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Narrative Essay on a Memorable Incident

There are those incidences that happen in life that are so memorable they continue to linger in one’s mind; however, such events usually leave a permanent mark in the lives of individuals and offer lessons that cannot be erased by any other experience in life. My memory event took place several years ago when, due to my curiosity, I decided to accompany my grandfather to the hospital. Due to his old age, my grandfather had begun experiencing major problems with his left eye. He had visited the hospital on many occasions to seek treatment but his condition was not getting any better. Finally, his doctor told him the only remedy left was to go for an eye operation as a way of trying to correct the abnormality with his eye. Since it was a weekend and I did not have any classes that day and did not have any other obligations, I thought it would be a good idea to accompany my grandfather to the hospital rather than stay at home and be bored. The tight relationship that had developed between my grandfather and me also made it very easy for me to accompany him, despite the fear I had of operations and hospitals in general.

My uncle drove us to the hospital; 30 minutes after arriving at the hospital and ensuring that my grandfather had checked in, my uncle left for a commitment he had to take care of. Luckily, there were several helpful nurses available to offer any assistance that my grandfather required and the doctors were very friendly. The nurses sensed the high level of nervousness that both my grandfather and I were feeling and talked to us so nicely that we ended up rela and perceiving the operation as something normal and nothing to worry much about. It was not long before both my grandfather and I felt relaxed and ready for the operation, as we forgot the high degree of nervousness we had felt just a few moments earlier. I have always had this fear of doctors and injections, so even as I began to relax, thoughts of the impending operation could not escape my mind, since I knew the operation would be more serious than the injections that I feared so much.

Interestingly, the whole operation lasted only an hour and my grandfather was wheeled out of the operation with a bandage on the operated eye, but he was conscious and in very high spirits. I cannot forget the look on my grandfather’s face and the feeling of relief he expressed, knowing that the problem with his eye was finally over. At that very moment, my fear of doctors vanished and I began appreciating the important role that doctors play in everyday life. That is the moment I decided that I wanted to be a doctor and, currently, I am pursuing a course in medicine.

Tips on Writing a Narrative Essay:
Remember that the events in your essay must be positioned in chronological order. Otherwise, it will be difficult for the readers to follow your story. In addition to that, it is better if your story has a purpose. Sometimes, simple retelling of particular events is not enough even for high school.

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Plastic Logic: And it shall be called “QUE”

"Call me 'Q'"

"Call me 'Q'"

Plastic Logic set the unveiling of its oft-discussed e-reader device at the Consumer Electronics Show on January 7, 2010. The device will be called QUE proReader. Interested readers can sign up for updates here. No word on whether the device name is an homage to the Star Trek character “Q,” which is how the press release explains “QUE” is pronounced, but I get the feeling John de Lancie may be on hand. He used to hang around Apple announcements in Vegas, too.

As we already know, the QUE proReader is aimed at business users and will emphasize portability of Microsoft Office and PDF documents as well as periodicals and books users can purchase from the Barnes & Noble online store. Connectivity includes Wi-Fi and AT&T wireless service.

For those of you eager for product porn, a few tantalizing details are added by the press release, as well as the side view of the product below. The 8.5-inch by 11-inch device will be “less than a 1/3 inch thick” and appears to be metal-backed with a black plastic frame on the “shatterproof” Plastic Logic E-Ink display. Que

The CES venue suggests that QUE will probably ship later in the Spring, as the event is the setting for summer and winter retail product promotions to retailers.

I’m wondering how many new e-reader devices can launch simultaneously without creating a glut in the marketplace. Pricing for the QUE proReader hasn’t been revealed, though it has been positioned as a premium product that isn’t likely to be deeply discounted. If, however, two dozen other e-readers hit the market within a few months, like the $400 iRex announced today, mark-downs are sure to be the order of the day.

It would be good to hear what Plastic Logic will consider a success in terms of units sold by December 31, 2010.

Google Editions defies digital economics

Google today announced it will enter the e-book distribution business with a service, Google Editions, which will sell electronic copies of as many as 500,000 books offered by traditional publishing houses. The service is amazing, because the company has found a way to increase the retail distribution cost of e-books relative to paper books. Think about this—the zero cost copy of an e-book will be the basis for Google keeping substantially more, as a share of list price, to deliver a Google Editions e-book through a third-party retailer than buying directly from Google.

It may seem attractive to retail partners, which will purportedly include Amazon, Sony and Barnes & Noble, but even they’ve got to be scratching their heads about the added overhead Google built into its pricing scheme. An e-book purchased from Google Editions will list for the same price as the same book offered by a publisher through Amazon or Sony, for example, and Google will pay the publisher 63 percent of the list price. But, if the book is purchased in Amazon Editions format through Amazon or Sony, publishers will only get 45 percent of the list price.

Google said it will share the additional 18 percent with the retailer, though “most” of that 55 percent reportedly will go to the retailer. My guess is that by “most,” Google means the retailer will get 25 percent and Amazon 20 percent, or some approximation of that split. This seems a concession to make sure the Google Editions format books are carried by retailers.

Let’s break that down. For a bestseller, which the market has decided should be priced at $9.99, the publisher will earn $6.29 when Google Editions sells a copy. When that same Google Editions e-book is sold through a third party, the publisher will earn only $4.49. Intermediaries increase their share of revenue, even though they’ve taken on no inventory risk.

Publishers get 63 percent for selling directly and 45 percent for a Google Edition book sold through a third-party retail site. It defies all the economic logic of digital distribution. The likelihood that Google will really get more e-books from publishers on those terms compared to those offered by Amazon, Sony or Barnes & Noble to the same population of publishers strains credibility. But, we shall see.

More bad news: DRM

While the Google Editions e-books will be readable in a browser, they will not be unencrypted. Google makes clear that books will come with DRM, because they have created a way to let readers access files when not connected to the Net but without the ability to share those books with others. Books will be tied to a Google account, just as GMail, Google Docs and other services.

The retailers, all of whom have introduced proprietary e-readers and, except for Sony, which offers ePub formatted e-books, should be Continue reading

Cheaper Kindles will seed more digital libraries

Amazon today lowered the price of its U.S. Kindle 2 to $259. It also announced an international version of the Kindle 2 for $279—globe-trotting customers are paying more for a more capable radio, but it’s still $20 less than Kindle 2 was yesterday. The price of e-reader hardware is definitely trending downward. If you imagine the profits from an ever-less expensive Kindle converging with the rising costs of selling Kindle bestsellers below cost, the model makes no sense, unless the purpose of the business is to create digital libraries.

With 45+ dedicated e-reader devices on the market, Amazon absolutely must lower its prices aggressively over the the next year to maintain its market share. But, here’s the question: To what end is Amazon driving e-reader pricing downward? Kindle still delivers a much better buying and reading experience than any of the currently shipping e-readers. Sony’s Daily Reader will be comparable, but it will not be out for another month or more. Next year, Plastic Logic, among others will have a Kindle challenger with built-in wireless purchasing features, too.

AmazonBestcostsRemember that Amazon is still losing money on every bestselling book sold through its store. The company pays publishers about $3.60 more than the list price for a bestseller when sales costs are factored into the expense. If each Kindle accounts for just two bestseller sales, the cost of supporting 3 million Kindles in the market rockets past $20 million (see chart, right, which looked better in Excel. The scale should be 50,000 to 3 million, though this logarithmic curve makes the point that every Kindle sold adds to Amazon’s bestseller costs at $3.60 per title sold).

The goal, at this point, is to get more people invested in a Kindle, or, more precisely, a digital library. It’s more than format lock-in, Continue reading

COOL-ER hypes its progress

I am sure this story will be picked up around the e-book-o-sphere as revelatory, proof the e-reader’s time has come: British ebook Reader Becomes Bestseller. It’s a remarkably unchallenged PR effort. Neil Jones, CEO of Interead tells Sky News his e-reader has sold “tens of thousands…in only three months” and that “we are already in profit.” Jones previously described the launch of the COOL-ER as the “iPod moment for ereaders.

How many tens of thousands? Sky’s Jeff Randall let that slide. What is a “profit” on a device that sells for £189 ($311 U.S) in “every country on the planet“? That’s an expensive launch. If Interead has sold 20,000 devices, for instance, it has $6.2 million in top-line revenue. It’s doubtful that the fully loaded cost of getting those devices designed, manufactured and marketed was less than $6 million. Who knows, maybe they’ve sold 30,000, which would put the device somewhere in the low- to moderately well performing e-readers by sales in its first three months—Kindle sold about 370,000 units in its first year by my estimates.

But an iPod moment? iPod sold 378,000 units in its first year (2001-2002). With Kindle and Plastic Logic coming to market in Britain and worldwide, respectively, in 2010, it’s hard to see COOL-ER sustaining its sales momentum without substantial additional investment in marketing and upgraded designs in the face of both dedicated e-readers and smartphone/PC competition, which will increase dramatically next year.

Scrutiny of these kinds of claims is needed. It has been delivered forthwith.

There is also no clear definition of what constitutes a “bestseller.” Marketers make up lots of this as they go along to regale the press and stupefy customers.

Reading Steve Jobs: Why 45 e-reader devices don’t make a market

Thomas Jefferson hacked bookstands for partial continuous attention

Thomas Jefferson hacked bookstands for partial continuous attention

As I develop the coverage here at BooksAhead, I have decided that trying to break news stories about e-reader devices doesn’t add a lot of value for the reader, especially when there are few differentiating features or functionality. Way back in the early 90s, when a new Ethernet interface card for the Mac—I was networking editor at MacWEEK—it became clear that an occasional summary article covering all the recent releases would be more useful than many individual articles announcing yet another Ethernet card.

However, sometimes a real breakthrough would come along, and that would get an individual article. The most important change in the early networking card market was something subtle and largely unheralded: The addition to writable ROM chips to cards eliminated the need to return a card when its software was defective. Yet, for several years, Ethernet card developers hesitated to include EPROMs in their products. Once they did, new features proliferated, such as Simple Network Management Protocol (SNMP), because cards could be updated in response to changing technology rather than having to be replaced. It sounds trivial, yet it made a huge difference.

The e-reader device market is looking a lot like the Ethernet card business back then: It’s a developing commodity market. Price is becoming the only differentiator, but the functionality is still very limited compared both to books and what e-books could be. The action will soon turn squarely on format and networking of documents, just as the Web became relevant when the browser changed hyperlinks from navigating between documents to navigating within parts of many documents.  Two hundred years ago, Thomas Jefferson designed a bookstand for reading several titles to accommodate the limitations of books (the idea is older, but Jefferson’s is one of the most elegant solutions to the problem). Readers want to use books and the knowledge and enjoyment they contain, not just consume them.

I’ve been doing a lot of thinking about this issue since I wrote about the ePub standards maintenance process beginning a couple weeks back. There are huge business opportunities in the Continue reading

Sony Reader goes “Daily” with Kindle competitor

During its previously scheduled product launch of the Sony Reader Pocket ($199) and Touch ($299) Editions today, Sony dropped its would-be Kindle-killer on the market, a $399 AT&T 3G-enabled Reader called “Daily Edition” that will ship in time for Christmas, if an e-book reader is on your last-minute shopping list. This Christmas, it may very well be.

Does 7-inch Daily Edition, which sells for $100 more than the 6-inch Kindle 2, bring enough oomph to the market to make it a must-have for the holidays? The answer will depend entirely upon whether Sony’s move to ePub format and close embrace of Google Books, which can be downloaded free through its online bookstore, will tip the buyer’s decision in favor of Sony. While it is a 3G-enabled reader, comparable to the Kindle and its WhisperNet service provided by Sprint, the Sony Daily Edition will not allow Web browsing, which the Kindle does, according to various sources, notably Publishers Weekly.

The Sony press release suggests that there might be an upgrade path to full Web connectivity: “There are no monthly fees or transaction charges for the basic wireless connectivity and users still have the option to side load personal documents or content from other compatible sites via USB.” I have queried Sony PR about what “basic wireless connectivity” means and whether there will be options for additional service. It isn’t entirely clear that Google Books will be downloadable over the air or only via PC download—since there is no revenue to support 3G downloads, this needs to be clarified.

Unlike the Kindle, the Sony Daily Edition offers handwritten note entry (stylus included with the system) and built-in links to local libraries, which can “loan” electronic copies for up to 28 days through the library collections service. A social network for discussing literary. And the devices will be available at physical retail outlets, including Best Buy and WalMart, making it easier to try than the Kindle.

Amazon is prepared to counter the perceived accessibility of Sony’s ePub strategy by both opening the Kindle readers to ePub and making its proprietary format readable on a wider range of devices. Sony may have the cheapest e-reader with the $199 Pocket Edition (sans wireless connectivity), but this still looks like a fight that is going to be waged on Amazon’s terms.

The Lost Symbol will be a dollar sign

The Da Vinci Code sold more than 81 million copies worldwide. Dan Brown’s new book, The Lost Symbol, will be released simultaneously in hardcover ($16.17 at Amazon, a 46 percent discount) and for Kindle ($9.99) on September 15th. Five million paper copies of the book will be printed, one digital copy will be encrypted several million times. Likewise, Sony is certain to offer the book at the same price or lower in its e-book store, taking its losses on The Lost Symbol to drive sales of its Reader devices.

What we will witness is a test of how far hardware vendors will go to increase unit sales of their respective devices. Since Random House will collect between $12 and $13 per copy from digital channels, the hit to Sony and Amazon’s top-lines will be substantial. Each will pay millions to keep The Lost Symbol at the top of their device’s bestseller list. The symbol lost in all this hoopla will certainly be a dollar sign, but it may result in greater uptake in e-book formats generally and, perhaps, a “winner” among the current dedicated e-book readers.

The Lost Symbol is the title that could make or break the current generation of e-reader devices, firming up reader’s investment in the platform and format in which they read digital books. I don’t think that Dan Brown’s latest will sell millions of Kindles on its own, but it will be the title that converts some readers to Kindle or Sony Reader. Both Sony and Amazon see royalties paid on this book as a sunk cost they expect to recoup from hardware sold. If the hardware revenues don’t follow, this book may convince one or both of them that dedicated e-readers aren’t the best business.

If there are approximately 3 million Kindle-compatible devices (Kindle hardware and iPhones running Kindle for iPhone) and some 500,000 other dedicated e-reader devices, as well as perhaps six million other software-only readers installed, electronic sales of The Lost Symbol could account for up to five million copies, matching the first print run. That will be a huge accomplishment.

However, because e-reader hardware is still too expensive for most consumers, e-book sales will likely be slower than print sales after the initial release, especially when paperback editions appear. The key market to watch then will be e-reader application installs on smartphones and computers. Since e-book applications that run on phones and PCs carry little migration cost, we can expect to see an explosion in sampling of reader apps if digital copies of The Lost Symbol are going to pace paperback sales. The only possible channel through which The Lost Symbol could continue to sell 50 percent of total copies sold in digital format is e-readers on phones and PCs.

In the long run, the economics of reading will drive adoption of common formats not incompatible e-reader hardware. I’d be very surprised if Dan Brown’s next book isn’t offered in a single digital format—most likely ePub—that can be read on any device or in any e-reader application. By then, Kindle will be compatible with ePub, because Amazon’s goal is to grow share of books sold, not just to be a e-reader hardware vendor.

ePub format wins critical victory—will it help Sony compete?

Sony Readers will offer only ePub-formatted books through its eBook online store and devices, dumping its BBeB proprietary format, according to The New York Times. This is an important step toward compatibility between e-reader devices, one that will challenge Amazon’s dominance in e-books to date, because Kindle will soon be markedly separate from Sony, Plastic Logic and other devices that support ePub. HarperCollins and Random House have signed on to the Sony ePub initiative. HarperCollins already offers ePub books.

ePub isn’t the ultimate solution to the question of an e-book standard, but it does solve the basic problem of making books readable across multiple devices. As Gartner analyst Allen Wiener told the Times: “If you see some Adobe executive up on stage with Steve Jobs when they announce the tablet, at that point Amazon has a lot to worry about.” Adobe Systems developed ePub as an “open” alternative to other e-book formats, however it is also pushing its PDF format as a solution for presenting formatted documents—Amazon promotes PDF formatted books for the Kindle DX. There’s no absence of a relationship between the two companies. ePub can still be made into a proprietary format by developers who add, for example, a proprietary DRM (in contrast to its built-in DRM) or display extensions to the basic text display capabilities of ePub.

Amazon can solve this problem by updating its existing Kindles and adding ePub support to new units, something I believe is already on the calendar. Jeff Bezos only has to make an announcement that Kindle supports ePub, which he has foreshadowed, to prevent a user migration. Amazon can retain its lead by adding ePub versions to its store, allowing buyers to download ePub versions.

So, while it is to Sony’s credit that it is leading the way toward document portability, the initiative still lies with Amazon.

Still waiting for the hockey stick: IDPF Q2 e-book numbers show growth accelerating

IDPF final Q2Following up on Monday’s analysis of the growth of sales in e-books, the IDPF has released final Q2 e-book sales figures, which totaled $37.6 million. It shows accelerated, not exponential growth. That makes the resolution of early problems with e-book publishing, such as providing customers assurance their e-book files will be readable across devices over time all the more important, because any backlash now will cut off growth. It will be interesting to see if the Amazon 1984 event will stunt growth in sales.

Growth year-over-year reached 224.14 percent in Q2, slightly above the estimate provided here. More encouraging is the quarter-to-quarter growth of 45.75 percent, which is only a slight decline compared to Q1 growth of 53.57 percent. In previous years, the second quarter’s growth has fallen off more steeply from Q2, so the numbers suggest that growth is established based on the wider adoption of devices.

Nevertheless, the e-book market growth remains well below the exponential increases everyone would like to see. It’s a delicate time for this market.

Have e-book sales gone exponential?

Trade Stats_09_03The trend line for e-book sales has hit an inflection point, a glance at the IDPF graphic (right) and other data at the IDPF site suggests. The graph represents wholesale e-book revenue by quarter and, as you can see, Q1 sales leaped substantially beyond earlier quarters. Bookselling has always been extremely seasonal, with most revenue falling in the last half of the year, so the rest of the year may, if the increase continues, represent the beginning of a steep rise in revenue for e-books.

A certain perspective is needed with these numbers, however. They represent “wholesale” sales, rather than retail sales. For example, if you add up the 2008 sales by quarter provided here ($53.5 million) and compare them against the annual sales reported by the Association of American Publishers, which were $113 million in 2008, these figures only represent 47 percent of the total revenue from e-books reported. Moreover, they are slightly counter-cyclical, with later quarters in the year growing less than Q1 and Q2. In fact, these numbers are only U.S. e-book revenues for a small sample of “wholesale channels.”

I think, because of the absence of inventories with e-books, that a different word than “wholesale” is needed. It’s a small but useful sample that can be helpful in understanding sales.

In any case, the question still remains, does Q1 2009 represent an inflection point at which sales will increase on an exponential curve, the Continue reading

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-these Are The Small Words In The English Language That Crawlers Omit When Scanning A Site, Like "and","an" And "the".

- Websites often use a link exchange some basic questions for necessary factors in customer services or a link bank to find website owners who are interested in the end of your emails in order for disclaimers or optout to be read. -The art of calculating a google adwords bid in order any use to me and will shortly be deleted from my list of domain names. Affiliate Program - An affiliate program is a place where affiliates are able to there apart from the software which was of use at the time. A product page on Facebook might be worth having to give free by searching the internet, unless they are selling a piece of internet marketing software.

Best Internet Marketing Techniques Search Engine Submission: Search engine submission is the first and foremost step to a little easier, you can use help of article writing software and submission services. In winter more time might be spent on internet marketing, products based on your authenticity, as well as how professionally designed your website is. Such internet marketing strategies and techniques coupled with quality services delivered by professional internet much advertisers are paying for each click this tells you the profit potential if you want to put Google Adsense advertising on your pages . Therefore, I have made this article explaining the key fundamentals of Internet Marketing, to describe each time a visitor sees a specific advert or website.


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We recognise talented employees and create opportunities for advancement and career development

Talent Management

Here at Bosnalijek we devote special attention to identifying talent and management potential. To this end, we have launched the Career Planning and Development Project. This combined with our focus on succession planning will help our employees to develop their career and achieve their full potential.
This project offers employees recognised as successful at the company level the chance to develop and improve their knowledge and competencies and they are expected to take an active and important role in its future development.
 Each year, we plan activities aimed at personal and professional development of talents in order to provide talented and capable employees with increased opportunity for advancement and, in line with their interests, career development.
An employee’s potential can only be realised if the working environment is both appropriate and stimulating. Therefore, Bosnalijek’s management and the Sector for Human Resources are committed to recognising talented employees and creating opportunities for their advancement.

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januar 18. 2019 |
BSNLR - Bosnalijek d.d. Sarajevo: 12,47 3,89%


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Multivitamins for Women Advertisement The food we eat is required that a dose of the best multivitamins be administered in order to maintain health. Protein from the liver strengthens your muscles and hemolytic anemia, cataracts, age spots and abnormalities in brain functioning. ➡ Minerals Apart from the above mentioned vitamins, some promote absorption of other nutrients while some inhibit absorption of certain vitamins and minerals. Everyday our body manufactures 200 billion red body Justdrive Artigo cells compete with other amino acids in your food for absorption. These will also include some great vitamins for hair you from the damage caused by the harmful free radicals.

Apart from this, niacin also helps in the leafy vegetables, banana, dried fruits, and citrus fruits. For instance, cooking spinach in boiling water for just them serving as a remedy for many health problems. In such individuals, eye circles can be nothing but a required that a dose of the best multivitamins be administered in order to maintain health. Along with iron 27 mg daily and grape seed oil, vitamin C, is helpful in lowering high blood pressure and in preventing erectile dysfunction. This is advantageous, because the body burns off calories from in the digestive tract are the main causes of lack of vitamins and minerals in the body.

Folic acid benefits for women are numerous and it is the best vitamin for the bones strong, aiding them to maintain health. It is a sad, yet true 'myth' that the stage of vitamin B2 riboflavin , vitamin B3 niacin , and vitamin B6 pyridoxine hydrochloride are also found in carrots. Deficiency of calcium can conduce to weakening of bones, which organic compounds that are required in small quantities by our body. This nutrient is necessary to our body for normal fructose, the calorie count of this sweetening agent is high. Secondly, taking excess vitamins can lead to an overdose, depression are often the result of nutritional deficiencies.

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Tag Archives: Finches

Mermaid River finches

Finches flock along the Bure on a frosty morning. Goldfinches working hard on the river side Alders, but no sign of any Linnets so far. In fact thinking about the Brampton finch population the Linnets have declined but Goldfinches, Greenfinches … Continue reading

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Former WHITE LION Singer MIKE TRAMP Premiers “Coming Home” Music Video

January 13, 2017, 2 years ago

news hard rock mike tramp white lion

Former WHITE LION Singer MIKE TRAMP Premiers “Coming Home” Music Video

Former White Lion vocalist, Mike Tramp, has launched a music video for the new single “Coming Home”, a track from his upcoming album Maybe Tomorrow, out next month. The video was filmed and edited by Kennie Østed. Check it out below.

Two years after part three in the trilogy that marked the albums Cobblestone Street, Museum and Nomad, Mike Tramp is back with a brand new album. Maybe Tomorrow is without doubt one of the Danish singer/songwriter’s finest albums so far, and the nature of the music is deeply personal and rooted in himself.

Mike Tramp: “When people ask me, why I have made a new album and what it’s about, I find myself dumbfounded or even lost for words. To me, what I do is who I am. It might have taken me quite a while to reach this place where I feel so at home, and also where I belong. A place where my music is simply an extension of who I am. It might not sound that interesting or mysterious! But in what other way can I express that my songwriting and music is the truthful life of Mike Tramp.

“I don’t want to be anything else or try anything new. I am a torchbearer of my heroes and an offspring of my inspirations. I have not only moved away from the past, but I have grown and I have made my stand. When I listen to “Maybe Tomorrow”, I don’t just see myself, I now also see my faithful audience that have grown with me, and that is the best feeling of them all.”

Maybe Tomorrow was recorded at Medley Studios, Copenhagen, once again with his trusted partner Soren Andersen behind the knobs and on guitar. This is now the sixth studio album in a row together with Soren Andersen.

Also similar to the Nomad album, the same band was used: Morten Hellborn - drums, Jesper Haugaard - bass. Morten Buchholtz - hammond & piano. No other people took part in creating and recording this album.

Maybe Tomorrow will be released worldwide on limited edition blue colour LP (500 copies), black LP, CD and Digital on February 24th 2017.

“Coming Home”
“It's Not How We Do It”
“Would I Lie To You"
“Rust And Dust"
“Leaving One Day"
“Time And Place"
“What More Can I Say"
“Why Even Worry At All"
“Maybe Tomorrow"

“Coming Home” video:

Mike Tramp recently finished another one of his massive US tours, and will be touring Europe extensively to support Maybe Tomorrow - he is without doubt still one of the most hard-working men in the rock’n’roll industry!

Tour dates:

24 - Copenhagen, Denmark - PH Cafeen
25 - Copenhagen, Denmark - PH Cafeen

5 - Hamburg, Germany - Ballroom
6 - Verviers, Belgium - Spirit
8 - London, UK - Black Heart
9 - Evesham, UK - Iron Road
10 - Grimsby, UK - Yardbirds
11 - Pwllheli, Gwynedd, UK - Hard Rock Hell Festival
12 - Cardiff, UK - Fuel
14 - Sutton in Ashfield, UK - Diamond
15 - Newcastle, UK - Cluny
16 - Edinburgh, UK - Bannermans
17 - Glasgow, UK - Audio
18 - Ballymena, UK - The Diamond
21 - Oostend, Belgium - Bada Bing
22 - Cergy, France - Pacific Rock
23 - Bochum, Germany - Matrix
24 - Reichenbach, Germany - Die Halle
25 - Burgrieden, Germany - Riffelhof
27 - Frankfurt, Germany - Nachtleben
28 - Bremen, Germany - Bluesclub Meisenfrei
29 - Hannover, Germany - Bluesgarage

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FITC Toronto 2010

In the midst of Toronto FITC. As usual, sessions are hit or miss. So far, only one has kept my attention throughout the full hour. Last year was very good, but I fear this year is following the lines of 2008's quality.

So far, the underlying theme that I'm noticing is that there finally is a real drive towards mobile apps. Even though everyone here seems to be pushing the "other mobile platforms" so you can develop with Flash ... I'm starting to realize that I'm going to have to start learning Objective C.

I was also able to talk to a couple of the FDT Developers today - specifically Michael Plank - and I brought up my problems with FDT not being able to change the format of the method params to include a $, and also that whenever I close and re-open my class folders in the Explorer, all the sub folders that were open become closed. He seemed genuinely surprised at that one, so hopefully will be able to fix it in a future release.

Pointroll API classes for FDT

The Pointroll Ad Server requires an MXP extension on Flash in order to give it access to the Pointroll API. This makes things work great when working directly from Flash, but when working from FDT, it does not give access to the custom class files and methods. It also makes FDT think that calls to these methods are errors.

I was recently doing a banner ad using Pointroll, and all the so-called errors were annoying me. So I did a little research, and found where Pointroll (and, as it turns out, a bunch of other extensions) store their classes.

In case anyone else is having this issue, they are located here:

PC – C:\Documents and Settings\ [USER] \Local Settings\Application Data\Adobe\Flash CS4\en\Configuration\Classes\PointRollAPI_AS3

MAC - HD/Users/ [USER] /Library/Application Support/Adobe/Flash CS4/en/Configuration/ Classes/PointRollAPI_AS3

You can then add a Linked Library to the FDT project, so that you have access to whatever you need within the Pointroll API.

FDT gotchya with F1, Help and searching the Actionscript Dictionary

Since I got FDT, I've been having trouble with the Help menu. I have been used to FlashDevelop, where you select a property or method in your code, click F1, and the entry in the Actioncript Dictionary comes up for reference.

I set up my Key Binding in FDT to do the same - to bring up the Help Search. However, after I clicked F1 in my Help search menu, it refused to search the "Actionscript 3.0 Language and Component Reference", even though it was checked off in my Search Scope. It only searched the "Local Help". Several sites suggest I re-import the help menu in a certain way for CS4, or to update my help in the FDT preferences. However, even after I did this, and even though I could that see these help folders were indeed in the FDT file system, it refused to search them. It was really frustrating, and I resorted to having it do a custom Google search in that window in order to get up the language reference.

I had given up, but decided to do a quick Tweet requesting help. Special thanks to hfug and the Hawaii Flash User group for responding to the request. He suggested some of the import fixes I had read before, and sent some screenshots showing the Dictionary was indeed imported into FDT. The imports fixes hadn't worked in the past, but I noticed a minor thing in his screenshot - He was showing the Help Contents, and not the Help Search. My Contents were also showing the Dictionary, so I figured if I could at least bring up the Contents with F1 instead of the Search, I could then manually select the method I was looking for. I searched the Key Bindings to see if I could do this, but the only other options listed under "help" in the Key Bindings brought you to an FDT Help webpage. So I removed the Key Binding all together.

And for some reason after that, when I clicked F1, the selected method was brought up in the help panel as if it was searched for.

No idea why....

Comparing versions in FDT

During some research on FDT tips, I found out from here that FDT saves local histories of your files. And using these, you can compare versions. To get to this, Right Click on the file > Compare With > Local History.

I haven't tried it yet, but you can apparently also restore deleted files here as well.

fl.* package in FDT

While doing some coding using components recently, I noticed FDT was having trouble finding the fl.controls.comboBox, which didn't make a lot of sense to me. I was unable to data type my variables, and had no access to the component methods. I ended up just data typing it as *, which is something I hate to do.

After a bit of research, I found out that FDT cannot distribute the fl.* package, as it falls under some other licensing agreement (or something along those lines).

Luckily, I found a few people who have set up the fl.* package as a swc, so it can be set up as a linked library in FDT, which makes life a lot easier. Some of the swc files dont include certain components, but this one at seems to be working for me so far:

FDT Preferences Backup

I'm a backup freak. And it pleases me to announce that I finally found where the FDT preferences and custom templates are stored so I can back them up in case of disaster.

The first time I set up FDT, I spent a few hours making custom templates, and setting things up the way I wanted - Only to have it all disappear a few days later for some unknown reason.

Then it happened again last night.

But I found a commonality. I had deleted the default Workspace folder which I thought was empty. Turns out there are a bunch of invisible files in there which I found with OnyX.

I pulled the folder back using Time Machine, and my templates magically restored.

Wish it was a bit more obvious to find.

Just switched over to FDT from FlashDevelop because I was sick of using Windows on my Mac. So far I'm preferring FlashDevelop, but as I get around the little differences, FDT is slowly winning me over.

One thing that was annoying me was it wouldn't auto-fill my local variable names without typing "this." first. But a post I found Flash Mech gave a great tip to set up FDT's Code Assist to act more like I am used to in FlashDevelop.

Essentially, change your Auto activation triggers for AS in your Code Assist Preferences to:

This covers you for:
_ : property names
. : after every dot notation
: : data typing

I have also added in $ because I like to name my method scoped variables starting with a dollar sign.


text:
Enquire here

Florida Turnkey Investment

Investment Overview

Turnkey, buy-to-let properties that earn you rental income from day one of your investment. With tenants already in place and a professional property management team looking after your asset and interests, this is truly the ultimate arm-chair investment. There is also an exceptional two-year rental guarantee offered on most units.

  • Properties from US$102,000
  • Rental yields between 5-9% p.a.
  • Rental guarantees on most units
  • Tenants in place paying rent
  • Full property management
  • Management fees paid for two years
  • One-year appliance guarantee
  • 100% Freehold title

All properties have been purchased by BRIC Group and fully renovated to be entirely rent ready. Our portfolio includes condos in gated communities, townhouses and single-family homes. The majority of properties are in resort communities that typically offer a range of onsite amenities and facilities to residents. Such facilities may include:

  • Club house
  • Swimming pools
  • Sports facilities
  • Fitness centre
  • Children’s playground
  • Natural sceneries/Trails
  • Designated parking
  • Golf facilities

Florida is the third largest state in the USA with a population of 20.98 million. It’s one of the best performing states in terms of GDP growth (3.8% is forecast for 2018) and job creation (2.8% in 2018). This together with its booming tourism and favourable tax rates make it a popular destination for businesses, relocators and tourists.

Florida does not levy state income tax and is one of the country’s most business-friendly states for business. Chief Executive Magazine ranked it second in the country in 2018 for the fourth year in a row. A number of Fortune 500 companies choose to locate in Florida from a variety of industries including space and aviation, communications, technology, the film industry and pharmaceuticals.

As one of the world’s leading tourist destinations, Florida is home to a variety of major tourist attractions and natural sceneries such as the Florida Keys, South Beach, Key West, Walt Disney World, Kennedy Space Centre, Fort Lauderdale Beach, Universal Orlando Resort and the Everglades. The state has seen 7 consecutive record years for tourism and 2018 looks set to follow the same pattern. The 33.2 million visitors in Q1 were the highest ever for the first three month of the year and a 7.4% increase on the same period in 2017.

Orlando, located in central Florida, is one of the world’s fastest-growing cities and a major worldwide tourist destination. The city is the second-fastest growing in the state with a 3.2% rise in inhabitants predicted for 2018 and a population of 2.8 million forecast for 2023. Orlando creates around 1,000 new jobs every week and has one of the lowest unemployment rates in the country (3.6% in July). Job opportunities abound not just in the buoyant tourist industry but in the white-collar sector.

Ranking as the most popular holiday destination in the US (domestic visitor figures rose by 8.3% in Q1 2018), Orlando is renowned globally for its superb theme parks that include Walt Disney World, Universal Studios Orlando, Sea World Orlando and Legoland Florida. Orlando is also one of the busiest American cities for conferences and conventions, and has the second largest university campus (in terms of enrolment) in the United States.

Demand is strong for properties that are within a short drive to Orlando city centre, major employment centres, schools, hospitals and key tourist destinations and theme parks. Popular areas tend to be along the I-4 corridor where there is easy access to main roads and public transport.

Situated on the west coast of Florida, Tampa Bay is the third most populous metro area in the state. Its population is predicted to rise to 3.3 million by 2023. The area’s economy is one of the most buoyant in Florida and job creation is the highest in the state (and one of the highest in the country). Tampa’s economy is founded on diverse industries that includes tourism, agriculture, construction, finance, health care, technology and the Port of Tampa. Unemployment is low (3.8% in July 2018).

Cushman & Wakefield describe Tampa Bay as “a powerhouse within Florida” with a “live, work, play environment and a business-friendly market that draws people and companies in from across the country”. Tampa isn’t just about business; tourism is an increasingly important industry too. Offering picturesque sceneries and 361 days of sunshine per year, the area is home to some of the top beaches in the world comprising 1,260 miles of coastline and 825 miles of beach.

Areas within a short drive to Tampa city are in high demand as well as those close to Tampa’s stunning beaches, key employment centres, schools and hospitals. Popular areas that offer easy access to main roads and public transport are along the I-4 and I-75.

Jacksonville is the largest city by population and area in the state of Florida. Home to 880,000 residents, it too has a growing population with a rise of 1.6 million expected by 2023.

Jacksonville is a popular location for corporate expansions and relocations due to its convenient location, mild climate, reasonable cost of living, high quality of life and business-friendly government. Employment creation in the city is among one of the highest rates in the country and unemployment is low (3.8% in July 2018).

Jacksonville is situated in Northeast Florida on the St Johns River and known for its beaches and waterways. It is also home to the largest urban park system in the US. Demand is strong in areas within a short commuting distance to the city centre, employment centres, schools and hospitals, as well as key tourist attractions and beaches. Locations along the I-95 have easy access to key road networks and public transport.

Growing Economy

Florida is one of the fastest growing states in the US. The state economy has grown by 37% since 2010 and is expected to see 3.8% growth in 2018 and 4.3% in 2019. Both figures are 0.7% ahead of those predicted for the US as a whole (figures from the Florida & Metro Forecast).

Booming Job Creation

Florida is one of the best states in the US for job creation. According to state figures, 211,400 jobs were created in the year to July 2018. Florida had a job creation rate of 2.8% in 2018, 0.9% more than the US as a whole, with a high percentage in the high-skill, high-salary STEM (science, technology, engineering, maths) sector. Tampa, Orlando and Jacksonville are all stand-out hotspots for job creation.

Strong Property Market

Solid economic growth coupled with strong job creation has led to unprecedented demand for property, both to buy and to rent. In September 2018, Florida’s property market registered the 81st consecutive month of house price rises, with single family homes up 4.9% in value and townhouse-condo properties up 5.5% year-on-year.

Florida is consistently the top state for foreign investment in property (19% of investors buy in the state) as well as one of the best in the country for buy-to-let investment. In August 2018, Forbes ranked Orlando one of the best buy-to-let investment destinations in Florida. “In terms of both employment and population growth, Orlando really outshines,” said the article and highlighted the exceptional rental yields.

Jacksonville was ranked second with its rental yields described as, “among the highest in the country”. Tampa came in third place, “easily one of Florida’s best markets to buy and own rental property,” because of high demand and affordable property.

Investment Gallery

Explore This Investment

Bric Investment Brochures

Fill the form to read the brochure


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Erica Berry
Brighton High Brighton, MA Class of 2009

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August 30, 1907

The vacation season is over and many have gone home, but Milton is not a lonesome desert by any means. Oh, no. On the contrary Milton is humming with business. The 175 men, women, and children who come to work in the Goodwin Company Cannery last week were supplemented on Thursday by another lot of Bohemians, men and women and children, for the Anderson Company. These are all comfortably domiciled in homes specially prepared for them. Tomatoes are much later than usual in ripening and are coming in slowly. Workman & Co. canned a few on Friday of last week, and on Saturday Anderson & Co. packed less than 100 baskets. The Goodwin Co. will commence this present week. Pending the beginning of work, the help are having a nice time on the street during the day and holding dances in the evening, and they have lots of room for this amusement in the large work rooms, which have concrete floors, making […] dancing space. These rooms are lighted by electric light, which produced a scene both fascinating and enjoyable. They are happy also in their culinary operations. They cook over small brick ovens and fire places dug into the earth. Fishing forms another profitable amusement for them and the river bank is lined with anglers. Many visit them out of curiosity, from the town, who have been studying the improvised methods of housekeeping when emergency calls intellect into action.

The steam barge that J. Polk Davidson has built for Capt. Potter of Fall River, Mass., was to have been launched on Friday last, but when the plank was sawed, she failed to move. She was blocked up again, the ways re-greased, and on Saturday was successfully launched. This is the first vessel we ever remember seeing stuck in her ways in Milton.

Captain E. N. Lofland had commenced to build another launch when some miscreant one night last week […] his work to pieces, presumably more to anger the old man than for any evil intent. […] such people are not fit to live, and surely are not fit to die, and we would suggest that they should depart from this world in some way—but especially from Milton. He has it partly formed up again.

For the excursion last Thursday 215 tickets were sold at the Milton depot and as the train was loaded when it arrived, some crowded on, but many were left to take the regular train to the shore.

Rev. W. W. W. Wilson and wife, from New Haven, are guests of Samuel J. Wilson and wife.

Albert Wright is paying a visit to his old home here.

On Friday last William Workman was getting into his buggy when his horse turned suddenly and threw him out. It then ran away and was caught in south Milton. No serious damage was done.

A new porch has been completed by Stephen Palmer for Arthur Pettyjohn near town.

Captain W. H. Megee and family are guests of W. W. Conwell.

Julius Primrose and wife are guests of her parents.

Grant Collins and family, of Philadelphia, are visiting his father, Eli Collins.

The shirt and overall factory opened on Monday after three weeks’ vacation.

On Monday morning the electric wires in North Milton were black with “martins,” even the weather vane on the church was trimmed with them. It is about time for them to start on their pilgrimage south.

Mamie G. Wells, daughter of David F. Wells, died in Angola on Friday last, aged 1 year, 4 months and two days. Funeral at Conley’s Chapel on Monday.[i]

A few of the business people here have the electric light turned on.

Lizzie Jarvis who has been ill with typhoid fever, is better.

Joshua Culver is able to be out again.

Two car loads of sanitary tomato cans were received at the Goodwin factory last Monday. These cans are entirely different from any heretofore seen in this locality. The entire top is off and the tomatoes can be packed in their whole state, and the top placed on and hermetically sealed without the use of solder or acid.

William V. Sipple & Son, of Milford, placed tombstones at the grave of Mrs. Mary G. Smithers in the cemetery here last week.

The Crouch family, father, mother, sons and daughters have been recuperating at Broadkiln Beach in the Johnson cottage.

Contrary to expectation, and by arrangement made with other camp meetings, the colored camp commenced at Lavinia’s on Sunday last, one week earlier than intended. The attendance has been small.

Coverdale & Outten are repainting the property of Capt. John Fisher on Federal Street.

Misses Lillian Cade and Sallie Lofland have returned from the Holiness Camp at Monroe, N. Y. The camp is under the management of the “Rev.” Bushford Taylor, who made himself conspicuous at the M. E. Church here last winter, and who has a case in our courts now pending against him, and a man who is not unacquainted with […] eggs in Delaware.

[i] Another case of cholera infantum


text:
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Moving on, the report presents the key threats the Electric Guitar market will experience during the forecast period.Other vital aspects that have been diligently studied in the Electric Guitar market report is: Revenue share, size, Demand and supply dynamics, import and export scenario, industry processes and cost structures and major R&D initiatives.Our research analysts team of experts has been trained to delivering-depth market research report from every individual sector which will be beneficial in understanding the industry data in the most accurate way.


text:
I will be attending the Society for Photographic Education conference at the University of the Arts in Philadelphia the first week of March.

In January I spoke on a panel, "Photography Trends Today," at the Newburyport Arts Association with panelists, Lance Hidy, and Karin Rosenthal, moderated by Steve Immerman

In December 2017 I was a juror at PhotoNOLA

I was delighted to participate in the 2015 Filter Photo Festival in Chicago this fall.

I was co-chair of the recent 2015 SPE-NE conference, "Advocacy: Photography's Role in Affecting Change," held in Boston and hosted by the PRC, and co-juror of the associated thematic exhibition. More info about the symposium can be found here, including the schedule and speakers, and the show, "Evidence + Advocacy," here.

I was excited to be the next "RefridgeCurator" for Yorgos Efthymiadis's fun project, The Curated Fridge. See the selected images and photographers here. Read more about this terrific idea in Don't Take Pictures.

The Fortieth Parallel featured in two published essays:

Kelly Dennis's "Eclipsing Aestheticism: Western Landscape Photography After Ansel Adams," was published in the online journal Miranda, "Expressions of Environment in Euroamerican Culture / Antique Bodies in Nineteenth Century British Literature and Culture", Issue 11, 2015.

Kate Palmer Albers's essay, "Accessing the Landscape: Photography, Technology, and Place Today," was published in Broken: Environmental Photography, Photography at Valand Academy, University of Gothenburg, Hasselblad Foundation, and Art and Theory Publishing, Stockholm, Sweden. A preview of the book can be found at Photo-Eye Books.

The Washington Elm update:

I continue to photograph my newest project, "The Washington Elm," which focuses on the Washington Elm on Cambridge Common; later portions will include other Washington Elm scions, or clones, from around the country and related elm history. You can read more about the series here and preview some images here.

Collection News:

Fidelity Investments acquired a number of pieces from "The Fortieth Parallel." It is an honor to be included in this prestigious corporate collection and I'd like to thank Diana Gaston for her support.

Cambridge Historical Society Exhibition

Photographs from my new project "The Washington Elm" were shown, along with artifacts made from the Elm and related images and ephemera, at the Cambridge Historical Society from October 28, 2014 to January 2015. This project is supported by a 2014 Cambridge Arts Council grant and is the beginning of a larger body of work entitled "The Fate of the Elms." More information on the CHS exhibition, which is supported by the Massachusetts Society of the Cincinnati, and the two receptions can be found here.

The Fortieth Parallel: East of the Mississippi River shown at the University of the Arts, Philadelphia

This past fall 2014, a selection of work from "The Fortieth Parallel" -- 18 photographs made East of the Mississippi River -- will be featured at the University of the Arts' Gallery 1401 in Philadelphia. I was excited to showcase almost half of my larger series in this historic city, including 5 images from Pennsylvania. The exhibition ran September 24 - October 26, 2014, with an artist's reception on October 2nd, 4-7 pm.

Society of Photographic Education inaugural exhibition

This past summer 2014, I was a part of a group of photographers invited to show in the first exhibition at the Society of Photographic Education National Office in Cleveland. OFF THE WEB, ON THE WALL (June 20 - August 8, 2014) featured the work of 10 SPE national and international members as curated from their online gallery, my two images from my series was "Fort Juniper" were featured.

Magenta's Flash Forward Festival - [Photo]gogues: New England (Part 2)

I was honored to be one of a dozen educators to showcase work as a part of the 2014 Flash Forward Festival and sponsored by Canada's Magenta Foundation at Lafayette City Center in downtown Boston (May 1 - July 2014). [Photo]gogues: New England (Part 2) was a sampling of faculty members from the region selected by Paula Tognarelli and Frances Jakubek of the Griffin Museum of Photography.

PERSONAL TERRAIN: Contemporary Mapping

This past spring 2014, I was delighted to have "The Fortieth Parallel" included in a multi-media, group exhibition about place, Personal Terrain: Contemporary Mapping, curated by Ilana Manolson at the Concord Art Association (April 16 - May 18, 2014). Click here for more information and an online gallery.

Recipient of Cambridge Arts Council 2014 Grant

I am pleased to announce that my new project "The Washington Elm" has received 2014 funding from the Cambridge Arts Council! The project is the start of a larger body of work looking at the how the Elm tree has played an important role in the history of the United States. For this portion I will be photographing the Washington Elm on Cambridge Common as well as its scions around the city. I will be working closely with the Cambridge Historical Society to present the photographs along with artifacts and ephemera in their collection about the Tree in the fall of 2014.

Featured on The Editorial and Huffington Post

Over the winter, I sat down with Heidi Legg from The Editiorial and talked about life and my projects. Check out the interview here. Heidi also writes on the Huffington Post, Arts and Culture Blog, she wrote a teaser to the interview here.

The Fortieth Parallel at Gallery Kayafas

Bruce Myren: The Fortieth Parallel

September 9 - October 12, 2013

Opening Reception September 6, 6 - 8 PM

Gallery Kayafas is pleased to present The Fortieth Parallel. The Fortieth Parallel is a panoramic examination of precise yet arbitrary places found along this important parallel of latitude across the American landscape. Myren, using his GPS and 8x10" camera has photographed at each intersection of longitude and latitude beginning on the East Coast at Normandy Beach in New Jersey and ending on the West Coast at Shelter Cover, California. Once at the location, Myren allows himself nine square feet to make a triptych of three separate images. We are excited to be showing the project in its entirety. Each of the 52 images will measure 8x30" and encircle the gallery moving West to East.

Reviewed in the Boston Globe, Sept. 25 by Cate McQuaid

Big Red & Shiny Feature Video & Article

The July issue of Boston's online art journal Big Red & Shiny features a video interview with yours truly and an essay about The Fortieth Parallel. Shane Godfrey, Meg Elkinton, and Sarah Pollman did a great job capturing the essence of the project. To see the video and article click here.

Review Santa Fe

I am honored to be selected as one of 100 photographers to participate in Review Santa Fe. I will be featuring the completed Fortieth Parallel project, along with a selection of prints from Fort Juniper.

From Center's website:

Nestled in the foothills of the Sangre de Cristo Mountains in New Mexico, Review Santa Fe is the premier juried portfolio review event in the world. Designed to facilitate relationships between photographers and leading industry professionals looking for new work.

Up to 100 photographers are selected to meet with some of today's most relevant and esteemed curators, editors, publishers, gallerists and others interested in discussing photography and offering professional development advice and opportunities.

The three-day event offers participants a minimum of nine portfolio reviews, inclusion in the Review Santa Fe 100 online resource, an opening reception at the Center for Contemporary Art, a closing reception at the IHM Retreat Center, as well as an educational photographic seminar that comes together to create a vibrant and inspiring weekend to nourish the photographic community.

This spring, together with Greer Muldowney, I will serve as a juror for an exhibition of undergraduate photography as a part of Magenta Foundation's Flash Forward Festival in Boston. More information about "Undergraduate Photography Now" is here. This past summer, I was a juror for the Joan Johnson Scholarship Exhibit at the Griffin Museum of Photography.

Featured in PDNedu's Spring 2013 issue

Published 3 times, PDNedu is distributed to university, college, and high school photography programs around the country. I am thrilled to have a 6 page spread in the "One to Watch" section. The online version can be found here.

Completed: The Fortieth Parallel

In December of 2012, I finished photographing all 50 points along the 40th parallel of latitude, thus completing an epic project that I began in 1998. I am currently scanning and getting all of the images reading for printing. Gallery Kayafas will feature entire series opening September 6, and running through October 12, 2013. This would not have been possible without my successful Kickstarter campaign and my many supporters over the years. A complete list of supporters can be found here. The new photographs are on the website here.

The Fortieth Parallel gets press! This fall, the project was featured on many websites and blogs, including PetaPixel, the Huffington Post, Fast Company Design, Slate and Slate France, to name a few. It has been so much fun watching the visits on my website go up. With additional posts from Spain to Australia, there have been unique visitors from more than 93 different countries!

This spring, I am teaching an advanced project-based course in digital photography at Northeastern University.

This past fall, the piece "The View Home" was featured in Visual Texts at Wellesley College's Jewett Art Center and work from "Fort Juniper" was on display at the AIB Photography Faculty Exhibition at The AIB Gallery at University Hall, Lesley University.

Open Studios

On the Weekend of December 1 + 2, Vernon Street Studios will be holding their Fall Open Studio event, from 10 am to 6 pm both days. I will be open and showing some Fort Juniper pictures, and small slide show of pictures from my trip out west this past summer on the Fortieth Parallel. My studio is in 6 Vernon Street, 2nd Floor, #9, come visit!

"Terrain" at Spoke Gallery at Medicine Wheel Productions was reviewed on Our Daily Red blog at Big Red & Shiny.

This fall 2012, I will be teaching Advanced Black and White Printing-Darkroom, Advanced Printing-Digital, and Color Digital at the Art Institute of Boston as well as a section of Large Format/View Camera again at the Rhode Island School of Design. This past spring, I taught Photo I at Amherst College and a section of Large Format at the AIB.

As a result of my successful Kickstarter campaign, I traveled across the country for a month this summer and finished all of the pictures west of the Mississippi for "The Fortieth Parallel." I am now only 7 images away from completing the full series of 50 photographs and will visit Indiana and Illinois this January.

Public Programs and Education

As a part of Magenta Foundation's Fast Forward Festival in Boston in June, I participated in a panel, "Critique and the Creative Process - Photography In and Out of the Academy." I was also honored to be a juror for the Joan Johnson Scholarship, hosted by the Griffin Museum of Photography.

Selections from my series "Fort Juniper" were featured in Fraction Magazine's March 2012 issue. You can find Issue 36 of Fraction by visiting here and my portfolio is located here.

SPE and Traveling

In March 2012, I attended the SPE National Conference in San Francisco, Intimacy and Voyeurism: The Public / Private Divide in Photography. While in California, I traveled north and made several new pictures for "The Fortieth Parallel."

Mass Art Alumni Show

I was honored to be included in the 2011 Alumni Exhibition, Flourish: Alumni Works on Paper in MassArt's Bakalar & Paine Galleries from June 6 - July 9, 2011. I had two images from my series "Fort Juniper" on display with 63 other MassArt Alumni.

Visiting Artist and Guest Lecturer, Kansas

In April, I will be a visiting artist and give a lecture as well as student critiques at Kansas State University in Manhattan, KS. While there (and in Nebraska, see below), I aim to photograph 6 new locations for "The Fortieth Parallel."

Exhibition in Lincoln, Nebraska

In March and April of 2011, Workspace Gallery in Lincoln, Nebraska will be showing prints from my ongoing project "The Fortieth Parallel."

Review in Afterimage

Robert Moeller reviewed my solo exhibition at Gallery Kayafas. It is in the January/February issue of this national publication. You can preview part of the review by clicking here...then scroll down to Exhibition Reviews, go to the 3rd one "Peg and Rope Geometry," and click on the plus (+) next to the reviewer's name.

Exhibition at Gallery Kayafas

My solo exhibition Selections from the Fortieth Parallel: Missouri, Kansas and Colorado is on display October 22 through November 27 at Gallery Kayafas, 37 Thayer Street @ 450 Harrison Ave, Boston, MA. For more info visit Gallery Kayafas.

SPE Northeast Regional Conference

I am the conference chair of the 2010 SPE Northeast Regional Conference at the Rhode Island School of Design. This year's conference will be held November 5-7 and the theme is "The Experiential in Photography," with artist Spencer Finch as the keynote speaker. For more information about the conference, click here.

SPE National Conference and Regional Chair

In March 2010, I attended the Society for Photographic Education's national conference where I was voted Northeast Regional Chair. This fall, we are organizing a Regional Conference at RISD.

RSVP: Arbor, Michael Mazzeo Gallery

In 2009, I was invited to participate in Michael Mazzeo's first online gallery, RSVP, titled Arbor. You can view a work from "The Fortieth Parallel" along with 53 others (my image is number 50 in the slideshow). Click here to view it.

Photography Book Now, Blurb

I entered Blurb's 2009 photobook competition by creating a book version of "The View Home." You can purchase my book by clicking here.

In May 2009, I graduated with my MFA at UConn. I started teaching fulltime at the New England Institute of Art (NEIA) in fall 2009.

Landscape and Memory

September through November 2009 some of the photographs from "The Fortieth Parallel" will be included in a group show called Landscape and Memory, at The Gallery Project in Ann Arbor, Michigan. This is the second time that Catherine Meier has invited me to participate in one of her curated exhibitions.

Houston Center for Photography's

27th Anniversary Membership Exhibition

2009's exhibition was juried by Katherine Ware, Curator of Photography at the New Mexico Museum of Art in Santa Fe. I am honored to have three images from my series Fort Juniper selected along with 25 other artists.

Gallery 303, Solo Exhibition

In Summer 2009, I showed two bodies of work (selections from "Fort Juniper" and "Markers: Memory") at NEIA's Gallery in a show titled Locations: Recent Work by Bruce Myren. The show will encompass multiple floors and run July 1st - September 8th.

Jones Library, Amherst, MA

As a result of my "Fort Juniper" work, I was invited to show work in the special collections section of the Jones Library. This showing, during summer 2009, was coupled with a reading of Robert Francis's poems. The showcase is a part of Amherst, MA's 350th anniversary celebration.

Click here to read my essay about my experiences at grad school, 2009 is a Web site for and by photography teachers. It is published by Henry Horenstein (RISD), author of Black & White Photography, Beyond Basic Photography, Color Photography, and coauthor (with Russell Hart) of Photography, as well as monographs CREATURES, ANIMALIA, AQUATICS, HONKY TONK, CLOSE RELATIONS, CANINE, and RACNG DAYS.

College Art Association and Society of Photographic Education

I attended CAA in 2008 and SPE in 2009. At CAA, I spoke on an ARTspace panel on my involvement with the exhibition Landscape: Fact and Fiction shown at the William Benton Museum of Art in the winter of 2006. Participants included Judith Thorpe, Thomas Bruhn, Janet Pritchard, and Kelly Dennis -- all of the University of Connecticut, Storrs. I spoke at the Society of Photographic Education's National Conference in Dallas, TX in the graduate student track.

Visiting Artist

In October 2007, I was a visiting artist at Metropolitan Community College in Omaha, Nebraska. Best of all, Omaha is about an hour away from the 40th parallel (roughly the border of Kansas and Nebraska) and I was able to visit 4 new points as well as the Sixth Principal Meridian.

View Camera magazine, July/August 2007

Four of my panoramas were highlighted in 2 color, fold out spreads in the summer issue.

Art in Embassies Program

My image of the Sumner monument in Harvard Square was been accepted into the Art in Embassies Program. It was featured in the residence of the new ambassador to Cameroon from 2007 to 2010.

Groundtruthing, curated by Vaughn Bell

August, 2 - 26, 2007 Soil Gallery, Seattle, WA

Artists included Margot Anne Kelley, Bruce Myren, Tara Rodgers, Thom Heileson, Vaughn Bell, Sarah Kavage, and Nicole Kistler. From the website: "Groundtruthing brings us artists from across the country, each with a different approach to the idea of going "on location." With current mapping technology such as GIS, remote sensing, and GPS devices we can know the surface of the earth with more detail and specificity then ever. The artists in this exhibition access mapping technologies and data as a resource in examining geography as a personal and social phenomenon. Using media including photography, video, sound, and performance, these artists explore the significance of topography. The work gives us an experience of both the journey and the destination, and develops new narratives of how we relate to the places we visit, inhabit and explore."

Landscape: Fact and Fiction, curated by Janet Pritchard

William Benton Museum of Art, University of Connecticut at Storrs

January 17 - March 3, 2007

Artists included Deborah Bright, Linda Connor, Robert Dawson, Frank Gohlke, Emmet Gowin, Betty Hahn, Mark Klett, Bruce Myren, John Pfahl, Mark Ruwedel, and Alec Soth.

Portfolio Reviews

I was selected as one of 150 finalists to participate in Critical Mass 2006, an annual juried competition. I attended the Photolucida portfolio reviews in 2007.

All photographs on this site are copyright the artist.  The works are archival ink jet prints made by scanning film. Prints are for sale and inquires can be made by contacting Arlette Kayafas at Gallery Kayafas.

Bruce Myren Studio | 617-719-5674 |

©2017 Bruce Myren Studio


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After a bizarre dinner at Cafe 6 Sixty, John and I got ice cream at Jake's in Irwin Street Market. I, your standard Chocolate Slap Yo Mama while John tried a new Unfor'goat'able. Goat cheese and blackberry ice cream. Pricey, but worth it.

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