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The Blog of Jack Holloway

Tuesday, July 15, 2014

Intro to Biblical History Class Info

Introduction to Biblical History
From Abraham to the Church

John Daniel Holloway, III
(804) 908-4535

Course description: This course is designed to be an overview of the history of the people of God, from Abraham’s call to the church’s mission. We will go through the biblical narratives of Israel’s pre-slavery period, their slavery and exodus, their acquisition of the promised land, the development of the monarchy, the separation into two kingdoms, the exile, the return from exile, and then through the second temple period into the time of Jesus, and finally to the church. The objective is for the students to learn the major events of the biblical history, grasping the overarching narrative therein. I aim at being informative in providing a solid understanding of the history of God and his people as revealed in Holy Scripture.

John Daniel’s qualifications: I have a B.A. in Biblical and Theological Studies from Regent University. I am currently enrolled part-time at Regent’s School of Divinity, working towards my M.A. and am looking forward to doctoral work. I have done a significant amount of study in and out of the classroom, including presenting papers at various conferences. Finally, I have a passion for teaching and a passion for the Bible.

Contact me for Location and Time info

Books required: A Bible, preferably NASB, ESV, NRSV, or NIV. No other text is required. However, research papers will have to include outside sources (which can be provided by the teacher if need be).

Cost of class: $100 per semester. That being said, if you are interested in the class but do not have the funds, please contact me directly as a scholarship might be available. You may also audit certain lectures free of charge.

Course level: I am developing the class to be geared towards Junior-Senior high school students. Adults are also encouraged to sign up. I am open to accepting younger students as their proficiency allows. Just contact me and we may be able to work something out.

Assignments: There will be two research papers per semester, 3-6 pages each (all of which will be submitted via email). There may be quizzes now and then, but they would be on the lighter side as their purpose would only be to make sure everyone is getting the key points. The course will include a mid-term and a final exam, but, again, only for the purpose of making sure everyone has the key points of the class, and so they too won’t be all that elaborate. I aim for this class to be a lighter load than other classes. I want it to be an enjoyable experience in which the students can learn and cherish the stories of the Bible.

Amount of weekly reading: Several Bible chapters

If you want to sign up or if you have questions, just email me.

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“The Road Forward is a musical documentary like no other. It bends and pushes the boundaries of what we expect of Indigenous cinema, the music video genre and Western documentary traditions.”
– Aisha Jamal, Hot Docs

Written and directed by Marie Clements, The Road Forward is a musical documentary that connects a pivotal moment in Canada’s civil rights history — the beginnings of Indian Nationalism in the 1930s — with the powerful momentum of First Nations activism today.

The Road Forward is making it’s international debut at Hot Docs 2017, and is the opening night gala film for Vancouver’s 2017 DOXA Festival.

“With bold blues and rock musical breakdowns led by a cast of Indigenous musicians and performers, the film charts a path of resurgence, honouring the work of ancestors, and passing on the burden of struggle, creating a way towards genuine self-determined reconciliation. We are extremely proud to open the 2017 DOXA Festival with this powerful celebration of song and spirit.”
– Dorothy Woodend, DOXA Festival

It was a profound honour to work on this ambitious film – to be changed by Marie Clements’ singular vision, and the wisdom, soul and strength of the film’s performers and subjects. I hope this film is experienced far and wide, lighting a fire for change in many hearts.

Hot Docs 2017

DOXA 2017

Writter, Director: Marie Clements
Director of Photography: Mike Mckinlay
Composers: Wayne Lavallee, Jennifer Kriesberg
Sound Design: Troy Slocum
Shirley Vercruysse, National Film Board of Canada

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Travel Resources

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an essay by Shinyoung Chung

An essay by Shinyoung Chung (Art Critic)
from Jina Park's Solo Exhibition 'one and one' leaflet, ONE AND J. Gallery, Seoul, 2012

Jina Park – on schizophrenic proliferation in ‘one and one’

 The development from “Packing and Checking 01”(2012) to “Packing and Checking 02”(2012) marks a turning point in the group of works shown at Jina Park’s solo show, ‘one and one’. Set inside an art storage, a succinct triangle composition in “PC(Packing and Checking) 01” – with a standing woman in the center as an apex and two crouching men working on either side of a large canvas - expands in a curious way in “PC02”. Men have doubled in their numbers in “PC02”, resulting in the back-to-back images of the two identical men, each on both sides of the canvas. Juxtaposition of the two identical figures on a pictorial planar is extremely rare in the history of modern painting, especially in the contemporary figurative scene except perhaps as mirrored images. The reason may well be that for many figurative works based on photographic images, it is unnatural to have a double image of the same figure on a single painting unless intended for a specific purpose. Pre-Renaissance artists have used multiple images of a person on manuscripts or scrolls to express continuous narratives, but the repetitive images of two men in “PC02” do not seem to stand in for a narrative. It is also relatively clear that the artist has not prepared for a confrontational structure between the multiplied figures, nor wishes to illustrate the world of occult through ghostly apparitions. The fact that the doppelgangers do not interfere with the events within the given scene makes the uncanny painting startling and refreshing.

Park’s previous works have anticipated the double images. Park has painted since 2004 the photographs taken with a four-lens lomo camera, which takes four consecutive shots of a scene with a shutter and gives as many images on a single print. Transferring almost identical images of a scene with slight differences in time and position, the artist was justified to copy the images of same figures up to four times on a single canvas. Yet there is a fundamental difference to this from “PC02” as the entire scene as well as the figure is recopied in lomo paintings, whereas in “PC02” only the figures are doubled in the same pictorial setting. Following the lomo series the artist uses photographs from a normal camera, taking several shots of the same scene and painting them separately on different canvases. In the series ‘Waiting for Screening’(2010) based on the photographs taken in the screening hall in Centre Pompidou, identical viewers appear on three different canvases with slightly different poses; previously in ‘Moontan’(2007) series, the same picnic goers are repetitively traced against the night scene on different canvases.

Park’s reiteration of the everyday scene categorically differs from Monet’s endeavor to capture the subtleties of the Rouen façade in thirty different shades, or Gerhard Richter’s intimate and loving gestures in copying Moritz’s image on several canvases; her drives are far from the paranoiac obsession of the painterly objects but closer to the schizophrenic will to expansion and multiplication. Through the disinterested process of illustrating the same scene and figures repetitively, the artist may become detached from the events within the pictorial space and confronts the frame of the painting, the delimiting border between the canvas and the outer world. How is one to set a border between this painting and others, and who would be the subject in such process. There is not a definitive vision in the process of painting which consists of looking at a given scene, taking photographs, painting them and editing the painted canvases. Grouping of multiple canvases, into diptych and triptych, in this period suggests the artist’s questioning of the pictorial frames. Although diptych “Storage 01, 02”(2010) or triptych “Persistent Boy 01, 02, 03”(2008) take the traditional form of polyptych, each canvas is almost identical to the other pair or trios and do not present a continuous vision or extend narrative. If the typical polyptych allows for an expansive vision through panoramic structure, grouped frames with altered versions of a scene recognize the possibility of fragmentation in the subjective vision, taking the elements of uncertainty and instability into the painterly institution.

This inclination to the dynamic vision is also applied in the depiction of the figures as apparent in the recent show themed around figurative studies. In “Inventory”(2011) a set of two women appears twice, once in front of stored canvases on a rack and then behind the rack, visible only through the opening in the canvas rows. The canvas rack separates the space between two sets of women, acting as temporal and spatial axis; as an internalized frame, a part of representational reality, the rack has replaced the previous framing devices such as the four-split frames of the lomo photographs or the canvas frames that stand between the identical scenes. It is poignant how the image of rack full of canvases (frames for painting) act as a visual pun and function as structural frames, separating two sets women. The reason “Inventory” seems to have been executed prior to “PC01” or “PC02” is due to the visible hesitation in the straightforward juxtaposition of the double images, which is avoided through the insertion of mediating frames and paring of the coworkers together and not the doppelgangers; both factors contribute to relieving the artist the pressure in challenging the taboo of representing identical figures side by side. “Two Stories”(2011) precedes these attempts; there is a double image of a woman with glasses on the second floor. Here the shocking presence of these two identical women is somewhat distracted by different levels of visual triggers; the frames belonging to the architectural setting – two floors, glass handrail, white wall - as well as equally dispersed figures. If it weren’t for the surprised looking man on the second floor covering his mouth with a hand, duplicated image of his coworker may have been smoothly camouflaged by the busy scenes of exhibition making, a rather recent interest for Park.

After such trials, Park’s double figures gain confidence in their appearance. It is worth examining the application of a “typical triangle composition” in painting “PC01” and “PC02”, where the transition in the status of the double figure takes place. The Renaissance cannon of the Madonna and Child such as “Madonna of the Meadow” by Raphael had been based on a triangle composition where Madonna, baby Baptist and baby Christ take each corner of the triangle. The triangular configuration resonates in “PC01”, as the backlit woman on the top, a kneeling man on the left and the second man facing him overlap with the holy counterparts. In “PC02”, the doppelgangers of the working men on sides of the canvas are positioned right next to the originals without disturbing the balancing act of the triangle; in presenting the conspicuous images of the doppelgangers, Park takes advantage of the stability of the familial triangle as it may expand to the Holy Family as necessary, reconfiguring and adopting the excess. As in “Carnigiani Holy Family” or “Madonna of Foligno”, the formation of Madonna and Child expands incorporating other saints and patrons, aligning them on either sides of Madonna as entourage. They are classic examples of the opening up of the enclosed family triangle to face the outer world as well as the logical display of access to capital through the portrayal of the patron. Just as Deleuze & Guattari have diagnosed the schizophrenia of the contemporary society through the critique on the Freudian Oedipus triangle, Park’s multiplied men symbolize the schizophrenic fragmentation as the contemporary symptom as well as the challenge to the authority of the history of figurative painting.

In coming up with the idea of multiplied men, Park was inspired by a pair of assistants from Kafka’s <The Castle>, who act together in following the protagonist, K; this explains the disinterest, silent tension and the strange camaraderie between the doppelgangers, such as in “PC02”, “A Blue Sofa“ “A Man with a Six-channel Video”, or “Photographing”(all 2012). Deleluze & Guattari write in <Kafka – Toward a Minor Literature> how Kafka’s characters undergo “unlimited schizophrenic proliferation” within their own series (such as two assistants, four women and six lawyers), and that this process is crucial in extending the storyline; the proliferating characters in Kafka act as a context and device for Park who had searched for the support in representing the multiplication of images through lomo paintings to multiple canvases to polyptychs. Now through the multiplication of subjects in a given scene, the artist questions against the illusive nature of the singular reality and space as well as a unified situation and context. For Park who had opted for the multiplied visions and expressions in representing her reality, the split subject may be an alternative vehicle to uncertainty of the self. In that sense the pairs of doppelgangers successfully deterritorize where they stand as if to overcome the delimited nature of the self-referential subject of art; the art-related settings in “PC02”(art storage), “A Blue Sofa”(dealing room) or “A Man with a Six-channel Video”(gallery) no longer serve for their original purposes. Albeit the use of conventional paintelry language, with the existence of doppelgangers, these grounds of art industry become a new critical arena for deconstructing the traditional belief in ‘what is painted’ and let the viewers reconsider the border between the real and the illusion. On these spaces, the storage, dealing or exhibition no longer take place as they become the realm of reevaluation, critique and distrust of reality.

The figures in “Two Women Drinking”, “Two Men Drinking”, and “Football Players”(all 2012) face directly out towards the viewers unlike the shy and timid doppelgangers in previous works. Although the images are of different individuals, how we tend to see the double image in them is a good indication of our vision that is imperfect, superficial and temporary. Like the Rorschach test, the double portraits diagnose the observing subjects; the schizophrenic double image is now internalized, disclosing the inner uncertainties within us.

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At Risk Learners
4 Part eSeminar - On Demand with Franklin Schargel

Click on the sections below to display more details.

Program Overview

This exciting series has been designed to provide field-tested ideas about working with at-risk students. Designed to be presented in an easy to use format and implemented quickly in classrooms, these are concise snapshots of what educators can do to keep At Risk Students from dropping out, staying in school and being successful. Teachers can apply these practical tips in their classrooms the next day.

Duration: 90 min, each part
Total: 6 hours

What is an "On Demand eSeminar"?

An On Demand eSeminar is a recorded presentation, available 24/7 from any computer you choose. When you register for an On Demand eSeminar you can view the entire presentation, or parts of the presentation as many times as you wish. You can stop, go back, and review pieces that you would like to focus on. You can even watch part of the presentation at your office, stop and come back to it later at home to finish.

To view a two minute preview example of an On Demand eSeminar, click here.

Customer Support

If you have any questions about this program or how you can use On Demand eSeminars for your school or district,
please feel free to email us by clicking here, or call us at: 1-888-469-1888

Fees and Registration

A licence purchased by a district or school provides 24/7 access to all programs for an entire school year. Credit can be negotiated and is the responsibility of the district.

Upon purchase you will receive a catalog of all the programs which you can forward to all teachers you have registered. The catalog will include links where each teacher can download instructions for accessing the programs.

Fee: $389.00 + $5.00 per participant
Example: A school with 10 participating teachers would pay $389.00 + ($5.00 x 10) = $439.00

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Words for Writers: Should I Take A Class?

Last night was quite gratified to be included in the Brockton Writers Series reading at Full of Beans.  There were four authors as we all read for about ten minutes (I read from my new anthology HERO Is a Four Letter Word. Natch)After the reading, there was an open Q&A, and some private discussion, and something that came up more than once is if I, as a published author, thought that taking a writing course was a good idea.

Whoa nelly.

How’s that for a can of worms? The thing is, there’s no wrong or right way to answer this question. I, personally, don’t know the asker’s skill level, nor read their work, nor do I know what they’ve already taken or not.

There’s simply no blanket answer for a question like “Should I Take A Writing Course?”

Well, did I take a writing course? I did take some. I took a short story writing, and a playwriting course while in school. My undergrad major was Dramatic Literature, so there was a lot of script writing and analyzing in those classes. I also did a self-directed screenwriting course, and had a TA oversee the creation of a play from concept to public workshop reading to performance.

On top of all that, I was writing scads of fanfic, and engaging in the community there to learn more about storytelling, editing, beta reading, and characterization. I also worked with a writer’s group when I lived in Japan, and I try to be engaged with NaNoWriMo when I can.

So what are some Pros of taking writing courses?

·         Skills and Drills: Each week your teacher/seminar leader/ will probably ask you to read and write something. Just like drilling and learning new skills in a sport, doing so in writing will teach you how you prefer to engage in the physical and creative act of writing. You will learn what kind of spaces you prefer to write in, what kind of time frame you need to carve out, how quickly you can produce something if you hate the story and if you love it, how you need to approach edits for yourself, and of course, you’ll be practicing your punctuation and grammar skills with each piece.

·         Practice: They say that you have to write 10 000 crappy words before you can write any good ones. It may not be an exact science, but I firmly believe that the more you produce, the more you understand how you, personally, prefer to tell stories, and that makes each subsequent work easier to create, to bring into reality.

·         Networking: Creative Lit teachers are usually agents, writers, or publishers. It can’t hurt to know them, learn about their worlds, and get their advice or mentorship. And your classmates might one day be the very people who help guide your career.

·         Learn from others: Every person reads stories and tells stories differently. It’s amazing what you can find in a tale, or produce in your own when you really engage with people of differing genders, sexualities, cultures, ethnicities, nationalities, languages, and hobbies than you. And if they recommend a book or author, it could possibly lead you down the trail to a wonderful world of books you might have otherwise ignored or never even known about.

·         Learn new skills: In working with your classmates, you might learn something you never knew before: a different storytelling technique, a structural idea, a different way to build characters or plot. And of course, if it’s a course for beginners, you ought to also be learning the foundations of punctuation, grammar, and manuscript formatting.

·         Produce some back catalogue: Maybe none of the work you create while in class will ever be published, but you’ll probably have a stack of writing that you can submit to agents, publishers, anthologies, or collections, if it’s quite polished and ready.

·         Gain confidence: There is honestly nothing more thrilling than  a classmate’s response to your writing. A great note, a scrawled smiley face or a checkmark, a gasp, a small sob, a shout or a yelp, a “No, you can’t end there! Then what?!” These are all gold, and they’ll help you feel confident about yourself and your work.

·         Learn about grants, contests, groups: Or maybe form your own writing group out of your peers.

·         Can workshop submission packages: You can learn to write and hone a query letter, log lines, synopsizes, and pitches.

·         Honesty: Hey, this is a group of strangers. If your work is crap, they’ll tell you so. Hopefully in an encouraging, constructive way, but they’ll still say so. You’ll get a lot of practice with editing, taking constructive criticism, parsing a note to see what the real problem is, working with restructuring and overhauls, and maybe even dealing with haters and trolls.

Of course, there are also cons to taking writing courses:

·         General skill level of those around you may be lower than yours: You may be above the basics, or you may find their storytelling ability less advanced.

·         Can’t tell straight off if your prof will be a good teacher. Not all professors have taken teacher’s school, or are natural pedagogues. It can sometimes be infuriating if they’re a crappy teacher, or just a self-important windbag. Worse, it’s a waste of your time and money.

·         Might kill your passion for writing: Either by boring exercises, mean teachers and classmates, or just oversaturation and too much focus on the writing.

·         Storytelling is not entirely a skill that can be taught. It’s something that you have to find within yourself and hone, and develop. You can’t just go into a class and expect to come out a master storyteller in six months. It’s something that never stops evolving, a skill you never stop honing and exploring and learning. (I’ve been writing for 20 years and I don’t think I’m a master storyteller yet. I don’t think anyone thinks they are).

·         Imagination is not entirely a skill that can be taught. You need to learn how to play, to twist, to envision and debate with yourself.

So, in the end, I think taking some courses can be great to help you get a good foundation and a set of tools to teach you how to be a good, solid, technically proficient writer. But I don’t think any piece of paper or GPA will be able to teach you how to be a good storyteller.  That is something that only practice and sharing your stories with others (both to critique and to praise) will teach you.

Do I think that you should do an entire degree in creative writing? Well… no.

I’m sure I’ll be lynched for this, but I’m not certain what merit there is in doing just creative writing for four years. You need to learn other things, experience and live other things. Writers are not just writers. Writers are biologists, like Julie Czerneda, and scientists like Erin Bow. They are mothers and fathers, uncles and aunts, engineers and painters, playwrights and actors, dancers and secretaries, personal assistants and fast food cashiers, janitors and archeologists, activists and bakers.

But maybe that’s just my fear talking. I feared taking a full degree in creative writing because I feared coming out the other side hating it. I feared it would stop being fun and start becoming a chore, like all my other homework. I’ve known plenty of phenominal artists who chose not to get MFAs for the very same reason. But then there are also lots of phenominal artists and writers who did do a full degree, came out loving it and producing amazing work so…

Really, it’s your choice. You know your own opinions and habits better than I do.

So, here’s some actual advice about Writing Courses:

I think they are important. I think they need to be taught and they need to be taken to ensure that you, as a writer, as fully educated in the technical, professional, and skills-oriented foundation of being a storyteller that you can be.

I think the best way to do it is to take courses in the sorts of writing you don’t do normally. Take a class on play or screenwriting if you’re a novelist. Take a class in novels if you normally write poetry or shorts. Take a class in poetry or comics if you write for the screen. The cross pollination of your skill set will teach you many and various ways to tell stories, and perhaps help strengthen your primary story telling set.

Part of the reason The Hunger Games is such a well-received series is the pacing. You start reading the books and you just. Can’t. Stop. Suzanne Collins was a screenwriter as well as a novelist, so you can bet she knew bunches about the three act structure, dialogue, action and narrative pacing, setting up scenes, and things like Chekhov’s Gun. These are all skills that you drill and hone in a screenwriting class. And they are skills that are transferable to novels, poems, short stories, and plays. And fanfiction.

And if you can’t afford a writing course, there are many many books and online tutorials, writing groups (in person or online), communities like NaNoWriMo and AO3, and other resources that are available to you where you can get the same experience and education as you would in your writing course.

I hope this has been helpful!

For more posts on the business and craft of writing, search my Words for Writers tag.

JM FreyWords for Writers: Should I Take A Class?


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Archives for March 2013

Westminster Christian Academy Appoints Dr. Thomas Stoner Head of School

SIMA is pleased to announce that Dr. Tom Stoner has accepted the call to become the next head of school at Westminster Christian Academy beginning in the 2013-14 school year. Born and raised in Wheaton, Illinois, Tom received an undergraduate degree from Wheaton College and a Master of Divinity degree from Gordon-Conwell Theological Seminary in […]


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Staff Nurse Rmn Or Rgn Jobs in Belfast

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JobHits is one of the fastest growing job search engines in the UK. Everyday 30,000+ new jobs, find your ideal job from vacancies at major job boards and companies� careers websites in the UK.

© 2013 - JobHits Pty Ltd


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University of Wisconsin–Madison

Jobs at UW

University of Wisconsin–Madison

Apply now Job no: 91848-AS
Work type: Faculty Full or Part Time, Faculty-Full Time, Faculty-Part Time
Location: Madison
Categories: Health Care, Medical, Social Services

Position Vacancy ID:

Employment Class:

Academic Staff-Renewable

Working Title:

Assistant Prof (CHS), Associate Prof (CHS), Professor (CHS) - Thoracic Imaging

Official Title:

Hiring Department:

50% - 100%

Anticipated Begin Date:

NOVEMBER 01, 2017

This is a renewable appointment.

Advertised Salary:

Minimum $48,072 ANNUAL (12 months)
Plus UW Medical Foundation

Degree and area of specialization:

MD, Board certified or board eligible in diagnostic radiology

Minimum number of years and type of relevant work experience:

Board certified or board eligible in diagnostic radiology. Fellowship training in interventional radiology and CAQ certification is preferred. Appointment at the Associate or full Professor (CHS) rank will require experience and credentials for appointment at rank as described in UW SMPH CHS Track Promotion and Appointment Guidelines and must be reviewed by the CHS Track Promotions Committee and approved by the Dean.

License or Certificate:

Wisconsin medical license eligible

Position Summary:

The Department of Radiology, University of Wisconsin-Madison School of Medicine & Public Health is seeking a full time radiologist, interested in pursuing an academic career in Thoracic Imaging at the rank of Assistant, Associate or full Professor on the CHS (Clinical Health Sciences) Track.

Additional Information:

This vacancy is being announced simultaneously with Position Vacancy Listing (PVL) #91852; please note that only one vacancy exists. Having two Position Vacancy Listings allows the UW School of Medicine and Public Health to consider candidates with both CHS faculty credentials and Tenure Track faculty credentials.

The School of Medicine and Public Health has a deep and profound commitment to diversity both as an end in itself but, also as a valuable means for eliminating health disparities. As such, we strongly encourage applications from candidates who foster and promote the values of diversity and inclusion.

Andrew Vaudt
Relay Access (WTRS): 7-1-1 (out-of-state: TTY: 800.947.3529, STS: 800.833.7637) and above Phone number (See RELAY_SERVICE for further information. )

Instructions to Applicants:

To apply, please go to Jobs At UW,, search for Position Vacancy Listing #91848 and select Apply Now. You will be asked to upload a cover letter and CV.

The deadline for assuring full consideration is October 23, 2017, however positions will remain open and applications may be considered until the position is filled.

Additional Link: Full Position Details
  NOTE: A Period of Evaluation will be Required
  The University of Wisconsin is an Equal Opportunity and Affirmative Action Employer.

The Annual Security and Fire Safety Report contains current campus safety and disciplinary policies, crime statistics for the previous 3 calendar years, and on-campus student housing fire safety policies and fire statistics for the previous 3 calendar years. UW-Madison will provide a paper copy upon request; please contact the University of Wisconsin Police Department.

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Will Any Wedding Shoes Beat My Love for the Manolo Blahnik Hangisi?

Seeing as I’ve already got my wedding dress the next big thing for me is finding my perfect wedding shoes. And seeing as I’ve got my heart firmly hooked on the infamous Manolo Blahnik Hangisi, it’s going to be pretty tough to find any other competitors.

The Hangisi’s might be a similar price to my dress (oh yeah!) but that doesn’t stop me pining for them.

My wedding shoe of choice needs to transport my Bambi ankles down the Antiguan jetty to get married, will get kicked off to party in the sand and then allow me to party all night, twerking on the dance floor of our UK party.

Am I willing to kick a £700 pump into the sand without a care in the world? No. Although that attitude might soften after a couple of rum punches.

My only issue is that no other shoe I find can stand up against my Blahniks. And they need to ka-bosh them out the ring.

I’ve seen some cute floral pom pom ones from Aldo, which daintily tie round the ankles. The Horatio from KG By Kurt Geiger look deliciously Grecian. Jimmy Choo’s Fable with its delicate lace detailing has me swooning. Sophia Webster even named a pom-pom toed pair after me, Jojo. But none of them are pulling at my heart strings. And that’s what I need.

There are another pair – which I want to remain mysterious for now – that I have saved on my phone. They’re the opposite of bridal but right up my street. A big hit of tropical delight.

I think the first thing I need to do to conquer my Blahnik obsession is hot foot it to Harvey Nics to wrestle my size 5’s into a pair to see if I like them on. We’ll see what happens from there.

Wish me luck.

  1. Good luck! We get married in three weeks and I have the same lusting over the same pair of shoes. We’re doing the whole City Hall, NYC thing so they would have been perfect but I cannot justify the cost. My dress is only £250 and we’re on a budget! I surprisingly found my pair in Monsoon a few weeks ago, the last place I’d have thought to look tbh x

    • Jojo

      Awww thanks! That’s so exciting, and reminds me to check everywhere before going for the pricey option. Good luck with your big day, I bet it’ll be dreamy. xx

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Sanibel Island, Estero island, Fort Myers Beach. FREE Home Valuation

Sanibel Island Florida. What's My Condo Worth?

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Thinking about selling your Condo on Sanibel Island, Fort Myers Beach or Estero Island? Here are the two things you must know before you put your home up for sale. If you are thinking of selling your home, you'll need to know exactly what it is worth before putting it on the market for sale.
(1) What is my home worth?  I analyze home values and determine market prices every day. By comparing your home to recent sales and other, similar homes on the market I can quickly tell you what your home is worth. This analysis is known as "Comparative Market Analysis", or CMA
(2) Who will know it's for sale?  Right Choice Realty's Smart Listing "showcases" your home with it's own website and advertises it in 14 cities and four Countries that have shown an over whelming interest in buying real estate in southwest Florida. This target driven process allows us to pick people that have an interest and can financially afford your home! We believe this provides us better exposure in reaching a better qualty buyer pool and in many cases allows you to sell your home for more money too!
If your thinking about selling? I would like to explain in detail what I will do to sell your home. I look forward to speaking to you.

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Comment balloon 0 commentsJoe Kendall • December 23 2013 07:41AM


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Let God’s promises shine on your problems

“Let God’s promises shine on your problems.” ~Corrie ten Boom

Corrie and her family helped many Jews escape the Nazi holocaust by hiding them in her house. Corrie actively helped refugees in the Dutch underground until she was eventually caught by the Nazis and imprisoned for her actions. She survived a depth of darkness at the hands of other men that few of us will ever experience.

Here’s one excerpt of Scripture that comes from the songbook of David, who was no stranger to challenges. He wrote in Psalm 103:2-5,

“Let all that I am praise the Lord;
may I never forget the good things he does for me.
He forgives all my sins
and heals all my diseases.
He redeems me from death
and crowns me with love and tender mercies.
He fills my life with good things.
My youth is renewed like the eagle’s!”

I can only imagine that these words may have been some of those promises Corrie shined on her challenges as she risked her life hiding refugees, including the time she spent imprisoned in a concentration camp.

Take some time today to look up some promises to shine on your life today. You already have a few to start with. We may not be destined to hide refugees in our home, but there are people you can bless today with kindness and generosity.

Feel free to add your own promises that you think will help other readers in the comments below.

Author: mrjoe

When I'm not busy with my churchy duties, I write, make deliveries for my wife's flower shop, and snapping pics with my iPhone.

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Tuesday, July 14, 2009

Working Conditions

I have my laptop in an ice tray because it's so freakin' hot today.
The kitties are also taking advantage of the tray.

- Joe

(sent from my i3GS)

Friday, July 10, 2009

Shooting Mt Rainier

We're up on top of Crystal Mt Resort for dinner.


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Military Ministry at The Lighthouse

Military Ministry at The Lighthouse
LEGO American Roadshow

Write the Vision and Make it Plain!

The Key to the Vision

I like George Barna's definition of vision in his book The Power of Vision. He said, “Vision is a picture held in your mind’s eye of the way things could or should be in the days ahead.” In 1993 Yvonne and I were pastoring in Grand Junction, Colorado and going through a period of transition in our ministry, and trying to determine God’s direction for our lives. During my Bible reading and prayer times God spoke to my heart and gave me a vision. The vision was huge! So huge in fact, that I was overwhelmed! I knew that if it would ever be fulfilled it would have to be God that made it happen. I could never accomplish it in my own strength. Initially I thought the vision applied to our ministry in Colorado, and at first it did, but it wasn’t until seven years later, after God brought us to Virginia to minister to the military, that I understood where the vision really applied. Even then, the fulfillment of the vision unfolded gradually as we stepped out and obediently followed God’s direction. I’ve carried this vision in my heart for twenty three years now. The parts of the vision that have been fulfilled have encouraged me to go on and believe that the rest will be fulfilled too.
In this section of our blog I want to share that vision with you to the best of my ability. It comes out of my personal relationship with Jesus Christ and the time I spend with Him in the Word and in prayer. The vision is personal. And sharing anything personal comes with a certain amount of apprehension, because there is always the risk of being misunderstood, or having what is shared misinterpreted.

Let me begin by saying I worship the Lord every day; I talk to Him in prayer, and believe He talks to me. Do I hear an audible voice? No. What He says to me comes primarily from the pages of the written Word of God, the Bible. I understand that the Bible has a contextual and historical meaning. I have spent most of my adult life studying it and preaching and teaching it to others. And it is within that understanding that I read and re-read the pages of the Bible. But to me the Bible is more than just a historical document with a specific context and meaning to people who lived thousands of years ago. It is also the living and active Word of God for the world, the Church, and each one of us specifically.

When I read the pages of the Bible, depending on what I am experiencing in my life at any particular moment, passages often ‘stand out’ to me, and I see parallels between the biblical text and my current life situation. Those parallels affect me, both mentally and emotionally. When a scripture passage I read stands out to me, or impresses me in some way, I believe it’s the Holy Spirit taking the words I’ve read and applying them to the current context of my life. The particular application may challenge, convict, encourage, strengthen, and even rebuke me. Or, it may provide the specific guidance I need at that precise moment in my life. I read and re-read those passages, pray about them, and ask God to show me how they apply in my life. Sometimes I struggle with the implications of a passage for days or weeks at a time. I ask the Lord to confirm the application of the verses to me in some way, because I don’t want to apply a passage of scripture to my life just out of ‘wishful thinking’.  Hopefully, from what I’ve just said you can get a sense of how personal and intimate this process is as an expression of my relationship with Jesus Christ. And, I trust my explanation gives you some understanding of what I mean when I say, ‘God spoke to me’.

Some of you may be wondering why I’m sharing this vision and why I would make something so personal, public. The answer is very simply ‘because God told me to’. He spoke to me through the words of Habakkuk 2:2-3 in the King James Version of the Bible that says,
"Write the vision, and make it plain upon tables, that he may run that readeth it. For the vision is yet for an appointed time, but at the end it shall speak, and not lie: though it tarry, wait for it; because it will surely come, it will not tarry."

God said I was to ‘write’ the vision and make it plain so that “the person who reads the vision” might run with it. My reason for sharing the vision is so that those who read it might be inspired to get involved in Pentecostal hospitality house military ministry. In other words, I’m sharing this vision so that those of you who are reading the pages of this book will catch the vision and ‘run with it’.

I envision churches, families, couples, and even individuals involved in Pentecostal hospitality house military ministry all over this country. I see Pentecostal people who are faithfully involved in good strong Pentecostal churches opening their hearts and homes to young, single, military men and women. I see a time when Yvonne and I can say to a sailor, soldier, marine, or airman who has been part of our fellowship and who gets transferred to another base or post in another part of the country: “When you get there call Bill and Nancy, they’re doing the same thing we are.” And, we can pick up the phone and call Bill and Nancy and say: “Hey Bill, one of our sailors is coming your way. She’ll be there next week.” And we’ll know when she gets there, that a family will be waiting to invite her in, love on her, and help her grow in her relationship with Jesus Christ, or help her on her journey toward Jesus Christ.

As far as I know right now (2016), Yvonne and I are the only Pentecostal couple involved in hospitality house military ministry in the United States. I realize this is a pretty bold thing to say, and I don’t mean to sound arrogant or presumptuous when I say it. I’m simply emphasizing the need that exists. I would love to find out I am wrong! Right now, when one of our soldiers, sailors, or marines, gets transferred to a base somewhere else in the United States, we have no other Pentecostal families involved in hospitality house ministry with whom we can connect them for fellowship and ministry. We’re often told by the young men and women who have been through our home that they miss us, and wish there were someone in their new location that did what we do. Right now there are none. But I believe this will change!

I know it will change because God said it would. In Isaiah 51:1-2 He told me,
“Listen to me, you who pursue righteousness and who seek the Lord; look to the rock from which you were cut and to the quarry from which you were hewn; look to Abraham, your father, and to Sarah, who gave you birth. When I called him he was but one and I blessed him and made him many.”
Through these verses I believe God said He would bless us and make us many. As we cast this vision I believe God is going to speak to the hearts of people around the country, and call those He wants involved in this work. He will call people into Pentecostal hospitality house military ministry. And, as they respond to His call, the specifics of the vision I am about to share with you will apply to them as well; and the vision will move from being just a personal one to a broader, shared vision of the future.

In Habakkuk 2:2-3 God included a word of encouragement when He said the vision is true and that there is a definite time set for its fulfillment. And even though it may take time to fulfill, we are to wait for it, for He said it will surely and certainly be fulfilled. I share this vision without pretense, and as humbly as I know how, but with the confidence and faith that it is the vision God has put in my heart.

This vision originated after a major physical crisis in my life in 1990. I had just come through extensive neurosurgery on my spinal cord, which resulted in my being medically retired from the United States Navy. After my surgery, on our way out of Oak Knoll Naval Hospital, Yvonne and I stopped in the hospital’s gift shop. There, taped to the wall behind the cashier, was a scripture verse: Jeremiah 29:11,
“For I know the plans I have for you, declares the Lord, plans to prosper you and not to harm you, plans to give you hope and a future (NIV).”
Standing there, the words of that verse made a powerful impression on me. I believe stopping at that gift shop was not a coincidence, but a divine appointment.

After retiring from the Navy Yvonne and I moved to Grand Junction, Colorado to plant a church. My daughters Sarah and Elizabeth suggested we begin by inviting high school friends of theirs to our home one afternoon a week to eat, play games, and have a short Bible study. Yvonne and I liked the idea with only one stipulation: the girls were not to invite friends who were already involved in other churches or youth groups. We did not want to build our church by drawing people or teenagers from other churches. For three years we had as many as twenty-five high school students in our home every Thursday afternoon. When they came to the house, some of them told their parents they were ‘going to church’. Several accepted Jesus Christ as their Savior and were later baptized in water.

As with so many things in life, however, there was a definite time and season for that outreach. Gradually the young people who were coming to the house got involved in other activities, graduated from high school, and went on with their lives. So we found ourselves in a period of transition. I admit we were disappointed and wondered what we should do next. That’s when God again spoke words of encouragement to me. This time it was from Habakkuk 3:17-19,
 “Though the fig tree does not bud and there are no grapes on the vines, though the olive crop fails and the fields produce no food, though there are no sheep in the pen and no cattle in the stalls, yet I will rejoice in the Lord, I will be joyful in God my Savior. The Sovereign Lord is my strength; he makes my feet like the feet of a deer, he enables me to go on the heights.”
God knew exactly where we were, and what we were going through. Obviously, the teens in our ministry were not figs or grapes or sheep or cattle, but figuratively the situation was the same. God was telling us to keep our attention focused on Jesus Christ, our Savior, and rejoice in Him in spite of the circumstances we were facing. Because He was our strength, He would enable us to be as surefooted on the road that lay ahead as a mountain goat climbing on rocky mountain heights.

During my daily devotional times I began reading the book of Isaiah and felt as if the Lord were again speaking directly to me through one chapter after another! The majority of our vision for this ministry comes from passages in these chapters. In the rest of this section of our blog I’ll share those passages with you, and explain how they apply. Again, this is a very personal process, but I hope that after reading these articles you will understand the vision; and if God stirs your heart, that you might pray about and consider getting involved in Pentecostal hospitality house military ministry too.

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"Long pig" moniker confirmed by robotic sommelier

Signs that the Japanese robot industry has gone too far:

Researchers at NEC System technologies and Mie University have designed the cute little guy to the right: a metal man gastronomist, "an electromechanical sommelier", capable of identifying wines, cheeses, meats and hors d'oeuvres. Upon being given a sample, he will speak up in a childlike voice and identify what he has just been fed. The idea is that wineries can tell if a wine is authentic without even opening the bottle, amongst other more obscure uses...like "tell me what this strange grayish lump at the back of my freezer is/was."
But when some smart aleck reporter placed his hand in the robot's omnivorous clanking jaw, he was identified as bacon. A cameraman then tried and was identified as prosciutto.


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Story by Carly Belin

Photos by Emma Oravecz

Todd Milbourn and Lisa Heyamoto are the hosts of two student roundtables for the UO Freedom of Expression Series.

Todd Milbourn and Lisa Heyamoto are the hosts of two student roundtables for the UO Freedom of Expression Series.

Freedom of expression has a lot of different facets, from freedom of the press to the many ways the First Amendment protects our right to say what’s on our minds. As college students in the United States of America, we are confronted regularly with conflicts and discussions around freedom of speech in the news and right here on campus.

But one thing many of us may not spend a lot of time thinking about is what goes into creating an environment that encourages free expression. What makes us feel comfortable enough to share our views, even if they’re controversial or unpopular?

I didn’t think about these things until Feb. 23, when I attended a student roundtable facilitated by journalism instructors Lisa Heyamoto and Todd Milbourn. Titled “Your Campus, Your Voice,” the free student event was part of the university-wide Freedom of Expression Series focused on nurturing inclusive campus conversations.

The experience turned out to be incredibly enriching. Heyamoto and Milbourn presented a roomful of students with three questions about the conditions that make it easier — or harder — for us to speak our truth. We spent the next two hours discussing our answers with other students in small groups, and we found out we have a lot in common when it comes to how and when we express ourselves.

Heyamoto and Milbourn will be hosting a second student roundtable on Friday, March 9, from noon to 2 p.m. I highly recommend you attend if you have any interest in freedom of expression. Registration is still open, and the event includes a free lunch!

If you’re wondering what to expect, here are my top five takeaways from the first student roundtable discussion.

  1. We have to get to know each other as humans before we can effectively discuss beliefs we may disagree about.

    It is easy in today’s political climate to put labels on someone, to categorize them according to their beliefs and base how we feel about that person on those categories. But as humans, we are more than any one label. While political beliefs are definitely a part of what makes someone who they are, it is not their sole defining feature.I think every human being can connect with every other. . We just need to decide to listen and get to know someone before we pass judgment, and we need to stay open to others’ ideas.

  2. Lisa Heyamoto asks student roundtable participants what conditions allow them to speak up.

    Lisa Heyamoto asks student roundtable participants what conditions allow them to speak up.

  3. Some people are more confident about speaking up for themselves than others.

    Everyone has a different level of comfort with speaking up when they feel like something is wrong. This idea was really prevalent at my table when we were discussing the times we spoke up.Some at my table felt uncomfortable saying something when they felt their own rights had been violated, but they found it easier to speak up for a friend or loved one if their rights were at risk. For others at the table, the opposite was true.

  4. Sometimes we are hesitant to speak up because we fear being ostracized by the group.

    Group mentality is a real thing that muddies most of our minds. It can be terrifying to speak out when you have an unpopular opinion. This makes sense when you think about how we evolved: Humans have been programmed to “go with the group” because it’s typically safer to travel in packs.

  5. When one person speaks up, others often follow.

    There is usually one person who is slightly more confident about speaking out than others. And that one person may be all it takes to make others in the group more comfortable with expressing themselves.  Again, there is strength in numbers.

  6. We are lucky to have a safe place to hold important conversations like this one.

    The discussions I had with fellow students at this roundtable were insightful and eye-opening. It’s an experience I plan to recall consciously when faced with tough decisions.Don’t forget: If you didn’t get the chance to go to the last roundtable, you have another chance at the second “Your Campus, Your Voice Student Roundtable” this Friday, noon to 2 p.m. at the Many Nations Longhouse.

Carly Belin is a junior from San Diego, Calif. She is double-majoring in journalism and advertising. This is her third term interning for the SOJC Communications Office. She is also a producer for UO’s student-run television program, DuckTV News.

Emma Oravecz is an applied folklorist working as the SOJC’s social media and events manager.


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text:
Bruce Jones

has been a member since Aug 2010 and goes by DeadwoodPete.

Long-time photographer, little training, big love.

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text:
Bluffin With My Muffin

Submitted to Frenzy Last Hot on 9 Jan 2015 in Frenzy
Uploaded 7 Sep 2008 — 22 favorites
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© Aj Offsuit
You need to sign up or login to view this photo.
Views 4635
Likes 0
Favorites 22
Comments 39
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  • My City Superhero
  • JUST Breathing
  • Not Forgotten

Submitted to Frenzy

  • kaaaaal
  • Landlocked but Still Seasick
  • Trevor's Spiders Nightmare
Photo Info
UploadedSeptember 7, 2008
TakenJune 29, 2008
MakeNikon Corporation
ModelNIKON D60
Exposure1/500 sec at f/5.3
FlashNo Flash
Focal Length40 mm
No categories yet.
No tags yet.

Q: double Exposure portrait

A: Do you know?

Photo license: © All rights reserved

Toronto - 2008

Frenzy is all about overwhelming excitement, tension, and emotion. Show us the madness!

Spikes, apendages, leather, and manical expression. Whatelse could one include?

(Please comment)

39 responses

  • Gary Foltz

    Gary Foltz gave props (7 Sep 2008):

    LYNN Is that you????

  • Aj Offsuit

    Aj Offsuit said (7 Sep 2008):

    Do you know this person?

  • Lynn H

    Lynn H (Deleted) gave props (7 Sep 2008):

    Gary!!!!!! Lol no!!! It's not ME! HAHAHAHAHA

  • Gary Foltz

    Gary Foltz said (7 Sep 2008):

    No just teasing Lynn but it is a great shot, I wish I knew her she looks to be a hoot.

  • Eric Finster

    Eric Finster (Deleted) gave props (7 Sep 2008):

    Remind me not to use Maple Syrup anymore...if this is the side effects.

  • Eric Finster

    Eric Finster (Deleted) gave props (7 Sep 2008):

    the title is Hillarious :)

  • Aj Offsuit

    Aj Offsuit said (7 Sep 2008):

    Lol! Thanks for your comments! I thought it was a good title too.
    Where did the Maple Syrup comment come from? lol

  • Robert Armstrong

    Robert Armstrong (Deleted) gave props (8 Sep 2008):

    Excellent street photography..... real people, real life!

  • Keith Skinner

    Keith Skinner gave props (8 Sep 2008):

    Cod pieces are definitely in this year! Or should I say out?

  • Deborah Ziegler

    Deborah Ziegler gave props (8 Sep 2008):

    i agree with everybody. . disturbing image. . but great photography!!

  • Karen K Smith

    Karen K Smith gave props (8 Sep 2008):

    Excellent photo!

  • Micah Vanhorn

    Micah Vanhorn said (9 Sep 2008):

  • Aj Offsuit

    Aj Offsuit said (10 Sep 2008):

    She was running around like crazy! Im surprised that it the pic came out as well as it did because she didn't stop moving.

  • James Wei

    James Wei   gave props (11 Sep 2008):

    so disturbing that i cannot move my eyes away from ths screen!

  • May Lattanzio

    May Lattanzio gave props (16 Sep 2008):

    Looking at the screen with my mouth open. Can you believe...?

  • Georges Maroun

    Georges Maroun gave props (17 Sep 2008):

    Still looking at the pic since 3 days ...

  • Cassandra Bould

    Cassandra Bould gave props (18 Sep 2008):

    Hahahah, FANTASTIC shot! Ahhh, gay pride in T.O....I'm assuming this is what this is??? LOVE IT!

  • Thomas Henry

    Thomas Henry said (20 Sep 2008):

    MY, what a big, shiny, silver boner you have, Grandma!

  • Michael Garrity

    Michael Garrity gave props (21 Sep 2008):

    Don't bend over when she is around!!! Owwww!!! That thing looks mean!!! Great Phot though!! LOL

  • T Felland

    T Felland gave props (22 Sep 2008):

    I need to go to canada more often....thats hot.

  • Linda Houghton

    Linda Houghton   gave props (23 Sep 2008):

    too funny! I had to look I couldn't beleive

  • Delmas Green

    Delmas Green (Deleted) gave props (28 Sep 2008):

    Just one of the boys by night......Grade school lunch lady by day.

  • Tom Mertens

    Tom Mertens gave props (22 Oct 2008):

    Incredidble Capture!!

  • Peter McLaughlin

    Peter McLaughlin said (10 Nov 2008):

    MOM! I told you to stop....

  • Johnny TheDirtyDog

    Johnny TheDirtyDog gave props (1 Dec 2008):

    Excellent Shot! Chicks with Chrome Dicks.

  • Jim Barry

    Jim Barry gave props (22 Dec 2008):

    Disturbingly fantastic!

  • Rebecca Kinzie Bastian

    Rebecca Kinzie Bastian gave props (9 Jan 2009):

    Wow. Those spikes are frightening. Great shot!

  • Melissa

    Melissa (Deleted) gave props (11 Jan 2009):

    The woman is brave.....or should I say she has balls? ;)

  • Tricia Bergland

    Tricia Bergland (Deleted) gave props (13 Jan 2009):

    Very Wild and funny

  • linda woods

    linda woods gave props (11 Mar 2009):

  • The Rossi Collection

    The Rossi Collection gave props (31 Mar 2009):

    HAHAHAHA! That is sweet!

  • Aireekah Laudert

    Aireekah Laudert gave props (12 May 2009):

    hahaha this totally fluffs my muff!

  • Claudia Turner

    Claudia Turner gave props (9 Jun 2009):

    haha wow, nice capture

  • Tito Zurita

    Tito Zurita said (22 Sep 2009):

    Ja, ja, ja , ja, ja ,ja ja, jaaaaaa

  • Nikita Gross

    Nikita Gross said (12 Oct 2009):

  • Cindy Mikulski

    Cindy Mikulski said (16 Dec 2009):

    wow, I just ran across this, hmmmmmm now that's scary, comin at yea, I have to agree with everyone else, wayyyyyyyy toooooo wild for me, but great shot!!

  • Heidi Morris

    Heidi Morris (Deleted) gave props (22 Dec 2009):

    excellent colours + focus + texture + form - well done !

  • John Leach

    John Leach said (3 Sep 2010):

    Too bad she isn't in focus :(

  • Chris Koelbleitner

    Chris Koelbleitner said (16 Oct 2011):

    Cool. What an intense street scene!

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text:
lips hands and cigarette #6

Uploaded 21 May 2007 — 7 favorites
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© Cristina Cocullo
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  • neck #8
  • lips hands and cigarette #6
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  • runaway with me #4
Photo Info
UploadedMay 22, 2007
TakenAugust 14, 2005
ModelCanon PowerShot A520
Exposure1/60 sec at f/2.6
FlashNo Flash
Focal Length5.8125 mm
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Q: Why does JPGMAG drag the competitions on so much.

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Photo license: © All rights reserved

1 response

  • Jason Watt

    Jason Watt (Deleted) said (29 Feb 2008):

    As an observer of the minutiae, you really have some excellent images. The depth of tone resonates with the mood perfectly.

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text:
Turning Points in Calcata

Uploaded 6 May 2010 — 21 favorites
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© Deborah Downes
Views 216
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Photo Info
UploadedMay 7, 2010
TakenApril 25, 2010
MakeNikon Corporation
Exposure1/400 sec at f/6.3
FlashNo Flash
Focal Length80 mm
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Q: How do I buy more Spotlights? I'm new to the site, and I've actually already bought some, but I've forgotten how to do it!

A: Do you know?

Photo license: © All rights reserved

Recently Fred and I made a return visit to Calcata, about 35 km north of Rome. This medieval village sits atop a volcanic rock promontory thatâ€™s surrounded by the forest of Treja Valley Suburban Park. Once a condemned village, it was saved by most of its present occupants, a group of artists and bohemians from around the world, which accounts for the variety of galleries, studios, and restaurants within this fascinating hamlet. Picture colorful splashes of the 60â€™s amongst weathered tones and textures of the Middle Ages. This unique look not only attracts tourists, but artists of all kinds. Many of the 70 occupants of Calcata believe the village emits creative energy, their town once the scared ritual site of the Faliscans (pre-Roman people).

I captured this shot within the piazza beside the only church in the village. A local artist sculpted the stone chairs that represent Etruscan thrones. I chose this shot for this theme for several reasons, including how the young woman in the middle reminds me of those times at a crossroad making a decision resulting in a major turning point in my life and how this village inspired me.During my first visit to Calcata I first believed one day Iâ€™d see some of my photos published with an article I wrote. Happy to say that recently happened. On-line Literary Traveler Magazine published my article Sun & Moon in Montepulciano, Under the Tuscan Sun & New Moon Film Locations, along with four photos I took in that beautiful Tuscan village. The link to that article is posted on my facebook profile page under Deborah Johnson Downes or you can just go to literarytraveler.com, where the piece is posted on the homepage.

24 responses

  • ardi nuswantoro

    ardi nuswantoro (Deleted) gave props (6 May 2010):

    wow, nice shot

  • Debrah Leonard

    Debrah Leonard (Deleted) gave props (7 May 2010):

    wonderful entry.... and interesting narrative!

  • elfriede fulda

    elfriede fulda (Deleted) gave props (7 May 2010):

    Excellent entry

  • Maura Wolfson-Foster

    Maura Wolfson-Foster gave props (7 May 2010):

    Congratulations Deborah....! p.s. I want to live there :)

  • Donald Garrett

    Donald Garrett gave props (7 May 2010):

    Great shot, Deb. Congratulations on the publication!!!!!!!!!!

  • Karen Foto Fiddler

    Karen Foto Fiddler (Deleted) gave props (7 May 2010):

    What great news! Congratulations on this major accomplishment! I am so proud for you!

  • Regenia Brabham

    Regenia Brabham (Deleted) gave props (7 May 2010):

    A great entry! An awesome turning point. I have a feeling we will be ready more!

  • Richard Knight

    Richard Knight (Deleted) gave props (7 May 2010):

    What a shot. Very nice, Deborah.

  • Richard Knight

    Richard Knight (Deleted) said (7 May 2010):

    Forgot to add that I liked the narrative!

  • Suzanne McGeady

    Suzanne McGeady said (7 May 2010):

    Such an interesting little corner of the village....thank you for sharing Deb. We all have moments like this. Congratulations on the publications...Wahoo!!!

  • Sonia Adam Murray

    Sonia Adam Murray gave props (7 May 2010):

    An enticing look into the village, thank you.

  • Leslie Hunziker

    Leslie Hunziker   gave props (7 May 2010):

    Wow! This sounds like it sits among one of the many vortexes of inspiration! cool.

  • dp *

    dp * gave props (8 May 2010):

    Love to visit this local someday, someday.... nice shot and entry.

  • Judy Wanamaker

    Judy Wanamaker (Deleted) gave props (8 May 2010):

    Congratulations on your published article!! Your photos and essays are certainly worthy of publication. This one is a great example.

  • Litz Go

    Litz Go gave props (9 May 2010):

    wow! congratulations, Deb for being published. Love your Tuscan article...This theme entry is awesome. Love this image!

  • Ann Reece

    Ann Reece gave props (10 May 2010):

    Wonderful photo for the theme. I enjoyed your narrative! Congrats on getting your article and photos published!!!

  • Fred Downes

    Fred Downes said (10 May 2010):

    For David, Get Michael a gig near Rome and we have the room for you guys. Calcata is 20 minutes from our door. Of course you need to throw in tickets for his performance!

  • david ong

    david ong gave props (10 May 2010):

    Congrats!!! and i really like this shot too!!

  • Lanis Rossi

    Lanis Rossi gave props (10 May 2010):

    Congratulations Debra, well deserved!

  • John Linton

    John Linton gave props (11 May 2010):

    A most excellent entry.

  • Steve Baker

    Steve Baker (Deleted) gave props (11 May 2010):

    Great shot, great entry, with a great story to tie it all together. Superb!

  • Carol Arntsen Masiak

    Carol Arntsen Masiak gave props (14 May 2010):

    wonderful - great entry!

  • eithne mythen

    eithne mythen gave props (23 May 2010):

    You know I love this..

  • Warren ~Mangione~

    Warren ~Mangione~ gave props (23 May 2010):

    Awesome shot and entry! Love it in monochrome.

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text:
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text:
Ginger Tea

My favourite afternoon pick-me-up is a cup of hot ginger tea. I shred ginger root on the coarse holes of a box grater, add it to boiling water, stir well and let it steep for a minute or two. Then I strain it into a mug and stir in honey to taste. Delicious and good for me, too. Ginger is highly anti-inflammatory and an excellent digestive.

Posted in Recipes, Tasty Tidbits.

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text:
Sunday, October 11, 2009

Brown Creeper

Brown Creeper 10-11-09 by Kathiesbirds
graphite and prisma color on paper.

My talisman arrived in autumn
On cryptic wings
To the rough bark of a pine
Up the solid girth
On tiny feet
With curved beak
In dark crevices
For that juicy morsel
That food, that sustenance
To carry us through winter
A plain bird
A subtle thing
It brought me life
On cryptic wings.

~Kathie Adams Brown (10-11-09)

OSI Prompt: Talisman

  1. Beautiful writing that really feels!

  2. Kathie--
    I really really liked this one!
    And it was so sweet how the last few lines moved to first's clear that this lovely bird is a talisman for you!

  3. Hi Kathie, I believe every word you have said. I know these birds mean a awfully lot to you.
    Welcome back too, I have been missing you.

  4. Terrific drawing and charming words that sing of talisman and hope!

  5. How lovely, the drawing and the poem enjoyed them,:-)

  6. A beautiful definition of talisman--one that opens up rather than limits.

  7. Hello! Nicely done visuals in the poem and your artwork. I'm a bird lover, too and your ending says it all. (I'm an artist, photographer and poet, too.) Glad I found your blog through poetry links.

    My google account is not linked to my new typepad blog so here is the link to my poem (for a different prompt than OSI), but hope you enjoy regardless!
    Click here for my poem please

  8. oh, I love your talisman! sweet piece.

  9. I am not surprised to find that your talisman is a bird!
    Great drawing and a poem that I understand very well.

  10. How gorgeously written and beautifully drawn. I love both.

  11. Beautiful! Both the artwork and the poem!

  12. Yellow tulip, Spacedlaw and Vita Stunder, thank you!

    Beth P, it is one of those things I really didn't think about until I started to write!

    Jim, thank you! What a nice thing to say! I have missed participating!

    Tumblewords, Bernie, zoya Guatam, Thank you also for visiting and commenting.

    Sandy, I hadn't thought of that! Thanks for the encouragement!

    S, whoever you are, it's always nice to meet a fellow bird lover, artist and poet!

    Tammie lee, thank you!

    fourwinds, I saw my very first Brown creeper on a pine tree in my back yard when I lived in Maine! It was so delightful that it captured my soul! I felt as if the forest were lettig me in on some great secret, as if she were showing me her treasures. I still feel this way.

    Patois and Mary333, thank you both for your kind words.

  13. Kathie, a lovely meaningful poem to wo with your so perfectly observed drawing...wish I could draw like that again, its been a long long time.

  14. This is wonderful! beautiful art work and words.

  15. Sorry I missed this one, Kathie. The image in words and drawing of the little bird grooming the bark is really great.

  16. Arija, did you use to draw? I haven't drawn anything in a while either! This was fun!

    Ann, thank you for your visit and your comments!

    Christine, I am so glad you stopped by. Thank you!

Welcome to my Poet Tree. Enjoy your visit here. Just remember, all spam will be removed like dead leaves from under a tree, but sincere comments will always be welcome and appreciated!