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Music Production and Recording Arts

The Convergence of Music, Technology, and Liberal Arts

The Bachelor of Science in Music Production & Recording Arts degree is designed for students who wish to study the intersection of music and technology in the context of the liberal arts. This includes disciplines such as songwriting, composing music for film and video games, audio engineering and music production, post-production audio, music business and entrepreneurship, and performing in commercial music genres. Elon’s MPRA program prepares students for a wide variety of careers in the music industry, graduate studies in music technology, or related fields.

The guiding philosophy of the Music Production & Recording Arts degree program is to bring together the rich historical, aesthetic, and theoretical foundations of music with the stylistic and technological implications of modern music production and recording techniques, preparing talented students to be competitive in the market place of the 21st Century.

Elon MPRA Alumni and Student Music Videos

To give you an idea of the variety and quality of the work our MPRA students and graduates create, here is a playlist of some of the songs written, produced, performed, or engineered by alumni or current students in our program.

Music Production Facilities

Elon’s Music Production & Recording Arts program is housed in a new facility at Arts West, next to Scott Studios and the Art Department. Our MPRA facility includes four production studios for recording, editing, mixing, mastering, and teaching.

Recording Studio A

Studio A features an API 1608 32-channel analog mixing console with dual-layer automation (analog mix and DAW control), with PMC TwoTwo6 nearfield monitors. Our primary DAW is Avid Pro Tools HDX. Studio A’s tracking room can comfortably track as many as 12-16 musicians at once. It includes an isolation booth and eight 8-channel Hear Technologies Hearback personal monitor mixers.

For more detailed information about our outboard compressors, EQs, and preamps, view the equipment list below:

Studio A Outboard Equipment List

The API console includes built-in 500-series EQ modules:

  • API 550A
  • API 560
  • Great River Harrison 32
  • Phoenix Audio DRS-EQ/500

  • Shadow Hills Industries Dual Vandergraph Stereo Compressor
  • Pete’s Place BAC-500 FET Compressor
  • dbx 560A
  • API 525
  • API 529 stereo bus compressor

Additional outboard compressors:

  • Universal Audio Twin 1176
  • Empirical Labs Distressors
  • Anthony DeMaria Labs ADL-1500 Stereo Tube Compressor
  • Warm Audio WA-76
  • Warm Audio WA-2A

Outboard microphone preamps

  • Vintech Audio 273
  • Chandler Limited TG2 Abbey Road Special Edition
  • Joemeek oneQ2 channel strip
  • ART PRO MPA II Tube Mic Preamplifier

For further details about our microphone collection view the mic locker inventory below:

Mic Locker Inventory

  • AEA: R84 Ribbon Mic (1)
  • AKG: C1000S (1), C214 Matched Pair (2), C414 XLS (1), C414 XL-II Matched Pair (2)
  • Audio-Technica: AT4050 (1), PRO37 (2), PRO44 Boundary Mic (1)
  • Audix: D6 (1), D2 (2), D4 (1), I5 (1), ADX51 (2)
  • Avantone: CK-1 (1), CV-12 (1)
  • Beyerdynamic: M160 Hypercardioid Double Ribbon Mic (2)
  • CAD: Trion 7000 Ribbon Mic (1)
  • Cascade: Fat Head II Matched Pair (2)
  • DBX: RTA-M DriveRack RTA Measurement Mic (1)
  • DPA: 4090 Hi Sensitivity Omni Mic (2)
  • Earthworks: 6Hz-30kHz Omni TC Mic Pair (2)
  • Electro-Voice: RE20 (2)
  • Focusrite: Scarlett CM25 Mk II (1)
  • Heil: PR-30 (1), PR-40 (1)
  • Lauten Audio: LA320 (1)
  • Manley: Reference Large-diaphragm Tube Condenser Mic (1)
  • Miktek: CV4 Large-diaphragm Tube Condenser Mic (1), PM11 (1)
  • Mojave Audio: MA-200 Tube Condenser Mic (1)
  • Neumann: KM184 Stereo Pair (2), TLM 102 (1), U47 FET (1), U87 (2)
  • Røde: NT1-A (1), NT5 (2)
  • Royer: R-121 Dynamic Ribbon Mic (1)
  • sE Electronics: sE2200a II C (1)
  • Sennheiser: e604 (1), e609 (2), e906 (1), MD421 II (7)
  • Shure: Beta 52A (1), Beta 57A (1), Beta 58A (12), Beta 87A (1), KSM 137 (4), KSM 32 (4), SM 57 (10), SM7B (1), SM81 (2), VP88 Stereo Mic (1)
  • Slate: ML-1 Virtual Mic System (1)
  • Telefunken: CU-29 Copperhead (1)
  • Warm Audio: WA14 (AKG C414 clone) (4), WA-87 (Neumann U87 clone) (4)

Recording Studio B

Studio B features a Solid State Logic (SSL) Matrix 2 32-channel analog mixing console with dual-layer automation (analog and DAW control), with PMC Result6 nearfield monitors. Our primary DAWs are Avid Pro Tools HD Native and Logic Pro X. Studio B is used as a teaching and learning space for microphone technique, signal flow and gain structure and a place for students to practice the fundamentals of music production and audio engineering before moving to Studio A for higher level recording projects.

Studio C – Live Room

Studio C is a large live room used for tracking larger groups for either Studio A or Studio B control rooms. The Elon Electric Ensemble and Techtronica also rehearse in Studio C. Other uses of the studio include teaching live sound and a meeting space for Limelight, Elon’s student-run record label. Many analog and digital mixing consoles are available for use in Studio C, including our flagship live console, Avid’s Venue S6L.

Studio D – Dolby Atmos, Post-production & Mastering

Studio D is a our new mixing, mastering, and music production studio featuring an Avid S6 48-channel digital mixing console with Dolby Atmos 7.4.1 surround sound designed by world-reknowned studio designer John Storyk. The studio includes a classic modular analog synthesizer in the style of Robert Moog’s creations of the 1960’s-70’s.

MPRA Computer Lab

The department also has a fully equipped music technology lab featuring full size, 88-key semi-weighted MIDI keyboard controllers, and a sound isolation booth. The lab also houses 18 27″ iMac digital audio workstations with a second 22-inch flat-panel monitor, Focusrite Scarlett 2i2 audio interfaces/mic preamps and ShuttlePro. The stations run Pro Tools, Logic Express, Sibelius, GarageBand, Studio One, Ableton Live, Auralia and other software tools relating to audio production, ear training and music theory.

Additional Music Facilities

The Department of Music is housed in the Center for the Arts, a 75,000-square-foot facility boasting numerous concert Steinway grand pianos; McCrary Theatre, a large, fully equipped theatre and concert hall; Yeager Recital Hall; and modular practice rooms and studios. Historic Whitley Auditorium houses a new Casavant pipe organ and a Steinway grand piano.

For photographs and more information, visit the Facilities portion of our website.

The Music Production & Recording Arts program also partners with the School of Communications, giving students access to additional recording and production facilities.

MPRA Curriculum

Students work closely with experienced faculty who are established composers, recording engineers, producers, performing musicians, and music scholars. The curriculum creates a solid foundation in both musicianship and technology, with courses such as music theory, aural skills, applied instrument/voice lessons, performance ensembles, the physics of sound, introduction to music technology, critical listening, studio techniques, music business, and postproduction. Students then build upon these experiences by selecting a concentration that best suits their interests and career goals:

Music Production – emphasizing songwriting, singing and performing, composing for film and television, etc.
Recording Arts – emphasizing audio engineering, technology, live sound production, mixing, etc.

Within Elon’s Music Production & Recording Arts degree program, the concentrations, course offerings, and opportunities to combine minors in other fields such as cinema production, business, computer science, and arts administration, offer flexibility for students to customize their curriculum to best suit their learning goals and career plans. For a detailed list of the courses available in our MPRA curriculum, follow the link below.

Music Production & Recording Arts Requirements & Courses

For information on the University’s General Studies requirements, visit the General Studies home page.

Visiting Artists and Industry Professionals

Our students have the opportunity to work with guest artists, engineers, producers, music business owners, and many other industry professionals. Below is a list of a few of the guests that have spoken or worked with our MPRA majors on campus. Many others have spoken with our students remotely through video chats.

Jimmy Webb
Songwriter for artists such as Glen Campbell, Diana Ross & the Supremes, Frank Sinatra, Barbara Streisand, The Temptations, Cher, Judy Collins, Linda Ronstadt, The Everly Brothers, Amy Grant, Kenny Rogers, Carly Simon, Josh Groban, and more.

Elaine Bradley
Drummer with Neon Trees and drummer, singer, and songwriter with Noble Bodies.

Elliot Mazer
Producer of artists such as Bob Dylan, Neil Young, The Byrds, Gordon Lightfoot, Dead Kennedys, Willie Nelson, Linda Ronstadt, and The Band.

Itzhak Perlman
World-renowned Israeli-American violinist, conductor, and music teacher.

Marcella Araica
Sound engineer at Dream Asylum Studios, working with artists such as Beyonce, Britney Spears, Madonna, and more.

Michel Holbrook
Audio engineer at Trailblazer Studios, mixing long-form television series, mixing and sound designing documentary films, and engineering client sessions and managing production audio.

John Storyk
Architect, acoustician, and founding partner of WSDG. He has provided design and construction supervision services for the professional audio and video recording community since the 1969 design of Jimi Hendrix’s Electric Lady Studios in New York City.

Carmine Appice
Drummer with Vanilla Fudge, Cactus, Jeff Beck, Rod Stewart.

Jim Hoyle
President and owner of Audio & Light, a company headquartered in Greensboro, NC specializing in live concert event production, A/V equipment rental, and A/V integration at universities, theatre’s, houses of worship, hospitals, and civic institutions.

Internship Opportunities

The MPRA program provides a wide range of internship experiences through partnerships with media companies, recording studios, record labels, production companies, live sound companies, music publishers, performance venues, and other music industry organizations and businesses. The internship opportunities give students valuable work experience and allow them to build lasting professional relationships and meaningful contacts within the industry.

You can view a list of some of the places our MPRA students have interned in the past below:

MPRA Internships List

    Performance Opportunities

    In addition to traditional ensembles found in most college music programs, such as orchestra, band, choirs, and jazz ensembles, students at Elon can join performing groups focused on commercial music genres, such as Elon Electric Ensemble (pop, rock, indie, folk, funk, R&B), Techtronica (various EDM genres such as House, Techno, and Dubstep, Hip hop, Electropop/Synth-pop, etc.) and élan (a cappella, vocal jazz). Additionally, the department has a variety of classical chamber music groups, percussion ensemble, world percussion, guitar ensemble, and more. More information can be found on the music department’s ensemble page.

    Music Industry Careers

    A degree in Music Production & Recording Arts can prepare you for a variety of careers that combine the art of music with applications of technology. An even broader range of careers are available for students who minor or double major in other fields such as communications, cinema production, business, computer science, arts administration, or graduate programs such as a masters of business administration, law, interactive media, etc.

    Examples of careers include:

    Music Industry Careers - Sample List

    • Composer of Theater Music, Composer of Film and Television Music, Composer of Video Game Music, Composer of Church Music, Composer of Classical Music
    • Songwriter, Lyricist, Arranger, Orchestrator, Music Copyist
    • Recording Engineer, Mix Engineer, Assistant Engineer, Front-of-House Engineer, Monitor Engineer, Mastering Engineer
    • Live Sound Crew, Sound Technician, Backline Technician, Drum Technician, Guitar Technician, Keyboard Technician, Studio Technician, Wiring Technician, Technical Director
    • Solo Artist, Duo, Band Member, Session Musician
    • Music Editor, Sound Designer, Music Supervisor for Film/Video
    • Record Producer, Studio Manager
    • Club DJ, Disc Jockey
    • Music Teacher

    By combining a major in Music Production & Recording Arts with a minor or double-major in another field like Communications, Business, Computer Science, Arts Administration or graduate programs in Business Administration, Law, and Interactive Media, an even wider range of career possibilities are available, such as:

    • Artist Manager, Agent, Booking Agent/Talent Agent, Box Office Manager, Concert Promoter, Independent Radio promoter, Publicist/Press Agent, Public Relations Director
    • Entertainment Attorney, Legal Assistant/Paralegal, Business Manager, Advertising Account Executive
    • Music Supervisor (Music Licensing/Clearance), Music Business Consultant, Contractor
    • Marketing, Salesperson (Record Label), Regional Sales Manager, Marketing Representative, Field Merchandiser, Retail Sales Management, Consumer Researcher
    • A&R Administrator, Artist Relations Representative, Promotional Staffer
    • Tour Coordinator, Road Manager, Tour Publicist
    • Manufacturing, Manufacturer Representative, Software/Hardware Trainer, Music Instrument Manufacturing
    • New Media Manager, New Media Assistant, Web Producer, Website Designer, Social Media Specialist, Music Video Director
    • Facilities Manager, Festival Organizer, Stage Manager, Venue Director, Venue Assistant, Operations Manager
    • Music Critic, Editor, Editorial Assistant
    • Music Librarian, Financial Staff, Customer Support Representative
    • IT Programmer, Database Developer, Software Developer

    Experienced Faculty & Staff

    The Department of Music faculty combine a passion for teaching with a vast range of composing, performing, teaching, production, and audio engineering experience. Below are some of the faculty and staff members that work most closely with majors in the Music Production & Recording Arts program.

    Picture of Todd Coleman playing a double bass.Dr. Todd Coleman is the founding coordinator of Music Production & Recording Arts at Elon University. He is a composer and bassist. His music has been performed by the Minnesota Orchestra, Buffalo Philharmonic Orchestra, Civic Orchestra of Chicago and university ensembles throughout the United States, with commissions for orchestra, wind ensemble, chorus, chamber music and electronic music. He earned his Bachelor of Music degree in music composition and double bass at Brigham Young University. He then went on to attend the prestigious Eastman School of Music, earning his M.M. and D.M.A. degrees in composition and double bass, studying composition with Joseph Schwantner, Christopher Rouse, Augusta Read Thomas, and David Liptak, and double bass with James VanDemark. Much of Coleman’s creative work blurs the boundaries between artistic disciplines, exploiting the intersection of technology and the arts, incorporating multi-channel digital audio and/or video playback, or live signal processing along with acoustic instrumental and vocal performance. He recently completed a five-year term on the Board of Advisors for the Barlow Endowment for Music Composition.

    Picture of Clay Stevenson with studentsProfessor Clay Stevenson is a songwriter, composer, audio engineer, and producer specializing in pop, pop/rock, and electronic music.  His music has gained notoriety in feature films including Escapee (Voltage Pictures) and Standing Ovation (Kenilworth Film Productions).  Additionally, while in Los Angeles, Stevenson worked for a number of years in commercial music, extensively with Vision Film and Television Productions composing and designing sound for commercials and corporate videos.  Under the producer name daade, he has collaborated with such artists as DACAV5, El Prezidino, TRev, M:O.R., NPA, and T3.  As daade, Stevenson also presented music in the iStandard Producer’s Showcase at the ASCAP Expo.  Currently, he is writing and composing for Cobel Music and two music production libraries, K.A.P. Music and NOMA Music.  Stevenson has recently designed an innovative course in the study and production of musical mashups.  The course encourages creative art expression through the use of music software to edit and manipulate existing music.

    Picture of Fred JohnsonProfessor Fred Johnson has enjoyed an audio career covering many areas. He has worked in live sound reinforcement and recording for concerts and theater, broadcast for radio and television, audio consulting, video editing, animation production and church sound design. His specialties are the genres of classical and jazz, with his research interests being microphone technique. He earned a BS in Music and a MS in Recording Arts from the University of Colorado-Denver and served on their faculty from 2008-16, teaching classes in Audio Production, Critical Listening and Surround Sound.  He has worked with the Colorado Symphony, the Takacs String Quartet, Dave and Don Grusin, the Colorado Music Festival, Christopher O’Riley, the Boulder Bach Festival, the International Trombone Society and many others. His work has been heard on NPR’s Performance Today and several television networks. He has also produced audio/video projects with groups in France, Lithuania and Senegal.

    Dr. Carey Harwood has performed and recorded on guitar, banjo, mandolin and lute with rock bands, singers, symphony orchestras, film ensembles, choirs, pit orchestras, opera companies, bluegrass bands and as a soloist throughout the United States and Central America. Before coming to Elon, Carey served on the faculty at the Music Academy of North Carolina, the Rocky Mountain Center for Musical Arts, and the University of Colorado. He also owned and operated a community music school, Carolina String Studio, that served over 300 students and employed 10 instructors. His diverse musical background helps him inspire students to be on the lookout for innovative ways to make a living making music.

    Picture of Stephen Futrell performingDr. Stephen Futrell (choral, trumpet, arranging) has appeared throughout the United States and Europe as a vocalist, trumpeter, writer, arranger, producer and on-screen talent. His experience includes being a featured vocalist at Carnegie Hall and Lincoln Center, as well as serving as a music producer for DreamWorks Animation SKG. He also recently discovered, edited and had published three choral works by Anna Amalia von Sachsen. Dr. Futrell is the Director of Choral Activities at Elon and conducts the department’s a cappella vocal jazz/pop ensemble élan.

    Picture of Rick Earl in a mixing studioRick Earl (live sound, technical director for cultural programs) worked as a live sound engineer for many national touring acts during the 1980’s and 90’s mixing monitors and front of house. Rick joined the Elon University staff in 2006 as Technical Director of Cultural & Special Programs. He works closely as a mentor with Music Production & Recording Arts majors interested in audio engineering and live sound production, sharing his years of experience one-on-one and in small group settings, including supervising live sound student work-study staff.


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Veronica Escobar, a former county judge and county commissioner, calls the recent congressional campaign her toughest ever.

A second complaint has been filed against a group that raised money to attack Veronica Escobar in a heated primary election to replace U.S. Rep. Beto O'Rourke in Congress.

The Campaign Legal Center, a Washington-based nonprofit that advocates for the enforcement of federal campaign finance laws, filed a complaint against the Keep El Paso Honest PAC on Aug. 9 with the Federal Election Commission.

The 11-page complaint argues that the political action committee violated the Federal Election Campaign Act by failing to file the required expenditure reports.

Keep El Paso Honest, a super PAC run by political consultant Carlos Sierra, formed late last year to campaign against Escobar. The PAC supported Dori Fenenbock, a former president of the El Paso Independent School District board of trustees, in the race.

Sierra told the El Paso Times in February that the PAC spent more than $10,000 in advertising and received about $125,000 in donations. The PAC has missed multiple campaign filing deadlines to report its donors and expenditures.

Escobar, who in March won the Democratic nomination in the race for the 16th Congressional District, had previously filed a complaint asking the FEC to investigate Keep El Paso Honest.

Sierra told the El Paso Times earlier this year that the sole purpose of the PAC was to prevent Escobar from winning the election. On Thursday, he said he was not involved in the filing process and he couldn't answer questions related to the complaints.

"I was the general consultant and strategist. I had nothing to do with filings so can’t answer any questions in regard to the complaints," Sierra wrote in an email to El Paso Times.

Lindsey Workman, the PAC treasurer, could not be reached for comment.

Violating election laws by failing to disclose donors

Brendan Fischer, director of the federal reform program at the Campaign Legal Center, said the organization's complaint against the Keep El Paso Honest PAC has nothing to do with Escobar's complaint.

The complaint against Keep El Paso Honest was one of three complaints that the Campaign Legal Center filed last week against super PACs, claiming that the PACs were ignoring their reporting obligation.

But Fischer said he has confidence that the Federal Election Commission will take action against Keep El Paso Honest because the PAC's actions stand out from others.

"I'm not aware of any super PAC that has been active in an election all together failing to file legally required reports," he said.

Fischer added, "This one though, I think it's worse than the other two. In both of those instances, the super PACs eventually filed their required reports. They filed reports disclosing their expending and also reporting their donors. Keep El Paso Honest, however, has failed to file anything."

More: Anti-Escobar PAC fails to report campaign spending on advertisements

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In its complaint, the Campaign Legal Center is asking the FEC to conduct an investigation and to sanction the PAC "for any and all violations, including civil penalties sufficient to deter future violations."

"This appears to be an instance of a super PAC violating one of the clear requirements in federal campaign finance law," he said.

"It's clear that a super PAC that spends money in an election has to file reports disclosing its spending and also disclosing their donors, and Keep El Paso Honest has failed to do that," he added.

Under federal campaign finance laws, any candidate or PAC that spends more than $10,000 in a calendar year on communications to advocate for or against a particular candidate is required to submit a disclosure report with the commission.

No updates on first campaign finance complaint against PAC

After Escobar filed a complaint against Keep El Paso Honest, Sierra told the El Paso Times that voters were concerned with whether his PAC is following federal guidelines. Instead, he argued, that voters cared more about the message his PAC was trying to present.

Escobar said she has not received an update on her complaint since the letter of acknowledgement she received when she first filed the complaint.

More: Congressional candidate Veronica Escobar files complaint against Keep El Paso Honest PAC

Escobar said the people behind the Keep El Paso Honest PAC have made it clear that they have no intention of following the law.

"They are deliberately and willfully withholding information from the FEC and most importantly from the public," she said.

Fischer said it can take a year or more for the Federal Election Commission to resolve a complaint.

Christian Hilland, a spokesman for the FEC in Washington, D.C., said the commission can fine the PAC based on the number of days the report is late, the level of activity that is supposed to be reported and whether the report was time sensitive.

He said every case is different and it’s handled independent from others.

While the FEC only has civil jurisdiction over federal campaign finance law, the commission has authority to take a committee or candidate to court as well, he said.

“But normally we try to pursue this through the administrative fine process,” Hilland said.

He said the FEC makes every effort to help the committee comply with the law by reaching out to them by phone, email and mail.

After the primary election, the Federal Elections Commission sent two requests for additional information to PAC treasurer Lindsey Workman — one on May 1 stating that the PAC failed to file the April quarterly report that covers contributions and expenditures from Jan. 1  to March 31, and another letter on Aug. 2 stating that the PAC failed to file the July quarterly report that covers contributions and expenditures from April 1 to June 30.

Both letters stated that "the failure to timely file a complete report may result in civil money penalties, an audit or legal enforcement action."

Aileen B. Flores may be reached at 546-6362;; @AileenBFlores on Twitter.

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Managed Pressure Drilling  - 1st Edition - ISBN: 9781933762241, 9780127999876

Managed Pressure Drilling

1st Edition

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Authors: Bill Rehm Jerome Schubert Arash Haghshenas Jim Hughes Amir Saman Paknejad
Hardcover ISBN: 9781933762241
eBook ISBN: 9780127999876
Imprint: Gulf Publishing Company
Published Date: 1st December 2009
Page Count: 369
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Table of Contents

List of Abbreviations

Chapter 1 The Why and Basic Principles of Managed Well-Bore Pressure

About This Chapter

1.1 Introduction to Managed Pressure Drilling and Some Definitions

1.2 History

1.2.1 Old Ideas Made New

1.2.2 New Ideas

1.3 Advantages and Methods of Managed Pressure Drilling

1.3.1 An Adaptive Process

1.3.2 Extending the Casing Points

1.3.3 Lost Circulation

1.3.4 Well Kicks

1.3.5 Differentially Stuck Drill Pipe

1.3.6 Deepwater Drilling

1.4 Basic Mathematical Ideas behind MPD

1.4.1 Bottom-Hole Pressure Calculations with Liquids

1.4.2 Expansion (or Compression) of a Gas Bubble with No Fluid Flow

1.4.3 Ideal Gas Law

1.4.4 Strong–White Equation

1.4.5 The Effect of Annular Pressure Loss on Bubble Size

1.5 Basic Well Control

1.5.1 Driller’s Method of Well Control

1.5.2 Wait and Weight Method of Well Control

1.5.3 Basic Well-Control Formulas

1.5.4 Lag Time—Choke to Bottom of the Hole or Choke to Standpipe

1.6 Pore Pressure

1.7 Overburden Pressure

1.8 Rock Mechanics

1.8.1 Fracture Pressure

1.8.2 Well-Bore Ballooning and the Leak-off Test

Chapter 2 Situational Problems in MPD

About This Chapter

2.1 Introduction

2.2 ECD Manipulation—Pore Pressure and Fracture Pressure Convergence

2.2.1 Chokes

2.2.2 Pumps

2.2.3 Pipe Movement

2.2.4 "Ballooning"

2.2.5 Precision

2.2.6 Well Control

2.2.7 Lag Time

2.3 Total Lost Circulation

2.4 Deepwater Marine Drilling

2.4.1 The Problem in the Surface Hole

2.4.2 Excessive Casing Strings

2.4.3 U-Tube Effect in Riserless or Limited Riser Operations

2.4.4 Hydrostatic Control Valve

2.4.5 Annular Pressure Changes (ECD Problems)

2.4.6 Well-Bore Ballooning

2.4.7 Well Control

2.5 Connections and Trips

2.6 Annular Pressure Loss and Hydraulics

2.6.1 Equivalent Circulating Density

2.6.2 Historical Calculation of the ΔP in APL

2.6.3 Annular Pressure Loss Calculations

2.6.4 Hydraulics Equations

2.6.5 Annular Frictional Pressure Loss Calculation, ΔPa

2.7 The Effect of Pipe Movement

2.7.1 Pipe Movement Changes the Bottom-Hole Pressure

2.7.2 Estimating Pressure Surge and Swab

Chapter 3 Constant Bottom-Hole Pressure with Pressure as a Primary Control

About This Chapter

3.1 Introduction

3.2 Pressure Control

3.3 Constant-BHP Choke Systems

3.4 Operational Considerations

3.5 DAPC System Description

3.5.1 DAPC Choke Manifold

3.5.2 DAPC Back-Pressure Pump

3.5.3 Integrated Pressure Manager

3.5.4 Case Study

Chapter 4 MPD with Flow Measurement as the Primary Control

About This Chapter

4.1 Description of the Process

4.2 Special Drilling Equipment

4.2.1 Circulation Path

4.2.2 Rotating Control Device

4.2.3 Drilling Manifold

4.3 Real-Time Data Acquisition and Control

4.4 Drilling Applications

4.4.1 Standard Approach

4.4.2 Special Systems Approach

4.5 Case Histories

Chapter 5 Continuous Circulation System

About This Chapter

5.1 Introduction

5.2 The System

5.3 Development

5.4 Control System

5.5 Applications

5.6 Operation

5.7 Well Planning

5.8 Records and Reporting

5.9 Case History

5.10 Safety

Chapter 6 A Simplified Approach to MPD

About This Chapter

6.1 Introduction

6.2 Discussion

6.3 A Simplified Approach

6.4 Implementation

6.5 Conclusion

Chapter 7 Mud Cap Drilling

About This Chapter

7.1 History of Mud Cap Drilling

7.2 Pressurized Mud Cap

7.3 Floating Mud Cap

7.4 Mud Cap Operation

7.4.1 Mud Cap Drilling

7.4.2 Mud Cap Tripping

7.5 Pressurized Mud Cap Operation

7.5.1 Pressurized Mud Cap Drilling

7.5.2 Pressurized Mud Cap Tripping

7.6 Conclusion

Chapter 8 Dual-Gradient Drilling

About This Chapter

8.1 Introduction

8.2 Problems Associated with Conventional Riser Systems in Deep Water

8.3 AGR Riserless Mud Return System

8.3.1 Introduction

8.3.2 Primary Uses

8.3.3 Equipment

8.3.4 Operation

8.3.5 Critical Issues

8.3.6 Summary

8.4 AGR Dual-Gradient System

8.4.1 Introduction

8.4.2 Primary Uses

8.4.3 Equipment

8.4.4 Operation

8.4.5 Critical Issues

8.4.6 Summary

8.5 Subsea Mud-Lift Drilling System (Joint Industry Project)

8.5.1 SMD Equipment

8.5.2 The U-Tube Phenomenon with DGD

8.6 Dual-Gradient Well Control

8.6.1 Recording Prekick Information

8.6.2 Kick Detection

8.6.3 Dynamic Shut-in of the DGD System

8.6.4 Kick Circulation

8.7 Additional Comments

8.8 Examples

Chapter 9 Equipment Common to MPD Operations

About This Chapter

9.1 Rotating Control Devices and Rotating Annular Preventers

9.1.1 Rotating Control Devices (Passive Systems)

9.1.2 Rotating Annular Preventors (Active Systems)

9.1.3 Comments on the Use of Active or Passive Systems

9.1.4 Rotating Control Devices on Risers

9.2 Chokes

9.2.1 Power Choke

9.2.2 Swaco Super Choke

9.2.3 Swaco Auto Super Choke

9.3 Drill-Pipe Nonreturn Valves

9.3.1 Basic Piston-Type Float

9.3.2 Hydrostatic Control Valve

9.3.3 Inside BOP (Pump-Down Check Valve)

9.3.4 Retrievable NRV or Check Valve (Weatherford)

9.4 Down-Hole Annular Valves

9.4.1 Casing Isolation Valve

9.4.2 Drilling Down-Hole Deployment Valve

9.4.3 Quick Trip Valve

9.5 ECD Reduction Tool

9.5.1 Unique Considerations

9.5.2 Advantages

9.5.3 Challenges

9.5.4 Description

9.6 Coriolis Flowmeter

9.7 Disc Pump (Friction Pump)

Chapter 10 MPD Candidate Selection

About This Chapter

10.1 Introduction

10.2 Candidate Selection and Feasibility Study

10.3 What is MPD Candidate Selection?

10.4 Steps Involved in Candidate Selection

10.4.1 Purpose of the Study

10.4.2 Procurement of Information

10.4.3 Hydraulic Analysis

10.4.4 Method Selection

10.4.5 Viability of the Option

10.4.6 Equipment

10.4.7 HAZOP and HAZID (Optional)

10.5 Examples

10.5.1 CBHP

10.5.2 Dual-Gradient SMD

Appendix A Rock Mechanics

A.1 Stress and Strain (Elastic and Nonelastic Deformation)

A.2 Horizontal and Vertical Rock Stress

Appendix B Rheology

B.1 Introduction

B.2 Shear Stress and Shear Rate

B.3 Newtonian Model

B.4 Non-Newtonian Model

B.4.1 Bingham Plastic Model

B.4.2 Power Law Model

B.4.3 API (Recommended Practice 13D, 2003) Model

B.4.4 Herschel–Bulkley Model

Appendix C Useful Conversion Factors

Appendix D IADC Well Classification System for Underbalanced Operations and Managed Pressure Drilling

Appendix E IADC Underbalanced and Managed Pressure Drilling Guidelines—HSE Planning Guidelines

Appendix F IADC UB and MPD Glossary

With extraction out of depleted wells more important than ever, this new and developing technology is literally changing drilling engineering for future generations. Never before published in book form, these cutting-edge technologies and the processes that surround them are explained in easy-tounderstand language, complete with worked examples, problems and solutions. This volume is invaluable as a textbook for both the engineering student and the veteran engineer who needs to keep up with changing technology.

No. of pages:
© Gulf Publishing Company 2009
1st December 2009
Gulf Publishing Company
Hardcover ISBN:
eBook ISBN:

Ratings and Reviews

About the Authors

Bill Rehm Author

Jerome Schubert Author

Arash Haghshenas Author

Jim Hughes Author

Amir Saman Paknejad Author


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Music at Elsewhere

These pages - with sample tracks and videos posted - introduce and review new music which may otherwise go unheard and unnoticed. Music from Elsewhere reviews new albums (and some important reissues) you'll play more than once at home or in the car, and will want to tell friends about.

If you do, pass the word: you heard it first at Elsewhere.

Subscribers to Elsewhere (free, here) receive a weekly e-newsletter with updates on what's new at the ever-expanding site . . .  and are in to win weekly CDs, DVDs, concert tickets and so on.  Elsewhere: an equal opportunity enjoyer. So enjoy.

Subscribe to my newsletter for weekly updates.

Pictish Trail: Thumb World (Fire/digital)

24 Feb 2020  |  2 min read

British psychedelic music has always been a very different animal to that of America's (and let's not get into the Italians at this point!). Often grounded in weird folk, classical music, British whimsy and eccentricity, during its heyday in the late Sixties it spawned artists as diverse as the Incredible String Band, Procol Harum and early Pink Floyd (before Dark Side). There has been... > Read more

Slow Memories

kate can wait: Veraniegas (Grimalkin/bandcamp)

24 Feb 2020  |  <1 min read

This is certainly something different which we introduce because the artist is interesting, the Grimalkin label out of Virginia is doing good work for various human rights causes related to gender issues, and the songs here are very seductive in both English and Spanish. Some background then to this acoustic guitar/soft synths album. The artist is Molly Kate Rodriguez who lives... > Read more

Orphan Maker

Various Artists: Mansfield (CYP/digital outlets)

20 Feb 2020  |  1 min read

Anyone who endured Katherine Mansfield short stories in high school or is cynical about the growth industry of books, theses, research projects and such around this famous New Zealand author might like to set aside prejudice for this collection. Another project by Wellington singer-songwriter Charlotte Yates – following similar collections of words by Witi Ihimaera, Hone Tuwhare and... > Read more

Tame Impala: The Slow Rush (Fiction)

17 Feb 2020  |  1 min read

The retro-synth psychedelic dance-pop of Tame Impala's previous album Currents won over Elsewhere and it ended up in our Best of 2015 list (and in a few Readers' Choices too). Tame Impala is Kevin Parker who you suspect probably has albums by Funkadelic, Giorgio Moroder, the Bee Gees and the Alan Parsons Project alongside mid-period Prince, late Beatles, dream-pop and... > Read more

Bonny Light Horseman: Bonny Light Horseman (37d03d/Southbound)

17 Feb 2020  |  1 min read

You'd have to be well embedded in the genre to know that this trio of songwriter/playwright Anais Mitchell, Eric D Johnson (of Fruit Bats) and Josh Kaufman are an American “folk supergroup”, but among the many contributors are perhaps more familiar names such as Aaron Dessner (the National), Bella Blasko and Justin Vernon among many others on hand across these 10 songs, many of... > Read more

10,000 Miles

Jake Shimabukuro: Trio (Music Theories/digital)

17 Feb 2020  |  1 min read  |  1

It has been 12 years since I picked up the album Gently Weeps album by the Hawaiian ukulele player Jake Shimabukuro, largely to see what he did with the George Harrison title track. You can make up your own mind on that here, but for me that was all the impetus I needed when this album (with bassist Nolan Verner and guitarist Dave Preston) turned up. Let's just say... > Read more

When the Masks Come Down

Marcus King: El Dorado (Universal)

10 Feb 2020  |  1 min read

Produced by Dan Auerbach (Black Keys), South Carolina's Marcus King is here on his debut solo album (after three with the Marcus King Band) given some gentle soul settings for his slightly burned vocals which have already had many reaching for the Young Rod comparison. And certainly at times you can hear Stewart, more the slow side of his Atlantic Crossing than the earlier and more raw Old... > Read more

Nick Lowe and Los Straitjackets: Walkabout (Yep Roc/Southbound)

10 Feb 2020  |  2 min read

On paper this is somewhat absurd: White-haired, 69-year old Nick Lowe who has been one of the most stylish Americana-soul writers and singers of the past two decades teaming up with a guitar band who have their roots in the Ventures and surf-rock guitar bands . . . and wear Mexican wrestler masks. Lowe – once the cheeky chappy of British post-punk and New Wave – had a life... > Read more

Heart Breaker

The Prefects: Going Through the Motions (Fire/Southbound)

8 Feb 2020  |  1 min read

In any local list of “never-heard-of-ya” UK post-punk bands Birmingham's Prefects would rate fairly high. They toured with the cream of the period (Clash, Fall, Damned, Slits) and did Peel Sessions but broke up in '79 before they released anything. So if you didn't see them live, hear their sole posthumous single or catch one of their two Peel Sessions then . . . This... > Read more

Things in General

The Leonard Simpson Duo: LSD (Jakarta)

7 Feb 2020  |  1 min read

Well, this . . . . interesting. The duo here are Detroit MC Guilty Simpson and acclaimed New Zealand producer Jeremy Toy (here as Leonard Charles) and although the album's title is an acronym of their band name it also refers to woozy feel of these laidback beats and grooves, and the sonic textures which are malleable, drifting and sometimes languid. MC Simpson has a stentorian... > Read more

Tattletale Saints: Dancing Under the Dogwoods (Old Oak Music)

2 Feb 2020  |  1 min read

Recorded with supportive friends at the same Nashville studio as their debut How Red is the Blood (winner of Folk Album of The Year in 2014), this new album by former partners Cy Winstanley and bassist/singer Vanessa McGowan comes five years after they relocated to Nashville where they are making their separate ways as “side players but still performing as Tattletale Saints. With... > Read more

Tsyphur Zalan: Oceanic Day (digital outlets)

31 Jan 2020  |  <1 min read

American composer Tsyphur Zalan – not his real name, it's Christopher Bono – here offers the second part of his Oceanic Trilogy which began with Oceanic Dawn (on Spotify here) and will conclude with Oceanic Dusk (which he promises will be "darker and moodier"). Essentially there is an ambient quality to these albums where synths and a disembodied, distant voice take... > Read more

Wire: Mind Hive (Pink Flag/Southbound)

25 Jan 2020  |  1 min read

Although Britain's Wire delivered three seminal post-punk albums in the late Seventies, they never let that define them nor that minimalist style become an easy template. In fact, in the past decade they have been prolific and consistently delivering challenging, musically interesting and taut albums. As the title of their 2013 album had it, Change Becomes Us. That said, those who... > Read more

Black Lips: Sing in a World That's Falling Apart (Fire/Southbound)

25 Jan 2020  |  1 min read

While no artist – as we have said previously – should be held to their press release, someone with a functioning frontal cortex in Black Lips' team might have called a halt to the absurd hype about this band's reductive pop . . . . a band which had apparently gone where “no garage punk band had done before”. Uh-uh. And – after... > Read more

Holding Me Holding You

Harry Styles: Fine Line (Sony)

24 Jan 2020  |  1 min read

When Harry Styles  – formerly of One Direction – released his self-titled debut album in 2017 we here at Elsewhere were not just surprised by it but actually very impressed. While noting that artists of his generation – we mentioned Lorde, Taylor Swift (once she and Harry were a couple) and Justin Bieber in the context – don't make music for people of my... > Read more

Pinegrove: Marigold (Rough Trade/Rhythmethod/digital outlets)

20 Jan 2020  |  <1 min read

New to Elsewhere, this New Jersey outfit here deliver a strangely enticing fourth album of downbeat material which sometimes errs towards worn-down narrative pop-poetry delivered over elemental, almost settings (Dotted Line, the arresting Alarmist) or gently urgent power-pop (Moment about an unexpected incident on the road). Spiral is a 75 second, wry injunction... > Read more

RECOMMENDED REISSUE: Pale Saints: The Comforts of Madness (4AD 30thAnniversary Edition)

19 Jan 2020  |  2 min read

Although not exclusively the “shoegaze” band they have been tagged as, Britain's alt.rockers Pale Saints could hopefully get some traction for this expanded, 30thanniversary reissue of their debut album, because it seems shoegaze is currently enjoying a resurgence. Maybe this terrific compilation of shoegaze from a few years ago has lead to the renewed interest, and it contained... > Read more

Sight of You

Algiers: There is No Year (Matador/digital outlets)

17 Jan 2020  |  1 min read

The previous two albums by this sometimes incendiary, political, four-piece soul rock-cum-punk experimentalists out of Georgia made Elsewhere sit up and listen for the powerful sonic punch coupled with direct social and historic comment. Of their self-titled debut we simply concluded “extraordinary” and of The Underside of Power we said “although they are not an easy... > Read more

Selena Gomez: Rare (Interscope/digital outlets)

15 Jan 2020  |  1 min read

While Elsewhere always takes considerable amusement in how many writers and producers it takes to shape a mainstream pop album these days (see the screenshot below!), we also believe that if that's what it takes to make a great album then that's what it takes. Is this a great album by onetime Disney child star Gomez . . . who is now 27? Well, actually that gets a very slightly... > Read more

Trentemoller: Obverse (In My Room/Southbound/digital outlets)

10 Jan 2020  |  <1 min read

Over time spent with the considerable catalogue of the Danish electronica experimenter Anders Trentemoller, you might conclude it is easier to like what he likes than what he does. By that we mean we would refer (again) to his engrossing Late Night Tales compilation of some years back rather than perhaps direct listeners to his often darkly, monochromatic soundscapes . . . of which this is... > Read more


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Research Fellowship

Program Description

The Research Fellowship is a two-year program that results in the fellow obtaining a master’s degree. This is most commonly done through either the Graduate School of Public Health or through the Institute for Clinical Research Education’s (ICRE) degree granting programs. The purpose of the Research Fellowship is to produce well-trained, well-rounded fellows who will acquire the skills needed to begin to pursue an independent research career and to launch an academic career.

Goals are accomplished by:

  • Immersing the fellows in an intensive and comprehensive research environment
  • Ensuring that the fellows are intimately involved in all aspects of research
  • Having the fellows serve as part of a well-established team of emergency medicine investigators
  • Providing the fellows with intensive guidance and direct (i.e. one-on-one) mentorship
  • Directing the pursuit of graduate studies that will enhance the basic skill set needed for independence
  • Assisting the fellows in the development and conduct of original experimentation of their design
  • Having the fellows submit their own proposals to the Institutional Review Board (IRB) and/or the Institutional Animal Care and Use Committee (IACUC)
  • Assisting the fellow in the preparation of grant proposals
  • Matching the fellows with the appropriate mentors, and submitting NIH proposals by the program’s end

Fellows in Emergency Medicine Research are able to receive training from multiple mentors at the University of Pittsburgh.  Pittsburgh is one of the major training sites within the national emergency medicine community. Research training within the department includes potential projects in: emergency medical services, acute resuscitation, medical education and simulation, animal models of resuscitation and clinical decision making. Collaboration with a large number of investigators in other departments within the University is encouraged. Also, limited clinical duties in our emergency departments are encouraged to maintain clinical skills.

Candidate fellows are residency-trained, board-certified or board-eligible emergency physicians, or critical care medicine physicians. Non-physician PhDs or other qualified applicants will also be considered. Prior Fellows are pursuing investigative and leadership careers around the country, and include several of our current faculty members.

Application process

All interested applicants should inquire with James J. Menegazzi, PhD ( or Clifton W. Callaway, MD, PhD ( Or call (412) 647-7992.


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Razmatattz is Moving!

I have an announcement!

Razmatattz is moving. That's right. We're leaving Michigan and moving to the blue grass state. Belton, Kentucky will be our new home and my base of operations.

I will be doing a few events this summer before the big move begins in September.

So I will not be booking any events in Michigan from August 11th on as I have the Sand Lake Festival in National City and the Ogemaw County Fair as my last official events this year in Michigan before the chaos of packing and moving begins.

I may be able to squeeze a couple of events in until then, but most of my Saturdays as well as a couple of weeks are booked up.

Thank you to all of those I have had as clients and those I have served in Michigan.

I may be back next year in August for a couple of events that I love to do and to get some Michigan time. I still like our current state. It's been my home all my life until now.

God bless, Dawn

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How to Look Up License Plate Information

With more than 6 million cars sold each year in the United States, the number of registered vehicles exceeds 270 million; based on this statistical information, it can be easily assumed that hundreds of license plates are being looked up at any given time. The majority of these searches are conducted by vehicle owners who wish to determine the status of their registration and plates; however, quite a few people look up license plates assigned to third parties.

The reasons people look up license plate numbers include:

* Finding information about drivers who fled the scene of an accident.

* Finding information about vehicles that illegally parked in restricted areas or that have been spotted suspiciously driving through commercial or residential districts.

* Learning about the chain of ownership and transfer history of motor vehicles.

* Tracking down drivers.

By virtue of their design and function, license plate numbers are part of the public record. Whenever a car with license plates drives down the road or takes up parking spot, the following information is constantly displayed:

* Registration number.

* State where the vehicle is registered. In some cases, the county of registration is also displayed.

* Status of registration; depending on the state, the registration stickers may indicate a technical revision, emissions inspection, proof of insurance, and even the birth month of the owner.

The license plate and vehicle registration processes are handled through the Department of Motor Vehicles in each state. Virtually all state DMV agencies offer some sort of online system that allows individuals to conduct license plate inquiries. The information provided by a basic search includes the aforementioned data about vehicle make and model as well as registration status; in many cases, this lookup function features open access, although some states may charge a fee.

To access other information kept by the DMV, which is typically related to data correlated with driver licenses, individuals are expected to complete a request and pay for the inquiry. There are a few methods to accomplish this:

* Online DMV searches will return information such as the name of the vehicle owner, date of birth and address. The fees charged by these agencies tend to be very reasonable, but individuals may be expected to sign a disclosure form indicating that their lookup request may be turned over to the public record under some circumstances.

* Information brokers charge considerably more than the DMV for license plate lookups, but they also tend to offer data packages that include information gathered from many other public records and consumer databases.

* Private investigators may charge even more than information brokers, but their license lookups tend to be more sophisticated since they may include data from third-party sources, social media, consumer databases, and their own contacts.


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Influencing and Listening: You can't have one without the other

This year, I formed The Energy Bar Group, which brings like-minded professionals together to bounce ideas off each other, ask questions, and learn more in depth about the methods I use with my clients. I received a fascinating question from one of the members of the group.

I struggle with the underlying assumption that we must influence others in order to get things done, make “change”, and in general, interact in the world. If we are each busy influencing each other, then at what point are we open to being influenced?  And where are we going to “be” if at the end we all somehow end up effectively influencing each other?

My Response:

I think you hit on a problem that occurs quite frequently in organizations these days. It often seems like everyone is trying to influence everyone else, and no one is listening for fear that their own precious idea might lose out. These death matches often create zero sum games where no one really wins. Could be why so many big projects fail.

I am trying to change that way of working with The Energy Bar™. My approach is based on a willingness to be influenced by the very people you want to influence.

For example, let’s say you need another person or group to become a Strong Supporter of your idea. If you are willing to be influenced by them, then you need to be curious about why they aren’t strong supporters already. And here is the hard part: be willing to listen to them and take their concerns and ideas to heart.

Understanding why they are Grumbling is a fine first step, but now you need to explore with them how to get energy moving toward Interest, Willingness, and then Strong Support.

One Step At A Time

My friend, John Scherer told me a about a simple and elegant way he uses The Energy Bar™. He talks to people directly.

“It seems like you are resisting this idea, is that right?” He says that quite often people will agree with that statement. John then suggests that you say, “What would it take to get you Interested in this idea?”

Don’t try to get them to Strong Support, that’s asking for too much. One step at a time.

If you are interested in joining The Energy Bar Group, please go to it: http://www.energybartools.com/contact-us


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English to Marathi Meaning :: unmerited

Unmerited :
- unmerited

Show English Meaning

Adjective(1) not merited or deserved(2) not merited

Show Examples

(1) The notion that Didier Drogba's dismissal was both unmerited and instrumental in the result of the game will surely be discounted by Mourinho as he attempts to find the measure of cool Frankie Rijkaard and his side for the second leg.(2) What was asked of the Christian was simply faith, itself an unmerited gift from God, and at the root of that faith was the Bible - which, like Jesus' sacrifice, was also sufficient and complete.(3) Though all religions recommend values such as generosity, selflessness and charity, increasingly people resort to religion only to secure limitless and unmerited advantages in this world and the next.(4) Their stories of disproportionate, unmerited suffering demand that when sufferers cannot feel the companionship of God, we try to assure them of it.(5) He believed the tribunal's investigation into the awarding of the licence was wholly unnecessary and unmerited .
1. unmerited ::
3. indign ::
4. unapt ::
पात्र नसलेला
5. unfitting ::
6. unsuited ::
7. inadvisable ::
8. unfair ::
9. graceless ::
10. unsuitable ::
11. unadvisable ::
Different Forms
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Enovvia Facial Cleanser, Sulfate-Free & Fragrance-Free for Sensitive Skin

Regular price $19.99 $14.99 Sale

Get cleaner, softer and brighter skin; removes impurities and oily buildup from deep within pores to improve complexion. Natural ingredients provide an effective, yet gentle facial cleansing. Our formula is designed to give you clean and bright skin without over drying it.

  • Natural, plant-based and sulfate-free formula.
  • Removes buildup up of oils and impurities that cause acne
  • Contains coconut-based cleansers and witch hazel to soothe your skin.
  • Unscented, no added fragrances or perfumes.
  • 100% free from harsh ingredients such as SLS, sulfates, parabens and phthalates.
  • Won't over dry skin.
  • Tear-free formula, PH balanced.
  • Not tested on animals.
  • Non-toxic, biodegradable formula.
  • 4 fl oz / 118 mL bottle.
  • Press-to-open cap for easy dispensing.
  • Made in the USA.

Read: Why should I choose a face cleanser without sulfates?

This item pairs perfectly with our face moisturizer, try them both for maximum skin hydration.

Ingredients: Aqua (Purified Water), Decyl Glucoside (Sugar Derived), Lauryl Glucoside (Plant Derived), Coco Glucoside (Coconut Oil & Fruit Sugar), Glyceryl Oleate (Naturally Occurring Fatty Acid), Glycerin (Vegetable Derived), Hamamelis Virginiana (Witch Hazel) Extract, Aloe Barbadensis (Aloe Vera) Leaf Juice, Phenoxyethanol (Sage Oil Derived), Pro-Vitamin B5 (Panthenol), Simmondsia Chinensis (Jojoba) Oil, Xanthan Gum, Prunus Serotina (Wild Cherry Bark) Extract, Chamomilla Recutita (Chamomile) Extract, Lawsonia Inermis (Henna) Extract, Hydrastis Canadensis (Goldenseal) Extract, Calendula Officinalis (Calendula) Extract, Humulus Lupulus (Hops) Extract, Equisetum Arvenses (Horsetail) Extract, Quillaja Saponaria (Soap Bark) Extract, Ethylhexylglycerin (Vegetable Derived).
Product Benefits
  • Regular and expedited shipping available to USA destinations.
  • We only ship within the United States and Canada.
  • For more information, view our shipping rates.

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Taylor Swift Concert

Kevin Mazur/LP5/WireImage

Taylor Swift just got herself a new group of world champion besties!

The pop star has brought up onstage many of celebrity friends since her 1989 tour started in May. On Friday, at her show at MetLife Stadium in Easter Rutherford, New Jersey, she introduced members of the U.S. women's soccer team, who won the 2015 FIFA Women's World Cup last Sunday.

Swift brought out players such as Alex Morgan, Carli Lloyd and Abby Wambach, who spurred massive cheers from the crowd as two giant American flags waved behind them.

"How does it feel to have them home?" Swift yelled to the audience, as seen in a video posted by NJ.com.

The soccer team had beaten Japan 5-2. Earlier on Friday, the players were honored with a ticker-tape parade in New York City. At the concert, Swift got to hold their trophy.

"Got to welcome the U.S. Women's Soccer Team home after their World Cup Victory- I LOVE THEM AND THEY ARE THE NICEST," Swift wrote on Instagram early on Saturday.

Swift also brought up onstage more of her celebrity pals, including supermodel and Project Runway star Heidi KlumThe Weeknd, with whom she sang "Can't Feel My Face," and her "Bad Blood" music video co-stars Lena DunhamHailee SteinfieldGigi Hadid and Lily Aldridge.

Taylor Swift Concert, Hailee Steinfeld, Gigi Hadid, Lily Aldridge, Lena Dunham

Kevin Mazur/LP5/WireImage

"The Trinity, Frostbyte, Slay-Z, and Lucky Fiori brought the Bad Blood video to life tonight at #1989TourEastRutherford. Wonder what's in store tomorrow night.." Swift wrote on Instagram.

"For anyone wondering, yes the U.S. women's soccer team ladies are dope as f---ck," tweeted Dunham, aka Lucky Fiori.

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Parent Portal Instructions

  • Parents Portal

    Parent Portal

    Quick How-To

    • Quick How-To PDF
    • Click here to register and to learn about the portal. (A must for first-time users!)
    • Click here after registration & activation to go directly to the portal.
    • Need help or have questions? Contact your child's school, click here for the school directory.

    The EPISD parent portal provides parents with online access to information on their EPISD-enrolled students in near real time. Parents will be able to view their child's attendance, classroom assignments, and grades; additional information will be added to the portal over time. Parents will also be able to contact teachers directly by e-mail.

    Have questions or need help with the Parent Portal? Contact your child's school

    Click here for the school directory

    How do parents register?

    1. Learn how to register (highly recommended for 1st time users!)
    2. Go directly to the portal registration
    3. Enter your first and last names
    4. Enter your student's ID number
    5. Create an ID using an active and complete e-mail address (e.g.,
    6. Create a password as well as verification questions and answers for forgotten passwords

    The final registration step is to visit your student's campus with a government-issued picture ID (e.g., driver's license) for in-person verification. Only one visit is necessary to activate the portal for all your EPISD-enrolled students. Each campus is designating one or more people to activate registrations -- check with the campus administrative office to find out who that person(s) is.

    What does this mean for parents?

    The parent portal provides specific information on student assignments, class participation, quizzes, tests, and overall academic progress. Parents will be very informed about the academic activities of their children, and thus be able to be more involved as a result. The portal also facilitates better communication with teachers, and could well change the frequency and dynamics of parent -- teacher conferences over time. Teacher e-mail addresses will soon be provided within the portal and parents are encouraged to use this communication tool, of course maintaining a professional level of dialogue.

    Who do parents call with questions?

    Click here for phone numbers for each campus. Many campuses are also offering PC access for those parents who need it.

Contact Us


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Health workers take action over jobs, pay and funding

Greece Greece

The POEDIN health workers' union organised a national strike and demonstration on 16 May in protest at the austerity still being suffered by the public health service. The union argues that massive underfunding and staff shortages are making it impossible to deliver services and many people are forced to use the expensive private sector as waiting lists rise. There is a recruitment crisis in the sector with no new workers taken on over the last three years while 3000 have retired. Overall staffing is 6000 below its 2014 level while workers face poverty wages. A university trained nurse has a starting salary of only EUR 640 a month. Understaffing has led to overwork with hospital workers owed anything from 60 to 150 days' of compensatory leave.

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Single Ashurst Girls Interested In Equestrian Dating

Are you Looking for Ashurst Girls? Look through the latest members below and you may just find your ideal match. Send a message and setup a meetup later tonight. We have 1000's of singles waiting to meet somebody exactly like you! Create your Totally Free Account Here

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Pacers you like my subject playing squad the fearsome condition

This is sweet.You definitely put a new spin on a topic thats been written about for years.Former Rams offensive lineman Rodger Saffold and defensive back Lamarcus Joyner began new chapters in their careers Thursday.
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I did then again experience a few technical points the use of this site, since I skilled to reload the web site lots of instances previous to I may get it to load properly.Boahen scored six in overtime, including a pair of free throws to make it a two-possession game with four seconds left.If the old system isn’t dead, it’s a shell of what it once was, and the likelihood of it returning is infinitesimal.1 seed in the Eastern Conference.To search for players who were born on a certain date, for example all players born on December 25, choose the month, day and year with the drop down boxes and then choose the ‘Full Date Search’ option.

Even with Barzal leading Boeser in two of the three main statistical categories, it’s easy to say that Barzal’s success is because he plays with an NHL superstar in John Tavares.25 – Kirk Cousins was 29 of 38 for 342 yards and threw three touchdown passes Sunday in the Minnesota Vikings’ 24 win over the Green Bay Packers.Santa Clara paid more attention to the shooter in the second half, but that opened up opportunities for the others.

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March 2018 Blog -

March 2018

St. Patrick's Day Parade in Bay Shore, probably one of the coldest I have ever gone to but everyone was still having a good time and supporting the town.

A few cool shots of the moon I got while on vacation in South Carolina, I tried to get a shot like on their state flag but could not find the right location.

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Best flight deals with Cityjet on eSky

Price per 1 adult person for round trip

CityJet is an Irish airline founded in 1993. In 1996, the carrier established cooperation with Air France, which after a short time took over all the shares of the brand, and then sold them to the German company Intro Avation. In 2014, the brand was bought by a business consortium led by the original founder of the line – Pat Byrne.

The CityJet city network includes European cities (Dublin, London, Amsterdam, Manchester, Newcastle, Florence), but the carrier also operates charter flights for the needs of travel agencies as well as private clients. CityJet also performs cruises for other brands: SAS, Air France, KLM and Brussels Airlines. The main hub of the line is the international airport in Dublin, situated about 10 km from the city center.

Each passenger of the CityJet line can bring one free of charge hand baggage onboard of a plane with the dimensions and weight specified by the carrier. In the price of the ticket, each person is also allowed to have one small item that can be brought to the cabin, for example a handbag or a laptop bag. The dimensions of hand luggage as well as of the additional item may vary depending on the model of the aircraft on which the cruise will be carried out.

The CityJet’s registered luggage is also free of charge, and its exact dimensions are provided on the carrier's website. Each person can take with them one registered luggage in the ticket price, but there is a possibility to purchase additional luggage. However, it should be remembered that the total weight of all registered items must fit within the limit set by the carrier.

Booking classes

CityJet offers customers a choice of seats in three booking classes. These are: CityValue, CityFlex and CityPremium. Passengers of each booking class can choose seats on board for free, as well as use free of charge online check-in. Passengers are served free snacks during the flight.

Online check-in

Online check-in with CityJet is free of charge for all passengers. This service is available 48 hours before the flight and ends one hour before the departure. On the carrier's website, fill out the appropriate form – for this purpose, you need to prepare your personal data and those of any travel companions, as well as the flight number and ticket / booking number. After finishing the check-in, remember to print the boarding pass – without it, you will not be able board the plane!

Initially, the CityJet’s fleet wasn’t counted among the most modern ones, however, it has been changing for several years. The carrier's flights are served by modern and comfortable airplanes, which are adapted for flights on medium distances. The CityJet’s fleet consists of several dozen aircrafts, and these are machines such as: Avro RJ85, Bombardier CRJ900 and Sukhoi Superjet100. These machines can accommodate an average of 90-98 passengers, have leather seats, and also it  was ensured that the passengers have more space for legs.

The Dublin Airport

Dublin Airport is the main CityJet airport. The airport has two terminals and is the largest airport in Ireland in terms of the number of passengers served. The airport has numerous shops, cafes, restaurants and bars.

The distance from Dublin Airport to the city centre is about 10 km. This route can be covered by city bus or airport bus, taxi or rented car. Unfortunately, there is no direct rail connection between the airport and the center of Dublin.

CityJet offers all passengers, regardless of their booking class, free catering during the flight. You can choose from snacks and drinks – including alcoholic beverages: wine, beer and coctails.

Additional services

The carrier makes it possible to take electronic devices onboard the aircraft and work on them (in flight mode) during the flight. During the cruise, you can relax while reading the Velocity – an on-board magazine.

People who want to purchase additional registered luggage can do it online via the form on the carrier's website. Thanks to this solution, the customer saves 30% of the price.

CityJet also offers charter flights for individuals. Available to customers are comfortable aircrafts that can accommodate 98 people, with leather armchairs and more space for legs. As part of the service, the carrier may set up a personal check-in desk for flight passengers, and even in some cases a private terminal.

CityJet also has a paid service of caring for minors who are traveling alone.


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Moroccan Cushion Pillow Handmade Square Black Authentic Fez Embroidered Brocade 55 cm x 55 cm

In stock

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You'll earn 58 loyalty points with this purchase

Moroccan Cushion Pillow designed and handmade by Essence of Morocco using premium quality rich satin brocade in the ancient style of Fez embroidery.

The brocade used is woven by a reputed family of Moroccan master weavers renowned for their luxurious fabrics since the 19th century.

A classical square cushion in gorgeous black that will enhance any interiors and add that touch of irresistible Moroccan glamour.

Available as a Cover Only or Filled with a made to measure cushion pad.

Shape: Square

Materials: Cotton and Satin. 100 % genuine authentic Moroccan Brocade.

Dimensions: 55 cm x 55 cm / 21.65” x 21.65”.

Brand Essence of Morocco
Condition New
Product Code 5060248758663

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Player of the Match
Player of the Match

Jos Buttler and Adil Rashid ensure Australia end tour winless

England 221 for 6 (Buttler 60, Hales 49, Roy 44) beat Australia 193 (Finch 84, Rashid 3-27, Jordan 3-42)
Live scorecard and ball-by-ball details

Jos Buttler thumped the fastest half-century in his nation's T20I history to help England withstand a brilliant innings from Aaron Finch and record another resounding victory against Australia at Edgbaston.

The result, coming on the heels of England's 5-0 victory in the ODI series, means Australia have lost all six international fixtures as part of their tour to England and Wales. They depart for a tour of Zimbabwe on Thursday.

Buttler, promoted to open the innings after an excellent end to his IPL season in the same position, thrashed 50 from just 22 balls as England posted the second-highest total in their 101-match T20 history. Their highest T20I score remains the 230 made against South Africa in Mumbai in 2016, while the previous record for fastest half-century was 23 set by Ravi Bopara.

Even by the standards of these punch-drunk days, when England seem to set new batting records by the week and feats we once thought impossible have become commonplace, Buttler's batting here was remarkable. The speed of the hands, the range of strokes, the power and timing combined leave little margin for error for bowlers and make perfectly respectably-sized boundaries appear impossibly small.

As early as the fourth over here, he followed a six over long-on with a ramped four from the next delivery and then produced what was basically a cross-court winner that would have pleased Roger Federer. The over cost 23 and set the tone for an unhappy evening for the bowler, Kane Richardson.

For it was Richardson, on the long-off boundary, who spilt a simple chance offered by Jason Roy when the batsman had 27, Richardson who allowed Alex Hales a two with a misfield and Richardson who conceded 59 from his four overs; the second most expensive analysis in Australia's T20I history. Later - inevitably, really - he came to the crease in an impossible position and slogged his first ball to mid-off.

Partly due to Richardson's slip in the field, Roy - who made 44 from 26 balls - helped Buttler post 95 for the first wicket (England's sixth-highest opening stand in this form of the game) with 70 of them coming in the six-over Powerplay. With Hales following up with 49 from 24 balls - for a while it seemed he would break Buttler's new record - and Jonny Bairstow underlining the depth of England's batting by driving his first and final deliveries for six, England easily reached 200 for the first time in a home T20.

It was clear from the first ball that this was to be a trying night for the bowlers. The ease with which Roy caressed the opening delivery of the match to the midwicket boundary spoke volumes for the nature of the surface: the sort of wicket of which batsmen dream and bowlers shiver. The over cost 13 and, when Mitchell Swepson, the debutant legspinner was introduced, Buttler immediately came down the pitch and, having first smeared him through mid-wicket for a boundary, then deposited him over long-on for six.

Later Billy Stanlake missed his attempted yorker by an inch or two and Buttler, stepping back to give himself room, drove over extra cover for 6. It was a shot that would have pleased Viv Richards. Buttler's 50 contained six fours, four sixes and four singles. And not once did he play and miss.

With Australia losing five wickets in the first 10 overs of their innings, it seemed they were heading to a heavy defeat. But Finch had other ideas and, after being starved of the strike for much of the opening overs - he faced only 19 balls in the first 54 - launched an assault on Moeen Ali's offspin that threatened to turn the game.

Demonstrating awesome power, he deposited Moeen for five sixes and three fours - most of them over midwicket - as he added 86 in seven overs for the seventh-wicket with Ashton Agar.

But Adil Rashid, who bowled 11 dot balls, and took three wickets kept his head and had Finch caught on the long-on fence by Chris Jordan. And with nobody else in the top six making 20, England's total always looked just out of reach. Australia went down swinging, bowled out with two balls remaining.

It was a good night, too, for Jordan. Having produced a well-disguised slower-ball to defeat Glenn Maxwell, he showed good pace and control of his yorker to end Agar's resistance. He remains England's outstanding fielder, too.

For Australia there was some fine bowling from AJ Tye - who conceded just three from the fifth over of the innings and a respectable eight from the last - while Agar and Finch can also look back on this game with some pride. But losing all six internationals against the old enemy must rank this as one of the worst tours an Australian team has ever had to England.

Australia 2nd innings Partnerships

1st17AJ FinchDJM Short
2nd16AJ FinchGJ Maxwell
3rd31AJ FinchTM Head
4th8AJ FinchAT Carey
5th0AJ FinchMP Stoinis
6th86AJ FinchAC Agar
7th16AJ TyeAC Agar
8th0KW RichardsonAJ Tye
9th10AJ TyeMJ Swepson
10th9B StanlakeMJ Swepson


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GTX 1050 and GTX 1050Ti Official Specifications Revealed

/ 3 years ago

GTX 1050

NVIDIA has just unveiled the GTX 1050 and GTX 1050Ti which is based on the Pascal architecture. As you might expect, both of these are intended for budget builds and consumers wanting to enjoy PC gaming without investing a large sum of money. Of course, the low-end GPUs haven’t always offered good value and paled in comparison to mid-range offerings. Even though the benchmarks for both the GTX 1050 and GTX 1050Ti are yet to be revealed, NVIDIA has provided information about their price point and specifications. The GTX 1050 features 640 CUDA cores, has 2GB of GDDR5 memory and operates at a 75W TDP. The slightly higher-end model, the GTX 1050Ti has 768 CUDA cores, 4GB of GDDR5 memory and the same 75W TDP.

Interestingly, the GTX 1050 will have a recommended price point of $109 while the GTX 1050Ti costs $139. Please note, these prices will depend on the specific model from AIB partners because there’s not going to be any Founders Editions. Also, retailers could change the entry cost based on demand and other factors. Overall, it seems like an enticing price point which is designed to compete with the RX 460. Whether or not, the GTX 1050 is significantly faster than the GTX 950 and GTX 960 remains to be seen.

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100% Vegan

Established in 1993

Delivery Worldwide

Peta Approved Vegan

Satchel Shoulder Bag Purple Medium

Save 33%
£39.95 £33.29 (Excl. Tax)
You save: £16.67 (33%) Save 33%
Or use

Now with a longer length adjustable strap
This vegan Satchel style shoulder bag, double buckle front covering outer pocket and adjustable strap.

Made from the highest quality Italian micro-fibre, these bags are designed and manufactured in the UK exclusively for ethical WARES.

Colour: Purple
Size: bag ~ 33cm wide x 20 cm high x 10 deep at the bottom of the bag
Strap length is 135cm long at the longest point (53")

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Europejskie badanie warunków pracy (2015)

In light of the UK’s withdrawal from the European Union on 31 January 2020, it should be noted that much data published on the Eurofound website continues to include the 28 EU Member States, as the UK was included in earlier research. This will be progressively amended to reflect the current composition of the 27 EU Member States.

[Technical issues with this application? Let us know.]

Wybierz pytanie

Wizualizacja za pomocą mapy europejskiej ilustruje na mapie wartości odpowiedzi w podziale na państwa.


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Elegia Grand offers you to buy the unique "Wad of Cash" vodka bottle with the large value banknotes. The product has a bright and original design and excellent quality: ceramic, a solid and reliable material, is resistant to the influence of negative factors and mechanical impact. The Elegia Grand Company is engaged in ceramic bottles manufacturing for a long time. We use innovative technologies in the production of ceramic products in order to create stylish, colorful and original souvenirs for close friends, relatives and colleagues. Additional Info Scope:0.25 l | 0.5 l Height:185 mm. Width:85 mm. Depth:60 mm | 75 mm. Product Weight:0,250 kg | 0,560 kg. Capping:t-cork with plastic cap.

Ceramics, handicraft
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Client of Schelstraete Equine Lawyers (EUAEL Alliance Partner) wins again in Appeal!

A client of Schelstraete Equine Lawyers (EUAEL Alliance Partner), (hereafter referred to as ‘A’) was again vindicated by the Court of Appeal on August 5th 2014.

The case concerned a swap of two horses between ‘A’ and the counterparty (hereafter referred to as ‘B’ ). In October 2008  ‘B’ offered his horse for sale. ‘A’ was interested and they made an agreement that ‘A’ would give her horse Z and € 3.000,- in exchange for the horse of B, X. Shortly after this exchange, ‘A’ discovered that there was an injury to the right hind leg of horse X, which causes an increased risk of lameness. According to the veterinarian of ‘A’, this injury was present before A had purchased the horse from B.

In order to make the exchange undone, ‘A’ started litigation against ‘B’ early 2009. After a long process of almost two years, ‘A’ was vindicated by the District Court with the result that ‘B’ was obliged to take horse X back from ‘A’ and he had to return horse Z to ‘A’. In the meantime ‘B’ had already sold horse ‘Z, for this reason B must pay a replacement value of € 16.000.

‘B’ did not agree with the decision of the District Court and decided to Appeal against this ruling. In Appeal ‘B’ argued that the District Court wrongfully determined that horse X was unhealthy due to the injury on the right hind leg and that the replacement value of the horse of  € 16,000 was not duly motivated. Furthermore, in Appeal ‘B’ objected against the expert who was appointed by the District Court.

Nevertheless, the Court of Appeal rejects all claims of ‘B’ and confirms the decision of the previous Court. In addition to the damages which ‘B’ already was required to pay ‘A’, ‘B’ is also ordered to pay the legal costs that were made during the Appeal. Altogether a very positive outcome for the client of Schelstraete Equine Lawyers (EUAEL Alliance Partner).

A was assisted by Mr. L.M. Schelstraete and Ms. Mr. B.E.J. Loeffen from Schelstraete Equine Lawyers (EUAEL Alliance Partner).

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IR4012S20 - Dress-Silver

Irresistible Collection

Irresistible by Veromia Group has a stunning collection of elegant occasion wear dresses which are perfect to take you to any occasion from a day at the races, as a guest at a wedding or the Mother of the Bride/Groom. With soft subtle colours and striking detailing, this collection is simply irresistible!

This dress is classic and elegant and perfect for any Mother of the Bride or Groom who wants to look and feel fabulous.

The fabric is soft taffeta.

Colour available is Silver

Sizes Available   12, 16,18 and 20.

These are UK sizes and we find are smaller than Australian sizes

You may need to go up a size.

Product Code: ZIR4012. Category: .

Authenticity Guarantee Lay By