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Tag Archives: Algae

Green Algal Photobionts: Trebouxia

Having beaten the phylogeny of symbiotic cyanobacteria into submission in my previous post, I am now tackling the green algae. My plan was to start with a big-picture analysis of 18S ribosomal RNA sequences, but my initial blast search returned … Continue reading

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The best gift from a student is when they take a minute to express their gratitude towards their teachers, who invest all their knowledge in shaping students future.
Thank you dear Aadhyans for the Lovely memory which you all added in our life to cherish.
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Haritha Haram is a large-scale tree-planting program implemented by the Government of Telangana to increase the amount of tree cover in the state every year. Aadhya have taken a small step by participating in the "Telangana Ku Haritha Haram" program on 24th July 2020. All students and staff parti...

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Through sports, students are able to build a wide range of abilities and skills such as leadership, confidence, teamwork, patience, self-reliance, trust, and many more which facilitate the overall development of an individual.

At Aadhya students also learn to manage time between their lectures, ...

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Career Enhancement Programme (CEP)
Aadhya is committed in making sure that students graduating from our college are not just equipped with technical skills in their desired functional area, but are also able to crack their final placement selection process and contribute to their work organizatio...

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The industry is always on the lookout for students who are vibrant, energetic individuals and ready to accept challenges, attentive, a good academic background, fast learners, open to learning even at work and more importantly, good communication skills.

At Aadhya our Training and placement cell...

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Aadhya connect International works closely with Australian University on the name of Australian Careers College. This program helps our students providing with a wide selection of programmes ranging from foundation to postgraduate levels, affording them international education.

Where in Aadhya...

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Community service gives students an opportunity to explore academic interests through a real world lense.

Volunteering is an essential part of preparing students to "take responsibility as open minded, principled citizens in a global community."

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November 26, 2022

A member on the board of Fidelity Bank Plc, Mr Charles Umolu, has mopped up some equities of the company at the stock market.

Mr Umolu is a non-executive director of the financial institution and was in the past the Managing Director/Chief Executive Officer of Comet Merchant Bank Ltd.

A disclosure from Fidelity Bank said the director acquired just over half a million units of the company’s stocks at the exchange on Wednesday, May 6, 2020.

In the notice filed to the Nigerian Stock Exchange (NSE) on Thursday, May 7, 2020, the product of the Obafemi Awolowo University (OAU), Ile-Ife, Osun State, precisely purchased a total of 535,000 units of Fidelity Bank shares at N1.83 each.

Business Post reports that the transaction cost Mr Umolu, a former board member of Keystone Bank Limited, the sum of N979,050.

Mr Umolu was appointed to the board of Fidelity Bank as non-executive director in November 2016 along with Mr Ernest Ebi and Mr Kings C. Akuma.

He is presently a managing consultant with Corimol Nigeria Ltd and a chief executive with Corimol Consulting Ltd.

According to his profile on Reuters, he has over 18 years cognate experience in banking and was trained as a banker by Morgan Guaranty Trust Company of New York, USA.

He obtained a Bachelor’s degree in Economics from OAU in 1977 and an MBA from the same institution two years later.

His successive academic records earned him a national scholarship in 1974 and a university scholarship in 1975 where he obtained a distinction in Economics from OAU.

Major training programs Mr Umolu attended include: Global Strategic Management, Harvard Business School (June 21-26, 2015); Directors’ Consortium, University of Chicago, Booth School of Business (October 6-10, 2014); Finance for Executive Program, Columbia Business School, New York (April 2013); High Impact Leadership Program, Columbia Business School, New York, December 2-7, 2012, amongst others.

Mr Umolu served on the board of various organizations as an executive director and a non-executive director.

He currently serves on the board of Profound Securities Ltd – a subsidiary of the Nigerian Social Insurance Trust Fund (NSITF

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  April 11, 2014

Hi everyone, it’s Afit again here.

I apologize for the recent delay in JKT48 updates, I’ve been tied up with IRL stuff that I simply didn’t have enough time to write! Without further ado, these are the recent JKT48 news that I managed to collect for the past two weeks.

JKT48 3rd Generation Selected

After three months of rigorous training and auditioning, finally JKT48 have added more members in their roster. From 63 girls who passed the final audition, only 32 girls succeeded to become the 3rd generation of JKT48. These girls were officially introduced to the media in the press conference which held before Flying Get Concert, which all of them made their debut in front of the fans.

JKT48 3rd generation
JKT48 3rd generation

The author wishes the girls good luck for their career at JKT48 and hopes someday they can reach their dreams & make JKT48 more famous!

3rd Generation Public Debut

Nine days after their debut in front of JKT48 fans, members of JKT48’s 3rd generation officially made their public debut in national TV. They joined their senpais performing Koisuru Fortune Cookie in one of the TV anniversary show.

Here’s the video of their performance

Pipit Ananda resigns from JKT48

Pipit Ananda resigns from JKT48

According to official announcement, Pipit Ananda, one of the 3rd generation has filed her resignation from the group – therefore per 24th March 2014, she’s no longer listed as JKT48 member.

There’s no official statement regarding the reason which make her resigned from JKT48, but the rumor that circulated in fans said that after she passed the audition she get an announcement that she accepted to receive scholarship to study abroad. Again, the author wish her good luck for her education and hopefully she success in the future

JKT48 Flying Get Concert

JKT48 Flying Get Concert

Saturday 15th March 2014, JKT48 held a mini-live concert titled “Flying Get CD Launching Concert” at Nusa Indah teather Balai Kartini. The concert which was announced five days beforehand succeeded to attract approximately thousands of fans, and every audiences who bought the ticket can participate in the upcoming VIVA JKT48 movie shooting.

Those who bought Flying Get seat can enjoy yet another bonus to meet and greet with all 32 members on JKT48 3rd generation after the concert. In the two hour concert JKT48 performed all group song from their current theater stage.

The Setlist of the concert is as follows

NumberSongPerforming Members
KageanaNabilah Ratna Ayu
M01Flying GetSenbatsu
M02Hanikami LollipopUndergirls Senbatsu
MCGames and Dena Siti Rohyati Birthday CelebrationTeam KIII + Trainee
Comedy SkitTheme : Election (Sousenkyo) IntroductionTeam J + Team KIII
M03Seishun GirlsTeam KIII
M04Kimi ga Hoshi ni Maru MadeTeam KIII
M05WarningTeam J
M06Tanjoubi no YoruTeam J
M07Virgin LoveTeam KIII
M08Korogaru Ishi ni NareTeam KIII
M09Natsu ga IchattaTeam J
M10AdythTeam J
M11Cinderella DamasarenaiTeam KIII
M12Dareka no Tame niTeam J
M13Rider2nd Generation Trainee
(Dena Siti Rohyati,Fakhiryani Shafariyanti, Novinta Dhini, Priscillia Sari Dewi, Saktia Oktapyani)
MC3rd Generation Introduction3rd Generation Trainee
M14Aitakatta3rd Generation Trainee
M15Koisuru Fortune CookieAll Members
MCJKT48 6th Single Sousenkyo 1st Peliminary AnnouncementJiro Inao (JKT48 GM)
M16Medley :
Oogoe Diamond
Manatsu no Sounds Good
Team J + Team KIII
M17Shoujotachi Yo!Team J + Team KIII
M18First RabbitTeam J + Team KIII

JKT48 6th Single Sousenkyo - Preliminary Results

As pictured on the schedule attached on my previous article, on 15th March (during the Flying Get Concert) Jiro Inao, General Manager of JKT48 announced the 1st preliminary results of JKT48 6th Single Sousenkyo.

Here’s the results for the 1st preliminary results

1stMelody Nurramdhani LaksaniTeam J475 Votes
2ndHaruka NakagawaTeam J460 Votes
3rdRatu Vienny FitrilyaTeam KIII434 Votes
4thBeby Chaesara AnadilaTeam J415 Votes
5thDevi Kinal PutriTeam J396 Votes
6thNabilah Ratna Ayu AzaliaTeam J371 Votes
7thJessica VerandaTeam J370 Votes
8thShania JunianathaTeam J432 Votes
9thAyana ShahabTeam J340 Votes
10thThalia Ivanka ElizabethTeam J338 Votes
11thCindy YuviaTeam KIII254 Votes
12thSinka JulianiTeam KIII246 Votes
13thJessica VaniaTeam J242 Votes
14thGhaida FarisyaTeam J238 Votes
15thSendy ArianiTeam J237 Votes
16thSaktia OktapyaniTrainee211 Votes

Ten days later on 25th March (after Melody’s Seitansai show at JKT48 theater) Jiro also announced the 2nd preliminary results.

The 2nd prelim results are as follows

PositionName TeamVotes
1Melody Nurramdhani LaksaniTeam J7969 Votes
2Jessica VerandaTeam J6465 Votes
3Beby Chaesara AnadilaTeam J6059 Votes
4Devi Kinal PutriTeam J6013 Votes
5Rica LeyonaTeam J5914 Votes
6Viviyona AprianiTeam KIII4438 Votes
7Ghaida FarisyaTeam J4156 Votes
8Jennifer HannaTeam KIII3015 Votes
9Jessica VaniaTeam J2995 Votes
10Ratu Vienny FitrilyaTeam KIII2980 Votes
11ThaliaTeam KIII2934 Votes
12Rona AnggreaniTeam KIII2797 Votes
13Shania JunianathaTeam J2741 Votes
14Haruka NakagawaTeam J2718 Votes
15Nabilah Ratna Ayu AzaliaTeam J2587 Votes
16Lidya Maulida DjuhandarTeam KIII2316 Votes

The massive number of votes is triggered by one of the voting methods which is the Digital Content Download. It is relatively cheaper than other voting methods since you only have to pay (with your cellphone credit) IDR 3,300 (33 yen) for a one-off registration fee and another IDR 3,300 per content download (songs, wallpapers, photos etc) to get your voting code.

Fans are also able to get their hands on 11 votes instead of 3 when they purchased the CD for IDR 35,000 (350 yen). This voting method was available only for a week from 16th March to 23rd March.

The unbelievably fluctuating results from 1st to 2nd preliminary makes JKT sousenkyo sort of unpredictable. The final result might be as jaw-dropping as last year’s AKB48 Sousenkyo.

The possibility of a last-minute powervote from each member’s fanbase can’t be ruled out before the voting period’s deadline ( 22nd of April 2014 )

So who do you think will be on top in the final results?? Let us know your thoughts!


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The same phenomenon happens with other font services like Google Fonts and MyFonts. Google Fonts offers 708 font families, but we can’t browse the web for 15 minutes without encountering Open Sans and Lato. MyFonts has over 20,000 families available as web fonts, yet designers consistently reach for only a narrow selection of those.

On my side project Typewolf, I curate daily examples of nice type in the wild. Here are the ten most popular fonts from 2015:

  1. Futura
  2. Aperçu
  3. Proxima Nova
  4. Gotham
  5. Brown
  6. Avenir
  7. Caslon
  8. Brandon Grotesque
  9. GT Walsheim
  10. Circular

And here are the ten most popular from 2014:

  1. Brandon Grotesque
  2. Futura
  3. Avenir
  4. Aperçu
  5. Proxima Nova
  6. Franklin Gothic
  7. GT Walsheim
  8. Gotham
  9. Circular
  10. Caslon

Notice any similarities? Nine out of the ten fonts from 2014 made the top ten again in 2015. Admittedly, Typewolf is a curated showcase, so there is bound to be some bias in the site selection process. But with 365 sites featured in a year, I think Typewolf is a solid representation of what is popular in the design community.

Other lists of popular fonts show similar results. Or simply look around the web and take a peek at the CSS—Proxima Nova, Futura, and Brandon Grotesque dominate sites today. And these fonts aren’t just a little more popular than other fonts—they are orders of magnitude more popular.

When it comes to typefaces, the rich get richer#section2

I don’t mean to imply that type designers are getting rich like Fortune 500 CEOs and flying around to type conferences in their private Learjets (although some type designers are certainly doing quite well). I’m just pointing out that a tiny percentage of fonts get the lion’s share of usage and that these “chosen few” continue to become even more popular.

The rich get richer phenomenon (also known as the Matthew Effect) refers to something that grows in popularity due to a positive feedback loop. An app that reaches number one in the App Store will receive press because it is number one, which in turn will give it even more downloads and even more press. Popularity breeds popularity. For a cogent book that discusses this topic much more eloquently than I ever could, check out Nicholas Taleb’s The Black Swan.

But back to typefaces.

Designers tend to copy other designers. There’s nothing wrong with that—designers should certainly try to build upon the best practices of others. And they shouldn’t be culturally isolated and unaware of current trends. But designers also shouldn’t just mimic everything they see without putting thought into what they are doing. Unfortunately, I think this is what often happens with typeface selection.

How does a typeface first become popular, anyway?#section3

I think it all begins with a forward-thinking designer who takes a chance on a new typeface. She uses it in a design that goes on to garner a lot of attention. Maybe it wins an award and is featured prominently in the design community. Another designer sees it and thinks, “Wow, I’ve never seen that typeface before—I should try using it for something.” From there it just cascades into more and more designers using this “new” typeface. But with each use, less and less thought goes into why they are choosing that particular typeface. In the end, it’s just copying.

Or, a typeface initially becomes popular simply from being in the right place at the right time. When you hear stories about famous YouTubers, there is one thing almost all of them have in common: they got in early. Before the market is saturated, there’s a much greater chance of standing out; your popularity is much more likely to snowball. A few of the most popular typefaces on the web, such as Proxima Nova and Brandon Grotesque, tell a similar story.

The typeface Gotham skyrocketed in popularity after its use in Obama’s 2008 presidential campaign. But although it gained enormous steam in the print world, it wasn’t available as a web font until 2013, when the company then known as Hoefler & Frere-Jones launched its subscription web font service. Proxima Nova, a typeface with a similar look, became available as a web font early, when Typekit launched in 2009. Proxima Nova is far from a Gotham knockoff—an early version, Proxima Sans, was developed before Gotham—but the two typefaces share a related, geometric aesthetic. Many corporate identities used Gotham, so when it came time to bring that identity to the web, Proxima Nova was the closest available option. This pushed Proxima Nova to the top of the bestseller charts, where it remains to this day.

Brandon Grotesque probably gained traction for similar reasons. It has quite a bit in common with Neutraface, a typeface that is ubiquitous in the offline world—walk into any bookstore and you’ll see it everywhere. Brandon Grotesque was available early on as a web font with simple licensing, whereas Neutraface was not. If you wanted an art-deco-inspired geometric sans serif with a small x-height for your website, Brandon Grotesque was the obvious choice. It beat Neutraface to market on the web and is now one of the most sought-after web fonts. Once a typeface reaches a certain level of popularity, it seems likely that a psychological phenomenon known as the availability heuristic kicks in. According to the availability heuristic, people place much more importance on things that they are easily able to recall. So if a certain typeface immediately comes to mind, then people assume it must be the best option.

For example, Proxima Nova is often thought of as incredibly readable for a sans serif due to its large x-height, low stroke contrast, open apertures, and large counters. And indeed, it works very well for setting body copy. However, there are many other sans serifs that fit that description—Avenir, FF Mark, Gibson, Texta, Averta, Museo Sans, Sofia, Lasiver, and Filson, to name a few. There’s nothing magical about Proxima Nova that makes it more readable than similar typefaces; it’s simply the first one that comes to mind for many designers, so they can’t help but assume it must be the best.

On top of that, the mere-exposure effect suggests that people tend to prefer things simply because they are more familiar with them—the more someone encounters Proxima Nova, the more appealing they tend to find it.

So if we are stuck in a positive feedback loop where popular fonts keep becoming even more popular, how do we break the cycle? There are a few things designers can do.

Strive to make your brand identifiable by just your body text#section4

Even if it’s just something subtle, aim to make the type on your site unique in some way. If a reader can tell they are interacting with your brand solely by looking at the body of an article, then you are doing it right. This doesn’t mean that you should completely lose control and use type just for the sole purpose of standing out. Good type, some say, should be invisible. (Some say otherwise.) Show restraint and discernment. There are many small things you can do to make your type distinctive.

Besides going with a lesser-used typeface for your body text, you can try combining two typefaces (or perhaps three, if you’re feeling frisky) in a unique way. Headlines, dates, bylines, intros, subheads, captions, pull quotes, and block quotes all offer ample opportunity for experimentation. Try using heavier and lighter weights, italics and all-caps. Using color is another option. A subtle background color or a contrasting subhead color can go a long way in making your type memorable.

Don’t make your site look like a generic website template. Be a brand.

Dig deeper on Typekit#section5

There are many other high-quality typefaces available on Typekit besides Proxima Nova and Brandon Grotesque. Spend some time browsing through their library and try experimenting with different options in your mockups. The free plan that comes with your Adobe Creative Cloud subscription gives you access to every single font in their library, so you have no excuse not to at least try to discover something that not everyone else is using.

A good tip is to start with a designer or foundry you like and then explore other typefaces in their catalog. For example, if you’re a fan of the popular slab serif Adelle from TypeTogether, simply click the name of their foundry and you’ll discover gems like Maiola and Karmina Sans. Don’t be afraid to try something that you haven’t seen used before.

Dig deeper on Google Fonts (but not too deep)#section6

As of this writing, there are 708 font families available for free on Google Fonts. There are a few dozen or so really great choices. And then there are many, many more not-so-great choices that lack italics and additional weights and that are plagued by poor kerning. So, while you should be wary of digging too deep on Google Fonts, there are definitely some less frequently used options, such as Alegreya and Fira Sans, that can hold their own against any commercial font.

I fully support the open-source nature of Google Fonts and think that making good type accessible to the world for free is a noble mission. As time goes by, though, the good fonts available on Google Fonts will simply become the next Times New Romans and Arials—fonts that have become so overused that they feel like mindless defaults. So if you rely on Google Fonts, there will always be a limit to how unique and distinctive your brand can be.

Try another web font service such as, Cloud.typography or Webtype#section7

It may have a great selection, but Typekit certainly doesn’t have everything. The library dwarfs the Typekit library, with over 40,000 fonts available. Hoefler & Co.’s high-quality collection of typefaces is only available through their Cloud.typography service. And Webtype offers selections not available on other services.

Self-host fonts from MyFonts, FontShop or Fontspring#section8

Don’t be afraid to self-host web fonts. Serving fonts from your own website really isn’t that difficult and it’s still possible to have a fast-loading website if you self-host. I self-host fonts on Typewolf and my Google PageSpeed Insights scores are 90/100 for mobile and 97/100 for desktop—not bad for an image-heavy site.

MyFonts, FontShop, and Fontspring all offer self-hosting kits that are surprisingly easy to set up. Self-hosting also offers the added benefit of not having to rely on a third-party service that could potentially go down (and take your beautiful typography with it).

Explore indie foundries#section9

Many small and/or independent foundries don’t make their fonts available through the major distributors, instead choosing to offer licensing directly through their own sites. In most cases, self-hosting is the only available option. But again, self-hosting isn’t difficult and most foundries will provide you with all the sample code you need to get up and running.

Here are some great places to start, in no particular order:

What about Massimo Vignelli?#section10

Before I wrap this up, I think it’s worth briefly discussing famed designer Massimo Vignelli’s infamous handful-of-basic-typefaces advice (PDF). John Boardley of I Love Typography has written an excellent critique of Vignelli’s dogma. The main points are that humans have a constant desire for improvement and refinement; we will always need new typefaces, not just so that brands can differentiate themselves from competitors, but to meet the ever-shifting demands of new technologies. And a limited variety of type would create a very bland world.

No doubt there were those in the 16th century who shared Vignelli’s views. Every age is populated by those who think we’ve reached the apogee of progress… Vignelli’s beloved Helvetica, . . . would never have existed but for our desire to do better, to progress, to create.

John Boardley, “The Vignelli Twelve”

Are web fonts the best choice for every website?#section11

Not necessarily. There are some instances where accessibility and site speed considerations may trump branding—in that case, it may be best just to go with system fonts. Georgia is still a pretty great typeface, and so are newer system UI fonts likes San Francisco, Roboto/Noto, and Segoe.

But if you’re working on a project where branding is important, don’t ignore the importance of type. We’re bombarded by more content now than at any other time in history; having a distinctive brand is more critical than ever.

90 percent of design is typography. And the other 90 percent is whitespace.

Jeffrey Zeldman, “The Year in Design”

As designers, ask yourselves: “Is this truly the best typeface for my project? Or am I just using it to be safe, or out of laziness? Will it make my brand memorable, or will my site blend in with every other site out there?” The choice is yours. Dig deep, push your boundaries, and experiment. There are thousands of beautiful and functional typefaces out there—go use them!

About the Author

Jeremiah Shoaf

Jeremiah Shoaf has been designing professionally since 2001 and freelancing full-time since 2007. His client list includes Discovery Channel, Animal Planet, PepsiCo, Sharp, and The Washington Post. He is also the designer, developer, and curator of Typewolf. He and his wife live in Colorado with their daughter and yellow lab.

25 Reader Comments

  1. Excellent advice and resources on typography for the web. Thank you Jeremiah.

  2. Great article. Well thought through and well written. It’s true: there are so many great and versatile typefaces, yet just a handful go mainstream. Result: missed opportunities to stand out and draw extra attention to your content. Hope designers (and site-owners) are inspired by this article to experiment more with type.

  3. I think a great deal of the same reuse of typefaces comes from known quality. I know i’ve found a cool font and tried to use it, only to realize it has bad character support or weird kerning when used on the web — or even worse (and all too common–i swear no one checks these things on windows machines), bizarre cross browser compatibility on google fonts… Do you have some suggestions on good, quality typefaces, particularly on google fonts, that are underused but excellent? I’d love to find some, but i just don’t have time to test them all out.

  4. I recently noticed the popularity and widespread use of Lineto’s Circular, and considered using it myself, but so far I have not found a web font service that offers Circular in their catalog. Upon further investigation I discovered many sites are self-hosting Circular, yet at the almost $1,000 price tag for a basic web use license from Lineto, I find it very hard to believe that the typeface is being used legally on most sites. Are web designers just pirating Circular or is there a more affordable licensing alternative that I have overlooked?

  5. Hi Imar,

    As far as I know, Circular is only available for self-hosting through Lineto. Piracy is definitely a huge problem. And getting caught pirating fonts happens all the time. I’ve seen many sites being called out publicly on Twitter for not properly licensing fonts. Good type is worth it, so $1,000 isn’t bad if your site has the budget for it.

  6. dot wrote:
    “I think a great deal of the same reuse of typefaces comes from known quality. I know I’ve found a cool font and tried to use it, only to realize it has bad character support or weird kerning when used on the web—or even worse (and all too common—i swear no one checks these things on windows machines), bizarre cross browser compatibility on google fonts…”

    I think a lot of designers share dot’s frustration. There are thousands of fonts that are, for one reason or another, unsuitable or, at least, very problematic for web use. But vendors leave the evaluation up to the customer. There is no ‘International Society Of Web Font Engineers’ stamp of approval, there is no regimen of tests applied by the vendor to assess whether or not a font is fit for use as a web font, no, there is only USER BEWARE. Caveat Emptor. And there is only so much time a designer is going to waste before giving up the hunt and following the rest of the pack.
    So, I think it’s not so much the safety of “known quality” that has designers closing ranks behind a small set of fonts as much as it is fear of the “unknown quality” of the fonts in the seemingly bottomless pits at sites like MyFonts or Fontshop. Almost all of those fonts were NOT designed as screen fonts with performance in browsers being the top concern. Fonts are still, nearly always, conceived as graphic arts tools where the requirements are, in some respects, less stringent than browsers and in some respects, more stringent than in browsers.
    In the age of system-fonts-only, designers had no choice but to use what they were given. What was in the font or how it was prepared was irrelevant. What difference did it make?
    Like a prisoner in solitary confinement, whatever was on the dinner plate they handed you, you ate. But in the age of web fonts, knowing what ingredients are needed to make a working web font is no longer useless information. It is expertise that must be acquired because the freedom to choose from among thousands of fonts is of potentially so much greater consequence than choosing from among the same old handful of web-safe system fonts as everybody else.
    As more and more designers become more and more familiar with fonts as tools engineered to meet specific requirements, the more they will be emboldened to break away from the pack. I hope.
    I believe it is mostly a matter of time.

  7. Just chiming in to second self-hosting. I was an early adopter of Typekit and I respect the Typekit team immensely for their leadership and generosity within the web fonts space. Though the interface can be a bit kludgy and buggy, I find myself using more due to their greater selection of fonts available for both web + print (so useful for branding projects that span a variety of media) and the fact that I can choose to self-host fonts. In my experience, remotely hosted fonts don’t load reliably fast enough, certainly not as much as they used to — maybe as more people rely upon these services? I can get much faster performance hosting the fonts myself, even with the required remote script call.

    I sheepishly admit to have used Lato Sans in the last few years, but it was genuinely the product of 1) needing an open source font for budget/licensing/project reasons, and 2) Lato was the only typeface in the Google Fonts library of the time that was built with an acceptable level (to me) of craft, with a nice range of weights, a beautiful italic, and the welcoming, inclusive personality appropriate for the brand. I’ve watched it explode since with some chagrin.

    I’m glad you mentioned Fira. It’s on my short list given the right project. Erik Spiekermann Meta-ish goodness at a price anyone can afford. 🙂

  8. Maybe one of the reasons is this: when someone wants to create a website, they search for the best Font…where?

    Open, search for “best font for website”…and from this comes the “we can’t browse the web for 15 minutes without encountering Open Sans and Lato”

    People need to be educated, in order to understand that there is not “best font”, only “best font for your website”.

  9. “there is no regimen of tests applied by the vendor to assess whether or not a font is fit for use as a web font”

    Well, that’s not entirely true and very much depends on the foundry or supplier of webfonts. I know that Webtype for instance has a pretty rigorous quality assurance routine for all fonts they offer—and so have other independent foundries—and the fonts work reliably well across all browsers in the sizes they recommend them. I guess it boils down to the trite phrase “you get what you pay for”.

  10. In response to my:
    “there is no regimen of tests applied by the vendor to assess whether or not a font is fit for use as a web font”

    kupfers wrote:
    “Well, that’s not entirely true and very much depends on the foundry or supplier of webfonts.”
    etc…. and Font Bureau’s Webtype is held up as an example of rigorous quality assurance.

    First, thanks for writing webfont as a single word. I hope that becomes a universal trend. it helps conceptually because fonts on the web are, indeed, a different animal than fonts installed as graphic arts tools in the operating system. Second, I’m familiar with Webtype’s selection, and I admire the quality of the screen rendering quality of the entire catalog. OK? We good? I would expect no less from D. Berlow & Co.

    Shameless self-promotion: I’m giving a 40 minute talk at Sota’s TypeCon conference in Seattle this year that’s about one part of this problem: the need for more Unicode character points to support how browsers handle fonts, as opposed to how a graphic arts tool like InDesign handles fonts.
    I understand you’ll be there. So bring your boxing gloves.

    A parting shot: speaking of Webtype, take a look at the character set for the font Escrow Banner Compressed Roman at:
    Now, figure out exactly what languages are supported by that character set and, just as importantly, which languages are NOT. (I’m sorry, but the terms Latin 1 or Latin 2 don’t mean anything meaningful to anybody, if indeed, they ever did.)
    Then, after you know that. Put each character on trial for its life. Do you really need glyphs that show hands with pointing index fingers? Probably not and, contrary to every tutorial I’ve ever read – the size of a font is not tied to the number of glyphs a font has. All glyphs are not created equal. The size of a font is tied to the number of points and curves that it has – because that’s what determines the amount of data within it. And those faux engraved little do-dads like that take up a LOT of data.
    You don’t see too many grunge fonts – or any grunge fonts – being used as web fonts do ya? That’s the reason. Too many points and curves involved for even a rudimentary character set.

    I think like the network systems engineer turned web developer that I am – you don’t, that’s the diff.

    But dress British, think Yiddish, and you’ll be OK.

  11. Great insight to web typography. As a web developer working with designers, I constantly hear and see the same typefaces being used in projects which creates a mindset that these are the “best” fonts out there – “mere-exposure”.

    Your article has opened up avenues which I could take when it comes to selecting the right typeface for a project. In fact, I have taken in account your Proxima Nova sans-serif alternatives for a website I am currently working on.

  12. Great article about Web typography, Jeremiah.

    You raised some insights I haven’t considered before.

    As far as decisions go selecting type, though, I have a sense that often, to quote Freud, sometimes a cigar is just a cigar. Aside from sites where design creativity is emphasized, it often seems (at least to me) that ruthless practicality is the rule, not the exception, when it comes to selecting type. With the multitude of other challenges to creating (and getting client buy-in) Web experiences, this may often come down to a simple heuristic of practicality for quick acceptance.

    Being multilingual (and thus is the content on my site), I know first-hand of the challenges of limited character sets for many webfonts other posters have noted. And this isn’t for an obscure language–it’s German. I can only imagine how it is for other languages, especially non-Indo European languages that use the Latin alphabet.

    Another constraint of Web typography is page load. Coming from a print background, it took me a bit of adjustment to becoming more creative in selecting site typography. Type families such as Knockout or Gotham offer a wide range of diversity within the family, but the bandwidth hit forces more limited set usage than in print. Just another creative challenge that needs consideration when approaching Web typography.

    It’s heartening to see that my own typographic brand choices aren’t listed as overused. But then, I didn’t have to negotiate with anyone on the license budget.

  13. Great article thanks.

    Choosing the well trodden path may also come down to confidence. There are many pitfalls in typography and it is easy to be scared of ridicule and scorn.

    Your article is a nice reminder to go out and experiment and perhaps not be too scared of failure or not knowing something. Someone will probably point it out to you, and then you can learn.

  14. I’m guilty of using all of the fonts you mentioned. As a designer you gravitate towards fonts with multiple weight choices. Google Fonts seems to work better on the web than Typekit does. Thanks for the heads up on Fira Sans!

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The hacking and drinking scene from “The Social Network”

doesn’t have a professor anywhere in the picture and that is pretty accurate. Coding is not a skill embellished within the walls of academia. It is a talent that gets perfected by those outside the “book smart” set.

I am not a fan of my son prepping for such coding job interviews as in The Social Network, especially because he is only 12 years of age! But getting him started now on coding can only help his future.

There is a West Coast college that costs way beyond $20,000 to get into and I am not sure instructors there teach their students how to handle The Social Network assignment – hacking and interception. I am pretty sure that if you called instructors at the college and asked “Do you teach your students ‘to gain root access to a python web server, expose its SSL encryption and intercept all traffic over its secure port … all behind a Pix firewall emulator?” there would be silence or a dial tone on the other end.

Do our schools teach:
 Python?
 Ruby on Rails?
 PHP?

Why aren’t they?

Check out higher education course syllabuses and you likely will see few mentions of these items anywhere within the classroom setting.

Why are we waiting until college to have kids get involved in coding? I believe that kids in high school, or maybe even grade school, would have an easier time reading, writing and understanding the code language. Much like any foreign language, the earlier you get students immersed in the language, the more fluent they become. Why are we not teaching code in grade schools and middle schools?

As an example, even if you just had kids play a code-learning game, like’s Code Hero ( ), an hour a week, it could mean big bucks for those kids later in life. By having the basics of code language, as well as having fun with code, they could be well on their way to lucrative IT careers. With such games, you could also find the naturals with code and steer them down more IT avenues. Activities like Code Hero let youth make their own game while learning code in the process.

I have my son creating a blog this summer just so he learns the fundamentals of coding. While giving him some coding knowledge, it also will help him with his reading and writing skills. Plus, it starts getting him ready for that Facebook interview in nine or 10 years (minus the shots I hope)!

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Ascension opens for public worship

Greetings to the people of The Church of the Ascension! We are thrilled to announce our doors are reopening for public worship! Even though The Diocese of Mississippi is allowing churches across the state to gather again, there are some changes to know about as we try to keep everyone healthy and safe.

Ascension’s doors will open for public services every Sunday following all safety guidelines recommended by Bishop Seage and Governor Reeves.

The biggest change is moving to three services rather than two. The 8:00 a.m. service will be basically the same as before the pandemic; however, the congregation of the 10:30 a.m. service must be halved to meet social distancing guidelines.

If your last name begins with A-G, please attend the new service at 9:15 a.m. If your last name begins with H-Z, please attend the service at 10:30 a.m.

If you are scheduled to read or serve in any capacity, please come as scheduled, regardless of where your last name falls in the alphabet.

“I apologize if the above schedule is inconvenient for anyone,” Senior Warden Barbara Hammer said. “If you live in a household in which two adults have last names that fall in different segments of the alphabet, just choose the 9:15 or 10:30 service. Please, if you feel unwell, stay home. If you are not comfortable getting out yet, please stay home.”

Although the church has been airing prerecorded and edited services every Sunday and Wednesday through the time of virtual services, Ascension is moving towards a live broadcast every Sunday to continue reaching people who are not comfortable with returning to physical worship yet. The live stream can be found on the church’s Facebook page by searching for Ascension – Hattiesburg. Several parishioners have donated better equipment, such as high definition cameras, microphones, a laptop, and other hardware and software, to help make the broadcast a better quality.

Other important points to remember before attending a public service include:

  • Take your mask if you have one. There are a few available just inside the front door.
  • Disposable bulletins will be used instead of Books of Common Prayer, hymnals, etc.
  • Social distancing of at least six feet except for members of the same household
  • No handshaking, hugging, or other contact during The Peace
  • Hand sanitizer will be available
  • An offering station will be available instead of passing the plates
  • Communion of one kind will be served at a station rather than kneeling at the alter
  • No Sunday school, Biscuits & Bibles, or Coffee Hour currently
  • High traffic and common areas will be sanitized


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Sports Betting As The Business

Whether you bet on sports for entertainment or profit, an individual has a betting system. It may be nothing more than picking your favorite team and setting up a few bucks on them. Or you may use one of those 97% miracles sold by somebody claiming to be John Morrison.

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No an individual who engages in sports betting wins a thing if an activity is known as a push, but your are performing get how many your original bet away. The point spread is drained order to create the every one of the bets fall out even for your sports book, and is normally done for sports because basketball or football.

If you’re into team sports but still want to take pleasure from the thrill of sports betting, a time at the races is exactly thing a person. Gambling on horse races counts one of several oldest a great number of prestigious connected with gambling and it’s enjoyed by means of United States, Middle East, Australia, and Europe. Certain horse races, such beeing the Kentucky Derby, rank the most iconic competitive sports in planet.

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There is one more thing that you may to chances understanding that is to create use a good effective sports betting software or system. Why don’t you consider try John Morrison’s sports betting Champ programme? It’s highly regarded as one of the better if you can ever get involved in today’s store. If you are still skeptical or somehow undecided whether to go to for that betting system or not, then what you need in order to learn and understand many benefits in utilizing that particular system.

The fact is, these “reviews” and websites are actually referred to as a presell on the net marketing sphere. They are designed to help reinforce people already for you to believe in the product, and to “confirm” buy to be a wise particular. Many will be vague for that contents since writer has never even seen the system.

Overall, when you find a sports betting system that works, remember to continually stick on it. There are several websites folks that will say that they have all preferred picks but they most have likely the same knowledge anyone. Do not fall for สมัครเอเย่นต์เว็บบาคาร่ายูฟ่าเบท being that they are just looking to take your dollars. Once you learn how supplementations the best picks possible, you in no way make a pick again without assistance from a trusted system that works.

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Amanda Barber

Stories, songs, and thoughts on life.

I am currently accepting voice, piano, and violin students. Learn more or

My Bird, Cora

26 September 2013

“My neighbor gave me this bird that they bought for their six-year-old daughter. But it just wasn't working out. Do you want it?”

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text:
 Ralph Dumain: "The Autodidact Project": Web Guide: Martin Gardner, Mathematical Games, & the Fourth Dimension

Ralph Dumain

Martin Gardner, Mathematical Games, & the Fourth Dimension

On this site

Dumain contributions

Mathematical Games: Counting Systems and the Relationship between Numbers and the Real World” by Martin Gardner, Scientific American, “Mathematical Games” column, June 1968 [Excerpt including acknowledgments of R. Dumain et al for solutions to Baker’s Solitaire problem, not included in the anthologies]

The fourth dimension

Black mystic in hyperspace by R. Dumain

Gustav Spiller Against the Fourth Dimension

Frank Blighton & the Fourth Dimension

Into the Fourth Dimension” by Frank Blighton

Into the Fifth Dimension” by Frank Blighton

The Hop on Hyperspace” by Frank Blighton

Friedrich Engels on Empiricism, Spiritualism, Science, Mysticism, and Philosophical Naivete

La naturesplorado en la mondo de la spiritoj de Friedrich Engels, elgermanigita de Vilhelmo Lutermano (in Esperanto)

Web guides & bibliographies

Board Games & Related Games & Recreations: Web Guide

Homage to Martin Gardner (October 21, 1914 – May 22, 2010) [all links incorporated into the present web page]

Bibliography of Board Games & Related Games & Recreations (As of 30 August 1994) in the collection of Ralph Dumain

Bibliography & Catalog of Board Games & Related Games & Recreations: Games Collection of Ralph Dumain: Supplement # 1 (1994-2008)

Algorithmic Puzzles: Selected Bibliography

Mathematical Fiction & Related Works: A Guide

Vladimir Nabokov: Science Fiction, Artificial Languages, Ars Combinatoria, Narrative Structure, Martin Gardner, Play: An Arbitrary Bibliography

Ramon Llull & His Influence: Select Bibliography & Web Guide

Doubt & Skepticism: A Directed Minimal Bibliography & Web Guide

Enrique Gaspar y Rimbau: El anacronópete — The First Time Machine

H. G. Wells’ The Time Machine: Selected Bibliography

Selected Non-fictions: Table of Contents by Jorge Luis Borges; Eliot Weinberger (ed.,tr.), Esther Allen (tr.), Suzanne Jill Levine (tr.)

Jorge Luis Borges: Selected Study Materials on the Web

The Cavalier: Covers & Contents

J. U. Giesy (John Ulrich, 1877-1948) & His Collaborators

Science Fiction & Utopia Research Resources: A Selective Work in Progress

On other sites

Dumain contributions

Martin Gardner @ Reason & Society

Testimonials (includes history of my engagement with Martin Gardner)

Martin Gardner Dead at 95

Testimonial 55: Ralph Dumain (Martin Gardner Testimonials)

Martin Gardner - Wikipedia, the free encyclopedia

List of Martin Gardner Mathematical Games columns - Wikipedia, the free encyclopedia

Martin Gardner bibliography - Wikipedia, the free encyclopedia

Essential web sites & bibliographical guides

Martin Gardner Home Site (Martin Gardner Centennial 1914-2014)

Martin Gardner Testimonials

Gathering for Gardner

Gardner Index by Carl W. Lee

Martin Gardner's Collections of "Mathematical Games" Columns by Brian Raiter

Martin Gardner: Mathematical Games

Martin Gardner's Mathematical Games: The Entire Collection of His Scientific American Columns (CD-ROM)

The New Martin Gardner Mathematical Library (Cambridge University Press)

Autobiography & documentary

A Quarter Century of Recreational Mathematics, by Martin Gardner, originally published in Scientific American,  August 1998; reprinted May 29, 2010

Martin Gardner Mathemagician,” episode of “The Nature of Things,” CBC, 1996 (YouTube, 46:04)

Miscellaneous tributes

Martin Gardner Communications Award, July 1994, with Gardner interview (YouTube, 14:08)

Game Inventor: Martin Gardner (a tribute from Kadon Enterprises, Inc.)

John Conway Reminiscences about Dr. Matrix and Bourbaki, by Colm Mulcahy, Scientific American blog, April 1, 2015.

Inspired by Martin Gardner

The Lives and Games of Martin Gardner - Numericana

Bulgarian Solitaire

Ask Dr. Matrix

The Mathemagician and the Pied Puzzler: A Collection in Tribute to Martin Gardner, edited by Elwyn Berlekamp & Tom Rodgers (Natick, MA: AK Peters, 1999)

The fourth dimension (hyperspace) & Flatland(s)

The Unexpected Hanging And Other Mathematical Diversions by Martin Gardner (1991 ed.) *

Martin Gardner | The Church of the Fourth Dimension by Giulio Prisco, October 13, 2012

Fourth dimension - Wikipedia, the free encyclopedia

Four-dimensional space - Wikipedia, the free encyclopedia

Fourth dimension in literature - Wikipedia, the free encyclopedia

Hyperspace - Wikipedia, the free encyclopedia

Johann Karl Friedrich Zöllner - Wikipedia, the free encyclopedia

Spiritualism - Wikipedia, the free encyclopedia

Gustav Spiller - Wikipedia, the free encyclopedia

Edwin Abbott Abbott - Wikipedia, the free encyclopedia

Flatland - Wikipedia, the free encyclopedia

Charles Howard Hinton - Wikipedia, the free encyclopedia

Sphereland - From Wikipedia, the free encyclopedia

Flatterland - From Wikipedia, the free encyclopedia

Rudy Rucker - From Wikipedia, the free encyclopedia

Flatland: A Romance of Many Dimensions, with Illustrations by the Author, A SQUARE [Edwin Abbott Abbott]

Flatland 1965 [film: YouTube]

Flatland: The Film (2007) [YouTube]

Flatland (2007 film) - Wikipedia, the free encyclopedia

The Flatland Store (Flatland: The Movie)

Flatland: The Movie - Wikipedia, the free encyclopedia (2007)

Flatland 2: Sphereland (2012) [IMDB]

Flatland — more YouTube video & audio

C4D | The Church Of The Fourth Dimension

Llull, Bruno, Borges, and the fourth dimension

Borges on Hinton

Charles Hinton and His Cubes by David Auerbach

Deflating Hyperspace” by David Pacchioli

Natural Science and the Spirit World in Dialectics of Nature by Friedrich Engels

Blindness (1977) by Jorge Luis Borges (mentions Spiller)

Mathematical Fiction: Motif=Higher/Lower Dimensions: Search here

Assorted references

Abbott, Edwin Abbott. The Annotated Flatland: A Romance of Many Dimensions; introduction and notes by Ian Stewart. Cambridge, MA: Perseus Publishing, 2002. (Re-published: New York: Basic Books, 2008.)

Gardner, Martin. “The Puzzles in Ulysses,” Semiotica, vol. 57, nos. 3-4 (1985), pp. 317-330. Also in Gardner, The Night is Large: Collected Essays, 1938-1995 (New York: St. Martin’s Press, 1996), pp. 354-367.

* Gardner, Martin. The Unexpected Hanging And Other Mathematical Diversions. 2nd ed. Chicago: University of Chicago Press, 1991. With updated chapters & bibliography, and an afterword. The original edition: New York: Simon & Schuster, 1969.

“The Church Of The Fourth Dimension,” 1969 ed., Chapter 6, pp.65-75; 1991 ed., same +  pp. 246-247 (in Afterword) + Bibliography, p. 256.

“An adventure in hyperspace at the Church of the Fourth Dimension,” “Mathematical Games” column, January 1962.

“Flatlands,” 1969 ed., Chapter 12, pp. 136-146; 1991 ed., same + p. 249 (in Afterword) + Bibliography, p. 259.

“Fiction about life in two dimensions,” “Mathematical Games” column, July 1962.

See also: “The pleasures of doing science and technology in the planiverse” [Dewdney], “Mathematical Games” column, July 1980.

And see also other columns & chapters:

“Is it possible to visualize a four-dimensional figure?”, November 1966.
“The orders of infinity, the topological nature of dimension and "supertasks",” March 1971.
“Hypercubes,” in Mathematical Carnival (1975)
“Spheres and Hyperspheres,” in Mathematical Circus (1979)

Note: I read The Unexpected Hanging in 1969, my likely introduction to Flatland and the fourth dimension.

Pickover, Clifford A. Jews in Hyperspace. Kindle Edition, 2009.

Pickover, Clifford A. Surfing through Hyperspace: Understanding Higher Universes in Six Easy Lessons. New York: Oxford University Press, 1999.

Home Page | Site Map | What's New | Coming Attractions | Book News
Bibliography | Mini-Bibliographies | Study Guides | Special Sections
My Writings | Other Authors' Texts | Philosophical Quotations
Blogs | Images & Sounds | External Links

CONTACT Ralph Dumain

Uploaded 14 December 2021
Last update 28 July 2022
Previous update 9 May 2022

Site ©1999-2022 Ralph Dumain


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Don’t push it

I just saw this article on MSN Real Estate about lenders pushing value on appraisers. This is serious and a major problem in the Valley.Â  The whole cash back fraud transactions which the Arizona Republic wrote about earlier this year was based on lenders and appraisers pushing the value.Â  Here is my post on thisÂ topic from earlier this year.

Just a reminder! 🙂

By the way MSN Real Estate also has a pretty good article on how to select a good Realtor.

This site is for informational purposes only. It is not sponsored or in any way affiliated with the government. If you are in need of a mortgage loan, consult with a licensed mortgage professional. All fair housing and equal housing opportunity laws apply when applying for a mortgage or buying a home. Copyright 2012.


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Tuesday, April 05, 2011

Information is Beautiful: Snake-oil or Supplement?

On Facebook, Highlight HEALTH points to this interesting data visualization. It's an interactive chart of health supplements and the evidence supporting their effectiveness for a given condition (e.g. green tea for cholesterol reduction). The higher the balloon "floats", the better the available evidence and the larger the balloon, the more popular (as measured in google hits) the intervention is. This is the statement on the evidence used to determine how high a balloon ranks.
We only considered large, human, randomized placebo-controlled trials in our data scrape – wherever possible. No animal trials. No cell studies. Many of the health claims made by the $23 billion supplements industry are based on non-human trials. We wanted to cut through that.

This piece was doggedly researched by myself, and researchers Pearl Doughty-White and Alexia Wdowski. We looked at the abstracts of over 1500 studies on PubMed (run by US National Library Of Medicine) and Cochrane.org (which hosts meta-studies of scientific research). It took us several months to seek out the evidence – or lack of.

You can see our key results in this spreadsheet. (It’s the same spreadsheet that generates the interactive image).
There's also a "worth it line" but no telling what that line actually means. It's a pretty cool way to visualize the data (personally I might have had the bubble size correspond to evidence rather than google hits since my eye is drawn more to that than the vertical scale). However, it suffers from the same problems as any attempt to simplify information... it's simple. Clicking on a bubble will take you to a single abstract supporting or refuting the particular supplement. Presumably more than one study is involved in each determination but nowhere, not even in the data used to make the chart (that is freely accessible on the site), is there an explanation of quantity or how quality was assessed. (Also, a nit-pick: while it says only randomized controlled trials (RCT) with placebo controls are considered, the first bubble I clicked on [green tea for cholesterol] took me to a non-RCT).

Complaints aside, it's a nice visualization, if limited. Clearly the designers aren't setting out to do formal systematic reviews for each indication, and by no means is it intended to be a final word resource for these things, but is more useful as an interesting starting point to think about these supplements. More importantly, it encourages thinking about what evidence exists, and highlights the fact that many of these things can and are tested - as any health intervention should be.

Lorna Vanderhaeghe products said...

I really don't know what's better but I'll go for supplements. Thanks for sharing that information by the way.

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Interior Designer Abigail Ahern's Prime Tips On Utilizing Muted Hues To Make A Room Really feel

25 Nov 2018 05:06

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Get inspired with these interior design and style tips from Jane Lockhart. Make certain there is not clutter in the vacation residence and never have as well numerous bold patterns and colours. Clean lines function properly and you can add colour and interest with art, statement pieces and bespoke accessories such as cushions, rugs and lighting. These things can all be very easily changed to update the appear for the time of three. Numerous individuals have heard of the rule of threes, and this is a classic interior design tip that will increase the decor in your house. This rule applies to wall hangings, the arrangement of furniture, and several other elements of your residence, and assists to develop an attractive and exciting space.Understand these six 3D interior design guidelines and start off creating your name as a 3D interior designer. In that time the spacecraft will have traveled five.six billion miles past Pluto. Its plutonium heart will beat softer with each mile, until it decreases to the point where there is no longer enough to help the systems that operate the spacecraft and communicate with Earth, according to Dr. Niebur.Interior designers do stick to recommendations based on research of colour and light theory to develop the look of far more space, although these might be observed as subjective and relying on intuition. Find out about space preparing, which enables you to design an interior that makes the most use of the offered space. This involves understanding how to use walls, floors, windows, and ceilings in your styles.Most of us have a firm sense of what we like and dislike when decorating a room—we've seen sufficient magazines, Television shows, Pinterest boards , and furniture retailers to know our style (or at least what we certainly don't want in our room). But decorating requires a lot more than just a sense of style to look right—proportions and design guidelines are equally crucial. We usually hear interior designers speak about scale when referring to good décor. You can buy the most gorgeous chandelier in the world, but if the size is incorrect for the space, it will look weird—guaranteed.Understand these six 3D interior design ideas and start off generating your name as a 3D interior designer. Whilst not meant to be a dramatization, we will discuss a handful of techniques to go from the descriptive image on the left to the emotive one to its appropriate. Considering lighting , components and entourage , to name a handful of basic components, goes a extended way in making incredible, dynamic and effortless to update graphics although totally engaging in the design and style process.Mirrors successfully double up your light sources. If you're challenged with decorating a cavernous space, location your mirrors close to a lamp or window. To accent your couch, spot two 20-inch-square pillows in a matching bold pattern in the corners. Overlap them with two 16-inch pillows in a coordinating strong colour. Add one particular lumbar pillow with a subtle pattern (like a pinstripe) for balanced design and style.Fitted living room furniture with built-in side tables that hug the wall is far better than having big single units and isolated tables. TVs and sound systems incorporated into storage are much more space-efficient than stand-alone units. You can also paint 1 wall a various colour to produce your personal focal point.Interior decorating is the art of decorating a residential house or industrial business according to a client's private preferences and style. It involves choosing color schemes, flooring supplies, furnishings, artwork, and accessories. It transforms an region into an aesthetically pleasing and budget-friendly design.Decorative accents in Scandinavian design are straightforward in style. Elegant ceramic vases like these Kähler Botanica Miniature Vases and pillows with geometric patterns like these Normann Copenhagen cushions add subtle color and texture to a house.By contrast, an interior decorator focuses on the aesthetic effect of a space, with out the structural planning or architectural element. For more info on More suggestions ( look at the internet site. Like designers, decorators are properly-schooled in the arts of layout, furnishings and colour schemes, and can support you develop a room with lasting visual impact. They will be specialists when it comes to finishing particulars that genuinely tie a area collectively, no matter whether it is a bevelled mirror over the mantel or a statement botanical-printed Typically, if individuals don't love tubs, you'll see them saying, ‘We just need 1. In case we require it. In case a guest requirements it. In case we sell the home,'" she says. At the same time, nonetheless, she notes many of her customers have installed gorgeous tubs and surrounding style elements. Bates even has a individual connection. My man loves tubs," she says with a laugh.At 60cm wide, Smeg's TR62 (£999, ) will fit in most kitchens and comes in cream or black. Freestanding drawer units and dressers will add to the rustic style. Scour second-hand shops and upcycle with a coat of Frenchic furniture paint in pea soup, £5.95 for 100ml ( ).

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