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Could A Sensitivity To Phenols Be The Reason For Your Symptoms?

In our practice we see many clients with phenol sensitivities, or symptoms that reflect phenol sensitivities.

In this article we explore what they are, some of the symptoms they may be responsible for, and what we can do to minimize these symptoms while treating the root cause responsible.

But first…

How do you know that you may have a problem with phenols?

Being more sensitive to foods containing salicylates, colourful fruits and vegetables, spices, herbs (even medicinal herbs) can be an indication.  This is problematic because it includes many of the healthy foods that we need for fiber, antioxidants, vitamins and minerals.

Parents will often note that rashes or behaviours get worse when their child has consumed anything with a lot of colour such as cordials.  This can sometimes be mistaken for sugar-reactions when it is more due to the high phenol content.

Other things that may indicate a problem with processing phenolic compounds include being more sensitive to chemicals, suffering with infections or gut dysbiosis, and getting worse every time you try and treat them.

Typical symptoms of phenol or salicylate sensitivity include:

  • Emotional extremes
  • Inappropriate laughter
  • Dark circles under the eyes
  • Red face/ears
  • Allergy-type symptoms such as hives, asthma
  • Chronic infections such as ear infections, sinus problems
  • Diarrhea
  • Headaches
  • Sensitivity to noise, light, touch
  • Trouble falling asleep at night, waking up during the night, insomnia
  • Fatigue
  • Irritability
  • Night sweats
  • Bed wetting and day wetting
  • Aggression esp. when exposed to petroleum-based phenols
  • Self-injury such as head banging, hitting
  • Hyperactivity in children
  • Learning difficulties such as dyslexia, speech difficulties
  • Chronic fatigue in adults

So what are these compounds that can create so much havoc in your or your child’s body exactly?

Phenols are compounds made up of a 6-carbon benzene ring with one hydroxyl (-OH) group bonded to it.  Phenols will have other groups attached as well depending on the type of phenol.

They are mainly secreted by plants, animals or microbes to protect themselves against invaders, toxins, pesticides and inhibitors.  Phenols are similar (but not the same) to alcohols from a biochemistry standpoint which makes them more toxic or reactive than benzene.

Probably the most well-known chemical phenols would be the bisphenol A (BPA) found in plastics, but also toluene, petroleum, benzene, coal tar and xylenol.

Many chemical phenolic compounds are found in disinfectants, antiseptics, food additives, detergents, fungicides (used for waxing citrus fruits), and medications such as aspirin.  From these chemical phenols benzene is more toxic than toluene.  The reason for this seems to be in the bond strength according to William E Donges.  Because toluene has weaker bonds it is more easily metabolized by the liver P-450 cytochrome system.  Benzene is slower to be oxidized and can thus take longer to clear out of the system, allowing it more opportunities to damage DNA.

Reversing Damage to DNA in Chronic Illness and Fertility

These include catechols or catecholamine-like compounds such as dopamine, norepinheprine, epinephrine (adrenalin) and estrogen.

Strictly speaking they are not phenols as phenols only contain one hydroxyl group, whereas catechols contain two hydroxyl groups, but structurally they are very similar.  Once an amine group is attached to the catechol, such as during methylation via COMT, it is called a catecholamine.

Because phenolic compounds from different sources are so similar in chemicals structure, different phenols can act to disrupt these hormones and neurotransmitters.  A good example is the phenolic compound, 4-cresol, produced by clostridia which is a known dopamine disruptor.  This can be measure with an Organic Acid Test.

Polyphenols, flavonoids, resveratrol and salicylates are naturally occurring phenols produced by plants, and is found in fruits and vegetables.  When plants are stressed through drought or insect attacks they will produce more of these polyphenolic compounds (resveratrol being the better-known one) which is associated with better antioxidant protection from cancer and chronic disease.  These phenols are usually methylated or esterified and are conjugated which means they are found in the glycoside form and the aglycone form.

Some food additives and preservatives will also contain phenols, but this would fall more into the category of chemical phenols.

Dr. Benjamin Feingold (pediatric allergist) is well-known for his research into links between high phenol-foods, allergies and behavioural problems in children.  Both the Feingold Diet and FAILSAFE Diet can be used to eliminate phenols and salicylates and you can also look at our PHENOLS Food List.  Failsafe eliminates more food chemicals than Feingold so it may be easier to start with something like the Feingold diet as this may be all that you need.  However, if you suffer from chemical sensitivities you may have to upgrade to Failsafe.

Bacteria and other organisms produce phenols in response to some kind of stress, insect attacks, pathogen attacks, being wounded, etc. so it would make sense that when you are taking antimicrobials for infections you will have more phenols released into your system which can become a problem if you can’t clear them properly.  This is most likely why many people may feel worse when they start taking antimicrobial protocols.

4-Cresol produced by clostridia is another common phenol that has the ability to disrupt enzyme function such as DBH (Dopamine Beta Hydroxylase) which we mentioned further up.

But it’s not all bad.

Benzoate or benzoic acid itself is a phenol-compound that has an antimicrobial effect which is why it is used as a preservative in many foods.  So, when bacteria break down polyphenolic compounds found in many herbs and plants they produce this antimicrobial agent that helps to kill off unfavourable organisms.

This is interesting.

A good example is cranberries which are high in polyphenolic compounds.  Cranberry extracts have been used in the treatment of urinary tract infections, and even periodontitis, with many studies proving its effectiveness in these conditions.   This is one of the major reasons why fruit and vegetables are so important to keep us healthy.  In fact, benzoic acid has strong anti-fungal properties against candida albicans.

Issues arise when there is an overgrowth of bacteria producing too much of their own phenolic compounds, and at the same time stimulating the conversion of dietary polyphenols into benzoic acid which then interferes with mitochondrial function and puts pressure on phase 2 liver detoxification as well as the PST (Phenol-Sulfur-Transferase) enzyme.

Large amounts of phenols are released from decomposing plants which are further transformed and oxidized by soil microbes into fulvic and humic acids.  These acids bind to clay minerals and metal hydroxides and have many health benefits.

After ingesting phenols from foods it goes through xenobiotic metabolism which involves CYP2E1 and CYP3A4, but I’m sure there’s other CYP enzymes involved here as well.  Phenols are then conjugated in phase 2 liver metabolism using glutathione, sulfur (SULT1A), glycine, phenol-sulfur-transferase (PST) or glucuronic acid.  The latter depends on the gene UGT1A6 which encodes for UDP glucuronosyltransferase which has major activity on phenols such as coumarins, anthraquinones and flavones.  Metabolism of phenols occurs through aryl-alcohol dehydrogenase which uses NAD (vitamin B3) to produce an aromatic aldehyde.

Phenols are rapidly absorbed through the skin, lungs and gastrointestinal tract.  Once it is conjugated or bound to something, it can stay in the body for 1-5 hours.  So what are the most common routes of elimination?

  • Glucuronidation through forming phenyl glucuronide
  • Sulfation through forming phenyl sulphate

Both PST and SULT1A enzymes need PAPS (3-phosphoadenosine-5-phosphosulfate) to function properly.  Once phenols increase and start to overwhelm PAPS, metabolism switches more towards the pathway of glucuronidation.

Phenols are drawn to fats (lipophilic), denatures proteins and disrupt disulphide bridges in keratin on the skin.  In severe cases it depresses the CNS.  This is why we see neurological problems such as hyperactivity, aggression, learning difficulties and other behavioural issues in children with phenol sensitivities.

Phenols are formed via 3 different pathways:

  1. Shikimate/chorizmate or Succinylbenzoate pathway –> producing phenyl propanoid derivatives
  2. Acetate/malonate or Polyketide pathway –> produces the side-chain-elongated phenyl propanoids, including flavonoids and some quinones.
  3. Acetate/mevalonate pathway –> produces aromatic terpenoids (monoterpenes) by dehydrogenation reactions.

If a phenol looses a hydrogen group (H) of the hydroxyl group (-OH), it forms a negative phenolate or phenoxide ion which are called aryloxides.  Phenoxides can conjugate to other minerals such as sodium to form sodium phenoxide.  Because of this loss of a H+ ion phenols are more acidic than water.

Phenols are important compounds found in nature that has a role in keeping us and our microbiome healthy.

Issues arise when our phenol detoxification systems becomes overwhelmed with too many phenols from environmental chemicals, bacterial toxins, processed foods containing high amounts of phenols, etc.

If you add in enzyme inhibitions such as PST from SIBO (Small Intestinal Bacterial Overgrowth) or nutritional deficiencies it amplifies all of the above and we end up with phenol sensitivities.

Phenols are not bad but can be responsible for many of the discomforting symptoms you may be experiencing.  Eliminating them from the diet though is a short-term solution.  Working towards clearing the pathways and dealing with infections should be the focus for long-term resolution.

Good resources to look at include:

Abnormal Sulfation Chemistry in Autism

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Furniture & Appliancemart Distribution Center

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Furniture & Appliancemart Distribution Center

Stevens Point, WI
Delivery Method: Design-Build
Architect: Ellis Construction

Ellis was given the privilege to design and construct the original design and construction of 60,000+ square-foot facility, followed by 49,000 square-foot expansion. The owner then again retained Ellis for a design-build project to add yet another 50,000+ square-feet for a third phase to the distribution center. The total square-feet currently present at the site passes 150,000 square-feet.

Careful planning during the design phase of the original project allowed for a seamless addition that maintained the integrity of the design.

Due to the fact forklifts and tow motors move the majority of the product line; a flat floor was critical. Even slight variations in the level of the floor could cause safety concerns.

In addition to the Distribution Center, Ellis was the Design-Build firm selected by the owner for four of their stores, and the general contractor for a fifth store.

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NewPark Cinema

Newark, CA | retail/mixed use

What to do with an empty department store? Turn it into a state-of-the-art theater.

ELS planned the major redevelopment of NewPark Mall, a 1.1 million square foot regional shopping center serving a diverse Silicon Valley customer base that has changed considerably since the mall first opened in 1980. A former department store has been transformed into a state-of-the-art cinema. The mall has been turned inside out to feature a two-level restaurant plaza and the interior has been completely refreshed with a modern aesthetic and increased emphasis on food and entertainment.

International Council of Shopping Centers Design & Development Award

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Living as Exiles

Jeremiah 29:1-14

Over 2,500 years ago, God’s people were uprooted and sent into exile, to live among a hostile pagan culture.  God did not leave them without instruction, however, sending word through the prophet Jeremiah on how they were to live as his people in exile.  Today, every assembly of believers is an outpost embedded in a pagan culture, and so Jeremiah’s message stands to guide us in how to live during the years of our sojourning.


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HomeWorldUnemployment rate in Jordan rises to 12.8%

Unemployment rate in Jordan rises to 12.8%

The number of people unemployed in Jordan increased in the first three months of the year to 12.8 percent from 11.4 percent in the same period in 2011, according to the Department of Statistics.

The number of men unemployed was 11.1 percent compared with 20.5 percent for women, the government agency said. Unemployment was highest among graduates, which recorded a 17.2 percent jobless rate in the period.

Regional upheaval has put a strain on the desert kingdom’s economy with Jordan’s fiscal position deteriorating in the past two years.

Hosting nearly 500,000 Syrian refugees is costing Jordan about $550m a year, King Abdullah said last month when he met with President Barack Obama who was touring the region. The United Nations Children’s Fund (UNICEF) estimates that the number of Syrian refugees in Jordan will reach 1.2 million by the end of the year.

The US has promised to give the kingdom $200m in aid in addition to the regular assistance it gives Jordan.

Jordan’s economy grew by 2.7 per cent in 2012, less than International Monetary Fund forecasts however faster than the previous year, as a result of the unrest in Syria and a slowdown in foreign grants and aid, according to figures from the state-run Department of Statistics.

The kingdom’s economy had been projected to grow by about 3 percent last year by the IMF while gross domestic product expanded 2.6 percent in 2011. The kingdom’s economy is forecast to expand 3.5 percent in 2013, according to the Washington-based organization.

Unrest across the Arab world over the past two years and in particular in neighbouring Syria has cost Jordan’s economy as much as $4bn, according to the Institute of International Finance (IIF).

The desert kingdom incurred about $1bn in economic output losses in 2011 when the protests swept across the Arab world and led to the toppling of four leaders. In 2012, the impact on the kingdom’s economy was estimated at $3bn or 3.4 percent of gross domestic product (GDP) by IIF.

The kingdom of 6.2m people relies on foreign aid and grants from the US, Europe and the oil rich Gulf countries, to finance its fiscal and current account deficits.

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Grateful Dead

  (Redirected from The Grateful Dead)

The Grateful Dead was an American rock band formed in 1965 in Palo Alto, California.[1][2] The band is known for its eclectic style, which fused elements of rock, folk, country, jazz, bluegrass, blues, gospel, and psychedelic rock;[3][4] for live performances of lengthy instrumental jams;[5][6] and for its devoted fan base, known as "Deadheads". "Their music", writes Lenny Kaye, "touches on ground that most other groups don't even know exists."[7] These various influences were distilled into a diverse and psychedelic whole that made the Grateful Dead "the pioneering Godfathers of the jam band world".[8] The band was ranked 57th by Rolling Stone magazine in its The Greatest Artists of All Time issue.[9] The band was inducted into the Rock and Roll Hall of Fame in 1994[10] and a recording of their May 8, 1977 performance at Cornell University's Barton Hall was added to the National Recording Registry of the Library of Congress in 2012.[11] The Grateful Dead has sold more than 35 million albums worldwide.

Grateful Dead
The Grateful Dead in 1970, from a promotional photo shoot. Left to right: Bill Kreutzmann, Ron "Pigpen" McKernan, Jerry Garcia, Bob Weir, Mickey Hart, Phil Lesh.
The Grateful Dead in 1970, from a promotional photo shoot. Left to right: Bill Kreutzmann, Ron "Pigpen" McKernan, Jerry Garcia, Bob Weir, Mickey Hart, Phil Lesh.
Background information
Also known asThe Warlocks (May – Nov. 1965)
OriginSan Francisco, California, U.S.
Years active1965–1995
Associated acts
Past members

The Grateful Dead was founded in the San Francisco Bay Area amid the rise of the counterculture of the 1960s.[12][13][14] The founding members were Jerry Garcia (lead guitar, vocals), Bob Weir (rhythm guitar, vocals), Ron "Pigpen" McKernan (keyboards, harmonica, vocals), Phil Lesh (bass, vocals), and Bill Kreutzmann (drums).[15] Members of the Grateful Dead had played together in various San Francisco bands, including Mother McCree's Uptown Jug Champions and the Warlocks. Lesh was the last member to join the Warlocks before they became the Grateful Dead; he replaced Dana Morgan Jr., who had played bass for a few gigs. Drummer Mickey Hart and non-performing lyricist Robert Hunter joined in 1967. With the exception of McKernan, who died in 1973, and Hart, who took time off from 1971 to 1974, the core of the band stayed together for its entire 30-year history.[16] The other official members of the band are Tom Constanten (keyboards; 1968–1970), John Perry Barlow (nonperforming lyricist; 1971–1995)[17], Keith Godchaux (keyboards; 1971–1979), Donna Godchaux (vocals; 1972–1979), Brent Mydland (keyboards, vocals; 1979–1990), and Vince Welnick (keyboards, vocals; 1990–1995).[18] Bruce Hornsby (accordion, piano, vocals) was a touring member from 1990 to 1992, as well as a guest with the band on occasion before and after the tours.

After the death of Garcia in 1995, former members of the band, along with other musicians, toured as the Other Ones in 1998, 2000, and 2002, and the Dead in 2003, 2004, and 2009. In 2015, the four surviving core members marked the band's 50th anniversary in a series of concerts that were billed as their last performances together.[19] There have also been several spin-offs featuring one or more core members, such as Dead & Company, Furthur, the Rhythm Devils, Phil Lesh and Friends, RatDog, and Billy & the Kids.

Formation (1965–1966)Edit

The Grateful Dead in 1980. Left to right: Jerry Garcia, Bill Kreutzmann, Bob Weir, Mickey Hart, Phil Lesh. Not pictured: Brent Mydland.

The Grateful Dead began their career as The Warlocks, a group formed in early 1965 from the remnants of a Palo Alto, California jug band called Mother McCree's Uptown Jug Champions.[20] The band's first show was at Magoo's Pizza Parlor located at 639 Santa Cruz Avenue in suburban Menlo Park, on May 5, 1965, now a Harvest furniture store. They continued playing bar shows,[21] like Frenchy's Bikini-A-Go-Go[22][23] in Hayward and, importantly, five sets a night, five nights a week, for six weeks, at the In Room[24][25] in Belmont as the Warlocks,[26] but quickly changed the band's name after finding out that a different band called The Warlocks had put out a record under the same name. (The Velvet Underground also had to change their name from the Warlocks.)[27] The first show under the name Grateful Dead was in San Jose on December 4, 1965, at one of Ken Kesey's Acid Tests.[28][29][30] Earlier demo tapes have survived, but the first of over 2,000 concerts known to have been recorded by the band's fans was a show at the Fillmore Auditorium in San Francisco on January 8, 1966.[31] Later that month, the Grateful Dead played at the Trips Festival, a three-day psychedelic rock weekend party/event produced by Ken Kesey, Stewart Brand, and Ramon Sender, that, in conjunction with the Merry Pranksters, brought together the nascent hippie movement for the first time.[32][33]

The name "Grateful Dead" was chosen from a dictionary. According to Phil Lesh, "[Jerry Garcia] picked up an old Britannica World Language Dictionary ... [and] ... In that silvery elf-voice he said to me, 'Hey, man, how about the Grateful Dead?'"[34] The definition there was "the soul of a dead person, or his angel, showing gratitude to someone who, as an act of charity, arranged their burial". According to Alan Trist, director of the Grateful Dead's music publisher company Ice Nine, Garcia found the name in the Funk & Wagnalls Folklore Dictionary, when his finger landed on that phrase while playing a game of Fictionary.[35] In the Garcia biography Captain Trips, author Sandy Troy states that the band was smoking the psychedelic DMT at the time.[36] The term "grateful dead" appears in folktales from a variety of cultures.[citation needed]

Other supporting personnel who signed on early included Rock Scully, who heard of the band from Kesey and signed on as manager after meeting them at the Big Beat Acid Test; Stewart Brand, "with his side show of taped music and slides of Indian life, a multimedia presentation" at the Big Beat and then, expanded, at the Trips Festival; and Owsley Stanley, the "Acid King" whose LSD supplied the tests and who, in early 1966, became the band's financial backer, renting them a house on the fringes of Watts (Los Angeles) and buying them sound equipment. "We were living solely off of Owsley's good graces at that time. ... [His] trip was he wanted to design equipment for us, and we were going to have to be in sort of a lab situation for him to do it", said Garcia.[36]

Main career (1967–1995)Edit

The Mantra-Rock Dance promotional poster featuring the Grateful Dead

One of the group's earliest major performances in 1967 was the Mantra-Rock Dance—a musical event held on January 29, 1967, at the Avalon Ballroom by the San Francisco Hare Krishna temple. The Grateful Dead performed at the event along with the Hare Krishna founder Bhaktivedanta Swami, poet Allen Ginsberg, bands Moby Grape and Big Brother and the Holding Company with Janis Joplin, donating proceeds to the Krishna temple.[37][38] The band's first LP, The Grateful Dead, was released on Warner Brothers in 1967.

Classically trained trumpeter Phil Lesh performed on bass guitar. Bob Weir, the youngest original member of the group, played rhythm guitar. Ron "Pigpen" McKernan played keyboards, percussion, and harmonica until shortly before his death in 1973 at the age of 27. Garcia, Weir, and McKernan shared the lead vocal duties more or less equally; Lesh only sang a few leads, but his tenor was a key part of the band's three-part vocal harmonies. Bill Kreutzmann played drums, and in September 1967 was joined by a second drummer, New York City native Mickey Hart, who also played a wide variety of other percussion instruments.

1970 included tour dates in New Orleans, Louisiana, where the band performed at The Warehouse for two nights. On January 31, 1970, the local police raided their hotel on Bourbon Street, and arrested and charged a total of 19 people with possession of various drugs.[39] The second night's concert was performed as scheduled after bail was posted. Eventually, the charges were dismissed, except those against sound engineer Owsley Stanley, who was already facing charges in California for manufacturing LSD. This event was later memorialized in the lyrics of the song "Truckin'", a single from American Beauty which reached number 64 on the charts.

Mickey Hart took time off from the Grateful Dead beginning in February 1971, owing to his father, an accountant, having absconded with the band's money,[40] leaving Kreutzmann once again as the sole percussionist. Hart rejoined the Grateful Dead for good in October 1974. Tom "TC" Constanten was added as a second keyboardist from 1968 to 1970, to help Pigpen keep up with an increasingly psychedelic sound, while Pigpen transitioned more into playing various percussion instruments and sang.

After Constanten's departure, Pigpen reclaimed his position as sole keyboardist. Less than two years later, in late 1971, Pigpen was joined by another keyboardist, Keith Godchaux, who played grand piano alongside Pigpen's Hammond B-3 organ. In early 1972, Keith's wife, Donna Jean Godchaux, joined the Grateful Dead as a backing vocalist.

Following the Grateful Dead's "Europe '72" tour, Pigpen's health had deteriorated to the point that he could no longer tour with the band. His final concert appearance was June 17, 1972, at the Hollywood Bowl, in Los Angeles;[41][42] he died on March 8, 1973 of complications from liver damage.[43]

The death of Pigpen did not slow the band down, and they continued with their new members. They soon formed their own record group, Grateful Dead Records.[44] Later that year, they released their next studio album, the jazz-influenced Wake of the Flood. It became their biggest commercial success thus far.[45] Meanwhile, capitalizing on Flood's success, the band soon went back to the studio, and the next year, 1974, released another album, From the Mars Hotel. Not long after that album's release however, the Dead decided to take a hiatus from live touring. Before embarking on the hiatus, the band performed a series of five concerts at the Winterland Ballroom in San Francisco in October 1974.[46] The concerts were filmed, and Garcia compiled the footage into The Grateful Dead Movie, a feature-length concert film that would be released in 1977.[47]

In September 1975, the Dead released their eighth studio album, Blues for Allah. They resumed touring in June 1976.[44] That same year, they signed with Arista Records. Their new contract soon produced Terrapin Station in 1977. The band's tour in the spring of that year is held in high regard by their fans, and their concert of May 8 at Cornell University in Ithaca, New York is often considered to be one of the best performances of their career.[48][49][50]

Keith and Donna Jean Godchaux left the band in February 1979.

Grateful Dead performing at Red Rocks Amphitheatre in 1987: Jerry Garcia (custom Tiger guitar), Mickey Hart (drums).

Following the departure of the Godchauxs, Brent Mydland joined as keyboardist and vocalist and was considered "the perfect fit". The Godchauxs then formed the Heart of Gold Band before Keith died in a car accident in 1980. Mydland was the keyboardist for the Grateful Dead for 11 years until his death by narcotics overdose in July 1990,[51] becoming the third keyboardist to die.

Shortly after Mydland found his place in the early 1980s, Garcia's health began to decline. His drug habits caused him to lose his liveliness on stage. After beginning to curtail his opiate usage in 1985 gradually, Garcia slipped into a diabetic coma for several days in July 1986. After he recovered, the band released In the Dark in July 1987, which became their best selling studio album and produced their only top-10 single, "Touch of Grey". Also that year, the group toured with Bob Dylan, as heard on the album Dylan & the Dead.

Mydland died after the summer tour in 1990 and Vince Welnick, former keyboardist for the Tubes, joined as a band member, while Bruce Hornsby, who had a successful career with his band the Range, joined as a touring member. Both performed on keyboards and vocals—Welnick until the band's end, and Hornsby mainly from 1990 to 1992. The Grateful Dead performed their final concert on July 9, 1995 at Soldier Field in Chicago.[52]

Aftermath (1995–present)Edit

Bob Weir onstage in 2007, playing a Modulus G3FH
Mickey Hart leading a drum circle in February 2005

Jerry Garcia died on August 9, 1995. A few months after Garcia's death, the remaining members of the Grateful Dead decided to disband.[53] Since that time, there have been a number of reunions by the surviving members involving various combinations of musicians. Additionally, the former members have also begun or continued individual projects.

In 1998, Bob Weir, Phil Lesh, and Mickey Hart, along with several other musicians, formed a band called the Other Ones, and performed a number of concerts that year, releasing a live album, The Strange Remain, the following year. In 2000, the Other Ones toured again, this time with Kreutzmann but without Lesh. After taking another year off, the band toured again in 2002 with Lesh. That year, the Other Ones then included all four living former Grateful Dead members who had been in the band for most or all of its history. At different times the shifting lineup of the Other Ones also included guitarists Mark Karan, Steve Kimock, and Jimmy Herring, keyboardists Bruce Hornsby, Jeff Chimenti, and Rob Barraco, saxophonist Dave Ellis, drummer John Molo, bassist Alphonso Johnson, and vocalist Susan Tedeschi.[54]

In 2003, the Other Ones, still including Weir, Lesh, Hart, and Kreutzmann, changed their name to the Dead.[55] The Dead toured the United States in 2003, 2004 and 2009. The band's lineups included Jimmy Herring and Warren Haynes on guitar, Jeff Chimenti and Rob Barraco on keyboards, and Joan Osborne on vocals.[56] In 2008, members of the Dead played two concerts, called "Deadheads for Obama" and "Change Rocks".

Following the 2009 Dead tour, Lesh and Weir formed the band Furthur, which debuted in September 2009.[57] Joining Lesh and Weir in Furthur were John Kadlecik (guitar), Jeff Chimenti (keyboards), Joe Russo (drums), Jay Lane (drums), Sunshine Becker (vocals), and Zoe Ellis (vocals). Lane and Ellis left the band in 2010, and vocalist Jeff Pehrson joined later that year. Furthur disbanded in 2014.[58]

In 2010, Hart and Kreutzmann re-formed the Rhythm Devils, and played a summer concert tour.[59]

Since 1995, the former members of the Grateful Dead have also pursued solo music careers. Both Bob Weir & RatDog[60][61] and Phil Lesh and Friends[62][63] have performed many concerts and released several albums. Mickey Hart and Bill Kreutzmann have also each released a few albums. Hart has toured with his world music percussion ensemble Planet Drum[64] as well as the Mickey Hart Band.[65] Kreutzmann has led several different bands, including BK3,[66] 7 Walkers (with Papa Mali),[67] and Billy & the Kids.[68] Donna Godchaux has returned to the music scene, with the Donna Jean Godchaux Band,[69] and Tom Constanten also continues to write and perform music.[70] All of these groups continue to play Grateful Dead music.

In October 2014, it was announced that Martin Scorsese would produce a documentary film about the Grateful Dead, to be directed by Amir Bar-Lev. David Lemieux supervised the musical selection, and Weir, Hart, Kreutzmann, and Lesh agreed to new interviews for the film.[71] Bar-Lev's four-hour documentary, titled Long Strange Trip, was released in 2017.[72][73]

"Fare Thee Well"Edit

In 2015, Weir, Lesh, Kreutzmann, and Hart reunited for five concerts called "Fare Thee Well: Celebrating 50 Years of the Grateful Dead".[74] The shows were performed on June 27 and 28 at Levi's Stadium in Santa Clara, California, and on July 3, 4 and 5 at Soldier Field in Chicago.[74][75] The band stated that this would be the final time that Weir, Lesh, Hart, and Kreutzmann would perform together.[76] They were joined by Trey Anastasio of Phish on guitar, Jeff Chimenti on keyboards, and Bruce Hornsby on piano.[77][78] Demand for tickets was very high.[79][80] The concerts were simulcast via various media.[81][82] The Chicago shows have been released as a box set of CDs and DVDs.[83]

Panorama of the Fare Thee Well performance at Soldier Field, Chicago on July 5, 2015

Dead & CompanyEdit

In the fall of 2015, Mickey Hart, Bill Kreutzmann and Bob Weir joined with guitarist John Mayer, keyboardist Jeff Chimenti, and bassist Oteil Burbridge to tour in a band called Dead & Company. Mayer recounts that in 2011 he was listening to Pandora and happened upon the Grateful Dead song "Althea", and that soon Grateful Dead music was all he would listen to.[84] The band has played four tours, and is currently on a fifth: October–December 2015, June–July 2016, and May–July 2017.[85][86] Summer Tour 2019 was announced in November 2018 and began in May 2019.[87] On December 27 and 28, they played at The Forum in Inglewood (Los Angeles), California as part of their "Fun Run" tour. On December 30 and 31, they played in their hometown of San Francisco at the Chase Center, featuring a bi-plane that descended from the ceiling of the Chase Center carrying the daughters of Jerry Garcia, Trixie Garcia and her half-sister, Ken Kesey's daughter Sunshine Kesey, dropping rose petals on the audience as they toured the arena.[88][89]

Barlow died in 2018[90] and Hunter in 2019.[91]

Musical style and legacyEdit

An acoustic performance at the Warfield Theatre in San Francisco in 1980. Left to right: Garcia, Lesh, Kreutzmann, Weir, Hart, Mydland.

The Grateful Dead formed during the era when bands such as the Beatles, the Beach Boys and the Rolling Stones were dominating the airwaves. "The Beatles were why we turned from a jug band into a rock 'n' roll band", said Bob Weir. "What we saw them doing was impossibly attractive. I couldn't think of anything else more worth doing."[92] Former folk-scene star Bob Dylan had recently put out a couple of records featuring electric instrumentation. Grateful Dead members have said that it was after attending a concert by the touring New York City band the Lovin' Spoonful that they decided to "go electric" and look for a "dirtier" sound. Jerry Garcia and Bob Weir (both of whom had been immersed in the American folk music revival of the late 1950s and early 1960s), were open-minded about the use of electric guitars.

The Grateful Dead's early music (in the mid-1960s) was part of the process of establishing what "psychedelic music" was, but theirs was essentially a "street party" form of it. They developed their "psychedelic" playing as a result of meeting Ken Kesey in Palo Alto, California, and subsequently becoming the house band for the Acid Tests he staged.[93] They did not fit their music to an established category such as pop rock, blues, folk rock, or country & western. Individual tunes within their repertoire could be identified under one of these stylistic labels, but overall their music drew on all of these genres and, more frequently, melded several of them. Bill Graham said of the Grateful Dead, "They're not the best at what they do, they're the only ones that do what they do."[94] Often (both in performance and on recording) the Dead left room for exploratory, spacey soundscapes.

Their live shows, fed by an improvisational approach to music, were different from most touring bands. While rock and roll bands often rehearse a standard set, played with minor variations, the Grateful Dead did not prepare in this way. Garcia stated in a 1966 interview, "We don't make up our sets beforehand. We'd rather work off the tops of our heads than off a piece of paper."[95] They maintained this approach throughout their career. For each performance, the band drew material from an active list of a hundred or so songs.[95]

The 1969 live album Live/Dead did capture the band in-form, but commercial success did not come until Workingman's Dead and American Beauty, both released in 1970. These records largely featured the band's laid-back acoustic musicianship and more traditional song structures. With their rootsy, eclectic stylings, particularly evident on the latter two albums, the band pioneered the hybrid Americana genre.[96][97][98]

Phil Lesh (left) performing with TelStar in 2008

As the band and its sound matured over thirty years of touring, playing, and recording, each member's stylistic contribution became more defined, consistent, and identifiable. Lesh, who was originally a classically trained trumpet player with an extensive background in music theory, did not tend to play traditional blues-based bass forms, but more melodic, symphonic and complex lines, often sounding like a second lead guitar. Weir, too, was not a traditional rhythm guitarist, but tended to play jazz-influenced, unique inversions at the upper end of the Dead's sound. The two drummers, Mickey Hart and Kreutzmann, developed a unique, complex interplay, balancing Kreutzmann's steady beat with Hart's interest in percussion styles outside the rock tradition. Hart incorporated an 11-count measure to his drumming, bringing a dimension to the band's sound that became an important part of its style.[99] Garcia's lead lines were fluid, supple and spare, owing a great deal of their character to his training in fingerpicking and banjo.

The band's primary lyricists, Robert Hunter and John Perry Barlow, commonly used themes involving love and loss, life and death, gambling and murder, beauty and horror, chaos and order, God and other religious themes, travelling and touring.[citation needed] In a retrospective, The New Yorker described Hunter's verses as "elliptical, by turns vivid and gnomic", which were often "hippie poetry about roses and bells and dew",[100] and critic Robert Christgau described them as "American myths" that later gave way to "the old karma-go-round".[101]

Merchandising and representationEdit

Hal Kant was an entertainment industry attorney who specialized in representing musical groups. He spent 35 years as principal lawyer and general counsel for the Grateful Dead, a position in the group that was so strong that his business cards with the band identified his role as "Czar".[102]

Kant brought the band millions of dollars in revenue through his management of the band's intellectual property and merchandising rights. At Kant's recommendation, the group was one of the few rock 'n roll pioneers to retain ownership of their music masters and publishing rights.

In 2006, the Grateful Dead signed a ten-year licensing agreement with Rhino Entertainment to manage the band's business interests including the release of musical recordings, merchandising, and marketing. The band retained creative control and kept ownership of its music catalog.[103][104]

A Grateful Dead video game titled Grateful Dead Game – The Epic Tour[105] was released in April 2012 and was created by Curious Sense.[106]

Sponsorship of 1992 Lithuanian Olympic Basketball TeamEdit

New York artist Greg Speirs wearing the "Skully" tie-dyed T-shirt which he designed and became a symbol of Lithuanian basketball

After Lithuania gained its independence from the USSR, the country announced its withdrawal from the 1992 Olympics due to the lack of any money to sponsor participants.[107] But NBA star Šarūnas Marčiulionis, a native Lithuanian basketball star, wanted to help his native team to compete. His efforts resulted in a call from representatives of the Grateful Dead who set up a meeting with the band members.[108] The band agreed to fund transportation costs for the team (about five thousand dollars) along with Grateful Dead designs for the team's jerseys and shorts. The Lithuanian basketball team won the bronze medal and the Lithuanian basketball/Grateful Dead T-shirts became part of pop culture, especially in Lithuania.[107][109] The incident was covered by the documentary The Other Dream Team.[110]

Live performancesEdit

Grateful Dead members in the early 1980s: Brent Mydland, Bob Weir, and Jerry Garcia watch Bill Kreutzmann play the drums. Not pictured are Phil Lesh and Mickey Hart.
Mail-ordered Grateful Dead concert tickets for their spring 1994 Nassau Coliseum run of shows

The Grateful Dead toured constantly throughout their career, playing more than 2,300 concerts.[111] They promoted a sense of community among their fans, who became known as "Deadheads", many of whom followed their tours for months or years on end. Around concert venues, an impromptu communal marketplace known as 'Shakedown Street' was created by Deadheads to serve as centers of activity where fans could buy and sell anything from grilled cheese sandwiches to home-made t-shirts and recordings of Grateful Dead concerts.[112]

In their early career, the band also dedicated their time and talents to their community, the Haight-Ashbury area of San Francisco, making available free food, lodging, music, and health care to all. It has been said that the band performed "more free concerts than any band in the history of music".[113]

With the exception of 1975, when the band was on hiatus and played only four concerts together, the Grateful Dead performed many concerts every year, from their formation in April 1965, until July 9, 1995.[114] Initially all their shows were in California, principally in the San Francisco Bay Area and in or near Los Angeles. They also performed, in 1965 and 1966, with Ken Kesey and the Merry Pranksters, as the house band for the Acid Tests. They toured nationally starting in June 1967 (their first foray to New York), with a few detours to Canada, Europe and three nights at the Great Pyramid of Giza in Egypt in 1978. They appeared at the Monterey Pop Festival in 1967, the Woodstock Festival in 1969 and the Festival Express train tour across Canada in 1970. They were scheduled to appear as the final act at the infamous Altamont Free Concert on December 6, 1969 after the Rolling Stones but withdrew after security concerns. "That's the way things went at Altamont—so badly that the Grateful Dead, prime organizers and movers of the festival, didn't even get to play", staff at Rolling Stone magazine wrote in a detailed narrative on the event.[115]

Their first UK performance was at the Hollywood Music Festival in 1970. Their largest concert audience came in 1973 when they played, along with the Allman Brothers Band and the Band, before an estimated 600,000 people at the Summer Jam at Watkins Glen.[116] They played to an estimated total of 25 million people, more than any other band, with audiences of up to 80,000 attending a single show. Many of these concerts were preserved in the band's tape vault, and several dozen have since been released on CD and as downloads. The Dead were known for the tremendous variation in their setlists from night to night—the list of songs documented to have been played by the band exceeds 500.[117] The band has released four concert videos under the name View from the Vault.

In the 1990s, the Grateful Dead earned a total of $285 million in revenue from their concert tours, the second-highest during the 1990s, with the Rolling Stones earning the most.[118] This figure is representative of tour revenue through 1995, as touring stopped after the death of Jerry Garcia.[118] In a 1991 PBS documentary, segment host Buck Henry attended an August 1991 concert at Shoreline Amphitheatre and gleaned some information from some band members about the Grateful Dead phenomenon and its success.[119] At the time, Jerry Garcia stated, "We didn't really invent the Grateful Dead, the crowd invented the Grateful Dead, you know what I mean? We were sort of standing in line, and uh, it's gone way past our expectations, way past, so it's, we've been going along with it to see what it's gonna do next."[119] Furthermore, Mickey Hart stated, "This is one of the last places in America that you can really have this kind of fun, you know, considering the political climate and so forth."[119] Hart also stated that "the transformative power of the Grateful Dead is really the essence of it; it's what it can do to your consciousness. We're more into transportation than we are into music, per se, I mean, the business of the Grateful Dead is transportation."[119] One of the band's largest concerts took place just months before Garcia's death — at their outdoor show with Bob Dylan in Highgate, Vermont on June 15, 1995. The crowd was estimated to be over 90,000; overnight camping was allowed and about a third of the audience got in without having purchased a ticket.[120][121][122]

Highgate, VT ticket stub

Their numerous studio albums were generally collections of new songs that they had first played in concert. The band was also famous for its extended musical improvisations, having been described as having never played the same song the same way twice. Their concert sets often blended songs, one into the next, often for more than three songs at a time.

Concert sound systemsEdit

The Wall of Sound was a large sound system designed specifically for the band.[123][124] The band was never satisfied with the house system anywhere they played. After the Monterey Pop Festival, the band's crew 'borrowed' some of the other performers' sound equipment and used it to host some free shows in San Francisco.[125] In their early days, soundman Owsley "Bear" Stanley designed a public address (PA) and monitor system for them. Stanley was the Grateful Dead's soundman for many years; he was also one of the largest suppliers of LSD.[126] Stanley's sound systems were delicate and finicky, and frequently brought shows to a halt with technical breakdowns. After Stanley went to jail for manufacturing LSD in 1970, the group briefly used house PAs, but found them to be even less reliable than those built by their former soundman. On February 2, 1970, the group contacted Bob Heil to use his system.[127] In 1971, the band purchased their first solid-state sound system from Alembic Inc Studios. Because of this, Alembic would play an integral role in the research, development, and production of the Wall of Sound. The band also welcomed Dan Healy into the fold on a permanent basis that year. Healy would mix the Grateful Dead's live sound until 1993.

Following Jerry Garcia's death and the band's breakup in 1995, their current sound system was inherited by Dave Matthews Band. Dave Matthews Band debuted the sound system April 30, 1996 at the first show of their 1996 tour in Richmond, Virginia.

Like several other bands during this time, the Grateful Dead allowed their fans to record their shows. For many years the tapers set up their microphones wherever they could, and the eventual forest of microphones became a problem for the sound crew. Eventually, this was solved by having a dedicated taping section located behind the soundboard, which required a special "tapers" ticket. The band allowed sharing of their shows, as long as no profits were made on the sale of the tapes.[128]

Of the approximately 2,350 shows the Grateful Dead played, almost 2,200 were taped, and most of these are available online.[129] The band began collecting and cataloging tapes early on and Dick Latvala was their keeper. "Dick's Picks" is named after Latvala. After his death in 1999, David Lemieux gradually took the post. Concert set lists from a subset of 1,590 Grateful Dead shows were used to perform a comparative analysis between how songs were played in concert and how they are listened online by members.[130] In their book Marketing Lessons from the Grateful Dead: What Every Business Can Learn From the Most Iconic Band in History,[131] David Meerman Scott and Brian Halligan identify the taper section as a crucial contributor to increasing the Grateful Dead's fan base.

Owsley "Bear" Stanley wrote that the "dancing bears" designed by Bob Thomas for History of the Grateful Dead, Volume One (Bear's Choice) are marching, not dancing.[132]

Over the years, a number of iconic images have come to be associated with the Grateful Dead. Many of these images originated as artwork for concert posters or album covers.

Skull and Roses
The skull and roses design was composed by Alton Kelley and Stanley Mouse, who added lettering and color, respectively, to a black and white drawing by Edmund Joseph Sullivan. Sullivan's drawing was an illustration for a 1913 edition of the Rubaiyat of Omar Khayyam. Earlier antecedents include the custom of exhibiting the relic skulls of Christian martyrs decorated with roses on their feast days. The rose is an attribute of Saint Valentine, who according to one legend, was martyred by decapitation. Accordingly, in Rome, at the church dedicated to him, the observance of his feast day included the display of his skull surrounded by roses.[133] Kelley and Mouse's design originally appeared on a poster for the September 16 and 17, 1966, Dead shows at the Avalon Ballroom.[134] Later, it was used as the cover for the album Grateful Dead (1971). The album is sometimes referred to as Skull and Roses.[135]
Another icon of the Dead is a skeleton dressed as a jester and holding a lute. This image was an airbrush painting, created by Stanley Mouse in 1972. It was originally used for the cover of The Grateful Dead Songbook.[136][137]
"Dancing" Bears
A series of stylized bears who appear to be dancing was drawn by Bob Thomas as part of the back cover for the album History of the Grateful Dead, Volume One (Bear's Choice) (1973). Thomas reported that he based the bears on a lead sort from an unknown font.[138] The bear is a reference to Owsley "Bear" Stanley, who recorded and produced the album. Bear himself wrote, "the bears on the album cover are not really 'dancing'. I don't know why people think they are; their positions are quite obviously those of a high-stepping march."[132]
Steal Your Face Skull
Perhaps the best-known Grateful Dead art icon is a red, white, and blue skull with a lightning bolt through it. The lightning bolt skull can be found on the cover of the album Steal Your Face (1976), and the image is sometimes known by that name. It was designed by Owsley Stanley and artist Bob Thomas, and was originally used as a logo to mark the band's equipment.[139]
Dancing Terrapins
The two dancing terrapins first appeared on the cover of the album Terrapin Station (1977). They were drawn by Kelley and Mouse, based on a drawing by Heinrich Kley. Since then these turtles have become one of the Grateful Dead's most recognizable logos.[citation needed]
Uncle Sam Skeleton
The Uncle Sam skeleton was devised by Gary Gutierrez as part of the animation for The Grateful Dead Movie (1977).[140] The image combines the Grateful Dead skeleton motif with the character of Uncle Sam, a reference to the then-recently written song "U.S. Blues", which plays during the animation.

Fans and enthusiasts of the band are commonly referred to as Deadheads. While the origin of the term may be unclear, Dead Heads were made canon by the notice placed inside the Skull and Roses (1971) album by manager Jon McIntire:

DEAD FREAKS UNITE: Who are you? Where are you? How are you?
Send us your name and address and we'll keep you informed.
Dead Heads, P.O. Box 1065, San Rafael, California 94901.

Many of the Dead Heads would go on tour with the band. As a group, the Dead Heads were considered very mellow. "I'd rather work nine Grateful Dead concerts than one Oregon football game," Police Det. Rick Raynor said. "They don't get belligerent like they do at the games."[141]

Donation of archivesEdit

On April 24, 2008, members Bob Weir and Mickey Hart, along with Nion McEvoy, CEO of Chronicle Books, UC Santa Cruz chancellor George Blumenthal, and UC Santa Cruz librarian Virginia Steel, held a press conference announcing UCSC's McHenry Library would be the permanent home of the Grateful Dead Archive, which includes a complete archival history from 1965 to the present. The archive includes correspondence, photographs, fliers, posters, and several other forms of memorabilia and records of the band. Also included are unreleased videos of interviews and TV appearances that will be installed for visitors to view, as well as stage backdrops and other props from the band's concerts.

Blumenthal stated at the event, "The Grateful Dead Archive represents one of the most significant popular cultural collections of the 20th century; UC Santa Cruz is honored to receive this invaluable gift. The Grateful Dead and UC Santa Cruz are both highly innovative institutions—born the same year—that continue to make a major, positive impact on the world." Guitarist Bob Weir stated "We looked around, and UC Santa Cruz seems the best possible home. If you ever wrote the Grateful Dead a letter, you'll probably find it there!"[142]

Professor of music Fredric Lieberman was the key contact between the band and the university, who let the university know about the search for a home for the archive, and who had collaborated with Mickey Hart on three books in the past, Planet Drum (1990), Drumming at the Edge of Magic (1991), and Spirit into Sound (2006).[143][144][145]

The first large-scale exhibition of materials from the Grateful Dead Archive was mounted at the New-York Historical Society in 2010.[146]

In 2004, Rolling Stone ranked the Grateful Dead No. 57 on their list of the 100 Greatest Artists of All Time.[147]

On February 10, 2007, the Grateful Dead received a Grammy Lifetime Achievement Award. The award was accepted on behalf of the band by Mickey Hart and Bill Kreutzmann.[148]

In 2011, a recording of the Grateful Dead's May 8, 1977, concert at Cornell University's Barton Hall was selected for induction into the National Recording Registry of the Library of Congress.[149]

Twelve members of the Grateful Dead (the eleven official performing members plus Robert Hunter) were inducted into the Rock and Roll Hall of Fame in 1994, and Bruce Hornsby was their presenter.[6]

Mickey Hart and Bob Weir at the Library of Congress 200th birthday, 2000

Lead guitarist Jerry Garcia was often viewed both by the public and the media as the leader or primary spokesperson for the Grateful Dead, but was reluctant to be perceived that way, especially since he and the other group members saw themselves as equal participants and contributors to their collective musical and creative output.[150][151] Garcia, a native of San Francisco, grew up in the Excelsior District. One of his main influences was bluegrass music, and he also performed—on banjo, one of his other great instrumental loves, along with the pedal steel guitar—in bluegrass bands, notably Old & In the Way with mandolinist David Grisman.

Bruce Hornsby never officially joined the band full-time because of his other commitments, but he did play keyboards at most Dead shows between September 1990 and March 1992, and sat in with the band over 100 times in all between 1988 and 1995. He added several Dead songs to his own live shows[152] and Jerry Garcia referred to him as a "floating member" who could come and go as he pleased.[153][154][155]

Robert Hunter and John Perry Barlow were the band's primary lyricists, starting in 1967 and 1971, respectively, and continuing until the band's dissolution.[156][157] Hunter collaborated mostly with Garcia and Barlow mostly with Weir, though each wrote with other band members as well. Both are listed as official members at, the band's website, alongside the performing members.[18] Barlow was the only member not inducted into the Rock and Roll Hall of Fame.

See alsoEdit

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Further readingEdit

External linksEdit


text:
Update December 4, 2020

Dhaka 8-36 am, 21-September, 2021

States plan for vaccines as daily US virus deaths top 3,100

Online Desk

States drafted plans Thursday for who will go to the front of the line when the first doses of COVID-19 vaccine become available later this month, as U.S. deaths from the outbreak eclipsed 3,100 in a single day, obliterating the record set last spring.

With initial supplies of the vaccine certain to be limited, governors and other state officials are weighing both health and economic concerns in deciding the order in which the shots will be dispensed.

States face a Friday deadline to submit requests for doses of the Pfizer vaccine and specify where they should be shipped, and many appear to be heeding nonbinding guidelines adopted this week by the Centers for Disease Control and Prevention to put health care workers and nursing home patients first.

But they’re also facing a multitude of decisions about other categories of residents — some specific to their states; some vital to their economies.

Colorado’s draft plan, which is being revised, puts ski resort workers who share close quarters in the second phase of vaccine distribution, in recognition of the $6 billion industry’s linchpin role in the state’s economy.

In Nevada, where officials have stressed the importance of bringing tourists back to the Las Vegas Strip, authorities initially put nursing home patients in the third phase, behind police officers, teachers, airport operators and retail workers. But they said Wednesday that they would revise that plan to conform to the CDC guidance.

In Arkansas, Gov. Asa Hutchinson said health care and long-term care facility workers are the top priority, but the state was still refining who would be included in the next phase. A draft vaccination plan submitted to the CDC in October listed poultry workers along with other essential workers such as teachers, law enforcement and correctional employees in the so-called 1B category.

Poultry is a major part of Arkansas’ economy, and nearly 6,000 poultry workers have tested positive for the virus since the pandemic began, according to the state Health Department.

“We know these workers have been the brunt of large outbreaks not only in our state, but also in other states,” said Dr. Jose Romero, the state’s health secretary and chairman of the CDC’s Advisory Committee on Immunization Practices.

Plans for the vaccine are being rolled out as the surging pandemic swamps U.S. hospitals and leaves nurses and other medical workers shorthanded and burned out. Nationwide, the coronavirus is blamed for more than 275,000 deaths and 14 million confirmed infections.

The U.S. recorded 3,157 deaths on Wednesday alone, according to the tally kept by Johns Hopkins University. That’s more than the number of people killed on 9/11 and shattered the old mark of 2,603, set on April 15, when the New York metropolitan area was the epicenter of the U.S. outbreak.

The number of Americans in the hospital with the coronavirus likewise hit an all-time high Wednesday at more than 100,000, according to the COVID Tracking Project. The figure has more than doubled over the past month. And new cases per day have begun topping 200,000, by Johns Hopkins’ count.

The three main benchmarks showed a country slipping deeper into crisis, with perhaps the worst yet to come — in part because of the delayed effects from Thanksgiving, when millions of Americans disregarded warnings to stay home and celebrate only with members of their household.

Keeping health care workers on their feet is considered vital to dealing with the crisis. And nursing home patients have proven highly vulnerable to the virus. Patients and staff members at nursing homes and other long-term care centers account for 39% of the nation’s COVID-19 deaths.

As authorities draw up their priority lists for the vaccine, firefighter groups asked the Minnesota governor to placed in the first group. The Illinois plan gives highest priority to health care workers but also calls for first responders to be in the first batch to get the shot. Other states are struggling with where to put prisoners in the pecking order.

Arizona Gov. Doug Ducey said he wants teachers to get priority so schools can stay open. Two California lawmakers asked for that, too, saying distance learning is harming students’ education.

“Our state’s children cannot afford to wait,” wrote Republican Assemblyman Jordan Cunningham and Democratic Assemblyman Patrick O’Donnell. “This is too important to overlook or sweep aside.”

The Utah Department of Health placed the state’s first order for its vaccine allotment Thursday.

Utah officials said frontline health care workers will take top priority, with the five hospitals treating the most COVID-19 patients getting the first doses. State health officials said that additional doses likely will be available in February and March for more hospital workers, and essential workers — including police officers, firefighters and teachers — also will be prioritized.

Texas is putting hospital staff, nursing home workers and paramedics at the top of the list, followed by outpatient medical employees, pharmacists, funeral home workers and school nurses. Nursing home patients did not make the cut for the first phase.

Advocates strongly expressed frustration over the way some states are putting medical workers ahead of nursing home residents.

“It would be unconscionable not to give top priority to protect the population that is more susceptible or vulnerable to the virus,” said John Sauer, head of LeadingAge in Wisconsin, a group representing nonprofit long-term care facilities.

He added: “I can’t think of a more raw form of ageism than that. The population that is most vulnerable to succumbing to this virus is not going to be given priority? I mean, that just says we don’t value the lives of people in long-term care.”

Iowa, which expects to get 172,000 doses over the next month, will make them available first to health care workers and nursing home residents and staff, while an advisory council will recommend who comes next to “minimize health inequities based on poverty, geography” and other factors, state Human Services Director Kelly Garcia said.

For example, prison inmates and residents of state institutions for the disabled aren’t in the first round but will be put ahead of others, she said.

Visitor's Comment: ( The authorities are in no condition responsible for any comments of the reader)


text:
Phone : 03155462505-6

Water Reservoirs (Iran tourism)

Water Reservoirs,iran tourism
Google Map

Water Reservoirs, Yazd

 The natural and climatic characteristics in addition to the expanse of Yazd's deserts have given rise to the construction of various reservoirs all over the province. At present the number of these reservoirs are about 100. Most of which have been built at the center of the localities of the cities and include four main elements such as: Khazineh or hot bath, dome, the foot or faucet and a wind trapper. The reservoirs of the bath have been designed in the form of cylinder inside the ground in order to give a vantage point to the water of subterranean canal and also to keep the water temperature low.

The dome was built in a semi-circular shape over the reservoir in order to prevent water from environmental pollution and keeps it cool. The foot of faucet has got a stair-like corridor or passageway for taking water from the reservoir and the wind trapper was a means of air circulation in order to prevent the water rotting or becoming putrid.Important water reservoirs of Yazd province are:Seyed Va Sahra, Shesh Badgir, Masoudi, Hadji Ali Akbari, Khajeh, Golshan, Rostam, Geev, Kolah doozha (hat makers), Malekotojar and Mirza Shafi' reservoirs in Yazd, Hassan Abad reservoir in Maybod, Jaddeh Deh Balla and Barelnasuyeh Reservoirs in Taft and Kesht Khan reservoir in Rastaq.


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Ancol, Taman Mini Plan Reopening under Covid Protocols This Weekend

Laila Afifa

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  • TEMPO.CO, Jakarta - Jakarta's Department of Tourism and Creative Economy plans to reopen tourist attractions on trial bases and under Covid-19 protocols starting Friday this week, September 10. The Office's head of supervision and control, Iffan, said that the venues assigned to reopen are North Jakarta's Ancol Beach Park and East Jakarta's Taman Mini Indonesia Indah (TMII).

    "This is based on what the ministry [determined]," Iffan said on Wednesday, September 8.

    Home Affairs Minister Tito Karnavian has instructed cities with Level 3 PPKM statuses, which include Jakarta, to hold trials for reopening tourist attractions under strict Covid protocols.

    Iffan said that Ancol and Taman Mini will adjust their operating hours to local regulations. Jakarta Governor Jakarta Anies Baswedan had instructed tourist attractions to open only until 21:00.

    During the trial runs, Iffan said, Ancol and Taman Mini must limit the maximum number of visitors following provisions from the central government. The managers must also check visitors for their Covid-19 vaccine certificates using the PeduliLindungi app.

    "[Attraction venues] must have the QR Code for PeduliLindungi," Iffan said.

    Read: Ancol Sets Visiting Hours into 3 Sessions

    Lani Diana Wijaya


text:
World War II era plane crashes in Connecticut, US, killing at least seven

From Wikinews, the free news source you can write!
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Thursday, October 3, 2019

The aircraft involved in the crash, in Mountain View, California, 2011.
Image: Chris Finney.

At least seven people were killed in the United States yesterday, when a World War II-era bomber crashed at Bradley International Airport in Windsor Locks, Connecticut. The plane crashed near the end of a runway at 9:54 a.m. ET (1354 UTC) during an attempted landing, and struck a deicing facility at the airport, according to officials. The pilot was trying to land the plane about five minutes after takeoff. Fourteen people were injured in the crash, including all on board the plane, and one airport worker on the ground, according to Commissioner James Rovella of the Connecticut Department of Emergency Services and Public Protection.

According to Windsor Locks' first selectman, Chris Kervick, there were ten passengers and three crew members aboard the aircraft. Crash victims were transported by ambulance and by air to hospitals in the area, including Hartford Hospital, Bridgeport Hospital, and Saint Francis Hospital.

Dr. Steven Wolf at Saint Francis said, "We received a mass casualty alert following the plane crash that took place near Bradley International Airport this morning. As a Level 1 Trauma Center, Saint Francis Hospital department has deployed all the necessary preparations in order to be ready to receive any number of patients."

Bradley Airport was shut down after the incident and reopened later that day at 2 p.m. ET (1800 UTC). The airport is the second-largest airport in the New England region of northeastern United States.

Connecticut Governor Ned Lamont said at a press conference after the incident, "My heart really goes out to the families and we're going to give them the best information we can, as soon as we can, in an honest way [...] We're doing everything we can, and we've got an amazing group of people who are going to get to the bottom of this as soon as we can. You're in our prayers."

The aircraft, a Boeing B-17 Flying Fortress, is registered in Middlesex County, Massachusetts, and was manufactured in 1944 according to Federal Aviation Administration records. According to a 1989 report from the National Transportation Safety Board (NTSB), the same aircraft was involved in an incident in Beaver Falls, Pennsylvania on August 23, 1987. The report said there was one passenger seriously injured, and two more with minor injuries; no crew were injured.

According to Connecticut Senator Richard Blumenthal, the involved airplane is one of eighteen B-17s still in the United States. Blumenthal said the NTSB would begin an investigation at Bradley Airport, led by Board Member Jennifer Homendy.


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Tomchei Tmimim

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Dinner for Tomchei Temimim network, 1943; Left to right: Rabbi Shemaryahu Gurary, Rabbi Yosef Yitzchak Schneersohn, Rabbi Menachem Mendel Schneerson
United Lubavitcher Yeshivoth
Lubavitch Yeshiva of Oak Park, Michigan
Zal, Toras Emes Yeshiva, Jerusalem
Tomchei Temimim, Kfar Chabad

Tomchei Tmimim (Hebrew: תומכי תמימים, "supporters of the complete-wholesome ones") is the central Yeshiva (Talmudical academy) of the Chabad-Lubavitch Hasidic movement. Founded in 1897 in the town of Lubavitch by Rabbi Sholom Dovber Schneersohn, it is now a worldwide network of institutions of advanced Torah study,[1] the United Lubavitcher Yeshivoth.

Tomchei Tmimim is also viewed by its students and teachers as a spiritual order. Students in Tomchei Tmimim acquire the title "Tomim" and the adage goes "Once a Tomim, always a Tomim." Rabbi Menachem Mendel Schneerson asserted that the impact of studying in Tomchei Tmimim is everlasting:

Anyone who once learned in Tomchei Tmimim remains a Tomim, a student of Tomchei Tmimim, forever.[2]

Founding in Lubavitch[edit]

Tomechei Tmimim was founded by Rabbi Sholom DovBer Schneersohn for the study of Hasidic philosophy according to the Chabad tradition. He called the students of this yeshiva 'tmimim' (sing. "tomim" תמים = pure, perfect[3]).

When Rabbi Yosef Yitzchok Schneersohn left the Soviet Union in 1927, the yeshiva reestablished itself in Warsaw and later in Otwock, Poland.

In the course of World War II, the yeshiva escaped to Shanghai, China, along with some other yeshivot like Mir.

New York[edit]

Once the Rebbe was safely evacuated to New York, the Yeshiva was reestablished in New York City, where it remains to this day.[citation needed]

Rabbi Yisroel Yitzchok Piekarski was the Rosh Yeshiva for 42 years, from 1951 until 1993.[4][5]

The central Yeshiva is housed today at the Chabad Lubavitch World Headquarters, at 770 Eastern Parkway in Brooklyn, NY, with approximately six hundred students. Similarly named yeshivas, many of which are nevertheless formally independent, are to be found in major cities in the United States, Canada, Europe, South America, South Africa, Australia, and the former Soviet Union, and Israel. Many of the branches also perform the functions necessary to grant rabbinical ordination to their students. A significant number of graduates of Tomchei Tmimim continue working within Chabad as religious functionaries, whether as shluchim in Chabad Houses or as teachers in schools.[citation needed]

Global locations[edit]

In North America[edit]

In Israel[edit]

  • Yeshivat Tomchei Tmimim Lubavitch Rishon LeZion (Ketana), Rishon Lezion
  • Yeshivat Tomchei Tmimim Lubavitch Rishon LeZion (Gedola), Rishon LeZion
  • Yeshivat Tomchei Tmimim Lubavitch Nachlat Har Chabad, Kiryat Malachi
  • Yeshiva Tomchei Tmimim, Lod
  • Yeshivat Tomchei Tmimim HaMerkazit Kfar Chabad, Kfar Chabad
  • Yeshivat Ohr Tmimim, Kfar Chabad
  • Yeshivas Tzeirei Hashluchim, Safed
  • Yeshivas Chasidei Chabad Beis Levi Yitzchak, Safed
  • Ohr Simcha, Kfar Chabad
  • Beis Sefer Lemelacha, Kfar Chabad
  • Tomchei Tmimim Kiryat Gat, Kiryat Gat
  • Yeshivas Toras Emes, Jerusalem (founded in 1911, also by Rabbi Sholom Dovber Schneersohn, and originally based in Hebron)
  • Yeshivat NachlatHar Chabad Beit Haram, Kiryat Malachi
  • Yeshivat Tomchei Tmimim Migdal HaEmek, Migdal HaEmek
  • Yeshivas Tomchei Tmimim, Or Yehuda
  • Yeshivas Tomchei Tmimim, El'ad
  • Yeshivas Tomchei Tmimimm, Beersheba
  • Yeshivas Ohel Menachem, Beit Shemesh
  • Yeshivas Tomchei Tmimim, Beitar Illit
  • Yeshivas Tomchei Tmimim-Beis Menachem, Bnei Brak

In other locations[edit]

Notable alumni[edit]

See also[edit]

  1. ^ "Translator's Introduction". Archived from the original on September 10, 2012. Retrieved August 11, 2010.
  2. ^ "Public address of 13th Tishrei, 5742". Archived from the original on December 20, 2010.
  3. ^ "Daily Study: Hayom Yom".
  4. ^ Piekarski, Simcha. "Summer Camp for Life". Retrieved November 2, 2020.
  5. ^ Piekarski, Simchah (November 28, 2019). "The Rebbe's Visit to Camp Gan Israel". Retrieved November 2, 2020.
  6. ^
  7. ^ "yeshiva Lubavitch london chabad". yeshivalondon.
  8. ^ "Главная".


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 Italy wine exports to China surpass pre-pandemic levels::winesinfo
News Special Coverage Industry Overview Supply & Demand Price Reference Forum

Italy wine exports to China surpass pre-pandemic levels

www.china.org.cn by Xinhua28/08/2021

Italian wine exports recovered enough to surpass pre-pandemic levels during the first half of this year, according to a preliminary report released Thursday by the consultancy Nomisma.

Wine exports in the first six months of this year checked in at 6.8 percent above levels from 2019, said the report.

Compared to the same period a year ago -- when exports fell slightly compared to 2019 levels due to the economic slowdown caused by the coronavirus pandemic -- the increase this year was greater, with exports growing by 7.1 percent in the first six months.

Exports to China led the way compared to last year, growing by 36.8 percent, Nomisma said. Exports to Russia, which rose by 29.4 percent, also saw strong gains, followed by exports to Germany which increased by 9.3 percent.

The major export markets that did not keep pace with the overall trend included the United States, where exports rose by a modest 1 percent, Canada, where they increased by just 2.5 percent, and Britain, where Italian wine exports fell by 0.4 percent compared to last year.

Nomisma said the year-on-year increase registered this year was the "most marked increase trend recorded in recent years," and that it helped to make up for decreases in 2020.

The data comes from the Vinitaly-Nomisma Wine Monitor Observatory, which will release its full report during the Vinitaly wine fair in October.

"The wine sector has finally emerged from its unprecedented crisis" due to the pandemic, said Giovanni Mantovani, general manager of Veronafiere. Veronafiere is the parent organization for the Vinitaly wine fair. Enditem