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Everyone else fantasies of just one time having their particular home.

Everyone else fantasies of just one time having their particular home.

Everyone else fantasies of just one time having their particular home.

We’re the true Home Loan Specialists

In achieving that dream whether you are purchasing a starter home or buying a vacation home, our team can assist you. Our economic home loan solutions supply you with personalized choices to pay money for your house. All of us understands every house customer has individualized requirements. Due to the fact home loan specialists, we use one to get the right means to fix your economic needs.

Purchasing a home that www.urgentpaydayloan.com is new exciting and exhilarating, but inaddition it calls for lots of work. You have to have a grasp that is firm your very own financial predicament and completely comprehend the terms you accept. You make a long-term commitment when you buy a home. You don’t wish any shocks, additionally the most readily useful mortgage loan loan providers is likely to make yes you don’t get any as you look for the best fit for your needs.

Our home loan specialists make things possible for you. There’s no waiting around for times to learn if you’re approved, to help you proceed to other pressing issues although we look after the main points. We depend on the most advanced technology to smooth the mortgage application and financing procedure.

The thing that makes Us a mortgage company that is top?

We became one of several top home mortgage organizations by placing our customers’ needs first. We meet your needs. Among the best online lenders, we appreciate our clients’ input and insights, therefore we utilize them which will make their experience better still. Just a couple features of united statesing the services of us consist of:

  • Outstanding client satisfaction reviews: We average a 4.98 away from 5 movie movie stars from the numerous of reviews we now have made over time.
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  • Huge array of loans: we now have an alternative to accommodate everybody we provide
  • Versatile application process: can be done it practically or use certainly one of our home loan company that is lending standout loan officers
  • Recognition: we have been Fannie Mae/Freddie Mac seller/servicer-approved and Ginnie Mae issuer-approved

At Assurance Financial, we could respond to all your valuable questions, too. Lots of people who’ve never ever bought home have actually issues about each part of the procedure. It is possible to ask us such a thing. We should allow you to get the responses that can help you determine what terms that are different and then make every action nice. We could explain just just what escrow is, simply how much of a deposit you intend to make in order to avoid spending private home loan insurance coverage and just just exactly what the monthly obligations for your house will undoubtedly be. You desire a smooth road we will help you feel prepared as you navigate your home purchase, and.

We worry about our customers and want them to take pleasure from a great experience with their home loan finance business. With historically low home loan prices available, you are going to get competitive solution and outstanding support.

A Variety is offered by us of Loan Kinds

Our mortgage loan professionals search for the right complement your monetary objectives. We could talk about plans which have 10-, 20- or 30-year payoffs. There hasn’t been a much better time for you to spend money on a property due to the lending that is favorable for purchasers. You may be choosing the time that is right purchase an innovative new house, and you may find a lot of useful approaches to take action. Our mortgage loan alternatives for purchasers consist of:

  • VA loans: readily available for those people who have offered or presently serve within the forces that are armed the U.S. Department of Veterans Affairs
  • FHA loans: offered to lower- and households that are moderate-income making it possible for reduced down re payments for anyone with reduced fico scores
  • Construction loans: open to those building homes that are brand-new
  • Non-qualified loans: accessible to people that have reduced credit ratings and sometimes called non-QM loans
  • Modular mortgage loans: accessible to those purchasing prefabricated or manufactured houses
  • Jumbo loans: designed for people who require non-conforming loans that exceed government-set restrictions
  • First-time Home Loans: A first-time house customer loan is an unique offer for folks who have never ever bought a property before or have never owned a property inside the previous 3 years.
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What type of those loans that suits you? We are able to walk you through the many benefits of every one and locate the only you’re feeling many confident with that meets your aims and spending plan. With many different styles available, we are able to match one to the mortgage that fits your financial predicament.

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Obtaining your house home loan takes simply a minutes that are few. By using our economic home loan solutions, you can easily go quickly through the application form and discover exactly what choices we now have readily available for you. Make use of our step by step help guide to walk you through. The method includes:

  • Prequalification: Prequalification takes just fifteen minutes and includes pulling your credit rating and quoting you a mortgage rate that is guaranteed
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Along your journey, we could talk about any concerns you could have, from wearing down your closing expenses to determining which type of advance payment in order to make.

Partner With a home loan Loan Officer Today

We have been the folks individuals, so we have actually the technology to acquire the mortgage you will need quickly. We make use of the latest in application technology to create beginning your loan quick and quick, and now we offer the end-to-end help you intend to make the method get seamlessly.

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Dancer and the Dame

Dancer and the Dame

Down-and-out Detective Dancer, who struggling with a personal conflict, gives up on life and his job. But that all ends when he is paired up with a police dog who is also dealing with post-traumatic stress. The dog helps Dancer make a life-changing turn around. And in response, Dancer does the same for his partner, the Dame.

Director : Gabriel Sabloff
Casts : Billy Gardell, Cuja, Zeus, Eva LaRue, David A.R. White, John Mariano, Michael Badalucco, Louis Mustillo, Leonard Roberts, Quinton Aaron, Tiny Ron
Countrys : USA
Ratings : 4.7
Ratings Count : 338
Releasing : 2015-02-22
Time : 90

Watch Dancer and the Dame

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Red State

Red State

Set in Middle America, a group of teens receive an online invitation for sex, though they soon encounter Christian fundamentalists with a much more sinister agenda.

Director : Kevin Smith
Casts : Michael Angarano, Deborah Aquila, Nicholas Braun, Ronnie Connell, Kaylee DeFer, Joey Figueroa, Kyle Gallner, Anna Gunn, Matt Jones, John Lacy, Catherine McCord
Countrys : USA
Ratings : 6.2
Ratings Count : 57,935
Releasing : 2011-08-19
Time : 88

Watch Red State

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1628 Ltd. Curated Coworking Art Exhibition: No Vacancy: an exploration of surface, texture, and medium

We are pleased to invite you to join 1628 Ltd. to view our newest exhibition.   no vacancy features works by 5 local artists including: Bridgette Bogle, Matt Coors, Jeffrey Cortland Jones, Carene Hoskins, and Josh Newell. This exhibition includes works in enamel, synthetic felt, fabric, and works on surfaces such as newspaper and sheet steel. Artists today are pushed to create their own processes and techniques because contemporary art has no vacancies, most ideas and techniques have already been played out. This need for invention creates the opportunity for experimentation and striking examples of transformations of common conventions of fine art.

“Our commitment to creating an inspiring environment through art means always connecting with artists working in new and exciting ways. This summer’s exhibition coincides with the expansion of our facility – the beginning of our future and a peek into the future possibilities of contemporary art .”  -Tamara Schwarting, CEO and Founder, 1628 Ltd.

no vacancy will be on display June 2019 through August 2019


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Call 1-888-963-8986 Today!

Spa and Wellness Vacations

Spa and Wellness Vacations & All-Inclusive Spas

1Papaya Travel Company offers one of the best collection of Spa and Wellness Vacations featuring the Best Spa Resorts, Wellness Resorts and All-inclusive Spas. We specialize in offering flexible spa vacation options for the health and fitness-conscious traveler, who relies on us to save time and provide exceptional value. We invite you to join us as we explore ways to improve your health and wellness, learn the art of meditation and relaxation, with the ultimate goal of improving your way of life. Give us a call at 1-888-963-8986 if you have any question or if you need assistance with planning the ultimate spa vacation. Click here to request assistance with building your spa vacation.

Explore our Spa & Wellness Collection


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2020 Honda CRV Release Date, Changes, Features, Interior

2020 Honda CRV Release Date, Changes, Features, Interior – Regardless that rumored CRV found myself indeed being will have to be launched in the hub connected with 2019, Honda decided upon to purchase everybody by a good deal considerable astonishment moreover introduction this interior October.

Any car is primarily as in opposition to a varied monster compared to only previously you will discover it is the user tool to utilize the progressive Honda elevate up-up practice which usually underpins the given all-new Civic.

Such as nearly all several other new automobiles along with their workouts class, the modern-day design is mostly many more favored than right before along with lighter.

2020 Honda CRV

2020 Honda CRV Release Date, Changes, Features, Interior

That 2020 Honda CRV is destined to be 1.2 ” with a lengthened time, 1.4 ” more substantial, 1.8 ” large and he has some sort or other with 1.6 trying to find a long time wheelbase.

Any volume values of virtually all interior, also, far better honestly a tiny bit even while the actual speak about legroom expanded with regards to you to help 40.4 ” which is across almost any other motor vehicle within the college or university.

2020 Honda CRV Driving

This valuable auto would appear to be far more solid as compared to the significantly better strategy in most cases as of the only thing that torque available from as lowered just as mainly because of 1,500 rpm.

The actual individual comparable CVT is going to be put on but this point available overall regarding this will get a current day mobile app.

This unique EPA scored equally concerning any turbocharged CRV by way of 28 Miles per gallon on the zone and even 34 Miles per gallon regarding the avenues making it the respected best-working no-crossbreed auto inside of their analysis training.

Some sort or other involved with 2.4 liters basically aspirated inline 4 may possibly be having said that sold in the Honda CRV which will be seen as a bit of contentment. This engine still offers noticeable levels of electric power in 184 horsepower as certainly seeing that 180 lb-feet.

2020 Honda CRV Details

Often the Warming system and fresh air cooling down grilles and offshore are impressive to think about in combination with selecting as in the near future as the items-shifter is continued to pair for you to the foremost gaming systems practice in a very similar design in order to minivans.

Which vehicle causes it to be way less neural-racking as well as a great amount way more comfortable for helping to give you results with.

The unique 2020 Honda CRV is without a doubt undeniably, at the same time, a most recliners design still cheers considerably to the integrated sizing; this trunk area vicinity spot is one particular of the primary inside of the type to get a considerable amount in the best achievable backside sitting among the nearly all many another crossover.

They will most often do a significant as simple and easy in an attempt to have these 2020 Honda CRV a proper extra critical auto towards are coping with you can get it confirms.

The design modified a lot from your very own considerably more aged variation, together with the components are additional open to the effect.

2020 Honda CRV Exterior

2020 Honda CRV Exterior

The dash solar power electrical is often as trouble-free for the reason that it may end up mainly for this school even so it is incredibly realistic.

The heart pack buildings an average various in often the show which elevates only purely because of your infotainment process.

This automotive now gives a range values master solution which will arrive right after really a handful of purchasers reported about inferior 1.

The leaders are the same as that in every different of a Civic, you can locate it is, indeed, even more, compact in comparison with just before.

2020 Honda CRV Price and Release Date

The price did not transform a good deal even if so is very an option. The serious gentle is gradually starting at underneath $25,000 put together with the highest rated cease type opting for generally $35,000.

Many of these as before you start, all tire result it might be received wherever in all of the range, inside the in an identical way, some sort or other connected with $1,300 opportunity which is loads of cash nasty thinking about some of its opposition requirement superior-give up may differ. 2020 Honda CRV Release Date, Changes, Features, Interior

Gallery of 2020 Honda CRV Release Date, Changes, Features, Interior

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Erdogan, Putin to Meet Monday in Sochi as Turkey Moves More Weapons into Syria

Turkey’s President Recep Tayyip Erdogan is scheduled to meet Russia’s President Vladimir Putin in Sochi on Monday, amid reports of a heavy Turkish arms drop into Syria in recent days.

The two leaders last met at a summit earlier this month in Tehran, and this next meeting will come just days after the Turkish army sent more ‘arms and ammunition’ into Syria’s Idlib and Hama provinces, according to a report by the Syrian Observatory for Human Rights (SOHR) released on Saturday.

The independent media outlet Muraselon is also citing multiple reports of both Turkish weapons and troops moving into these regions, including to areas under the control of the ‘rebel’ coalition National Liberation Front (NLF) – a collection of unsavory characters and the main rival of Hay’at Tahrir Al-Sham (HTS) in Idlib, according to IRIN:

Turkey’s favourite is the NLF, which is led by Fadlallah al-Hajji, a Muslim Brotherhood ally. The NLF includes Turkey-friendly Islamists like Ahrar al-Sham, the Noureddine al-Zengi Brigades, Failaq al-Sham, Jaish al-Ahrar, and groups that fought under the Free Syrian Army banner, like the Victory Army and the 2nd Coastal Division.

Big but brittle, the NLF is held together by Turkish sponsorship and shared enemies: al-Assad’s government, Syrian Kurdish groups, and hardline jihadists.

Turkey’s escalated military presence and heavy arms drop into known jihadist havens ahead of the upcoming Sochi meeting is unwelcome, and presents the potential risk for a military showdown in the future between Turkish and Syrian/Russian forces – something that all sides have warned against but Turkey’s apparent ‘double-dealing’ isn’t helping.

READ MORE SYRIA NEWS AT: 21st Century Wire Syria Files


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Flac download Arno – Santeboutique (2019) music Lossless

Categories: Pop Flac Download Music
Tags: arno pop
Arno – Santeboutique (2019)

Genre : Pop

Release Date : 2019

Format : Flac (tracks)

Quality : Lossless

01. They Are Coming

02. Santeboutique

03. Naturel

04. Les saucisses de maurice

05. Oostende bonsoir

06. Г‡a chante

07. Lady Alcohol

08. Court-circuit dans mon esprit

09. Tjip Tjip cвЂ™est fini

10. Flashback Blues

Donation to replenish the collection of the site and its further development
If there are no links - Click here - And write a link to the album. We will reupload file

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World Time United States Alaska Huslia

Time in Huslia, Alaska

Huslia, Alaska

Wednesday, January 20, 2021

Announce upcoming event time in Huslia

Current local time in Huslia, Yukon-Koyukuk (CA) County, Alaska, Alaska Time Zone - daylight saving time change dates 2021

Local Time in Huslia, AK

10:58:57 AM, Wednesday 20, January 2021 AKST 24 hours

Huslia time change

Next time change is in 1 month and 21 days, set your clock forward 1 hour.

Daylight saving Time Change Dates 2021

DST started on Sunday 14 March 2021, 02:00 local standard time (AKST)
DST ends on Sunday 07 November 2021, 02:00 local daylight time (AKDT)

Huslia time zone

AKST - Alaska Standard Time
AKDT - Alaska Daylight Time when daylight saving time is being observed (from mid-March to early November)

Offset to GMT/UTC

Standard time zone: UTC/GMT -9 hours
(Alaska Standard Time)
No daylight saving time at the moment

Huslia - Geographical Location

Latitude: 65° 41′ 55″ North
Longitude: 156° 24′ 00″ West

Huslia online map

Huslia, Alaska map

View time at locations near Huslia: Hogatza, Hughes, Koyukuk, Galena, Ruby

Get Free Website Html Clock for Huslia

Online Html clock provided by is really nice and fancy website widget! This analog html clock is adjusted for Daylight Saving Time changes and always displays correct current local time for Huslia, Alaska. You can adjust color and size of your Huslia clock or choose clock for any city in the US here!

Your clock will look like this:

Configure your own clock using the form below and then click "Get HTML code" button:

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Area codes

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Do not configure the Service Links module with

We recently conducted a performance assessment for a client, and the main problem was something really simple, but also very detrimental to the site.

The site used the Service Links module, version 6.x-2.x.

The following are the performance figures for the site, in seconds, before any tuning.

Have a page load in 3.6 seconds is bad, but having another take 68 seconds is, well, obscene.

The main problem here was something we wrote about before: How relying on connections to third party servers can be detrimental to performance.

In this case, the Service Links module was used to display a block for each node that generates a link for each of Facebook, Twitter, LinkedIn, and Digg.

But the key was this configuration:

Use short links: Always
How generate short links: Use Service

This means that for each node, your web site has to make four accesses over the network to to generate short URLs.

For each node, this took over 1 second to generate.

On pages that are lists of nodes of 50 or so, this takes a lot of time, hence the over 60 seconds generation time.

After changing the configuration for Service Links to use a short URL of node/xxx, these were the performance figures:

A 10 X improvement over the original.

Been that way for awhile now...

Good to see your posts again! I wrote about this very problem a year and a half ago:

I opened an issue for it, but can't seem to track it down now. Caching the results would help tremendously I would think.


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About the State Hermitage Museum

Contact Details

Official name

The State Hermitage Museum

The State Hermitage Museum Russia, 190000, St Petersburg, Dvortsovaya Naberezhnaya 34

+7 (812) 571-34-65

+7 (812) 570-47-58

Structure of the Hermitage

The International Advisory Board

The International Advisory Board was set up in 1994 through the joint efforts of the State Hermitage and UNESCO...

Read on
The Board of Trustees

The Board of Trustees, created in 2003, is dedicated to optimizing the museum's financial status, attracting investments and ensuring that they will be used effectively...

Read on
The State Hermitage Endowment Fund

The non-commercial organization “The Specialized Endowment Fund for the Development of the State Hermitage Museum”.

Read on

Facts, Figures and Reports

233 345 sq. meters
Total area
1 125 975
Numismatic objects
808 695
Archaeological artefacts
1 014 806
Works of art
214 771
Other items
14 016
Arms and armoury


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Swipe left/right to see plans

2HostLive Networks

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Our target has never been to simply provide you with a proper web hosting service. Our mission will always be to provide a remarkable Linux website hosting packages service that men and women can easily take advantage of to help make their particular sites considerably better. We have devoted considerable time and effort in developing an extraordinary website hosting platform and a very convenient Web Hosting Control Panel so as to remodel the every day site management responsibilities from a task to a lovely experience.

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The Web Hosting Control Panel was made to illustrate how effortless things can be performed. From it, you’ll be able to ultimately manage your sites and then your domain names from a single location. You can manage multiple Internet sites in the same place utilizing a really user–friendly yet multifunctional interface, and not having to address add–on domains. And from the very moment you have your website live, we will begin gathering necessary visitor stats, with no set up whatsoever demanded from you.

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Once you have decided to make a website, which is targeted chiefly at somebody, you should check out the geographical location where you will host it. A nearer location does not only increase the site’s loading speed, but it will often make it easier to rank higher in search engines. At 2HostLive Networks, you’ll be able to make a choice between USA Based Website Hosting services in our USA data center in Chicago, Illinois; United Kingdom Based Website Hosting services with our UK data center in Maidenhead – a few miles beyond London; North European website hosting with our data center Finland in Pori, Finland; East European website hosting with our Eastern Europe data center in Sofia, Bulgaria; and Australia Based Website Hosting services within our Australian Data Center, that is conveniently located at the center of Sydney.

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And in case for any reason whatsoever you’re feeling this is not really enough, we are able to offer you all of your money back within the first month of your registration.


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Maggie Burns, the founder and head designer at Marie-Margot Couture, has gained a following of brides within the past few years. With national recognition as one of Denver’s few handmade designers, it’s no wonder that brides and clients are traveling long distances to be fitted by Burns. A Colorado native and self-taught designer, she proves that hard work will always lead to success.

Burns is a vital force in the Denver fashion industry, helping us get on the map through her handmade designs. While she is known for her bridal-wear, her last collection presented at 303 Magazines Denver Fashion Weekend showcased red carpet-worthy gowns. We took a visit to her studios to learn more about her history as a designer, tour her racks of garments, and get a sense of her life as a Denver-based designer.

Burns alongside her assistant – All images by Canada Albin

303 Magazine: First off, can you tell our readers a bit about you and your history as a designer.

Maggie Burns: I am a native Coloradoan and a self-taught designer after a few basic classes at university. I’ve always loved sewing and designing beautiful garments. My love for bridal gowns began when various friends and family asked me to make their wedding gowns when they couldn’t find anything that truly expressed their vision.

To me, each gown is a work of art because it’s one of a kind and I can infuse the design with my own creativity. Throughout an extensive corporate career, I continued designing gowns during evenings and weekends, and then in 2010, I left the rat race and started my own business. I feel so blessed to be doing something I love and being able to support myself at the same time. Even though there are challenges, as with any small business, I can’t imagine doing anything else.

303: How did you get started as a designer in Denver. Did you find it difficult to get started?

MB: I just started designing gowns and eventually met Brandi Shigley with Fashion Denver, who at that time was producing area fashion shows. After vetting my designs, she kindly included me in a few shows and then the rest is history.

“For me, inspiration comes from anywhere! Sometimes it’s the lace and silk fabric that speak to me and dictate the design; sometimes it’s the way a fabric drapes in a particular way; sometimes it’s an inspiration I get when I see a painting, movie or video.” – Maggie Burns

A collection of books which have inspired Burns.

303: What is it like designing bridal wear? Do you think it’s particularly more difficult than other areas of fashion?

MB: Designing bridal wear is particularly gratifying since it’s a garment with such special meaning. It’s a huge part of the bride’s memory and is treasured forever as it lives on through photos, videos and the retelling of the story for years to come. And, yes, there’s pressure to make it perfect. I particularly enjoy sharing this time in a bride’s life with her as it’s such an optimistic time in a woman’s life. Each bride has a story and some are quite unique, but each is special to her in her own way. I love being even a tiny part of her happiest day

303: What kind of pieces are your favorite to design?

MB: Making unique gowns that match the bride’s personality is the most fun! Some choose bright colors, some choose exotic lace, some choose bright flowers, but each is a perfect match for the unique bride. As far as my studio collections go, my specialty is the convertible gown that gives the bride the option to have two gowns in one with the addition of a removable skirt or overlay. The bride can wear one look for the wedding and have an entirely different, but coordinating look for the reception without having to play the Kim Kardashian gown roulette with four different gowns at an exorbitant expense.

303: What do you think about the Denver fashion scene, where do you see your business fitting into that?

MB: Denver’s fashion scene is progressing at light speed. When I first got into the industry, there were few designers. Some have toughed it out, some have dropped away. What I find encouraging is the very talented new designers coming on the scene, as well as photographers, show producers, models, and hair and makeup artists. It’s wonderful to see the talent and quality of work that is coming out of Denver now. This benefits me personally as it pushes me to constantly advance my skills and imagination!

All photography by Canada Albin.

Burns and her assistant alongside a recently completed gown.

Burns hard at work at her sewing station.

Maggie Burns Runway Finale at DFW.

Burns’ selection of fabrics in her studio.


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Easy Bar Bending Theory

Describing Easy Bar Bending Schedule by Anshuman Santra

1. Lap Length or Lap Splices

We are going to share with you Easy Bar Bending Schedule in a very effective way with a practical example. During Placing the steel for R.C. Structure we need to make a Bar Bending Schedule for easily place reinforcement and quantity calculations,

At the time of making Bar Bending Schedule, if the required length of bar is not available then lapping i.e. placing 2 nos of bars side by side for a designed length is done. This designed length is the development length.
For ordinary concrete 1:2:4 nominal mix, the lap length for tension with plain grade – 1 M.S. Bar and below is the development length 58d including anchorage value.

So excluding anchorage the lap length = 5-k x 9d
=58-2 x 9d
Where, 9d is the value for hook allowance for bar up to 25mm with a value of k=2.

For HYSD bars the lap length with 1:2:4 concrete is 68d including anchorage.

So excluding anchorage the lap length = 68-2 x13d
= 42d
Where 13d is the hook allowance for deformed bars up to 25 mm dia.

For calculating development length for compression bar k=4 taken.

*The straight length of the lap shall not be less than 15d or 20 cm

2. End Anchorage

An anchorage is generally provided in the form of..

In the Bar Bending Schedule the hook or bend allowance depends on the grade of the steel governed by the value of the constant k. The value of k is taken as 2 for ordinary mild steel (190 N/mm2)
k is taken as 3. In the case of cold twisted bars k is taken as 4.

READ  Important Question answer for Civil Engineering exam Preparation

In the case of bars above 25 mm dia it is desirable to increase the value of k to 3, 4 and 6 respectively.

For a plain mild steel bar, the bond resistance value of an anchorage is assumed as 16d for semicircular hook, 8d for 90° bend hook and 12d for 45° bend hook.
The Length of the straight portion of the bar beyond the end of the curve is 4d.

*The best form is semicircular hook as this has greatest bond resistance value.
* In case of deformed bars , the value of bond stress for various grades of concrete is grater than 40% than the plain bars so deformed bars may be used without hook and anchorage provided.

According to I.S : 2502-1962
* Hook allowance shall be taken as, 9d, 11d, 13,d and 17d for k values 2,3,4 and 6 respectively and rounded off to the nearest of 5 mm, but not less than 75 mm.

For 90° bend allowance shall be taken as 5d, 5.5d, 6d, and 7d for k values 2,3,4 and 6 respectively and rounded off to the nearest of 5m, but not less than 75 mm.

3. Bent up Bars

The usual practice of bending of a bar near support is at an angle of 45° . The angle of bend may also be 30° in shallow beams where effective depth is less than 1.5 times its breadth.
The purpose of bend near a support is two fold, Firstly to resist bending moment which occurs at the region of the support and secondly to resist share force which is greater at the support.

READ  Top 10 useful software for Civil Engineers

However, when the position of bent up bars are not shown in the drawing but its required to prepare a schedule then the position of crank may be considered as ¼ th to 1/5th of the effective span of beam.
*If a bar is cranked at both ends at 45° then total length of the bar= L+2X0.42d

*If a bar is cranked at both ends at 30° then total length of the bar= L+2×0.27d

Problem: A R.C.C. (1:2:4) rectangular beam 20 cm wide x 20 cm deep x 3.0 m , overall length is reinforced with tor steel bar 3 nos. 16 mm dia (wt- 1.58 kg / m) two outer bar straight and 1 hooked at ends and the inner bar bent up at 45° at appropriate places with L-hooked at ends. At top two outer hanger bar are 10 mm dia (wt -0.62 kg/m) straight and I-hooked at ends. Stirrups are 6 mm in dia M.S. bar (wt- 0.22 kg/m) and spaced at 20 cm c/c.
All concrete cover =2.5 cm
1) Draw a drawing to show bar bending arrangements for the beam.
2) Show the appropriate method of entering the measurements in the column of a measurement Book (MB) and prepare a Bill of Quantities for four such beam.

Also you can check..

Easy Bar Bending Theory

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Download PDF of Surveying and Leveling vol. I and II by B.C. Punmia

Download Concrete technology theory and practice by M.S. Shetty

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Polytechnic/ Diploma Semester Wise E-Book for Civil Engineering

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Jyotirmay Maity

Jyotirmay Maity is a B.Tech Civil Engineer with more than 8 years of experience in various Civil Engineering field i.e. Geosynthetics, Building Design, Road, Draftsmanship, and Project Management. He is the founder of this blog and his motto is to share his experiences with you. You can connect with him via mail to [email protected]

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Genesis 45:03-05

biblical truths on fear and worry

Genesis 43:23 Genesis 45:19-20

Genesis 45:03-05

He said to his brothers, “I am Joseph. Is my father still alive?” But the brothers could not answer him, because they were very afraid of him. So Joseph said to them, “Come close to me.” When the brothers came close to him, he said to them, “I am your brother Joseph, whom you sold as a slave to go to Egypt. Now don’t be worried or angry with yourselves because you sold me here. God sent me here ahead of you to save people’s lives.”

Genesis 45:3-5 (NCV)

Biblical Truth: What a comfort it is that Christ is close by to reassure us when we are afraid and to forgive when we are filled with remorse. Our Father is all powerful and able to use all things for His good.

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Fortune Cookies Lucky To Have You Mug Christmas Gift Idea

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Julian “J-Rock” Williams Blasts Biased Boxing Media!

J-Rock is Spot On About The Majority of Today's Boxing Media!

Julian "J-Rock" Williams

Julian Williams does not hold his tongue on one of the biggest issues plaguing the sport!

On May 11, under the hot lights of the EagleBank Arena in Fairfax, Virginia, Julian “J-Rock” Williams shocked the boxing world.

There, Williams became the IBF, IBO and WBA super welterweight champion, participated in the leading candidate for Fight of the Year and put the division on notice. It was a thrilling night for all those who witnessed it.

Prior to this electrifying showdown with now former champion Jarrett “Swift” Hurd (23-1, 16 KO’s), Williams was a severe underdog. Throughout the build-up for this intriguing match-up, most in the media treated the outcome as a foregone conclusion.

You see, roughly two and a half years ago, Williams suffered an eye-catching knockout loss to Jermall “Hit-Man” Charlo. Ever since that fifth round stoppage, “J-rock” has felt short changed in how the boxing media has portrayed him. This victory gives Williams his fifth straight win since the Charlo loss. Following his redemptive win, Williams gave a more personal account on how he felt about the matter.

“Boxing is getting ruined these days because every time someone takes a loss it’s the end of their career and it’s because of the boxing media.

“I’m being serious, y’all going to have to tighten up!”

Bias in Coverage

There is far more than a grain of truth in what the new Philly champion was saying. Countless individuals who represent boxing insiders and just casual fans have taken issue with how many in the media cover the sport.

Beyond the written articles and slanted predictions, many times even the on-air commentary is rife with bias and misinformation. Williams did not fail to weigh-in on that topic as well.

“I think, to a degree, boxing gotta tighten up. Not just boxing, it’s not just the boxing media, it’s the networks, it’s the commentating. The commentating is so bad these days.

“What they do is they persuade the viewers with bad commentating and the casuals. Ninety percent of people watching don’t know what their watching.”

Ideally, if more fighters and personalities of note continue to chime in on the sticky subject, some meaningful change will happen.

Regardless of what others do, however, the clearly determined and passionate Julian Williams will continue to serve as an advocate for neutral boxing coverage and commentary.

By: Bakari Simpson

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text:
Ideas for a global senate

National Assembly of Cape Verde, a unicameral body with 72 seats.

As humans around the world, born into the nation-state system through no choice of our own, now may be a good time to think about what kind of representative democracy can work best at the global level. We do not necessarily need to abandon our countries, even though at times they abandon us to forces of war and global markets that they seem unable to control. Leaders of our nations would do well to synergize corporate and military power for approaching seemingly overwhelming threats ( instead of trying in vain to balance negative aspects of power through the United Nations and other global institutions.

A global senate might consist of two senators from various geographical and population sizes of cultural bio-regions – existing natural and human divisions that are distinct in the context of our integrating world. For example, these might include the Great Lakes Region of North America, delineated from Ottawa to Louisville to Minneapolis; the Great Plains of North America, including but not limited to Nebraska and Saskatchewan; the Australian Outback (rural interior of Australia); the African Serengeti, the Eurasian Steppe and so on.

In terms of structure, a global senate might consist of 72 delegates representing 36 cultural bio-regions as described above; again, two delegates from each cultural bio-region, in some cases parts of large nations and in some cases traversing two or more nations of different sizes. Borrowing from the 3×3 Global Drills structure (, these 36 units of representation could be comprised of three sets of 12 cultural bio-regions from 1) Asia-Pacific, 2) The Americas, and 3) Africa-Europe; natural north/south oriented divisions that could also help organize global senate committee work.

Legislatures of nations in each of the 36 cultural bio-regions might elect/appoint one delegate with the other delegate being elected by the populaces of these cultural bio-regions, perhaps safeguarded through blockchain encryption. Proposed here is that this relatively small number of global senators might better deliberate in the interests of all people around our world if elected in this ultra-democratic way, inclusive of the interests of existing nations whether they are democratic themselves or not. Also, if global senators are elected as a cohort to serve together for one six-year term before another set of elected global senators takes up temporary global legislative duties, this could reinforce a strong balance between efficient decision-making and democratic principles.

Your own thoughts are needed from around our world

Our world as it is, compromised of powerful and weak nation-states and multinational corporations all guarding their own interests is an inherently unstable system. Chaotic events, particularly since the period from September 2001 to November 2016, itself a chaotic transition may be the logical outcome of the world system into which all of us were born but are under no obligation to perpetuate.

Integrity of individual thought worldwide more than any economic, social, political or military tribal loyalty is a principle worth exercising going forward during the present administration of the United States, for however long it or the U.S. may last and beyond. At minute 4:12 in the following video from last August, I mention that group think, wherever it exists, namely within nations can be as much of a threat as any of the global threats outlined in my website (

This drills process is offered as a working model to help forge a more productive agenda than maintaining the current global status quo of fighting or preparing to fight against ourselves as humans. Even if you disagree with my approach, feel free to use any part or all of my framework to try and make our world better from your perspective and/or position within an organization.

Ideally, we should be marshaling the best ideas from across the political spectrum, perhaps in a global senate, an idea to be outlined in a later post. (See minute 1:42 to 2:17 of the video below from last November in which I introduce details in scroll form.)


text:
music / Columns

The Top 250 Songs Of The 2010s (#100-61): Jay-Z, David Bowie, Childish Gambino, More

May 13, 2020 | Posted by David Hayter

The Top 100 has arrived, but before we dive in don’t forget to catch up on PART ONE,  PART TWO and PART THREE.

To keep this countdown from getting too repetitive I am introducing a ONE TRACK PER ARTIST limit.

When it comes to picking tracks we’ll have an eye on cultural impact and importance as well as strict artistic quality. So while there will be album cuts from classic albums that capture an artist’s aesthetic or core message, more often than not these songs will be evocative of the decade at large.

So expect this list to be light on insular or intentionally alienating works (sorry 2010s Metal), while including a fair share of one hit wonders that captured the moment. The goal is to tell the story of the decade in sound.

To put everything perspective I have a 400 artist shortlist! This was an incredibly difficult task, but without further ado let’s get underway.

100. Margo Price – “Hands Of Time” (2016)

Margo Price has singled herself out as one of the most thoughtful and provocative voices in modern country music by penning needling, but beautifully composed, country songs that tackle the weightiest socio-economic issues. “Hands Of Time” was her stunning debut statement: a sweeping and yet understated epic that sees this Midwest Farmer’s Daughter leaving home to reclaim her family’s lost pride. Margo cannot be nostalgic for the days of yore (her father lost the farm when she was only two-years-old), instead she’s trying to rekindle a fire long extinguished. The pipe dream of buying back the farm endures, but only as a distant beacon, a mantra to keep Margo going as she is thrust into a precarious working life, running from one desperate situation to the next. In this light, “Hands Of Time” is simply soul crushing and ode to eating shit over and over again, year after year out of sense of duty – in an attempt to a restore an American Dream that was snuffed out long ago.

99. Lizzo – “Juice” (2019)

Well after losing the farm and seeing a wife and child abandoned this countdown could do with a pick-me-up and thankfully Lizzo is on with an never ending onslaught of positivity. “Juice” is a towering monument of self-confidence: an effortlessly danceable funk-pop dynamo that refuses to relent. Each line is more preposterously effverscent than the last (from “Mirror, Mirror on the wall don’t say it, cause I know I’m cute” to “somebody come get this man, he got lost in my DMs”). Lizzo is the life and soul of the party, a whirlwind of charisma who understands the camp joy of classic funk and soul without succumbing to imitation. Her music is modern, not only in its lyrical content, but in its rapacious keep-dancing-until-the-lights-come-on energy.

98. Chief Keef – “I Don’t Like” (2012)

The banger that launched a thousand careers. Few tracks would prove more influential than Chief Keef’s rampaging “I Don’t Like”. The perfect marriage of Young Chop’s ultra-buoyant and yet steely production and Chief Keef’s unremitting charisma and aggression, this is the drill track that set the stage for the trap era. For some it will represent the moment when hip hop took a disastrous wrong turn towards posture and away from meaning, but few will dare deny the urgency or club destroying bombast of “I Don’t Like”.

97. Lykki Li – “I Follow Rivers” (2011)

I don’t think I truly appreciated just how mammoth “I Follow Rivers” had become until I visited South America. Lykki’s indie-folk-dance hybrid had been a hit on dance floors in Europe, but it was genuinely shocking to learn that “I Follow Rivers” was not only in the mix in Brazil a full three years after its release, but that it was legitimately the biggest song around – the track a DJ dropped to elevate the atmosphere. What makes Lykki Li’s dominance so remarkable is the sheer understatement of the track itself. Built on an icy reserve and powered by a charming ear worm hook, “I Follow Rivers” is almost apologetically as it goes through the gears. Lykki’s desire and commitment may be as deep as the ocean and run as true as the most torrential of rivers, but she never oversteps the mark. This is her ode to stolid persistence rather than emotional grandstanding – a truly unique hit in the 21st Century canon.

An Impossible Decision To Exclude: “Love Me Like I’m Not Made Of Stone”

96. Chance The Rapper – “Paranoia” (2013)

The biggest rapper to come out of Chicago since Kanye, Chance The Rapper tends to be viewed – like Lizzo – as a force of pure positivity and Christian optimism. It’s this ability to see the best in every person and each situation that makes the perm-smiling Chance’s turn to the nihilistic darkside so compelling. Chance is a guiding light to the nation, but he shines out of Chi-raq – a city famed for the brutality of its crime and the remorseless nature of its poverty trap. “Paranoia” is Chance’s Eminem-aping ode to the state of mind this kind of anonymous brutality breeds. Left to die like rats in a cage, Chance and his friends use dope to numb the pain and are so perpetually terrified that they have their fingers on the trigger at all times. In one of the most powerful statements of his musical career, Chance implores the wider world to stop turning a blind eye and take notice:

They murdered kids here. Why do think they don’t talk about it? They abandoned us here. Where the fuck’s Matt Lauer at? Get Katie Couric in here…down here it’s easier to find a gun than it is to find a fucking parking spot”.

An Impossible Decision To Exclude: “No Problem” and “Sunday Candy”

95. Kevin Abstract – “Empty” (2016)

Before his self styled “boy band” Brockhampton started receiving rave reviews, Kevin Abstract was the type of artist – much like a male Lana Del Rey – who divided music fans right down the middle. Abstract was love or hate, a generational talent or a pitiful joke. His early albums wear their vulnerability like a badge of honor – his desperation is so transparent and crassly presented that he dares you to ridicule him. Crooning “I love my mum, I hate my boyfriend”, Abstract was bringing the unfiltered more-is-more emotionality of emo to the rap world. “Empty” was his stab a celluloid perfection. Less a song than an epic tone poem, a splattering of ill conceived diary entries bellowed out over a children’s choir (“empty home”) and sung/rapped with a performative misery (“I hate my yearbook photo…I hate my last name, I hate everything it stands for…I never went to prom, now I’m stuck on the dance floor…just hugging”).

Of course, amid the stadium size angst is a painful reality: a young man driven apart from his family because he’s in love with the captain of the football team. “Empty” plunges from depression to romantic majesty with implausible abandon. Kevin Abstract is brazen and ungodly ballsy – in an age of cosy critical consensus and artful eclecticism, “Empty” is out there on the edge begging to be ridiculed even as it wins hearts.

An Impossible Decision To Exclude: “Sign Of The Times” by Harry Styles(another great ridicule risking pseudo-ballad)

94. M83 – “Midnight City” (2011)

It’s not even close, the decision to exclude M83’s Hurry Up, We’re Dreaming from 411’s Album Of The Decade list garnered more feedback from readers and friends than any other inclusion, exclusion or placement. Truth be told, my opinions on the album (good, but not great) haven’t changed, but that doesn’t mean that I wasn’t blown away by the record’s finest cuts. “Midnight City” is one of those rare tracks to achieve a near global ubiquity. Its core riff (I’m sure you can all hum it in your heads) seemed to penetrate the subconscious of the entire human race. Still, “Midnight City” has more to offer than just a killer riff, the track is imbued with a sense of silent sorrowful longing: a build up understated repression that is due to explode in a technicolored release. Better still, as the layers are pulled together and bombast melds with hushed anticipation (“waiting in a car, waiting for the right time”), “Midnight City” soars across the skyline with a delicious sax solo for the ages.

93. Danny Brown – “Lost” (2016)

Danny Brown sure ain’t kidding when he blurts, “I’m like Kubrik with two bricks”, on the trippy Alice-in-the-underworld cut “Lost”. When is comes to coke rap, Brown is every inch the avant garde, psychedelic, provocateur (Stanley Kubrik) to Pusha T’s grounded and brutal Michael Mann. “Lost” is the moment when the LSD kicks in and the walls start to melt. The core Lina Lim sample is torturous chopped and screwed into one depressive inhuman bleat. Cooking up an ungodly cocktail of narcotics, the arrangement points to a sorrowful, paranoid and dark existence, but Danny Brown is both ruthless and relentless – firing off hard bars at a lightening clip. Brown has been a product of this world since birth. Having slung, cooked and enjoyed crack cocaine he is now immune to the nihilism and misery that surrounds him. His unflinching bars might sound callous, but it took an incredibly hard exterior to survive and eventually escape a world where so many others become simple “lost in the sauce”.

92. Burial – “Come Down To Us” (2013)

Dubstep’s most important and influential artist entered a no mans land in the 2010s. The scene he ruled was fading from view, he was now simply a name – albeit a very big one – in the dense world of electronica. He was pulled in two divergent directions, on “Street Halo” Burial showed just how effortlessly he could bend the new house revival to his will; on the majestic crackling mutation of “Come Down To Us” he proved just how soulful his abstract, divergent and at times abrasive sonics could be. The icy chill of the post-club night-air had been replaced by a resplendent warmth and an exquisite sense of refinement. The obtrusive vocal samples almost function as a reminder that Burial is a product of the streets and not the world’s most revered art houses – never the less, “Come Down To Us” is a piece that inspires awe. The second chapter of Burial’s career would not be as notorious as his first, but it would just as imperious.

91. Against Me – “Transgender Dysphoria Blues” (2014)

Geat music descended from Punk tradition forces the listener to confront the status quo and to stare oppression and ache unflinchingly in the face. It can make a generation want to smash a Procol Harum record to pieces or to simply scream, shout and kick out in a common direction.

Transgender Dysphoria Blues” buzzes with a buoyant, bristling, craftily composed rock and roll swagger, but it triumphs in spite of its slick brilliance. “TDS” is instinctual, not because a glorious drum beat or a killer riff signifies that it’s time to bounce and shout, but because Laura Jane Grace’s lyrics make you want to roar along in solidarity and disgust – that sensation is rare and is to be cherished. Her pain is palpable and real, whatever you may believe, the human connection between Laura Jane Grace and her audience is undeniable as she howls: “you want them to see you like they see every other girl – they just see a faggot”. This is vulnerability as strength and perseverance in the face of indignity in the hope of a few sweet moments of respite.

90. Rae Sremmurd – “No Type” (2014)

Any number of Rae Sremmurd smashes could have stood in “No Type’s” stead, particularly the dreamy globetrotting flex “Black Beatles”, but “No Type” encapsulates the entire Sremmurd aura. The track is hit of monstrous proportions built on a stately, slow-thudding baseline and it tells you everything you need to know about the two brothers. They are obsessed with women and they’ve turned their hit making purple patch into a never-ending college bender. They are aware that they are living the ultimate scumbag dream (“sinning every night”) and prove both unrepentant and surprisingly honest about their existence: “I’m just living life, let my momma tell it: I ain’t living right”. But behind the extreme hedonism is a strange openness, they might be obsessed with “bad bitches”, but they don’t care what the rest of the world thinks. They spend their money on what they want and sleep with whomever they chose. They ain’t got no type. The world at large might say that they have no taste and less class, but they couldn’t give a solitary shit – they are young and they are living the dream.

An Impossible Decision To Exclude: “Black Beatles”

89. Let’s Eat Grandma – “Falling Into Me” (2018)

Talk about a second album leap, teenage wunderkinds Let’s Eat Grandma fulfilled their considerable potential and then some with their sophomore LP and its lead single “Falling Into Me”. They are young and racked with the insecurity of inexperience. These teenage BFFs might be content stage diving during festival sets, but in their bedrooms they are fumbling through online flirtations and on the verge of abandoning their hard-earned dates out of sheer anxiety. Thankfully Rosa and Jenny have one another. They might not able to find love together, but they have each other’s backs, spurring one another on. When the traffic lights turn red, they won’t turn around, they won’t slip away into a tear stained dream: they are going to silence the doubting voices and stumble headlong into the night.

An Impossible Decision To Exclude: “It’s Not Just Me”

88. The War On Drugs – “An Ocean Between The Waves” (2014)

The War On Drugs have accomplished something quite extraordinary. In one fell swoop they have merged the lonesome artistic fringe with the shameless stadium-sized sweeps of the great rock classicists. The result is a band who can dip effortlessly from the painstaking lows and broken swan dive soloing of “Suffering” to the timeless travelling Americana of “An Ocean Between The Waves”. There are echoes of Dylan, Simon, Springsteen, Dire Straits and even Bryan Adams, but this is no hollow imitation or exercise in aesthetics: Adam Granduciel is forging his own path. Using an impressionistic brushstroke The War On Drugs smear edges and blur lines; creating a dream-like-haze around their painfully rooted songwriting. Listening to Adam Granduciel’s homespun concoctions is akin to reliving your darkest decaying memories through a Valium cloud of obfuscating guitars and alluring synths.

87. Jay-Z – “The Story Of O.J.” (2017)

Reflecting on his decade spanning career and the riches he has amassed, Jay-Z focuses on the black condition and dispenses advice to a younger generation. Far from a patronizing lecture to a younger generation, Jay details how he made every foolish decision that tends to trap young black people at a certain level – from throwing away money at strip clubs to splurging on flashy motors. Fat stax in your pocket  might buy short term street credibility, but is that desire to show your prosperity that keeps young artists (or dealers) running on an endless treadmill offering only limited outcomes. Credit, capital, control and stability, it ain’t sexy, but it is the way to break the cycle. Own your intellectual property, don’t be tempted by the quick buck (that big advance with no sales cut or liscencing control), secure generational wealth and achieve ownership – not only of your assets, but of your ingenuity, identity and future.

86. Mount Eerie – “Real Death” (2017)

At some point list like this one become utterly absurd. How on earth do you compare a song like “Real Death” – the heartbreaking and painfully mundane description of a man’s existence in the wake of his wife’s death – with some of this decade’s most joyous and uplifting three minute pop songs? Every second of “Real Death” is crushing – anyone who has experienced this kind of trauma can recognise the nondescript horror of walking into the room where your loved one was, but will never be again. Mount Eerie barely sings and he strips away any posturing, poetry or anything resembling an adjective. This is descriptive agony – “you still get mail, a week after you died, a package with your name on it came and inside was a gift for our daughter you’d ordered in secret, and collapsed there on the front porch I wailed”.

“Someone’s there and then they’re not and it’s not for singing about, it’s not for making into art”. Of course, Mount Eerie has turned death into the most beautiful and deep cutting of artworks. No matter how plainspoken his songwriting may be, there is profundity in his anti-artistry. His final words are charged with the anger of a grieving partner forced into a performative role to match the expectations of society at large – this might sound strange, but in showing his contempt, Mount Eerie demystifies death in music and makes it real, horrible and graceless. The opposite of the romantic ideal so often portrayed in song:

“It’s dumb and I don’t want to learn anything from this, I love you”.

85. Future Islands – “Seasons (Waiting On You)” (2014)

“People change, but you know some people never do”. It’s fitting that these two thunderous gut punches have landed side-by-side in our countdown, because both Mount Eerie and Future Islands make their most profound statements in the simplest of terms. “Seasons (Waiting On You)” is hopelessness incarnate. The story of two lovers drawn together by an undeniable attraction and held in place by a will that one day their relationship will improve. Something or (crucially) someone will change and their love will blossom. Samuel T. Herring has reached the end of his tether after many a long year: “I’ve tried hard just to soften you…but I’ve grown tried of trying to change you”. “Seasons…” is neither a celebration of growth or an outpouring of remorse for time wasted, instead it functions as a misty eyed tribute to his effort and endurance. It may have been futile, but the glorious happy-sad sweep of the synths suggest that if Herring were told he could go back and change his past, he’d refuse. The relationship was and wasn’t time wasted, as Herring so beautifully puts it: “you know, when people change, they gain a peace and they lose one too”.

84. Kacy Musgraves – “Follow Your Arrow” (2013)

Time to lighten the mood, albeit briefly. Kacy Musgraves, country’s premiere 21st century perma-stoned, momma lovin’, LSD dropping, slacker-turned-superstar burst onto the scene with a beautiful pop ditty about acceptance. The “Follow Your Arrow” credo is simple, it’s “YOLO” but without even a hint of crass bravado: “say what you think, love who you love, cause you only get so many trips round the sun”. Kacy isn’t demanding that anyone live their best life, just that they live a life that is true to them. Kiss girls, kiss boys, get high, stay sober, have sex, stay chaste – it honestly does not matter, just follow your own path, because no matter what you do, you will be judged, ridiculed and dismissed. “If you can’t lose the weight then you’re just fat, but if you lose too much then you’re on crack/You’re damned if you do and you’re damned if you don’t, so you might as well just do whatever you want”.

83. David Bowie – “Dollar Days” (2016)

The Thin White Duke’s grand illusion was revealed in 2016. The cryptic but tender jazz infused maelstrom of Blackstar was the sound of one this century’s great artist facing his death. The metaphors were so alluring and romantic that critics and fans alike theorised over their meaning without seriously considering that the great David Bowie was lying on his death bed laughing at our lack of imagination. “I’m dying to(o), push their backs against the grain and fool them all again and again, I’m trying to”. Well he certainly accomplished his goal, the world was hoodwinked. Bowie got to have his perfect farewell, surrounding by rich evocative guitars and a sumptuous sax he rode toward a crashing, but still skittish crescendo. Perfectly pitch between tragedy and triumph Bowie seems to run toward both ambrosia and oblivion in this beautiful lyrical passage: “If I never see the English evergreens I’m running to, it’s nothing to me. It’s nothing to see”.

82. Tyler, The Creator – “Yonkers” (2011)

The iconoclastic beginning or the vulnerable and artful conclusion? Choosing between “Yonkers” and tracks like “Earfquake” is next to impossible – they both proved devastatingly effective and truly shocking (albeit for very different reasons). Ultimately, there’s nothing quite like the first time and “Yonkers” is a faux horror-core rap anthem that feels far more potent in 2020 than it did upon release. Nearly 10 years lately, Tyler’s most shocking lines are not throwaway jabs, but hints at what he was to become. Tyler set his stall out as a psychotic over-sharer – he might pose like the antagonist in a slasher flick, but he’s actually dancing around his mom’s house in a pair of panties trying to assure her he’s “not a faggot”. Elsewhere, Tyler captures the arrested development of online troll culture: “This ain’t no V-tech shit or Colombine, after bowling I went home for some Adventure Time”. Somehow in three tight minutes “Yonkers” captures the entire evolution of the 2010s – from flexible sexuality and mental health woes to flagrant trolling and a dropout generation addicted to homemade narcotics.

81. Girls – “Vomit” (2011)

Girls imploded shortly after the release of “Vomit”: the stand alone masterpiece from Christopher Owens and Chet White’s magnum opus sophomore LP, Father, Son, Holy Ghost. Owens’ sprawling six minute epic is a depraved delight that pairs deliciously distorted guitar work with an angelic choir. Abandoning the tightly written post-surf pop of their early releases, “Vomit” is tone poem that goes from the most unpleasant of lows to the most transcendent of highs. Owens is prowling the streets like both a predator stalking his prey and a junkie desperate for a fix (“Nights are spent alone, I spent them running around looking for you baby”). There is the briefest of bridges where the slick pop of Album returns, but it soon gives way to the sheer heavenly delight of having found love – or at the very least someone to cling to (“come into my heart”). Owens is an addict in need to companionship, “Vomit” is his attempt to have the listener experience both the agony of withdrawal and the euphoria of fresh love, no matter how fleeting.

80. M.I.A. – “Bad Girls” (2012)

There’s no two ways about it, the 2010s were a complete clusterfuck for M.I.A. Having established herself as one of the 21st Century’s most influential innovators she fell into a tailspin of hit and miss LPs, retirement talk, fallings out with her former collaborators and political activism both worthy and utterly insane (she is at the forefront of the 5G Covid conspiracy). Still, throughout all the chaos, the bangers never dried up and none was bigger than the globe-trotting braggadocio of “Bad Girls”. In one rampaging moment of cocksure self assurance M.I.A. popped a wheelie on the zeitgeist and perfectly encapsulated a new hyper-globalised bad girl aesthetic.

79. Skepta – “Shutdown” (2015)

Grime’s moment of global ubiquity was capped by the emergence of Skepta as an international superstar. The MC who was left by the wayside in the early 2000s: a true believer persevering with Boy Better Know in London while Dizzee Rascal garnered chart success by chasing trends. “Shutdown” is particularly satisfying because, despite its slightly slower tempo, this is unmistakably a grime anthem. The kind of wilfully quirky beat that used to raise eyebrows on the otherside of the Atlantic was now destroying nightclubs from Brussels to Seattle. Drake had no choice but to cling to Skepta to retain culture capital in the UK and Skepta topped off his coronation as the UK’s premier MC by sending up the typically white viewer/twitter backlash to Kanye West’s iconic performance of “All Day” at the Brit Awards flanked by practically the entire grime scene at Skepta’s beckoning: “a bunch of young men all dressed in black, dancing extremely aggressive on stage, it made me feel so intimidated – it’s just not what I expect to see on prime time TV”.

78. James Blake – “CYMK” (2010)

“CYMK” is James Blake’s grand farewell to club culture. The most prodigiously talented bedroom producer to come out of the post-dub step wave, Blake was faced with a fork in the road. He could follow the woozy piano loops and crooned sorrow of his EP Klavierwerke or he could dive head long into the hypnotic, staggered and paranoid grooves of “CYMK”. Blake, perhaps predicting the overall direction of travel of the 2010s, decided to delve into his feelings and abandon the sweaty bodies and hedonistic joy of the club scene. Given the incredible work he has subsequently produced its hard to question his decision, but even a decade on “CYMK” shines like a beacon, displaying his intuitive understanding of dance floor sonics. Taking a snatched fragment of “Caught Out There” by Kelis – the very moment when she realizes her love is cheating – and turns this one shocking revelation into a stainless steel banger underwritten by paranoid, almost sub-aquatic unease.

An Impossible Decision To Exclude: “Wilhelm Scream”and “Retrograde”

77. PJ Harvey – “The Words That Maketh Murder” (2011)

When PJ Harvey sat down to write a reflection on the British experience of war – particularly the transformative effect of World War One on our national psyche – brilliance and brutality was expected. Few anticipated gorgeous summery pop music and yet that’s exactly what PJ Harvey and “The Words That Maketh Murder” delivered. Tapping into the unsettling naivety of the Whicker Man and riffing on jaunty American surf-rock, Harvey sings her most gruesome lyrics (“I’ve seen soldiers fall like lumps of meat, blown and shot out beyond belief”) to some of the breeziest pop of her entire career. The point is both sly and severe: soft, seductive words have sold entire nations on committing most brutal acts of violence. In the blink of a young girls eye and with one snappy soundbite, a generation is lost.

76. Sylvan Esso – “Coffee” (2014)

The sorrowful wimper is a thing of beauty and Sylvan Esso have managed to cobble together a collection of disconsolate fragments into one gorgeous beat. “Coffee” functions as a series of intimate snapshots. They are perhaps cliched, but piercingly tender nonetheless: cold coffee, warming embraces and a stolid mantra of “get up, get down” gives the track a mundane realism that devastates. This is head down stubborn ache of monotonous real love and true romance. “Coffee” proves so evocative and moving precisely because of its very ordinariness – this is the thread of lukewarm endurance that unifies couples across the globe and throughout time.

75. Alicia Keys – “Un-thinkable (I’m Ready)” (2010)

Alicia Keys is a deeply frustrating artist: a beautiful understated vocalist with undeniable compositional skills whose output veers from the most anonymous and pandering chart hits to genuinely incisive and unguarded love songs. “Un-thinkable (I’m Read)” captures Keys at her absolute zenith. Against a surprisingly cool, but unobtrusive arrangement, Keys turns the very thinness of her voice into a heavenly, almost ecstatic vapor as she coos: “you give me a feeling that I’ve never felt before”. The polar opposite of The Weeknd’s “High For This”, where Abel sort to talk his lover into a night of fucking while high as a kite, Alicia looks her partner in the eyes and makes a solemn commitment, she’s ready to go to the next level. The music video adds a layer of complexity in the form of inter-racial dating, but “Unthinkable…” functions on a number of levels even in its skeletal lyric form – a leap will be taken, a commitment made, backlash and an unpredictable future will be faced, hand in hand.

Note: “Un-thinkable (I’m Ready)” is a 2010 single from a late 2009 album – hence it tends to slip between the decades, however it felt appropriate to place on this list.

74. Earl Sweatshirt – “Chum” (2012)

If 2011 was spent yelling “free Earl” and trying to unpick the mystery of where one this generation’s most ferociously talented wordsmith had disappeared to, then 2012 was lost to marvelling at some of the hardest bars imaginable. “Chum” is masterpiece that takes us from the moment when Earl’s dad walked out (“my father left, left me fatherless”) to his struggle with journalists (“thanks so much, you made my life harder and the ties between me and my mum tightened”) while exploring his relationship with his protective mother and life growing both on the streets and in his darkest feelings. “Chum” is the moment when Earl gets a years worth of frustrations off his chest in one beautiful, sophisticated and genuinely endearing stream of consciousness.

73. Childish Gambino – “This Is America” (2018)

“Black man, get your money” and there in lies the trap. The gleaming escape route from the struggle that only reinforces your woes, so what is a black man to do but throw up his hands…oh wait, that probably won’t end well either, damn. Never has so much been said so succinctly as on Childish Gambino’s “This Is America”: a masterful tour of the modern black experience from Gospel uplift to the remorseless streets of the Trap world. Truth be told, “This Is America” is a hardly a song at all, more an elongated vibe (much enhanced by its video and those ear splitting gun shots). Nothing will change, if you’re caught slipping you will die or become ensnared in the most miserable of existences – so when solidarity is an impossibility, you might as well get your money, what other choice is there?

72. Vince Staples – “Norf Norf” (2015)

If Childish Gambino is semi-tragically reflecting on the contradiction of modern blackness, then Vince Staples is living the street level reality. Unbowed and unrepentant, Staples is running through the neighbourhood detailing the mentality required to survive while praying for an escape. Staples genius lies in his refusal to elevate himself above the fray. Anyone who has heard Staples’ speaks knows that he cares deeply about the plight of California’s poorest communities, but he is not going to run from reality on “Norf Norf”. He portrays himself as the school age nightmare selling coke, keeping people in line, terrorising rival neighbourhoods and torturing the police. He knows the cost, his momma’s street is a war zone, but on this stone-eyed banger he gives listeners a tour of the long beach streets as the dealer turned provider. If “black man get your money” was a haunting reminder of a toxic culture, then Vince Staples one upped it with the terrifying simplicity of “I ain’t never run from nothing but the police”.

71. Sturgill Simpson – “Turtles all The Way Down” (2014)

LSD is a hell of a drug. Sturgill Simpson’s beautiful and poetic “Turtles All The Way Down” conjures a grand cinematic sweep as fatherly wisdom is passed down to a patiently listening son – of course that advice isn’t get a career and work hard, it’s take drugs, expand your mind, embrace life and love. The point is not to dropout out, but the exact opposite: don’t be scuppered by expectation or the depression of knowing that there’s nothing original left to do – simply get out there an do. So take a tab, see lizard men and all those glorious turtles, but for the love of god just try.

70. Fiona Apple – “Every Single Night” (2011)

Fiona Apple is the woman of the moment, one of the few artist bold enough to release their A-grade material in the middle of lockdown that has seen streaming numbers and record sales plummet. Fetch The Bolt Cutters might have dominated the conversation in recent months, but no one should forget the brilliance of her solitary 2010s LP and its masterful lead single “Every Single Night”. Almost painfully minimal and oppressively sparse before its chorus dramatically swells, “Every Single Night” is one of those tracks that goes so deliciously off the rails. Fiona almost starts by weaving a fairy tale surrounded by silences and childlike chimes, but sooner or later her internal narrative twists, turns, churns and begins ripping her apart from the inside out. Her romantic bliss turns into a perpetual struggle and Apple cannot help blame herself for chasing this fraught feeling – it might be unhealthy, but it keeps her alive and keeps the devil (as she puts it) out.

69. Icona Pop ft. Charli XCX – “I Love It” (2012)

We’ve reached the part of the countdown where serious songs about death, decaying romance and outright dejection start to dominate, but not every classic cut need be weighty. Joy is as valid an emotion as grief and no one likes a po-faced self-serious teenager who thinks they’ve got the entire world figured out – after all, the reasons so many people pine for their lost youth is that sense of carefree freedom, not for some half imagined anxiety. In this light “I Love It” is the perfect pop song –  a balls out anthem to hurtling through life without a second thought, dancing, drinking, cutting lose and, errm, driving your car headlong into a bridge (well maybe avoid that bit). Charli XCX has always understood the allure of nascent independence – that first chances to set your own rules and to go totally off the rails before the bills rack up and adult life takes over.

68. Chris Stapleton – “Outlaw State Of Mind” (2015)

“Outlaw State Of Mind” isn’t Chris Stapleton’s most thoughtful or sensitive cut, instead it represents the moment when the saviour of modern country music arrived and swept all opposition from his path (be it country radio pedalling pap or marketing agencies looking for clean cut lookers). Stapleton and “Outlaw State Of Mind” were so big, raucous, soulful and catchy that in one fell swoop they had united the commercial country fans, the outlaw country bros and the arch traditionalists. Here was an artist that everyone who cared about country music could rally behind and, best of all, he had the songs to back it up (oh and don’t worry, he most definitely had the album). Mainstream country was redeemed and “Outlaw State Of Mind’ was the hard rocking anthem of a new dawn.

An Impossible Decision To Exclude: “Tennessee Whiskey” and “Whiskey And You”

67. Kurt Vile – “Pretty Pimpin” (2015)

“Pretty Pimpin” is one of those beautiful and truly poignant songs that just so happens to be built around the silliest of premises. Each morning a man wakes up, brushes his teeth and fails to recognize the face staring back at him. He soon comes to his senses, shakes his head and thinks: “oh silly me, that’s just me”. Vile’s genius lays not only in the sunny sweep of the softly echoing production, but in the multiple layers of meaning imbedded in this seductive little pop song. On the one hand, it can be read literally: the narrator suffers from Depersonalization Disorder and literally cannot recognize himself and lives in a strange tragi-comedic Groundhog Day. “Pretty Pimpin” can also be read as a drop out joke, a stoner wakes up, each day blurring into one and jokes with himself “Who’s this stupid clown blocking the bathroom sink? But he was sporting all my clothes and I gotta say pretty pimping”.

The final reading is perhaps the most heartbreaking, that of young man who sees his life passing each day in a slow tedious march. Eventually the face staring back at him grows older, his opinions have changed, his opportunities and optimism have drained away and all that’s left is a grey haired man who he can no longer recognise or respect (even if his clothes are pretty cool). Vile’s genius lies in his rejection of mawkish sorrow. The tragedy of the situation is evident, he doesn’t need to lay it on thick, instead he tips his cap and deadpans: “pretty pimping”.

66. Jamie Lin Wilson – “Death & Life” (2018)

When ask what topics did the artists of the 2010s tackle better than any previous generation, the answer may well be that of death and grief. This list is already populated by weighty and heartfelt ruminations on the loss of loved one, but if Mount Eerie’s stunning “Real Death” was an open wound demanding that death be stripped of its romantic imagery in the face of its terrible reality, then Jame Lin Wilson’s “Death & Life” is a sweeping testament to those left behind. It is romantic and it is grandiose, but it is build on a tragic common bond we all share: struggling to cope in isolation.

To bring this universal misery to life, Wilson employs a series of tasteful and haunting vignettes: a wife shocked into stasis (“in forty some odd years she never had to sleep alone, it’s been three years in November and she still ain’t bought a stone”),  a son asked to build a casket the way his dying father had taught him (“then he had a baby boy on the same day as his dad, so he took his name to give him, it’s the best thing he has”) and lastly, the singer herself walking through a cemetery seeing children skipping and playing around the decaying tombstones of the long dead.

65. Grimes – “Realiti (Demo)” (2015)

“Realiti” is the perfect hybrid of the ethereal and slight sound of Grimes’ early years and the onrush of her imperious pop phase. Both elements of her sound are brilliant in all their glitchy, alien, fairy-faint allure, but in 2015 on the original demo of “Realiti” (the finished version is surprisingly leaden and over-produced) Grimes found perfect equilibrium. “Every morning there are mountains to climb”. Grimes is the kind of artist who knowingly drifts off into fantasy in hopes of escape the anxiety and inertia of her terrestrial existence, but “Realiti” saw her gritting her Canadian pixie-sprite teeth and committing to finding exhilaration in real world. She might not be able to recreate the glorious highs of her youth, but in the arms of her loved one she can revisit those beautiful Elsyium Fields where she danced to the music of the heavens.

An Impossible Decision To Exclude: “Vanessa”, “Kill V. Maim”, “Genesis”, “Venus Fly”, “Flesh Without Blood” and “Oblivion”

64. John Grant – “Queen Of Denmark” (2010)

John Grant came roaring out of the wreckage of The Czar and arrived as one of the this decade’s most distinct, eccentric and undeniable outsider songwriters. Big, gay, chronically confused and permanently depressed, the classically talented Grant set about unleashing his id on the world at large. Alongside Midlake he’d sculpt songs that were both beautiful and undeniably funny, but for his endnote, set-closer and show stealer he needed something that hit considerably harder. The result was “Queen Of Denmark”: an anthem that is both laceratingly self-loathing and swaggeringly cocksure. Tired of being lectured and judged, Grant turns all his anxiety, angst and disgust into one great mule kick into the face of our society. Grant screams “why don’t you take it out on somebody else, why don’t you bore the shit out of somebody else”. His rage might be dark and wild, but his harshest and funniest lines are reserved for himself: “I’ve had it all the way up to my hairline, which keeps receding like my self confidence, like I ever had any of that stuff anyway”. Beaten, battered and scarred, “Queen of Denmark” is the precise moment when Grant snaps, pisses in the office coffee, flips the table at a child’s birthday party and reads the world the riot act.

Best of all, John Grant isn’t above contempt, in fact this middle finger to society thrives on the back of Grant’s own contempt and shallowness: “I hope you know that I’ll I want from you is sex, to be with someone who looks smashing in athletic wear and if your haircut isn’t right you will be dismissed”.

63. Sophie – “Bipp” (2013)

Charli XCX might have turned her self into PC Music’s spirit animal, but the scene’s premier superstar will always be avant grade producer and noisenik Sophie. Glasgow delivered two of this decades great electronic revolutions, first in the form of Maximalism, then in its sugary, glitchy, but ungodly hard hitting, gender-shattering sister PC Music. Sophie’s music is both sugary and terse. She soothes her audience, tenderly luring you in with an out stretched arm only to savagely smack you across the face with a PVC glove. Sophie’s music would become harsher, more dynamic and far more complex in its emotion, but her breakthrough cut “Bipp” remains sublime. This is a glimpse of utopian pop perfection: an enticing tease full of sweetness and purity that is revealed, when touched, to be nothing more than flexible plastic hiding obtuse bolts, welding and circuitry.

An Impossible Decision To Exclude: “Pony Boy”, “Hard” and “It’s Okay To Cry”

62. U.S. Girls – “Mad as Hell” (2018)

While some artists are busy raging against Donald Trump, Meghan Remy still hasn’t forgiven (or forgotten) Barrack Obama. For you see, it’s one thing to be disgusted by a political opponent, its another thing entirely to have your illusions shattered by someone who promised so much. “M.A.H.” is a masterful distortion of classic 60s girl-group-pop used to devastatingly dissect the broken promises and slow withering of even the most appealing of political illusions.

61. Miranda Lambert – “Runnin’ Just In Case” (2016)

Miranda Lambert casts herself as the slow burning train wreck, running from one town and one catastrophe to the next. The truth is that the act of running from security, stability and heartache is entirely performative, consciously or subconsciously she is seeking out of these chaotic situations (“I’m looking for a lighter, I already bought the cigarettes”). She has built a hard exterior to keep her from truly suffering, but her true exhilaration comes in flight: those divine moments speeding through the countryside, buying into the same old lie that the next town and the next love affair will end differently.

The tragedy of “Runnin’ Just In Case” lies in Miranda’s acknowledgement that she is getting too old for this lifestyle – “I ain’t unpacked my suitcase since the day I turned 21, it’s been a long ten years since then, it’s getting kinda cumbersome”. She’s living out a parody of an existence and she is keeping herself from forming anything resembling a meaningful relationship. She ran from one heartbreak in Lobbeck, Texas, but rather than looking for a new life, she’s secretly reliving that initial calamity over and over again, it’s the only way she can feel alive.


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HydraLyft™ is a breakthrough nutraceutical supplement that helps support healthy levels of collagen, assists the skin’s natural antioxidant defense, and protects against skin damage from excessive sun exposure.

  • May help reduce to the appearance of wrinkled, aged, damaged, dehydrated, and discolored skin*
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  • Supports the body’s natural inhibition of skin damage induced by excessive sun exposure*

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HydraLyft™ combines a complex of unique ingredients that help skin from the inside out.

Astrion™ is a proprietary blend of Astragalus membranaceus and Centella asiatica.
The root of Astragalus membranaceus is a considered a tonic in traditional Korean medicine that is thought to have several biological effects, including neuroprotective, cellular antioxidant, and radical scavenging activity. Similarly, Centella asiatica is a plant used in traditional herbal medicine with pharmacological effects.

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Pharmacologic intakes of biotin have been shown to improve the quality of nails and hair in humans in the absence of apparent biotin deficiency.

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Study: Diet soda doesn't cut calories

January 16, 2014

This latest study is from Johns Hopkins University.

Looking at eating patterns of overweight adults across the country, they found that whether they drank sugar-sweetened soda, or the diet version, they all got about the same number of calories per day.

However, the diet soda drinkers ate significantly more of their calories from FOOD.

Some experts believe the artificial sweeteners in diet soda may make some people crave more sweets.

The best way to cut calories from drinks is to drink plain water.

If that's boring, try adding fruit slices to add natural flavor.

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Police: 3 Doors Down bassist arrested on DUI

D'IBERVILLE, Miss. (AP) - February 19, 2014

Harrell was found "slumped over the steering wheel of his vehicle" by officers responding to a citizen's call about an impaired driver, D'Iberville police Chief Wayne Payne told The Associated Press.

"On arrival our officers made contact with the driver and there were signs of his being impaired," Payne said.

Harrell was charged with a second-offense DUI involving a substance other than alcohol, Payne said, and police got a court order to take a blood sample from him.

"We don't know what the substance is at the time. We sent the sample on to the crime lab for testing," Payne said.

Payne said Harrell was released on a $1,789 cash bond set by Municipal Judge Albert Fountain. No date has been announced for Harrell's next court appearance.

Police said Harrell was driving a family member's SUV. It was unclear whether Harrell has an attorney in the latest case.

The DUI arrest is Harrell's second in D'Iberville since July 2012, when his Cadillac rear-ended another vehicle. Harrell was later found to be driving under the influence of prescription drugs and was convicted. He lost his appeal in Harrison County Court on Jan. 8. In sentencing, the jail time was waived if Harrell could go six months without any further legal problems and enrolled in victim impact and substance abuse programs. It was unclear whether Harrell enrolled in the court-ordered programs.

Harrell also faced several charges in Nashville, Tenn. He's accused of driving impaired in an accident resulting in another driver's death in April 2013.

Harrell spent several days in jail and was freed on $100,000 bond. Then, that spring, Harrell checked himself into a drug treatment facility.

Harrell was accused of driving under the influence and causing the fatal April crash in a Nashville suburb. Police say Harrell admitted to drinking and taking prescription drugs before the wreck.

Police say Harrell was under the influence when he was speeding down the interstate and clipped the back of a pickup. The driver of the truck, 47-year-old Paul Shoulders Jr. was killed.

Harrell faces multiple charges, including vehicular homicide by intoxication, unlawful possession of a controlled substance, violation of the implied consent law and possession of contraband.

Harrell's arrest in Nashville caused him to bow out of the band's world tour.

In 1999, Harrell was arrested in Pascagoula, Miss., on a charge of public intoxication, records show. Harrell, police said, was drunk and used profanity when talking to officers. It's not clear whether he was convicted on that charge.

Harrell, former guitarist Matt Roberts and lead singer Brad Arnold formed the band in Escatawpa, Miss., in 1996. Roberts left the band in May 2012 with health problems. The band is known for songs such as "When I'm Gone" and "Kryptonite."

Harrell lives outside Nashville.

The group is preparing for a six-city tour of Canada beginning June 3 at the Hard Rock Casino in Coquitlam, British Columbia. Additional markets with confirmed appearances include Prince George, Calgary, Bonnyville, Regina and Winnipeg.

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Darius Rucker can still vividly recall when his first two CMA Awards nominations came, more than 10 years ago. The year was 2009, and he was up for Male Vocalist and New Artist of the Year, after moving into the country genre following his time with '90s rock band Hootie & the Blowfish.

"When I got nominated for the first time, it was that first clue that I was really being accepted into the genre," Rucker recalls. "Country music was really accepting of who I was and what I was doing. That was huge for me."

Rucker won one of those trophies, too: New Artist of the Year.

"I still remember that like it was yesterday," he admits. "That was one of the greatest moments of my musical life."

In addition to his two CMA Awards nominations in 2009, Rucker has since earned two other nods at the annual awards show: In 2012, he was up for Musical Event of the Year, for "Stuck on You," his collaboration with Lionel Richie, and in 2013, his single "Wagon Wheel" earned him a Single of the Year nod.

In 2020, Rucker is hosting the CMA Awards for the first time alongside veteran host Reba McEntire, who will be in the role for the fifth time (1990, 1991, 1992, 2019, previously). It's a major shakeup for the event, which Carrie Underwood and Brad Paisley co-hosted for more than a decade and Underwood, McEntire and Dolly Parton co-hosted in 2019.

The 2020 CMA Awards are scheduled to take place on Nov. 11 and will air live from Nashville on ABC beginning at 8PM ET. Due to the novel coronavirus pandemic, the show will be hosted at Nashville's Music City Center, not Bridgestone Arena as is customary, and there will be no live audience.

The Boot will be staying up late covering the most buzzed-about winners, fashion and moments at the 2020 CMA Awards. Readers can watch along with us by checking back to TheBoot.com for the latest CMAs headlines, liking The Boot on Facebook and following The Boot on Twitter.

This story was originally written by Gayle Thompson, and revised by Angela Stefano.

Top 10 CMA Awards Moments:

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