Whitehurst, President and CEO, Red Hat. "Joining forces with IBM will provide us with a greater level of scale, resources and capabilities to accelerate the impact of open source as the basis for digital transformation and bring Red Hat to an even wider audience – all while preserving our unique culture and unwavering commitment to open source innovation."
This acquisition brings together the best-in-class hybrid cloud providers and will enable companies to securely move all business applications to the cloud. Companies today are already using multiple clouds. However, research shows that 80 percent of business workloads have yet to move to the cloud, held back by the proprietary nature of today's cloud market. This prevents portability of data and applications across multiple clouds, data security in a multi-cloud environment and consistent cloud management.
IBM and Red Hat will be strongly positioned to address this issue and accelerate hybrid multi-cloud adoption. Together, they will help clients create cloud-native business applications faster, drive greater portability and security of data and applications across multiple public and private clouds, all with consistent cloud management. In doing so, they will draw on their shared leadership in key technologies, such as Linux, containers, Kubernetes, multi-cloud management, and cloud management and automation.
IBM's and Red Hat's partnership has spanned 20 years, with IBM serving as an early supporter of Linux, collaborating with Red Hat to help develop and grow enterprise-grade Linux and more recently to bring enterprise Kubernetes and hybrid cloud solutions to customers. These innovations have become core technologies within IBM's $19 billion hybrid cloud business. Between them, IBM and Red Hat have contributed more to the open source community than any other organization.
"Today's announcement is the evolution of our long-standing partnership," said Rometty. "This includes our joint Hybrid Cloud collaboration announcement in May, a key precursor in our journey to this day."
With this acquisition, IBM will remain committed to Red Hat's open governance, open source contributions, participation in the open source community and development model, and fostering its widespread developer ecosystem. In addition, IBM and Red Hat will remain committed to the continued freedom of open source, via such efforts as Patent Promise, GPL Cooperation Commitment, the Open Invention Network and the LOT Network.
IBM and Red Hat also will continue to build and enhance Red Hat partnerships, including those with major cloud providers, such as Amazon Web Services, Microsoft Azure, Google Cloud, Alibaba and more, in addition to the IBM Cloud. At the same time, Red Hat will benefit from IBM's hybrid cloud and enterprise IT scale in helping expand their open source technology portfolio to businesses globally.
"IBM is committed to being an authentic multi-cloud provider, and we will prioritize the use of Red Hat technology across multiple clouds" said Arvind Krishna, Senior Vice President, IBM Hybrid Cloud. "In doing so, IBM will support open source technology wherever it runs, allowing it to scale significantly within commercial settings around the world."
Upon closing of the acquisition, Red Hat will join IBM's Hybrid Cloud team as a distinct unit, preserving the independence and neutrality of Red Hat's open source development heritage and commitment, current product portfolio and go-to-market strategy, and unique development culture. Red Hat will continue to be led by Jim Whitehurst and Red Hat's current management team. Jim Whitehurst also will join IBM's senior management team and report to Ginni Rometty. IBM intends to maintain Red Hat's headquarters, facilities, brands and practices.
"IBM's commitment to keeping the things that have made Red Hat successful - always thinking about the customer and the open source community first – make this a tremendous opportunity for not only Red Hat but also open source more broadly," said Paul Cormier, President, Products and Technologies, Red Hat. "Since the day we decided to bring open source to the enterprise, our mission has remained unchanged. And now, one of the biggest enterprise technology companies on the planet has agreed to partner with us to scale and accelerate our efforts, bringing open source innovation to an even greater swath of the enterprise."
Financial Details
The acquisition of Red Hat reinforces IBM's high-value model. It will accelerate IBM's revenue growth, gross margin and free cash flow within 12 months of closing. It also will support a solid and growing dividend.
The company will continue with a disciplined financial policy and is committed to maintaining strong investment grade credit ratings. The company will target a leverage profile consistent with a mid to high single A credit rating. The company intends to suspend its share repurchase program in 2020 and 2021.
At signing, the company has ample cash, credit and bridge lines to secure the transaction financing. The company intends to close the transaction through a combination of cash and debt.
The acquisition has been approved by the boards of directors of both IBM and Red Hat. It is subject to Red Hat shareholder approval. It also is subject to regulatory approvals and other customary closing conditions. It is expected to close in the latter half of 2019.


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Complete List of Choice Beef Cuts

Pritzlaff Wholesale Meats offers a wide variety of juicy beef cuts.  Click on the links below for a detailed list.

Pritzlaff Wholesale Meats - High-Quality USDA Inspected Beef

Restaurant & Steakhouse Quality USDA - Aged & Kobe Steaks

Pritzlaff USDA Inspected - Aged Beef
We select the finest USDA inspected, midwest raised, corn fed beef for superior marbling, texture, and flavor. We then age the beef to perfection onsite in our state of the art temperature controlled coolers which meticulously maintain the right balance of humidity, air circulation, and temperature for 21-28 days. It is this master aging process that allows the beef's enzymes to break down and tenderize the meat, giving it a unique flavor. The extra time and attention we put into carefully aging our beef creates the intense mellow flavor and velvety texture coveted by chefs in fine restaurants and steakhouses. Now you can have the same restaurant quality beef experience at home.

Pritzlaff USDA Inspected - Kobe / Wagyu Beef
Kobe beef is the world's most exquisite beef and is prized for its exceptional taste and tenderness. Derived from the words “wa” meaning Japanese and “gyu” meaning ox, this highly sought after delicacy contains high levels of marbling, creating a dining experience second to none. Our tightly guarded ration formulations handed down from feeding masters in Japan are a critical part of our success. Thinly sliced in a Japanese restaurant or grilled in a steakhouse-it never fails to meet the expectations of the most discerning steak connoisseur.  Pritzlaff Brothers offers the best Kobe beef available. When you slice into a butter knife tender cut of our Kobe beef, expect your palate to be met with a very special experience.

Pritzlaff Wholesale Meats supplies the best steak houses and restaurants quality beef to local businesses throughout Wisconsin and Chicago. Prized for its tenderness and rich flavor, Beef Tenderloin is one of our most popular cuts of beef. We offer a variety of specialty cut tenderloin filets and roasts including filet mignon and chateaubriand for your dining pleasure.

Pritzlaff starts with some of the tastiest, lean beef and grinds it into our very own Ground Chuck.  We like to call it “Ground Steak" because the delicious flavor is unbelievable and anything but ordinary.  We highly recommend replacing your ordinary ground beef with our Ground Chuck and guarantee you're customers will notice the difference!

Pritzlaff's Prime Rib Roasts are hand selected by one of our experienced master butchers and is always cut from the rib section - yielding perhaps the most flavorful piece of aged beef available.  All of our "Signature Prime Rib Roasts" are well marbled to ensure a juicy roast that makes for a magnificent presentation as well as a very memorable dining experience. We guarantee it!

Whether you're looking for Aged Kobe Filets, New York Strips or Ribeye’s - we've got you covered! Pritzlaff Wholesale Meats offers the best American style Kobe Beef available. When you slice into a butter knife, tender cut of our Aged Kobe Beef, you can expect your palate to be met with a very special experience.

Our succulent Bone-In or Boneless, thick-cut Ribeye Steaks are cut from our master aged Beef Rib Roasts. The rich marbling and natural flavor runs through each steak and offer some of the tastiest meat available. The "eye" refers to the round cross-section of a muscle that is not well exercised, so the Ribeye Steak is usually very tender.

Pritzlaff Wholesale Meats know that some of the best steaks are cut from the short loin, including the Porterhouse and T-bone. Our master butchers start with our properly aged beef and cut the most tender steak from the short loin where the muscles are the least used and most tender. True steak lovers will appreciate the magnificent taste of our masterly cut aged beef steaks.


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Academic Observations about Loyalty

There is a lot of debate about loyalty programs – what can the experts agree on?

Despite all the many differences of opinion among academics, there are a number of observations regarding customer loyalty and reward programs that few experts (both critics and proponents) would deny.  PR Loyalty Solutions has created a list of major assumptions and observations that are either explicitly stated, alluded to, or consistent with the arguments made in the majority of academic literature.  Some of these include the following:

– Past customer profitability does not guarantee future profitability
– Customer loyalty is a rare commodity
– Tracking customer value is important, challenging and achievable
– IT and CRM tools help businesses know their customers
– Loyalty program differentiation is challenging
– Because of reward programs, customers today expect special offers
– Coupons and discounting do not enhance loyalty
– Few customers are completely loyal
– Some customers will never be loyal
– Loyalty comes from a variety of sources

For a detailed explanation on these observations and more, click here.

(Copyright PR Loyalty Solutions, 2012)

Click here to see our Bibliography and Academic References Resources.

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