text:
International Journal of Behavioral Medicine

, Volume 5, Issue 1, pp 63–75

Altered cardiovascular/pain regulatory relationships in chronic pain

  • Stephen Bruehl
  • John W. Burns
  • James A. McCubbin

DOI: 10.1207/s15327558ijbm0501_5

Cite this article as:
Bruehl, S., Burns, J.W. & McCubbin, J.A. Int. J. Behav. Med. (1998) 5: 63. doi:10.1207/s15327558ijbm0501_5

In healthy individuals, there is an inverse relationship between resting blood pressure (BP) and pain sensitivity. This study examined possible dysregulation of this adaptive relation in chronic pain patients, and tested whether the extent of this dysregulation is a function of pain duration, Continuous resting BPs were assessed for 5 min after a 5-min rest period in 121 chronic benign pain patients. Unlike the inverse relationship observed previously in normals, mean resting diastolic BPs during the assessment period were correlated positively with ratings of pain severity. A Pain Duration x Systolic BP i nteraction emerged (p > .05) such that the magnitude of the BP-pain relation was greatest in patients with the longest duration of pain, r(38) = .50, p > .001. A hypothesized progressive alteration in endogenous pain regulatory systems in chronic pain patients was supported. A possible role of endogenous opioid dysfunction in accounting for these alterations is discussed.

Key words

blood pressure (BP)hypertensionchronic painpain sensitivityendogenous opioids

Copyright information

© International Society of Behavioral Medicine 1998

Authors and Affiliations

  • Stephen Bruehl
    • 1
  • John W. Burns
    • 2
  • James A. McCubbin
    • 3
  1. 1.Center for Pain StudiesRehabilitation Institute of ChicagoChicagoUSA
  2. 2.Department of PsychologyFinch University of Health Sciences/The Chicago Medical SchoolNorth ChicagoUSA
  3. 3.Department of PsychologyClemson UnivesityClemsonUSA


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text:
Re: send email

From: nessuno (
Date: 07/21/03

Date: 20 Jul 2003 16:01:16 -0700

"CL (dnoyeB) Gilbert" <> wrote in message news:<>...
> Hash: SHA1
> CL (dnoyeB) Gilbert wrote:
> | Atse wrote:
> | | That means the user who is a valid user of this mail server, locating
> | | anywhere and hosting any IP without specified at this server, can send
> email
> | | through this SMTP by using MS Outlook/Outlook Express
> | |
> |
> | You have to first install another component. look for mapi package, I
> | believe the mapi one contains the SMTP server as well
> |
> |
> |
> cant remember if thats mapi or imap...
> - --
> Respectfully,
> CL Gilbert
> "Verily, verily, I say unto you, He that entereth not by the door() into
> the sheepfold{}, but climbeth up some other *way, the same is a thief
> and a robber." John 10:1
> GnuPG Key Fingerprint:
> 82A6 8893 C2A1 F64E A9AD 19AE 55B2 4CD7 80D2 0A2D
> For a free Java interface to see
> Version: GnuPG v1.2.2 (GNU/Linux)
> Comment: Using GnuPG with Mozilla -
> iD8DBQE/GT7qVbJM14DSCi0RAi2RAJ4uyUSB39S/MXrZ8ef1gWaGLexv0ACdEuWL
> Pb4TW+mO6bFWlvqz0rW8HE8=
> =/+AV

Dear Atse,

I'm certainly no expert on this subject, but recently I set up RH 9.0
to act as a mail server for local and remote clients, so my experience
may help. My clients were using Netscape or Mozilla to send and
receive email, not Outlook, but I suspect the general principles are
the same. (These programs are called Mail User Agents, or MUAs).

First, I found the documentation that came with RH 9.0 very useful.
Since you have RH 8.0, I can't give you page numbers, but it should be
similar. If you don't have the printed manuals (worth the price), you
should have this documentation on CDs with the distribution itself, or
you can get it online from RedHat. In particular, the Reference Guide
has a chapter on email that you might start with.

Let's think about two machines: Yours, the *mail server*, presumably
running RH Linux 8.0, and a *client*, presumably running Outlook on
Windows or something like that. The client wants to be able to send
and receive email.

In addition, you might have users with accounts on your mail server
itself, who want to send and receive email. Call them *local
clients*. I'll talk about the remote clients first, they're more
difficult to set up.

Most MUAs, running on the client machine, interact with the mail
server via one of two protocols, POP or IMAP. One difference is that
when you read emails, POP transfers the entire email to the client
machine (this can be slow if the client is using dial-up and the email
has big attachments), while IMAP only transfers the message header.
In the IMAP system, emails are maintained on the server itself, not
the client machine. This costs disk space on the server, but it is
convenient if a user wants to access his email from several different
client machines.

When a mail client (in your case, someone running Outlook on another
machine) configures his account, he will have to specify whether he
wants POP or IMAP. Also, if you want to use the IMAP protocol (say),
then you must have an imap daemon running on your client machine to
listen to and respond to imap requests that come in. I set up IMAP on
my machine, so I'll talk about that, but I believe POP is similar.

In addition to the imap daemon, you also need to have sendmail running
on the server (or equivalent program, but I'll talk about sendmail
because that's what I used). You will want to think about security
when you set up both these programs on the server.

One important security requirement concerns the process whereby remote
clients send emails. The process is that a remote client sends an
email to your server, and sendmail running on your server then
"relays" it to the destination. By default, however, sendmail on
recent RH distributions is configured not to relay anything from
anywhere. You can change the configuration of sendmail to make it
respond to any relay request it receives from anywhere ("promiscuous
relaying"), but if you do this every spammer in the world will soon be
using your mail server to relay their spam to hide its true source.
Some of the messages earlier in this thread alluded to this threat. It
sounded from your original message that you wanted to configure
sendmail for promiscuous relaying, but you surely don't want to do
that. Instead, you want to configure it to relay only from the ip
addresses of your trusted clients.

Another security question is whether you want communications between
remote clients and the mail server to be encrypted. If so, the
clients will have to enable SSL (secure sockets layer) on their MUA,
and you will have to use the right version of the imap daemon (there
are two versions, with and without ssl protection). I set
up my system with encryption.

Yet another security question concerns your firewall. You may not
have a firewall, but if you do, you are using (probably) iptables to
implement it, and the default firewall (my choice was Medium Firewall
at installation time) blocks all incoming imap requests. Thus, the
firewall configuration must be modified to accept imap requests.

Here is another security consideration. Email clients, whether local
or remote, must have accounts on the mail server. (The mail
itself is stored somewhere under /var.) However, clients who only want
you use your system for email do not need to have full accounts with
home directories, etc. In fact, it is better if they do not, since if
someone finds out their password, they could log in as a user and
create mischief if the account is a full account. I only had one
remote client I wanted to serve, so I went ahead and created a full
account for that person, but you might want to investigate how to set
up user accounts without login privileges for your email clients.

What follows are the steps I used (somewhat simplified) when I set up
my mail server on RH 9.0. Some things may be different on RH 8.0.

First I got sendmail itself running and configured. First I went to
System Settings -> Server Settings -> Services and checked sendmail,
and then started it. Now as a local user on the mail server, I used
the unix mail program to send an email to another email address (I
have one on a local ISP that I used as a target.) This should work.

The next problem is that the default configuration of sendmail with RH
9.0 can send email, but not receive it. To change this configuration,
go to /etc/mail (as root), save copies of and
Then edit /etc/mail/ to comment out the line with
DAEMON_OPTIONS in it. Then run

m4 /etc/mail/ > /etc/mail/
/sbin/service sendmail restart

See the Reference Guide for documentation about this process. The
first time I did this, I found that program m4 was not installed with
my installation. So I had to go back and install the package
sendmail-cf, to get this program. When I ran the above commands, I
got an error message on shutting down sm-client, but it didn't
seem to hurt anything.

After this, a local mail client on the server itself should be able to
receive email sent from another source by using the unix mail
program. If all is ok up to this point, sendmail is probably working

Next we worry about setting up your machine as an imap server. The
first problem is the firewall, that by default blocks imap requests.
If you're an expert with iptables, you know how to change this to
allow incoming imap requests. On RH 9.0 there is a tool for
configuring the firewall (under Start Here -> System Settings ->
Security Level), but it is rather crude and does not allow you to
enable imap. However, I found that I could use the command line
lokkit to do this (I entered imap under "Other Ports" on the second
page). This is an alternative to using iptables. BTW, gnome-lokkit,
a GUI version of lokkit, does not allow you to enable imap, use the
command line version.

Next you need to make sure imap is installed and running, and in the
right version. There are basically two versions, one that transfers
data in plain text (imap), and one that uses SSL encryption (imaps).
These listen on different ports (143 and 993 resp). I bought a book,
"Open Source Email Security" by Blum, which discusses this in Ch. 16.
On RH 9.0, you go to Start Here -> System Settings -> Server Settings
-> Services, make sure imaps is is running, and imap is not. These
are xinetd services, you might want to read about this, since xinetd
has ways of controlling access to different services. However, I
found that xinetd as configured by RH was not blocking access to imap

Now you need to set up an SSL certificate, if you want to use
encrypted communication. See p. 164 of the 9.0 Reference Guide. Go
to /usr/share/ssl/certs, rename the file imapd.pem, then run

make imapd.pem

and follow the instructions to make a certificate. To do it right you
need a certificate from a certificate authority, but you have to pay
for that. Then do

/sbin/service imaps restart

or use the Services tool to restart.

Now you can test this out to see if you can make a connection. From
another unix computer enter:

openssl s_client -host <your mail server> -port 993

It will be obvious if you make the connection (you should be able to).
This will guarantee that the SSL version if the imap daemon is running
on your mail server.

Next you need to configure sendmail to relay from privileged clients.
For each such client, enter a line in the file /etc/mail/access file
like the following:

207.213.11 RELAY

where on the left is an ip address (or a partial ip address if you
want to allow access from a subnet). After changing this file, you
must run

makemap hash /etc/mail/access < /etc/mail/access

That's most of what worked for me. Hope this helps.

Sincerely, Robert Littlejohn (=nessuno, the email address above is a
dummy that forwards to the real me).

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Linux Central home page
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Platform: x86
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24 hrs.
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May 2012
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version: 6.7
format: DVD-R
packaging: CD Sleeve
license: Open Source License
related links
KNOPPIX 6.7, a new version of the popular Debian-based live CD/DVD with LXDE as the default desktop:
product description

1. High compatibility with its Debian base: Aside from configuration files, nothing gets changed in Debians standard installation.

2. Accellerated boot procedure: Independently from the usual SysV bootscripts, multiple tasks of system initialization are run in parallel, so that interactive desktops are reached very fast.

3. LXDE is used as graphical environment, which is a very slim and fast desktop with extremely short starttime and low resource requirements. Because of its GTK2 base, LXDE works together nicely with screenreader Orca.

4. Amount of installed software has been greatly reduced in the CD-version, so that custom remasters based on CD are possible again. On the DVD edition, KDE4 and Gnome with many applications originating from these popular desktops are available.

5. Network configuration is being handled by NetworkManager with nm-applet in graphics mode, and textual GUIs in textmode (compatible to Debians /etc/network/interfaces specification).

6. A persistent image for saving personal settings and additionally installed programs, KNOPPIX/knoppix-data.img, is supported on the boot device, optionally encrypted with AES/256bit. In general, installation as live system on flash disk is recommended.

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text:
[conspire] Backup

Nick Moffitt nick at zork.net
Mon Feb 5 14:28:07 PST 2007

Rick Moen:
> We considered that, but in the end just put the tapes in a very solid
> locked box, and put misleading labels on the tapes.  And relied on the
> fact that my car looked disreputable even then.

The Getaway Car was never new, even in the factory lot.

"Forget the damned motor car                             Nick Moffitt
and build cities for lovers and friends."          nick at teh.entar.net
       -- Lewis Mumford

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[conspire] Racy Pictures and printers.

Paul Reiber reiber at gmail.com
Thu Feb 7 20:03:44 PST 2008

 > As a certain witness will attest, it took me maybe 40 minutes of crawling
> all over the damn thing looking for the power switch to turn it on before
> I finally found it at the very bottom on the front.

Good UI wasn't one of HP's early strengths.  That's pretty typical -
the hidden power switch "feature"... there were even funnier and/or
more disturbing examples.

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text:
[Pkg-kde-extras] CONFIDENTIAL

khalid sultan khalid2010 at att.net
Tue May 4 22:02:08 UTC 2010

Hello dear,

My name is Khalid Sultan Bin Malik head of cells unit at one of the police stations
in Dubai (United Arab Emirates).
One of the Detainees who has been my business partner undisclosed his secret Business Bank Account
to me with sums of $16.580.000 (sixteen million five hundred eighty thousand dollars) where an immediate
transfer to a foreign bank account is needed. Please with your interest contact me to secure these
funds for further investments abroad.

My alternative email address is:- khalidsultan23 at gmail.com
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text:
[development] RFC: letting modules phone home to check fornew releases

Metzler, David metzlerd at evergreen.edu
Wed Nov 22 23:27:43 UTC 2006

I know that this is a sensitive issue, and I'm certainly interested in security so,  I though that I'd point out that there is already some drupal functionality, if memory serves, for creating the settings.php file from the web interface at install time, which would seem to require that you make your sites directory writeable by the www user. Because in the end its all code that gets executed within drupal, I think there's not much difference between being able to write to settings.php and being able to write to the modules directory (IMHO).

So from a security perspective, it seems to me we've already crossed this bridge.  I could put just as damaging code in the settings.php file as I could in any module directory the way drupal is architected.

I agree that command line tools would be a really nice feature, but I thought that the discussion of being creeped out regarding the modules directory was promoting a false sense of security.

-----Original Message-----
From: development-bounces at drupal.org [mailto:development-bounces at drupal.org] On Behalf Of Darrel O'Pry
Sent: Wednesday, November 22, 2006 2:05 PM
To: development at drupal.org
Subject: Re: [development] RFC: letting modules phone home to check fornew releases

write perms to modules directory from drupal as web server user is really hard for me to swallow....

any package managers like script should be run from the command line as a privileged user. should do it's set job and be bullet proof.

On Wed, 2006-11-22 at 11:21 +0100, Oswald Jaskolla wrote:
> Hash: SHA1
> Wow,
> Oswald Jaskolla wrote:
> > I am currently working on a system to automatically install modules.
> looks like I really hit a nerve there. So let me clarify a few things:
> - - Downloading and installing is only done on explicit request of the
>   administrator. I am not Microsoft.
> - - Downloaded files are not less safe because they are downloaded via
>   PHP. There is currently no checksumming available and apart from
>   developers nobody looks into the code to see if it was tampered with.
> - - There are a lot of drupal installations for development and testing,
>   that do not have the same security needs as production sites have.
> - - Typo3 does it.
> The only security issue remaining is having write access to the
> modules directory. If the actual downloading and unpacking is done via
> a one time cron job, this cron job could temporarily alter the access
> mode of the target directory, minimizing the time that the directory is writable.
> Greetings,
> - --
> Oswald Jaskolla
> Ingenieurbüro Richard Schieferdecker
> Kreuzherrenstraße 2
> 52062 Aachen
> Tel.: 02 41 / 409 54 43
> Fax: 02 41 / 477 05 199
> mobil: 01 64 / 941 06 75
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Re: [Gnu-arch-users] Re: signatures and checking

From: Tom Lord
Subject: Re: [Gnu-arch-users] Re: signatures and checking
Date: Mon, 26 Jan 2004 17:45:47 -0800 (PST)

    > From: Samuel Tardieu <address@hidden>

    > >>>>> "Tom" == Tom Lord <address@hidden> writes:

    > > 1. Checksum data can be reliably extracted from them by tla
    > > _even_if_ the user has no ~/.arch-params/.../*.check file for the
    > > relevent archive.

    > > 2. They are "all in one" -- tla can read them, along with the
    > > signature, in a single file-fetch from the archive.  In other words,
    > > detached signatures are not an option.

    > Wouldn't a tar file with checksums + detached signatures achieve what
    > you want? It does 1, it does 2, and it fixes the flaws that were
    > identified.

You're correct that that satisfies the requirements.   On the other
hand, it seems rather heavyweight and it would require using the
filesystem to invoke .check and signing scripts.

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Re: What did you do with Emacs!!!!!

From: Lee Sau Dan
Subject: Re: What did you do with Emacs!!!!!
Date: 04 Apr 2003 09:00:11 +0200
User-agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7

>>>>> "Tim" == Tim X <address@hidden> writes:

    Tim> The first thing I did when moving to emacs 21 was finid out
    Tim> how to get rid of the toolbar, the blinking cursor and
    Tim> rebuilt it without image support.

That's also what I did a few years ago when I moved to Emacs 20.

Did you leap from Emacs 19.34 to Emacs 21, skip the 20th era?

    Tim> I now have emacs21 which looks similar to older emacs, but
    Tim> with the nicer font-lock support, additional useful modes and
    Tim> features.

Me too!   I'm running it  in X, but  I've removed the stupid  tool bar
that  wastes so  much space.   Font-lock is  great --  to bad  that it
didn't arrive until Emacs 21 (or  XEmacs 20).  That has been what kept
me away from tty Emacs (unless I can't get anything better).  Now with
Emacs 21,  I won't feel handicapped  when I work with  Emacs on simple

Lee Sau Dan                     李守敦(Big5)                    address@hidden(HZ)

E-mail: address@hidden
Home page:

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List:General Discussion« Previous MessageNext Message »
From:Bruce Ferrell Date:January 6 2006 2:16pm
Subject:Re: How come this update does not work??
View as plain text

Carlos Vasquez wrote:
>  How come this doesn't work?
>  Wp_photos.photo = IMG_1234.JPG
>  Pixelpost_pixelpost.headline = /this/path/to/directory/IMG_1234.JPG
>  So I need to just match the latter-bit of the file.
> update pixelpost_pixelpost,wp_posts,wp_photos
> set
> pixelpost_pixelpost.headline=wp_posts.post_title,pixelpost_pixelpost.datetime=wp_posts.post_date_gmt,pixelpost_pixelpost.body=wp_photos.caption
> where wp_photos.photo like '%pixelpost_pixelpost.headline%' and
> wp_photos.post_ID=wp_posts.ID;
> I get zero rows returned, 0 updated, etc.
> Any ideas would be appriciated?
> thanks in advanced

I'd say the where clause isn't being matched.  Try a select with the
same where clause and see what you get back
How come this update does not work??Carlos Vasquez5 Jan
  • Re: How come this update does not work??Bruce Ferrell6 Jan


text:
[mythtv] PATCH - Regexp Based Categories

Martin Smith martin at spamcop.net
Sat Feb 14 09:54:40 EST 2004

I'm putting this patch forward for those using tv grabbers like tv_grab_uk_rt
that don't provide category information for shows.

It applies categories based on a local file of regular expressions. The patterns
are read from /usr/local/share/mythtv/autocat.txt. If this file doesn't exist
then nothing is done. I've included an example file that works for some UK TV
shows, but the approach should work in other countries too.

The way it works is that after mythfilldabase finishes its updates all programs
that have an empty category or have previously had a category set by
autocategorisation are examined. If the title matches one of the regular
expressions the corresponding category is assigned to it.

A new option to mythfilldatabase --autocat-only does just the above process so
running this after editing the pattern file safely applies the new rules to all
autocategorised programs.

For safety it will never override a category that has been set by a grabber.

This patch needs the SQL updates shown below

ALTER TABLE program ADD autocategory INT DEFAULT 0;

CREATE TABLE auto_categories
  pattern varchar(255) NOT NULL,
  category varchar(64) NOT NULL,
  PRIMARY KEY (pattern)
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[mythtv-users] Clean the database

Phill Edwards philledwards at gmail.com
Sat Jul 30 00:38:40 EDT 2005

> Because MySQL doesn't support (at least in older versions) foreign keys,
> which is why a lot of us use other DBMS. :)

Well, it does support foreign keys, otherwise one table wouldn't be
able to "relate" to another :) I think you may have meant that it
doesn't support contraints, such as ones which prevent "parent"
records being deleted without deleting their "children".

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text:
[mythtv-users] how to stop lircmd interacting with myth menus?

Robert Parker theparkers.mailbox at gmail.com
Fri Nov 27 20:22:28 UTC 2009

Aha! thanks for the clue. "firefox" is just a wrapper script, at the
end of the script it does an exec of the binary firefox program.
I made a copy of the firefox script, removed the "exec " part, so that
running my private firefox script causes the invoker to wait. This
seems to have persuaded mythtv to not handle lirc input.

btw I think the non-displayed menu text items were because firefox was
running in fullscreen and so mythtv didnt get a chance to redraw
(although I dont know why that would be if firefox really was running
in the background)

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nl80211: how to check if that is p2p go or client

Janusz Dziedzic janusz.dziedzic at
Fri Aug 12 09:58:12 EDT 2011

2011/8/12 hardik patel <hk5patel at>:
> Hi ,
> Which supplicant version you are using ? I think in latest supplicant
> it is taken care by driver_nl80211.c file in supplicant. Which will
> set proper interface for p2p.
> In cfg80211 driver, In cfg80211_change_iface callback driver function
> you can check type which is nothing but "enum nl80211_iftype"
> variable. this tell you whether it is p2p_client or p2p_GO

I am using current wpa_supplicant.
P2P_GO or P2P_CLIENT is never send in set_interface callback.

wpa_driver_nl80211_set_mode()  function from driver_nl80211.c set only:

I see in cfg80211 layer - we never set P2P_GO, P2P_CLIENT nl80211
enums in set_interface().

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text:
RE: Drafting mux WG charter

From: Yaron Goland (
Date: Mon, Feb 15 1999

Message-ID: <3FF8121C9B6DD111812100805F31FC0D08792F11@RED-MSG-59>
From: Yaron Goland <>
To: "''" <>, Joe Touch <>, Ted Hardie <>, Mark Day <>, Rohit Khare <>
Cc:, Josh Cohen <>, Lance Olson <>
Date: Mon, 15 Feb 1999 15:30:07 -0800
Subject: RE: Drafting mux WG charter

My personal interest in MUXing is to re-use a single TCP connection to some
MUX port as a mechanism to simulate arbitrary TCP connections to arbitrary
ports. Put another way (brazenly stolen from Josh Cohen) I should be able to
replace my TCP/IP stack with a MUX enabled stack and none of my applications
should notice any difference.

In the best of all worlds I would like this issue to be declared explicitly
in-scope even if the core MUX protocol doesn't support it. For example, I
could imagine an extension spec built on top of MUX which would extend the
MUX open command to support specifying a TCP port that the particular mux
channel that was opened should be treated as speaking over.

I believe I understand where you are going with the security language and I
even think I agree. But the current text definitely needs some help. However
enough people are already beating on you about that one that I'm sure you
have gotten the point. =)

> -----Original Message-----
> From: []
> Sent: Monday, February 15, 1999 11:38 AM
> To: Joe Touch; Ted Hardie; Yaron Goland; Mark Day; Rohit Khare
> Cc:
> Subject: Drafting mux WG charter
> I'm working on drafting a charter to work on a multiplexing
> protocol; such a thing was discussed at the HTTP-NG BOF at
> IETF-43, at which you spoke up.  If you
> have any interest, I'd appreciate your comments.  Go to
> <> for pointers to the charter and
> instructions for the mailing list where we're discussing it
> (  Some discussion has also spilled over to
>, but please let's henceforth keep it on one list
> only.
> Thanks,
> Mike


text:
Issue 529

From: Richard Schwerdtfeger <schwer@us.ibm.com>
Date: Tue, 21 May 2002 15:08:37 -0500
To: w3c-wai-ua@w3.org
Message-ID: <OFD1E6182F.038C4249-ON86256BC0.00671643@raleigh.ibm.com>
Issue 529 refers to a proposal for a revised checkpoint 6.1/6.2 Checkoint.

Checkpoint 6.2 proposes that any API can be used so long as it satisfies
the content required by checkpoint 6.1 and that it be documented.

I would like to propose that checkpoint 6.2 be modified as follows:

2.  Otherwise, where W3C normative bindings do not exist that the W3C DOM
API must be used and that the User Agent's document binding for it must be
publicly documented so that it may be used by an assistive technology.

My reasons for making this more stringent are as follows:

- At IBM we consider the Web as a platform. It has its own accessibility
infrastructure and sets of guidelines and is a framework on which to
deliver applications/content independent of the target device. In the
process of making Web accessible, the WAI working groups, and in particular
the PF group, evaluate and produce accessibility guidelines to make the Web
and all content delivered on it accessible. To ensure access to the Web we
define changes to programmatic W3C API that must be platform neutral. The
DOM is the W3C API that is being targeted to provide access to structured
content. Without having control over its specification we could not have
addressed the recent "events" API changes that we made to the DOM for the
purposes of accessibility.

- Recent accessiblity information targeted through XML, SVG, XFORMS, etc.
accessibility done by the PF group can be addressed with the DOM WG to
ensure that it can be accessed by an AT through a designated W3C API. The
WAI has the ability to control the specification of the DOM API because it
is a W3C specification. The W3C does not have the ability to control the
information provided by a proprietary API.

- Implementing the DOM does not preclude additional Accessibility API (such
as MSAA) from being used but it does guarantee the core API set needed by
the WAI working groups be provided for.

- The W3C is one of the few places where all the platform vendors (Sun,
IBM, Microsoft, etc.) get together and agree on standards. A standard API
agreed on by the W3C then comes more easiliy adopted and supported in the

- Having a standard W3C accessibility API for Web content makes it easier
to develop cross-platform AT solutions even in the absence of normative

- Having a standard W3C accessibility API for Web content makes it easier
to develop multi-user agent, single-platform AT solutions (Adobe, IE,
Netscape, Opera, Amaya on Windows) even in the absence of normative

- We have plenty of implentation experience with using a platform-specific
DOM binding in IE with IBM's Home Page Reader and Freedom Scientific's

I understand fully that in the case of C++ we are at the mercy of the
operating system implementation. By itself, C++ does not address
cross-process marshalling. It does not address in-process multi-threaded
access. This is why platform bindings need different C++ bindings to
support these features such as through the use of COM, XPCOM, or Corba.
This does not preclude a platform documented C++ binding for the DOM. With
a standard W3C API (that starts with the core DOM) we can build upon it to
require DOM events notification, the CSS DOM API, a DOM Views API, etc. in
the future.

Many of the people on the call only have had to deal with Windows. At IBM
we have to deal with Solaris, Linux, Windows, AIX, the Web, Java, etc.
Having a single W3C DOM API that, in the case of C++, may require different
platform documented bindings is essential.

 Rich Schwerdtfeger
 Senior Technical Staff Member
 IBM Accessibility Center
 Research Division
 EMail/web: schwer@us.ibm.com

 "Two roads diverged in a wood, and I -
 I took the one less traveled by, and that has made all the difference.",
Received on Tuesday, 21 May 2002 16:08:42 UTC

This archive was generated by hypermail 2.3.1 : Wednesday, 7 January 2015 14:49:31 UTC


text:
RE: Definition of Choreography

From: Ricky Ho <riho@cisco.com>
Date: Fri, 18 Oct 2002 18:16:34 -0700
Message-Id: <>
To: "Burdett, David" <david.burdett@commerceone.com>, "'Champion, Mike'" <Mike.Champion@softwareag-usa.com>, www-ws-arch@w3.org

Although WSCI and BPEL explicitly state that they has a part focusing in
public protocol, I agree with David that they are actually focus in the
private implementation.  Putting the conditions in the <if><then><else>
certainly doesn't belongs to the public part of the process.  WSCI is
basically BPML which tries to specify the private part of the execution
flow.  BPEL believes that a public protocol is a subset of the private
protocol so the same language model can be used to represent both.  I can't
prove it right or wrong.  To me it is easier to define another model from
scratch to focus in public protocol rather than looking at how to strip
things out from a workflow model to support the public protocol.

Think about how we define network protocol (e.g. TCP, SMTP, HTTP ... etc.)
using a finite state machine.  Can the public protocol be just an XML
representation of a state machine.  Each state constraint what event can
happen (event can be what SOAP message to send or what SOAP message to
receive).  Each event defines the next state.  Effectively, we are defining
what are the possible message exchange sequence without describing the
internal decision making process.

Rgds, Ricky

At 04:58 PM 10/18/2002 -0700, Burdett, David wrote:

>Some observations on WSCI, BPEL4WS and choreographies.
>Having reviewed WSCI and BPEL4WS, they both tend to focus on how to sequence
>processes to carry out a particular activity. As such they tend to focus on
>"private" processes within the enterprise.
>What I don't think they do so well, is describe the public processes, often
>described as choreograhpies, that **constrain** what a private process can
>do when interacting with services outside of its direct control.
>I think this is an important distinction as:
>1. Public processes need to be standardized, private ones do not.
>2. Anything that needs to be standardized should have a formal way of being
>defined as an aid to understanding and therefore interoperability
>You also need to distinguish between the generic implementation of a
>standardized process/choreography and an individual actual implementation.
>A generic choreography definition just needs to say, for example, ... "if
>you send me an "order" then you must send me an "order response" back - and
>really nothing more".
>I could have said, but didn't ... "if you send me a RosettaNet Order
>contained as an PKCS7 encrypted attachment on a "SOAP with attachments"
>message to this URL using HTTP, then I will send you a RosettaNet Order
>Response in the same format to the URL you specify in return".
>It's all to do with layering. The generic choreography is a universal
>business pattern that is independent of how it is implemented, and
>specifically the service that implements it. If the only way you can define
>a choreography is as part of defining an actual instance then you will get
>unnecessary **massive** duplication of choreography definitions.
>-----Original Message-----
>From: Champion, Mike [mailto:Mike.Champion@softwareag-usa.com]
>Sent: Friday, October 18, 2002 3:12 PM
>To: www-ws-arch@w3.org
>Subject: RE: Definition of Choreography
> > -----Original Message-----
> > From: Mark Baker [mailto:distobj@acm.org]
> > Sent: Friday, October 18, 2002 3:45 PM
> > To: Cutler, Roger (RogerCutler)
> > Cc: 'Dave Hollander'; Burdett, David; 'Mark Baker'; Champion, Mike;
> > www-ws-arch@w3.org
> > Subject: Re: Definition of Choreography
> >
> >
> > Another +1 from me.  Let's see some use cases that
> > demonstrate why it's important to expose choreographies.
> > Because as we've seen from these
> > specs, they're not exactly simple, and if you can accomplish something
> > without needing to agreeing to new stuff, that reduces coordination
> > costs (read; reduces cost of doing business).
>I really, really hope we can stay focussed on identifying the components,
>connectors, and data that are identified by the BPEL4WS and WSCI specs,
>determine which of these are important to cover in a Choregraphy spec, and
>write this up in a way that makes a good case to the W3C AC for chartering a
>WG to define such a spec.  That's what we've agreed to do at the F2F and in
>response to the request for a tighter scope by the WS CG.  Use cases would
>definitely help in that effort, and I think the "Definition of Choreography"
>thread has gotten some ideas going.
>A "devil's advocate" position that this isn't needed is very useful in
>sharpening our arguments, and Mark does SUCH a good job at it :-)  Still,
>let's not get too distracted by arguing for or against the idea that a
>Choreography spec is needed -- we already decided that it is! -- and focus
>on defining what exactly the scope of a Choreography WG would be.  When we
>have a better handle on that, getting pushback helps us make the case, and
>gets the counter-arguments on the record for the AC's use.
>To put it another way, I'll feel that we've done our job if we analyze WSCI
>and BPEL from the WSA framework, make the best case for a new WG, but the AC
>disagrees.  I will NOT feel that we've done our job if we spend the next
>month arguing about whether to do the analysis or not and then offer nothing
>to help the AC make their decision.
Received on Friday, 18 October 2002 21:17:09 UTC

This archive was generated by hypermail 2.3.1 : Tuesday, 6 January 2015 21:41:00 UTC


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Monday, November 23, 2009

NCTE - Part 2

Ok, I forgot to tell you 2 more very special parts about the session I attended on book choice Friday. First, Donalyn Miller, of The Book Whisperer fame, was there, twittering about how excited she was to hear this particular group of women present. There is actually a group photo that I am in with Donalyn after the presentation. I will forward it as soon as my friend, Lisa, who managed to be the only one with a camera ready, sends it my way. Second, my friends (some new and some old) from Choice Literacy joined the session as well. Like I said in my first post, LOTS of smart people in one room -- it was incredibly invigorating!

Moving on to Saturday -- I was thinking about technology and literacy together all morning.

I started by listening to a panel of which Kevin Hodgson was a part. They talked about assigning and assessing multimedia writing. Kevin shared how he, working in tandem with his students' art teacher, science teacher, and librarian, helped his students make digital picture books on a scientific concept (cell mitosis) complete with animation and video. He used the Magic School Bus series as his mentor text. Another presenter, Dawn Reed (a high school teacher from Michigan) had her speech students compose very moving essays / podcasts titled "I believe...". I found myself making all sorts of connections to possibilities in my own classroom.

Then, I went to hear Bud Hunt and Troy Hicks (author of the Digital Writing Workshop) speak about Newer Literacies and Technologies. These two men are brilliant! I can't wait to read Troy's book! These men were twittering and answering questions in real time with the audience. Their mental agility was phenomenal! And they had pretty wicked senses of humor, as well. The thing they said that stuck with me is that the technology needs to be part of a writing workshop process where students have choice and time to write. See what I mean about them being brilliant?!!

Stopped by the exhibit hall after all this technological information, and picked up even more books. I was especially excited to get Patrick Karman's latest series, Skeleton Creek, and have him autograph them. I also got to meet Lisa Yee.

After that, I got to hear Kelly Gallagher and Jeff Anderson speak about Rethinking Literacy Instruction. Kelly Gallagher is the author of Readicide, Jeff Anderson is the author of both Mechanically Inclined and Everyday Editing. Many great points were made. Even though their target audience was probably more middle and high school, I was able to take away many good ideas.

I ended my day listening to an authors' panel about blogging. My blog and author friend, Barbara O'Connor, was part of the panel, so I really wanted to hear what these authors had to say. It was interesting to listen to them talk about how much the time they spend blogging means to them. Fascinating insights into each one of them, but especially good to see Barbara again.

Out to dinner for Italian food with Dublin friends Saturday evening. I found myself in disbelief that the weekend was drawing to an end.

If you've ever been to the NCTE convention, you know what I mean when I talk about the rush I felt being surrounded by not only smart people, but people who share similar beliefs as me when it comes to literacy, and more recently, 21st century literacy. I left the convention feeling so energized!!! It was an amazing weekend.

  1. Thanks, Karen, for your kind words about our session (and our sense of humor).

    I look forward to continuing the conversation with you!

  2. You did a great job with your presentation!

  3. This comment has been removed by a blog administrator.

  4. I sent the pictures to you yesterday, Karen. Did you get them? Sorry for the delay. Great post!


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View Single Post
Old 01-14-2009, 11:35 AM
Ky Tim's Avatar
Ky Tim Ky Tim is offline
Senior Member
Join Date: Oct 2007
Posts: 186

Originally Posted by Worrgamesguy View Post
I've caught multiple stripe, largemouth, and smallmouth. My biggest would be about a 15 pound stripe, and I catch 5-7 pound larges frequently. But I don't think it involves as much skill to entice a bass than it does a trout.
I would disagree, I think it takes a different set of skills to entice a bass to bite, but it is still difficult. I would still rather trout fish, but living where I am I end spending a lot of time warm water fly fishing.
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Old 12-31-2009, 12:23 PM
Rebelsoul Rebelsoul is offline
Senior Member
Join Date: Aug 2009
Location: Dickson Co. TN
Posts: 161

I wasn't actually fishing,but was going to a creek bank to look for fish and came up on two guys who had just found a woman's skeleton...she was a murder victim,killed by a boyfriend.
I always thought sooner or later I would stumble up on a body or something bad happening out in the middle of nowhere......for me that was close enough,I don't want to experience it ever again.
You get several feelings when you see a sight like that,knowing that something really bad happened to the poor person is one of the first and strongest,wondering what they went through at the end....not something easily forgotten,if ever.
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A Storage-Saving Salvaged Wood Kitchen in Brooklyn

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A Storage-Saving Salvaged Wood Kitchen in Brooklyn Eujin Rhee For Dawn Casale and Dave Crofton (and their new little addition), an ample, but budget-friendly kitchen was on top of the list before making the move from their previous residence in Cobble Hill to their 2,400-square-foot townhouse in Boerum Hill , as featured in our Modern for Less issue . By enlisting Brooklyn design-build firm MADE to renovate their aging brownstone using salvaged materials and adding in clever storage-saving methods, the trio was able to squeeze in a splurge or three, such as the Carrara marble sink, Viking chimney wall hood, and a free-standing range by Bluestar. The kitchen island and cabinets were outfitted with remilled Douglas-fir beams salvaged from upstate New York and wallet-friendly drawers from Swedish furniture company Ikea.

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Warman's Kickfighting Show #57: Fight Code, SuperKombat and K-1

  • Written by Dave Walsh

Another week and another episode of Warman's Kickfighting show where I join Steven Wright to discuss the goings on of the worlds of kickboxing and muay thai. This week we look at the results from this past weekend's Fight Code event as well as the fallout from it, including Fight Code organizing two rematches from the show and the one disqualification being overturned. We also go into depth on SuperKombat's last GP event which did not feature the same level of talent as per the last few shows but still delivered on a few different levels, as well as their business model going forward and why it is vital for them to get their act together.

And of course, you can't talk about the last week in the Kickboxing world without talking about K-1. This means talk about the show being cancelled, possibly postponed and the news finally being released that there are many potential buyers for the company but Master Ishii seems to be the lone force holding the company back. As always, the show can be downloaded on iTunes (search: LordGaul) or on the PodBean site. As always, I'm going to embed it, but there does seem to be a timeout with these files, so if it isn't working make sure to go and download it yourself.

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Messages in this thread
    SubjectRe: Device enumeration (was Re: CD writing in future Linux (stirring up a hornets' nest))
    On Tuesday 14 February 2006 6:47 pm, Greg KH wrote:
    > On Tue, Feb 14, 2006 at 05:32:22PM -0500, Rob Landley wrote:
    > > Changes to the kernel have already managed to break us twice
    > > (switching /sys/class from real subdirectories to symlinks means we can't
    > > just ignore symlinks when recursing down through directories anymore,
    > > which is a problem because the existing symlinks form loops.
    > I've shown a simple way to handle this, so this should not be a problem
    > anymore.

    Yup. We're ok with the current stuff, thanks.

    (I haven't updated the mdev code yet because I need to build a 2.6.16-pre
    kernel with the new layout to test against, but I've got a couple options
    worked out.)

    > > And deprecating /sbin/hotplug means we've got to bloat the code with
    > > netlink stuff.) But we'll cope, and the user interface isn't
    > > changing.
    > Since when is /sbin/hotplug "depreciated"?

    The hotplug helper /sbin/hotplug is now officially deprecated. The control
    file /proc/sys/kernel/hotplug has moved to /sys/kernel/uevent_helper, but it
    is expected to be disabled on most systems in favor of udev and the netlink

    > It still works just fine, and isn't going anywhere anytime soon.

    Good news for fans of small and simple, then. :)

    > Turns out that some distros just don't want to use it, and use netlink
    > instead. That should not stop you from using it if you wish, as the
    > kernel sure doesn't care one way or the other.

    Cool. For busybox, /sbin/hotplug is "the easy way".

    > thanks,
    > greg k-h

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    SubjectRe: [PATCH] mm: inactive-clean list
    On Mon, 2006-07-17 at 20:37 -0700, Christoph Lameter wrote:
    > On Mon, 17 Jul 2006, Peter Zijlstra wrote:
    > > This patch implements the inactive_clean list spoken of during the VM summit.
    > > The LRU tail pages will be unmapped and ready to free, but not freeed.
    > > This gives reclaim an extra chance.
    > I thought we wanted to just track the number of unmapped clean pages and
    > insure that they do not go under a certain limit? That would not require
    > any locking changes but just a new zoned counter and a check in the dirty
    > handling path.

    The problem I see with that is that we cannot create new unmapped clean
    pages. Where will we get new pages to satisfy our demand when there is
    nothing mmap'ed.

    This approach will generate them by forceing some pages into swap space.

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The Bookshop

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The Bookshop was established in August 2008 by business partners Christine Barker and Joanne Hacking. Christine retired in March 2011, but with over 13 years experience in the book trade Jo can offer a wealth of knowledge and advice.

The book shop is situated in Colne's main street and is just above the ancient medieval church of St Bartholomew.

We stock a wide range of books for all the family, including a mix of new and bargain titles, with a special corner devoted to children's books.

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Wednesday, February 18, 2009

Good Stories, Well Told

That's how I would describe Slate V's marvelous "What Was I Thinking? Bad Boyfriend Stories." They're short videos told by women about weird or unfortunate ex-boyfriends, set to the backgrounds of great collages. They are like micro chick-flicks, but so good as to be entertaining even to the estrogen-challenged.

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Tuesday, April 20, 2010

Gayngs Day is upon us

"Relayted", the highly anticipated debut album by Gayngs is finally available! The album can be pre-ordered/downloaded on band's official website, but for those who want to take it for a "test run", it is now streaming in its entirety at the Current' website. We checked the Twitter chatter this morning and people seem to like it. Also, they seem to think Gayngs make the perfect baby making music:

Update: Gayngs related tweet in Russian!
Submitted by @marrina.

  1. Here's a couple more related Tweets:

  2. That russian dude calls it "divine rhythm and blues" and wants to find an album. He cant seem to find it on any torrents.
    To be honest its pretty easy to export hip bands like that to my former motherland. Fashion forward kids there will eat that stuff up.


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VALENCIA ( — Roger Rodas was a highly skilled driver who would not have taken a risk with his friend and client Paul Walker’s life, an engineer for Rodas’ race team said Tuesday.

Cary Eisenlohr was the engineer and strategist for Roger Rodas’ race team, Always Evolving. He told KCAL9’s Andrea Fujii that Roger Rodas was known as a gentleman racer, almost in the ranks of a professional driver.

“He liked the skill of driving and he looked to develop it,” Eisenlohr said.

According to Eisenlohr, the 2005 Porsche Carrera GT was not one of the cars Rodas used for racing and was part of a collection he planned to sell.

“It’s a very highly, highly specialized car. It’s built different than the average car,” Eisenlohr said.

The vehicle is so different that Porsche reportedly warned its dealers of the car’s sensitivity. In a letter obtained by the entertainment website TMZ, the car maker warns “the car cannot go over a speed bump without damage” and describes the model as “as close to a racecar as we will ever get. This car has all the disadvantages of a racecar.”

Surveillance video obtained by “OMG! Insider” from a business across the street from where the fatal crash happened Saturday shows an explosion, smoke, and flames shooting about 20 feet into the air after the Porsche GT Walker was riding in crashed into a tree.

The Porsche involved in the accident was one of only 1,300 produced that year, less than half of which came to the United States. The model can cost up to $500,000.

Though investigators say it appears speed was a factor in the crash, Eisenlohr says Rodas would not have taken any chances, especially with Walker in the car.

“He realized if Paul was injured, he had three or four more movies to do,” Eisenlohr said. “He wouldn’t take any kind of a risk to do that.”

Eisenlohr says he and the racing community are devastated and want answers.

“He was a very serious person that was looking forward to, you know, living life all the way through,” he said. “And it was just taken way too soon.”

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Come See Me Compete in The Great Chili Experiment Competition – Stockholm

OMG, OMG, OMG! I have some super exciting news!

I have been invited to participate in the food competition called The Food Experiments – The National Tour. This event is sponsored by Brooklyn Brewery and run by Theo at The Food Experiments.

And if you’re wondering why a US national tour is in Sweden, it’s because Brooklyn Brewery’s largest market outside the US is Sweden. Go American beer! And many of you think American beer is terrible, tisk tisk.

Tomorrow, Sunday, March 25th, Andrew and I will be competing in the Swedish leg calle the Great Chili Experiment – Stockholm. You can meet us, taste the food, and of course vote for us! The Swede is helping to organize and rally the troops. We’ll be in costume (can’t say what in case an enemy is reading…hehehe).

We are called team Northern Lights & Fire and will have a table set up and will be sharing lots of tastings.

We also had a chance to scoop out the competition last night. There are a lot of teams. But we’re still excited and ready to kick chili ass!
Meet the Competitors night at Akkurat – with teammate Andrew, enemy err competitor, friend D

Meet the Competitors night at Akkurat – with friend D and host Theo – not the best shot but we had a blast

Say hi and meet us at the Great Chili Experiment!
Where: Hornstull Strand
When: March 25th, 13-16hr
Cost: Tickets are 100kr and can be bought at the door or online. Entry gives you tasting to all competitors (22!) and a free beer (I think).
Why: Because you know you want to see me and taste epic delicious Indo-fi’ed chili!

2 thoughts on “Come See Me Compete in The Great Chili Experiment Competition – Stockholm”

  1. Sounds like a great time! Would certainly have checked it out if I lived in Stockholm! :) (Sapphire, I tried responding to your mail but it will not allow me to, says the email does not exist.)

  2. Megalagom – It was super fun! We didn’t win but it was nice to do something different.

    There’s something wrong with that address. I’ll email you again.

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Friday, June 10, 2011

Parson Desk Redo: Take Two!

Where do I begin? I heart it! So, it has taken me about three weeks, four coats of ultra white Behr paint, touch up paint because I was impatient, two coats of a polyacrylic (?) for protection because I was impatient, some new hardware, and a can of gold spray paint for the hardware... but its now complete! If you are just joining us and you have no idea what I am talking about... I just recently inherited "my new PARSONS desk!", and it was going to need a complete redo. And yes, I do consider paying $25.00 for this desk the same as inheriting. It was basically a steal! Check out some images below of it placed in my home:

There are two pretty staple things that I had to have for my desk. One was of course my favorite book, Domino: the Book of Decorating, which I consider to be a  bible to all inspiration (and of course my desk). The second thing I had to had to have was my gifted bronze horse (which is now gold thanks to a can of purchased spray paint) from Delaware Park Race Track and Slots because you should never forget your roots. If you did not know, I held employment there for eight years until 2008 before venturing out on my own.

I pretty much think that my inspiration was matched, but needless to say... you do not have much of a desk without a chair. That will more than likely become a task for the flea market guy. I have a few ideas in mind, and hopefully he will be able to scour the local markets with success! However, if he is not able to find a chair similar to the chair below on your left, then we will probably pick up the Ikea Gilbert Chair similar to the one on the right in a black/brown.

How do you think I did?

nicole brennan  .  302.545.0412  .  .  wilmington

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North American Handmade Bicycle Show – Thu, 20 Oct 2016 13:25:24 +0000 en-US hourly 1 20661858 Boo Bicycles Looking to Get the Word Out at NAHBS Wed, 23 Feb 2011 19:00:45 +0000 The 2011 North American Handmade Bicycle Show (NAHBS) is only two days away, and you can already feel the anticipation in the Austin air.  This year’s show will be a record breaker for number of exhibitors…and with Austin being such a bike friendly city, I’ll bet we break some attendance records as well.

I thought it would be cool to get a response from one of the exhibitors a couple days out from the show and see how their last minute preparations are going and what they expect from this weekends event, so I contacted Nick Frey.  Nick is the owner of Boo Bicycles, a handmade frame building company based out of Fort Collins, CO and specializing in high-performance bamboo-carbon bikes.

LTB: Are you guys all set for this year’s NAHBS?

Nick: Almost!  I’m building up a Boo road bike with Dura Ace and Enve Composites 1.45 carbon clincher wheels, it’s coming together very nicely.  It is a customer’s bike, a stock geometry Road model, and he’s very excited to have it on display at NAHBS.

We prefer using customers’ bikes for shows–they are not trailer queens, they are ridden and raced and proven.  One of the biggest obstacles we’ve had to confront is the notion that bamboo bikes are a novelty.  It may be true that most bamboo bikes on the market are targeted at the green market or for those who simply like the idea and want a relatively low-cost bike that stands out from the crowd.  However, I am a professional cyclist and Boo Bicycles produces professional level racing bicycles.

LTB: What is the number one thing you hope to achieve at the show?

Nick: We are looking for PRESS to get the word out.  From that press, we are looking to line up magazine test reviews, grow our exclusive dealer network, and sell some custom bikes direct.  But all that comes from the incredible publicity of being at the show and getting the word out through the web.

LTB: What is the coolest bike you’ll be brining to the show?

Nick: That’s a trick question: every one!  To be honest, if I had to choose, it would be Kirk Hartshorn’s Boo Singlespeed.  It is fitted with a belt drive from Gates, the new CenterTrack version, and features a custom Boo Barstem with carbon fiber and rattan inlays.  It’s one of the cleanest, sexiest bikes we have ever built.

LTB: Bamboo bikes are sort of becoming the rage right now. Do you think we’ll see more Bamboo bike manufactures being started?

Nick: Absolutely, it’s already happening.  The obstacles are serious:

  1. There is no knowledge base for bamboo construction.  It’s a new material and new builders keep the construction methods to themselves.
  2. Bamboo is a finicky material.  The rewards are an incredible blend of lively, supple ride quality, stiff and efficient power transfer, and relatively light weight. But bamboo must be treated properly, only a few species are the best for use in a frame, and the quality of the bamboo is of utmost importance.  There is not a consistent supply of ultra-high quality bamboo and this is why we’ve taken absolutely everything in-house.  We know the level of standards because we control every step.
  3. Consistent quality is very difficult.  We’ve gone through more prototypes and learning experiences with various details of our different frame models over the last three years than I’d like to count. The devil is in the details, and we are building custom frames that cost close to $3000 each.  We have had to invest a great deal of time, effort, and ingenuity to ensure every single frame is perfect. After what we’ve been through in the last three years, I’m guessing that there will be few builders at our price level in the market any time soon.

LTB: Have you been to Austin before? What would you like to see or do while you’re here?

Nick: I traveled through Austin briefly on the way to a training camp in the Hill Country west of town, but I have not experienced the city.  Its reputation as a very progressive, hip town is perfect for NAHBS, and I’m very excited to be so close to Mellow Johnny’s, the only Boo Bicycles dealer in Texas.  They have a trick custom Boo belt drive Rohloff-geared flat-bar road bike, Bart Knagg’s personal steed, and it will be great to have their support at the show. James Wolf, the genuis craftsman behind every Boo frame, has flown in from Vietnam for the show, and I’m sure we will enjoy the experience and partake in the nightlife if there is any energy left after the show!

Boo Bicycles was created in 2009 by Nick Frey, a multiple national champion, professional cyclist, and a mechanical engineer.  Over 18 months of research and development at Princeton University has resulted in high performance, expertly-engineered bamboo bicycles.

If you’ll be at NAHBS, drop by the Boo display and say hello to Nick.

]]> 2 3267
NAHBS Brings Bike Beauty to Austin Fri, 28 Jan 2011 11:07:34 +0000 It’s still four weeks away, but I’m totally stoked to be attending my first ever NAHBS (North American Handmade Bicycle Show) held right here in Austin, Texas this year. This is the 7th year for the NAHBS and it’s taking place in the ATX from February 25 to 27.

The show began as, and remains, the largest and most important gathering of custom bicycle builders anywhere in the world.  It features all conceivable types of bicycle: Some dazzlingly beautiful, some you thought might have been impossible to build, some very fuctional and utilitarian, and others that are simply classics of their genres.

Whatever types of bike they are, they’re all of the highest quality at NAHBS. All of our booth holders have completed at least 50 frames and spent at least two years as a professional builder. Each of them carries product liability insurance and is a highly reputable and respected member of the industry.

I’ll be blogging from the show when I attend in February, but I wanted to post about it now because I’m amazed at how many people have still never heard of the NAHBS.  If you’ve been thinking about attending, here’s four reasons why I think you should make it happen:

  1. This year they’ve broken the exhibitor record, so you know the show will be packed full of great manufacturers and bikey type displays.
  2. Thousands of the most beautiful bikes you’ve ever seen, all together in one room. (Check out the Exhibitor List)
  3. Intense and extremely educational NAHBS Seminars.
  4. It’s in Austin, Baby….Enough Said.

If you’re coming….and I really hope you are, be sure to purchase your tickets to the show online, in advance.  Doing so, you’ll save yourself some cash on the entrance fee.  Oh, and if you’re coming…be sure to let me know so we can make some meet up plans.

For more information on the North American Handmade Bicycle Show, head over to

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School & Office Supplies

Save money on school supplies at any time of year. Cut costs on the full range of office supplies for your home business or workplace.

  • 5 Ways to Save on School Supplies
    Kathy Moore at "School supply lists seem to get longer and longer every year, but there are ways to find these back to school items without breaking the bank. See how to find discount deals on school supplies along with other easy ways to [...]
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Probe into Biomet bribery charges to continue past DPA deadline

viernes 25 de marzo de 2016 18:20 GYT

March 25 (Reuters) - Zimmer Biomet Holdings Inc said on Friday a U.S. investigation into foreign bribes at Biomet, before it was acquired by Zimmer, would continue past a deferred prosecution agreement deadline of March 26.

A deferred prosecution agreement or DPA is a contract between a person or a corporation charged with a criminal act and the prosecuting authority, which diverts the case out of the formal criminal justice system.

If the Department of Justice determines that Biomet's activities in Brazil and Mexico breached the DPA, then it could bring further actions against the firm. The company said it continues to cooperate with authorities.

In 2012, Biomet entered into the agreement with the Justice Department to resolve alleged violations of the Foreign Corrupt Practices Act according to which Biomet bribed government officials in Brazil and Mexico.

The company said on Friday the DoJ and the U.S. Securities and Exchange Commission will further discuss the case in the second quarter, and that the matter would likely not conclude by the deadline.

Zimmer closed the $14 billion deal to buy Biomet, a rival orthopedic products maker, in June 2015. (Reporting by Amrutha Penumudi in Bengaluru; Editing by Cynthia Osterman)


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Location: Anchorage, Alaska

I've been in woodworking since 1987, when I brought my shop smith. I'm retired from the Air Force I put in 21 years.

My work shop is a double car garage, which isn't big enough just like every other shop. I enjoy building 1/16th scale wooden toys mostly fire trucks and construction equipment.

-- Wildman63

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Welcome to Ljs a world wide community were there are great people,super projects and great woodworkers.Enjoy

-- Custom furniture

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Welcome To LumberJocks.
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Glad to see that you have made LumberJocks a part of your Woodworking experience… Welcome

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Welcome aboard. Nice that you could join us on Lumberjocks.

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Vector patterns and modifying them for double bevel cutting

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Blog entry by jfk4032 posted 04-01-2014 10:17 PM 1651 reads 2 times favorited 2 comments Add to Favorites Watch

It was requested on another forum for me to explain how I capture my intarsia patterns digitally, create vector artwork, then modify that artwork for accurate double bevel cutting…so here it is for my LJ friends:

I’ll try to explain the techniques I’ve developed for digitizing my patterns and using that pattern to expand the artwork for accurate double bevel cutting. Keep in mind, I just started intarsia less than 2 years ago, only have 7 projects under my belt and only tried double bevel cutting on my most recent project. So, by no means am I an expert, I’m just beginning with all this, but I do have a graphics and printing background to give me perhaps a different perspective than most, especially with pattern modification.

You would first start out by capturing the pattern in digital form. The two ways I know to do this are to scan the pattern as a whole or in pieces if too large for your scanner or take a digital photograph of the pattern. If taking a picture, you’re best to stand far away as possible to reduce the distortion of taking a picture.

Once I have the base pattern digitally captured, I’ll take that file into Adobe Illustrator where I begin the painstaking, but necessary task of redrawing all of the lines over the pattern and then applying numbering, grain direction arrows and other notes if needed. This is in vector form, so it is infinitely scalable which is a real nice benefit. The next project I’m working on started off way bigger than I realized, so it was very simple to start scaling it down to a reasonable pattern before sizing up the wood I’ll need for it.

I’ll then print out multiple copies off a large format printer as reference and to start some of the cutting that doesn’t require double bevel cutting. For the ones that will be double bevel cut, I’ll use the following steps.

I’ll select test pieces of the two woods I intend to use and start experimenting with the angles and thicknesses of the top piece to get the desired height or recess of the top piece into the bottom piece. Once I determine that is satisfactory, I’ll measure the distance across the top of the top piece test cut hole and the distance across the bottom of the top piece test hole. Refer to the diagram to follow along.

Diagram 1

In this example I’ll use 3º as the angle cutting clockwise. The measurement across the top piece test piece (inlaid wood) is .75” at the top and .71” at the bottom. This means if I were to use the existing pattern without modifying it, I’ll get the desired height I wanted by following the trial and error process above to get the correct angles, but the piece itself will be shrunk inwards, smaller than desired relative to the actual pattern. This is where having it in digital form makes for an easy adjustment. If the total distance shrinkage is .04”, that means I need to expand the pattern .02” all the way around it to get that .04” back. There’s a simple command in Illustrator to do this. I’ll color the expanded line in red so it’s easier to see which line to cut.

I’ll just print these out in sections off my standard printer at home on 8.5×11 paper. See the next picture for that result.

Enlarged expansion
IMG_0598 copy
As you can also see in that picture and the next, the amount of expansion is greater as the height of the piece gets taller. The teeth for example stick up the highest and accordingly have the greatest amount of offset, whereas the tongue is almost level with the background, so it’s expansion is much less. In this case the thickness of the holly for the teeth was also thicker than the pink ivory for the tongue…but the testing of angles with thicknesses I described above takes that into account.

If you don’t have Illustrator or another drawing software, you can still do this technique the old fashioned way. Do the test cutting, and measurements as I described above and then carefully outline the pattern piece with a pencil to the correct offset and you’re good to go.

The position of multiple double bevel cut pieces into an intarsia pattern also requires tight “registration”, using a printing term, of one piece to another. I figured out to do this I need to cut the shape of the top piece to fit over reference points of previously cut patterns to the base piece. You can see this in the next picture, how the the outside shape of the hind leg top piece (the grayish blue pine) was cut to fit over the already cut pattern of the base piece (the darker wenge)...this ensures good registration of the piece to be cut.

IMG_0597 copy
I hope this sheds some light on what I’ve just learned on this latest piece.

Here are some Q&A’s from that other post:

When taking a photo and stand as far away as possible, do you use the zoom feature?

Do you save the photo as .jpg?
jpg is fine, or any format you can open in a drawing program like Illustrator. pdf or tiff should also work fine

When you cut the expanded line (red) don’t you have the same issues, just larger. If you are cutting double bevel it tapers no matter what size the pattern is.

Not sure I’m following you on this question. When you cut the red line on the top of the top piece, the angle tapers in so that the cut at the bottom of the top piece (where the fit actually takes place in reference to the base piece) is back to the original pattern shape…or close enough to it that the pattern integrity is good enough by your eye.

Are you marking a “registration” with a pencil or using a image point on the pattern itself? Do you use only one point, or two, say corner to corner?

Not a specific image point at all, but rather an edge, curve or better yet a corner or sharp arc. If you can find opposite edges or corners to align to, you can be very accurate…check out the 4th picture and see how there are cut features around the perimeter of the grey wood that allow me to lay it over and fit it to areas of the piece below that were already cut. You always need a first piece cut into the base where you won’t have anything else cut yet. In that case you can use the outside contour of the base piece to find where to make that first cut.

I presume you don’t have to use shims?

You could use very thin shims, but keep in mind the main purpose of using the double bevel cutting, is to make a glove tight fit of the top piece into the bottom piece. The higher you shim the piece up, the further away from that perfect fit you take it away. If you want a higher top piece you would increase the top piece thickness and accordingly probably need to increase the offset to get the bottom side of the cut top piece back to the original pattern shape.

Once you have your table angled to the initial offset, do you change the angle depending on the height you need for the piece?

Yes, each piece or group of pieces may need to be set to a different angle depending on the thickness of the top piece and the end height I’m looking for. On the Duke dog, for example, I cut most of the gray body pieces at the same angle, because I started with the same thickness wood and wanted the same starting height for all of the pieces. I then sanded and shaped the various gray pieces down to create the height differentials in the final piece. Only on several of the gray pieces did I change the table angle. The lower jaw pieces were raised up the least, so their offset was less than the other gray pieces.

-- ---Joel; Central MD...rookie empter nester and getting back into woodworking!

2 comments so far

View Monte Pittman's profile

Monte Pittman

21508 posts in 1754 days

#1 posted 04-02-2014 12:06 AM

My brain is completely overwhelmed just trying to think my way through it. Very impressive.

-- Mother Nature created it, I just assemble it.

View TopamaxSurvivor's profile

17569 posts in 3092 days

#2 posted 04-03-2014 07:56 AM

awesome procedure .

-- Bob in WW ~ "some old things are lovely, warm still with life ... of the forgotten men who made them." - D.H. Lawrence

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text:
Stand for Chinese Tile

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Project by RedBeard posted 04-26-2010 07:23 PM 1282 views 1 time favorited 4 comments Add to Favorites Watch

One of my client’s found this old Chinese tile at a flea market, and asked me to build a display stand for it. My goal to make something that would feel stylistically appropriate without detracting from the real show-piece which was the tile. I used some nice straight grained Sapele with a black-cherry stain and a lot of lacquer. The top is friction fit via 4 through-tenons, and can be removed for cleaning. This one was a lot of fun.

-- Measure once, cut twice

4 comments so far

View jockmike2's profile

10635 posts in 3663 days

#1 posted 04-26-2010 07:34 PM

Very neat project. Awesome conversation piece.

-- (You just have to please the man in the Mirror) Mike from Michigan -

View rmoore44's profile

51 posts in 2450 days

#2 posted 04-26-2010 11:21 PM

Nice, the tenon construction looks great and practical.

-- --RoB, Florida

View Rick's profile

8287 posts in 2449 days

#3 posted 04-27-2010 05:05 AM

VERY Nice piece of work. You hit the “Form & Function” Design aspect perfectly. I have a few OLD Chinese Artifacts. I think your Client made a Good purchase.

Thanks for posting.

-- Hope Everyone Is Doing Well! .... Best Regards: Rick

View mmh's profile

3664 posts in 3139 days

#4 posted 04-27-2010 05:34 AM

Very handsome and it looks sturdy too.

-- "They who dream by day are cognizant of many things which escape those who dream only by night." ~ Edgar Allan Poe

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