text:
Thinking About A New Videogame Console?

If you’re a parent, then do not ban online sex games completely from your children’s life. In fact, some cartoon sex games comprise information that is enlightening for your son or daughter. Instead of educating your child, it’s impossible for them to play hentai porn games, encourage them to play fun and educational video games by acquiring the games to get these.
Check the adult games online evaluation ahead of you let your kids play it. You will find some sex games online using an”M” (or even 17+) evaluation as a result of violence, medicines, as well as other illegal content. Young kiddies should truly not be enjoying these games. Children who are vulnerable to those games can experience behavioral adjustments and nightmares.
Look closely at how much money your adolescent is paying on sexy games. These products aren’t affordable and there’s often the option of shopping for more add-ons inside the game itself. Establish regular monthly and yearly limits on the sum of money that can be used best porn games. Additionally you have discussions with your kiddies concerning budgeting.
Stick to the ESRB instructions to identify which matches might be played with the youthful members of your family. You are able to even set your computer keyboard to not play with games in this specific rating, if you desire. It is your job to keep them gaming in a healthy method.
Save your game as far as you’re able to. Although auto-saving is a wonderful attribute, but don’t rely on it. Especially, whenever you initially start playing a match, you may possibly have no idea once the game saves, that could result in a loss of important data in the future. And soon you understand the sport better, always save .
If buying games for your kids, take into account your own interests. There are enough sex flash games out-there now that your own daughter, who enjoys ponies, may find an enjoyable match just in addition to your son, that likes army matches. Browse the gambling shop and have the clerk to get gambling advice for a lot of passions.
Be aware of the addictive nature of gaming, while it’s you or someone, you adore constantly in the games console. Even though games can be great pleasure and even provide a few enlightening, they truly are by their very nature an addictive activity that may so-on over-take anyone’s lifetime. Know the symptoms of addiction and see out to these!
If you are worried with anybody on your house accomplishing an excessive amount of binge video gambling time, then make them include greater active video gambling hrs. Hardware and titles currently exist at which online porn gamesrs could play a variety of athletics, dancing, clinic balance and ease and maybe even strength-train. All these cause good activity on black or rainy times.
In the event you and your son or daughter possess a long road trip beforehand, bringing together his handheld sex flash games can support your son or daughter pass some time away. Car trips can be hard to your kid, and also whatever may make his trip more pleasant can give him a better experience. Just make certain setting ground rules and time limits upon just how long he spends .
Try a demonstration of any match you are contemplating. This can enable you to select if the game is suitable foryou. That explained, utilize warning before downloading something from the Internet. Be certain you only down load out of renowned internet sites to avoid computer problems.
It isn’t important if you turn your game on for fun, learning or training, one particular thing is sure: it really can make significant developments in just about what you are doing. Whether you’re looking for an improved learner, fighter, soldier or enterprise proprietor, there isn’t anything matches can’t instruct! Hopefully this article helps you attain new heights on your playwith.
Establish firm limits on how much time your children can spend playing with online sex games. Help your child understand the other hand of investing endless hours in front of a computer system or a TV. Offer other interesting tasks to give your son or daughter a rest and invite your youngster to own an assortment of pursuits.
If it regards games that demand skill, do not use too lots of cheat codes. Applying cheat codes defeats the entire intention of participating in the match. By using cheat codes along with other tricks for sport matches, you also can get more from your playing experience.
Bought a new gadget? Test it as soon as you get house. Make certain all the outlets operate even in the event you usually do not plan on plugging more controllers or cans. You’d hate to desire to work with a specific characteristic simply to figure out way too late it will not do the job.
Video gaming features some thing for everyone, practically. The digital universe can be utilised to direct you in straight a student or top-notch soldier, and what between. Have a look at the recommendations within the subsequent article and learn more on the topic of the manners video gaming can improve your life.
Spend quality time with your own children by taking on a best porn games that you enjoy. Many kids really enjoy playing games onto their computers and video consoles. There is too much to find out playing with adult games online. There are numerous education-related titles and games that focus on hand-eye coordination.
Today a lot of the absolute most popular and enjoyable games out there are available free-of-charge. Be aware that developers scarcely create these matches from the goodness of their hearts. Figure out where by they mean to generate a revenue, i.e., the way the game motivates you to spend money. No matter whether or not such games really are worth your hard earned money is the decision, nevertheless, you must comprehend the mechanics which is intended to produce the game worthwhile.
Keep track of the matches your child is taking part in with online. Certain games possess a fluctuating ESRB rating, which means they can not start away at one degree and move to another. Some games may comprise the aptitude talk, as well as a lot of these enable the player customize characters in a lot of manners. It’s essential that you make sure your son or daughter is safe when gaming on the web.
Even if you experience an aversion to making use of cheat codes or even walk in throughs using hentai porn games, you may discover only a minor of re-search useful with various varieties of games. Role playing and strategy matches, particularly, extremely complicated strategies and tactics. Do not feel bad about looking the info that you will need to master these complex gaming movements.

This entry was posted in Hentai Porn. Bookmark the permalink.


Content-Type: application/http; msgtype=response

WARC-Identified-Payload-Type: text/html

WARC-Type: response

text:
Thursday, 02 Jun 2011

Written by Rabbi Janet Darley

In this parashah, the Israelites are in the wilderness— both a physical journey and a metaphor for a spiritual journey.  As their journey unfolds through the book of Numbers, they seem far away from the vision of the holy community set out in Leviticus. Immersed in the reality of life, they struggle to preserve some version of communal cohesion and sanctity as they grapple with the challenges they face. As this book continues, there will be challenges to Moses’ leadership, loss of trust and faith and their resurgence, much complaining, fear of the unknown and an often-expressed wish to return to the known, and now idealised, mitzrayim.

With its opening census, its discussion of the sotah ritual, its setting out of the rules for the temporary nazir and its listing of the gifts brought for the dedication of the altar, one could wonder what parashat Naso offers to warrant our attention today.

The common link among at least some of these disparate subjects is the maintenance of the sanctity of community. In chapter 5 we encounter methods to protect the community from physical and spiritual impurities which pose threats to its sanctity. Those who have become physically impure via discharges, eruptions, or contact with a corpse, and those who transgress must be prevented from contaminating the rest of community.  In contrast, chapter 6 devotes itself to the role played by people in enhancing the community’s sanctity. Here we find the discussion of the nazir, a lay person who devotes him/herself to God’s service for a period of time.1

In chapter 5 we have the description of the sotah ritual, the trial by ordeal faced by the wife accused by her husband of straying. This ritual can appear quite abhorrent to modern minds and it is hard to find much to be gained from reading about it, though it is useful to occasionally remind ourselves that there are troubling sections in our own Scriptures which we must confront. In this section we seem to have a classic picture of women as a potential source of communal contamination. Yet in chapter 6 we also find the potential for a woman to take a nazirite vow and thus became a model of devotion in her community. Naso offers us at least a glimpse of a breadth of roles for women in ancient Israelite society.

It is also in Chapter 6 that we find the “Priestly Benediction”, perhaps the most familiar words in the Book of Numbers:

יברכך יהוה וישמרך:

יאר יהוה  פניו אליך ויחנך:

ישא יהוה פניו אליך וישם לך שלום:

“The Eternal bless you and protect you. The Eternal deal kindly and graciously with you. The Eternal bestow [divine] favour upon you and grant you peace” (Num. 6:24–26).

It is these words which commentators through the years have suggested were the ones uttered by Aaron in blessing the people (Lev. 9:22). They have found their way into our liturgy in various places. Sometimes this blessing has served as a remembrance of the function of the priesthood, as the kohanim of a community rose, lifted their hands and recited it. In most Progressive communities, this practice later moved from the hereditary priesthood to the rabbi.  I have never been comfortable with the idea that rabbis are somehow modern-day equivalents of these ancient Temple functionaries, but these words do have a special resonance.

What have traditional commentators made of this verse?  Rashi suggests that the first clause of the blessing is a prayer for people’s property to be increased and for them to be protected from physical danger: from thieves who might come and steal their property. Rabbi Dr. J.H. Hertz offers the following: “May God bless thee, with possessions and keep thee, from these possessions possessing thee.”2 This appears to be based on Numbers Rabbah 11.5 and notes the spiritual danger riches can pose to those with them. In contrast to this cautionary note, Sforno offers the possibilities opened to us by material wealth, by noting that it allows us to more easily live a life devoted to good deeds and study.

Like the ancient Israelites, we also grapple with the challenges that the reality of our lives poses for the cohesion and holiness of our communities.  To be a kehillah kedoshah requires a lot more than a blessing from a priest or a rabbi. It requires the conscious effort of all its members to use the means with which we are blessed to live lives devoted to building the communities in which we live.

Rabbi Janet Darley
South London Liberal Synagogue
June 2011

1 The Torah: A Women’s Commentary. Dr. Tamara Cohen Eskenazi and Andrea L. Weiss eds. (New York: URJ Press, 2008)

2 The Pentateuch and Haftorahs. Second Edition, Dr. J. H. Hertz ed. (London: The Soncino Press, 1973) p. 595

The views expressed in this D’var Torah do not necessarily reflect the position of Leo Baeck College.

warcinfo:
isPartOf: CC-MAIN-2021-31
publisher: Common Crawl
description: Wide crawl of the web for July/August 2021
operator: Common Crawl Admin (info@commoncrawl.org)
hostname: ip-10-67-67-216.ec2.internal
software: Apache Nutch 1.18 (modified, https://github.com/commoncrawl/nutch/)
robots: checked via crawler-commons 1.2-SNAPSHOT (https://github.com/crawler-commons/crawler-commons)
format: WARC File Format 1.1
conformsTo: https://iipc.github.io/warc-specifications/specifications/warc-format/warc-1.1/


text:
Ctbt essay

  • Share this post:
  • Ctbt essay - Facebook
  • Ctbt essay - Twitter
  • Ctbt essay - Google+
The CTBT forbids all nuclear weapon test explosions and all other types of nuclear explosions. The purpose of the study was to distinguish the critical steps of the negotiations that resulted in the success of the CTBT. Based on these insights, my intention was to identify relevant events and actors in the process around the Fissile Material Cut-off Treaty FMCT , which has been on the nuclear disarmament agenda for over a decade. Furthermore, my ambition was that the examination of the CTBT negotiation would give me some clarity in what the next step would be to get the FMCT back on track. By using the method of process tracing I intended to achieve the purpose of the essay. I found that the examination of the CTBT process was very helpful in understanding the complexity of multilateral negotiations and that it is not always possible to reach an agreement through completely fair deals.
gst essay english pdflong write 6000 word essay

Free Essays on Essay On Ctbt

resume writer sites auhenry ford school essayresume mechanicsliterature review on bioremediation

Comprehensive Nuclear Test Ban Treaty - INSIGHTSIAS

Certainly glad you - explore the body paragraph essay for my stories case. Allows your topic that their work in zoos argument. Article a short essay? It's about the mahi-mahi. Topics for a thesis a good gp essays are: topics: essay on physical ones.
essay on ajanta caves in telugubest cheap essay editor services gbdoes lafayette college require sat essay

Can you write an essay in first person for podium presentation

Your Health and Managed Care. Helen Burns, book - jane eyre. Ctbt essay essay on republic day essay.
type my theater studies critical thinking
How to end a relationship essayannotated bibliography table of contentsmobile phones advantages essaybest thesis ghostwriters for hire for masters
Dubykky has always was charged for refutation to be uploaded to both their essays. Aims to publish dermatology, example topic counter essay writing is a lot of the market need further guidance. Plena consulting fee and concise and notion that take example: true biography observations, you want real world.
write popular creative essay on presidential elections
Popular Article Topics
All сomments(13)
  1. [MEMRES-18]❿❽
    Ian F.03.05.2021

    Thank you Brando for giving me the tools to write my own.

  2. [MEMRES-28]❿❽
    Brian W.03.05.2021

    Love it! I learned a lot and gain much more confidence in my writting!

  3. [MEMRES-38]❿❽
    Michael C.04.05.2021

    Sorry I didnt write this earlier, really, I had no time for that, but now, Im so happy to tell you about all that stuff you helped me with and how grateful I am for keeping me updated on progress, posting on my college dashboard for me, and making all necessary replies and so on.

  4. [MEMRES-48]❿❽
    Joseph C.04.05.2021

    Her voice, tone, interpretation everything is nice! Never felt bored in the lessons.

  5. [MEMRES-58]❿❽
    Sho-ban S.04.05.2021

    The customer support was exceptionally good and all my orders was completed on time without any troubles and problems so forth.

  6. [MEMRES-68]❿❽
    Rubens Z.04.05.2021

    Is there a person who has worked with this company? I stumbled upon it and gave it a try, it is so cool.

  7. [MEMRES-78]❿❽
    Kevin J.05.05.2021

    The writer managed to complete the order some hours before the deadline so I could log in and see my results.

  8. [MEMRES-88]❿❽
    Phill C.07.05.2021

    They made a great deal of proposals that are useful for me to change my exploration paper.

  9. [MEMRES-98]❿❽
    Malik T.07.05.2021

    Thanks to the service.

  10. [MEMRES-108]❿❽
    Ernes K.08.05.2021

    This course is a must-do for any student.

  11. [MEMRES-118]❿❽
    Jr. J.08.05.2021

    Tried this service a couple of times.

  12. [MEMRES-128]❿❽
    Miguel Z.08.05.2021

    Thanks for all.

  13. [MEMRES-138]❿❽
    Frank M.08.05.2021

    Club provides professional help to the seekers.

Comment on


text:
< Back to All FAQs

Do the Nutrisystem diet foods contain peanuts?

Yes, some Nutrisystem® entrees and desserts contain peanuts. Anyone who has a peanut allergy, whether mild or severe, cannot be on the Nutrisystem® weight loss program.

You May Also Like:
The 15 Most Popular Nutrisystem Lunches
The Skinny on Nutrisystem and Sodium


text:
7 Wastes of Change Management

In manufacturing and software, "waste" is considered to be a bad thing. But what about change management? Is something that is more unpredictable and uncertain affected by the same types of waste?
September 29, 2014
Jason is the author of Lean Change Management and founder of the Lean Change Management Association and Spark the Change Toronto
Change Agility by Jason Little

Get our latest publication, Change Agility – A guide to help you think about change management differently by Jason Little.

“But I said we should do this change months ago!! Why don’t you people listen to me?”

You may have heard this while working as part of a change, or you may have thought it yourself. I used to get frustrated when I *knew* a change was the right one to do but no one else did until someone else brought up the same idea…months later. Sometimes I still do, but I think since I’m older now I expect this to happen, so I don’t worry about it as much as I used to.

Sometimes it simply isn’t the right time for a change. If you’re deeply attached to feeling it is the right time, you might feel it’s wasteful to work on something else because other people don’t feel it’s the right thing to do.

Waste is a tangible problem in manufacturing. If you’re familiar with the 7 wastes of manufacturing, it’s pretty easy to see the impact of waste. It’s also fairly easy to measure the financial impact of waste when it comes to physical goods.

So what about software? Mary and Tom Poppendieck related the 7 wastes of lean (or 7 wastes of manufacturing) to the 7 wastes of software development. Seeing the impact of those wastes are less tangible when compared to manufacturing. Take inventory for example. You can see stacks of inventory in a factory. You can’t really see the impact of supporting multiple branches of code due to un-finished features.

Comparatively speaking of course.

You can visualize that problem with big visible information radiators or even by using big TVs showing the output of code analysis tools, but generally speaking, the impact of seeing a big pile of inventory collecting dust is a much more powerful visual that can provoke action.

What about change management? Is there a concept of waste in change management? All of the work in change management is in our brains!

Manufacturing: The work is physical, it can be counted and put on a balance sheet.

Software: The work is partially “physical” (IE: releasable software, hardware needed to run the software etc) and partially in our brains (IE: technical debt. Yes, you could argue that’s physical as well but generally speaking it’s a mis-understood metaphor that can be difficult for developers to verbalize into something meaningful that business people understand)

Change: The work is all in our heads…well, except for that fancy Sharepoint site that has a diagram of cool looking pillars that no one is looking at!

Are there equivalent wastes in change management? If so, can we do something about them? Check out this Slideshare to find out!

  1. Tom Henricksen

    “Waiting is good!” is so simple but, we all have seemed to learn the trait of “looking busy.” This reminds me of reading Eli Goldratt’s “The Goal” and gaining a lot of insight into the lean manufacturing world and how it relates to software. Excellent article, I will check out the book.

    • Jason Little

      Thanks for the comment Tom. Waiting has become a lost art, there’s such a strong desire to get results NOW I think we change agents often forget that incremental change over time is about the best thing that can happen.

      • Paul Boos

        Systems Thinking teaches you that some effects will be delayed and not have immediate results, so understanding what may have a wait period and what doesn’t is important.

        • Jason Little

          Agreed. The challenge I see is that execs couldn’t care less about what systems thinking says. Maybe they should, maybe they shouldn’t, but their reality is getting results and that can create immense pressure on the change team.

Leave a Reply to Paul Boos Cancel reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Share This


text:
Skip to main content

We use cookies so that Dropbox works for you. By using our website, you agree to our use of cookies.Learn more

How can I support my team's users with Dropbox?

How can I support my team's users with Dropbox?

As your team’s main contact for support, you’re there to help troubleshoot problems that might come up. It’s a big responsibility, but Dropbox Business has the tools you’ll need to keep your team going!

Help, any way you need it

As the first person your team comes to when they have an issue, Dropbox Business has a lot of tools in place to help you solve the issue, from self-support tools like version history and file recovery, to more guided help like the help center and community.

If you’re unable to solve a team member’s problem yourself, Dropbox support is there for you.

We know that sometimes a little human help can go a long way, especially if the self-support options just aren’t enough. Depending on your plan, you’re eligible for different Dropbox support levels. Many support tasks are designed for your team members to manage themselves, like password recovery or version history.

Other tasks explicitly require an admin privilege, like contacting Dropbox via phone. And, of course, any admin can email Dropbox Support at any time.

No matter what issue you run into, Dropbox Business likely has a solution for you.

Resources for you

Dropbox has several self-guided resources available to you.

The Dropbox Help Center

The Dropbox help center is a great resource to refer to if someone has trouble understanding how to share a folder or if you need to figure out how to recover an accidentally deleted file. It’s a complete library of content about every product and feature on Dropbox and has troubleshooting content for most issues.

Track down an answer

When issues come up, you’ll need to decide whether it’s something you can address on your own, or whether you’ll need a little extra help from Dropbox support.

I've got this!

What if your team member accidentally deletes a file or needs an earlier version of a file or folder? You and that team member can use deletion recovery or file history to get it back. Either click the (...) ellipsis next to a file and choose Version history, or click Deleted files in the left sidebar.

If a team member isn’t sure what happened, you can check by generating activity logs to identify user challenges. You can run activity logs on the Activity page of the admin console. If that doesn’t work, be sure to check the help center, community, and Twitter for common troubleshooting questions.

I need help!

When you can’t find an answer with the self-guided tools, you may need to contact Dropbox support. If you need to restore Dropbox accounts or if a whole network of shared folders disappeared and it’ll require a mass restoration, it’s worth contacting us. Simply visit the Help page of the Admin console to see the support options available to you and your team.

Choose your path

Think of support as a tiered path—always try the many self-help resources Dropbox offers first, but if you can’t find an answer there, then reach out to Dropbox.

And, if you do need help, the easiest way is to contact us is via the Help page of the admin console.


text:
Do you like this game? What were the best health items that you collected?

Do you or your child need more help with your English?
Average: 4 (24 votes)

I love it !!!

is very beautiful!!!!!!!!!

It does not work when i play on tablet then the controlers disapear :(

Hi HelloHi600,

Sorry it's not working for you on a tablet! I've checked the game on my phone and it seems to work OK. Can you ask an adult to help you? Or can you ask an adult to write to us with more information about the problem and a screenshot?

LearnEnglish Kids team

it is the best game on britich consile

I think this game is more easier than “school run” and I like this game more than “school run” too ! !

I like to play this game

so-so game

Why I can’t control them? There’s no picture to let me control them?!


text:
Turning overhead Chepstow

Lesson 22: Navigation introduction

After many weeks of cancellations due to the terrible weather, I finally got back up in the air recently for my first navigation lesson.  A couple of weeks before hand, because of the bad weather we decided to spend a couple of hours doing ground school in preparation for the upcoming navigation lessons. The majority of the remaining lessons focus on navigation and as you’d expect, it’s not something you’d want to be crap at.

There are so many elements of flight planning to consider before the flight. At first it can seem quite daunting. Here are just some of the things to consider:

  • Weather – at departure airfield, destination airfield and en-route
  • NOTAMs  (Notice To AirMen) – temporary notices and restrictions, you must check for any notams along your planned route
  • Royal Flights – you need to phone the royal flight information line to ensure your planned route doesn’t pass near any planned royal flight (royal flights create temporary restricted airspace you have to avoid – otherwise face an interception by an  F/16)
  • Fuel – how much fuel is required for your journey, including a contingency amount
  • Weight and balance – are you able to fly the planned route with the fuel, passengers and luggage that you are planning to take?
  • Alternatives – what airfields can you divert to if the weather turns bad?

As well as all this, you have the job of planning which route you want to take. This sounds like a fairly straightforward process – and can be – but can get very complicated very quickly if your route is surrounded by complex restricted airspace.

In principle, to plan your route, take your aeronautical VFR chart (map) and draw a straight line from your departure airfield to your destination. This will be the shortest route. Next, look along the route to see if it passes through any controlled airspace, danger areas, restricted areas, gliding sites, parachute drop zones and other potential hazards. You then need to alter your route to accommodate all these things.

Then you need to measure the distance of each part of your route, as well as the angle between each point. Once you have the distance (in nautical miles) and the true heading, you plot them in a PLOG (which is essentially your route, written down on paper). You then need to calculate the heading to fly, and the estimated time taken to each fly each leg. Both these things very much depend on the wind. To do this, you use a flight computer. A flight computer sounds very fancy and technical, but in reality is 1950’s technology – a simple slide rule.

flight calculator
The Flight Calculator – no batteries required!

The flight calculator uses the triangle of velocities to give you a ground speed and wind correction angle, given the wind speed and direction and your intended heading and air speed. You plot the heading on your PLOG, then flip the flight calculator over to calculate how long it will take to fly the distance at that speed. Write the estimated time in the PLOG. Finally, you need to convert from true heading to magnetic heading and compass heading. Magnetic heading is true direction adjusted for variation (you learn more about this when studying for the nav exam), whilst compass heading is magnetic heading adjusted for the deviation of your aircraft’s compass. Got all that? Simple.

So now we have a route, with headings to fly, distances and times for each leg. What about altitude? How do you decide how high to fly?  Firstly, you go back to your chart and  look along each leg of your route. You need to look 5nm either side of the planned track for the highest feature – terrain or obstruction – shown on the map. For example, you may see a wind turbine with an indicated altitude of 1,235ft above sea level.  Or it may be a hill that peaks at 1,354ft. Now we calculate the minimum safe altitude. Round the highest point up to the next 100ft, eg (1235 to 1300). If it’s terrain, you need to allow for a potential obstacle on the top of it (as VFR charts don’t show obstructions below 300ft). So take the rounded height and add 300ft. Finally, add 1000ft to give us our MSA.

Because the UK VFR 1:500,000 chart doesn’t depict terrain below 500ft and obstructions below 300ft, even on what appears to be a clear patch of land you have an MSA of 1,800 ft. This is because you could potentially have an obstruction of 299ft on terrain of 499ft. When rounded up, this gives us 800ft, plus the 1000ft = 1800ft.

We don’t have to fly at or above the MSA, we can safely fly below the MSA in good visibility with clear sight of the surface and of 10km or more ahead. So, why do we calculate it? It’s a safety net, there for us if we inadvertently fly in to instrument meteorological conditions (IMC) for which our licence doesn’t allow us to legally fly. This would be a bad place to get to, but it can happen. If it does, the first thing you should do is ensure that you are flying at or above your MSA. So even if you cannot see the ground or terrain, you know that you are above the highest terrain around you and therefore are not at risk of controlled flight in to terrain.

After learning all this, I planned my first route. We’d be flying in a triangle, from Gloucester down to Chepstow, up to Hereford and back down to Gloucester. Each leg is about the same distance, but with today’s wind they would take 18 minutes, 13 minutes and 11 minutes respectively.

Navigation triangle: Gloucester to Chepstow to Hereford to Gloucester

The principles of navigation rely on dead-reckoning, not GPS. It’s all about timing. Before setting off, you mark the quarter, half and three-quarter way points of each leg on your map. Then when in the plane, you start a stopwatch at the beginning of each leg. Because you have calculated an estimated time for each leg, when you have been flying for quarter of the estimated time, you look on the chart to see what you’d expect to see on the ground. Then you look on the ground and determine whether you are where you expected to be.

You could be somewhere different to where you were expecting to be for numerous reasons – the wind could be stronger, lighter or in a different direction to forecast. You may have accidentally been flying the wrong heading. There are a bunch of things you can do to make corrections but I’ll cover this in another post.

When you arrive at each waypoint in your PLOG, you’re expected to do the four T’s (in order):

  1. Turn – to your next heading
  2. Time – note the time of the turn, reset your stopwatch, update your PLOG to reflect actual and revised estimates
  3. Talk – give a position report on the radio (“Gloucester Approach, G-GFCA, Position Report, turned Chepstow time 44, 2500ft on 1019, Estimate Hereford time 55”)
  4. Task – carry out any other tasks such as changing pressure settings, FREDA checks etc

So after all that theory, time to fly. After checking the airplane (yet another element of pre-flight planning!) we were soon taxying out to the runway…

The sun was shining and the sky was clear - at long last
The sun was shining and the sky was clear – at long last…

After being cleared for take-off, as I entered the runway I had another task to add to my ATPL runway checks (Anti-Collision Light, Transponder, Pitot Heat, Landing Light) – start the stop watch! Soon we were climbing away.

My instructor introduced me to some more checks:

At 300ft – FEL checks:

  • Flaps retracted
  • Engine temperatures and pressures
  • Landing light can go off

Then at 1000ft, RAF checks:

  • Radio
  • Altimeter
  • Fuel pump off

At around 1000ft it’s time to turn to your first heading. After turning on the heading, perform a gross error check to make sure you’re flying in roughly the right direction. Look at the map and the ground to make sure you’re heading the right way.

Everything happened so quickly. Before I knew it, we were at the quarter-way time. I looked at the chart and I looked down below, and we were in the right place at the right time. Same with the half way point. Three-quarter way point was on time too. Finally we reached Chepstow with the Severn Bridges off to our left. I turned to the new heading, noted the time and filled out the ‘estimate’ time for Hereford. I then got on the radio to give my position report.

So far so good, and on it continued until Hereford. We arrived there on schedule and turned back towards Gloucester. However on this leg, we appeared to be to the right of our intended track, so I had to correct for this by turning left. Back on the ground after some reflection, I concluded that I turned too early. I could see Hereford but we were not flying above it. Looking at my GPS log, I actually turned about 2nm too early, so even though we were flying the correct heading, we ended up 2nm south of where we wanted to be. Not a biggie – and useful learning for the future. Make sure you’re overhead the place – being able to see it is not the point to turn!

I then made a standard overhead join and joined a fairly busy circuit. Landing went well.

Here’s a 30x faster video of the entire flight:

Next lesson we’ll be doing the same route, but in reverse.

2 thoughts on “Lesson 22: Navigation introduction

Leave a Reply to Norman Richard Cancel reply

Your email address will not be published. Required fields are marked *


text:
Real Magic: Beyond Harry Potter

Real Magic: Beyond Harry Potter

Harry Potter has actually been all over the news nowadays, due to the launch of the 7th Harry Potter book and the fifth Harry Potter film. It’s definitely no mishap that the 5th film “Order of the Phoenix” came out a week prior to the 7th book “Deathly Hallows”.

It appears to have actually been such a fantastic success, and has worked all the Harry Potter fans into a craze!

There is even a lot of controversy from fundamentalist Christian groups around the fact that these books & motion pictures promote witchcraft and sorcery.

Sadly, in my opinion, the Harry Potter series does not nearly do justice to promoting witchcraft and sorcery. It is after-all fiction, and the elements of using magic are extremely over-dramatized compared to the results of REAL magic, witchcraft and sorcery.

However, the issues are founded, as much of these Harry Potter fans will and probably are looking for the real types of magic use. I think this is a great thing, as much of the worry of witchcraft is based upon ignorance, and not the fact of what it truly is.

Modern REAL witches and Sorcerers are people who typically accept multiculturalism and seek to find out responses to their spiritual questions where-ever answers can be found. These days there are also lots of New Age spiritualists to learn from that are skilled in real magic, witchcraft, yoga, meditation, and psychology.

There is likewise a growing trend outside of the Harry Potter movement that is cluing into what is called the “Law of Tourist attraction”. This “Law of Tourist attraction” when understood and implemented correctly, is absolutely a type of magic in my books.

What most likely comes absolutely closest in the real world to Harry Potter style magic, is psychic ability. There are psychics all over the world, and it is understood to be an ability that can be learned by anyone who studies it vigilantly. Yes, you are psychic too, although you may not have tapped into your psychic abilities yet.

A number of the psychics today can be found practicing numerous kinds of meditation, yoga, shamanism, and other types of pagan faiths.

I must admit that I am delighted to see a renewal of real magic, paganism, and knowledge of other religions. I think the future holds a fusion hybrid understanding of how the world works, and a higher ability for human beings to tap into their psychic capability due to the understandings that each world culture has contributed.

I’m hoping that all those Harry Potter fans will seek to attain magical abilities themselves, and in doing so help to positively change the world with their newfound powers. So I choose to celebrate the Harry Potter movies, the 7 Harry Potter books, and I encourage Harry Potter fans to continue their quest for understanding, knowledge, and Magic beyond fiction.

About the author: White Witch
Tell us something about yourself.

Leave a Comment


text:
German UK FR NL Einkaufswagen (0) Zur Kasse

9W 280mAmp DC 25-34V Compact Constant Current LED driver

PRODUCT CODE - 07425205361375

Normaler Preis £4.28

inkl. MwSt. zzgl. Versandkosten
Product Transformer Catalog

Our Product Catalogs

95 Shop Reviews

Edith       28 Jul, 2021

Lovely lamp, satisfyingly heavy and solid. As someone who gets a headache from direct light, it was great to find a steampunk style lamp with a shade!

Purchased item:

Teagan Cartwright       22 Jul, 2021

Absolutely love this lampshade! It arrived quickly, well packaged and good quality. Easy to fit and adds a modern twist to any room. 100% recommend for anyone looking for a change😍

Teagan Cartwright reviewed Black Geometric Diamond Wire Cage Pendant Light

Purchased item:

Rachel       22 Jul, 2021

The lights are not hung yet - but I ordered one of each style to hang over my kitchen island. They arrived quickly and packaged well - a real bargain and can’t wait to hang...

Purchased item:

sally turner       17 Jul, 2021

such beautiful design and really good quality.....will definitely recommend!

Purchased item:

Ruth Huskison       15 Jul, 2021

Bought 5 of these. Excellent quality for the money.

Purchased item:

Beth       13 Jul, 2021

Very late delivery and no reply from seller when I tried to chase up the order. Pleased with the lights but wouldn't use them again due to no communication and having to stay in 2 days to wait for it to be delivered.

Purchased item:

Compact Constant current 9W 280mAmp DC 25-34V LED power supply / driver / transformer

The constant current LED Transformer/Driver is used to power DC voltage LED ceiling lights.

  • 100% Brand new and high quality
  • LED driver transformer suitable for MR16 / MR11 /G4 and other
  • Power: 9W
  • Input Voltage: AC 110V/230V
  • Output Voltage: DC 25V-34V(Constant)

9W 280mAmp DC 25-34V Compact Constant Current LED Power Supply / Driver / Transformer

This is a Smart switch power supply for converting AC 110V/220V to DC volts with a steady constant current output These transformers output current is constant (it is 280mA for this transformer) and its DC output Volt varies according to its output power.

Technical information:

-Input Voltage: AC 110V/230V
-Output Voltage: DC 25V-34V
-Output Current: 280mA (Constant)
-Watts: 9W
-IP rating: IP 20
-External casing: Constructed from polycarbonate

These Constant current transformers can be used for any device that requires 280mA constant current. We stock a big range of constant current transformers that have different Voltage and Watts output Please check the required input Volts and Watts of the device to choose the right type of transformer.

CE & RoHS certification.

Safe for operating, with fuse for protection, Automatic short circuit, overload, over voltage, protection, over temperature and inrush current protection

Product dimensions:

Height: 23mm - Width: 32mm - Length: 80mm

Buy with peace of mind (3-year warranty)

Please Noted: This Power Supply Unit haven't included installation instruction, wiring cable, on/off switch, or screws.

*Terms and Conditions applied please refer to our terms and conditions section for details information

Delivery Information

  • We will post all items in the most appropriate packaging to ensure that they are not damaged on dispatch. Please allow 7 days maximum for delivery from the date of payment although we dispatched items within one working day after payment is cleared.
  • Due to security reasons, we will only ship to the address supplied via PayPal from where the payment has been received. This is merely a security measure to ensure that eBay members are not potentially defrauded.
  • UK Delivery – Royal Mail 48hrs, Usually 3-5 working days but not guaranteed as it`s not in our hand. The Orders placed before 1 pm are dispatched on the same day.
  • The Paid orders placed for an express delivery option will be dispatched via available Parcel force 24 hours service.
  • We will only send replacement items once Royal Mail confirms the item is lost. This will be 14 days from the date of dispatch. We cannot be held responsible for delays caused by Royal Mail.
  • All our product have been checked and packaged in good condition. If the product is damaged during the shipment please provide a picture to show the damaged part, that is important for us to send out the right replacement &, Our couriers require proof of damage for any potential Claims
  • If any replacements required for any reasons the original item need to be returned before arranging any replacements as our supplier requires the original Item for any replacement.
  • Returns & Refunds
  • We offer money 30 days money-back guarantee. If you are not satisfied with our product, please return it to us unused within 30 days and we will issue a refund.
  • Any return of faulty items we will cover the return postal cost. Please note, if you don’t want the item for any other reason postal charges are paid by the buyer.
  • Any return, please send by recorded post only.

Delivery times can vary depending on destination location. We would advise against booking an Electrician or fitter until you have received all items in satisfactory condition.

    examples of social proof


WARC-Identified-Payload-Type: application/xhtml+xml

text:
Sunday, 2 February 2020

Contemporary/Classic Interior

I've had quite a break over Christmas and New Year but back now and kicking the year off with a project from one of my favourite designers...

Saturday, 7 December 2019

Wednesday, 23 October 2019

Entryway Inspiration

If we want to make a personal good impression we will want to dress our best, this can also be said of the first impression one receives as they step inside our home...

Friday, 11 October 2019

Cape Cod Meets West Indies

Described as "Cape Cod meets West Indies", another fabulous project by one of my favourite design companies.

Tuesday, 10 September 2019

Boho Chic

1.  Image via Mercer Interior

The word, 'boho' may conjure up a riotous mix of colours and patterns, muddle these together in a messy but creative way and throw in some greenery and you may have the boho of the past. However, today boho can be far more chic, in fact.....'boho chic'.

Sunday, 18 August 2019

Coastal Sophistication in South Carolina

"Casual and sophisticated, modern and timeless, serene but colourful" is how the designer describes this relaxed, South Carolina home.


text:
State of the District

SAVE THE DATE: LEEF is co-hosting the 2022 State of the District luncheon featuring Leander ISD Superintendent Bruce Gearing, Ed.D. with the Cedar Park, Leander, and West Austin chambers of commerce.

Watch the 2021 State of the District presentation below. Thank you for learning about and supporting Leander ISD students, teachers, and staff!

Thank You to our Annual Partners!

Diamond Partner:

Platinum Partner:

Gold Partners:

Silver Partners:

Toyota of Cedar Park

Bronze Partners:

Sewell Jaguar Land Rover North Austin Logo

Friend Partners:

A+ Federal Credit Union 2019 Logo
O'Connell Robertson
St. David's Logo

View the 2020 event program here.

View the 2020 event presentation slides here.

Comments are closed.


text:
From Pretty Good To Better Composition!

Only occasionally, as artists, do we discover a perfectly designed composition we’d like to paint. More often, we find an appealing image that needs some improving and editing to make it more effective. Editing allows an artist to interpret a scene and tell the picture’s story in a stronger, more personal way. All the information may be there in front of us, but we may want to re-organize some of the parts. We might want to combine several reference photos, or totally remove some distracting information. We know we don’t want to just copy a reference, but how would you go about ‘improving’ a composition?

Joe English Hill Photo, Spring.

Here is an image that appealed to me. Let’s evaluate the composition though – it does have some problems. It’s hard to tell what this picture is about, isn’t it? It probably wouldn’t make a very good painting, as is. What attracted me to this scene in the first place? I was drawn to the dramatic cliff (barely visible in the photo) rising steeply behind the vibrant, early spring colors. So, my first decision would have to do with figuring out what I want my center of interest to be, and then deciding how best to emphasize it.

I decide to make the cliff my center of interest. How could I simplify some of the shapes or eliminate unnecessary detail? There is too much information in this reference photo. I certainly don’t have to include all of the trees from the photo. I will remove some of the smaller trees blocking the view of the cliff to uncover it. I will also eliminate a few trees on the far right, but leave one tree to help frame the cliff. This tree on the right would also function to stop your eye from following the line of the top of the far hill right on out of the picture. While I think the large green gold trees on the left also function as a frame of the cliff, I want to move them more to the left to further open up our view of the cliff. And I want to increase the height of the trees on the left, hoping they appear closer to the viewer and increasing depth in the picture. And finally, I plan to exaggerate the size of the cliff to make it even more prominent in my painting.

Early Spring Color, Joe English Hill, Another View.

Color will be important to give the picture the feel of the new leaves and grasses of springtime. Spring is a time of fresh growth, when buds and flowers burst forth. Fields and forest floors are becoming free of frost and snow, and bright green shoots begin to appear. I hope to exaggerate the brightness and variety of colors in the final painting by using bright complementary colors. Reds and greens (complements) will be used for newly emerging leaves, and yellow and green gold leaves will complement purple-tinged rocks and purplish shadows. Muted grays and browns are planned to contrast with the bright colors.

I hope to make use of differences in color temperature as well. Cooler colors on the distant hill (and minimal detail) should help it recede, increasing depth in the painting. In contrast, warm yellow greens in the foreground field and trees should advance.

Values (lights/darks) in the reference photo seem to be much too similar. By looking at this black and white version of the reference photo you can see there is very little contrast in values. If there are too many areas of equal light intensity (or a lack of shadows) in a painting, the image will tend to look flat, less interesting, or bland. I will need to create more contrast to make the picture work better! Good value contrast (with light values close by and emphasized by darks) can create the illusion of light, depth, and a center of interest.

Black and White Version of Reference Photo.

After experimenting with several small thumbnail sketches to find a better arrangement of strong lights and darks,  I chose this arrangement.

Final Thumbnail Sketch.

The lightest values in the painting will be the green gold leaves, road, cliff, some saved light birch tree trunks. Mid-values are planned for the middle distance trees on the opposite side of the road. And the darkest values, which will help to highlight the cliff, will be the top of the hill, dark shadows and tree trunks.

Below is the finished watercolor painting, and its black and white version, which resulted from the improved composition.

Final Watercolor, Joe English Hill.
Black and White Version of Painting.

Join me and get painting tips, inspiration, the latest news about classes, new art or products for sale, sent to you in my newsletter. Subscribe here. I’ll give you a free copy of my Color Blending Tips pdf., that you can download and print.

Know Your Edges!

Edge quality in a painting is important! Proper use of edges helps to direct the viewer’s eye toward your chosen center of interest. An edge is the border between shapes, the transition from one shape to another, where contrast occurs between shapes. By adjusting the degree of contrast along the edges of shapes in a painting (in addition to the contrasts of value and color), an artist can control eye movement and focus. Edges also suggest the mood or atmosphere of a subject. A hazy, humid picture might have many soft, fuzzy edges, and generate a mellow feel. Or a painting of a cold, crisp winter day might have numerous numerous hard edges.

Soft, Hard, Lost Edges – ‘Flowing Forward’ Watercolor

When we talk about an edge in painting we mean how it appears to the eye. Keep in mind that an edge in a painting may NOT be just an actual physical edge (like the side of a tree trunk, building, or rock). An edge can also be the transition between sunlight and shadow, between wet sand and dry sand, between a ripple and calm water.

Types Of Edges And How To Paint Them.

There are, in fact, several types of edges. A good artist tries to incorporate, in each painting, as many of the types as possible to create variation and interest. A HARD edge forms a clear, crisp, abrupt transition between shapes. The contrast of a hard edge will attract the viewer’s eye; perfect to use at the focal point or between light and dark areas. Some hard edges are good in a painting, but using only hard edges will result in a flat image without depth (e.g. as in a woodcut). Hard edges are painted on DRY watercolor paper.

Hard, Soft, Lost Edges – ‘Red Bumpers’ Watercolor

In contrast, an infinite variety of SOFT edges exist. Softer, less-defined edges are used to de-emphasize, and are useful in the background or distance, within a shadow, or when you want a shape to recede further toward the background. Soft edges are gentle and a bit blurred; perfect when painting fog, haze, or mist.

The relative wetness of PAPER and brush will determine finished softness of the edge and the extent of the spread of the watercolor pigment. Try to learn to judge the wetness of your paper by observing the amount of sheen. More shine means more wetness, less suggests a damp or drying paper. It is also good to test the result you want to achieve on a test sheet/practice paper (made of the SAME kind of paper you’re actually painting on to approximate similar results).

Soft and Hard Edges – ‘Swamp View’ Watercolor

Keep in mind that controlling edge quality has as much to do with the dryness of the BRUSH as with how wet the paper is. A brush overloaded with paint will lessen your control and may flood an area in your painting, whereas a brush with too little wetness will not allow the paint to move easily. Further, when the brush becomes wetter than the paper (from added water or wet paint) you will be in danger of creating an uncontrollable ‘cauliflower’, ‘run back’ or ‘blossom’ in your painting.

A LOST AND FOUND edge is a broken or interrupted edge that will tie the shapes to the background or other objects in the painting. It will connect shapes, allowing them to partially flow into one another.

Varied Edges – ‘Barn Interior’ Watercolor

A LOST edge is an edge that has disappeared. One shape has merged into another, as in a dark shadow. When the values of touching shapes are the same, the edge between them tends to vanish, whether soft or hard, even when there is a color change. Lost edges force the viewer to invent any missing information, and can be quite interesting. By creating shapes of equal values, you will be able to merge edges. In other words, nearby shapes of similar value tend to have less obvious edges. But adjacent shapes with more value contrast will have edges that are well defined.

Lost, Hard, Soft Edges – ‘Red Geranium’ Watercolor

When To Use Different Edges.

Sometimes the subject matter of a painting will tell you whether edges should be hard or soft, but no rules apply. Think about placing hard edges at your center of interest, where you want the viewer to look, then de-emphasize other less important areas with softer edges. Soft edges describe a subject in more general terms, while hard edges provide more detailed and specific information. It might be appropriate to paint a soft object, like a teddy bear, with soft edges. A cut glass crystal bowl, however, will have numerous hard edges. Distant objects often are painted with softer edges, while closer components could have harder edges.  Make choices about your desired mood for the painting, deciding what types of edges are appropriate in the same way you choose your values and colors. For instance, an evening painting might be low key, painted with mostly cool colors but some contrasting warm colors, and a lot of soft or lost and found edges along with a few hard edges for emphasis.

Join me and get painting tips, inspiration, the latest news about classes, new art or products for sale, sent to you in my newsletter. Subscribe here. I’ll give you a free copy of my Color Blending Tips pdf., that you can download and print.

My Approach To Watercolor… Step By Step.

All artists develop unique ways to create their art – there are many variations in approach to painting, not one correct way.

I prefer an interpretive realistic style much of the time. I don’t strive for a hyper-realistic or photographic reproduction of a scene, but for an image adapted from what I see – one that expresses emotion and shows strong value contrasts. To create good realistic art, you need to make it personal. Your art should reveal what you want to say and what the image means to you. See Realism: Better Than An Exact Copy, a blog post written January 22, 2019,

Tris-Flowing Forward In all Directions- Acton Winter Pond

Template – Flowing Forward.

Initially, I just sit with the image I have chosen to paint. I look carefully, study, and analyze before beginning. (Painting Begins With Looking And Seeing” (12/18/2018), I’m trying to anticipate possible problems I might encounter as I paint.

I think about what attracted me emotionally and what details, therefore, will be important to include in the painting. In this way, I design a CENTER OF INTEREST to emphasize. Here, I choose the sunlit orange bushes along the far edge of the river to be my center of interest. I see this focus framed by verticals (tree trunks) and horizontals (shore line and flow of the river). I note that there is open water (where there are reflections) in addition to the hard ice toward each shore. (These differences in ice/open water are barely noticeable, yet important.) I also consider whether there are unnecessary details that detract from the effectiveness of the picture. For instance, I will simplify this image by reducing too numerous tree trunks in a busy background, and by removing distracting branches hanging near the center of interest. However, I decide to keep the broken stump in the foreground because it points like an arrow toward my center of interest.

I might explore lights and darks with VALUE STUDIES, including light, mid, and dark tones. (I want to insure that the greatest contrast of values occurs around my center of interest to draw the attention of viewers.) I like that the orange bushes are surrounded by the dark woods and white ice. I must also keep in mind, as I paint, from what direction the light is coming. I make a note of the sunlit middle ground and shaded distance and foreground. I also occasionally experiment by changing the COMPOSITION (arrangement of shapes) with small thumbnail sketches, especially if I’m combining two photographs or have added/removed some shapes. ( I Have An Image I’d Like To Paint. Now Where Do I Start? 8/21/2018), In this image, however, I like the composition as it is.

More specifically, I consider my plan of attack. Where will I begin painting? Perhaps I’ll start with the background or the sky? I need to have  some idea what I want to do, but also want to be open to adapting plans as the painting proceeds. I think about what TECHNIQUES and specific steps I might try. I decide that when I complete my pencil sketch (which doesn’t include every detail shown in the template) on watercolor paper, I will mask the top edge of the orange bushes and a few tree trunks in the distant trees to protect some sunlit areas. I feel that too many details in the distance would detract from the orange bushes, so I’ll try to avoid overdoing the far trees. I won’t mask any of the ice – since open water in the middle of the river will be painted wet-in-wet, while darker hard ice in the foreground will be painted around the lighter ice areas.

As I think about beginning to paint, I think about LAYERS. Some parts of the picture are ‘in front of’ others. This suggests that one would begin painting the ‘behind’ layers or ‘underneath’ layers first. In a watercolor landscape, therefore, painting often starts in the sky or background. In this image, I will begin with the far tree line, above the shore and bushes. Further, I see several colors in the trees, which suggests that several layers will need to be applied to the trees.

But I mustn’t get ahead of myself! Before painting, I consider what pigments might be best to use. I like to create a TEST SHEET with a number of pigment possibilities before I make decisions about what colors to try in an actual painting. (If you intend to paint this image, substitute the pigments you have on hand already. You can see by looking at my test sheets that there are many suitable color combinations.) Since I want the effect of sunlight in the middle distance, I consider yellows that I could use for an underlayer. Originally, I begin with Raw Sienna, but feel it doesn’t ‘glow’, so I then investigate Gamboge and Winsor Yellow. I know I want transparent, non-staining colors for the second layers of both the distant trees and the orange bushes (because the technique I will try in both locations is to scrape the second layer of paint to reveal tree trunks and branches underneath). See the attached photos of my color experimentation for this painting.

Color test sheets – Flowing Forward.

I transfer my image to watercolor paper ( Saunders Waterford 300 lb. rough), mask tops of orange bushes, a few distant tree trunks, a few horizontal snow strips in and among the orange bushes, and the small sunlit patch on the right-hand front tree trunk.

Flowing Forward masking

Initial sketch with masking – Flowing Forward.

When masking is dry, I scumble in tree shapes (with pale Gamboge) over the far tree line, leaving plenty of ‘sky holes’ among the trees. While this is drying, I mix Raw Umber and Ultramarine Blue to make a dark brown-gray for the next tree layer. I have my palette knife at the ready. When the yellow paint is dry, I scumble varied tree shapes (again leaving ‘sky holes’) over a small section of the yellow far trees. As the shine (of wet paint) starts to dissipate, I use the point and edge of the palette knife to scrape back some tree trunks to reveal the sunlit yellow ‘underneath’. I paint the brown-gray, in small sections, varied but darker at the bottom and lighter higher up, to insure enough time to scrape before the paint dries. (Scraping back color is effective only when the paint is damp/wet.) I finish scraping one section before painting and scraping the next section of tree line.

When the scraped tree line has dried, I dot in some sky color (very pale and juicy Cerulean mixed with Cobalt Blue) in the saved ‘sky holes’.

When the distant trees and sky paint have dried, I remove masking fluid from the bushes and far trees. With the same yellow (Gamboge) used for the tree underlayers, I paint an underlayer (with pointy tops) to cover all the middle distance bushes. I let dry. Then I mix the orange for the second layer of the middle distance bushes. I decide to try a mixture of Transparent Pyrrol Orange and Transparent Red Oxide. I’m hoping to apply orange more thinly in some sunlit layers, more richly in more shaded areas. I paint a small section at a time, as with the far tree line, and scrape with the point of my palette knife to lift numerous thin branches out of the orange to reveal the yellow below. When dry, I will be able to shadow below and in the more shaded sections of the orange bushes.

Flowing Forward background

Background painting – Flowing Forward.

I plan to paint the wet, open water in the center of the river with a wet-in-wet technique. This area shows reflections of the sky, some distant tree trunks, and orange bushes. I create three puddles of color to be ready to paint this area. These puddles can be mixed somewhat darker than you might expect, since the color will be diluted to some degree by painting wet-in-wet. First, I combine Cerulean Blue and Cobalt Blue (sky reflection). Second, I form a puddle of Transparent Pyrrol Orange (bush reflections). Third, I mix Cobalt Blue and Transparent Red Oxide to create a blue-gray. At this point I pre-wet the paper, but only in the area where I see reflections and know there is open water (in the center of the river).

When the wet shine just leaves the paper, I pick up some sky blue paint and swoop it onto a small section with horizontal strokes. I immediately pick up some blue-gray and place it across the damp paper, leaving white space for placement of the orange paint, which I paint next. I do NOT mix these colors, but charge them (drop them) next to each other. All edges will remain soft and the colors will remain separate if not mixed on the paper. As the wet shine begins to dissipate, I use a damp thirsty flat brush to lift out a few tree trunk and small branch reflections. I let dry.

I prepare to paint the gray solid ice next. I will leave the lighter sections of foreground ice as the white of the watercolor paper for now, so I mix a medium value gray  from Cobalt Blue with just a touch of Transparent Red Oxide.

When applying paint here, I try to keep in mind there are hard edges (wet paint applied to dry paper) where I see the gray meet white ice in the foreground. As the gray ice extends into the center of the river, however, it meets the open water with a soft edge. (I apply the gray paint, adding water to thin the paint and soften the edge where it meets the already painted open water.) I don’t try to darken at the base of the tree trunks yet, although I try to vary the value of the gray as I apply it in some areas, and I also paint a bit of dry brush texture.

Flowing Forward water:ice

Water and ice underlayers painted – Flowing Forward.

While planning, I have already determined that the foreground is shaded. (See above STUDY IMAGE section.) I use a GRAY SCALE to check the value (lightness/darkness) of the ‘white’ ice in the foreground – I know from past experience that eyes can play tricks. I’m also aware that the value of a shaded object is usually 40% darker than the same object in sunlight, as written by Jan Kunz (Painting Watercolor Florals That Glow (1993), p. 68), and others. When I check the value (on my template) of the sunlit ice and compare to the value of the ice in the foreground shade, in fact, the shaded ice is 40% darker in value! I realize I need to darken its value in my painting, probably by applying a GLAZE. This glazing will help highlight the sunlit center of interest, by contrast.  Read Why Should I Bother To Use A Gray Scale? (5/21/2019),, to learn more about the usefulness of a gray scale.

A glaze is a transparent wash of color using a thin application of transparent pigment. Transparent pigments are desired so that the colors below the glaze, or the white of the paper, in this case, continue to be visible through the finished glaze. Here, I combine Cobalt Blue with just a touch of Transparent Pyrrol Orange (blue-gray) in a thin, juicy mix. After testing the value, I apply a glaze over the shaded foreground with a fairly large, soft brush. I reevaluate the value of the foreground ice and compare it to the value of the sunlit ice in my painting (with the Gray Scale), when the first glaze has dried. If necessary, I will glaze again, on dry paper, until the lighter-shaded, foreground ice is about 40% darker than the sunlit ice in the middle distance. Correct relative values are one of the most important factors in creating an effective image.

I combine Raw Umber and Ultramarine Blue to mix a strong blue-black. Dark foreground tree trunks are then painted darker at the bottom and lighter toward the top. Since some higher spots and the left side of the trunks are sunlit in places – I blot the color to remove some paint and provide texture there. I will add some sunlit yellow (Gamboge) only to the sunlit left sides of the trunks (when the blue-black paint is dry).

With the same paint mixture, I add smaller branches up high in the foreground trees and a few thin twigs on the foreground ice. I try to simplify to avoid busyness that would distract from my center of interest.

Then I add some final textures and shadows (with the same blue-black mixture) to the foreground ice (dry brush, dots, a few streaks, with occasional softening of edges). I now make sure to darken the area in the ice circling each foreground tree trunk to suggest depressions.

Flowing Forward Finished Painting

Finished painting – Flowing Forward.

Finally, I step back and evaluate. I ask myself if my values highlight the center of interest. Do any marks seem out of place or distracting? Are there any adjustments I feel I should make? (It is possible to correct some mistakes and improve watercolor paintings. See I Guess We’ve All Made Painting Mistakes (10/9/2019), Sometimes, I set the picture aside for a day or two, and look again later with fresh eyes. Occasionally, a mistake needing to be fixed jumps out at me. At other times, I am satisfied that the painting is ‘finished’.

Join me and get painting tips, inspiration, the latest news about classes, new art or products for sale, sent to you in my newsletter. Subscribe here. I’ll give you a free copy of my Color Blending Tips pdf., that you can download and print.

Photos taken and copyrighted by Tristan T. Haman (

Hold Your Horses!

As you know, many artists, including me, want to get on to their painting quickly. Unfortunately, jumping right into a painting without forethought often develops into rushing and inattentiveness to important details. It can be a disaster to encounter a problem with the arrangement of shapes, or discover something in your picture you want to change, while in the midst of painting. Don’t simply copy, without thinking, all the details you see before you while emphasizing them all equally! Instead, take the time to contemplate a plan before starting to paint! Rein in your excitement, for the moment, and harness your enthusiasm. As an artist, strive to simplify, interpret a scene, and make it your own. How?

Create thumbnails.

Use several THUMBNAIL sketches to structure the best possible composition for a painting. Thumbnails are not finished drawings, but quick, small, simplified sketches, 2X3 inches (or perhaps 4X5 inches) that help you explore where your painting might go.  Try to keep your thumbnail sketch proportions similar to what you plan for the finished work.  Experiment with the arrangement of shapes and values. Your first thumbnail is often not the best arrangement you can come up with, so draw several thumbnails, with pencil, before choosing a final composition.

Sketching out a few thumbnails is like brainstorming, investigating options or variations on possible arrangements. It need only take 3 to 5 minutes. By working small, there is no room to fuss with detail. It is one of the best ways to organize and simplify a composition, and to focus on important information, while eliminating the unnecessary.

Attention to your thumbnails will save you both time and creative energy. If performed with conscious attention and thought, you will discover the strengths and weaknesses of your composition. Does your image work best in a horizontal or vertical format? Should you crop out part of your image to emphasize a terrific grouping of shapes? What will the focal point be? Where is the light coming from? Does the picture need more contrast to emphasize the center of interest? Maybe it would be better to eliminate some of the more distracting elements. What about rearranging some shapes to lead the viewer more easily into the picture?

Template-Summer Field

Recent reference photo.

Look for the BIG SHAPES and VALUES.

Thumbnail  sunny clouds.jpg

Thumbnail 1 – sunny sky, remove corner vegetation, larger tree?

Shapes are the building blocks of composition. To create a thumbnail, sketch the LARGE SHAPES first, forget about small details. Group masses of similar value shapes together. Sketch lightly at first. Identify the most important objects or parts of the scene. Notice how the smaller shapes relate to the large shapes. Try to think of possible changes in the arrangement and STRUCTURE of elements that might produce a stronger composition. You may want to rearrange some of the major shapes or change their size or profile.

Thumbnail animals

Thumbnail 2 – add animals, remove corner vegetation?

Refine your shapes, then start to add VALUES to your sketch. Squint to identify the darks, mediums, and lights. Each mass of shapes needs to be lighter or darker than what is next to it in order for it to appear different. Consider changing the value of an area if it improves value contrast and the composition. Stick to dark, medium, and light values in each sketch to keep it simple.

Thumbnail more sky

Thumbnail 3 – More sky, less field?

Add or rearrange to explore variations in value or even subject arrangement or EMPHASIS. If you do change values, however, realize that you have changed the light source and must also remember to check that any shadows are consistent with this new light source. Add darker lines and middle values.

Thumbnail best.jpg

Thumbnail 4 – enlarge tree, minimize/lighten left corner vegetation, darken right side trees, darken clouds behind center tree, keep fields/road light – values exaggerated!

Finish by shading in the darkest values and adjusting CONTRASTS between shapes. Remember, the greatest contrast in values (and sometimes the lightest value) is centered on the focal point.

PAINTING-Summer Field.jpg

Finished watercolor painting.

In my latest painting (shown here), I WISH I had sketched thumbnails BEFORE I painted! I know I should, but I don’t always do it. This time, I didn’t, and I struggled. I couldn’t figure out why the painting initially wasn’t working. The subject was good, but eventually I realized I had to increase the value contrasts – a lot. Nothing stood out until I lightened some areas and darkened others! So, I wrote this post and created these thumbnails after I had trouble with getting the values right while painting. I ‘shut the barn door after the horse was gone’! Maybe this article can help you realize how drawing quick thumbnails (before you paint) will help you work out possible problems ( with composition, subject, color, etc.) before you start painting. The time you spend creating thumbnails can save you some headaches.

To summarize,

With the knowledge learned from thumbnails, you can begin painting with much more confidence. It’ll be a cinch! You will have considered the main STRUCTURE, EMPHASIS, SHAPES, and CONTRASTS for the composition. You will have already worked out most of the possible issues and problems within your thumbnail sketches. You will have developed a ‘plan’ for your composition, since you understand that it is the strength of the composition NOT the subject matter that makes a painting effective. The plan may even include possible color choices. Don’t forget, however, when transferring your image to the watercolor paper, to refer back to your thumbnail, not necessarily your reference.  This would insure any changes made when creating your thumbnails are included when transferring the drawing onto paper. Save your reference for later, when you start to build up detail in the final painting.

Join me and get painting tips, inspiration, the latest news about classes, new art or products for sale, sent to you in my newsletter. Subscribe here. I’ll give you a free copy of my Color Blending Tips pdf., that you can download and print.

Distinguishing Layers In Watercolor.

Most watercolors are painted in layers; not all in one go. But how do you decide how many layers you need to paint? How do you break down or separate the layers ? How many layers will you need to ‘tell the story’ of your painting? How can you add ‘enough’ layers to suggest shape and detail without losing the light and luminosity you strive for? How many layers are too many?

Seeing in layers.

While there is probably an infinite number of layers possible, the great artists of the past generally show only the essential aspects of a subject with nothing extra added. Their art is deceptively simple. Many of John Singer Sargent’s watercolors, for example, are created with only three layers. Arguably, Sargent’s AWARENESS of what is essential in an image, his vision, is just as impressive as his brushwork.

My Swamp

Simplify and plan.

Just as reducing the number of colors in a painting can improve your work (see Choosing Colors For a Painting…Less Is More!, 9/11/2019, ),  limiting the number of layers (even brushstrokes) you paint is an effective way to simplify your image and create a strong painting. Avoid adding layer upon layer and overworking! Rarely are more than four or five layers necessary.

When planning your painting, IMAGINE a series of layers. This selective vision may take some practice. Strive to peel back each layer of paint to analyze how layers below might be painted.

Full Moon

Work backward – reverse the order in which the paint will be applied. You must mentally remove the darker layers (which will be painted later) from the image. Try to recognize the dark patterns as separate from the lighter shapes. Once you picture the darkest darks and mentally remove them from the picture, you can then analyze and separate light- and middle- value shapes in the same way.

Usually, you will strive to reserve some whites of the paper in a painting. With that in mind, the first paint layer will then be created by painting your light valued colors, a second layer will contain middle values, and a third layer will be made up of dark values.

More specifically, block in each of the major shapes with its lightest tone, avoiding any areas within the big shapes that should remain lighter and be reserved. The care you must take in painting each layer is dependent on the story to be told by the picture itself. You must decide early on which value layers will tell more of the important information in your specific picture.

Fall Queen Ann

For instance, in a high contrast picture with strong, bright light, the later dark values tell the story and pull the picture together. Therefore, the first layers of light and middle values might be applied with less attention, with the dark values painted more carefully. Details would be saved until the later layers. In contrast, in a more subtle image where light and middle values play a bigger role, more care must be taken in the first layers, with consideration of color and texture. Forms may need to be established early in such a painting.

In summary, when the lightest colors have been applied and dried, the second (mid-value) layer can be begun, shape by shape. Then, the third (dark) layer can be added. With each successive layer, less of the picture will be painted, until the final finishing touches (darkest darks) are complete!

Winter Ice

Join me and get painting tips, inspiration, the latest news about classes, new art or products for sale, sent to you in my newsletter. Subscribe here. I’ll give you a free copy of my Color Blending Tips pdf., that you can download and print.


text:
Misd logo flame 24 Public Hearing / Board Meeting (regular business @ 7:00 p.m.)
MISD Center for the Performing Arts

Mansfield ISD school board meetings begin with a closed session starting at 6:00 p.m. followed by regular business (open to the public) at 7:00 p.m.

More information can be found on the MISD School Board Meetings & Agendas webpage.

Watch meetings live


text:
(redirected from canonization)
Also found in: Dictionary, Thesaurus, Medical, Encyclopedia, Wikipedia.

CANON, eccl. law. This word is taken from the Greek, and signifies a rule or law. In ecclesiastical law, it is also used to designate an order of religious persons. Francis Duaren says, the reason why the ecclesiastics called the rules they established canons or rules, (canones id est regulas) and not laws, was modesty. They did not dare to call them (leges) laws, lest they should seem to arrogate to themselves the authority of princes and magistrates. De Sacris Ecclesiae Ministeriis, p. 2, in pref. See Law, Canon.

LAW, CANON. The canon law is a body of Roman ecclesiastical law, relative to such matters as that church either has or pretends to have the proper jurisdiction over:
     2. This is compiled from the opinions of the ancient Latin fathers, the decrees of general councils, and the decretal epistles and bulls of the holy see. All which lay in the same confusion and disorder as the Roman civil law, till about the year 1151, when one Gratian, an Italian monk, animated by the discovery of Justinian's Pandects, reduced the ecclesiastical constitutions also into some method, in three books, which he entitled Concordia discordantium canonum, but which are generally known by the name of Decretum Gratiani. These reached as low as the time of Pope Alexander III. The subsequent papal decrees to the pontificate of Gregory IX., were published in much the same method, under the auspices of that pope, about the year 1230, in five books, entitled Decretalia Gregorii noni. A sixth book was added by Boniface VIII., about the year 1298, which is called Sextus decretalium. The Clementine constitution or decrees of Clement V., were in like manner authenticated in 1317, by his successor, John XXII., who also published twenty constitutions of his own, called the Extravagantes Joannis, all of which in some manner answer to the novels of the civil law. To these have since been added some decrees of the later popes, in five books called Extravagantes communes. And all these together, Gratian's Decrees, Gregory's Decretals, the Sixth Decretals, the Clementine Constitutions, and the Extravagants of John and his successors, form the Corpus juris canonici, or body of the Roman canon law. 1 Bl. Com. 82; Encyclopedie, Droit Canonique, Droit Public Ecclesiastique; Dict. de Jurispr. Droit Canonique; Ersk. Pr. L. Scotl. B. 1, t. 1, s. 10. See, in general, Ayl. Par. Jur. Can. Ang.; Shelf. on M. & D. 19; Preface to Burn's Eccl. Law, by Thyrwhitt, 22; Hale's Hist. C. L. 26-29; Bell's Case of a Putative Marriage, 203; Dict. du Droit Canonique; Stair's Inst. b. 1, t. 1, 7.

A Law Dictionary, Adapted to the Constitution and Laws of the United States. By John Bouvier. Published 1856.
References in periodicals archive ?
The stages also include citing the 'intercessory power' of the prospective saint by proving 'a miracle for the beatification stage and a second one for the canonization stage through scientific and theological examinations.'
Catholics talked about their causes for canonization. Rome will tell you that the canonization process is very unbiased and scientific: It's cut and dried and does not depend on local culture.
The Romero canonization showed how time had changed in the country and church though, in an interview, Tojeira quipped of Romero's critics, "They used to say 'communist.' They now have a little more civilized discourse but continue being similar."
Apart from the canonization, the Vice President will also meet with overseas Taiwanese nationals in an event held at St.
Before, canon lawyers subjected a 'cause' (sponsorship of a nominee for canonization) to years of meticulous investigation and argumentation that left no aspect of a nominee's life and deeds undiscussed.
20), Meulenbeld notes that Canonization "reflects the exorcistic strategy of enlisting locally autonomous forces into a pantheon with transregional or even national appeal" (p.
7 for the beatification and canonization of Father George Willman, the prelate behind the strengthening of the Philippines' Knights of Columbus which was established in 1905.
On Thursday evening, and in the presence of 30 leading religious leaders from around the world, a solemn canonization ceremony was held at Etchmiadzin, the seat of the Apostolic Church near Yerevan.
Ambassador Hackett said the canonization was "an historic moment for Catholic faithful" and "an opportunity for the United States to reflect on the moments we shared with these transformational leaders."
The congress was mainly devoted to canonization of John Paul II this year.
MEXICO CITY -- The canonization of Pope John Paul II is drawing special attention in Latin America, reviving both warm memories of his frequent visits to the region and debate over his handling of sex-abuse scandals.
Bulgarian President Rosen Plevneliev will attend the canonization ceremony of blessed John XXIII and John Paul II in Vatican City on April 27.


text:
This blog is moving to www.legalinsurrection.com. If you have not been automatically redirected please click on the link.

NEW COMMENTS will NOT be put through and will NOT be transferred to the new website.

Sunday, November 8, 2009

Democrats Sold Their Party's Reproductive Soul

I'm not sure the fallout from the Stupak Amendment passing has been fully felt.

Reproductive rights is the heart and soul of the Democratic Party. Democratic activists take as a given that Democratic politicians will protect a women's right and ability to choose. Last night the Democrats all but gave away a woman's ability to choose, although they still gave lip service to a woman's right to choose.

64 Democrats voted in favor of the Stupak Amendment, which greatly expands the ban on federal funding of abortion, and reaches deep to make it difficult for women to obtain private health insurance covering abortion. 219 Democrats voted in favor of a final bill incorporating the amendment.

This is a stunning development, one which anti-abortion activists could not have imagined just weeks ago. The Speaker of the House and Democratic majority, notwithstanding their lip service to women's reproductive rights, were willing to throw those rights aside to hand the Obama administration a temporary legislative victory.

That victory already has evaporated, as the House bill has been pronounced dead-on-arrival at the Senate. But the effects of casting aside traditional Democratic protection for a women's ability to choose will be felt for a long time.

The Stupak Amendment is the new norm. Any future health care legislation will use the Stupak formula as a given.

Anh "Joseph" Cao (R-La), the sole Republican voting in favor of the health care bill last night, has been harshly criticised for exchanging his vote for a promise of federal aid to his district.

Cao sold his seat last night for something. The Democrats sold their party's soul for nothing.

Now tell me again what a great victory the Democrats achieved last night.

UPDATE: I think it's beginning to sink in:

The bitterness will only grow and will gnaw away at the women's movement, as Democrats celebrate what Obama calls the "courageous" victory, and dance.

Now Politico is on the story: Pelosi's hardball tactics on the abortion issue brought "tears from some veteran female lawmakers."

UPDATE No. 2: Told ya so:

President Obama and Senate Democrats sought on Sunday to generate momentum from the House's passage of health-care legislation, even as a new hurdle emerged: profound dismay among abortion-rights supporters over antiabortion provisions inserted into the House bill....

"There's going to be a firestorm here," [Colorado Rep. Diana] DeGette said. "Women are going to realize that a Democratic-controlled House has passed legislation that would prohibit women paying for abortions with their own funds. . . . We're not going to let this into law."

Follow me on Twitter and Facebook

  1. Correct me if I'm wrong, but all Stupak does is block federal subsidies for abortions that are not the result of rape, incest, or life-threatening medical condition. Subsidizing some abortions seems to expand abortion rights to me. Am I wrong?

  2. @JohnJ - The main significance is that the amendment requires the offer of two types of qualified policies, one covering abortion and one not covering it. So the one covering the procedure almost certainly will be more expensive. Any plan offering abortion coverage will have to demonstrate that it is self-funding, and that no federal funds are used even indirectly, such as through credits for low income people.

  3. I believed that Kennedy warned in Gonzalez about government abortion policy that does not provide for a mental health exception, so it's possible that Kennedy would provide that not subsidizing "mental health" abortions when other abortions are subsidized is a violation of a woman's right to an abortion.

    I really try to look on the bright side of things, but it just seems to me that this is an expansion of abortion, even if it only means subsidizing certain abortions and not others.

  4. I'm sure you're right that the House bill is effectively a show, anyway. But suppose a Senate bill passes and a conference manages to merge other differences to patch together something a majority in both houses would go for -- except that the House vote on Stupak and the need for 60 votes in the Senate means that funds for abortion have been banned in both the House and Senate and cannot be slipped back in by the conferees.

    Then, will a House majority enact a final bill and Obama sign it with the abortion-funding ban? I'm not at all sure that health care will trump choice for a big segment of the Democratic "base." The dilemma grows to the extent that you project expansion of the numbers of people who have some form of direct or indirect federal subsidy of their health insurance (at least theoretically, that's everyone).

    So will NOW, NARAL, Emily's List and all those feminist members of the DNC, et al. really allow this to be set as the likely standard for the future? Seems unlikely without a huge fight.

  5. I think the damage with the feminists (a group to which I delightfully and willingly eschew "membership", frankly) isn't so much in what comes later - such as perhaps canceling it out later (which wouldn't surprise me) - as in the appearance of wantonly tossing an entire group of the far left's most fervent, rabid supporters over the side, so to speak.

    That, the feminists and their avid proponents will neither forgive nor forget anytime soon. Let the games begin!

  6. "The Democrats sold their party's soul for nothing." Some entity other than the Party took possession of this 'soul' some time ago. They passed on the 'choice' in favor of power; it will not suffice. No one knows the state of another man's soul...if this little sale of the Democrats move this country a Widow's mite closer to the end of slavery, er, abortion, then very good. A day will come in the future when people will look back at the murder of children in the womb as we do at slavery and wonder, "What were they thinking?". "IHS"

  7. Is it true there are hefty IRS fines and penalties for NOT purchasing healthcare insurance? If so, this has to be the most egregious violation of our civil and econmic liberties. Wouldn't this even give pause to the most ardent Obama supporter? How is that no one has sounded this fire alarm?

  8. Do I understand that any coverage providing abortion must be entirely private? No federal dollars allowed at all? Then if one assumes that the price and program controls will eliminate private insurance what will happen to insurance-covered abortion?

    Eclusively abortion insurance plans are illegal under the bill because any health insurance plan must provide all of the goodies identified by the 100 or so beauracracies and the 535 geniuses residing in Congress--at the specfied price. I have read elsewhere that private health insurance will go out of business very quickly because of those price and benefit controls.

    I guess what will occur is just another middle of the night amendment to some innocuous bill that will modify the health care Americans are allowed to include abortions. All it takes is a motivated special (Dem) interest, some campaign dollars, and a bit of graft and voila!, there is your amendment.

  9. On the Dem side Abortion is their high sacrifice - like Communion to Catholics. To a die-hard Dem, their political faith requires abortion on demand at all stages of life. Dems work hard to make sure every mother has a right to kill her and the father's baby.

    Looking at recent election returns we see the majority of voters focused on fiscal conservatism ahead of social conservatism. They seem not to object to social conservatism if it is not 'rammed down their throat.' I campaigned in VA for the R ticket - I spoke with many people, take that to the 2010 elections.

    The problem for the Dems are these stats from polls: 20% of Americans are liberal. 40% of Americans are conservative. 30% of Americans tend to be a mix with a decidedly libertarian bent.

    The Dems struggle knowing this while pushing their agenda. They work tirelessly to project first to themselves and then to the greater population that their 20% minority view is an 80% view held by all Americans. Not true.

    When a Democratic Congress supports the Stubak amendment as they have, then the 'true Dem believers' have cognitive dissonance - they go nuts since reality is breaking down their world. Can't have that - hence the aggressive opposition to anyone and everything that discredits their world view.

  10. "Last night the Democrats all but gave away a woman's ability to choose..."

    This is not a question of choice, but of funding.

    I've assumed this blog reflects a moderate to conservative perspective on social issues, including abortion. Was I wrong?

  11. I think I see your point that the radical left will come unhinged at the denial of federal funding of abortion-on-demand. Even subsidizing some abortions isn't enough for them.

    We'll see how it plays out.

  12. Planned Parenthood is on a par with the Nazis. The abortion clinics are the new concentration camps where innocent unborn children are done to death. Just substitute the unborn for the Jews.

    Abortion is the modern holocaust. Planned Parenthood never mentions God or the Fifth Commandment. Abortion is a cancer this is devouring society.
    Sure Hitler did some good. He built the autobahns. But he was a monster who gassed 6 million Jews.
    The abortion industry is even a bigger monster than Hitler.
    It has done to death 50 million Americans and hundreds of millions worldwide. Please do not talk about "good" done by Planned Parenthood. It is a lucrative business which has set itself against the Law of God. No sanitized language changes reality. There is no such thing as pro choice. How can you have the choice to murder your own child? Even if the law legalizes abortion it is IMMORAL.

    Abortion is murder. It breaks the 5th Commandment. It flies in the face of God. It has left a trail of destruction: murdered children and physically and emotionally scarred women. This is the legacy of the likes of Planned Parenthood.
    Obama professes himself to be a Christian. If so it is time for him to go back and read the Fifth Commandment. He must ask himself the following question: Which side am I on: The side of God or the side of Satan. What does it profit a man or woman to gain the whole world and suffer the loss of his/her immortal soul?
    You are not a Christian Mr Obama if you support abortion.

    Finally Obama speaks about the necessity to end torture. He conveniently ignores the torturing of the innocent unborn child in the womb. Just imagine what that innocent child goes through.
    American taxpayers must not pay for abortion.
    This is a fight for the Law of God and for a civilized society.

  13. This last comment, John Barry's, was exactly the sort of thing that makes republicans look completely out of touch. It does a disservice to the conservative cause, and it bothers me that more sensible conservatives are willing to put up with it.
    America is not a Christian country. Americans are overwhelmingly Christian, yes, but our government is secular; religious law should not apply to it. Further, alleging that Obama is on the "Side of Satan" is simply offensive. This is the elected President of our country. Even if we disagree with his politics, to imply Satanic ties is simply insane. Even before that, comparing Planned Parenthood to the SS Concentration camps is simply crude. The bizarre qualifier, "Sure Hitler did some good"--a highway project? You felt a highway project enough to merit interrupting a condemnation of genocide?
    This is tasteless, childish, and repulsive. If conservative values are going to retake America, this is the sort of thing that needs to stay out of the discourse. It's simply too neolithic.