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In praise of Woman

Anthony Rolfe Johnson (tenor), Graham Johnson (piano)
Originally issued on CDA66709
Label: Helios
Recording details: November 1993
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Produced by Martin Compton
Engineered by Antony Howell
Release date: June 2004
Total duration: 78 minutes 45 seconds

‘Another delightful disc. They couldn't have more perceptive or loving or enthusiastic interpreters … unreservedly recommended’ (Gramophone)

‘An impressive and delightful disc … his unusual and appealing repertoire makes an exceptionally appealing recital’ (BBC Music Magazine)
'That no woman has ever been a great composer is an accepted fact;
that she is never likely to become so, more than a probability.'

So declared an anonymous writer in 1887 in The Musical Times. Such statements may seem laughable today but still raise some interesting questions about our own attitudes towards the musical canon. What is a ‘great’ composer? Does a composer have to have written large orchestral works to qualify as great? What do we really know about the women composers of this country and the music that they have written? This recording brings together an exciting collection of songs written by women over a period of a hundred and fifty years, starting at the beginning of the nineteenth century.

At the end of the eighteenth century, and the beginning of the nineteenth, there were many women working as professional musicians in Britain who also wrote and published their own compositions, such as pianist Jane Guest (c1765–c1830), harpist Sophia Dussek (1775–c1830) or the singer Maria Barthelemon (c1749–1799). Most of these women had parents who were musicians and were given a musical education so that they could enter the family business. Women from the upper classes were also given a musical education, since singing and playing the piano were seen as necessary accomplishments for any well-bred woman. But women from these classes could never venture outside the home and give public performances. At that time it was unthinkable that an upper class woman should have a career or earn money. Any kind of public appearance would have been seen as shameful, and this extended in many cases to publishing any music that such women might have written.

But throughout history there have been women who refused to do what was expected of them. During the first half of the nineteenth century more and more women from all classes began writing and publishing music. By the 1850s and ’60s many of the best-known and best-selling composers of songs and ballads were women. Song-writing became a genre that was particularly associated with women and several male composers even started publishing songs under female pseudonyms. There are many reasons why women should have been drawn to writing songs. In the nineteenth century most women’s access to the musical education needed to write complex large-scale works was very limited. Women could not receive music degrees from Oxford University until 1921. Although they were accepted as students at the conservatories and colleges of music, few women were encouraged to study composition. Positions in the church, in the universities and with orchestras were all closed to women. They were therefore excluded from many of the ways in which male composers gained both an income and important exposure to a wide range of musical experience. In a century where one of the main forms of family entertainment was the singing of songs round the piano, song-writing could be extremely profitable and sales of sheet music huge. Women who needed to make a living from composition would find that producing songs was the only way that writing music would bring them an adequate income. It has always been much easier to arrange a performance of a song than of an orchestral work. Without access to most of the networking opportunities of the musical establishment, many women found that the only works that they were likely to see performed were songs and piano pieces.

It is important to remember that a Victorian woman’s place was still firmly within the home. The image of such a woman was of someone pretty, gentle and unassuming and any music that she might write would be expected to mirror such ‘feminine’ qualities. Women should be writing simple, tuneful songs and not bombastic overtures or intricate sonatas. It was also widely believed that women’s brains did not have the same capacity as those of men and that they were actually incapable of the kind of creative thought needed for the composition of complex orchestral or chamber works. Although many women internalized such beliefs, there were also many women throughout the nineteenth century who refused to conform to expectations or give in to the lack of opportunities and continual rejection. These pioneering women, such as Kate Loder (1825–1904), Anne Mounsey Bartholomew (1811–1891), Alice Mary Smith (1839–1844) or Ethel Smyth (1858–1944), wrote music in a wide range of styles and genres. In doing so they paved the way for the many women who have built successful careers as professional composers in the twentieth century. But it is vital that the work of women who wrote songs is not dismissed. Some women composers have concentrated almost exclusively on song-writing, while others included songs among their works in different genres. Within the genre of song itself, women have written in a wide variety of styles and communicated a range of ideas and emotions. And, as this recording shows, they have produced a wealth of beautiful, powerful and absorbing music.

The real name of Miss L H of Liverpool is not known. Her song My Mother, published some time in the first decade of the nineteenth century, appears to be the only work by her to have survived. Many of the women who published their music at this time hid their identities behind a pseudonym or, as in this case, initials. In this way they brought no shame upon themselves or their families. My Mother was published by the Liverpool company Hime and Son, and it has been suggested that Miss L H was a member of this family. The verses that she set were taken from a longer poem by the poet Ann Taylor (1782–1866) whose better-known sister, the poet Jane Taylor, wrote Twinkle, twinkle, little star.

Caroline Norton (1808–1877) is probably better known as a writer and campaigner for legal reform than as a composer. She published her first book of poems, The Sorrows of Rosalie, in 1829 shortly after her marriage to George Norton and soon became well known as a writer, publishing other volumes of poetry and novels as well as contributing to a variety of magazines. The first songs that she published were issued in collections together with the work of her sister Helen, later Lady Dufferin. George Norton turned out to be a violent and abusive husband and in 1836 Norton left him. But as a woman she had no legal right to take her three sons with her. They remained with their father who refused to give them up. Norton then launched a fierce campaign to get the law changed, succeeding in 1839 when the Infant Custody Act was passed. She continued to write songs throughout her life, usually to her own poetry. Many of these songs became very popular and provided her with a very welcome source of income. Juanita was her most popular song and was written in 1851 for one of her sons to sing to the guitar.

Virginia Gabriel (1825–1877) came from an Irish military family and had a very thorough musical education. She studied the piano with Johann Pixis, Theodor Döhler and Sigismond Thalberg, and composition with the Italian opera composer Saverio Mercadante. Her earliest published song appears to have been printed in the mid-1830s when she was still a child. During the 1850s she wrote and published many elaborate piano pieces and songs to Italian and French texts. During the following two decades Gabriel’s songs and ballads to English texts became extremely popular. She also turned to writing operettas, with works such as Widows Bewitched (1865) and Lost and Found (1870), and cantatas, including Dream-Land (1870) and Evangeline (1873). She found it much harder to get these larger-scale works published, although her songs continued to be widely performed and published. Gabriel died at the age of fifty-two after a carriage accident. Her song Orpheus, to words from Shakespeare’s Henry VIII, was written in the early 1860s.

The daughter of a Scottish MP, Annie Harrison (1851–1944) was publishing piano pieces, such as The Elfin Waltzes and Our Favourite Galop, by the age of thirteen. In 1877 she married Lord Arthur Hill, the commanding officer of the Second Middlesex Artillery, and continued to write and publish songs and piano pieces. She also wrote at least two operettas, The Ferry Girl and The Lost Husband. But none of her works achieved the remarkable popularity of In the gloaming which Harrison had written in 1877, just before her marriage. A setting of a poem by the Victorian poet Meta Orred, this song sold more than 140,000 copies between 1880 and 1889. It had reached a fiftieth edition by the mid-1890s and was still being issued in various arrangements in the 1950s.

During the 1880s and 1890s Maude Valérie White (1855–1937) was regarded as one of Britain’s leading song-writers, which makes it all the more extraordinary that her beautiful songs should be so neglected today. Educated as a child in England, Heidelberg and Paris, White spoke many different languages and spent much of her life travelling and living abroad, especially in Italy, a country she adored. She studied composition at the Royal Academy of Music with George Macfarren and in 1879 became the first woman to win the coveted Mendelssohn Scholarship. By the time she left the Academy in 1881, White’s songs were being published and performed at prestigious concerts all over London. She later took further composition lessons with Robert Fuchs in Vienna. Although both Macfarren and Fuchs tried to persuade her to write instrumental or orchestral music, White made a decision to concentrate on song-writing. In later years she did write some instrumental and orchestral music including a ballet, The Enchanted Heart, from which she arranged an orchestral suite at the request of Henry Wood. A projected Prom performance during 1915 fell through and the work does not seem to have been published or to have survived in manuscript. White’s many songs reflect her cosmopolitan life. She set an enormous range of poetry in many languages, including English, German, French, Swedish and Italian. Her musical style ranges from her early lieder-like settings to the impressionistic qualities of her later French settings, while always retaining her own distinct voice. Above all, White’s music always communicates her unfailing passion for beauty, love and for life itself. White’s ebullient setting of Tennyson’s poem The Throstle was written in 1890 while she was in the Pyrenees at the end of a seven-month tour of Italy, Greece, Turkey, Russia, Germany and France with her sister Emmie.

The first edition of Grove’s Dictionary of Music and Musicians, published in 1899, was to claim of White’s My soul is an enchanted boat that ‘it is not too much to say that the song is one of the best in our language’. White herself performed this setting of lines from Shelley’s Prometheus Unbound at a private party in December 1882, but it was made famous by Edith Santley’s performances at the Monday Popular Concerts. In her memoirs White described her feelings about Shelley’s text: ‘The ethereal loveliness of the words affected me so strongly, they evoked a vision of such ideal beauty, such ineffable happiness, that a burning longing arose in me to capture if only one drop of that essence, to make that one drop my own – my very own. I longed to make a casket to enshrine those words – a casket of music …’

In 1882 White was sent some verses through the post by Walter Herries Pollock, a prolific writer who as well as writing poetry produced books on fencing, Jane Austen and Henry Irving. Impressed by the poem that he sent her, White set it to music. The resulting song, The Devout Lover, became one of her most popular songs, sung all over England by Charles Santley. White’s haunting setting of Byron’s lyric So we’ll go no more a-roving became particularly associated with the singer Gervase Elwes. Roger Quilter wrote of standing with friends outside a room in which Elwes was singing this song and ‘how they were all perfectly unmanned’. In her memoirs White described travelling in Italy in the early spring of 1888 and a carriage drive to Sorrento in the middle of the night: ‘I shall never forget that drive, that exquisite drive along the mountain road, that exquisite view across the dark blue bay that lay spread beneath its canopy of stars! … the soft wind blew the delicious smell of orange blossoms towards us – the delicious smell that conjures up visions of the South so magically and fills the lover of the south with such unspeakable nostalgia! It was after that drive that, some weeks later, shut up in a room in London, I wrote So we’ll go no more a-roving.’

Teresa Del Riego (c1876–1968) was educated at the Convent of the Sacred Heart and the Central College of Music in London. She wrote her first song at the age of twelve and went on to write over three hundred more which were sung by the best-known singers of the day, including Emma Albani, Clara Butt, Gervase Elwes and Nellie Melba. Her most popular song was O dry those tears which sold 23,000 copies within six weeks of its publication in 1901. Another extremely successful song by del Riego was Homing, to words by Arthur Salmon, published in 1917, the year that her husband Francis Graham Leadbitter died in France. Del Riego wrote Slave Song in 1899, setting a poem by E Nesbit, the writer best known for her children’s books such as Five Children and It and The Railway Children. Slave Song soon became popular and was reissued in several arrangements including versions for female vocal trio and cello and piano.

Liza Lehmann’s father was the painter Rudolf Lehmann and her mother wrote music under the pseudonym ‘A L’. Lehmann (1862–1918) made her professional debut as a singer in 1885 and spent the next nine years singing at concerts all over Britain, often including her own songs in her recitals. In 1894 she married Herbert Bedford and, like most women of the time, gave up appearing in public. But this enabled her to concentrate on composition, something that she had wanted to do for a long time. Shortly after her marriage Lehmann wrote her most famous work, In a Persian Garden, a setting for four singers and piano of verses from Edward Fitzgerald’s translation of the Rubáiyát of Omar Khayyám. The work was initially refused by publishers for being too difficult and involving too many singers. But a private performance given in 1896 was given an enthusiastic review by Hermann Klein in The Sunday Times where he described it as ‘a composition of very remarkable merit … the music was quite a revelation – not of mere talent, but of unsuspected power and variety of expression, of depth of melodic charm and technical resource’. In a Persian Garden soon became a huge success and was sung all over Britain and the United States. Lehmann went on to produce a wide variety of vocal music including cantatas, operas and operettas, songs as well as song cycles both for solo and for several voices, a genre that she did much to popularize in Britain. In 1904 she became the first woman to be commissioned to write a musical comedy, Sergeant Brue. This was a great success, playing in London for nine months. Lehmann made a distinction between her ‘serious’ music and her more popular work and grew increasingly frustrated by the demands of the public and her publishers for music in her lighter style. She was particularly disappointed by the lack of success of her opera Everyman, performed by Beecham’s Opera Company in 1915. Nevertheless Lehmann was one of the most respected women composers of her time, becoming the first president of the Society of Women Musicians in 1911.

Lehmann’s setting of Shelley’s A widow bird sate mourning was included in her Album of Nine English Songs, published by Boosey in 1895. The tenor solo Ah, moon of my delight from In a Persian Garden, also written in 1895, was extremely popular and widely sung as a solo song. The Lily of a Day, Lehmann’s setting of words by Ben Jonson, has never been published. It was probably a late song, written after the tragic death of her son Rudolph in March 1916. Lehmann set the Edwardian writer Frances M Gostling’s poem, Thoughts have wings, in 1909, the same year that she wrote her settings of Hilaire Belloc, Four Cautionary Tales and a Moral. This witty cycle for two voices and piano was first performed by Clara Butt and her husband Robert Kennerley Rumford in the Royal Albert Hall. Lehmann directs the story of Henry King ‘to be sung in a snivelling manner; much overcome’ while the story of Charles Augustus Fortescue provides the final moral.

Born in Chile where her father was the British Consul, Amy Woodforde-Finden (1860–1919) studied music with Adolph Schloesser and Amy Horrocks. Sometime in the early 1890s she travelled in India where she met and married Lieutenant-Colonel Woodforde-Finden of the Bengal Cavalry. At the turn of the century Woodforde-Finden returned to England and it was here that she wrote her most famous work, Four Indian Love Lyrics. These were settings of four poems from The Garden of Kama by Laurence Hope, the pseudonym of Adela Florence Nicolson who was also married to an officer in the Bengal Cavalry. Unable to interest publishers in the work, Woodforde-Finden published it herself in 1902. It soon became wildly successful and Boosey reissued it the following year. Woodforde-Finden continued to write many more songs and cycles, most of which continued to echo the Edwardian British obsession with the East. Her later cycles included A Lover in Damascus (1904), The Pagoda of Flowers (1907) and The Eyes of Firozée (1914). The songs Till I wake and Kashmiri Song are both from Four Indian Love Lyrics. Kashmiri Song, with its opening line ‘Pale hands I loved beside the Shalimar’, is probably one of the most popular songs of all time. Hope’s poems are remarkably erotic, and Woodforde-Finden’s music is suitably impassioned. It is rumoured that the two women were lovers, although they did not meet until after Woodforde-Finden had written Four Indian Love Lyrics.

Ethel Smyth (1858–1944) was one of the many remarkable women of her time who refused to conform to society’s expectations of how an upper-class woman should behave. Her father was a general in the British army who was horrified at the idea of his daughter becoming a professional musician. After a fierce battle, Smyth persuaded him to let her study music in Leipzig where her early works – chamber music and songs – were published and performed. By 1890 she was back in England where she had two performances of orchestral works and, using the influence of her aristocratic friends, managed to get her striking Mass in D performed at the Royal Albert Hall. But Smyth’s ambition had always been to write opera, possibly the most complex of all musical genres and the most difficult to get performed, especially for a woman composer in Britain, a country which believed that only foreigners could write opera. Smyth put endless amounts of strength and determination into persuading producers and opera companies to put on her works. Her first two operas were written to German libretti and given first performances in Germany. Her third and greatest opera, The Wreckers, written between 1902 and 1904, was also premiered in Germany. At this time her musical language was undergoing a considerable change from her earlier Germanic style. She herself described her sensuous French chamber songs of 1907 as in her ‘latest manner’. In 1910 Smyth decided to spend two years working for the militant suffragette campaign, writing The March of the Women as the movement’s anthem and spending a few weeks in Holloway after throwing a stone through a cabinet minister’s window. In 1913 she went to Egypt to write her fourth opera, The Boatswain’s Mate. During the First World War she realized that she was beginning to lose her hearing and although she continued to compose she also began writing her many fascinating volumes of memoirs and essays. Among her later works were two more operas and a concerto for violin and horn. Fifty years after her death, Smyth’s vital and exciting music is finally beginning to achieve the recognition that it deserves.

Possession is the second of Three Songs written by Smyth in 1913 as she was coming to the end of her involvement with the suffragettes. Both this and the final song of the set are settings of poems by Ethel Carnie, a contemporary poet. The last song, On the Road, is dedicated to Christabel Pankhurst and Possession is dedicated to Emmeline Pankhurst, the leader of the Women’s Political and Social Union. Smyth made no secret of her relationships with women. This passionate love song is a declaration of love for the woman who inspired her to devote over two years of her life to the fight for the vote. At the same time it is an acknowledgement of the importance of freedom and independence in any relationship.

Rebecca Clarke (1886–1979) studied composition at the Royal College of Music with Charles Stanford. After leaving the College in 1910 she worked as a viola player, becoming one of the first women to be employed by Henry Wood in his Queen’s Hall orchestra. She also worked with some of the leading chamber music players of the day as well as playing in two chamber groups – a string quartet with the famous d’Aranyi sisters (Adila and Jelly) and cellist Guilhermina Suggia, and the English Ensemble, a pianoforte quartet with Marjorie Hayward, May Muckle and Kathleen Long.

Clarke’s own music – songs and chamber works – is in the European tradition of composers such as Ernest Bloch and Maurice Ravel. Some of her early songs were regarded as startlingly modern by the British musical press. Her best-known works are the fiery Viola Sonata (1919), which tied for first place with Bloch’s Suite for viola and piano in a competition at the Berkshire Festival in the United States, and the compelling Trio for violin, cello and piano (1921). During the 1930s Clarke wrote very little music, later claiming that this was because she was having an affair with a married man which left her with no energy to compose! She wrote a few more works in the early 1940s when she was stranded in the United States by the outbreak of the Second World War. In 1944, at the age of fifty-eight, she married James Friskin, a piano teacher at the Juilliard school of music, and stopped both performing and composing. She lived in the States for the rest of her life and died at the age of ninety-three. Clarke’s gloriously ironic song The Aspidistra, to words by Claude Flight, was written in 1929. Shy One, a setting of W B Yeats’s poem To an Isle in the Water, was written in 1912, although it was not published until 1920. Like Clarke’s other Yeats setting of the same year, The Cloths of Heaven, this song was dedicated to and frequently performed by Gervase Elwes.

Elizabeth Poston (1905–1987) studied at the Royal Academy of Music and her music started to be published while she was still in her teens. One of her earliest songs, Sweet Suffolk Owl of 1925, was to become her best-known work. At about this time she developed a close relationship with the composer Peter Warlock with whom she shared a love of early music. Poston spent much of the 1930s studying and collecting folksong in Europe and on her return to Britain in 1939 joined the BBC. She worked for a time as the director of music in the European Service and was later involved in setting up the Third Programme. Most of Poston’s music was for voices and she published many collections of folksongs, carols and hymns as well as making arrangements of other composers’ music. She also wrote music for films and for the radio and always claimed that she had no desire to write what she called ‘big works’. In Praise of Woman, a setting of words from The Harleian Manuscript, was published in 1928 as one of Poston’s Five Songs. Like much of her music, it echoes the musical language of an earlier time.

Elisabeth Lutyens (1906–1983) was one of the first British composers to use serial techniques in her often complex and demanding musical language. Born into an upper-class family, her father was the architect Edwin Lutyens and her mother was Lady Emily Lytton. Lutyens studied music at the École Normale in Paris and then at the Royal College of Music. She later rejected most of the music that she wrote before her revolutionary Chamber Concerto No 1 for nine instruments (1939/40). Lutyens fought hard to get performances and broadcasts of her music and supported herself and her family by writing music for films. She finally felt that she had found her own truly individual musical language in the early 1950s, with works such as her sixth string quartet (1952) and the unaccompanied motet Excerpta tractatus-logico philosophici, a setting of text by Wittgenstein. In the 1960s, after a change in British attitudes towards serial music, Lutyens’ works began to be heard much more frequently and she became an important mentor to a younger generation of composers. She continued composing to the end of her life, continually developing her difficult but always lyrical musical style. As I walked out one evening was one of Lutyens’ Two Songs, both with words by W H Auden, written in 1942 while she was living in Newcastle during the Second World War. Like several of Lutyens’ works from this time, these songs do not reflect her serial experiments but are in a straightforward tonal language. They were first performed at Wigmore Hall in 1945 by Hedli Anderson and Norman Franklin.

Brought up in the countryside of England and Ireland, Elizabeth Maconchy (1907–1994) had heard very little music, other than that she wrote or played herself, before she came to study at the Royal College of Music in 1923. After the highly successful performance of her orchestral suite The Land at the Proms in 1930, Maconchy soon came to be regarded as one of Britain’s most promising young composers. Her orchestral and chamber works were frequently performed and broadcast throughout the 1930s, in spite of the fact that, having contracted tuberculosis in 1932, she was forced to move out of London and live in a hut at the bottom of the garden of a house in Kent. Like so many women, Maconchy managed to combine her career as a composer with looking after and bringing up her family. Although her powerfully expressive music includes works in every genre, her remarkable series of fourteen string quartets is central to her output. These works clearly demonstrate the aptness of her own description of her music as ‘an impassioned argument’. Have you seen but a bright lily grow? to words by Ben Jonson, and Meditation for his Mistress to words by Robert Herrick, are both early works written in the late 1920s. They were published, together with a setting of Shakespeare’s Ophelia’s Song by Oxford University Press in 1930.

Madeleine Dring (1923–1977) won a scholarship to the Junior Department of the Royal College of Music at the age of ten. She wrote incidental music for the plays that were put on there and developed a lifelong enthusiasm for the theatre. She also won an adult scholarship to the Royal College where she studied composition with Herbert Howells and Ralph Vaughan Williams. Dring later worked as an actor, singer and pianist in West End revues and published a variety of chamber music as well as writing much educational music and incidental music for radio, television and the theatre. Neither Crabbed age and youth, a setting of words by Shakespeare, nor To the Virgins, to make much of Time, the second of Dedications: 5 Poems by Robert Herrick, were published during Dring’s lifetime but are included in the recent five-volume edition of her songs published by Thames Publishing.

The first works that Phyllis Tate (1911–1987) composed were blues and foxtrots for herself to sing to her ukulele. At the age of seventeen she went to the Royal Academy of Music where she studied composition with Harry Farjeon. Like Lutyens, Tate later destroyed most of her pre-War music. The earliest work that she acknowledged was her sparkling Concerto for alto saxophone and strings (1944). Tate was fascinated by the exploration of unusual instrumental combinations, as can be seen in works such as Nocturne for four voices (1945), a setting of a poem by Sidney Keyes for four soloists with string quartet, double bass, celesta and bass clarinet, The Lady of Shalott (1956) for tenor, viola, two pianos and percussion or the Sonatina Pastorale (1974) for harmonica and harpsichord. Words were always important in inspiring Tate and she wrote much vocal music, including songs, vocal chamber music and choral works. Her sombre song Epitaph sets words by Walter Raleigh and was first published in 1948 by Oxford University Press.

Sophie Fuller © 1994

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Hypnosis For Sexual Problems

Only in two to four sessions.
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* session count may vary slightly depending on your individual features

Do you suffer from sexual problems? Hypnosis can help you resolve your sexual problems.

With some regularity, both men and women visit our Hypnosis Clinics to seek help for their sexual problems. Most problems concerning sexuality can be effectively remedied with hypnosis. These problems may be premature ejaculation or premature ejaculation, vaginism, impotence, sexual phobias, fear of intimacy, etc.

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If you have a problem achieving or maintaining an erection, you can certainly benefit from hypnosis. Erection problems are very common in men regardless of age or background.

Hypoactive Sex Drive (little or no desire)

This sexual disorder refers to when a man or woman has a low libido — no desire to have sex results in avoiding (or trying to avoid) everything that has to do with sex or intimacy.
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(More about sexuality can be found on the website of Cleveland Clinic)

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What treatments helped you with vaginal atrophy?

If you are suffering from vaginal atrophy, you will want to work with your doctor to find treatment options that will ease your symptoms. There are a variety of both over the counter and prescription options you can try, and some life style changes may help as well. You may discover a single option works best for you, or you may need to combine some of the choices for optimal results.

Read more about Vaginal Atrophy Treatments


text:
Parevartan is a preparatory, primary and a CBSE affiliated secondary school. Here wisdom comes through experiential learning. Our faculty members, who we lovingly address as ‘Gurumaas and Gurushrees’ provide students with adequate opportunities to learn through interesting interactions and activities. Parevartan School started its journey in 2003, as an institution committed to provide an environment where young minds grow in knowledge, confidence and a belief in self.

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They move forward to be the change.”


text:
Making the most of a 1.5 metre world

As the ‘intelligent lockdown’ caused by the coronavirus (COVID-19) outbreak draws to a close and the Netherlands prepares to do business in the "1.5 metre society," the City of Amsterdam is asking entrepreneurs to share their ideas for making it a success as part of a new initiative.

Three of the best ideas, which should offer creative solutions that are quickly scalable across a variety of companies and industries, will receive support from the city to help make them a reality. The ideas should also contribute to making the Amsterdam Area smart, green and healthy while having a positive social and economic impact.

Pitch to the mayor of Amsterdam

All concepts submitted for the initiative will be available for public viewing online to inspire people to find safe ways to innovate and pursue entrepreneurship. The creators of the top ten ideas will be invited to pitch their entry to a panel that includes Femke Halsema, the deputy mayor of Amsterdam, and Victor Everhardt, the alderperson for economic affairs, during an online meeting.

The deadline for submitting entries is 12:00 on 18 May. Proposals should not be longer than one and a half pages in length and may be emailed to [email protected]. For more information, visit this site (in Dutch).

Read more startup news from around Amsterdam.


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How Cell Phones Are Transforming Health Care in Africa

17 September 2013

MIT Technology Review

Mobile communications can help bridge a huge knowledge gap and reimagine healthcare across Africa.
In a little over a decade, Africa has gone from a region with virtually no fixed-line telecoms infrastructure to a continent where one in six of the billion inhabitants now owns a cell phone.

But as this mass adoption of technology continues to gather momentum, it is causing a fundamental shift that goes beyond merely connecting people; it is creating one of the largest, low-cost distributed sensor networks we´ve ever seen, one which has the potential to completely transform glob al health care.

Since 2000, when the number of cell phone subscriptions in Africa outstripped landlines, the enthusiasm with which people across the continent have embraced this technology has been unparalleled.

Nigeria alone has gone from a nation of just 30,000 cell subscriptions in 2000 to more than 140 million today, or roughly 87 percent penetration. Given how vast Africa is and the entrepreneurial nature of its people, perhaps that´s not so surprising. But what is unexpected is the life-saving role these handsets are beginning to play in helping to bridge gaps in our knowledge.

Historically we have had very little solid real-time disease surveillance and monitoring data on Africa, and as such have had to rely upon a few sentinel sites and modeling estimates to track the spread and prevalence of disease. As a medical doctor and an epidemiologist who spent some years working in Uganda in the 1980s, I can tell you this is extremely frustrating.

You can see all the evidence around you, but in most places there is no infrastructure to monitor and evaluate it. Since then it has been clear to me that one of the biggest obstacles to improving the lives of the world's poorest people is the ability to accurately measure in real time the burden of ill-health. Because if we can't measure it, how can we do anything about it?

Cell phones are changing that. For the first time we are seeing good quality data that can tell us who is dying and from what, who is sick, and where clusters of disease are occurring. By removing the guesswork, this information has huge potential to inform global and national health strategies.

Indeed, this is already happening. At its most basic level it is providing a way of getting a m ore accurate headcount. It´s a terrible reality, but many infants are born and die without ever officially existing. Cell phones are now making it possible for parents to very easily register the birth of their child, thereby reducing the number of children that end up slipping through the net, and allowing governments to more accurately plan interventions, such as vaccination schedules.

Cell phones are also helping by improving vaccine supply chains. By allowing real-time data of stock levels in remote facilities to filter back up the chain, it is possible to prevent unnecessary stock-outs and ensure that vaccines are available when infants and children are brought in to be immunized.

Meanwhile, health-care workers in the field are now able to access health records and can schedule appointments using their phones. They can even issue automated text reminders to parents about when vaccine clinics are being held. These are simple measures, yet highly effective.

Working in partnership with Vodafone, these are some of the avenues that are now being explored by my organization, the GAVI Alliance, a public-private partnership based in Geneva, Switzerland, that spends billions of dollars making vaccines more accessible to children in developing countries.

Further down the line, we can expect other advances through technological developments at the device end. Researchers like Jonathan Cooper at the University of Glasgow, in Scotland, are now developing ways to shrink huge, complex laboratory equipment onto tiny, disposable, acoustically driven microfluidic devices which can be plugged into a cell phone to turn it into a portable lab.

Similarly, Aydogan Ozcan at the University of California, Los Angeles, is doing remarka ble work enabling the cameras of cell phones to be used to perform fluorescent flow cytometry for diagnostic imaging. Eventually these kinds of technologies may enable health-care workers to carry out on-the-spot diagnostics for diseases in even the most remote of regions.

But ultimately the biggest impact may well come from the rich data the network of cell phones can provide. Last year organizations like Ushahidi and Healthmap showed how crowdsourcing and automated data aggregation could be used to map the death toll from the Syrian uprising.

And a paper published in Science last fall demonstrated how cell phone data from 15 million people in Kenya could be used to help reveal how human travel patterns can contribute to the spread of malaria (see "How Cell Phone Data Could Slow the Spread of Malaria"). This really is just the beginning.

With 630 million cell phone subscribers in Africa, and 93 million already using mobile internet, we know the data is there. And because it is part of this vast sensor network, distributed across the entire continent, we now have a way of getting hold of it. The innovation challenge now is finding the best way to go about it, empowering entrepreneurs to work on it, and then figuring out how we can best use this data to save lives.

It's early days, but people like Nathan Eagle have already made some progress in showing us how to get the data. Provided privacy is protected and with the right incentives, such as by channeling advertising budgets into compensation-based direct-marketing schemes, consumers are often more than happy to share their data. Indeed, this is exactly what Eagle's cell phone-based company Jana is doing in emerging economies (see "Innovator Under 35: Nathan Eagle" and "Innovator Under 35: Caroline Buckee").

Once we have that data, it's difficult to say with any great clarity what the full long-term benefits will be. However, companies like the crowdsourcing data analytics firm Kaggle offer a hint.

They have shown that with the right algorithms, this kind of big data should not only give us a much more accurate picture of what is happening now, but make it possible to predict future global health trends. And the more data there is, the more accurate that picture is likely to be.

In global health terms, where even slight improvements in modeling go a long way, that is an extremely exciting proposition. Even if cell phone data were to improve upon existing models by just 1 percent, that would translate into the prevention of the deaths of 69,000 children under age five a year. Now that´s got to be something worth calling about.

Seth Berkley is CEO of the GAVI Alliance and was formerly with the U.S. Centers for Disease Control and Prevention and the Rockefeller Foundation before going on to become founder, president, and CEO of the International AIDS Vaccine Initiative. In 2009 he was nominated by Sergey Brin as one of Time magazine's "100 Most Influential People in the World."

Original article by Seth Berkley

Categories: ICT

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Southern Africa: SADC - New Frontier for Renewable Energy Sources

26 July 2013

Southern African News Features (Harare)

A recent announcement by an international firm that it has invested more than US$12 million in a solar power project in South Africa highlights the emergence of southern Africa as a new frontier for renewable energy sources.

Internet sources say the proposed 96 megawatt (MW) solar panel farm being built in the Northern Cape will be able to deliver enough clean power for the equivalent of 30,000 homes. Situated near Kimberley, the Jasper solar power project will cover about 450 acres with more than 325,000 solar modules.

The Southern African Development Community (SADC) has an abundance of renewable energy sources, which, if fully harnessed, could boost power generation in the region. According to the African Development Bank (AfDB), the region has the potential to become a "gold mine" for renewable energy due to the abundant solar and wind resources that are now hugely sought after by international investors in their quest for clean energy.

For example, the overall hydropower potential in SADC countries is estimated at about 1,080 terawatt hours per year (TWh/year) but capacity being utilised at present is just under 31 TWh/year. A terawatt is equal to one million megawatts.

The SADC region is also hugely endowed with watercourses such as the Congo and Zambezi, with the Inga Dam situated on the Congo River having the potential to produce about 40,000 MW of electricity, according to the Southern African Power Pool (SAPP).
SAPP is a regional body that coordinates the planning, generation and transmission of electricity on behalf of member state utilities in southern Africa.

With regard to geothermal energy, the United Nations Environment Programme (UNEP) and the Global Environment Facility estimate that about 4,000MW of electricity is available along the Rift Valley in the United Republic of Tanzania, Malawi and Mozambique. In this regard, the announcement in South Africa should not only be seen as a significant investment for SADC, but rather as an encouragement to the region and financiers to invest more in renewable energy sources.

Renewable energy sources are less polluting to the environment compared to fossil fuels such as coal. Furthermore, fossil fuels will not last forever, hence the need for southern Africa and the rest of the world to prepare for the future and intensify efforts to harness its huge renewable energy resources.

SADC countries such as Botswana and Madagascar are successfully implementing similar projects that allow marginalized communities to tap solar energy. Madagascar a few years ago embarked on a small-scale project to harness its solar energy potential and provide power to the majority of its rural population not connected to the national electricity grid.

Rural clinics and hospitals were equipped with solar technologies such as solar panels to produce their own electricity and in the process enabling them to store vital medicines.
 Prior to this development, patients were expected to bring their own candles to the clinics during the night.

Botswana is building a 200MW solar plant to boost generation. The plant has the capacity to address most of the energy needs of the country as its national power consumption requirements stand at about 450MW. Such initiatives should encourage other countries in the region and financiers to invest more in renewable energy sources.

Investment in the energy sector has been identified as a priority for southern Africa in the SADC Regional Infrastructure Development Master Plan approved by the Heads of State and Government in August 2012. The target for the energy sector is to address the four key areas of energy security, improving access to modern energy services, tapping the abundant energy resources in the continent and up-scaling financial investment whilst enhancing environmental sustainability.

Categories: Energy

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Basic Questions Remain for the Secular Scientist | The Institute for Creation Research

Basic Questions Remain for the Secular Scientist

As we proceed into the 21st century, secular scientists are still attempting to eke out a purely material explanation for the origin of the universe and life on this planet. They will not succeed.

New Scientist magazine is a popular British publication for scientist and layman alike. In July 2011, it asked, “Why does the universe exist at all?” and “Why is there something rather than nothing?”1 Biblical explanations are not tolerated, of course, which leads evolutionists to suggest unsatisfying alternatives such as “perhaps the big bang was just nothingness doing what comes naturally.”2 But the supposed Big Bang itself has a host of problems.3 In fact, the most basic of all scientific laws—the law of cause and effect (no effect can be greater than its cause)—becomes so much rubbish if the cosmos is the product of chaos, appearing and then evolving by chance.

Not only that, but what is the universe made of? Secular science doesn’t know: “Trouble is, we still haven’t a clue what most of the stuff is made from.”4

Science reporter Amanda Gefter says, “It’s lucky you’re here.”5 But not surprisingly, the Bible teaches a purposeful creation with man created in God’s image to have dominion over the rest of creation (Genesis 1:26-28).

Attempted explanations of organic life springing from inorganic non-life (abiogenesis) fare no better. Currently, evolutionists envision a primeval molecule called an RNA (ribonucleic acid) replictor that somehow assembled itself in Darwin’s “primordial soup.” But there is no geologic evidence for this soup or for how such reactive nucleotides could begin to accumulate and organize themselves.

Indeed, Michael Marshall reported, “But there is still one huge and obvious problem: where did the RNA come from in the first place?”6 and “Life must have begun with a simple molecule that could reproduce itself.”7 “Must have” is a phrase born out of conviction that the supernatural does not exist and there “must be” a purely materialistic explanation. Further into the article, Marshall laments:

We may never know for sure but many promising avenues are being explored. Most biologists think there must have been something like a cell right from the start, to contain the replicator and keep its component parts together.8

As scientists’ knowledge of cellular complexity continues to escalate,9 some evolutionists see it as increasingly unrealistic that such an entity arose spontaneously. Is it any wonder they conveniently bypass sophisticated bio-chemical challenges of spontaneous abiogenesis by simply saying it was “something like a cell right from the start”? Problem solved!

Nevertheless, evolutionists as a whole are confident they have the right idea:

One day soon, [John Sutherland, MRC Laboratory of Molecular Biology] says, someone will fill a container with a mix of primordial chemicals, keep it under the right conditions, and watch life emerge. “That experiment will be done.”10

Don’t hold your breath—good science says otherwise. Life only comes from life.

The wonderful message of creation is not one of chance, time, and natural processes, but one of purpose and plan from the mind of the Creator Himself.

  1. Gefter, A. 2011. Existence special: Cosmic mysteries, human questions—Existence: Why is there a universe? New Scientist. 2822: 27-28.
  2. Ibid, 29.
  3. Berlinski, D. February 1998. Was There a Big Bang? Commentary Magazine.
  4. Peterson, J. 2000. Universe in the balance. New Scientist. 2269: 27.
  5. Gefter, Existence special: Cosmic mysteries, human questions, 27.
  6. Marshall, M. 2011. First life: The search for the first replicator. New Scientist. 2825: 34.
  7. Ibid, 33. (See also Figure 28.1 in Chaisson, E. and S. McMillan. 2011. Astronomy Today, 7th ed. Boston: Addison-Wesley, 708.)
  8. Ibid, 35.
  9. Karp, G. 2010. Cell and Molecular Biology, 6th ed. Hoboken, NJ: John Wiley & Sons, Inc.
  10. Marshall, First life: The search for the first replicator, 35.

* Mr. Sherwin is Research Associate, Senior Lecturer, and Science Writer at the Institute for Creation Research.

Cite this article: Sherwin, F. 2012. Basic Questions Remain for the Secular Scientist. Acts & Facts. 41 (1): 15.

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The LORD hath done that which he had devised; he hath fulfilled his word that he had commanded in the days of old: he hath thrown down, and hath not pitied: and he hath caused thine enemy to rejoice over thee, he hath set up the horn of thine adversaries.

New Defender's Study Bible Notes

2:17 fulfilled his word. These terrible afflictions that had come on Israel not only were divine judgments on sin, but were also precise fulfillments of prophecies given some nine hundred years before (e.g., Leviticus 26:14-39; Deuteronomy 28:15-62). Thus the events were vindicating the divine authority of the Scriptures even while the people were denying them.

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Non-Executive Director - Ebor Academy Trust

Ebor Academy Trust

Non-executive director/ Trustee role

Could you be an Academy Ambassador in York? Ebor Academy Trust seeks two non-executives/directors with skills in either law or finance, to join its board.

The Academy Ambassadors programme brings the expertise of the business world onto boards at multi-academy trusts (MATs) throughout the country to raise standards of education and improve the life chances of young people, which is critical to our social and economic success. These are volunteer roles.

The opportunity

Ebor Academy Trust was established in 2013 to support a school in York that had been failing for some time and less than three years after it joined, the school was rated Good by Ofsted. This rating validated the trust’s approaches and systems and was the foundation for school improvement activity which continues to this day.

The trust has grown and now comprises 23 primary schools and an 11-16 secondary school. With 24 academies, Ebor is one of the region’s largest trusts providing for around 6,000 pupils and managing a budget of almost £47m. The primaries include Hob Moor Oaks which is a school for children with a range of complex special educational need as well as some with physical disabilities.

The trust comprises a mix of community and church schools with strong links to York St John University and the Diocese of York.

The schools within Ebor Academy Trust have varied and diverse backgrounds, including small village schools, large urban schools, schools in challenging circumstances and those which have the capacity to support others. The trust’s schools operate in geographic hubs in York, Selby, on the Yorkshire coast and in East Riding and the Humber.

The board seeks two business leaders with expertise in

  • legal/compliance or
  • finance/accountancy

As a key member of the board you will support the trust in achieving the following over the next 12 – 24 months:

  1. Maintain the positive ethos of the trust through times of change, with a focus on the provision of a high quality education for all children and young people. Responding effectively to the issues around Covid19 pandemic across the trust’s 24 schools
  2. Strategically plan for the next 5 years in conjunction with a relatively new executive team.
  3. To ensure all levels of management and governance are working effectively and symbiotically.

What’s involved?

The board meets five times a year; once to plan the next 12-24 months, followed by termly board meetings (autumn, spring, and summer) followed by a review and evaluation meeting before the summer break.

Board and sub-committee meetings tend to start at 6 or 6.30pm and last for up to 2 hours. Overall trustees are expected to commit around 6 hours per month (on average) which will include the reading of papers, etc ahead of meetings.

You will be responsible for:

  • Ensuring clarity of vision, ethos and strategic direction
  • Holding executive leaders to account for the educational performance of the organisation and its pupils, and the effective and efficient performance management of staff; and
  • Overseeing the financial performance of the organisation and making sure its money is well spent

As an Academy Ambassador, you will join our ambassador network which provides resources, guidance, networking events and webinars to support you in your role. All roles are pro bono.

What next? Please register your interest now to be considered for the role.  A full trust specification is available here: Please be aware the closing date may change if we have received sufficient applications.

Similar searches: Part time, Board level roles


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Volunteer Project Officer – Support Service Directory

Volunteer Position Description
Title: Project Officer – ICYS Support Services Directory
Program: YARI
Hours: Flexible – fixed term project
Location: Based at ICYS – 17 Thorn Street IPSWICH 4305 (possibility of remote volunteering)

About ICYS:

ICYS Ipswich Community Youth Service is a not-for-profit community based organisation that supports and assists at risk young people aged 12-25, their families and their communities to identify their strengths, make positive decisions and become active citizens. For 30 years, ICYS has been providing support and assistance to young people based on individual need including assistance with educational engagement, housing and homelessness, vocational training, disability support, information, referral, advocacy, practical assistance, drop-in, emergency relief and recreational activities in Ipswich and the surrounding regions.

Each year ICYS provides direct services to approximately 6000 young people across 4 Local Government Areas (Ipswich City, Lockyer Valley, Somerset and Scenic Rim Regional areas).

Position Outline:

The Project Officer for the ICYS Support Services Directory will compile a comprehensive overview of all relevant youth based services in the greater Ipswich Region (including details such as contact information, target clientele, referral process etc).

• Calling youth based organisations to obtain service information
• Creating an easy to use document listing relevant details on each organisation
• Assist with other tasks as required

General Skills / Qualifications:
• Sound Microsoft Office skills
• Sound literacy skills
• Excellent telephone manner
• Must have or be eligible to obtain a Working With Children Blue Card (Blue Cards are available free of charge to eligible volunteers)

Register your interest in this position.


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Recommended Earwax Removal In Oxford

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Interesting Truths Regarding Oxford

  • Oxford College is commonly thought to be the second earliest university on the planet. 38 Universities compose the university, which dates back to the 12th century.
  • Oxford is known as the city of dreaming spires
  • 28 Nobel prize victors went to Oxford College, as well as 27 Prime Ministers
  • A lot more published authors lived in Oxford than anywhere else in the world, and also the list consists of CS Lewis as well as JRR Tolkien.
  • Oxford’s Museum of History and also Scientific research is the earliest public gallery in the world, having actually initially opened up in 1683.
  • Einstein wrote the formula “e= mc2” at Oxford University, as well as the chalkboard that he wrote it on goes to the Museum of Background and also Scientific research.
  • Oxford had not been bombed by the Germans throughout WW2
  • Oxford was the nation’s funding throughout the English Civil War.
  • The Grand Cafe in Oxford was the initial coffee residence in England
  • Roger Bannister damaged the four minute mile right here.
  • Parts of the Harry Potter flick were filmed in the city.
  • The first botanical garden worldwide was developed in Oxford.
  • Micro Suction Ear Wax Removal in Oxford is offered at our brand-new center in Summertown OX2

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Adhering to a first conversation regarding your wellness and hearing, we start by examining your ears using a fibre optic video camera. The cam sits just at the entry of the ear, and makes it possible for both you and also the audiologist to view your ear canal and ear drum on a huge screen.We will certainly examine both ears, before waging any kind of wax removal called for. Following treatment, we will certainly show you your ear canals and drums once again, this time around without any wax blockage. The length of time does the appointment last? Visits last around 10 – 30 minutes depending on the treatment required. Occasionally, an individual might need to return for some follow-up job if there has actually been an ear infection or some trauma to the ear canal. Does micro suction oxford hurt?The treatment is done slowly and also ought to not cause any kind of pain. If a customer has any concerns throughout therapy the treatment is quit immediately. Micro Suction Oxford provides instant relief and also is typically a revelation!


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Data aggregation

Workshop: How to prepare your data for publication, and what to do with open data

Fri, 2019-08-23 15:50 -- dpaul

Preparing a dataset in order to publish on an aggregator like Canadensys or GBIF or iDigBio can be quite fastidious, but data cleaning and standardisation are the key points to good quality and useful datasets. Fortunately, a lot of tools and protocols have been develop through time to help preparing biodiversity datasets.

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Greg Robbins
Music, Classical
Music Faculty, Associate Director of Orchestral Programs
951.282.4625 x2375

American conductor Gregory Robbins enjoys a diverse career as a performer, educator, bassist, and arts advocate.

He has held positions as Associate Conductor of the Greater Bridgeport Symphony (2014-16), Music Director of the Delphi Chamber Orchestra (2011-2018), and Director of the Young Artists Philharmonic (2013-2019), a regional Youth Orchestra based in Greenwich, CT. In the Fall of 2019 he will begin an appointment as Conductor of the Idyllwild Arts Academy Orchestra in southern California. As a guest conductor, he has made recent appearances with the Redlands Symphony, Norwalk Youth Symphony, Yonkers Philharmonic, Pazardjik Symphony (Bulgaria) and Symphony by the Sea.

A strong advocate for music education, Robbins has extensive experience working with a variety of Youth, Secondary, and Collegiate ensembles. He has made conducting debuts at Yale School of Music, NYU, and lectured at Mannes College: The New School for Music. During the summer of 2015 he began an appointment to the conducting staff of the New York State Summer School for the Arts, in a program presented in conjunction with the Philadelphia Orchestra. He was formerly the education director for the Geneva Music Festival.

Robbins is active in the worlds of Jazz and Popular Music, recently conducting the debut album of the Assembly of Shadows Jazz Orchestra, and premiering Miho Hazama’s “Jazz Mass” at St. Peter’s church in New York City. In 2018, he led a performance at Brooklyn Academy of Music featuring John Cale (formerly of Velvet Underground) and the Wordless Music Orchestra which gained wide acclaim from The New York Times, Rolling Stone, and The New Yorker. In 2018 he also led the Video Game Orchestra in a sold out concert at Anime Boston. In the world of film and tv, he was the “conducting coach” for Gael Garcia Bernal, star of Amazon’s hit Mozart in the Jungle series.

As a chamber musician, Robbins has performed with such luminaries as David Frankl, Clive Greensmith, and Ani Kavafian, among others. He has also collaborated with members of the Tokyo, Linden, and Attacca string quartets for concerts at Carnegie Hall and the Norfolk Chamber Music Festival.

He received his formal training at Yale School of Music and Manhattan School of Music, and currently resides in Idyllwild.


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Have you ever questioned the integrity of your plumbing system? Chances are, unless you’ve experienced a problem in the past, you don’t give much thought to the intricate system of plumbing fixtures and piping running through your home. After all, it’s out of sight for the most part. However, the reliability and performance of your plumbing system is never something you should take chances with.

The overall performance of your plumbing system over the years is reliant on whether it was professionally installed or not, in addition to how well it was maintained. However, it’s important to remember that even if the system is well taken care of, it can and will occasionally run into trouble. Sometimes a broken plumbing system is simply unavoidable.

Over the years, your plumbing system is used more than any other device, appliance, or system in your home. It should come as no surprise then that it will need repairs at one point or another. The fact of the matter is that everything breaks, no matter how professionally installed it was or how well you take care of it. But how do you know when you need to call for professional plumbing repairs? Keep an eye out for the following indicators.

  • Decrease in Water Pressure: Since most of your indoor plumbing is hidden from view, leaks can be difficult to detect. However, if you’ve noticed a sudden decrease in your water pressure, this could be indicative of a leak or underground break in your main water line. This is at least one issue that should be taken care of right away.
  • Increase in Water Bills: Have you noticed a spike in your water bills, despite normal use? If you are paying considerably more than you used to and more than even your neighbors with comparable use are, then you may very well have a leak that’s resulting in water loss, and therefore energy waste.
  • Noises from Water Heater: Your water heater makes noise: that is an inevitable fact. However, if the system starts to make strange sounds you haven’t heard before, or if it seems louder than usual, this could very well be a warning that something is going wrong.

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One Of The Leading Institutions Backing Homeopathic 'treatments' Has Effectively Banned Them

Vials containg pills for homeopathic remedies are displayed at Ainsworths Pharmacy on August 26, 2005 in London. British medical journal The Lancet has attacked the use of homeopathic treatments saying that doctors should be honest about homeopathy's lack of benefit. A joint UK/Swiss survey of 110 trials found no convincing evidence that homeopathy worked any better than a placebo. Peter Macdiarmid/Getty Images

When Australian research professor Paul Glasziou checked off the 68th box on a list of ailments for which homeopathy had no effect, he let out a sigh of relief.

Homeopathic remedies are sold in thousands of health stores as tinctures, tonics, pills, and pastes. The practice's origin can be traced to an 18th-century German physician named Samuel Hahnemann, who theorized that taking extremely diluted doses of the thing that is causing an ailment can cure it.

Glasziou looked at nearly 200 scientific studies about the effectiveness of the regimen for 68 conditions, ranging from arthritis to HIV. Overall, the treatment had "no discernible effect" on any of those conditions, which led Glasziou to conclude that homeopathy was "a therapeutic dead-end."

That was two years ago.

Since then, Britain's government health system (NHS) had continued to pay for thousands of patients to receive homeopathic treatment. But on July 21, the NHS included homeopathy in a lengthy report on items that primary care doctors should not prescribe. That effectively bans patients from using government funds for homeopathic treatment.

The NHS currently spends upwards of £92,412 (more than $120,400) on homeopathy prescriptions each year, according to the report. But the authors cited a “lack of robust evidence of clinical effectiveness” for the treatment and suggested physicians should stop prescribing it to patients.

Simon Stevens, chief executive of the NHS, said in a statement announcing the decision that homeopathy is "at best a placebo." He called the previous decision to cover the remedy "a misuse of scarce NHS funds which could better be devoted to treatments that work."

The US government doesn't support the treatment either — last year, the Federal Trade Commission released guidelines requiring producers of homeopathic treatments to add a disclaimer to their packaging saying "there is no scientific evidence that the product works."

Across the globe, however, homeopathy remains a booming industry.

"I can well understand why Samuel Hahnemann — the founder of homeopathy — was dissatisfied with the state of 18th century medicine’s practices, such as blood-letting and purging, and tried to find a better alternative," Glasziou wrote in a blog post for the medical journal The BMJ after publishing his research. "But I would guess he would be disappointed by the collective failure of homeopathy to carry on his innovative investigations, but instead continue to pursue a therapeutic dead-end."

Read the original article on Tech Insider. Copyright 2017.

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Scientists Discover Simple Technique That Cuts Calories In Rice By 60%

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The escalating obesity epidemic is a serious global health concern, and while it is clear there are no simple solutions or quick fixes to this complex issue, scientists are endeavoring to discover effective ways that could help lessen the problem. We need to eat to survive, but we are eating too much, so could there be a viable and practical food-based solution to this growing threat? New evidence suggests that this could be a possibility, with the development of a cooking trick that slashes the calories we get from rice by as much as 60%. The intriguing discovery is being presented at the 249th National Meeting & Exposition of the American Chemical Society.

Rice is an extremely popular food worldwide and a staple in many countries, particularly within Asia where some 90% of all rice is consumed. It’s cheap, easy to cook, and goes with lots of other foods, which is probably why it’s eaten for breakfast, lunch and dinner in some places. Unfortunately, rice isn’t particularly nutritious, and as the Washington Post points out, white rice is even thought to be associated with a higher risk of diabetes. Furthermore, like other high-starch foods, it’s fairly high in calories.

Starch is the most common form of carbohydrate in our diet, but if we eat too much food loaded with it, our bodies are often left with an excess of sugar as a result of its metabolism. This sugar will then ultimately get turned into fat, which can make us gain weight. That being said, this only happens if we consume too much of one type of starch, known as digestible starch, which the body breaks down in the small intestine. The other type of starch, called resistant starch (RS), takes a lot longer for our bodies to process as we can’t digest it and thus cannot convert it into sugar.

Researchers therefore hypothesized that if it were possible to transform the digestible starch in foods into the other form, then this could reduce the number of calories that can be used by the body. Thus, they started experimenting with different varieties of rice to find an easy cooking technique that could help improve the resistant starch content. Impressively, they found that all that was required was two simple changes: adding coconut oil to boiling water before putting in the rice, and cooling the rice for 12 hours before consuming it. This technique led to an RS content around 10 times greater than what is found in traditional rice.

So how does this work? Coconut oil adds fat to the water, which then enters starch molecules during the cooking process, altering its architecture and converting it into a form that’s more resistant to being broken down. Cooling the rice in the refrigerator also facilitates this conversion process. The team chose to add coconut oil since this is widely used in Asian cooking, but it is likely that other oils would achieve the same effect.

Although the scientists have only tested the method on certain rice varieties, which were the least nutritious, they observed around a 10% reduction in calories. If better varieties are used, they think that the technique could reduce calories by as much as 60%. Given the fact that rice is a staple food in many countries experiencing a rise in obesity, this could be a helpful solution to the growing problem.

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Technology Jobs in Joint Base Anacostia Bolling, DC

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Medical Science & Computing, Inc - Bethesda, MD (6 miles from Joint Base Anacostia Bolling, DC)
Sr Computer System Analyst - Data Production Medical Science & Computing, Inc., Bethesda, MD 9 hours ago Apply Now Create Alert Save ToggleDropdown Email Create Alert Save ToggleDropdown Email -->...
2 days ago
Trace Systems Incorporated - Fort Belvoir, VA (14 miles from Joint Base Anacostia Bolling, DC)
Please Enable Cookies to Continue Please enable cookies in your browser to experience all the personalized features of this site, including the ability to apply for a job.Welcome pageWelcome...
2 days ago
Erichards Consulting - McLean, VA (7 miles from Joint Base Anacostia Bolling, DC)
Java Architect eRichards Consulting Our excellent VA based client is looking for a JAVA Architect with 15 years of experience with in Solution, Design and Development of applications using J2EE,...
2 days ago
Applied Research Associates Incorporated - Springfield, VA (14 miles from Joint Base Anacostia Bolling, DC)
System Engineer Edge Solutions at Applied Research Associates, Inc in Springfield, Virginia Posted in Software about 5 hours ago. Type: Full-Time Job Description: If you are looking for a career...
2 days ago
Logistics Management Institute - Herndon, VA (19 miles from Joint Base Anacostia Bolling, DC)
Overview LMI is a consultancy dedicated to powering a future-ready, high-performing government, drawing from expertise in digital and analytic solutions, logistics, and management advisory...
2 days ago
Engility Corporation - Chantilly, VA (22 miles from Joint Base Anacostia Bolling, DC)
SAIC is seeking an Integrated Intelligence Systems Architect to fill a critical position on the LANDMARK AOS program. The position will be located in Chantilly, VA. All candidates must have an...
2 days ago
PwC - McLean, VA (7 miles from Joint Base Anacostia Bolling, DC)
A career in our SAP Human Capital practice, within SAP Consulting services, will provide you with the opportunity to help our clients maximise the value of their SAP investment with offerings that...
2 days ago
Greenzone Solutions, Inc - Arlington, VA (3 miles from Joint Base Anacostia Bolling, DC)
GreenZone Solutions, Inc. is a fast-growing small business dedicated service provider to the Federal government. We work hard to promote the best interest of our clients, team, and community while...
2 days ago
ID technologies - Washington, DC
Job Details Title: Senior Systems Administrator Location: Washington, DC Job Description: ID Technologies, LLC is a growing company looking for talented and career-oriented team players. At ID...
2 days ago
Volume Integration - Chantilly, VA (22 miles from Joint Base Anacostia Bolling, DC)
Volume Integration, LLC partners with our customers to deliver leading edge "Big Data" analytics solutions. By leveraging our teams' extensive experience in cloud capabilities and emerging...
2 days ago
Stand Together - Washington, DC
Location: Arlington, Virginia Categories: Engineering and IT Req ID: 4624 Overview Stand Together is looking for a QA Engineer to play a critical role in expanding our quality assurance capability...
2 days ago
Office of Inspector General - Alexandria, VA (5 miles from Joint Base Anacostia Bolling, DC)
This position is with Department of Defense (DoD) Office of the Inspector General (OIG), Mission Support Team (MST), and is located in Alexandria, VA. The incumbent is an IT Project Manager,...
2 days ago
BAE Systems - Washington, DC
Job Information BAE Systems System Administrator Intern in Washington, District Of Columbia Job Description BAE Systems in Washington DC is seeking a System Administrator Intern to support the...
2 days ago
Saisystems International - Washington, DC
Software Developer Saisystems International, Washington D.c., DC 3 hours ago .NET, Full Stack Developer,.NET Developer, JavaScript, Bootstrap, C#, SQL, ASP.NET, dot net developer, ADO.NET, MVC,...
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Distributed Solutions - Reston, VA (17 miles from Joint Base Anacostia Bolling, DC)
Job Information Distributed Solutions Inc. Software Developer/Engineer in Reston, Virginia Job Descriptions: Distributed Solutions, Inc. (DSI) is a fast growing company, seeking a highly motivated...
2 days ago

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Open Enrollment PS2-12th grade 2020-2021

On-campus or online learning is available for K4-12th grade

For more information on our two learning options, please call our school office at (915) 778-6160 ext. 101 or 105

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Please call our school office at (915) 778-6160 ext. 101 to schedule an educational consultation. This is a one-on-one meeting with a school administrator to talk about your child’s specific goals and needs. After the educational consultation, you will be given a tour of the facility. We welcome families to visit our campus and will make every effort to accommodate your schedule, especially if you are visiting from out of town.

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