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Legg (W. Dorr) Personal Papers
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Personal Papers circa 1915-1994

Physical Description: [67 folders]

Scope and Content

Primarily comprised of correspondence, financial records, music and theater programs, the series is arranged into 5 subseries: (1) Biographical Documents, (2) Correspondence, (3) Financial Records, (4) Pefroming Arts Programs, and (5) Clippings. The biographical documents include various personal records. The Correspondence files document his life through continued correspondence with a number of friends and relatives. The files also contain correspondence related to the other series of the collection including the Church of Christ, Scientist series and the Landscape Designer and Architect series. His federal and state income tax returns primarily comprise the Financial Records subseries. The Performing Arts Programs subseries contains ballet, motion picture, music, opera, and theater programs. The final subseries, Clippings, consists of loose clipping found among the Legg papers with the exception of his Music clippings folder.

Biographical Documents 1921-1994

Physical Description: [17 folders]

Scope and Content

The subseries includes biographical documents from his birth certificate to his memorial service program. The folders include: a journal with brief entries followed by clippings of that year, 1921-1940; a folder of four small spiral notebooks, 1937-1971; an identification documents folder that includes passports that chart his journeys abroad; a desk calendar with notes concerning,The Knights of Clocks; a folder of certificates, recognizing his service to the community, a letter to the editor, his paper presented to the American Historical Association (AHA), Committee on Lesbian and Gay History. The Publications folder includes an early draft of the Counseling the Homosexual, a letter concerning the publication of his article Homosexual Blackmail and fliers for A Comprehensive Bibliography of Homosexuality and Homophile Studies in Theory and Review. The final folder of the subseries contains his obituary and related materials.
Box 1, Folder 1

Scrapbook of Clippings and Programs 1921-1940

Map-case 2-3, Folder 1

Letter to Michigan Chime October 28, 1926

Box 1, Folder 2

Miscellaneous Small Spiral Note Pads 1937-1971

Box 6, Folder 26

Knights of Clocks Notes circa 1950

Box 1, Folder 3

Birth Records, Passports, and Identification Cards 1961-1984

Box 1, Folder 4

Certificates of Recognition circa 1965-1994

Mattachine Society, circa 1965; Metropolitan Community Church, 1977; Quest Institute, 1972; ONE, Incorporated, 1977; Los Angeles City College Community Services, 1978; Gay and Lesbian Community Services Center, circa 1982; Award of merit, Lesbian and Gay Aging, 1983; Victorian Register, 1983; City of West Hollywood, 1986; and Institute for Advanced Study of Human Sexuality,1994

Trophy: Judy Coleman Memorial 1980

Box 11, Item 1

Plaque: American Civil Liberties Union of Southern California Gay Right Chapter, Founders Award 1981

Box 11, Item 2

Plaque: Christopher Street West 1982

Plaque reads, "Dorr Legg is hereby recognized as Man of the Year for outstanding contributions to the gay community by Christopher Street West, Los Angeles, October 2, 1982."
Box 11, Item 3

Plaque: The Erickson Foundation 1982

Plaque reads, "The Erickson Foundation presents to W. Dorr Legg. This expression of recognition and appreciation for your many years of unselfish, dedicated effort and service to the education, and understanding and dignity of your fellow citizens, Los Angeles, January 1982."
Box 11, Item 4

Plaque: Gay United Fund 1982

Box 1, Folder 5

Newsweek,"Letters" August 19, 1968

Box 1, Folder 6

Interview by Brad Mulroy for Gay Sunshine Press 1975-1976

Map-case 2-3, Folder 1

Interview by Robin Fulton, University Times, California State University, Los Angeles November 10, 1976

Box 1, Folder 7

Publications circa 1980

Map-case 2-3, Folder 1

Interview by Darel Hale for Frontiers February 6-13, 1985

Box 1, Folder 8

American Historical Association Paper 1990

Box 1, Folder 9

Obituary and Memorial Service Documents 1994

Box 1, Folder 32

Exploring Frontiers: An American Tradition by W. Dorr Legg 1993

Scope and Contents

Copy of article that appeared in New York Folklore, volume XIX, numbers 1-2, 1993.

Correspondence 1909-1993

Physical Description: [34 folders]

Scope and Content

The subseries consists of Legg's A to Z correspondence files preceded by the following folders. The alphabetically arranged files for Brothers and Brothers: The Gay Man's Adaption to Aging a dissertation by James J. Kelly, Legg contributed as an informant; Marion A. Carter, a person known to the members of ONE that was homeless from time to time; Fred Cuthbert, a fellow student from the Foundation of Architecture and Landscape Architecture program, and his wife Elva; Marjorie Howell, a friend from Ann Arbor; Clark A. Larrabee, a critic for the Philadelphia Inquirer; his brothers, Frank and his first wife Elizabeth (Betty) and second wife Phyllis, Victor and his wife, Agnes; his cousin Mary Lint and her husband Sam; and a professor from the University of Michigan, Harlow O. Whitmore. The series also contains a folder Legg labeled "music" yhat consists of correspondence, newsletters, and programs including those of the Michigan Composer's Club. Following these folders are Legg's holiday / Christmas letters, a folder of correspondence with only given names or illegible last names, and a running typescript of an intimate nature. The folders of the letters "B" and "K" include Legg's correspondence with servicemen during World War 2. The folder "B" includes a soldier's pencil drawings; folder "K" includes "V-mail" prints from micro-film and original V-mail stationery.
Box 1, Folder 10-11

Brother and Brothers: The Gay Man's Adaption to Aging Dissertation by James. J. Kelly 1974-1975

Physical Description: [2 folders]
Box 1, Folder 12

Carter, Marion A. 1981-1982

Box 1, Folder 13

Cuthbert, Fred and Elva 1929-1990

Box 1, Folder 14

Howell, Marjorie 1980-1988

Box 1, Folder 15

Larrabee, Clark C. 1961-1990 bulk

Box 1, Folder 16

Legg Jr., Frank E. and Betty (-1970), Phyllis (1971-) 1949-1991

Box 1, Folder 17

Legg, Victor E. and Agnes 1949-1992 bulk

Box 1, Folder 18

Lint, Sam and Mary 1984-1987

Box 1, Folder 19

Whittemore, Harlow O. 1972-1985

Box 1, Folder 20

Music 1928-1949

Box 1, Folder 21

Holiday / Christmas Letters 1963-1993

Box 1, Folder 22

Given Names (no family name) 1967-1993

Box 1, Folder 31

Intimate Typescript circa 1930

Box 1, Folder 22-30

A-K 1928-1992

Physical Description: [8 folders]
Box 2, Folder 1-11

J-Z 1909-1990

Physical Description: [11 folders]
Map-case 2-3, Folder 1

Correspondence (oversized) circa 1945-1991

Financial Records 1932-1980

Physical Description: [21 folders]

Scope and Content

Federal and state income tax returns make up the bulk of the Financial Records series. The latest copy of Legg's federal income tax return is from the 1978 tax year; the date span includes protracted disputes of Legg's 1975 and 1976 returns. The subseries also contains records concerning a house Legg owned in Oregon, a ledger, and a few bank account records.
Box 2, Folder 12-19

Federal Income Tax Returns 1932-1980

Physical Description: [8 folders]
Box 2, Folder 20

Oregon Income Tax Returns 1936-1943

Box 2, Folder 21

Portland, Oregon Home 1941-1944

Box 2, Folder 22

Income and Expenses Ledger 1942-1949

Box 2, Folder 23-24

California Income Tax Returns 1954-1978

Physical Description: [2 folders]

540 forms and instruction booklets
Box 10, envelope 1

Check Register and Stubs, Bank Books 1949-1977

Physical Description: [12 items]
Box 2, Folder 12-19

Federal Income Tax Returns 1932-1980

Physical Description: [8 folders]

Performing Arts Programs 1928-1980 bulk

Physical Description: [7 folders]

Scope and Content

The Arts Programs subseries consists of programs found among the Legg papers. The third Michigan file contains 2 programs listing Legg: the first is his graduation recital program and the second lists Legg on a committee for housing. The subseries includes Rhapsody in Blue sheet music autographed by George Gershwin and conductor Willem van Hoogstraten. Mr. Van Hoogstraten included the notation, "stadium summer 1929, New York." E. William Doty's performance programs are located in the Correspondence subseries in the "D" file.
Box 6, Folder 23-25

Michigan 1928-1949, undated

Physical Description: [3 folders]
Box 9, Folder 1

New York 1929-1947, undated

Box 9, Folder 2

Oregon 1936-1944, undated

Box 9, Folder 3

California 1941-1967, undated

Box 9, Folder 4

Other 1932-1980, undated

Clippings, Newspaper, and a Scrapbook circa 1915-1991

Physical Description: [6 folders]

Scope and Content

The alphabetically arranged topical files primarily consist of clippings. The subseries also includes 12 issues of Current Events: a Short History of our Times, a national weekly school newspaper and a Progressive Art Guide. The guide was used as a scrapbook presumably by Legg. The Michigan folder contains newspaper clippings primarily concerning the City of Ann Arbor and the University. The Miscellaneous folder consists of a variety of clipping from images of 1930s Miami to a story about Louis I. Kahn's design of the Salk Institute. The Music folder contains clippings from Ann Arbor, Michigan and New York newspapers and book pages.
Box 11, Folder 2

Current Events: a Short History of our Times newspaper 1916

Physical Description: 12 issues: volume 15, number 22-number 34
Box 9, Folder 5

Michigan circa 1930

Map-case 2, Folder 8

Michigan (oversized) 1955-1988

Box 9, Folder 6

Miscellaneous 1920-1991

Box 9, Folder 7

Music circa 1925-1940

Box 11, Folder 1

Progressive Art Guide used as a Scrapbook circa 1915-1920

Church of Christ, Scientist 1928-1953

Physical Description: [25 folders]

Arrangement Note

The files represent Legg's original files arranged chronologically with the following exceptions. The Selective Service correspondence file was relocated from the Correspondence subseries. The primary subject of the Selective Service correspondence are related to Legg's role as Christian Scientist practitioner during World War 2. Approximately six letters of Legg's father, Frank E. Legg, to the Church were relocated to the Family records series. A 1952 letter from the Board of Directors was moved from the Membership folder to the Board of Directors folder.

Scope and Content

The files in the Church of Christ, Scientist series consist of Legg's files refoldered, except as documented in the Arrangement note. Legg's "Miscellanea" file contains clipping, pamphlets, and typescripts of teachings and lectures of the Church of Christ, Scientist. The White Plains church files consists of copies of church records including by-laws, treasurer reports, and audit reports. The subseries also contains correspondence files. These folders include Hermann S. Hering, lecturer, past president and reader of the First Church of Christ, Scientist, Boston correspondence. Church files include: Committee on Publications correspondence; Membership, primarily donation receipts; Corvallis, Oregon church business; Legg's practitioner records, The Christian Science Monitor correspondence; and the Board of Directors correspondence concerning Legg's arrest. The files also contain correspondence from Marian W. Hering, wife of Hermann S. Hering; the Student Association of Professor Hermann S. Hering; and the United States Selective Service. The university club records include: Oregon State College campus club records; Normal class correspondence and notes; Wayne University, college chapter; and Student Chapter of Tacoma, Washington speaking engagement correspondence. Additional files include Legg's own typescripts of introductions, articles, and lectures; 4 folders of "notes" and typescripts including the teachings of Mary Baker Eddy which may or not be related to the prior file; annual meeting programs; pamphlets; and records of the Ninth Church, Detroit, including treasurer reports and a few records of the Consulting Committee charged with the planning of a new church building.
Box 10, Folder 1

Science and Health: with Key to the Scriptures by Mary Baker Eddy 1928

Box 2, Folder 25

"Miscellanea" 1932-1948

Box 2, Folder 26

White Plains Church Records 1933-1935

Box 3, Folder 1

Hermann S. Hering Correspondence 1933-1940

Box 3, Folder 2

Introductions, Articles, and Lectures 1933-1944

Box 3, Folder 3

Committee on Publications Correspondence 1933-1949

Box 3, Folder 4

Membership Correspondence and Per Capita Tax Receipts 1933-1953

Box 3, Folder 5

Corvallis, Oregon, Church Business 1934-1945

Map-case 2, Folder 2

Corvallis, Oregon, Church Business (oversized) 1943-1949

Box 3, Folder 6-10

Clippings, Notes, and Typescripts circa 1935

Physical Description: [5 folders]
Box 3, Folder 11

Oregon State College Correspondence 1936-1949

Box 3, Folder 12

Annual Meeting Programs 1936-1949

Box 3, Folder 13

Practitioner Correspondence and Records 1937-1950

Box 3, Folder 14

Marian W. Hering, Correspondence 1939-1945

Box 3, Folder 15

Association of Students of Professor Herrman S. Hering 1940-1965

Box 3, Folder 16

Selective Service, Correspondence 1941-1944

Box 3, Folder 17

Pamphlets 1943-1946

Box 3, Folder 18

The Christian Science Monitor, Correspondence 1943-1948

Box 3, Folder 19

Board of Directors, Correspondence 1944-1952

Box 3, Folder 20

Normal Class, Lists of Names 1946

Box 3, Folder 21

Wayne University 1946-1948

Map-case 2, Folder 2

Detroit Collegian, Wayne University (oversized) 1948-1949

Box 3, Folder 22

Ninth Church, Detroit, Treasurer and Consulting Committee Records 1946-1948

Box 3, Folder 23

Student Association of Tacoma, Washington 1947-1949

Landscape Designer and Architect 1925-1965

Physical Description: [55 folders]

Scope and Content

This series consists primarily of correspondence and professional membership materials along with published works and a few blueprints documenting Legg's employment as a landscape designer and architect. The Landscape Designer series consists of the following subseries (1) Florida and New York, (2) Correspondence, (3) Oregon State College, (4) Dorr School of Design and Dorr Institute, and (5) Landscaping Organizations and Publications. The Florida and New York subseries contains a limited number of blueprints. The Correspondence subseries documents his contact with professional organizations and clients. The Oregon State College subseries contain records related to his employment and activities while at the college. The Dorr School of Design subseries consist of administrative and school records. The final subseries Landscaping Organizations and Publications is comprised of membership materials, journals, and related magazines.

Florida and New York 1925-circa 1933

Physical Description: [15 items]

Scope and Content

The subseries consists of a limited number of documents from Legg's early career as a landscape designer and architect. This includes blue prints from the Florida Landscape Eng. (Engineering?) Company and the firm, Spoon & Hoggson, later known as John Jacob Spoon, Incorporated. Later correspondence from Spoon can be found in the Personal Papers series, Correspondence subseries.
Map-case 2, drawer 3

Florida Landscape Eng. Company, Blueprint and Entrance Sketches 1925-1926

Physical Description: [4 items]
Map-case 2, drawer 3

Spoon & Hoggson and John Jacob Spoon, Inc. circa 1930

Box 11, Folder 3

The Architectural Digest Drawing Inside Back Cover circa 1933

Box 10, envelope 2

Drafting Instruments circa 1930

Correspondence 1936-1962

Physical Description: [9 folders]

Scope and Content

The Correspondence subseries consist of Legg's re-foldered files, primarily related to Legg's commissions in Oregon. A limited number of photographs from his work during this period can be found in the Photograph series. Two additional folders were found with these materials, a folder of articles and related correspondence and the California Board of Landscape Architects correspondence folder.
Box 3, Folder 24

Fair grounds, Salem Oregon 1936-1938

Box 3, Folder 25

Professional Articles and Correspondence 1936-1942, undated

Box 3, Folder 26

Woodcock Garage Building 1937-1941

Box 3, Folder 27

Keenan's Newberg Property 1939

Box 3, Folder 28

Oregon Roadside Council / Oregon Roadside Defense Council 1939-1942

Box 3, Folder 29

Oregon College of Education, Campus Development Plan 1940-1941

Map-case 2, Folder 3

Oregon College of Education, Campus Development Plan (oversized) 1941, 1945

Box 3, Folder 30

Stilz House / Estate of H.G. Stilz 1941-1942

Box 3, Folder 31

California Board of Landscape Architecture 1954-1962

Oregon State College 1934-1944

Physical Description: [12 folders]

Scope and Content

The Oregon State College (OSC) subseries consists of Legg's work for the college as an architect and landscape designer along with his related extracurricular activities. Employment records, along with college related clipping, pamphlets, and programs comprise the first file. The subseries also contains transcripts of Legg's one-hour gardening program, college catalogs, and Alumni News newsletters; the first has a one page article by Legg. The folders of the Oregon Society of Landscape Architect (OSLA) and the OSC Gates and Gardens Committee (GGC) contain a limited number of records from each organization. The OSLA folder includes bylaws, clippings, a membership list, and a copy of minutes from a single meeting. The GGC folder contains clippings, correspondence, fliers, and pamphlets. The OSLA and GGC files are followed by a folder of clippings primarily related to the GGC; however the folder does contain clippings related to other programs at OSC.
Box 4, Folder 1

OSC Correspondence and Programs 1934-1944

Box 4, Folder 2

KOAC Radio Garden Program 1936-1941

Box 7, Folder 1-3

Oregon State College Catalogs 1937-1943

Physical Description: [6 items]
Map-case 2, drawer 3

OSC Blueprints and Maps (oversized) 1938-1940

Map-case 2, Folder 4

OSC Clippings (oversized) 1940-1941

Box 4, Folder 3

Department of Landscape Architecture Alumni Newsletter 1938, 1940

Box 4, Folder 4

Oregon Society of Landscape Architects Records 1940-1941

Box 4, Folder 5

Oregon State College, Gates and Gardens Committee Records 1940-1941

Box 4, Folder 6

OSLA and GGC Clippings 1940-1941

Map-case 2, Folder 4

OSLA and GGC Clippings (oversized) 1940-1941

Dorr School of Design and Dorr Institute 1949-1965

Physical Description: [8 folders]

Scope and Content

The subseries comprises the records of the Dorr School of Design (DSD) and the Dorr Institute (DI) educational enterprises. Legg provided "Design training the Dorr Way" offering art, architecture, interior design and landscape design classes in Los Angeles. The subseries contains financial records, correspondence, DSD brochures and flyers, DSD advertising clippings, Dorr Institute lessons on "Basic Design and Color" and two blueprints by students. The records of the Institute suggest that the school was designed to be correspondence school. Legg may have drawn his inspiration from a folder of correspondence school materials found in close proximity to the DSD and DI records.
Box 4, Folder 7

Spreadsheet of Income and Expenses 1949-1952

Box 4, Folder 8

Check Stubs and Bank Book 1949-1952

Box 4, Folder 9

Correspondence 1949-1965

Box 4, Folder 10

Brochures and Flyers circa 1950

Box 4, Folder 11

Advertising Clippings circa 1950

Box 4, Folder 12

Dorr Institute Lessons circa 1950

Box 4, Folder 13

Correspondence School Materials circa 1949

Map-case 2, drawer 3

Blueprints (oversized) 1949-1950

Landscaping Organizations and Publications 1926-1962

Physical Description: [34 folders]

Scope and Content

Professional landscape association membership materials, contributions to publications concerning landscaping and architecture, and correspondence comprise the Landscaping Organizations and Publications subseries. The subseries documents Legg's membership in the American Society of Landscape Architects (ASLA), the California Landscape Contractors Association(CLCA), and related organizations.

American Society of Landscape Architects (ASLA) 1926-1962

Physical Description: [12 folders]

Scope and Content

The American Society of Landscape Architects (ASLA) folders includes journals, newsletters, illustrations of members' work, correspondence, pamphlets, and reports. The chronologically arranged materials consists of the ASLA publications. The records also include Legg's articles from the 1926 and 1939 issues of Landscape Architecture: A Quarterly Journals. The correspondence files are comprised of Legg's correspondence with the national office of ASLA. The ASLA national and Southern California files contain the Society's pamphlets, reports, and records. The national folder includes the ALSA constitution, bylaws, membership list, and presentation descriptions from the 1961 conference at Lake Arrowhead, California. The ASLA Southern California file contains a few of the 1953 and 1960 chapter's newsletters, a couple of treasurer reports, a 1958 newsletter from the state organization, and the 1959 chapter's constitution.
Box 4, Folder 14-16

Landscape Architecture: A Quarterly Magazine, Legg Articles 1926, 1939, 1953

Physical Description: [3 folders]
Box 4, Folder 17

ASLA Legg Correspondence 1929-1962

Box 7, Folder 4-5

ASLA: Illustrations of Work of Members 1931-1932

Physical Description: [2 folders]
Map-case 2, Folder 3

ASLA Certificate of Election to Membership (oversized) 1936

Box 4, Folder 18

ASLA National Pamphlets and Reports 1950-1961

Box 4, Folder 19-20

ASLA Bulletin: An Occasional Journal 1951-1961

Physical Description: [2 folders]
Box 4, Folder 21

ASLA Southern California Chapter Records 1953-1960

Box 4, Folder 22

ASLA Newsletter Landscape Architectural News Digest ( LAND) 1960-1961

California Landscape Contractors Association (CLCA) circa 1954-1961

Physical Description: [7 folders]

Scope and Content

The California Landscape Contractors Association (CLCA) folders contain annual landscape contractors directories, circa 1954-1960, along with a 1961 membership rooster. The subseries is arranged chronologically.
Box 4, Folder 23-28

Annual CLCA Directories circa 1954-1960

Physical Description: [6 items]
Box 4, Folder 29

Annual CLCA Membership Roster 1961

Other Journals and Organizations 1931-1954

Physical Description: [5 folders]

Scope and Content

The chronologically arranged folders contain other publications related to Legg's work as a landscape designer and architect. Each publication includes an article, illustration, letter to the editor, or a contractor listing for or by Legg. The collection contains a Los Angeles Times: Home Magazine article titled "Adobe" along with 5 pages of related blueprints concerning the load on vertical elements of the structure.
Box 5, Folder 1

The American Cemetery, Illustration 1931

Box 5, Folder 2

Sunset, "How to Make a Brick and Concrete Terrace" May 1938

Box 5, Folder 3

Pencil Points Journals, Letter to Editor 1939

Box 8, Folder 1

The American School and University: A Yearbook Devoted to the Design, Construction, Equipment, Utilization, and Maintenance, of Educational Buildings and Grounds Listing 1942

Map-case 2, Folder 4

Los Angeles Times: Home Magazine, "Adobe" and Blueprints (oversized) April 4, 1954

Education 1918-1995

Physical Description: [37 folders]

Scope and Content

The Education series documents Legg's educational experience from Ann Arbor High School through the post-graduate program of the Foundation for Architecture and Landscape Architecture including alumni materials. The Education series consists of the following subseries; (1) High School and Higher Education and (2) Alumni Materials. The series consists of his works, yearbooks, various performing arts and school programs, correspondence, and alumni mailings including magazines, clippings, and fund raising materials.

High School and Higher Education 1918-1988

Physical Description: [22 folders]

Scope and Content

The subseries High School and Higher Education includes some of Legg's class work, programs, master's thesis, and his university diplomas. The last folder in the subseries documents Legg's acceptance of a scholarship for the summer program of the Foundation for Architecture and Landscape Architecture in Urbana and Lake Forest, Illinois. This folder also contains reunion materials including correspondence and alumni lists for the program.
Box 5, Folder 4

Blue Books 1918-1927

Physical Description: Modern history (2, 1918) Architecture (4, 1926-1927) Orchestration (1, 1927) Music History (2, 1927)

Modern history (2, 1918) Architecture (4, 1926-1927) Orchestration (1, 1927) Music History (2, 1927)
Box 5, Folder 5-7

The Omega Ann Arbor High School Yearbooks 1918-1920

Physical Description: [3 folders]
Box 5, Folder 8

Class Notes Circa 1925

Box 5, Folder 9

Typescripts circa 1925

Box 11, Folder 4-6

Original Music Compositions circa 1925-1951

Physical Description: [3 folders]
Box 5, Folder 10

University of Michigan May Festival Program 1926

Box 5, Folder 11

Drawings and Blueprint 1926-1928

Map-case 2, drawer 3

Drawings and Blueprints (oversized) 1926-1928

Box 5, Folder 12

Sketchbook, Landscape 5 W.D. Legg circa 1927

Box 12, Folder 1

University of Michigan, Bachelor of Arts Diploma 1926

Box 8, Folder 2-3

Michiganensian University of Michigan Yearbook 1927-1928

Physical Description: [2 folders]
Box 5, Folder 13

Master thesis: John Claudius Loudon, 1783-1843 1928

Box 5, Folder 14

University of Michigan Commencement Programs 1928

The file includes the order of exercises and names of candidates for degrees program along with the School of Music commencement program.
Box 12, Folder 2

University School of Music, Ann Arbor, Michigan, Bachelor of Music, Piano Diploma 1928

Box 12, Folder 3

University of Michigan, Master of Landscape Design Diploma 1928

Map-case 2, Folder 5

Clippings (oversized) 1928-1941

Box 5, Folder 15

Foundation for Architecture and Landscape Architecture (Lake Forest, Illinois) 1928-1988

Alumni Materials 1930-1995

Physical Description: [15 folders]

Scope and Content

University of Michigan's publications comprise the bulk of the Alumni subseries including the The Michigan Alumnus, The Michigan Alumnus: Quarterly, Honor Roll, School of Music Announcements, Music at Michigan, School of Natural Resources Alumni Directory, School of Natural Resource News, Michiganscapes Newsletter, School of Natural Resources Annual Report, and the Rackham Reports: School of Graduate Studies. Legg's articles, letters, and photographs appear in The Michigan Alumnus and Music at Michigan. Legg's name appears in the Honor Roll and Alumni Directory of the School of Natural Resources. The first two folders contain correspondence between Legg and the Alumni office, School of Music, and the School of Natural Resources.

University of Michigan 1933-1993

Physical Description: [8 folders]
Box 5, Folder 16-17

University of Michigan Correspondence 1935-1988

Physical Description: [2 folders]
Box 5, Folder 18

A Bibliography of the University of Michigan by Wilfred B. Shaw 1936

Box 5, Folder 19

The Michigan Alumnus Magazine 1941-1977

Physical Description: [12 items]
Box 5, Folder 20

The Michigan Alumnus Magazine Clippings 1933-1993

Box 5, Folder 21

Michigan Alumnus Quarterly Review 1952

Box 5, Folder 22

University of Michigan Alumni Fund Honor Roll 1962-1981

Box 8, Folder 4

Rackham Reports 1982-1991

Physical Description: [12 items]

School of Music 1930-1995

Physical Description: [3 folders]
Box 5, Folder 23

School of Music Announcements 1930-1935

Physical Description: [3 items]
Box 5, Folder 24

Music at Michigan Alumni Newsletter 1945-1995

Physical Description: [11 items]
Box 5, Folder 25

Music at Michigan Alumni Newsletter Clippings 1983-1988

School of Natural Resources 1980-1991

Physical Description: [4 folders]
Box 5, Folder 26

School of Natural Resources Alumni Directories 1980-1986

Physical Description: [5 items]
Box 5, Folder 27

School of Natural Resources News and Clippings 1980-1990

Box 5, Folder 28

Michiganscapes Landscape Architecture Newsletter 1986-1990

Box 5, Folder 29

School of Natural Resources Annual Report 1991

Photographs circa 1850-1995

Legg (W. Dorr) photographs, sample

Physical Description: [12 boxes]

Scope and Content

The Photographs series contains images of Legg, his family, and his ancestors in a variety of formats including a daguerreotype, ambrotypes, tintypes, card photographs, and photographic prints. The images include his ancestors from the Legg, Cross, and Crosby families. Along with the cased photographs and card photographs are three albums documenting Legg and his family through the early 1930s. Legg's personal photographs include images from his vacations, homes, and his professional life as an landscape designer and professor. In box 15 there are photographic images of Legg mounted on two souvenir china plates from Taipei, Taiwan. The collection included a couple of loose pages from an unknown album documenting his early life and a small photograph album primarily of his later travels in Europe. The photographs of these albums were photocopied to document their arrangement and transferred to sleeves. The color photographs comprise images of his later life with John Nojima, their travels together, visits from relatives, and photographs of Legg's burial. Along with the print images are slides, ink-jet prints, and a limited number of negatives documenting the same topics.

Arrangement Note

The documents of the Photographs Series are arranged chronologically.
Box 13

Cased Photographs circa 1850-circa 1860

Physical Description: [12 items]

A daguerreotype along with 12 cased ambrotypes and tintypes in 11 cases, including images of Legg's paternal grandparents, Charles Confucius Legg and Mary Jane Cross, and great grandparents, only identified as Cross and Cross. The other 9 images are unidentified.
box-binder 16

Tintypes and Early Photographs circa 1860-circa 1930

Box 13

Photograph Album circa 1870

Physical Description: [18 items]

Scope and content

18 images including 6 tintypes in a small album with a broken latch.
Box 13

E.M. Crosby Tinted Photograph circa 1870

Scope and content

A hand-tinted image of a young child mounted behind a cracked convex piece of glass.
Box 14, Item 1

Photograph Album 1 1909-1934

Box 14, Item 2

Photograph Album 2 circa 1920-circa 1934

Box 15, Item 1

Photograph Album 3 1930-1939

box-binder 17, 18, 23

Black & White Photographs circa 1900 - circa 1980

Map-case 2, Folder 6

Black & White Photographs (oversized) 1945-1980

Physical Description: 0 photographs : b&w.
box-binder 18

Color Photographs circa 1970 - 1995

box-binder 19

Post Cards & Travel Photographs circa 1970-1990

Map-case 2, Folder 6

Color Photographs (oversized) circa 1985

box-binder 22

Negatives circa 1925-circa 1990

box-binder 21

Slides 1967-1981

box-binder 20

Ink-Jet Prints 1970-1995

Map-case 2, Folder 6

Ink-Jet Prints (oversized) circa 1985

Legg Family Papers and Realia circa 1850-1988

Physical Description: [25 folders]

Scope and Content

The Legg Family Papers and Realia consist primarily of Legg family personal and business records. The personal materials include autograph books, correspondence, family recipes, a fan, financial records, manuscripts, and scrapbooks. The business records include newspaper advertisements, correspondence, and ledgers of Frank E. Legg's and Morris M. Seabolt's business, The Ann Arbor Music Company. Several items found with the collection lack any documentation or provenance, including a fan, manuscripts, and recipes. The first folders of this series are genealogical records of the Legg family complied by Legg and others. Also included in this series are 3 articles by Victor E. Legg and limited correspondence of Frank E. Legg, Junior. The correspondence presumably collected was after Frank E. Legg, Junior's death in 1983.

Arrangement Note

The files of the Legg Family Paper and Realia Series are arranged chronologically.
Box 6, Folder 1-2

Legg Genealogy circa 1850-1985

Physical Description: [2 folders]
Box 6, Folder 3

Legg Journal 1848-1858

Box 6, Folder 4

Legg Ledger 1849-1884

Box 10, Box 1

Frank E. Legg's Toy Hand Tools circa 1865

Physical Description: [8 items]
Box 6, Folder 5-6

Legg / Crosby Correspondence 1875-1942

Physical Description: [2 folders]
Box 6, Folder 7

Broadsides, Handbills, Clippings and Ephemera circa 1880-1922

Map-case 2, Folder 7

Broadsides, Handbills, Clippings and Ephemera (oversized) 1911-1970

Box 6, Folder 8

Frank E. Legg Autograph Book 1881-1889

Box 6, Folder 9

Wille Legg Autograph Album 1883-1888

Box 6, Folder 10

Scrapbook of Biographical Clippings of Authors, Composers, Lecturers, Singers, etc 1883-circa 1890

Box 10, Folder 2

Fan, Bone and Fabric circa 1890

Box 6, Folder 11

Ann Arbor Music Company Ledger 1898-1906

Box 6, Folder 12

Frank E. Legg Ledger 1905-1914

Box 6, Folder 13

Ann Arbor Music Company Ledger 1905-1920

Box 6, Folder 14

Manuscripts circa 1910

Box 6, Folder 15

Recipes & Cook Book circa 1910-1945

Box 10, envelope 3

Recipes (3"x5" note cards) circa 1910-1945

Box 6, Folder 16

Morris M. Seabolt Correspondence 1910-1951

Box 6, Folder 17

Federal Income Tax Returns, Frank E. Legg, Sr. 1922, 1942-1943

Box 6, Folder 18

Victor E. Legg, Bell Telephone System Technical Publications 1939-1940

Physical Description: [2 items]
Box 6, Folder 19

Frank E. Legg Estate Records 1949-1951

Box 6, Folder 20

Victor E. Legg, article 1954

Physical Description: 0 item.

Genral note

Magnetic Ferrites: New Materials for Modern Applications, page 726; Electrical Engineering magazine, August 1954
Box 6, Folder 21

Frank E. Legg, Jr. Estate Records 1975-1984

Box 6, Folder 22

Forrest Hills Cemetery, Legg and Crosby Plots 1984-1988


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Sunday Life Drawing

Hosted at:
Ohio Art League:
X Space
(400 W. Rich St. Columbus, Ohio)

1-4 PM Check the calendar for dates
$8 • 18 & over

A portion of the fees is donated annually to OAL

We provide:
  • a relaxed, non-judgmental environment
  • a model with limited props
  • lighting and chairs
  • background music

You bring:
  • drawing surfaces (paper, boards/easels)
  • pencil, pen and ink, charcoal, and/or watercolors; acrylics or oils (just be sure to bring a drop cloth)
  • a pickup if you plan to use solid media that may leave dust or other residue

Drawing sessions typically consist of:
  • 6 one-minute gestures
  • 6 two-minute gestures
  • 15-minute pose
  • a short break
  • three 35-40 minute poses with breaks between
Participants are asked to help with set up and clean up if physically able. Please be on time so as not to disturb other participants or expose the model to passers-by.

We do not have themes for the sessions and there is no instruction. We sit in chairs or on the floor in a semicircle; easels can be set up behind chairs. The model is posed standing, reclining on cushions on the floor, or sitting; there is no posing stand.

Occasionally sessions need to be cancelled on short notice; in such situations we will attempt to contact those on our roster by telephone or email.

No photography. Camera phones must be off while in the gallery. Fees must be paid up front in cash and are subject to change. Non-participating visitors are not permitted.

http://columbusfoundation.org/ oac.state.oh.us gcac.org

   OAL blog
© Ohio Art League
Powered by Wild Apricot Membership Software

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What is a hysterectomy?

A hysterectomy is the removal of the uterus (womb). It can be a total hysterectomy/complete hysterectomy (removal of uterus and cervix), a subtotal hysterectomy/partial hysterectomy/supracervical hysterectomy (cervix is left behind) or a radical hysterectomy (removal of a safety margin for severe endometriosis or gynaecological cancer).

Ovary removal or preservation?

Removal of ovaries: At a hysterectomy the ovaries (responsible for the production of the hormones oestrogen and progesterone) can be removed at the time of hysterectomy without additional effort. It does not complicate the hysterectomy or prolong the operation time. Removing the ovaries can be achieved laparoscopically. It also has no impact on the cost of your operation.

Removing the ovaries will make a woman menopausal if she is not menopausal as yet. In postmenopausal women, removing the ovaries does not change the hormonal situation. Typically, I recommend removal of the ovaries in women who have a high risk of ovarian cancer (BRCA1/2, Lynch, history of breast cancer) and/or in postmenopausal women.

Preservation of ovaries: Alternatively, the ovaries can be preserved, which maintains the production of the hormones oestrogen and progesterone. If at least one ovary can be preserved the hysterectomy should not or only minimally interfere with the onset of menopause. Preserving ovaries is useful and recommended in young women who are not at increased risk of ovarian cancer.

Why a hysterectomy?

A hysterectomy may be recommended for a number of reasons. Benign conditions include conditions that lead to severe pelvic pain and bleeding, such as uterine fibroids, adenomyosis/endometriosis, benign pelvic masses, uterine prolapse, pelvic inflammation and cancer. In Australia, approximately 30,000 women will have a hysterectomy every year.

Alternatives to a hysterectomy

  • Uterine artery embolisation: The rationale is that reduction of blood flow to the uterus will result in infarction of parts of the uterus and subsequent shrinkage. A catheter is advanced through the femoral artery towards the uterine artery and alcohol or gelatin particles, glue or coils are injected to occlude the large vessels feeding the uterus. I recommend uterine artery embolisation for treatment of vascular malformations (arteriovenous malformations), pelvic congestion syndrome, and tumour-related bleeding when surgery is not possible. For the treatment of uterine fibroids or adenomyosis, no data from randomised trials are available to support uterine artery embolisation. Multiple cases of acute pelvic pain requiring emergency hysterectomy have been reported under those circumstances.
  • A Bakri balloon catheter is invaluable for the management of postpartum haemorrhage (acute bleeding after giving birth) to avoid a postpartum hysterectomy. In case of severe haemorrhage, it gets inserted into the uterine cavity and then the balloon is inflated. The balloon will stay for one to two days and will then be removed under controlled conditions.
  • Endometrial ablation is effective for conditions that exclusively involve the endometrium (inner lining of the uterus). The main indication for endometrial ablation is functional (hormonal) uterine bleeding. Its success rate is around 40%. It is contraindicated for women with known or suspected cancer or precancerous changes, women who wish to retain fertility, acute pelvic infection and in postmenopausal women.
  • Hormonal treatment/levonorgestrel-IUD is an attractive alternative to hysterectomy to treat heavy menstrual bleeding and also used for contraception. A levonorgestrel IUD (Mirena) is a small coil that is coated with a Progestin hormone that is very slowly released into the uterine cavity. More recently, our group published successful treatment of patients with endometrial cancer and pre-cancer with Mirena. Mirena is unlikely to be effective in all conditions that involve the myometrium (fibroids, adenomyosis). Prior to an insertion of a Mirena an endometrial sampling (endometrial biopsy, Pipelle) or a hysteroscopy and a curettage (D&C) needs to be performed to exclude cancer.
  • Pelvic floor exercise and pessaries: In patients with mild pelvic organ prolapse or elderly patients with significant medical co-morbidities an operation can be avoided by pelvic floor exercise and pessaries.

Types of Hysterectomy

In QLD more than 6,200 hysterectomies are performed every year and the vast majority are required for benign conditions (uterine fibroids, adenomyosis/endometriosis or to prevent cancer (BRCA gene mutation, Lynch syndrome). Hysterectomy is highly effective to treat those conditions.

Typically, it removes the uterus and the cervix (total hysterectomy). The ovaries can be removed if the patient is menopausal or the patient is at high risk for developing ovarian cancer (BRCA gene mutation). Otherwise the ovaries should be preserved to prevent artificial instant menopause and its consequences (osteoporosis).

Comparison of surgical techniques

Abdominal hysterectomy: A large number of hysterectomies are performed through an abdominal incision (“open”). This incision can be transverse (like a caesarean section) or through a midline incision. The recovery time for an open hysterectomy is 4 to 6 weeks and sometimes longer due to the need for a long incision to heal. An open hysterectomy is preferred for ovarian cancer surgery. Generally, an open hysterectomy is out dated for women requiring surgery for benign conditions and should not be performed in those circumstances. In particular, big women should avoid open surgery if not absolutely necessary.

Vaginal hysterectomy: Many hysterectomies are performed vaginally and have clear advantages over an open surgical approach, such as fewer complications, shorter hospital stay, quicker recovery and shorter healing time. While almost all gynaecologists are familiar with vaginal hysterectomy, some hysterectomies are too risky to be performed vaginally. Previous surgery (caesarean sections) or a narrow vagina (no vaginal birth) often makes this approach impossible. In those circumstances, a Total Laparoscopic Hysterectomy should be considered. Vaginal hysterectomy is still the surgical approach of choice in women who have their hysterectomy primarily for pelvic floor repair.

Total laparoscopic hysterectomy (TLH) is an operation that is done through keyhole incisions. It is suitable for almost all patients, even those with previous surgery, or obese and super-obese patients.

TLH is well established in Australia and safely practiced by experienced gynaecologists for at least 15 years. It uses a “keyhole” approach: CO2 gas is used to expand the abdominal cavity. Then three or four tiny incisions (5 mm) are made and a high-resolution camera plus thin instruments will be inserted into the abdominal cavity. The camera takes live images and the surgeon can operate by looking at the screen.

There are three main advantages of TLH compared to abdominal hysterectomy:

  1. Quicker recovery and less pain: Typically, patients who have a TLH are active after 1 to 2 weeks (work, home duties), compared to 4 to 6 weeks after an “open” procedure. Patients who have an abdominal hysterectomy require ten times more painkillers than patients who had a TLH. Patients who have a vaginal hysterectomy require twice the amount of painkillers compared to patients who have a TLH.
  2. Fewer surgical complications: The risk of surgical complications is reduced to 30% to 50% compared to an “open” hysterectomy.
  3. Cost effective: TLH has slightly higher costs of surgery. However these costs are offset by shorter hospital stay (1 to 2 days with TLH; 5 to 7 days with open hysterectomy).
Robotic hysterectomy has become popular in the United States where it is funded fully through health funds. By contrast, in Australia women who would want to have their hysterectomy through a robot would incur an additional $5000 administration fee payable to the hospital in addition to all other surgical, anaesthetic, pathology and hospital fees. In addition, US research suggests that patient outcomes are identical with robotic or laparoscopic hysterectomy. Hence, robotic hysterectomy has not been taken up by gynaecological surgeons in Queensland or Australia.

Subtotal hysterectomy is a hysterectomy to preserve the cervix. Some gynaecologists advocate for subtotal hysterectomy to preserve pelvic floor and sexual function. However, extensive research on this topic has shown that pelvic floor and sexual function are identical when subtotal and total hysterectomy were compared. The downsides of subtotal hysterectomy include that PAP smears need to be continued, abnormal bleeding may continue, and subsequent surgery to remove the cervix is difficult and risky. In addition, there is a need to make an opening in the abdomen through a cut to remove the uterus (this is not needed with a total hysterectomy).
For these reasons, I routinely recommend Total Laparoscopic Hysterectomy. An abdominal incision (opening of the abdomen) should be avoided under almost any circumstances. Women who had surgery (e.g., caesarean sections) previously can still have a laparoscopic hysterectomy. If the opening of your abdomen is recommended, we suggest you look for a second opinion.

Risks and surgical complications of Hysterectomy:

Any surgery carries risks. However, the overall rate of severe surgical complications is at least 30% higher in patients who have an Abdominal “Open” Hysterectomy compared to a Laparoscopic Hysterectomy.

  • The risk of cardiac, cerebrovascular or anaesthetic complications (less than 1%), a risk of pelvic organ injury during surgery (1.5%) and a risk of deep vein thrombosis (1%). These risks are similar across all three surgical techniques. Vaginal discharge following hysterectomy is normal for up to 6 weeks. I recommend to abstain from sexual intercourse during that time to minimise the risk of infection.
  • Patients who have constipation tendencies might require laxatives after any surgery because the painkillers we need to use can constipate.
  • Patients considering a TLH have a 2% risk that the operation needs to be converted to an open procedure due to unforseen problems (bleeding, adhesions and distorted anatomy, etc).
  • The risk of injury to bladder, ureter or bowel, blood vessels and nerves is approximately 1.5% and similar across all surgical techniques.
  • Removal of ovaries in young women (oophorectomy) will result in menopause and is not recommended for young (premenopausal) patients with benign conditions.
  • A risk of deep vein thrombosis (blood clot in calf) or pulmonary embolus (blood clot in lung) is low (less than 1%) and this risk is comparable across surgical techniques.
  • The risk of postsurgical complications is 30% less with laparoscopic than with open (abdominal) hysterectomy. The risk of infection is much higher with open surgery than with TLH. Especially in obese and super-obese women (BMI>40) that risk can be as high as 50%. In contrast, that risk is much lower with TLH.
  • Patients who require a radical hysterectomy (cancer, endometriosis) have a risk of bladder dysfunction for up to several weeks.
  • Patients who have a TLH often experience “shoulder pain” for up to one day after surgery. The CO2 gas that we use in surgery can irritate some nerves that run along the spine and radiate upwards into the shoulder blade.

 Hysterectomy techniques (1,2):

  Abdominal ("Open") Vaginal Laparoscopic
Hospital stay 5-7 days 2-3 days 1-2 days
Pain +++++++++ ++ +
Surgical complications (postoperative) 18% ?? 12%
Recovery from surgery 4-6 weeks 2-3 weeks 1-2 weeks
Duration of surgery     +25 mins
Blood loss +++ + +
Hysterectomy cost +++ ++(+) ++++

(1) Janda et al., Lancet Oncol. 2010; 11: 772-80;

(2) Obermair et al., European Journal of Cancer 2012; 48: 1147– 1153.

Recovery from hysterectomy

Hysterectomy recovery time: You need to stay in hospital for one or two days if you have a laparoscopic hysterectomy. For open (abdominal) hysterectomy the hospital stay is longer. I recommend that you take it easy for the next couple of weeks. Especially I recommend avoiding intercourse, vaginal tampons and full baths for the next 6 weeks and other factors that could disrupt wound healing or facilitate an infection. The DO'S and DONT'S post hysterectomy are described here. Recovery from hysterectomy is difficult to predict. All going well, a patient should be able to go back to work and do normal housework after two weeks.

Please notify me immediately if your condition becomes worse after you have been discharged from hospital.

Follow-up: After surgery, all patients with uterine cancer (except those with very low risk of recurrence) should be seen regularly for follow-up for 5 years. These examinations will always include pelvic examinations. I will discuss with my patients if any other tests (PAP smears, medical imaging, blood tests) are required. After five years, the risk of a recurrence becomes very low.  Should you experience any bleeding or pain, please do not wait but contact my office straight away.

Pain after hysterectomy:  All patients receive strong painkillers during and after surgery. All patients will receive pain killers upon leaving the hospital. It is critical that all patients continue the pain medication beyond discharge from hospital for approximately 10 days. Otherwise pain will catch up and you will worry.

Exercise after hysterectomy: Whenever possible we will mobilise patients on the day or the day after a hysterectomy with the help of experienced physiotherapy staff. At discharge, I recommend to "take it easy" for a week. Gentle exercise is possible as is light home duties. Competitive training should be avoided for a few weeks.

Hysterectomy is not recommended for the following reasons:

Reasons not to have a hysterectomy are birth control or to get rid of (normal) monthly periods. There are far less invasive procedures available to gynaecologists to achieve birth control and the same outcome.

I would also be hesitant to offer a hysterectomy for mood swings, bloating, headache, or menopause symptoms because these symptoms are mainly endocrine symptoms and as we all know the uterus does not produce hormones. These symptoms relate to the ovaries and a patient's hormonal function rather than the uterus. Removing the uterus will not address the symptoms, which will then persist or recur.

We also need to be careful with hysterectomy for Cervical Intraepithelial Neoplasia (CIN) without informing women that they will require meticulous follow up including vaginal vault cytology every year after surgery.

Unfortunately some hysterectomies are performed for abnormal uterine bleeding without prior curettage. The chances of finding a uterine malignancy “unexpectedly” are between 10% and 20%. If a hysterectomy is offered for abdominal uterine bleeding it is critical to sample the endometrium for cancer first and only then offer a hysterectomy.

More information

For information about what to do and what not to do after a hysterectomy please read the speedy recovery fact sheet.

Enquire about an appointment.


text:
Bucs fall in overtime to Steel Valley

January 24, 2013

C.C. Dixon made a three-pointer to tie the score with less than 30 seconds left in regulation to force overtime and finished with a game-high 26 points during Steel Valley’s 55-54 win over Chartiers-Houston in Section 4-AA.

Chartiers-Houston, which fell to 4-5, 10-7, got 21 points from Ashley Balzer and 10 apiece from Tori Foster and Addisen Knetzer, but the Bucs missed 13 of 27 attempts from the free throw line.

Chartiers-Houston could’ve moved a half-game ahead of Steel Valley (5-3, 9-6) in section play but instead stayed in fourth place, a game ahead of Fort Cherry.

Avella 54, Mapletown 19: Kenna Drazich had a game-high 13 points and Alexandria Barr and Kira Doaks added 12 apiece, as Avella cruised to a 54-19 win over Mapletown in Section 3-A.

Avella, which leads Carmichaels by a half-game, improved to 6-0, 10-6.

Madison Bogden and Rachel Buchtan had six points apiece for Mapletown (0-6, 0-13).

Bethel Park 70, Peters Township 44: Megan Marecic led Bethel Park to an easy Section 4-AAAA win with 20 points, including four three-pointers. The Black Hawks are now 9-0, 16-1 and have won 15 straight. Kaitlin Chess scored 13 points, and Samantha Simpson contributed 11.

Two players scored in double figures for Peters Township (0-8, 3-13): Cameron Morgan with 13 and Madison Kerr with 10.

McGuffey 68, Bentworth 13: Sammie Weiss had 23 points and Rachel Czulewicz added 14 during McGuffey’s 68-13 rout of Bentworth in Section 5-AA, as the Highlanders improved to 8-0, 15-1. Sammie’s older sister, Cassie, chipped in with 12 points.

Jeanna Brewer had four points for Bentworth (2-6, 5-11).

Seton-La Salle 72, Fort Cherry 31: Fort Cherry took its turn through the Seton-La Salle buzzsaw, dropping a 72-31 decision at home in Section 4-AA. Rachel Bellhy had 21 points for the Rangers, but Fort Cherry still fell to 3-5, 6-7.

Four players reached double figures for Seton-La Salle. Natalie Piaggesi had 16 points, Angela Heintz 13, Naje Gibson 11 and Katherine Hart 10.

Washington 54, Beth-Center 22: Washington jumped out to a 17-2 edge after one quarter and rolled to a 54-22 victory over Beth-Center in a Section 5-AA game.

Mya Williams led the Prexies (6-3, 9-7) with 18 points. Taja Gordon had seven points and seven steals.

Anna Bartman led B-C (1-7, 3-12) with 13 points.

California 53, Jefferson-Morgan 47: Courtnee McMasters scored a game-high 22 points and California rallied in the fourth quarter to get past Jefferson-Morgan, 53-47 in a Section 3-A game.

Natalie Baron added 17 points for the Trojans (3-2, 12-4), who outscored the Rockets (2-3, 6-9) 19-7 in the final eight minutes.

The key play came when Olivia Helmick was fouled after hitting a three-point basket. She was injured on the play so Alesha Haschets came in to make the free throw to complete a four-point play.

Kayla Yorko scored 13 points and Ally Bogden chipped in with 12 for J-M.

Belle Vernon 64, Waynesburg 17: Jessica Slagus scored 26 points to put her at 1,006 for her career during Belle Vernon’s 64-17 victory over Waynesburg in a Section 4-AAA game.

Slagus also pulled down 12 rebounds to reach 760 for her career for BV (6-2, 12-4). Kaitlyn Slagus tossed in 12 points.

Payton Lohr and Michelle Cesa each scored six points for Waynesburg (0-8, 3-14).

Charleroi 44, South Side Beaver 41: Charleroi shut out South Side Beaver, 12-0, in the second quarter on the way to a 44-41 victory in a Section 5-AA game.

Mia Woytovich scored 12 points to lead the Cougars (8-1, 13-5), who were outscored 30-26 in the second half. Rachel Ritzer added 10 points.

Sam Gibson scored a game-high 15 for the Rams (4-5, 6-11) and Sarah Androlia chipped in with 11.

West Mifflin 51, Ringgold 42: West Mifflin got off to a quick start and defeated Ringgold, 51-42, in a Section 4-AAA game.

Taylor Thomas scored a game-high 21 points for West Mifflin (6-2, 7-9), which led 17-8 after the first quarter. Marla Small added 12 points.

Eleni Radic tossed in 11 points and Shayla Crews added 10 for the Rams (4-6, 7-9).

Carmichaels 56, West Greene 50: Morgan Berardi scored a game-high 24 points and Carmichaels held off a fourth-quarter surge by West Greene to take a 56-50 victory in a Section 3-A game.

Amanda Brown and Caroline Cree each scored 12 points for the Mikes (5-1, 15-2), who led 43-29 after three quarters but were outscored 21-13 over the final eight minutes.

Madison Raber scored 23 points and Emily Courtwright chipped in with 12 for the Pioneers (1-5, 9-8).

Chartiers Valley 58, Canon-McMillan 29: Three players scored in double figures to propel Chartiers Valley to a 58-29 victory over Canon-McMillan in a Section 4-AAAA game.

Mariah Wells had the most with 16 and was followed by Kassidy O’Keefe, who threw in 12. Jenna DeVinney added 11 for the Colts (7-2, 13-4).

Olivia Lorusso paced Canon-McMillan (1-8, 6-10) with 11 points.

Trinity 57, Moon 54: Lauren Simpson and Rachel Phillis combined for 27 points to help Trinity take a 57-54 victory from Moon in Section 5-AAA.

Simpson scored 15 points and had three three-point field goals for the Hillers (3-6, 5-11), who led 46-38 after three quarters. Phillis tossed in 12 points.

Amirah Moore had a game-high 25 points for Moon (4-4, 9-9). Abby Unis scored 17.

Boys results

Laurel Highlands 67, Waynesburg 44: Nick Lancaster finished with 16 points and Laurel Highlands outscored Waynesburg by 21 in the fourth quarter en route to a 67-44 win in a non-section game.

Shane Guthrie scored 14 points, and Joe Pegg added 12 for Laurel Highlands, which improved to 12-5.

Waynesburg dropped to 3-13 despite 16 points from Adam Fox and 10 from Dominick Sarra.

Chartiers Valley 79, McGuffey 30: Five players scored in double figures to help Chartiers Valley defeat McGuffey, 79-30, in a Section 5-AAA game.

Michael Bowls led the way with 18 points for the Colts (9-0, 15-1), who led 44-9 at halftime. Spencer Chasson scored 13 and Matt McConnell, Haedyn Herzer and Dom Costello each scored 11 points.

Brennan Crimm led the Highlanders (1-7, 7-10) with nine points.

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text:
VSA’s van service to Erie discontinued as of Jan. 1

December 28, 2012

MAYVILLE — The growth of veteran services and improvements to healthcare and clinical services for veterans across the region has enabled the Chautauqua County Veterans Service Agency (VSA) to find......

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Hot shots: CSUF men's basketball vs. UCI

The Titans' Alex Harris leaps past the Anteaters' defense for a slam dunk. SHILAH MONTIEL, CONTRIBUTING PHOTOGRAPHER

Cal State Fullerton men’s basketball played UC Irvine on Jan. 16 at Bren Events Center. The Titans fell to the Anteaters 72-54.

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text:
Fans show love for Mariah Carey at Gibson

Coming from Orange County for Tuesday's Mariah Carey concert in Universal City were Dalia Novoa, left, of Santa Ana, and Vanessa Garibay, of Costa Mesa. ARMANDO BROWN, FOR THE ORANGE COUNTY REGISTER

Mariah Carey

Where: Gibson Amphitheatre at Universal CityWalk

When: Feb. 23

After a stiff start to her L.A. show, the diva with the prodigious pipes hit her stride, overwhelming fans in the process.

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text:
The Fling

2370 N. Tustin Ave.
Santa Ana, CA 92705

  • Daily 6am-2am
  • $
  • Smoking, Wheelchair accessible
  • Late Night
  • Full bar
  • Parking Lot Available
  • Reservations Not Necessary
For better or worse, this little dive is a legendary among local patrons and all that pass through it. Descriptors range from "epic" to "disastrous," but a vast majority manage to agree that if you enter the premises without a stick up your ass, it has the fantastic ability to grow on you. Open at 6 a.m., this place is overflowing with stiff liquor at dirt cheap prices. On the weekends you can catch some of the best cover bands in town, belting away to the likes of Tom Collins and Journey. But be forewarned, this place is usually crowded past capacity on weekends, so unless you dig being shoulder to shoulder with friendly (yet unfamiliar) strangers it's best to visit the Fling during less busy hours.

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Google Brews a Limited-Edition Beer

Because it hasn't yet invaded our bodies (only our minds and souls), Google is becoming drinkable.

Yep, it turns out the Google tech geeks are also beer geeks. The Internet behemoth has teamed up with craft-brew pioneer Dogfish Head to create a limited-edition Belgian dubbel called URKontinent. It brings together ingredients from around the globe--all suggestions from Google staffers worldwide--including wattleseed from Australia, toasted amaranth from South America, green rooibos from Africa, Myrica Gale from Europe and hive plex honey from California. (Google them!)

"Urkontinent was when people first recognized that all these continents fit together in a certain way," says Dogfish Head founder Sam Calagione in a video about the Google-Dogfish collaboration (below). "That's kinda what we do when we bring a beer like this to life, and it's what Google does every day--take a fractured world of information and put it into something cohesive and whole."

The beer is on tap at Dogfish Head Brewery in Delaware and will be showcased at this week's Great American Beer Festival in Denver. It will be packaged for full distribution in the coming months.

Follow Stick a Fork In It on Twitter @ocweeklyfood or on Facebook!

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sixpack-slider2oddgrooves-drum-loopsreggae-drum-loopslatin-drum-loopsDrum Kit on the stageheavy metal rockerfunk-drum-loops

Premium drum loops with a human groove.

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Ever wished that you didn’t have to rely on stiff MIDI programming for your drum tracks? A straight 4/4 beat might do OK, but what about those a little more complex passages, fills and sections in odd time signatures?

Ever wished you had a great drummer at hand to play the difficult stuff with a groove?

With OddGrooves drum loops, you do!

OddGrooves provides high quality royalty-free MIDI drum loops to composers, musicians and producers from all over the world. We started out producing mostly “hard-to-play” progressive rock grooves in odd time signatures but we also offer straight rock, pop and funk beats. Come to think of it, most of our drum loops are now in “regular” time signatures, mostly in 4/4.

Our extensive drum loop library contains over 8000 different MIDI grooves , all played live by a pro drummer
. You get a total of 16 different time signatures
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If you are looking for quantized loops, look elsewhere.

Our drum grooves are recorded and played live by Berklee educated polyrhythmic master Magnus Brandell. And in order to preserve the human feel and playing dynamics, our grooves are not quantized. The grooves are in standard MIDI format, arranged for Toontrack EZdrummer/Superior Drummer, Addictive Drums, Steven Slate 3.0, General MIDI and I-MAP. And if you have Toontrack EZplayer pro you can use them with just about any drum sampler on the market. All of our drum loops work like a charm with all major hosts on both PC and Mac.

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Buccaneers sink Packers

Earnest Graham rushed for 111 yards on 20 carries with a touchdown Sunday, as the Tampa Bay Buccaneers defeated the Green Bay Packers 30-21.

The Buccaneers were a 1-point favorite in the game and easily covered the small spread. The combined score went OVER the posted over/under total (43).

Brian Griese passed for 149 yards with a touchdown and three interceptions for Tampa Bay, while Alex Smith had two receptions for 26 yards and a touchdown.

Aaron Rodgers threw for 165 yards with two touchdowns and three interceptions for Green Bay and Greg Jennings caught six passes for 109 yards with two touchdowns.


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4.84 Stars
4.84 Star Rating: Recommended
4.84 out of 5

based on 1346 user reviews.

Sorry, this item is no longer available. Please try another search or call us at 866-273-3651 to speak to a wheel specialist!


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Artist: Statik Selektah f/ Bun B, Wale, Colin Munroe
Album:  100 Proof: The Hangover
Song:   So Close, So Far
Typed by:

(Statik Selektah)

[Verse 1 - Bun B]
Wouldn't it be nice if life was sort of like a dream (like a dream)
And everything wasn't really what it seemed?
What if everything you ever wished for was in reach (reach)
And you could learn everything your school didn't teach? (teach)
Wouldn't it be nice if the banks didn't fuck up the loans
And people ain't have to move out they homes? (homes)
With no GM or AIG
And for that matter no cancer or A-I-D
Yes, I'm sure we could all agree
That the world I'm talkin about is where we would like to be (be)
Worried about debts, recessions and foreclosure
Too much stress, somebody pass me the doja (the doja baby)
So I could just float (float)
And not have to worry about payin my car note (note)
But once the smoke clears, you right back where you was
But it's still cool just to dream man because

[Break - Colin Munroe] - w/ ad libs
I'm high for sleep, I'm high for work (I'm high for work)
It always seems so real, then fades away (away)
I know I sold my soul, I ?
I guess these major deals ain't all they seem
Not quite what I was (dreamin of)

[Chorus - Colin Munroe]
One world, one heart (not quite what I was dreamin of)
So close, so far (not quite what I was dreamin of)
No tears, no scars (not quite what I was dreamin of)
We're so close, so far (not quite what I was dreamin of)

I need more than sixteen, Stat'

[Verse 2 - Wale]
We was lookin for change 'til Barack came
Sooner lookin for change but these rocks ain't
Movin, eyelids low 'cause my bills too high
And my kids growin quick and my lady's growin tired
So my outlook's dim and my house is eventually without any heat
Unless it's comin out of me
See, wages is minimum
The race that I run feels Usain quick and I'm in ankle weights and Timberlands
Life's tryin to lap you
Them hustlers fast but life is a three course meal, let them fast foods
Have it for now
Quick money never stays, get your money, stay patient, outlast it for now
Before I lay down, I thank God for the blessings
Every bit of success, as well as my imperfections
'Cause ain't nobody perfect, everybody searchin
For happiness, we livin like every day's urgent
Every day's harder, ain't nothin here promised
To live as Will Smith, you must endure the Chris Gardners
Wale, we good

[Chorus] - 2X

Dreamin on a lullaby


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Sunday, January 9, 2011

Commemorative New Years Run Mugs by John Kinder & Tyler Davio

Pilsner style mugs to commemorate Phish's New Years Run at Madison Square Garden Dec 30-Jan 1. Back by popular demand.

This will be the second run of 100 mugs. Each mug is hand crafted and totally unique. Mugs average 20 oz in volume and roughly 6 1/2 tall. These mugs are dishwasher safe and can bear hot or cold liquids. Mugs come in various glazes, each one stunning and intricate.

These mugs were crafted in Bend, Oregon at Cinder Cone Clay Center. Long time potter, John Kinder, and his faithful assistant, Tyler Davio, put blood, sweat, and tears into these works of art. John has been a successful potter in Bend for many years and his work is known across the state of Oregon. John does custom orders. You can view his art and space at John also has other amazing pieces for sale including coffee mugs, serving platters, rice bowls, and vases on

The art for these mugs came from a very talented Maria Dichiappari. Maria's design catches the eye and captures the spirit of a rocking holiday tour. Her poster art is some of the nicest stuff I have seen on tour in a long time. She has a real keen eye for design and I'm sure we'll be seeing her artwork for years to come. She also has a stellar print for the MSG show. You can view and purchase all her beautiful art work at

The second run of mugs are currently in production mode. We expect them to be available to be shipped out by the end of January. We apologize about the delay but there is a lot of art being created at the clay center at the current time.

A portion of the proceeds will be donated to the Mockingbird Foundation.

Orders will be shipped asap. Ground UPS Shipping. Allow 5 days minimum.

Head over to to purchase.

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Ontario Institute for Studies in Education, University of Toronto Home| OISE| U of T| Portal| Site Map | Contact Us
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The Dr. Eric Jackman Institute of Child Study Laboratory School cultivates and strengthens relationships with the wider educational community through research and collaboration. The laboratory school principals and teaching staff attend and speak at workshops, conferences, and seminars locally, nationally, and internationally, and maintain partnerships with the laboratory school community. The Laboratory School is also a member of the International Association of Laboratory and University Affiliated Schools (IALS), and the American Educational Researchers Assocation (AERA).

Below are links to our affiliated organizations and schools.

  • International Association of Laboratory and University Affiliated Schools (IALS) http://www.laboratoryschools.org/
    Jackman ICS Principal Richard Messina and retired Principal, Elizabeth Morley, sit on its Executive Board. Lab School teachers have received IALS grants and awards for their teaching and research and are frequent contributors at IALS conferences.

  • National Association of Independent Schools   www.nais.org
    Jackman ICS teachers have presented workshops at Annual Conferences in 2008, 2009, and 2010, and 2011.

  • American Educational Researchers Assocation (AERA) www.aera.net
    Jackman ICS teachers present research papers at Annual AERA Conferences.

  • Klingenstein Centre www.klingenstein.org
    Jackman ICS shares a strong partnership with the Klingenstein Centre, a Teachers' College at Columbia University, New York. Principal Richard Messina has lead the Klingenstein Summer Institute for Early Career Teachers, Elementary Section since 2006.

    Retired Principal Elizabeth Morley is co-editor of Klingbrief, an electronic publication of recommended articles, websites, and books selected by and for independent school educators.
  • Holland Bloorview Integrated Kindergarten Program (IKP)
    Jackman ICS has a satellite program in partnership with Holland Bloorview Kids Rehabilitation Hospital. For more information about the IKP, please click here.

  • Scadding Court www.scaddingcourt.org
    Jackman ICS assists in the preparation of participants in Scadding Court's Outer Limits Program, an opportunity for community youth to travel to developing countries to teach English Language Learners. As well, the school welcomes participants in the Slice Program, offering career path practicum for young adults.

  • Kobe Shinwa Women's University, Kobe Shinwa, Japan
    Jackman ICS has a 10+ year parternship with the Education Faculty at KSWU who bring education students and researchers from Japan to the Laboratory School each year, and invite reciprocal visits.

  • Zhejiang Preschool's Teachers' Training School, Hangzhou, China
    Jackman ICS has a partnership of exchange and research with laboratory school colleagues in Hangzhou, China.

  • Natural Curiosity  www.naturalcuriosity.ca
    A resource for teachers, Natural Curiosity is a new environmental education resource published by The Laboratory School at the Dr. Eric Jackman Institute of Child Study. Through the work on this resource and its companion guide, Jackman ICS has strengthened partnerships with the Ministry of Education, Elementary Teachers' Federation of Ontario (ETFO), the Royal Ontario Museum (ROM), and public elementary schools across Ontario.
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Office of Juvenile Justice and Delinquency Prevention, Working for Youth Justice and Safety
Multimedia Use Home
skip navigationAbout OJJDPE-NewsOJJDP resources organized topicallyFundingProgramsState representatives and organizations that administer OJJDP programsPublicationsleft navigation groupPublications SearchNCJRS LibraryTypes of PublicationsList of All PublicationsOJJDP's Statistical Briefing BookOJJDP conferences, teleconferences, and juvenile justice-related events Tools Home
   Home > Publications > Search > Search Results > Abstract

    Publication Abstract

Two Generations -- Partners in Prevention
(NCJ 171687) July 1999
OJJDP Youth in Action Series, Bulletin, 8 page(s)
Defines intergenerational programs and explains how youth can work with and assist senior citizens in their communities. This Youth in Action Bulletin also describes the benefits of youth- senior programs (such as strengthening ties to the community and helping dispel stereotypes) and supplies tips on how youth can evaluate these programs. The Bulletin lists organizations that youth may contact for additional information on working with seniors. The Bulletin's writing and format are geared to youth.
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Office of Juvenile Justice and Delinquency Prevention, Working for Youth Justice and Safety
Multimedia Use Home
skip navigationAbout OJJDPE-NewsOJJDP resources organized topicallyFundingProgramsState representatives and organizations that administer OJJDP programsPublicationsleft navigation groupPublications SearchNCJRS LibraryTypes of PublicationsList of All PublicationsOJJDP's Statistical Briefing BookOJJDP conferences, teleconferences, and juvenile justice-related events Tools Home
   Home > Publications > Search > Search Results > Abstract

    Publication Abstract

Construction, Operations, and Staff Training for Juvenile Confinement Facilities
(NCJ 178928) January 2000
OJJDP Juvenile Accountability Block Grants Series, Bulletin, 28 page(s)
Roush, D., McMillen, M.
Provides practitioners practical guidance on best practices under Program Purpose Area 1 of the Juvenile Accountability Block Grants (JABG) program. In particular, the Bulletin presents information on construction decisions, master planning, facility development, operations, and staff training. With its step-by-step explanation of the planning process, thorough instructions on determining the type of facility needed, and detailed discussion of the key elements of operation, the Bulletin is a valuable resource to jurisdictions. It also includes an extensive list of references, a "For Further Information" section, and a "Useful Publications" box, all of which identify additional sources of information relating to construction, operation, and staff training. The Bulletin is part of OJJDP's JABG Best Practices series, which is intended to help States and units of local government develop programs in the 12 purpose areas established for JABG funding.
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Historic Gallier Hall
For over a hundred years, this beautiful, historic building served as New Orleans City Hall.
Located on St. Charles Avenue, in the city's Business District, the building was designed by
well-known architect James Gallier, Sr. and construction was completed in 1853.  Many
important events in the city's history have taken place at Gallier Hall.  It now serves as a
reception hall and home to the critically acclaimed Ty Tracy Theatre (named for the late
Artistic Director of the New Orleans Recreational Department Theatre).
However, it may be best known for the VIP viewing galleries placed in front of it every
Mardi Gras season.  The parades always pause at this location and marching bands usually
perform in front of the grandstands.  It was in front of Gallier Hall that the mayor toasted
the Saints during the Super Bowl victory parade in 2010.
Below, current pictures of Gallier Hall and, then, images from the past.   -- Nancy
A St. Charles streetcar rumbles past the block where Gallier Hall's located.
The current photos of Gallier Hall on this page are courtesy of
Flickr Creative Commons' Infrogmation and skooksie; and NOLA.com.
Also, thanks to Sue Melancon for sharing one of the photos.

~   ~   ~

The link to this page is:

Back to   Old New Orleans

Whispers - Home
Taken on the day of the last mayoral inauguration.
Night of the Super Bowl victory parade.
Sketch of Gallier Hall when it was 5 years old, 1858.
During the Civil War, 1864.
Above, Mardi Gras, 1906; below, Mardi Gras, 1908.
Between 1900-1910
Steps of Gallier Hall, World War I rally, 1918.


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 Standard Catalog of Buick 1903-2004 CD, CARS LLC (908) 369-3666
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320 pages illustrated features articles and specifications
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Renaissance flutes

The renaissance flute, the type of instrument used in Europe from roughly 1500 to 1650 and later, was designed to blend well; it was often played with other flutes in a consort, or perhaps with voices or other soft instruments. Yet it can be seen in medium sized and large ensembles, where it presumably played in its high range. It also had military uses, though it is quite likely that the instruments so used may have been of a somewhat different design, perhaps more fife-like.

Shown below are three renaissance flutes by modern makers. The first is after flutes stamped with a trefoil in Verona and is at the original pitch of A=408; the second is modeled on instruments in Brussels, but made at A=440 for the convenience of modern players; the third is a copy of a flute by Rafi and is at the original pitch of A=388.

The renaissance flute is accoustically quite different from six-hole flutes from other traditions and parts of the world. It has a narrow cylindrical bore, and small finger holes and embouchure. This makes the instrument tend to be somewhat quiet and a bit sluggish in the lowest octave, but it is responsive and can be played lightly and delicately in its highest notes. The combination of narrow cylindrical bore and small holes also greatly affects the fingering and resulting sound (see below).

Renaissance flutes were made in several sizes. Three sizes of instruments (that we can call descant, tenor, and bass flutes) are described in several 16th century treatises, though only the two lower sizes are mentioned by Philibert Jambe de Fer (1556). These differed in pitch by a fifth. The lowest notes of the descant, tenor, and bass are, respectively, a', d', and g (though at a pitch somewhat below modern pitch). The middle size, the tenor in d', was the most common size, judging from depictions. But many of the surviving instruments from the 16th century are basses. And no true descants survive, indicating that they were less common (or perhaps more easily lost or broken). Shown below is a modern consort of renaissance flutes (a bass, three tenors, and a descant).

The renaissance flute had a large range for a renaissance wind instrument (at least this is the case for the tenor and descant). Most fingering charts show a range of d' to a''' for the tenor flute. The chart below is taken from Virgiliano (after 1600). What looks like the note B in the chart is not an English language B, but B flat. This can be seen from the fingerings given (which, admittedly, are hard to see in the chart). So the notes F natural and B flat are shown, and not the notes F sharp and B natural that belong to the D major scale.

In the 17th century, one finds evidence of a small renaissance-style flute in g', a tone above the 16th century descant. In partcular, a fingering chart for flute inserted in an edition of Jacob van Eyck's Der Fluyten Lust-hof is for such a small flute. Van Eyck's work was intended primarily for a small recorder with low note c'' (the modern soprano size), and the three lowest notes of the small flute in g' are thus not used at all, while it must regularly play into its third octave.

The design of the renaissance flute, with its small holes on a cylindrical bore, tends to favor harmonic fingerings. The small holes work well as vent holes, but are not ideal for tone holes once you get to the high notes. Much of the second octave is flat if one attempts to use the same fingerings as in the first octave. The fingerings start to diverge significantly with second octave a''. Fingered as 12----, this note is usually intolerably flat unless forced. The correct fingering for a'' is 12-456 (a harmonic of the low d', with hole 3 acting as a vent hole). It does tend to be sharp (shading hole 3 helps to keep it down), but speaks easily and is easy to sustain and shape. One must practice the transition from g'' (fingered 123---, and which tends to be flat) to a''.

(Larger holes, like on the Indian bansuri and modern Boehm flute, even though they have cylindrical bores, allow the fingering 12---- to work for A in both the first and second octaves.)

Why was a narrow bore and small hole design chosen? One can surmise that renaissance listeners prefered the sound that way. Harmonics can sound sweeter. Another reason is that this is simply the best solution renaissance makers found to making a flute that was able to handle the music of the time, based on the materials and technology they had to work with, and the designs they inherited. In any case, if we wish to hear the music as it might have sounded on flutes then, one must use this type of flute.

Renaissance music is based on a variety of 'modes'. The notes appearing in theses modes are the naturals and B flat. (Modes with B flat work better on the renaissance flute than those with B natural.) Other notes are required as musica ficta. While not in most fingering charts, it is easy to produce these with 'forked fingerings', except for the E flat in the first two octaves. This must be produced by covering the first five holes completely and the sixth hole half way, or so, and is difficult. Lowering the breath pressure somewhat—and practice—will help.

Tuning tends towards meantone (true meantone, 1/4 comma meantone). For example, the difference between F# and G in the first two octaves is quite large, while the difference between F# and F natural is small. The difference between c'''sharp fingered as --34-- and d''' as -23456 is large, i.e. more than an equal tempered semitone. There is no fingering that produces a note below d''' but closer to d'''. So one may say that the renaissance flute has a c'''sharp but no d''' flat. Similarly, the fingering 12-4-6 used for a note between d''' and e''' is sharp, i.e. closer to e'''. So we may say that the renaissance flute has an e'''flat, but no d'''sharp.

For more information on renaissance flutes, see


text:
Terence Blanchard Songs List

Monterey Jazz Festival: 50th Anniversary
Released in 2008
List Price: $18.98
Out of Print
  • Tracks of Disc 1
  • 1.Be-Bop
  • Buy for $0.992.Spoken Introduction to Romance
  • Buy for $0.993.Romance (Winter Love)
  • Buy for $0.994.Spoken Introduction to Just Squeeze Me
  • Buy for $0.995.Just Squeeze Me (But Please Don't Tease Me)
  • 6.Monterey Mist - (instrumental)
  • Buy for $0.997.Misty
  • 8.Benny's Tune
  • Buy for $0.999.Band Introductions
  • 10.Time After Time
  • Song previews provided courtesy of iTunes
Inside Man [Original Motion Picture Soundtrack]
Released in 2013
List Price: $17.98
Out of Stock
Save for Later
  • Tracks of Disc 1
  • 1.Ten Thirty
  • 2.Thrown A Bone
  • 3.Stevie Switcharoo
  • 4.Dalton's World
  • 5.357
  • 6.392
  • 7.2nd Floor Window
  • 8.Defend Brooklyn
  • 9.Food Chain
  • 10.Above Your Pay Grade
  • 11.Everything Hunky Dory
  • 12.Frazier's Tour
  • 13.Press Here To Play
  • 14.Nothing Yet
  • 15.Demands In Place
  • 16.Here Lies Peter Hammond
  • 17.Nazis Pay Too Well
  • 18.Nice Talking To You
  • 19.They Bugged Us
  • 20.Hostage Takedown
  • 21.Dr. Phil
  • 22.Photo Ops
  • 23.Esu Search
  • 24.Dalton's Cell
  • 25.Follow The Ring
  • 26.Good And Ready
  • 27.Chaiyya Chaiyya Bollywood Joint
  • Song previews provided courtesy of iTunes
Let's Get Lost: The Songs of Jimmy McHugh
Released in 2001
$9.83 Super Savings
List Price: $11.99
CMJ: "...Thoughtful and reaching arrangements that simmer with the same blue flame that fueled Miles Davis' '50s work....This is a no-brainer for fans of vocal and traditional jazz."
  • Tracks of Disc 1
  • Buy for $0.991.Let's Get Lost - (with Diana Krall)
  • Buy for $0.992.Too Young To Go Steady - (with Jane Monheit)
  • Buy for $0.993.You're A Sweetheart
  • Buy for $0.994.I Can't Believe That You're In Love With Me - (with Dianne Reeves)
  • Buy for $0.995.I'm In The Mood For Love
  • Buy for $0.996.Don't Blame Me - (with Cassandra Wilson)
  • Buy for $0.997.I Can't Give You Anything But Love - (with Jane Monheit)
  • Buy for $0.998.Exactly Like You
  • Buy for $0.999.Can't Get Out Of This Mood - (with Dianne Reeves)
  • Buy for $0.9910.Lost In A Fog
  • Buy for $0.9911.On The Sunny Side Of The Street - (with Cassandra Wilson)
  • Song previews provided courtesy of iTunes
Jazz in Film
Released in 1999
List Price: $7.99
  • Tracks of Disc 1
  • Buy for $0.991.A Streetcar Named Desire
  • Buy for $0.992.Chinatown
  • Buy for $0.993.The Subterraneans
  • Buy for $0.994.Anatomy of a Murder
  • Buy for $0.995.The Pawnbroker
  • Buy for $0.996.Taxi Driver
  • Buy for $0.997.Degas' Racing World
  • Buy for $0.998.Man With the Golden Arm
  • Buy for $0.999.Clockers
  • Song previews provided courtesy of iTunes
Wandering Moon
Released in 2000
Out of Print
CMJ: "...wonderfully swinging, large-ensemble pieces that are startlingly innovative yet accessible....one of the year's finest efforts."
  • Tracks of Disc 1
  • Buy for $0.991.Luna Viajera
  • Buy for $0.992.If I Could, I Would
  • Buy for $0.993.Bass Solo
  • Buy for $0.994.My Only Thought of You
  • Buy for $0.995.Simplemente Simon
  • Buy for $0.996.Sweet's Dream
  • Buy for $0.997.Sidney
  • Buy for $0.998.The Process
  • 9.Joe & O
  • Buy for $0.9910.I Thought About You
  • Song previews provided courtesy of iTunes
25th Hour [Original Score]
Released in 2003
Out of Stock
Save for Later
  • Tracks of Disc 1
  • Buy for $1.291.25th Hour, film score: Open title
  • Buy for $1.292.25th Hour, film score: Doyle's walk
  • Buy for $0.993.25th Hour, film score: Jake's classroom
  • Buy for $0.994.25th Hour, film score: The apartment #1
  • Buy for $0.995.25th Hour, film score: The apartment #2
  • Buy for $1.296.25th Hour, film score: Fu montage
  • Buy for $0.997.25th Hour, film score: Brogan's bar
  • Buy for $1.298.25th Hour, film score: Ground zero
  • Buy for $1.299.25th Hour, film score: DEA
  • Buy for $1.2910.25th Hour, film score: Playground
  • Buy for $0.9911.25th Hour, film score: Bridge
  • Buy for $1.2912.25th Hour, film score: Sleeping is naturelle
  • Buy for $0.9913.25th Hour, film score: One last walk
  • 14.25th Hour, film score: 25th Hour finale
  • Buy for $1.2915.25th Hour, film score: Double Happiness
  • Song previews provided courtesy of iTunes
The Caveman's Valentine
Released in 2001
  • Tracks of Disc 1
  • Buy for $0.991.Tuning - The Main Title
  • Buy for $0.992.Moth Ballet
  • Buy for $0.993.Clink, Clink, Stuyvesant's Tower
  • Buy for $0.994.Valentine In The Tree
  • Buy for $0.995.Caveman In The Trash
  • Buy for $0.996.He Was Beautiful To Me
  • Buy for $0.997.Help Me
  • Buy for $0.998.Bus
  • Buy for $0.999.Bob And Betty
  • Buy for $0.9910.Rom On The Street
  • Buy for $0.9911.Rom And Arnold Ride
  • Buy for $0.9912.Sheila At The Farm
  • Buy for $0.9913.Regnava Nel Silenzo
  • Buy for $0.9914.Does It Hurt
  • Buy for $0.9915.That's Where You Made It
  • Buy for $0.9916.Musical Rampage
  • Buy for $0.9917.Caveman Gets Off Track
  • Buy for $0.9918.Lovemaking
  • Buy for $0.9919.Into The Freezer
  • Buy for $0.9920.Rom And Lulu Drive
  • Buy for $0.9921.Caveman Outside The Cave
  • Buy for $0.9922.Another Life
  • Buy for $0.9923.Except Once
  • Buy for $0.9924.Rom On Balcony
  • Buy for $0.9925.Letter
  • Buy for $0.9926.Now
  • Buy for $0.9927.Subway
  • Buy for $0.9928.Finale
  • Song previews provided courtesy of iTunes
58% OFF
Released in 2009
$4.98 on SALE
List Price: $11.98
JazzTimes: "Hodge's `Winding Roads,' CHOICES' longest track, is also its most panoramic, subtly slipping from one disparate texture and ambiance to another."
  • Tracks of Disc 1
  • 1.Byus
  • 2.Beethoven
  • 3.D's Choice
  • 4.Journey - (featuring Bilal)
  • 5.Hacia del Aire
  • 6.Jazz Man in the World of Ideas
  • 7.Him or Me
  • 8.Choices
  • 9.Hugs (Historically Underrepresented Groups)
  • 10.Winding Roads
  • 11.When Will You Call - (featuring Bilal)
  • 12.A New Note Angel
  • 13.New World, A (Created Inside the Walls of Imagination)
  • 14.Touched by an Angel
  • 15.Robin's Choice - (featuring Dr. Cornel West)
Classic Jazz (3-CD Set)
Released in 2001
Terence Blanchard also appears in this Compilation
  • Tracks of Disc 1
  • 1.West End Blues
  • 5.Milestones
  • Tracks of Disc 2
  • 1.Mood Indigo
  • 2.Monk's Dream
  • 3.Take Five
  • 6.Young at Heart
  • 7.Avalon
  • 11.My Funny Valentine
  • 12.Fine and Mellow
  • 13.Hi-Fly
  • Tracks of Disc 3
  • 2.Satin Doll
  • 4.Stardust
  • 6.Sing Soweto
  • 9.Sophisticated Lady
  • 13.A Night in Tunisia

To place an order or for customer service, call toll-free 1-800-336-4627 or outside the United States, call 1-610-649-7565
Open Monday-Friday: 8am-10pm, Weekends: 10am-10pm (Eastern Time)
Se habla Español! Spanish-speaking representatives available, Monday-Friday: 9am-4pm (Eastern Time)


text:
Environmental Relax with Desert Winds

Relax with Desert Winds
3 ratings
SALE: $2.98
Unavailable: Sold Out
Notify Me When Available
Format:  CD
sku:  ZSM 1813
on most orders of $35+
Brand New

CD Details

  • Released: June 25, 1999
  • Originally Released: 1997
  • Label: Eclipse Music Group

Description by OLDIES.com:

All "ZSM" coded CDs are in new and never-played condition. Most are sealed. However, product may have manufacturer's delete notch, drill hole, prior sale stickers, or worn or missing outer wrap.

  • 1.Desert Winds

Product Description:

This is part of Creative Music Marketing's Relax With... series.

Music Lovers' Ratings & Reviews:

Customer Rating: Rating 2.7
Based on 3 ratings.
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Product Info

  • Sales Rank: 67,032
  • UPC: 600838060421
  • Shipping Weight: 0.25/lbs (approx)
  • International Shipping: 1 item

To place an order or for customer service, call toll-free 1-800-336-4627 or outside the United States, call 1-610-649-7565
Open Monday-Friday: 8am-10pm, Weekends: 10am-10pm (Eastern Time)
Se habla Español! Spanish-speaking representatives available, Monday-Friday: 9am-4pm (Eastern Time)


text:
List Price: $14.98
Price: $13.48
You Save: $1.50 (10% Off)
Temporarily Out of Stock: We'll get more as soon as possible
Notify Me When Available
Format:  DVD
sku:  9AAJ
on most orders of $35+
Brand New

Related products:

More products that might interest you:

DVD Features:

  • Rated: Unrated
  • Run Time: 1 hours, 35 minutes
  • Video: Color
  • Encoding: Region 1 (USA & Canada)
  • Released:
  • Originally Released: 2005
  • Label: Lightyear Video
  • Packaging: Keep Case
  • Aspect Ratio: Full Frame - 1.33

Performers, Cast and Crew:

Starring , , , , &
Directed by
Screenwriting by
Composition by &
Director of Photography:

Plot Keywords:

Sci-Fi / Horror / Fantasy

Movie Lovers' Ratings & Reviews:

Customer Rating: Rating 1.7
Based on 3 ratings.
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Product Info

  • UPC: 883929022755
  • Shipping Weight: 0.25/lbs (approx)
  • International Shipping: 1 item

To place an order or for customer service, call toll-free 1-800-336-4627 or outside the United States, call 1-610-649-7565
Open Monday-Friday: 8am-10pm, Weekends: 10am-10pm (Eastern Time)
Se habla Español! Spanish-speaking representatives available, Monday-Friday: 9am-4pm (Eastern Time)


text:
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OldRide HomeClassic Cars and Trucks For SaleClassic Car and Truck Parts For SaleSell on OldRideOldRide AnswersRusty RidesCar Show ListingsCar Club ListingsResearch Library
 Events Home > British Columbia Events > British Columbia Car Show
 Key West Ford Show & Shine
    This Event Expired on July 13, 2014. If you are the coordinator for this event please login to edit your show dates and information. If you do not yet have an OldRide Membership, please create a free membership then login to this page and submit the "Request to Manage" form.
Event Dates: July 13, 2014 - July 13, 2014
Location: Downtown New West, British Columbia
The biggest and best car show in BC! Over 350 vehicles (all makes, models and years!) + new bicycle Show & Shine, live music, beer gardens, kids zone, interactive fun for the whole family.

Attendance is free - to register your vehicle it's only $25. Trophies for each class winner, dash plaque and swag bag for all registrants, early bird registration gets you a free T-shirt.

Registration begins in March, visit our website at then for more details or stay connected on Facebook. Just search for Key West Ford Show & Shine.
Coordinator Details
Email: Maddi McKitrick
Phone: 604-524-4996
Web Site: Event Web Site
email this event to a friend!

Note: Be sure to double check and verify all event dates, locations and information as events can be subject
to change. OldRide LLC is not responsible for in-correct event dates, information or changes.

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