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DBMS > Adabas vs. AlaSQL vs. SAP SQL Anywhere vs. TerarkDB vs. ToroDB

System Properties Comparison Adabas vs. AlaSQL vs. SAP SQL Anywhere vs. TerarkDB vs. ToroDB

Editorial information provided by DB-Engines
NameAdabas infodenotes "adaptable data base"  Xexclude from comparisonAlaSQL  Xexclude from comparisonSAP SQL Anywhere infoformerly called Adaptive Server Anywhere  Xexclude from comparisonTerarkDB  Xexclude from comparisonToroDB  Xexclude from comparison
DescriptionOLTP - DBMS for mainframes and Linux/Unix/Windows environments infoused typically together with the Natural programming platformJavaScript DBMS libraryRDBMS database and synchronization technologies for server, desktop, remote office, and mobile environmentsA key-value store forked from RocksDB with advanced compression algorithms. It can be used standalone or as a storage engine for MySQL and MongoDBA MongoDB-compatible JSON document store, built on top of PostgreSQL
Primary database modelMultivalue DBMSDocument store
Relational DBMS
Relational DBMSKey-value storeDocument store
DB-Engines Ranking infomeasures the popularity of database management systemsranking trend
Trend Chart
Rank#69  Overall
#1  Multivalue DBMS
Rank#208  Overall
#31  Document stores
#100  Relational DBMS
Rank#57  Overall
#32  Relational DBMS
Rank#314  Overall
#53  Key-value stores
Rank#304  Overall
#40  Document stores
Technical documentationgithub.com/agershun/alasqlhelp.sap.com/sql-anywheregithub.com/Terark/terarkdb/wikiwww.torodb.com/stampede/docs
DeveloperSoftware AGAndrey Gershun & Mathias R. WulffSAP infoformerly SybaseTerark8Kdata
Initial release19712014199220162016
Current release17, July 2015
License infoCommercial or Open SourcecommercialOpen Source infoMIT-Licensecommercialcommercial inforestricted open source version availableOpen Source infoAGPL-V3
Cloud-based only infoOnly available as a cloud servicenonononono
DBaaS offerings (sponsored links) infoDatabase as a Service

Providers of DBaaS offerings, please contact us to be listed.
Implementation languageJavaScriptC++Java
Server operating systemsBS2000
server-less, requires a JavaScript environment (browser, Node.js)AIX
All OS with a Java 7 VM
Data schemeyesschema-freeyesschema-freeschema-free
Typing infopredefined data types such as float or dateyesnoyesnoyes infostring, integer, double, boolean, date, object_id
XML support infoSome form of processing data in XML format, e.g. support for XML data structures, and/or support for XPath, XQuery or XSLT.nonoyesnono
Secondary indexesyesnoyesno
SQL infoSupport of SQLyes infowith add-on product Adabas SQL GatewayClose to SQL99, but no user access control, stored procedures and host language bindings.yesno
APIs and other access methodsHTTP API infowith add-on software Adabas SOA Gateway
SOAP-based API infowith add-on software Adabas SOA Gateway
Java API
Supported programming languagesNaturalJavaScriptC
JavaScript (Node.js)
Server-side scripts infoStored proceduresin Naturalnoyes, in C/C++, Java, .Net or Perlno
Partitioning methods infoMethods for storing different data on different nodesyes, with additonal products like Adabas Cluster Services, Adabas Parallel Services, Adabas VistanonenonenoneSharding
Replication methods infoMethods for redundantly storing data on multiple nodesyes, with add-on product Event ReplicatornoneMaster-slave replication infoDatabase mirroringnoneMaster-slave replication
MapReduce infoOffers an API for user-defined Map/Reduce methodsnononono
Consistency concepts infoMethods to ensure consistency in a distributed systemImmediate ConsistencynoneImmediate ConsistencyEventual Consistency
Immediate Consistency
Foreign keys infoReferential integritynoyesyesnono
Transaction concepts infoSupport to ensure data integrity after non-atomic manipulations of dataACIDyes infoonly for local storage and DOM-storageACIDnono
Concurrency infoSupport for concurrent manipulation of datayesyesyesyes
Durability infoSupport for making data persistentyesyes infoby using IndexedDB, SQL.JS or proprietary FileStorageyesyesyes
In-memory capabilities infoIs there an option to define some or all structures to be held in-memory only.noyesyesyes
User concepts infoAccess controlonly with OS-specific tools (e.g. IBM RACF, CA Top Secret)nofine grained access rights according to SQL-standardnoAccess rights for users and roles

More information provided by the system vendor

We invite representatives of system vendors to contact us for updating and extending the system information,
and for displaying vendor-provided information such as key customers, competitive advantages and market metrics.

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More resources
Adabas infodenotes "adaptable data base"AlaSQLSAP SQL Anywhere infoformerly called Adaptive Server AnywhereTerarkDBToroDB
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CryptoCarz Hacks Drag Racing & Betting dApp Inside Dece...
All News, Decentraland News

CryptoCarz Hacks Drag Racing & Betting dApp Inside Decentraland

One of the best projects to come out of the recent NIFTY hackathon was undoubtedly the CryptoCarz racing and betting dApp, hacked by a talented team of CryptoCarz developers in only 20 hours. Full presentation video is below, including a look at the code and demonstration of an actual race in Decentraland (please excuse the video quality).

The game runs inside Decentraland and features 4 different cars racing on a straight track in short, 20 second races. Each car is designed to represent a different cryptocurrency and the speed of the cars is determined by a price feed feeding live from the exchange. The positions of the cars are updated as the transactions are mined once the oracle smart contract starts. This means if you have bet on the DOGE car, when the price of DOGE increases on the exchange, the DOGE car goes faster, and vice versa.

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>> For more exclusive videos please subscribe to our YouTube channel

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The Crust:
The crust is the outermost layer of Earth. In all of the mining and drilling humans have done, this is the only
layer that has been observed directly. In most places a thin layer of sedimentary rocks covers metamorphic and
igneous rocks. The deeper you dig, the greater the chance of finding igneous rocks. Within the continental
crust, the overall composition is close to the composition of granite. Under the sediments and sedimentary
rocks of the oceans, the crust is more dense. This is verified by observing that most volcanoes that erupt
in the ocean basins bring lava to the surface that hardens to form basalt. Geologists therefore infer that the crust
under the oceans is mostly basalt or has a similar composition. Furthermore, from very deep mines, scientists
know that the temperature within the crust increases with depth at a rate of about 1C per 100 m. Based on this
rapid rate of temperature change, it seems logical that Earths interior is very hot.

The bottom of the crust is inferred from observations of earthquake waves. Seismic waves that travel through
just the crust are slower than are those that dip below the crust and enter the mantle (because the mantle has a
different composition, the waves travel at a different velocity). This change in seismic wave speed occurs at
depths as shallow as 5 km under the oceans to as deep as 60 km under some mountain ranges on land. The
Croatian geophysicist Andrija Mohorovicic first noticed this boundary, and it is now named in his honor.
However, most people shorten the name of the boundary to the Moho.

Regents Earth Science 9th Grade

The Mantle:
The mantle extends from the bottom of the crust to a depth of about 2900 km. In fact, it contains
more than half of Earths volume. However, the inability to penetrate below the crust with mines
or drills means that investigations of the mantle must be conducted by other means.

From studies of volcanic eruptions, scientists believe that magma that originates below the crust is
rich in dense, mafic minerals such as olivine and pyroxene. These are the minerals on the right side
of the Scheme for Igneous Rock Identification in the Earth Science Reference Tables. Some
magma originates in the crust beneath mountain areas where Earths crust is thick and felsic in

Most of the meteorites that fall to Earth are composed of dense, mafic minerals such as pyroxene
and olivine. These are called stony meteorites. Scientists believe that these meteorites are the
material from which Earth and the other planets formed billions of years ago, or they are the
remains of a planet that was torn apart by a collision with another object. If this is the case, you
would expect meteorites to have a composition similar to the planets, including Earth.

The diameter of planet Earth has been known for centuries. From this value, it is easy to calculate
Earths volume. The mass of Earth has been determined based on its gravitational attraction.
Knowing Earths mass and volume, scientists have calculated that Earths overall density is about
5.5 g/cm3. That is about twice as dense as most rocks in the crust. Therefore, scientists expect the
mantle, which includes most of Earths volume, to be composed of minerals that are more dense
than those in the crust are.

Earthquake waves can travel through the mantle. Because some type of earthquake waves will not
travel through a liquid, the mantle is known to be in the solid state. Furthermore, earthquake
waves travel faster in the mantle than they do in Earths crust. This indicates that the rock in the
mantle is more brittle than crustal rocks. Again, olivine and pyroxene fit the observations. All
these observations provide strong evidence that Earths mantle is composed primarily of iron- and
magnesium-rich, mafic silicate minerals. Therefore, geologists infer that the mantle is composed
mostly of olivine and pyroxene in the solid state.

Regents Earth Science 9th Grade

The Core:
Starting at 2900 km and extending to Earths center is the next layer, called the core. Seismologists
noticed that some types of earthquake waves can penetrate the whole planet, but other types do
not travel through Earths core. Scientists also know that these waves, called P-waves, cannot
travel through liquids. Since they know that P-waves cannot travel through the core, they think
that the core must be liquid.

Starting from the atmosphere, each of Earths layers is more dense than the layer above it:
atmosphere, hydrosphere, crust, mantle. You might therefore expect the core to be even more
dense than the mantle. Scientists also know about the core and its high density from studying
meteorites, or small to medium-sized rocks that have fallen from space. One particular type of
meteorite is mostly composed of iron. From studying this type of meteorite, scientists also think
that they core of the Earth also contains mostly iron, with some nickel as well. Scientists have also
inferred that the outer core is liquid because the movement of liquid iron in the outer core is also
thought to cause Earths magnetic field.

Scientists think that the extreme pressure generated by the weight of the Earth above makes the
liquid core a solid at the very center of the Earth. Geologists have inferred this based on the way
those abovementioned earthquake waves travel. Because the waves change their speed and
direction (refract) when they travel through solids or liquids, scientists have noticed that
earthquakes waves often refract when they travel through the center of the Earth. Thus, they have
also concluded that there is a solid inner core surrounded by a liquid outer core.

Regents Earth Science 9th Grade


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Sports News Without Access, Favor, Or Discretion

Last week, we were treated to the story of Cavaliers swingman Iman Shumpert channeling MacGyver in order to help his wife, Teyana Taylor, give birth to their daughter in the bathroom. Thanks to the Daily Mail, we now have audio of a 911 operator walking Shumpert through the process.

There’s no mention of the famed headphones-around-the-umbilical-chord maneuver on this recording—that must have happened later—but it’s still fun to hear the fed-up operator lightly scolding Shumpert at the beginning. He probably deals with this shit all the time.

Photo via Getty

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Colin Johnston

Colin has over 20 years offshore operations experience covering all aspects of well services, subsea operations, completions and drilling applications. Since joining SeaNation his emphasis is on support of subsea assets through technology development and operations application. Colin has been active with DIF since its inception. Colin has a BSc in Mining Engineering from University of Newcastle upon Tyne, a Masters degree in Subsea Engineering from Heriot Watt University and an MBA in Finance from the University of St Thomas, Houston.


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Our tile sealers are expert in sealing porous tiles. Tile sealing will help you to prevent grout to get dirty and also prevent tile stains. Tile sealing creates a layer of protection on the tiles. After tile sealing, tile surface becomes smooth easy to clean or mob your tile. We strongly recommend your new tiles to get tile sealing protection that will give more life to your tiles and protect tiles against deterioration.

Shower Tiles Restoration Glendonald

Shower Tiles Restoration

Bathroom and shower tiles are one of the most ignored parts of the home, that gets attention when it becomes slippery or mould has grown in the area. But for the prevention of accident or disease, it is important to have your shower and bathroom tiles cleaned by the professionals. Our tile cleaners can do that for you at most affordable, without compromising on the quality.

High-Pressure Cleaning Glendonald

High-Pressure Cleaning Glendonald

High Pressure Cleaning is one of the most effective methods to make the external areas such as driveways and pavements clean and grime free. This method allows the complete removal of dirt and contaminants from pathways and driveways. And the best thing is, we can do it for you with the utmost perfection at the most reasonable prices. Hence, if you want to have the external areas of your offices and house as clean as the internal ones, hire our team for the effective cleaning.

Grouting Tile Cleaning Glendonald

Epoxy Grouting & Regrouting

Epoxy grouting is the best method to save your grouts from the attack of stains, dirt and contaminants. This grouting does not let the stains and dirt set in, which ultimately saves you from efforts. Initially, epoxy grouting was majorly used in industrial sectors, but over time, this grouting method became popular among the residential sector as well. Hence, if you also want to get rid of clumsy, stained and dirty grouts, epoxy grouting or regrouting is the best solution.

Grout Sealing Glendonald

Grout Sealing

Deluxe Tile Cleaning gives the complete care to your grout, and grout sealing is one of the major services we offer to our customers. If your tile grouts have started to look dull, chipped, cracked and have completely worn out, it is time you go for grout sealing Glendonald. Our tile and grout cleaning technicians will clean and seal your grout lines using the best sealants. Grout sealing helps to maintain the beauty of your tiled areas and allows easy cleaning.

Floor Buffing and Floor Polishing Glendonald

Floor Buffing and Floor Polishing

Another floor restoration service we offer includes floor buffing and polishing. Floor buffing is the act of removing scratches and marks from your floors and making them smooth, flawless and glossy. With the help of high-power equipment and buffing pads, we make your floors look polished. So, restore the shine of your floor to new and leave a powerful impact on your visitors.

Stone Grinding Glendonald

Stone Grinding

Stone grinding brings the impurities like scratches and ingrained dirt out of your floors. This is one of the most prefered methods to get rid of imperfections leaving your floors in a polished finish. Stone grinding eliminates scratches, stains, ingrained dirt and other contaminants from your tiles leaving them smooth. Also, the grinding removes the fault of uneven tiles transpired at the time of tile installation.

Efflorescence Treatment Glendonald

Efflorescence Treatment

Ever noticed salt like formations in tiled areas? These formations are called efflorescence. No matter how hard you try getting rid of these deposits by homely conventional methods, you do not get the desired results. Whereas tile and grout cleaning team of Deluxe tile cleaners use specific equipment for the removal of efflorescence treatment. Also, we use numerous other treatments to rid your floors from efflorescence effectively and safely.

Tile Restoration Services Glendonald

Deluxe Tile Cleaning has restored thousands of sq. meters of tiles and adopts the best procedure in order to restore the original look of your tiles.
Here is a comprehensive process that we adopt:

  • We inspect all the affected areas very closely
  • Then, we explain the process thoroughly to the customers
  • We remove the old grout
  • We clear the grout lines with a special solution
  • Afterward, we install the new grout in a color of your choice
  • Next, we clean the grout lines and remove haze from them
  • Grout is left to dry

Our expert tile cleaners and restoration experts make sure that your tiles are not affected during the entire process.

We follow a defined model at Deluxe for Tile and Grout Cleaning Glendonald, to ensure a repeatable and cost-effective method is applied to all of our customers equally.

STEP 1 – The inspection

  • The first and the most important step is to inspect your floors before starting our tile and grout cleaning procedure.
  • Floor inspection of the premises ensures we spot any grout that is creeping between tiles.
Pre-Grout Clean

STEP 2 – Apply pre-grout clean

  • Alkaline-based degreasing solution is applied to the surface.
  • The solution is allowed to stay for up to 20 minutes
  • This loosens accumulated soil, grease, contaminants and topical residues
Turbo Rinse

STEP 3 – The turbo rinse

  • Tile and grout are rinsed using pressure heated water.
  • All water, tile, and grout cleaning solutions and contaminants are captured and extracted away in one process.
  • The system is completely fluid controlled with no over wetting of any other surfaces or areas
Rotary Scrubbing

STEP 4 – Rotary Scrubbing

  • We thoroughly scrub all tiles to ensure grout and uncleanliness is removed.
  • We use advanced quality’s rotary scrubbing tools that help us bring the floor’s shine back.

What to Expect from Deluxe Tile and Grout Cleaning Glendonald?

We are counted among the top companies providing tile and grout cleaning Glendonald services. Following are the reasons you should hire us and what can expect from us.

Tile Repair Service Glendonald
Tile Repair Service Glendonald
  • Top-notch service for tile and grout cleaning
  • A new look of the tiles
  • Complete removal of mold, dirt and other harmful allergens
  • Use of safer and eco-friendly cleaning solutions
  • Experienced and certified cleaners
  • Over 20 years of experience in the industry

Service Areas

Below mentioned are the services area. Our team can reach your place within 2 hours of the booking.

  • Brisbane
  • Canberra
  • Sydney
  • Adelaide
  • Perth
  • Beenleigh
  • Gold Coast
  • Ipswich
  • Spring Hill
  • Sunshine Coast
  • Toowoomba
  • Ballarat

Terrazzo Tile Cleaning

The manner in which Deluxe Tile Cleaning Melbourne dealt with the soiling problem on our exterior terrazzo entrance was really admirable. The area was thoroughly cleaned and sealed in such a fine way that it seems as if new installation has been done there. Everyone on the team was absolutely friendly and really co-operative. Thank you so much.
- Brendan White

First time user

First time I've ever had my tiles and grout done and am so happy with the result, will make it an annual thing now. Great job guys one very happy customer.
- Amanda Verth

Excellent Service for Tile Cleaning

I like Deluxe Tile Cleaning services for their best Tile Cleaning Melbourne. They serve almost all the suburbs in Melbourne. I feel Deluxe Tile Cleaning is a very good option for the floor cleaning and hygiene. They can make your floor neat enough so that our children can crawl around it. Using vacuum cleaner which is not enough for the detail cleaning and dust removal. I am happy with the services of Deluxe Tile Cleaning. . You will get the best value for your money. Thank you Deluxe Tile Cleaning.
- Jacob

Excellent Grout Re-coloring

Thank you for Deluxe Tile cleaning Melbourne excellent grout re-coloring services last week. We are very happy with the outcome and would love to use your services again
- Katrina Mark

Location: Glendonald, VIC, Australia

1 Star2 Stars3 Stars4 Stars5 Stars (6 votes, average: 4.90 out of 5)


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Taib Dress

Taib Dress

Regular price $551.60 Sale

This is a demonstration store. You can purchase products like this from Baby & Company

The Taib Dress is this season's little black dress. Perfected in fit, this shift dress reaches a flattering length at mid calf paired with a scoop neckline. Double invisible zip closure at center back. Annette Gortz. Color Black. 70% Linen, 27% Viscose, 3% Spandex. Made in The EU. Lana is wearing a German 34. Lana is 5'7, hips 36.5", waist 25", bust 34.5".

Shop our collection of Annette Görtz.

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Custom Mouthguards in Perth
Custom Mouthguards in Perth

Mouthguards Perth

Our sister company, Game Guardian, is an Australian-based company established to aid in preventing athletes from dental trauma and possible head and neck injuries. Game Guardian’s mission is to produce the best quality sports mouthguards and headgear available in the market.

Game Guardian‘s mouth guards provide maximal protection for athletes through an innovative mouth guard design, which allows for easy breathing and communication.

Custom mouthguards are far more superior than standard over-the-counter mouthguards. They offer better protection, fit and comfort. They are the advisable choice for any athlete that participates in contact sports, such as:

  • AFL
  • Soccer
  • Hockey
  • Basketball
  • Rugby
  • Water polo
  • Lacrosse
  • Skateboarding

Health fund rebates

If you’re a member of a private health fund, you may be able to claim a rebate, as we are registered with all health funds. To find out the specific amount you may receive, please contact your health fund.

HBF Participating Provider
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We provide on-site fitting and delivery services to clubs and schools Australia-wide. The service requires a minimum order of 20 mouthguards.

Find out more about Gameguardian & our range of mouthguards

Visit Gameguardian

About Game Guardian

Book an appointment NOW!


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It's just this little chromium switch, here...

Been without a working Internet connection for most of the day. Am stealing neighbor's wireless at the moment. Spent the day rather productively though thanks to Adobe Audition, a cat, Guitar Hero, and frequent naps.

Questions on this new season of House under Le Cut d'Eljay, so if you ain't gotten up to speed on Season 4 yet, just remember that I said hi and I said my Internet sucks and I said the cat is hungry.

1. How do you feel about this season's Reality TV storyline? What started out as a very amusing way for House to rebuild his team has turned into The Apprentice: Princeton-Plainsboro, complete with "You're fired!" shot around every now and then. I mean, when House was firing entire rows at the start, I thought that was hilarious. When he started going on about "answer this one right and you win immunity" a few weeks back I thought he was just fuckin around for the sadistic fun of it. When he notes it and mocks it, it's funny. But Christ, this week he seriously went and pulled a SHOCKING TWIST on a SHOCKING TWIST!! as any reality show's publicity team would've said. I know he's having an absolute blast tormenting his potential newbies, but man. Giving Mormon Guy the boot, Tribal Council-style, after granting him immunity and his choice of contenders to throw overboard, that was SUCH a Mark Burnett move. You could just hear Jeff Probst say "However..." with snarky glee at that point.

And I haven't even watched a single episode of Survivor since the whole Boston Rob/Ambuh engagement season which was like a zillion years ago.

2. How did you feel about the Cuddy Panty Raid shenanigans, or even the mere thought of Cuddy going around commando-style? And did you feel the same way about the Manipulative Bitch in between House theorizing she, too, had no underwear and her proving him wrong? I can't tell if I was supposed to feel guilty going "Hmmm, now there's a picture that'll keep me warm during those long nights at sea" or not.

3. How do you feel about the Incredible Coincidence that Foreman, Cameron and Chase are -- surprise, surprise! -- still at Princeton-Plainsboro? Sure, it keeps all 3 actors on board and I'm sure they're pleased as punch to be able to pay the rent, but I kind of liked the full-on finality of last season. Though, if anything, I'm glad that if they have to be back at the hospital, they are there in entirely new capacities, instead of slinking back and being rehired by Dr. Gregory "Don't Let The Door Hit Ya Where The Good Lord Split Ya" House.

4. Who do you think will end up as his final team? My guess for next week: Either the Manipulative Bitch or the Plastic Surgeon Guy gets the axe, or all four stay on (another SHOCKING TWIST!) The Kid's been built up quite a bit as to be a very good foil ("Didn't I fire you, Number 6?" "No, I'm Number 9.") and we were introduced to the Very Smart But Somewhat Vulnerable Young Lady even before the whole Hiring Game began, and House has shown his own form of sympathetic interest in her well-being... even though Wilson's called him on the fact that he's firing the team members he'd actually like, or at least not outright loathe.

Both the Manipulative Bitch and Plastic Surgeon Guy are very cunning and that's admirable in House's eyes, but I think one of 'em is going to piss him off enough to give 'em the boot. But all four staying on could be good.

See what I'm doing? I'm actually speculating as if it were a reality series. Lord help us all now.

(Oh, and if he fires all of 'em and brings Cameron, Foreman and Chase back on board, I'm so throwing a shoe through the TV set. Just sayin is all.)
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Destiny 2 Tracker Network

0 Credits 1 Posts

We are [Erased] of the Aegis, a new Destiny clan with one goal in mind--Have fun!

We are ideally looking for a few things in a new member:

-Willingness to play with us regularly
-No age requirement, just a maturity requirement
-You must also be someone who is willing to have fun :,) (tough, I know).

Inside our inner circle you will find two types of people that play in the Destiny universe.
-The first type is a casual gamer that focuses more on grinding and PvE type situations.
-The second is a PvP player, but not a die hard PvP or nothing type player.

Either way, we are looking for a solid group of gents/ladies to help lead us forth unto victory against any and all raids, trials, milestone completion, clan completion, etc.

We are Mostly from the U.S (some Canadian friends) and we typically play from 7pm-sometimes 5am EST. We do have full-time jobs so that comes first. We also no life on weekends.

*Side Note*-If you play other games, chances we do too, so feel free to ask!


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Distributing the best of valves and instrumentation solutions

We offer a unique mix of safety and production improvement solutions tailored to meet your requirements.

Proud distributor of the following manufacturers

Seeking safety and production enhancements?

Our solutions are customized to meet your exact requirements

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Monitor the condition of your valves

With the Valvkeep tool, you receive status reports on health, future maintenance planning, and other resource maximizing functions.

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How we're different

Our network of 130 employees extends to five service locations across Canada to better serve your business.


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Safety Relief Valves

Consolidated 2900 MPV series Pilot Operated Safety Relief Valve

Download Product Documentation

The 2900 series pilot-operated safety relief valve is an innovative Consolidated product offering from GE, a world leader in pressure relief valve technology. The 2900 series valve is a blend of GE's Consolidated type 1900 safety relief valve and GE's Consolidated type 3900 pilot operated safety relief valve. These GE products have a proven track record of performance, versatility and ease of maintenance.

INLET SIZES 1" through 12"
OUTLET SIZES 2" through 16"
Orifice Sizes Seventeen sizes – D through W
Set Presure RANGE 15 to 6250 psig
MATERIALS Stainless steel pilot with carbon steel main valve and stainless steel trim

Features and Benefits

GE's Consolidated pilot valve has a unique design that combines top features and capabilities within an economical, modular assembly. This is based on the successful design of an optimized safety “device” that offers versatility of application, yet provides cost-effective standardization. Additional features and benefits of the 2900 series valve include:

  • A Pilot Gag prevents the pilot-operated relief valve from opening while equipment is undergoing operational hydrostatic testing
  • Through its improved seat tightness to 98 percent of set pressure, and adjustable blowdown to 2 percent of set pressure, the 2900 series valve allows higher system pressures that can increase the yield of the process
  • Pop action and modulating pilots allow for application versatility
  • Pilot seat design allows for self-cleaning operation and is tolerant to icing and dirty conditions
  • Remote actuation and sensing can eliminate problems caused when then inlet pressure drop exceeds 3 percent
  • The metal seat option incorporates proven technology from the 1900 series safety relief valve seat design
  • Retrofit kits easily and economically convert an existing Consolidated 1900 SRV to the 2900 POSRV design
  • Replacing and/or upgrading existing API 526 spring-loaded safety relief valves with the 2900 series valve eliminates costly piping changes
  • Process temperatures that range from -400°F (-240°C) to 1200°F (649°C) can be met using the heat exchanger option
  • The Dirty Service option ensures operation in dirty, precipitating and viscous fluids
Industries Served

From application engineering, valve configuration, to performance testing, supply chain management and aftermarket support, we cover any specific industrial needs.


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Opinion: Derrick’s review of Eurovision 2019 songs – Top 41

Our friend Derrick from the United States has sent us his Top 41 of this year’s Eurovision Song Contest with comments on the entries. Have a read below!

1. Greece – Katerine Duska
Simply divine. For me, this was the instant standout this year. It’s pop, but it’s got a sophistication to it that elevates it to another level. It makes me feel euphoric and soaring upon each listen. If we were following my Eurovision path, we’d be going to Greece again this year; and while she does have a shot at the trophy….remember when Jamala came out of nowhere last time Sergey was involved? Maybe that will happen again….but I imagine this will just coast comfortably to a high left-hand finish this year for Greece. My only worry is that her unique voice may not translate the song in its studio version to the viewers, my only caution on this as a whole.

2. Switzerland – Luca Hanni

It’s slick. It’s catchy. It’s a seductive. It’s got that hook. It’s SO “Fuego”. Whatever. I don’t really care if it’s similar to “Fuego” or not. I just like it. I like Luca. I’ve been listening to him since his DSDS days, so I was probably predisposed to go for this. It’s such a welcome return to form for Switzerland who has been middling for years now it seems. Good for them. Good for him. I would be very happy if this actually won the whole thing. Well done, Switzerland.

3. Sweden – John Lundvik

I’m passed the time when people anticipate what Sweden will bring. I’m passed the time being over the fact that Sweden ALWAYS brings something. I don’t need to pay attention to Melodifestivalen to know that year in and year out Sweden will send something that is just well put together. To my surprise this year, Mr Lundvik has gone full-on R&B/Soul with a Gospel twinge. Anyone that knows me, knows I adore some old-school soul. Sweden has been producing a lot of that lately and this fits in as a sublime cut of the best that this genre offers. Great voices and slick routines are just de rigueur for Sweden, so there really isn’t any need for me to comment on this. My only complaint here is that the ‘ON’ moments are so good I want more of them. Of course the ‘OFF’ moments give the ‘ON’ their contrast, but I just spend so much time anticipating the climax at the end that when the songs end, I only think to myself, “Can’t I just have more of that?” I’m wondering if that build-up will harm it’s chances of taking us to Gothenburg this year. (It’s their turn, right?), This could win and I would be perfectly content with that result, I’m just not seeing it going back to Sweden next year.

4. Azerbaijan – Chingiz

I just love the modern feel we got with this bad boy. Azerbaijan wants to do well, it’s one of the reasons they perform fairly well in the contest. They try. You could get on them for having a more clinical approach to what they send each year, but hey, good is good. Truth is a top-notch, modern pop song with an edge that maybe Aisel was lacking last year. It’s not the most instantaneous song in terms of retention or melody, so I don’t think this is going to challenge for a win, but I love this. An engaging listen each time I pull it up, I think this works better as a studio cut your put on every playlist, but I’m curious to see what they will do on stage and how well Azerbaijan does after their historic first DNQ.

5. UK – Michael Rice

Did I mention I listen to John Lundvik casually, without his Eurovision involvement? Well, I do. Considering this is the album track to his single offering in “Too Late for Love,” I think it’s unsurprising that the song he gave the UK would be high up in my list of favorites this year. Michael does a fine job with the whole production, giving a less polished result to the track, which rings somewhat more authentic, but I think still makes this not quite as good as the A-side. Obviously, Sweden isn’t going to be letting any of those go away, but you can see the strength of a Swedish B side when the UK sends it as their top track of the year. I would have picked a different song from You Decide, but that’s why I don’t like to listen to all the pre-selections. I want to like this for what it is, not handicap it for what could have been. I will say that I do think this was the right choice for the UK in the end. I don’t think they will place as high in the actual leaderboard as they did in my personal list, but I think they should be able to get their best placing in a while. After the Surie debacle, they deserve it. I loved that girl.

6. Cyprus – Tamta

Oh! “Fuego 2.0” It’s all coming up Fuego! Fuego! Yeah, yeah, Fire! From the same country and team as last year, even! HOW DARE THEY!! I for one am happy they did. Trolls gotta troll, so go right ahead, but I’m going to continue to hum this modern bop when I wake up in the middle of the night. This is fun, sexy, and catchy, everything that people really enjoyed from Cyprus last year, so I can see why they wouldn’t fix something already unbroken. I think there is a slim possibility this will win, and I think that’s about right. I’d be very happy for Cyprus. It’s been a long time coming.

7. Norway – KEiiNO

For me, this song was instant and a grower all at the same time. I liked it because it is unashamedly pop. I liked that there was some Sami on it. I came to really like the overall package as the melody and fun began to slowly raise this song from around my 12th position to where it currently sits. I think this should qualify, but I could see this being the “Verona” of 2019. It’s running order would easily be the thing to blame if KEiiNO had to sit out on Saturday, but I really hope people will just have as much fun with this as I have. With any justice, it would be left-hand side on the final leaderboard.

8. Finland – Darude

When announced, I thought Helsinki 2020 was only going to be in jeopardy for La Lazarev. However, I may have got a bit ahead of myself in both regards. Before people get bitchy, this still is my 8th place song of the whole year, so I do like it. I just think that the man, himself, Darude should have learned into his musical style, but he said in the launch listening that they had to make it work for Eurovision. If a few other songs in this year’s contest can work for Eurovision, if AWS can bring their brand of metal and succeed at Eurovision, I think a progressive trance song could easily have to do well at Eurovision. That’s really my only complaint. I think they could have leaned further into the genre. Plus, I think that would have helped distinguish this as a unique song in the field (winking at you, Iceland). I think this will do well, in any event. Mid-table in the final, maybe? I lament at what could have been, and how this team’s failure to walk in and walk out with the trophy may affect other established artists to again reconsider entering the contest, which has become more of a launching ground for new artist instead of a place where you go to really just show how good of work you already do.

9. Estonia – Victor Crone

This is a fun blend of country and modern pop/dance. Avicii, of course, did it best, but if I can handle two or three Fuegos, surely I won’t mind one Eurovision “Wake Me Up?” Yup. I sure can. It’s not the most intellectual of songs, lyrically, but I also don’t need Shakespeare levels of wordplay to give a song some credit. This sounds to me like Lawson from the UK, whom I do love immensely, so I’m hoping this will play in the final and place a respectable middle place. I am worried, however, as a lot of Europe seems to have already set their minds against this.

10. Armenia – Srbuk

It’s really all about that last bit and that note, right? This has been in and out of my top 10 because sometimes I just appreciate the whole more or less than the songs around it that seem more traditionally assembled. While this excels in modernity and coolness, it’s hard to remember a lot of “Walking Out” aside from ‘Walking Out, Walking Out’ bit and the crowning note. Armenia is nothing if not experimental with their pop offerings of late, and sometimes it works better than others. In terms of the actual competition, I think this is probably going to go through to the final and do well, but I don’t think it’s going to go top 10.

11. Belarus – ZENA

Guilty Pleasure Alert! Zina has been in my top 10, and I’m happy Belarus has been able to get back there since 2016. This is a complete throwback to the 90s. It is! But as a 90s kid, it’s SO GOOD! I instantly get the vibe of what she’s going for here and I’m going along for the 3:00 ride she’s taking us on. I feel like sometimes Eurofans seem to need something like a revolution every year to be happy, but not every song needs to be a reinvention of FIERCE! YAS QUEEN! I also keep in mind that Belarus, like some of its close neighbors maybe aren’t drawing on the resources of a place like Sweden to complete a package. You can deride that as you like, but what we have here is a fun song sung by a talented kid doing their best with what their industry will give them. I felt the same way with Eduard from Moldova in 2015. It wasn’t going to challenge for the win, but it was going to be fun, and for that, I think it should at least be given a spot in the final. Zina performs the heck out of this thing, as did Eduard. I think it would be nice if she could gather enough support to help her further her career, but we all know how that worked out for Eduard. Shame, shame.

12. Netherlands – Duncan Laurence

One of the perceived winners based on the song the minute it came out. I can hear people getting irate over this, so I preface this with: I do like the song. I always have. The Netherlands does well with crafting really good Adult Contemporary songs, going back to 2013. It’s my 12th place. Eurovision winner, 2019? I think that’s a bit much. Since this has been the hyped song, I admit, I keep listening to it pondering what makes this the song that everything is judged by this year. I just get lost in that grind though. I can find similar songs in Eurovision past, but none have taken the trophy. I think this is going to do very well indeed, in the final. I don’t even need to speculate on its chances in the semis. Duh. I just hope this doesn’t do OVERLY well in the final….even if I could get behind the Hague hosting. Great city.

13. North Macedonia – Tamara Todevska

I have not disliked a FYROM, Macedonia, North Macedonia, gosh I’m happy the name thing seems to be solved now, song since 2011. They are the OG experimenters at Eurovision. They have sent just about everything and the kitchen sink to Eurovision, sometimes more than one thing AT the same time. (Eye Cue, I’m looking at you). The only reason this sits at 16 for me is a recent shakeup in the 10-16 region since the pre-parties started. She’s been largely absent, so there’s less to go on, but North Macedonia has to hold the cross of botched staging (Eye Cue, again, and Jana Burceska), and missed opportunities (Daniel). So I think everyone looks at this with a trepid dread. All that aside, I really do like this ballad. I liked Tamara’s last entry back in the 2000s, and her sister Tijana’s 2014 missed final by a hair FYROM attempt. I feel like this is a Czechia 2016 situation. Get this girl to the FINAL! After that, it’s gravy. They can build on it from there, but back to the final, DAMMIT! No boob socks and bad reveals, no lonely dancing, overworked Balkan ballad, US R&B group, nothing! Just GET TO THE FINAL.

14. Russia – Sergey Lazarev

Well then, what could have been? I won’t deride him for not going down the “You Are The Only One” path twice. It probably wouldn’t have turned out all Dima Bilan for him. Or would it? He was rumored literally from the second he took a back seat to Jamala in 2016. He even said in an interview people ask him when he would come to take ‘revenge’ on Eurovision. Given his wording, that he would come back and be even more competitive was a simply matter of when. Then we had the Yulia mess of the last two years, which I never want to revisit, but after losing their impenetrable streak, the one that seemed the most untouchable, you could totally see Kirkirov and crew devising a glorious return where La Lazarev enters the stadium in Tel Aviv much like Ceasar and takes the whole thing with little effort. As I mentioned earlier, I was instantly thinking we’re going to Russia next year. No doubt in my mind except for Darude. Then we got “Scream.” (Long pause for effect) I just don’t think that much of it. I have been listening to everything Sergey I can get my hands on for years. I know he can create masterpieces of pop excellence be they ballads or bangers. I don’t really feel like this is either. Is a functional song, if I’m honest. I don’t hate it, but I see problems throughout it. 2016s entry had not one moment where you could tell that Sergey wasn’t a fluid English speaker. There’s enough detectable accent here that I again can’t help but think back to “I Won’t Bake”…I mean Break. Thanks for that. The ‘scream’ notes are also a dicey situation for me. They are hard notes to carry, and while the consummate pro La Lazarev is, he will most likely be fine, but one-off moment in that and we’re doing Isaiah rewind clips for the next 10 years. The rest of the song is a cute little ballad that has little else going on. It’s Latvia. (More on them later) I was totally prepared to come to the defense of Russia hosting in 2020. I think this is still going to coast to a top ten finish. No one wants to let go of the fact that a Sergey Lazarev song should be challenging for number 1. That’s the only reason I think this is still there with the bookies. It’s going to be a show and it’s going to be something we will talk a lot about, but I think this is going to place worse than his 2016 entry, and if I wasn’t so cynical, I wouldn’t posit that this is all a part of the greater master plan to lower our expectations for his third run at Eurovision, where he inevitably takes the thing back to Russia for their second hosting. But, that’s if he would even come back after not making it on attempt 2? He’s largely skipped the promotion process on a whole and what little interviews have been done with the Eurovision world I get the feeling that Sergey is not really enjoying the kinds of interviews he was doing this. Not a knock against him. He’s a superstar. Dealing with anyone less than the Russian equivalent or Barbara Walters is a serious step-down. I just wonder if he would even entertain the idea again after what I’m sure they feel like is a meticulously scrutinized and assembled package doesn’t bring back the desired result? Well then, maybe they will win?

15. Lithuania – Jurijus

It’s not a secret I like Lithuania. Like, a lot. So, much to my dismay, they didn’t pick the song I wanted them to, but I wasn’t down on Jurijus. I like his song too. I think there are some really special parts of his mid-tempo song, and I think he’s got a great voice. Lithuania’s problem is finding the song builders to put forth the product that will stand toe-to-toe with Sweden. Not everyone comes in Donny Montell, and not everyone can capture that lightning that was Ieva. For me, I’m starting to run to the end of what I enjoy from a year that I found myself very ambivalent to. So what happens to a mid-level song? It either stays in the semifinals or occupies the right-hand side of the scoreboard on the big night. While I’d like this to be the latter, I think most people are voting for the former.

16. Czechia – Lake Malawi

I don’t think this song has ever been an instant listener in my mind. I think most people felt that way, too, and then we saw them perform this life. The great debacle that was Vidbir this year had at least one lasting effect – people were looking at Lake Malawi in a whole new light. It’s been said since that this song is at it’s best when it’s played live, and I concur. The lead singer is fun and engaging as he bounces around the stage, masking most slights against the song. They have a passable shot at making it through to Saturday, but I won’t be surprised if they didn’t. It would be nice for the Czechs to get another W under their belts to continue the momentum, as I truly hope we don’t have another national final like we did this year again. My main complaint with this is the spoken word bit, which goes way deep into a natural-for-him, but stereotypical English accent. She was my neighbor….cringe.

17. Belgium – Eliot

Belgium is not in an altogether different situation from North Macedonia. What seemed like a surefire plan to make it to the final letting young talent be themselves worked aces from 2015 until last year. Maybe it’s a case of an artist getting in their own way? I think we’ve seen a bit of that this year. (cough, Russia, cough) This has all the makings of a Dunc Laurence. The same formula is there. They do end up very close in my listing, so I feel the two are quite similar, but I think most of Europe doesn’t see this on the same level, which is why I feel like I do about the Netherlands’ higher profile with a similar song than their neighbor. Eliot’s song was one that I really liked straight away. I got Sennek vibes. Blanche vibes. Then it became my stoners award of the year. It’s fallen the most in my rankings since it started. Probably a good 10 spots, and I really can’t explain why. I still find myself singing it. I find myself replacing words to it. I came to pie, I cam to pie, for prune. Too much July, too much July, need June. The earworm quality is to the song’s credit, actually. Then I see the odd outfit of Tjrintje proportions and I just think, oh, this is going the way of Sennek. It’s a fairly open year, so maybe it will be fine, but I think Belgium needs to add some Swe-polish to their acts to get back to Loic-levels of success.

18. Montenegro – D-Moll

Guilty Pleasure, Pt. II. The 90s are back, baby! Pretty much anything I said about Zina applies here. It’s not of this time, but I like it. I like the voices and harmonies. I feel like it’s refreshing to Montenegro and I wish this would get a bit more support than it deserves, but the Eurofan vitriol turned on this the second it arrived, preferring another hash of Balkan ballad or another Slavko. Personally, this probably sits Top 3 from Montenegro for me, and I think I will just have to be satisfied with that.

19. Moldova – Anna Odobescu

Guilty Pleasure, Pt. III. This is probably more of a 2000s Eurovision song, but there’s a reason people were singing them then. They worked. Now, you could get into the issue of past tense there, and I will spot you that it is in my 19th position. This is also normally the last song I know that I will probably continue to listen to this year. I think this is better than Moldova’s 2016 run at this same type of song, as I think Anna has a much more powerful voice than Lidia, and there were enough people that raved about that one, too, so I don’t get the hate on this. It goes back to the same thing I said about the music industries and song makers. Some countries have a leg up on that. Others do what they can. The singing talent is no less, and probably more in a lot of cases, but it’s just hard to do Sunstroke Project or DoReDos every year, and both of those songs were a bit retro in their own ways. So this is really about the fans and their conglomerated attachment or lack thereof to songs each year. If you can live with a “Fuego” 2.0, surely a “Je n’ai que mon âme” or “Il faut du temps” 2.0 is ok?

20. Israel – Kobi Marimi

The only that comes and goes for me. I was very interested in Kobi winning Rising Star. I was very interested in what he was going to do for Eurovision. I’m still very interested in what he does next. What he’s done here? Well…..I know he really believes in it. (See Eliot, See Sergey) That’s half the battle, I imagine. His voice is the thing that captivates through the bulk of the song. The actual penned lyrics do nothing with little simple melodies. It’s very music theatre, and I think it was supposed to be that way. However, I loathe most music theatre, so this was always going to be a hard sell for me. Kobi is such a personality though. He’s probably the most likeable candidate this year, and would probably win Mr Congeniality by a landslide, so I keep coming back to this to give it more time. What usually stops me is that note. That note that should be the epic climax of the thing that you anticipate hearing, fills me with a kind of dread. It’s so jagged. So unpleasant on my ears. Maybe I will be able to overlook it at some point. More than anything I think this is a simple misstep in editing. I feel like what makes his voice unique can be used in many ways going forward, that this really is just a stepping stone for his talent.

Most people reading this will have been wondering where the next section of songs has been as contained within are some of the year’s favorites by the masses. I speak English. I’m not Republican enough to expect that all of Europe does too, but I am spoiled for choice when it comes to songs to listen to and new music in a native tongue to encounter for the first time. As such, foreign language songs are not ones that I will go back to often, barring some exceptions. A lot of acts come to Eurovision feeling like they must sing in English, but they can’t hold a conversation in the language. The rule for me is, sing in whatever language you feel will bring you the best result. If that’s English, joy for me. If that’s Montenegrin, go for it. Back in the day, Eurovision artists recorded multiple versions of their songs in a variety of languages. English, Danish, Norwegian, Swedish. English Italian, French, German, Spanish. Whatever. I am continually mystified as to why that isn’t a commonplace activity now. If you can give thousands of people an opportunity to hear your message at a native level, I can’t see that harming your chances at the contest. If nothing else, sing in Serbian and record an English version that an English speaker can essentially sing to in their head as you perform the Serbian. Hvala YAY!

21. Spain – Miki Nunez

I loved how most people moaned at this when it was first released and now that the year kind of tanked, they’re like, yeah, it’s alright. So fickle. So eager to follow. I liked “La Venda” from first listen. Miki is fun, the song’s vibe is infectious. The OT performance was engaging. I could do without the Lo query bits towards the end, they just always sound off to me, but I’m gladly hitting replay for another listen. I keep thinking that this is probably one of the easiest of the year’s non-English songs to translate, and I so wish we would get a recording of an English version, but alas, knowing some Spanish, I can still put this top of this section. If I were to put this mixture into the rest of the songs, it would probably be in the top 7 for me.

22. Italy – Mahmood

So moody! Another example of a song I want an English recording of STAT! Italy never comes through in that regard since they have returned. So what is, a masterful slice of music that is artistically unique to it’s maker that conveys the emotion behind the lyrics to some extent. It’s all very cool. Mahmoud is cool. Mahmoud has another song in English, so I really wish we’d get one here. It would probably be a contender for my top place, as it is, it’s probably the top contender of the Non-English songs this year, and if we go to Rome next, so be it.

23. Iceland – Hatari

There’s no way we’re getting an English version. I know this. I still can’t completely work out their concept and the meanings behind it. Is it ironic? Sardonic? I suppose it’s really up to each listener to decide. That said, I really completely enjoy this. Very unique for all of Eurovision. Striking. It invokes a very specific emotion and twirls your eyeballs with visual delights. I can’t imagine this not at least being the most reacted to a performance by casual fans. I don’t think it has a snowball’s chance in hell of winning, but I do think it will bring Iceland back to the final and do well enough for them to go down in the history books for any number of reasons. This too would also feature in my top 5-7 given some native linguistics.

24. Albania – Jonida Maliqi

Albania already got a pass with an Albanian song last year. Eugent Bushpepa was my tie for first. This is quite a cinematic song, and I do enjoy it. I just have usually gone back to the English ones by this point. I will say I was hoping Albania wouldn’t revert to type so quickly after switching things up last year. I know a lot of people are happy to hear Albanian back in the mix and that’s cool, I just wish they would have spent the time to record an English version when they were doing the revamp. That would have me totally on board.

25. Croatia – Roko Blažević

Repetitious, yes. Sung well, yes. This has been one I keep going back to in terms of trying to suss out if I like it or if I don’t. Hard to comment beyond what has been said about countries, artists, and songs that maybe don’t have all the resources to get built, but this will at least be on point vocally the night it’s sung. I wouldn’t imagine this is going to have a second pass, but I won’t hate it if it did.

26. Australia – Kate Miller-Heidke

Another one I can’t figure out if I like it or if it just annoys me. Everyone was talking about the national selection for Australia and how it was so gone, so I went and listened to the songs and lo and behold, the one I liked best didn’t get picked. This was a strange duck too, but the operetta did nothing for me in 2018, and while this is in English, I just find myself hunting down the next button. I commend Australia for doing a national selection and for the high bar they did set with it. I think Kate will make it to the final, keeping Australia’s streak, while small, intact for another year. It’s just not really my thing. My lowest Australian entry ever, and really, I’ve liked everything else.

27. Malta – Michela Pace

The song itself is far and away from the best, most modern, most competitive thing, Malta has done since at least Ira Losco 2.0, and probably for some time before that. Maybe ever. It sounds like it could be a worldwide summer anthem. I just don’t like Michaela’s voice on most of it. The staccato vocal histrionics are too much for me, and despite giving this my all to see if I could keep it in rotation, from here on out, nothing will make it. I do think Malta will be back in the final, it will be justified. All will rejoice, and we’ll see what happens next year. Looking forward to see what this girl does next.

28. Serbia – Nevena Božović

I was actually expecting an English version. Normally Serbia comes through with this. Beauty Never Lies had like 4 different versions. Nevena’s offering is to “Ktheju Tokes” as “Wake Up” is slightly inferior to “Arcade.” Both kind of occupy the same headspace and favorite Eurovision pastime, ladies in dresses, screaming. It’s a nice offering from Serbia, but safe. I didn’t like their 2018 entry at all, but what they reduced in terms of WTF, they lost in terms of uniqueness. She sings it very well. This is a borderline qualifier if it can qualify at all.

29. Slovenia – Zala Kralj & Gašper Šantl

I admit to missing the boat on this. I can get on board sonically with the minimalist electro sound, but that’s probably all I can say for this. I know a lot of people adore this tune, so I’m not sure what its chances are. I didn’t think “Hvala Ne” was going to make it last year, but it was fun on stage. This on stage was a miss for me. I don’t hate it, so I’m just kind of left scratching my head over the whole affair.

30. Portugal – Conan Osíris

What I like: It’s so weird. What I don’t like: the rest. It’s visually something to behold, and I’ll definitely be watching the artistry on display the night it rolls, but while other people think this is a sure thing for the final, I think this is probably doing Portugal pre-2017.

31. France – Bilal Hassani

France and I don’t get along. They always want French. I always want English. Most years we don’t meet at Amir. While Bilal is a fascinating artist, and I want to see more from him, the song does little for me, despite its duo-linguistic properties. I don’t see this as an inferior Rise Like A Phoenix, and I don’t even think that was Conchita’s best song. He has the potential to be a huge star, you can just see it dripping off him. It was chosen so early, that I think this really got lost along the way, as most of the Big 5 are want to do most years, aside from Italy. I hope he can really put on a great performance to propel himself in his career, but this song was kind of DOA for me upon arrival.

32. San Marino – Serhat

I sure wish I had Serhat’s bank account. Sigh. I didn’t like “I Didn’t Know.” What I will say about “Say Na Na Na” is that it’s better than “I Didn’t Know.” Serhat just brings a sense of joy to the Eurovision stage. It’s fun. I admit it. I can sing along with it after 1 listen, despite not wanting it to get stuck in my head. Could we use this in the final this year? Yes. Would I be happy for San Marino? Yes. So that’s that.

33. Austria – PAENDA

With striking electric blue hair, you bring us “Limits.” I was not prepared for “Limits” from seeing the visual. Nope. It’s a breathy vocal with a lot of emotion, but I don’t find it moving in any way that one should rank it higher for me.

34. Ireland – Sarah McTernan

This girl has a truckload of personality. Even her voice is engaging without even trying. It’s a matter of liking that voice though. It’s a husky, husky voice. In 2016 we had a ton of males with low, low, gravelly registers and I liked one. The song is simple, but kind of an album mid-tempo track. I was kind of hoping Ireland was returning to form after such a nice package from last year’s Ryan O’Shaunessey, but I don’t see this making much of an impact this year.

35. Hungary – Joci Pápai

So soon. Just one year away and he’s back. Joci had a catchy hook in his 2017 song that went a long way for him. This has a bit of that, too. People like this. They like this from Hungary. I don’t. I’m just curious if the people like it enough to vote for Origo 2.0, as we can see many people don’t like a similar sounding entry, even if they think the original is good.

36. Latvia – Carousel

It wouldn’t seem possible to take “Limits” and strip even more out of it, but that’s kind of what Latvia did with this doozy. I’m sure the band is fine in their local outdoor festivals, playing the local Latvian fare with flair, but this is not something that should have ever been sent to Eurovision. Return to sender.

37. Germany – S!sters

Germany takes the tempo up a bit from Latvia’s stillbirth, but the tempo is not enough to awaken this ho-hum entry from the Big 5 giant. I’m very confused as to how you can go from Michael Shulte to this. From earnest emotion that cut to the core of a viewer to overwrought forced banalities about sisterhood. There’s like a million sister songs out there you could have aped for a 2.0 that anyone would have been on board with. The voices are there, but the song isn’t. It’ll probably be the last place for the Deutschters again this year.

38. Georgia – Oto Nemsadze

Georgia is so weird for me. When they are good, I just love them. Then they are bad and it’s like. Whoa. You really went there, didn’t you? I mentioned the 2016 male vocal thing prior, and this is that in overdrive. I’m curious if they were trying to out sexify Serhat with his low and gravelly? I stand in bewilderment of this song. I only don’t place it lower as I don’t know if I should be excited scared by it or excited? At least I’m feeling something other than hatred. Speaking of which…

39. Denmark – Leonora

It’s like Austria 2016 all over again. So sweet! So French! Ugh. It’s like if you took all that was Baby Spice and turned it up to 100. The caricature of sweet innocence. Maybe the world is too jaded, but we have nice, fun songs in the competition this year, but they aren’t as cheese spread like this. The high notes are what kills this for me. Like grating metal on glass, I lost this mostly inoffensive song and never want to return.

40. Poland – Tulia

It’s just so shrill. If this didn’t have its roots in folklore, it would most definitely be my last place. The girls can harmonize, at least. It’s not in a way that I want to listen to. I always wonder how some people prefer this harmonization to that of D-Moll? That just doesn’t make any sense to me. I don’t really know what happened in Poland this year. I can’t even imagine what this will or won’t do this year. I guess we’ll find out, but my money is on staying in the semifinals.

41. Romania – Ester Peony

It’s too high pitched in places for me. Too much-running scales. Up and down, like randomly plodding away on a piano. I was stunned this made it out of Romania. There were songs that deserved to be on the Eurovision stage, from my perspective, but this is probably the first song that I really dislike listening to this year. I can’t make it through without wincing at the noises contained within. While Poland had a reason to put their screeches together, I don’t think Romania has the same pass and so to me, this is the worst song of the year.

What do you think? Do you agree with Derrick?

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text:
The countdown is on— less than four weeks until Chanukah.created at: 2010-11-04

Ever since ever, my parents, at Chanukah, have rolled out an ancient mimeographed booklet that they use for the blessings, songs, and readings.  The booklet, called How to Celebrate Hanukah at Home, was published by United Synagogue and compiled by Rabbi Albert I. Gordon in 1947.  Along with the paper candles and other unique-to-the-family traditions, the book is an integral part of my Chanukah identity.

In the middle of this old, old manuscript, is the following song.  No one else I have ever met knows this song or the melody, but we belt it out proudly each Chanukah.  It is, unquestionably, one of the highlights of Chanukah every year.

(To the melody “Der Rebbe hot gevizen vunder”)

O Listen to an epic song

It is a lovely story

Of how a lady Maccabbee

Won everlasting glory

Antiochus Epiphanes

Profaned our holy temple

For bad and bold he quenched the light

Of our menorah Lempel

He told the Jews they’d have to eat

Profane non-Kosher dishes

And if they did not, they would die

A victim of his rishuss

No Kosher meat- no Kosher fowl

It really was quite awful

‘Til Mrs. Maccabbeus peeled

And ground up some kartoffel

She mixed them well with olive oil

And baked it in a platter

And so despite Antiochus

The Jews kept getting fatter

And now each Chanukah we eat

This fill of latke treasure

And thank the Lady Maccabbee

For giving us this pleasure

Only a few understand the words kartoffel, lempel, or rishuss.  And I openly wonder if there are extant recordings of the song “Der Rebbe hot gevizen vunder” that gave this song its tune, as google returns no results for the song title.

If you know anything about this song, let me know by posting a comment below.  In the meantime, I’ll continue to sing it with my kids and pass it down to them as a perennial Chanukah gift that will keep on giving.

This post has been contributed by a third party. The opinions, facts and any media content are presented solely by the author, and JewishBoston assumes no responsibility for them. Want to add your voice to the conversation? Publish your own post here.


text:
Talk:Filter Applications

From Valve Developer Community
Jump to: navigation, search

I'd quite like to remove all entities of a certain class (i.e. npc_combine_s) from an area of my map. There's potentially quite a few of them, all with different targetnames - can a filter be used for this? Or will I have to create a giant logic_relay with a Kill output for each targetname? Thanks in advance for any ideas! --Cargo Cult 08:55, 16 Jul 2005 (PDT)

I think you can just use the classname of the entities in the Kill output of an entity to do this. --IanL 11:35, 17 Jul 2005 (PDT)
Only if you want to kill off every npc_combine_s in the general level. If you just want to kill them all off within a particular area, and they all have one shared targetname, you can work it with filtering by targetname or using outputs with that targetname. If they all have to have different names, then you'd be best off manually killing each. --RabidMonkey 12:13, 17 Jul 2005 (PDT)
Ah, I missed the part where he said "from an area of my map". Yeah, you're right, using the classname in an output would kill all of the NPCs with that class in the level. Another way to do this is to cover the area with a large trigger_hurt. Then add a filter_activator_class with the class of npc_combine_s. Start the trigger_hurt disabled. When the trigger_hurt is activated, any combine inside the trigger will take the damage. This will actually kill them, unlike the Kill input, which makes them instantly disappear. A SetHealth 0 input should do the same thing. --IanL 12:30, 17 Jul 2005 (PDT)

I hadn't realised there were replies here (d'oh!) so I went for the giant logic_relay in the end, but the suggestions here sound very useful for future stuff. Thanks! :-] --Cargo Cult 04:05, 20 Jul 2005 (PDT)

Shame i didn't see this earlier but you could use a filter. Use a trigger_multiple filtered for npc_combie_s only. Then you have the trigger_multiple with the condition OnTrigger !activator Kill. Seeing as only npc_combie_s will trigger it they'll be the only !activators and thus the only ones removed by the trigger. --Angry Beaver 10:52, 24 Jul 2006 (PDT)


text:
Google Pixel 3a

Google Pixel 3a

Android 10.0

I can't use the internet connection on my Google Pixel 3a Android 10.0

We have found 4 possible solutions to your problem.
Before you start this troubleshooting guide you need to check one important thing:

Can you make a voice call?
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Why do we ask this question?

It's important to find out if you can make a call. If you can't make a call, you need to solve this problem first. When the problem is solved, you will most likely also be able to use your phone's internet connection.


text:
Everything You Need to Know About Surfing in San Sebastian

One of the best beaches in San Sebastian for surfers is Zurriola Beach, a fun and youthful hangout with great waves.

Spain’s northern coastline is famous for its magnificent surfing spots, and what makes San Sebastian even more unique is that it’s one of the few places in the world where you can find amazing waves right in the heart of a lively city.  This allows you to combine surfing with other amazing things the city […]

How to Enjoy San Sebastian in February 2020

The Inudeak eta Artzaiak parade is one of our favorite festivals in San Sebastian.

This blog post was originally posted on January 9, 2019 and was updated on January 15, 2020.  The weather may be cold, but with so much going on in San Sebastian in February, you’ll hardly notice the chilly temperatures. After all, you’ll be busy getting immersed in authentic cultural events, spending quality time with your special […]


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We usually hang out with our friends in a drink & games bar where you can get fun while you play your favourite table games with your friends. This year, some of our group friends are abroad doing an erasmus and we missed a lot the evenings playing board games, so we decided to built one of our favourites table games (King of Tokyo) inside telegram.

What it does

King of Telegram is a bot inspired by the original game King of Tokyo. In this game, you fight against other players in order to get the control of Tokyo! :D

How we built it

The setup was simple, just a NodeJS server coded entirely in JavaScript and the Telegram API was pretty straightforward.

Challenges we ran into

One of our members has never worked with NodeJS and also for us it have been the first time building a Telegram bot.

Accomplishments that we are proud of

We build our first Telegram bot and it works! :D.

What I learned

Coding in JavaScript and using the Telegram API.

What's next for King of Telegram

A big refactor and a ton of new features.

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