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Thursday, 8 May 2014

Williams confident that pit-stop issues have been sorted

(Williams Martini Racing)
The Williams Martini Racing Team head into this weekend's Spanish Grand Prix at the Circuit de Catalunya confidfent that the changes that their Head of Vehicle Performance Rob Smedley has introduced will mean that the Grove based outfit will not a repeat of wheel mix up that cost Felipe Massa time in China and a top six finish in the race.
Speaking ahead of Sunday's race Williams deputy team principal Claire Williams said:
'Rob Smedley is a very impressive man - and that won't be happening again. Not on his watch.'
She went on to say that she has been impressed with Smedley's impact on the team in only two Grand prix with the outfit.

The way that he has taken an umbrella approach to his role within the team has impressed Williams most. The Grove squad head into this weekend's race with a raft of updates for the FW36 and speaking on Thursday Felipe Massa said that he has more faith in the updates that he is recieving at the Williams team then he did when he was at Ferrari. The Brazilian said:

'Last year, I don't remember one race where we brought some new parts and they worked, and we had a lot of new parts'.

The Williams team have always gone well here and indeed it is the venue where they last won a Grand Prix when Pastor Maldonado took a fantastic victory for the team in 2012. Although the Mercedes works team appear to be in a class of their own the Mercedes powered Williams Martini Racing Team will be hoping to add to their already impressive points haul come Sunday afternoon.

©Ben Johnston 2014

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Johns Hopkins Magazine
Johns Hopkins Magazine Current Issue Past Issues Search Get In Touch
J U N E    2 0 0 3    I S S U E
The Big Question

Q: What Ruffles Your Feathers the Most?

Civil engineering major Sarah Huntting '04, the Johns Hopkins Blue Jay since Fall 2001.
Photo by Christopher Myers
A: "My biggest problem is the condition of the Blue Jay suit, which is at least 10 years old and is getting increasingly worse for wear. The head strap is missing, and sometimes when students get really rowdy during a big lacrosse game, they'll come up and steal my head. Then I have to chase them down. This is not as bad as it sounds because my Blue Jay feet are broken, so I get to wear tennis shoes, which makes running easier.

"Aside from that, I absolutely love being the Blue Jay. It can get pretty hectic. I'm there for every home football game, basketball game, and lacrosse game, and I often show up for fencing matches, club soccer tournaments, and track meets when people request it. I also represent Hopkins at off-campus events -- like the annual Mascot Mayhem held in Annapolis. I can spend upward of 30 hours a week in costume, and it's all volunteer.

"My favorite part is playing with the kids. The littlest ones like Patty-cake and Peek-a-boo best. (I have very poor visibility due to my beak; sometimes little kids come up and I can't see them and I've knocked a few of them down, but I usually am able to pick them up again.) If I'm walking through the stands at a lacrosse game, I'll sit down and pull a child onto my lap, or, when the band starts playing, I'll try to get them to dance with me. With the older ones, I'll throw the ball around.

"I can't wait to suit up again next year. I've got my fingers (or should I say feathers?) crossed, though, that I'll get a new suit by then."

Return to June 2003 Table of Contents

  The Johns Hopkins Magazine | The Johns Hopkins University | 3003 North Charles Street |
Suite 100 | Baltimore, Maryland 21218 | Phone 410.516.7645 | Fax 410.516.5251

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The Johns Hopkins Gazette: February 10, 2003
February 10, 2003
VOL. 32, NO. 21

Information Security Institute Begins New Master's Program

By Phil Sneiderman

Johns Hopkins Gazette Online Edition

The Information Security Institute at Johns Hopkins has obtained state and university approvals to begin offering a new master's degree program that will blend computer technology studies with real-world applications in fields such as public health, medical records management, economics and public policy.

The program, which will award a master of science degree in security informatics, will launch officially in the fall with an inaugural class of about 20 students.

"We've already received inquiries from about 75 students, and we plan to continue to spread the word at computer science and technology centers throughout the country," said Gerald Masson, director of the two-year-old institute, which is based at the Homewood campus but is linked to the schools of Medicine, Public Health and Advanced International Studies and the Applied Physics Laboratory.

"These connections to a broad range of experts throughout the university will help distinguish us from other programs offering information security degrees," Masson said. "This will be a very dynamic program because of the affiliations we have. We bring a unique set of assets to the field, and people who've looked at the program have reacted very positively to what they've seen."

Initially, the master's program will be offered only to full-time students, requiring about one-and-a-half years to finish. The program will be based at the Homewood campus, but real-time videocasting equipment will allow students to participate in classes taught by instructors in other locations, including East Baltimore and Washington. In the near future, the institute hopes to allow students to obtain this degree on a part-time basis through classes at the Montgomery County Campus and other sites.

Security informatics master's degree students will need to complete 10 courses, including at least four technology classes and at least four others in nontechnology areas such as policy, health and management.

The range of courses will allow students to customize their studies according to their career goals. Masson believes the program will provide solid training for students who wish to enter fields involving computer security, electronic medical records management, public health research and protection against bioterrorism.

The institute bolstered its research and instructional clout this year with the hiring of two new Department of Computer Science faculty members with expertise in security issues. The institute also has applied for recognition as a federal Department of Defense Center of Excellence in Information Security, a key step toward qualifying for research grants related to homeland security. "That will open up a lot of opportunities," Masson said.

Although the new degree program will not officially begin until the fall, several master's students in the Department of Computer Science have tailored their studies to match the security informatics requirements and will qualify to receive the first degrees awarded by the program during Johns Hopkins commencement ceremonies in May.

One of these students, Reza Curtmola, said he enjoyed the mix of computer technology instruction and courses touching on broader issues, including a class in the legal and moral foundations of privacy. "This is a very nice thing," he said. "When you finish, you're not only familiar with the technical part. You also have a larger view of the field from a policy or management perspective."

More information about the new master's degree program, including a link to an online application form, can be obtained at

The application deadline for the fall term is March 1 for international applicants, June 1 for U.S. citizens and permanent residents.


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Friday, July 9, 2010

PTA organises Telecom Consumer Forum

Pakistan Telecommunication Authority (PTA) organized Telecom Consumer Forum with a theme “Together for Consumer Rights”, said a press release issued here on Thursday.
State Minister for Industries and Production, Dr Ayatullah Durrani was the chief guest on this occasion while Chairman PTA, Dr Mohammed Yaseen presided over the Forum.
Consumer Representative, Suraiya Allahdin, representatives from IT & telecom industry, telecom consumer groups, renowned social workers and academia also attended the event. Dr Ayatullah Durrani said that this forum provides us an excellent opportunity to review the telecom scenario in Balochistan for achieving desired targets in terms of service expansion. He said that the telecom sector has witnessed a spectacular growth in the recent past.
He said that Balochistan is gaining a lot of ground through implementation of last mile solution and increased network coverage. Major share in this increase of network coverage has been that of the mobile sector while Wireless Local Loop (WLL) services have also fared well recently in the province, he added. The Minister said that it would also have a positive spill over effect on the overall economy of the province creating increased economic activity in Balochistan.
Dr. Ayatullah further said that number of consumer-oriented steps have been taken by the operators under the guidance of PTA which not only facilitate the telecom consumers but also ensure their protection from poor quality of services. He said that the verification of user antecedents and blocking of unverified SIMs, successful introduction of new SIM Activation System and smooth implementation of “SIM information System-668″ are some of the significant steps taken by PTA on SIM issue which would go a long way towards safe and legal use of mobile services.
Chairman PTA, Dr. Mohammed Yaseen said that the statistics of recent telecom growth in Balochistan are evident of the satisfaction level of telecom consumers of this area with the quality of telecom services provided to them. He said that in year 2002 cellular teledensity in Balochistan was just 0.17 percent which has grew manifold after the completion of numerous development projects making this figure much healthier in March-2010 which is 34.3 percent.
CEO Universal Service Fund (USF), Parvez Iftikhar said that the fund has started projects worth Rs 5.87 billion in Balochistan, which would help in provisioning of telecom services to far flung areas of Balochistan. This would bring economic betterment in the area, he added. The consumer representative, Suraiya Allahdin appreciated the role of PTA in focusing on consumer issues. Presentations were also made by PTCL, mobile and WLL operators on this occasion

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Tuesday, June 30, 2009

Thank-You Gina!

I won one of the challenges for the Gina K June release party. It was for the color challenge, the pink & brown card I did was posted here yesterday. It's my first win and I'm VERY excited!! My prize was a stamp set and I chose "Arranged with Love". It's one of the new sets and I can't wait to get my hands on it!!

If you haven't checked out Stamp TV with Gina K you should. It has a TON of great "how-to" videos and tutorials. Just click on the picture at the bottom of this page!
Continue Reading...

Monday, June 29, 2009

Liam the 8 month old teething monster!

OK....so he's REALLY not a monster :) But when he's screaming for a hour straight he comes pretty close!! Just HAD to post a pic I took today during one of his "Happy" moments....LOL
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Mojo Monday #93!

Finally got Liam, my 8 month teething monster settled long enough to get my Mojo done for Monday :) This card is done with Close to Cocoa, Pink card stock and Candy Lane designer paper. I also used Chocolate Chip & Regal Rose ink along with some ribbon and brads. This was a fun sketch!
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Gina K

Thanks to a teething 8 month old, I haven't had time to post since last week! I did manage to find time to make a few cards though :) These ones were for challenges for the Gina K June Release party that was hosted on Splitcoast this past Thursday.
I won't post any details for these cards, but here's the link to my gallery over at Splitcoast, you'll find all the details there:

I'll be back later today with my Mojo Monday submission!
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Wednesday, June 24, 2009

Congrats Class of 2009!

I made this card with the new Hannah set I recieved earlier this week, there is also a boy graduate with the set as well. I stamped her on Whisper White and colored her in using blender pens and ink. I used Not Quite Navy as the base & mats and I created the background by running a piece of white card stock through my cuttlebug with the Divine Swirls embossing folder.
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Monday, June 22, 2009

Mojo Monday #92

It's Monday again ALREADY!! Here's my submission for the Mojo Monday Blog...using Not Quite Navy, Whisper White and Urban Garden paper. Kiwi Kiss & Baja Breeze ink with some felt flowers also in Baja and Hodgepodge Hardware for embellishment.
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Thursday, June 18, 2009

Father's Day - Take 2

Here's another Father's Day card I did a few weeks ago at a workshop. I used the Many Mower set along with the Top Note Die (which is one of my favs!). Colors are Not Quite Navy, Very Vanilla. I stamped the images with Black Staz On and color the image in with blender pens and ink. The ladies at the workshop thought it was toooo cute!
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Wednesday, June 17, 2009

Father's Day is Coming!

Here's one card I've done for Father's Day this Sunday. I used the Nature Silhouettes set which is AWESOME for most men...particularly my Dad who likes deer :) Once I stamped the images in Always Artichoke, I used the masking technique to create the sky (Almost Navy) and the setting sun (Summer Sun & Pumpkin Pie). So easy yet looks like it took a lot of work!
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Monday, June 15, 2009

Mojo Monday #91

It's Monday and here's my card for the Mojo Monday Challenge! It was nice to do a tall card for a change. I used Chocolate Chip for the base and Bella Blue Designer Paper for the background. The quote is an old Hero Arts stamp that I've had for years along with the little flower from the Baroque Motif set.
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Sunday, June 14, 2009

Bella Rose :)

This card is one I did for PCP's Saturday Sketch challenge. All the paper is from the Bella Rose designer series, I even cut out the rose & leaves for the middle section. The sentiment is from the new SU! Hostess Level 3 set "Kind & Caring Thoughts" in Kiwi Kiss. I'm loving these challenges that I've been participating in, it helps me come up with new ideas. If youhaven't tried a challenge yet, you should!
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Saturday, June 13, 2009

Happy Bithday Abby!!!

Today is my oldest's birthday, Abigail is 11 and I can't believe how fast the time has gone! Here is the card I made for her, it's another Tri-Shutter card. I used Certainly Celery for the base and filled it in some of the paper from the Simply Scrappin' Sunshine Garden and Very Vanilla with some floral stickers I picked up at Micheals. I used rub-ons to personalize the middle section and did the verse up on my computer. The pictures aren't the best, I HATE my camera and am determined to replace it before the end of the year....if I weren't on maternity I would have a new by now!
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Wednesday, June 10, 2009

Urban Garden

This is the card I did for today's sketch challenge over on Splitcoast Stampers. I used the Urban Garden desiger paper along with Not Quite Navy & Kiwi Kiss. I cut out the flowers from the paper as well :)
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Tuesday, June 9, 2009

Blog Candy!

I was doing some "Blog Surfing" and came across a chance to win some great stuff over at Creating from the Heart. Check out her blog!
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Monday, June 8, 2009

Mojo Monday #90

Here's my submission for this week's Mojo Monday Sketch Challenge. I used Always Artichoke cardstock which I embossed using the cuttlebug & divine swirls folder. Then I used designer paper from the Manchester series along with Very Vanilla for the stamped images.
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Cuttlebug Crazy

I made this card for the weekly Cuttlebug Challenge that I try to do, also on PCP. This week we had to use an embossing folder, die cuts, ribbons, a stamped images and at least 3 buttons. I used the Thank-you emobssing folder with the scalloped squares dies. Not Quite Navy and Certainly Celery are the colors of the paper, ink and buttons. The ribbon is from Micheals and jsut happens to match Certainly Celery :) I really love how this card turned out!
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Happy Thoughts

This is the card I made for this week's Sketch challenge on PCP. I used Chocolate Chip & Pale Plum card stock. The stamp is from the Think Happy Thoughts set which goes great with the circle punches.
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Friday, June 5, 2009

Playing with Javex!

Yep...you read that right...Javex :) These are 2 cards that I did using the bleach techinque. I really the effect on the dark paper.

The first one I did for the Limited Supply Challenge on Splitcoast today. We weren't allowed to use any other paper or layers so I thought this would be a good way to create a nice background on Tempting Turquoise card stock. I decided it was a good change to christin my new Hodge Podge Hardware set as well. Pixie Pink was the ink that I used.

The other card I did was done with Always Artichoke cardstock, I LOVE the way this color bleached :)
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Thursday, June 4, 2009

It was brought to my attention that something was wrong with being able to leave comments. I've fixed the problem, so PLEASE leave me comments!!!
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Wednesday, June 3, 2009

Stampin Up! Last Chance!!!

Below is a link that will take you to the Last Chance List from Stampin Up! I've already order a couple of sets for one of my customers, I would suggest if there is a set you've had your eye on you should get it now before it's tooooooo late!!

Here are the links for the accessories that are being discontinued, those appear to be selling out fast so hurry!!!

50% Off

25% Off
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Splitcoast Sketch Challenge #231

Here is my submission for the weekly card sketch challenge at Splitcoast Stampers. I kept this one pretty simple since I may use it at an upcoming workshop :)

I used Certainly Celery, Chocolate Chip & Very Vanilla paper and ink. The very versatile Baroque Motifs stamp set came in very handy, I LOVE that set! I paired it with the Elegant Thank-You stamp alsp from SU! Added a ribbon and viola...done!
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Tuesday, June 2, 2009

Mojo Monday 89

Here's another sketch challenge that I'm doing over at the Mojo Monday blog. I've been checking out the submissions there few the last few weeks and finally decided to start submitting myself. I've posted a pic of this week's sketch and the card I made.
I used Chocolate Chip & So Saffron card stock with designer paper from the Bella Birds series. The stamp set is God's Beauty. All supplies are from SU! except for the ribbon which is from Micheals.
I must say that this card didn't turn out excatly how I wanted but my 7 month old is teething so I was a little distracted. Oh well!!
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The Paper Craft Diva Copyright © 2009 Girlymagz is Designed by Bie Girl Vector by Ipietoon


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Easy To Use Patents Search & Patent Lawyer Directory

At Patents you can conduct a Patent Search, File a Patent Application, find a Patent Attorney, or search available technology through our Patent Exchange. Patents are available using simple keyword or date criteria. If you are looking to hire a patent attorney, you've come to the right place. Protect your idea and hire a patent lawyer.

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United States Patent 4,326,812
Pasini ,   et al. April 27, 1982

Non impact printer

The printer comprises electrodes arrayed in circumferential rings and rows parallel to the axis of a cylinder. This axis corresponds to the vertical direction of characters printed on a sheet of paper. The print cylinder is moved in the direction of a line of print transversely to the direction of feed movement of the paper and rotates with respect to the paper in order to avoid sliding movement. A movable inked ribbon is disposed against the top face of the paper on which the printing is to be effected, and on the opposite side to the print cylinder. The inked ribbon is electrically conducting and connected to one terminal of the power supply which selectively energizes the electrodes. The ribbon is moved in the same direction as the print cylinder by means of drive rollers. The inked ribbon passes through an inking station for continuously renewing the layer of ink. The inked ribbon is also moved in the same direction as the paper by a face cam to ensure there is always a freshly inked band of the ribbon opposite the electrodes but this may not be necessary and is a feature omitted from a modified embodiment in which the ribbon rollers drive it in the direction of paper feed.

Inventors: Pasini; Arnaldo (Ivrea, IT), Knirsch; Franco (Banchette, IT)
Assignee: Ing. C. Olivetti & C., S.p.A. (Ivrea, IT)
Appl. No.: 06/169,844
Filed: July 17, 1980

Foreign Application Priority Data

Jul 20, 1979 [IT] 68569 A/79

Current U.S. Class: 400/118.3 ; 101/DIG.37; 347/146; 347/158; 347/55
Current International Class: B41J 2/385 (20060101); B41J 003/02 ()
Field of Search: 400/119,121 101/1R,DIG.13 346/156

References Cited

U.S. Patent Documents
3257222 June 1966 Carlson
3683382 August 1972 Ballinger
4197331 April 1980 Gundlach et al.
4208965 June 1980 Eichler
Foreign Patent Documents
734909 Aug., 1955 GB

Other References

"Contact Electrostatic Printing", IBM Tech. Discl. Bulletin, vol. 13, No. 10, Mar. 1971, pp. 3117-3118. .
"Non-Impact Printer-Typewriter", IBM Tech. Discl. Bulletin, vol. 7, No. 6, Nov. 1964, pp. 458-459..

Primary Examiner: Eickholt; E. H.
Attorney, Agent or Firm: Hulbert; W. R.

What we claim is:

1. A non-impact dot-matrix printer for printing alpha-numeric characters on a printing medium, comprising an electrode wheel having a row of electrodes spaced axially along the periphery of the wheel, means for supporting the printing medium between the wheel and an ink carrier, means for selectively energising the electrodes relative to the ink carrier with electrical pulses which cause dots of ink to transfer from the ink carrier to the printing medium, and means arranged to move the electrode wheel transversely with a rolling, non-sliding movement relative to the recording medium, along a print line.

2. A printer according to claim 1, wherein the wheel carries a plurality of rows of the electrodes.

3. A printer according to claim 2, wherein the electrodes also lie in circumferential rings, the electrodes of each ring being electrically interconnected.

4. A printer according to claim 3, wherein the ink carrier is a ribbon.

5. A printer means according to claim 4, wherein the ink carrier is moved in such a way as to eliminate sliding movement between the ink carrier and the printing medium.

6. A printer according to claim 4, comprising a flat backing element which is disposed on the opposite side of the ink ribbon with respect to said electrodes, and wherein the ink ribbon moves in a transverse direction with respect to the print line to bring into alignment with the print line a fresh portion of the ink ribbon for each travel movement of the electrode wheel.

7. A printer according to claim 6, wherein the ribbon has a width equal to a predetermined integral multiple of the height of the dot matrix, and passes around a pair of rollers.

8. A printer according to claim 7, wherein ribbon is circulated around the rollers after it has moved with a translatory motion a number of times equal to the integral multiple, for renewing the inking material.

9. A printer according to claim 4, wherein the width of the ribbon is at least equal to the maximum length of a line printed on the printing medium.

10. A printer according to claim 9, wherein the ribbon is fed by rollers in the direction transverse to the print line.

11. A printer according to claim 10, wherein the backing element has a curved end portion in contact with the ribbon for moving the ribbon away from the printing medium, thereby permitting the last line of characters printed to be immediately visible.

12. A printer according to claim 11, wherein the electrode wheel is displaced by a mechanism for alternately displacing the wheel in opposite directions along the print line, associated with a device for rotating the wheel in a predetermined direction asociated with the direction of displacement.

13. A printer according to claim 12, wherein the said mechanism comprises a movable carriage carrying the wheel, a belt stretched between and rotatable about a pair of pulleys, a pin fixed to the belt and co-operating with the carriage for moving the carriage alternately in opposite directions parallel to the print line.

14. A printer according to claim 13, wherein the device for rotating the wheel comprises a pulley connected to the wheel, and a cord which is wrapped around the pulley and which has its ends connected to two fixed points of the printer.

15. A printer according to claim 14, wherein the pulley has a diameter which is equal to the diameter of the electrode wheel.

The present invention relates to a non-impact printer of the type in which a row of electrodes spaced transverse to a print line are moved along the print line and selectively energised to cause the transfer of particles of ink from an ink carrier to a printing medium.

In a known printer of this type, a head provided with a vertical column of projecting electrodes is mounted on a closed belt and, on each revolution of the belt, the head passes with a sliding motion over an ink-impregnated fabric ribbon, moving in the direction of the length of the ribbon. The inked ribbon is turned to form a closed loop around two pulleys which cause the ribbon to rotate slowly with respect to the speed of the head. Besides the ribbon, there is provided a sheet of normal paper on which the electrodes print dots by an electrothermal effect when they are energised by suitable voltage pulses.

Such a device suffers from the disadvantage that the inked ribbon is subjected to wear because the relative movement of the head with respect to the ribbon causes the electrodes to slide over the ribbon over the entire length of the print line, and always in the same region, whereby the electrodes will wear the ribbon by digging furrows therein which, by cutting the fibres of the fabric, cause the ribbon to break.

The above-described disadvantages are overcome by the printer according to the invention, as set forth in the attached claims.

FIG. 1 is a diagrammatic perspective front view of a printer embodying the invention,

FIG. 2 is a diagrammatic perspective rear view of the printer of FIG. 1, and

FIG. 3 shows an alternative arrangement of the printer.

Referring to FIG. 1, a cylindrical print head 10 is fixed with respect to a shaft 11 which is rotatable on an arm 12 of a carriage 13 which is movably on guides 14 and 15 fixed to the frame 16 of the printing means. The head 10 is formed by two end cylinders 101 and 102 between which is clamped a pack of circular discs or plates 103 of electrically conducting material.

The discs 103 are insulated from each other and each disc has radial recesses or notches which extend inwardly from the outside edge and which define on the edge of the disc a series of sectors forming the printing electrodes. The stack of notched discs 103 form what may be called an electrode wheel. A head of this type is described in our copending patent application Ser. No. 166,982, filed July 8, 1980, entitled "Device and Method of Non Impact Printing".

The electrical connections between the discs 103 of the head and the outside control circuits can be formed for example with sliding contacts comprising concentric tracks P disposed in one end B of the head 10, against which slide brushes which are fixed to the carriage 13, (the brushes not being shown in the drawing for the sake of simplicity). Each brush is connected by means of one of the wires of a cable F to a control unit UC which in known manner generates high-voltage pulses of for example negative polarity, which are passed selectively to the various electrodes 103.

The head 10 can roll without sliding movement against a sheet of paper 20 which is disposed above the head 10 and which can be moved in a direction parallel to the axis of the shaft 11. The sheet of paper 20 is moved by a double line of rollers 22 and 23 disposed on opposite sides with respect to the sheet of paper 20, the rollers 23 being motor-driven.

Stretched above the sheet of paper 20 is a ribbon 25 of electrically conducting material which is wrapped into a closed belt around two rollers 27 and 28 whose axes of rotation are parallel to the axis of the head 10. The rollers 27 and 28 are mounted rotatably on an upper frame 30 which can move with a translatory motion with respect to the fixed frame 16 in a direction parallel to the axis of the head 10. The rollers 27 and 28 are fixed on shafts 31 and 32 respectively which extend beyond arms 34 and 35 of the frame 30 and are rotatable in the fixed frame 16. The shafts 31 and 32, in addition to acting as supports for the rollers 27 and 28, support and guide the upper frame 30 with respect to the fixed frame 16. A rigid plate 37 which is fixed to the frame 16 is disposed against the inside surface of the ribbon 25, at a position corresponding to the zone of electrodes 103 in the head 10, so as to form a flat support for resisting the slight pressure applied by the head against the ribbon 25.

At the rear, the shaft 31 is coupled to a stepping motor 40 which is supplied by a wire 41 from the control unit UC in a manner which will be described in greater detail hereinafter. The coupling is not shown but allows axial movement of the shaft 31 relative to the motor.

The upper frame 30 is provided with an arm 45 which extends rearwardly and which is provided with a pivot pin 46 on which a small wheel or roller 47 is rotatable. The small roller 47 co-operates with a face cam 50 which is rotatable on a shaft 51 parallel to the shaft 31 and coupled (again by means not shown) to the drive rollers 23. The cam 50 has a configuration forming steps 52 gradually descending with respect to a predetermined direction of rotation. The height between two successive steps is equal to the height of the matrix of the characters printed by the head 10. The last or lowest step 52e of the cam 51 is connected to the first or highest 52a by an inclined portion 52f. The transmission ratio between the drive rollers 23 and the cam 50 is such that, for each feed movement of a line spacing of the sheet of paper 20, the cam 50 rotates through an angle such as to bring a following step to the roller 47. In this way, for each line printed by the head 10 on the sheet of paper 20, the ribbon 25 moves parallel to itself by an amount equal to the height of the printed characters. A return spring 53 holds the roller 47 in continuous contact with the cam 50.

The ribbon 25 is covered over its outside surface 26 with a layer of ink which is deposited and continuously renewed by a regeneration station 60 comprising three rollers 61, 62 and 63 which transfer the ink 64, which is kept fluid by a heater, from a container 65 within which the roller 63 is partially immersed, to the ribbon 25 to which the roller 61 is adjacent. Further details regarding the regeneration station 60 can be found in our copending application Ser. No. 166,982, filed July 8, 1980.

The ink used is of the type formed by a mixture of hydrocarbon waxes and finely ground carbon powder. Various ink formulations which are suited to the purpose can be found in the specification of our Italian patent No. 1,004,991.

FIG. 2 shows the arrangement for moving the head along the print line. The carriage 13 has in its rearward part an arm 70 which is bent vertically downwardly and which has a straight slot 71 extending in the direction of its length. A belt 72 is wrapped around two pulleys 74 and 75 which are connected to shafts 76 and 77 which are rotatable in the frame 16 and which are parallel to the shaft 11, the shaft 76 being connected to a motor 78. A pin 79 is fixed transversely on the belt 72 and engages the slot 71 so that, during the rotary movement of the pulleys 74 and 75, the carriage is reciprocated along the guides 14 and 15 over the distance between the shafts of the pulleys 74 and 75.

A pulley 80 which is of the same diameter as the head 10 is fixed on the shaft 11 rearwardly of the head 11, and a flexible and inextensible cord or cable 81 is wrapped once around the pulley 80. The two ends 82 and 83 of the cord 81 are fixed to fixed points 84 and 85 respectively of the fixed frame 16. When the carriage moves, the cord 81 rotates the pulley 80 and therewith the print head 10 which rotates at a peripheral speed which is equal to but opposite to the speed of translatory movement of the carriage, whereby it rolls without sliding against the sheet of paper 20 (see FIG. 1) which is disposed thereabove.

When the control unit UC calls for serial printing of a line, the motor 78 is energised, which thus rotates the pulleys 74 and 75 which in turn cause translatory and rotary movement of the head 10. At the same time, possibly after a delay depending on the position of starting printing, the unit UC supplies on the cable F the high-voltage pulses which are selected in accordance with predetermined print codes. The electrodes 103 which are thus selectively energised cause current pulses to pass from the ribbon 25 which is connected by means of the metal structure to the positive terminal 85 of the unit UC, through the paper 20, to each energised electrode. This flow of current causes local softening of a small portion of ink which is removed from the ribbon and applied to the paper, thereby printing a dot thereon.

When a complete line has been printed, the unit UC causes rotary movement of the rollers 22 and 23 by means of a motor connected thereto (the motor is not shown in the drawings for the sake of simplicity) to advance the paper 20 by one or more line spacings, according to requirements, and at the same time to rotate also the cam 50 to move the following step of the cam configuration 52 into contact with the roller 47. In this way the ribbon 25 is moved parallel to itself by an amount equal to the height of the printed character so as to bring a fresh strip of ink into alignment with the electrodes 103.

After the cam 50 has completed a full revolution, the ribbon 25 is returned to its original position and at that point the unit UC energises by means of the lead 41 the motor 40 to cause the ribbon 25 to advance by a distance equal to the distance between the axes of the shafts 31 and 32, thereby renewing the layer of ink for the entire width of the ribbon 25.

FIG. 3 shows a second embodiment in which the visibility of each line printed is improved. A cylindrical head 110 of the abovedescribed type is disposed with a vertical axis in front of a paper carrier 120 which is moved upwardly by a double line of rollers 122 and 123, of which the rollers 123 are motor-driven in any of the ways known in the art.

The head can be moved horizontally in the two directions indicated by a double arrow 124 transversely with respect to the paper 120 and can roll without sliding on the paper, rotating about a vertical axis 111. The head 110 is carried by a carriage which is not shown in FIG. 3 for the sake of simplicity but which is generally similar to that shown in FIGS. 1 and 2. Likewise therefore the translatory movement of the carriage and the rotary movement of the head can be produced in the same manner as already described above.

Behind the paper 120 with respect to the head 110 there is disposed a ribbon 125 which is of electrically conducting material and which is turned around two rollers 127 and 128. A shaped backing element 129 is disposed against the surface of the ribbon which is opposite the surface in contact with the paper 120. The element 129 has at 130 an edge portion which is bent rearwardly with respect to the paper 120, over which the ribbon 125 passes immediately beyond the print region in order to facilitate reading of the last line printed, for an observer at the viewing position indicated by reference 131.

The width of the ribbon 125 is at least equal to the maximum length of the line of typing on the sheet 120. The ribbon 125 is covered on its outside surface which is in contact with the paper 120, by a layer of inking material of the above-indicated type.

The roller 128 is rotated by a stepping motor 140 in synchronisation with the forward movement of the paper, by means of rollers 123 which are connected to the motor 140 by a speed change means of known type (not shown in the drawing) so as to impart to the paper the same feed movement as the ribbon 125, thus avoiding any relative sliding movement.

The layer of ink on the ribbon 125 is continuously renewed by a regeneration station 160 which is similar to the station 60 in FIG. 1, and which comprises three inking rollers 161, 162, and 163, of which the roller 163 is partially immersed in a container 165 containing ink 164 which is maintained fluid. The intermediate roller 162 transfers a small amount of ink to the roller 161 which in turn deposits the ink on the ribbon 125.

The mode of operation of the arrangement illustrated in FIG. 3 is simpler than FIG. 1. In fact, the ribbon 125 moves at the same speed as the paper, in each line spacing, and thus automatically moves a fresh region of ink into alignment with the lines of print. The motor 140 is energised to follow the line spacing both of the ribbon 125 and of the paper 120 insofar as, as already stated, the paper feed rollers 123 are connected to the motor 140.

* * * * *

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Monday, May 23, 2011

Pamela versus The Great Wall of Antisemitism

As America's greatest patriots gathered to proclaim their allegiance to the one true party--the Likud of Bibi and Sharon--agents of hate gathered outside. Thankfully, OUR LADY OF THE ALL CAP JIHAD, Pamela Geller, was on hand to document the atrocities. And document the atrocities, she did.

Exhibit one: This photo, which she captioned, "The haters erected their hatred of Jews wall."

Shameful. "An injustice anywhere is an injustice everywhere," "stop hate," the inverted broken cross symbol so favored by the dirtiest, most anti-war, fucking hippies--only one of those god damned "coexist" things could make it more hateful.

But it gets worse.

Exhibit two: Mrs. Geller captures what she identifies to be "Proud nazis" in this photo.

Unfortunately, Mrs. Geller's beloved allies, the English Defense League (pictured below), were unavailable to sweep the Nazis from the streets.

Rapture update
I'm thinking God made Heaven look a lot like Earth to ease us all into our post-rapture existence. That's gotta be it.

But what about the cheesemakers? I haven't seen any since Friday.

  1. Don't do that to me again! I went to Gellar the Yellar's site. I read some comments. Not only am I dumber, but i'm mentally iller.

    PS. My neighbour Mustafa's mail is starting to pile up for some reason.

  2. General, Sir:

    BC's final sentence got me thinkin' and I did a littel research. Turns out the Wholly Babble was wrong about JESUS sayin', "It's easier for camel to pass through the eye of a needle than it is for a rich man to enter heaven."

    What he really said is, "It's easier for a camel JOCKEY to enter heaven than it is for a rich man to put a needle in his eye!". True story.

  3. General, I think I just threw up a little in my mouth. PLEASE caveat emptor. Pam AIPAC loving Nazi/Obama hating Geller aka Atlas Jugs2000 is a little bit how do I say this?... pro-Israeli. Nice job protecting the children of Israel from the satanists and the Stalinists and the liberal Jews. Mosel Tov

  4. But what about the cheesemakers? I haven't seen any since Friday.

    Well, you know what Jeebus said about
    "Blessed be the cheesemakers..."

  5. Obviously whoever put up that wall is promoting hatred. Just as the only answer to speech is more speech, and the only answer to guns is bigger guns, the only answer to hate is more hate. Ergo, anyone demanding that we "Stop Hate!" must be promoting hate. QED.

  6. OMG. If the Cheesemakers have been raptured, what will I eat? The End Times are truly cruel!

    If Gellar the Yellar is an Aynal Randy supporter, why is she so supportive of Israel? The great, unwashed Israelis should look after themselves. Why, support of them smacks of altruism and socialism!

We'll try dumping haloscan and see how it works.


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Thursday, April 19, 2012

Antartica vs. Google Earth...

WHAT is going on down there in ANTARTICA? Anomalies Found...

I have found a few VERY strange looking locations, down in Antarctica (hey who OWNS that place anyway), on my review of historical satellite imagery photographs, collected for and stored by Google, in the Google Earth software package, that I can only call “anomalies”!

Every picture in this document is real and is taken, without edit, from Google Earth.

Google Earth is a software package that is really interesting, really useful, and it's FREE to download, install, and use. If you can't find it or need help installing it click here:

If you don't already have it please get it so that we can discuss these strange looking locations that I have found there.

In order for you to see these anomalies for yourself is to add “pushpins” in your copy of Earth on your PC.

To add these, just click on the push pin icon in the top menu in Google Earth. That puts a pin out there on the map where ever you are looking, for you to edit.

Create these pushpins one at a time and manually enter the latitude and longitude fields that I have supplied into the properties window open for the push pin and if you don't like the names that I've invented create one of your own preference. But let's all try to stay in a standard naming format so that we can know that we are talking about the same location when we discuss these events.

I'm pretty sure that there is a way for me to directly share these as an overlay that you can upload but I'm presently not sure how so you will have to either teach me how or manually enter each of these that I've identified so far so you can see them for yourself.

I don't understand what any of these things are and can't find anything like them anywhere else on this planet.

In my opinion these things can't possibly exist or at least they should not exist anywhere on our planet, especially in such a desolate and harsh climate location and I don't even know who to ask as to what these things are.

Somebody down there, is doing Something down there, and I'd like to know who's doing what because some of these things seem to me to be beyond what I know to be doable by us, let alone doable in Antarctica...

I was taught that Antarctica is a very cold, windy, barren, desolate, generally uninhabitable place.

Here's a few of the weird things that I've found down there so far, look for yourself and let me know what you think :

A 10.5 mile long tubular looking building? This to me appears to be a perfectly straight line of building, approximately 50 feet across, 10.5 miles long that to me appears to have a cylindrical appearance. I've been a builder / general contractor for years, and I don't know anyone on this planet that could build a ten and a half mile long building in a perfectly straight line let alone build it in Antarctica. Let's call this one 10.5 mile long building,

Lat 80°20'37.37"S, Lon 83°28'44.23"E

Entrance 1. This appears, to me, to be a cave, but why does it have a domed “Hatch” looking lid sitting next to (on top of) this big hole ? This hatch does not appear to me to be any naturally occurring rock formation. It appears, to me, to be “man made” but why does anyone need a door over a cave in Antarctica ?

Lat 66°36'11.91"S, lon 99°43'11.71"E

This hole (opening) appears to be about, but less than, 100 feet across.

Entrance 2. This one looks very much like Entrance 1 but doesn't have the hatch. This one is a bit larger too (250' across and about 100' tall), and I'd really like to know what's in there.

Lat 66°33'10.08"S, Lon 99°50'21.95"E.

The biggest building on Earth. This rectangular structure is about 14 miles long and 8 miles across and appears to be partially buried in the snow and ice. Do the math 14 miles long, 8 miles across makes it 112 Square Miles big.

Lat 70°14'17.16"S Lon 87°46'42.34"E

Who on this planet can build anything on that scale ?  Who would WANT to build this in Antartica? Why?

Cylinder Cascade. I can't think of anyone that needs a structure 8 miles long and 2.5 miles across UNDERWATER off the coast of Antarctica, can you ? The shape of this one reminds me of a motor generator set I've seen, but it's huge and it's underwater.

Lat 69°14'13.60"S Lon 75°35'15.66"E

If we are not able to figure out what this one is...
       maybe we should ask the people that built the buildings at ...

Lat 69°22'24.80"S Lon 76°22'12.74"E

They are 20 miles away but they are seemingly the closest ones to this anomaly.

Here's a close up of their camp:

Maybe they just built their buildings THERE because they got a really great deal on the price of land?

Middle of Something. The paranoid cynic that lives in my head wants me to believe this is a digital edit of the real picture done by someone at Google so that we can't see what's really going on down there on the surface making this look like one a big bright shiny spot.

Lat 76°52'34.71"S Lon 150°12'36.23"W

It's about 8 miles long and about 5 miles across (that's 45 square miles) I'm not sure what could be going on down there that would need to be obscured from sight but …

I'll be the people living 2 miles up the glacier (road) in the buildings located nearby could probably tell us all exactly what we can't see here.

Lat 76°52'45.92"S Lon 149°53'13.48"W

Another 2 lines. Ok, this one might actually be some sort of light refraction event in the camera that took the pictures we're looking at but I'm not sure so I figured I'd point these out so we can talk about what they might be, trying to figure out what they really are. There are what looks to me to be 2 parallel lines about 1900 feet wide , one blue and the other shorter aqua (blue green). They to me appear to start abruptly and head off next to each other. The green line appears to dissipate (fade off) about 13 miles and the blue one goes on for a total length about 50 miles long. But we shouldn't WORRY too much about these two... Beams of light 50 miles long in the snowy desert of Antarctica can't possibly hurt anyone right ?

Lat 75°22'24.89"S, Lon 135°17'52.62"W

A line of lines. This one is weird too. It reminds me of the rungs a ladder. I'm betting after a very close in examination you'll agree with me that the little black spots on a few of these “rungs” are the shadows of some sort of tower structure (equally) spaced to test perhaps something like speed, or dissipation, or decay rate? At any rate, each of these lines is about (a half of a mile) .5 miles apart and this range of lines goes off into the distance for about 14 miles. Is this unique or is it part of (attached to) the next anomaly?

Lat 76°57'40.81"S Lon 118°20'55.60"W

The biggest Staircase in the World. This to me looks like a staircase. Seemingly perfectly aligned terraces about 12.5 miles wide. Each step is about ½ mile tall, and after a very close examination by me, this range extends off into the distance for what looks like about 50 miles. If it's not steps it is a very large GRID.

Who would need something this big way out here in the coldest nastiest part of our planet ?

Lat 76°26'46.72"S Lon 119°14'13.57"W

I hate (unexplained) Polar Lines. This one is just a very nondescript white line in the picture about 270 miles long. It's on this list because I don't remember ever seeing one like this on the map anywhere?

Lat 72°30'7.99"S Lon 10°33'15.98"W

A bunch of unexplainable shiny spots seemingly in the water at various locations on, near, or just off the coast that I have not found anywhere else on any other continent here. My rational mind wants me to believe that these are only glacial pieces of ice detached from and or floating partially submerged in the coastal waters that are refracting light in some weird, different way. But the shape of most of these makes me reluctant to accept this “wet ice” idea. I don't know and I'd like to know. Here's a list of push pins for shiny spots:

Name:                     Lat:                       Lon:                         Comments:
Shiny Spot 01         68° 1'32.23"S       79°42'20.62"E          reminds me of cylinder cascade in item #5
Shiny Spot 02         66°24'4.31"S        83°37'9.98"E
Shiny Spot 03         66°19'21.85"S    116° 7'18.04"E
Shiny Spot 04         66° 4'2.28"S       131°49'20.33"E
Shiny Spot 05         65°59'39.91"S    133°38'8.97"E            very odd nondescript
Shiny Spot 06         65°20'22.23"S   135°18'38.78"E           crisp sharp detail everywhere but here
Shiny Spot 07         66°28'6.26"S     139° 3'7.84"E
Shiny Spot 08         66°50'25.85"S   143° 3'19.64"E
Shiny Spot 09         66°54'21.64"S   143°56'49.30"E
Shiny Spot 10         67° 4'19.41"S    144°45'19.76"E          how can nature form this shape
Shiny Spot 11         66°57'34.08"S   145° 8'58.61"E
Shiny Spot 12         68°19'53.43"S   149°46'12.29"E
Shiny Spot 13         78°23'55.99"S   163°19'36.51"W
Shiny Spot 14         76°54'57.59"S   158°18'43.34"W
Shiny Spot 15         69°15'37.94"S     72°37'46.79"W        just a bunch of pack ice
Shiny Spot 16         69°20'11.34"S     68°29'13.41"W
Shiny Spot 17         70°15'47.61"S       3°53'17.94"W       A big motor ?
Shiny Spot 18         68°34'2.75"S       33°42'46.65"E        Tapered Cascade of Cylinders
Shiny Spot 19         67°25'57.08"S     63°21'17.12"E

Ok, enough here for now...

I hope these pictures have convinced you that SOMEONE is doing SOMETHING down there !!!

And from the complexity, size, (and if only) general location of these somethings, I hope you agree with me that we need to try to figure out the WHO and WHAT of each of these.

Respectfully submitted...

  1. The Piri Reis map indicates Antarctica was at one time inhabited. Some of the anomalies may be sites of ancient civilization? Never know.

    1. That retangle was spotted visually orbiting earth 17 years ago.It must of landed sometime after 1999 or 2000

  2. A lot of those are simply light illusions because of remote locations and the "Who built this?" is a Chinese station called Zhongshan Station

  4. Most of these features are simply a result of how google earth is made up of a patchwork of images taken at different times and light conditions. You will notice the seabed seems to be covered in what appear to be giant track ways as if some massive underwater caterpillar track machine has crisscrossed the ocean floor. These are just where a more detailed sonar image of the ocean floor has been mapped by a passing ship, whereas the surrounding fairly featureless imagery is from satellite mapping so has much less detail.You people out there ought to have more sense than to jump to the least likely conclusions, before you consider the most obvious explanations. There are plenty of real mystery objects to focus on on google earth without all these red herrings, for example; the massive ice cave entrances in Antarctica. There are also many places that have been hidden with a patch over the image, which are often mistaken for mistaken for a building due to their square shape, though the sharp edges compared to the more blurry resolution of the surroundings ought to give away that the image has been altered.

  5. There's a 1026 across circle with center near international polar year zone as viewed from 1600 miles altitude. 86°20'02.08"S 108°22'33.68" eleven 9817ft

  6. There's a 1026 across circle with center near international polar year zone as viewed from 1600 miles altitude. 86°20'02.08"S 108°22'33.68" eleven 9817ft

  7. Interesting stuff. All the same stuff is still in the 2016 version of Google Earth. Some of the above are edited spots to blur the areas. The station near the cascade anomaly is a Russian research station. I found something else at 89° 59' 13" S 147° 10' 16" W. It's a bright spot but the program on the iPad does weird stuff around it.

  8. Around 16 or 17 years ago i witnessed a retangular object hovering what appeared in my guestimation just out of earths atmosphere and it glowed within.a swirling chasm of was like a sign from could imagine how amazed i feel when i saw that it may have in fact been photoed on the ground in Antartica

  9. Greetings Earthlings we are among you

  10. FYI, the tales of Operation High Jump are very similar to HP Lovecraft's classic "At the Mountains of Madness" and may very well be an example of confabulation-they appeared about ten years after HPL's death in 1937.

    Nazi New Swabia was part of a plan to exploit whaling down there, whale oil was used to make margarine back then, and Germany needed foodstuffs-the war made the plan impractical.

    The Nazis also deployed auxillary cruisers like Atlantis, Kormorant and Pinguin,armed merchant ships disguised as civilian vessels.

    They were tasked with attacking the whaling fleet, and tying up allied resources.

    New Swabia came to nothing, the commerce raiders were a nuseince(but less expensive to operate in the southern polar ocean than U-Boats)the campaign was a sideshow.

    There are many abandoned installations in Antarctica, many of them mostly undocumented-the climate preserves them for many years.

    And yes, that hatch bothers me, too-if there is an expedition that passes close to it, might be worth a look.

  11. forrester island off west coast.....


text:
Monday, April 29, 2013

Jim Croce's song "Working at the Car Wash Blues" is about a guy working at just such a place, after just having gotten out of jail "doing 90 days for non-support," which means not paying child support. This deadbeat dad's concern, however, is not making things right with his progeny, but being an "undiscovered Howard Hughes," who really has the business acumen to be in "an air-conditoned office with a swivel chair," not "working at this end of Niagara Falls."

Simon's speaker here, a Vietnam vet, also has "been working at the car wash," and likewise has grander ambitions. Not on Wall Street, but in Hollywood: "I've been working on my rewrite... gonna turn it into cash."

What about the screenplay requires revision? "Gonna change the ending." You see, it was originally about this guy with kids, see, but: "...the father has a breakdown/ And he has to leave the family." Oh. Hmm.

Yes, but in the rewrite? "Gonna substitute a car chase/ And a race across the rooftops/ When the father saves his children/ And he holds them in his arms."

The satirical newspaper called The Onion mocks current events but also has reviews, and in one coined the term "Manic Pixie Dreamgirl." This is a fictional female who is winsome and cute; she exists to breathe life into the dull and cloistered lives of brilliantly creative but unappreciated and shy guys, like... oh, say, maybe some screenwriters.

Yes, but isn't that-- somewhat at least-- what art is for? To create a better world than the disappointing one we actually inhabit?

So, we can tease the car-wash guy for being twice deluded-- once that anyone would buy his cliche-soaked screenplay, and once that even if he gets rich selling it, that this will help him reunite with his kids. We can tease him...we can mourn his loss with him...

Or we can be glad at least his heart is in the right place. That, even in his frustration, he is able to find a creative (and not destructive) outlet for his emotions. If you can't have the real thing, at least you can know you want it. This is not unlike the conclusion Ibsen reached in his play The Wild Duck, about the necessity of illusion in the face of the true bleakness of life, such as that of the inventor who has been puttering on his never-finished creation for years.

There is an expression: "Fake it 'til you make it." In this case, sure, fake it all you want, car-wash guy, since we know you will never make it anyway. Who are you hurting? In fact, you are helping... helping yourself cope.

The chorus-- "Help me... Thank you for listening to my prayer"-- seems to be directed at the listener. But what is his prayer? Perhaps it is to know that, even if you won't come to see his movie, you will at least wish him luck on his rewrite.

Musical Notes:
This song features a number of perhaps unfamiliar instruments. The "glass harp" is an array of drinking or wine glasses with varying amounts of water in them, which affects the pitch produced when their edges are rubbed with the player's finger.

The "kora" is a cello-size African string instrument with a rounded body; it produces the music box-like plinking head in the song. The "djembe" is a goblet-shaped hand-drum; the smaller ones are held under the arm like a bagpipe, while the larger ones are supported between the knees of a seated player.

And an "angklung" is an Indonesian percussion instrument of ingenious design. A horizontal frame holds vertical bamboo poles of varying lengths. Sticks are placed within the hollow poles, and when the poles are shaken the sticks rattle inside, with tones differing depending on the lengths of the tubes they are in. Small versions can fit on a table, while larger variants are on larger racks resembling those for tubular bells. The overall effect is not unlike that of a vibraphone.

Next Song: Love and Hard Times

Monday, April 22, 2013

Dazzling Blue

This is a jaunty song, as happy as "Feelin' Groovy" or "Born at the Right Time." It is also, if you just read the lyrics, one of Simon's finest promises of love.

The opening verse, however, is hesitant. "Silence is revealing," the speaker muses-- nothing is a secret anymore, not with the Internet and the "CAT scan's eye." There are shades, here of feeling that technology is a double-edged blade, a sense discussed earlier in "Boy in the Bubble" ("lasers in the jungle," etc.). "Now-a-days," (a word not used much, now-a-days!) the speaker continues, "everything is known." And that is somewhat good, and somewhat not, but a fact nevertheless; now we know we know what is "truth or lies" even if no one says anything.

Similarly, whether love is an "accident" or "destiny," the speaker says, "You and I were born beneath a star of dazzling blue." Are stars randomly accidental or divinely predestined? It matters not-- the star is dazzlingly beautiful, as is this love.

The next verse contains an echo of "Kathy's Song": "Worlds apart on a rainy afternoon." Back then Simon threw his hands up at creating music under such misery, saying his words "tear and strain to rhyme," so upset is he with being apart from Kathy. But now, music is the answer to loneliness: "Turn your amp up and play your lonesome tune" (a phrase that starts off like a line from "Late in the Evening.")

Another interpretation of this verse is that the couple is physically close, trapped in the living room under the same rain cloud, but "miles apart" emotionally. The line "miles can't measure distance" may imply that physical distance is not meant here.

However, the line about "the road" implies that one or the other (if this is Simon speaking, his wife is also a musician) is on tour. And, while music is the reason they are apart, it is also something they share, and that binds them, even across "miles."

The bridge is a twist on the old line "Roses are red, violets are blue." Here, the star is blue, but the "roses" are "red," and then there is the "fine white linen" of their "marriage bed." A bit more adult than "sugar is sweet and so are you"!

As important as the bed is "a wall that nothing can break through." The idea of a marriage needing a "wall" around it is not a new one. Real life assails it on all fronts, and a couple must be united in defending their fortress. (But how different a wall is this from the "walls, steep and mighty/ That none may penetrate" constructed by the speaker in "I Am a Rock," who defends himself from love!)

So many things bind this couple. The sense of being born under the same star, the love of music, the mutual devotion to protect their marriage from outside assault... and one more: memories. The last verse is about a drive on Montauk Highway, on Long Island. The couple leaves the car to walk "along the cliffs above the sea."

Together, they "imagined it was someday." Which sounds like a marriage proposal, and what a pretty spot for one. "And that is how the future came to be."

But first, "they wondered why." And no answer did they seem to find. But that, perhaps is the point. Now that we know everything... what do we know, really? We don't even know why things are to begin with-- "accident" or "destiny"?

Turns out, it doesn't matter. They found each other, and they are happy about that. Do you really need to know why the star is dazzling blue-- isn't it enough that it is?

Musical Note:
The background harmony vocals are performed by Doyle Lawson and Quicksilver, are a bluegrass/gospel group. As a pre-teen and soon after, Lawson taught himself to play mandolin, banjo and guitar. After playing in several other bands, he formed Quicksilver in 1979. And in 2012, he was inducted into the Bluegrass Hall of Fame. (Also on the track are a dobro and fiddle, traditional country instruments.)

The rhythmic background vocals are performed by Indian singers and musicians, who also play a two-headed pitched drum called a tabla, and a clay pot.

And, for good measure, Simon himself chimes in, literally, on glockenspiel.

Next Song: Rewrite

Monday, April 15, 2013

The Afterlife

Every culture imagines the afterlife as much like its own existence is this world... but better. Then there are cynics like Simon, who imagines Heaven much the same way that Albert Brooks did in his movie Defending Your Life: Heaven as a bureaucracy. Just like here. Better, perhaps only in that your impatience is immaterial-- or are you in some sort of rush to start eternity?

The speaker here, like the one in John Prine's organ-donation promoting "Please Don't Bury Me," dies at the start of the song. Prine's speaker (or perhaps just his soul) goes right up "through the ceiling," but Simon's goes home from the funeral parlor first, and is "usher[ed] in" from there.

At first the "sugarcoated" voice says "Let us begin." But, since Heaven is just like Earth: "You got to fill out a form first/ And then you wait in a line." The speaker shrugs that when you're the "new kid in school," you have to "learn the routine."

In an interview, Simon says that one of the first songs that excited him about the potentialities of songwriting was the Penguins' "Earth Angel." Now, in Heaven, our speaker see the real angel he'd like to spend the rest of his life, well, afterlife with.

So he wings his way over and lays down one of the all-time great pick up lines: "How long you been dead?" Shockingly, he immediately proposes: "you... me... baby makes three."

Well, wouldn't you know? "You got to fill out a form first/ And then you wait in a line." Relationships, it seems, are subject to the same approvals process as entry.

At least, the speaker muses, there is an ultimate democracy here-- all souls are Created equal: "It's all His design/ No one cuts in the line." Yes, even "Buddha and Moses... had to stand in the line."

And once you are in the Gates, what are you waiting for now? "Just to glimpse the divine." But, as on Earth, "it seems like our fate/ to suffer and wait for the knowledge we seek." Well, all religious leaders and prophets have certainly been known to suffer.

Now that you have made it up "the ladder of time," you get your audience: "The Lord God is near." What's it like? "You feel like you're swimming in an ocean of love/ And the current is strong."

There's only one problem. Even though you have have ages and eons to rehearse what you are going to say or ask once you reach God, when you actually do, "Your words disappear." One would hope that such an experience would be awe-inspiring, but you also end up star-struck, in the extreme.

Not wanting to say nothing after all that, you frantically search your brain for anything to say: "But all that remains when you try to explain/ Is a fragment of song." So you ask: "Lord, is it 'Be Bop a Lula,' or 'Ooh Papa Doo'?"

Now, the first is a Gene Vincent song, the other an Little Esther tune. And only someone who equally loves all forms of music would put rockabilly and R&B artist side by side and ask God to choose. And maybe only God could; while Simon probably chose those tracks for their nonsense titles, they are somewhat similar thematically, both being raucous declarations of being in love.

The last line of our song is "Be Bop a Lula," so this is perhaps God's pick. Well, one more question for the ages cleared up...

Writers have been imagining what a trip to Heaven is like since Prometheus stole fire from Olympus, or Norse warriors belted out battle epics around a table in Valhalla... or at least since 1907, when Mark Twain wrote "Captain Stormfield's Visit to Heaven."

Other songwriters have chimed in, too, of course. David Byrne sang that "Heaven is a place where nothing ever happens," while Dar Williams imagines it is "like a big Hawaiian party that my mother had/ the worst Elvis film I've ever seen."

For Simon, the place is a place that is first like the Department of Motor Vehicles, then an audience with the Queen of England. Makes as much sense as any of the others.

Musical Note:
The guitarist on this track, the previous one, and the last one on the album is Vincent Nguini, who first recorded with Simon on Rhythm of the Saints. He was born in Cameroon.

Next song: Dazzling Blue

Monday, April 8, 2013

Getting Ready for Christmas Day

When a musician tries on a new style or sound, an excited album often results. By the time of the follow-up, the boil has died down to a simmer. But that just means more focus, not less energy, once the new techniques have been mastered and controlled. For instance, after the ebullient Graceland, Simon returned with the relatively subdued Rhythm of the Saints. Similarly, after the kid-in-a-candy-store sound of Surprise, he came back with the more contemplative So Beautiful or So What. Now, the electronics have been stirred into Simon's alchemy, along with the folk, gospel, world, and other sounds he had already added.

While this song is ostensibly about Christmas, we can expect that it will not find its way onto any Yuletide compilation or caroling songbook. That is because, as Christmas songs go, it is not only somber but frustrated and even cynical in tone. The rewrite of "Have Yourself a Merry Little Christmas" contains the line "Hang a shining star upon the highest bough," but the original line was "We'll have to muddle through somehow." Which is more the tone here.

It starts with a man bemoaning how "money matters" are "weighing" on him. The timing of this financial crisis is in line with Christmas-gift buying season. Even before he mentions the holiday, he speaks of "merry" music, then explains that "Santa Claus is coming to town," and of course someone has to buy that bagful of presents: "It all comes down to working man's pay."

Then the song takes an unexpected twist. We shift to the voice of a preacher, one Rev. J.M. Gates, in a sermon he recorded back in 1941. Based in Atlanta, Gates released some 200 recordings-- both sermons and songs-- over nearly two decades. This homily comes from late in his recording career.

For Gates, Christmas Day sounds more like Judgement Day. He says that, while you are "getting ready for Christmas Day," so are the "undertaker... jailer, lawyer, [and] police."

The workingman now returns, this time telling about his nephew, a soldier fighting the War in Iraq. In fact, he has returned to battle no fewer than three times! His uncle wryly opines that the fighter will be defending our freedom of religion while "eating [his] turkey dinner/ On some mountaintop on Pakistan." As for the war, for all of the carnage and expense, it's "ending up the way it began."

Now it's Gates' turn again. This time, he says you might be planning a trip for the holiday. However, you just as easily "be laying in some lonesome grave" by then. You never know, he shrugs, "where you'll be." You could be saying "I'm going and see [sic] my relatives in a distant land," thinking you mean that literally, when in fact that "distant land" might be Heaven... where we all have relatives.

Then the workingman has the final word: "If I could tell my Mom and Dad"-- "if" implying that he can't, as they have passed on-- "the things we never had/ Never mattered." Yes, he and his siblings never had much... but, he says, "we were always OK." But here he is, knocking himself out with two jobs to buy presents. So what is he doing?

Christmas is a time of expectation that almost never matches, in reality, the fantasy it engenders. Undertakers, police officers and soldiers work on Christmas, and at grim jobs at that. The presents received are almost immediately forgotten (or broken) no matter how long it took to earn the money for them.

Further, the "merry" music piped into the stores and our of our televisions drowns out the sacred meaning of the day. Forget the gift-wrapping, the cake-baking, and the tree-trimming-- Jesus is about to be born! How are you getting ready for that?

Musical Note:
Simon has been married to Edie Brickell since 1992, and he co-produced her first solo album, 1994's Picture Perfect Morning. However, her backing vocals here may be the first time they have been recorded singing together.

Brickell, of course, is a singer-songwriter in her own right, having scored hits with her band New Bohemians; their best-known track is "What I Am," with its famous line: "What I am is what I am-- are you what you are, or what?" She is now the lead singer of The Gaddabouts, named after its founder (and longtime Simon session player), master drummer Steve Gadd.

And in 2013, she released a song with another longstanding friend of Simon's, comedian and bluegrass banjo player Steve Martin.

In addition to the Gates sermon, the song also samples "Me Deixa Em Paz (Leave Me Alone)" by Brazilian singer-songwriter Milton Nascimento, with whom Simon has collaborated before, notably on "Spirit Voices." Literally, the title of the sampled song means "leave me in peace."

Simon is still on tour for this album, as of this writing. It was very successful, reaching #4 in the US (and Sweden) and #6 in the UK (and also Croatia, Denmark, and the Netherlands), going all the way to #2 in Norway. It also hit the Top Ten in Canada, The Czech Republic, and Ireland... the Top 50 in other EU nations and Australia, and even #75 in Japan.

Critically, it was Rolling Stone's #3 best album of 2011, and received high praise all around.

Next Song: The Afterlife


text:
Ref: 45/2014

On Tuesday, 29 April 2014, the Court of First
Instance in Khan Yunis was convened by Judge Mahmoud Barakah, acting as
president, and Judges Soliman al-Ghalban and Khalil al-Gharabli as
members.  The Court sentenced B. E. A.,
30, from Khan Yunis in the southern Gaza Strip, to death after convicting him
of killing N. F., from Khan Yunis on 09 March 2009 according to the 1936
Palestinian Penal Code.  The court also
sentenced H. E. A. and ‘A. N. A., both are 25 years old and from Khan Yunis as
well, to life imprisonment after convicting them of having been involved in the
same crime.

Thus, the total number of death sentences
issued by the Palestinian Authority since 1994 has risen to 153, of which 126
have been issued in the Gaza Strip and 27 in the West Bank. Among those issued
in the Gaza Strip, 68 have been issued since Hamas’ takeover of the Gaza Strip
in 2007. The Palestinian Authority also executed 30 death sentences, of which
28 have been executed in the Gaza Strip and 2 in the West Bank. Among those
executed in the Gaza Strip, 17 have been executed since 2007 without
ratification of the Palestinian President in violation of the law.

PCHR is gravely concerned over the continued
application of the death penalty in Palestinian Authority controlled areas,

1. Calls
for an immediate moratorium on the use of the death penalty as a form of
punishment because it violates international human rights standards and
instruments, especially the Universal Declaration of Human Rights (1948), the
International Covenant on Civil and Political Rights (1966), and the UN
Convention against Torture (1984);

2. Calls
for reviewing all legislations related to the death penalty, especially the
Penal Code No. 74 (1936) which remains in effect in the Gaza Strip, and the
Jordanian Penal Code No. 16 (1960) that is in effect in the West Bank, and
enacting a unified penal code that is in line with the spirit of international
human rights instruments, especially those pertaining to the abolition of the
death penalty;

3. Points
out that the call for abolition of the death penalty does not reflect a
tolerance for those convicted of serious crimes, but rather a call for utilizing
deterrent penalties that maintain our humanity; and

4. Stresses
that ratification of the implementation of death sentences is an absolute power
of the Palestinian President according to the Palestinian Basic Law and
relevant laws, and no death sentence can be implemented without such


text:
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