Under Milk Wood is a 1972 British drama film directed by Andrew Sinclair and based on the 1954 radio play Under Milk Wood  by the Welsh writer Dylan Thomas, commissioned by the BBC and later adapted for the stage. It featured performances by Richard Burton, Elizabeth Taylor, Siân Phillips, David Jason, Glynis Johns, Victor Spinetti, Ruth Madoc, Angharad Rees, Ann Beach, Vivien Merchant, and Peter O'Toole as the residents of the fictional Welsh fishing village of Llareggub.

Plot

Along the Welsh coast lies a village called Llareggub - or "bugger all" backwards - which is peopled with eccentrics like Captain Cat (Peter O'Toole), a seafaring man who is losing his sight; the sexy Rosie Probert (Elizabeth Taylor); and Mr. Waldo (Ray Smith), a jack-of-all-trades who is full of regret. The story is told by Richard Burton's character.

Cast

Production

The film was shot primarily on location in Wales and has since acquired a reputation among aficionados as a cult movie. "The film, beautifully photographed and spoken, casts the brooding spell of Thomas’ verse in its reconstruction of the seaside village and the daily round of its inhabitants", wrote Andrew Sinclair in the  International Herald Tribune.

The filming took place in Lower Town, Fishguard, Wales. The choice of location caused protest from some in Laugharne, the town forty miles away (60 km) where Thomas had written the play; an official there said, "To film Under Milk Wood anywhere but Laugharne would be as absurd as filming James Joyce's The Dubliners in Birmingham."

Jacquemine Charrott Lodwidge was the film's production researcher.

Reception
In The Times, John Russell Taylor wrote:

Taylor concluded that "the final effect is to leave one wondering what, precisely, is the point of the exercise".

In The Guardian, Derek Malcolm wrote:

Legacy
In December 2012 the director of the film, Andrew Sinclair, gave the film rights to the people of Wales.

See also
 Cinema of Wales
 List of Welsh films

References

External links

1972 films
British drama films
1972 drama films
Films about dreams
Films based on works by Dylan Thomas
Films set in Wales
Films shot in Wales
Welsh-language films
Films directed by Andrew Sinclair
1970s English-language films
1970s British films


Sally Rachel Banes (October 9, 1950 – June 14, 2020) was a notable dance historian, writer, and critic.

Life, education, and performance career

Born and raised in Silver Spring, Maryland, a suburb of Washington, D.C., Banes studied dance, and particularly ballet, throughout her childhood. She attended the University of Chicago and graduated in 1972 with an interdisciplinary degree in criticism, art, and theater. While at college, she worked as a lighting assistant and wardrobe mistress. She also belonged to a group known as The Collective. Joining in 1970, Banes became one of several actors who met several times a week to collaborate on work. These collectively written theater pieces were performed in workshops as well as public performances.

After graduating college, Banes continued to live and work in Chicago. In 1974, she founded the Community Discount Players which was a loosely organized company of actors, dancers, filmmakers,and visual artists. Like The Collective, the Community Discount Players focused on collaboration to produce work and performances. She also founded MoMing, which was a collectively owned theater where actors and dancers could come to teach one another class. It also provided an environment for further collaborative efforts and the performance of these partnerships. This is where she first performed for Kenneth King. She also performed in ‘’Paris/Chacon,’’ a dance-theater collaboration by Meredith Monk and Ping Chong.

In 1976, Banes moved to New York City. She continued exploring the post-modern world and attended workshops with members of Judson Dance. She also performed for Simone Forti, Kenneth King, and Meredith Monk. As she grew older, Banes continued to take dance classes in both Chicago and New York City. She studied ballet with Ed Parish and Peter Saul. She also studied modern with Jim Self, Maggie Kast, and Shirley Mordine as well as taking class at both the Martha Graham and Merce Cunningham studios. At one point she raised $70,000 for an alternative multicultural bicentennial celebration. In 1978 Banes produced a film of Yvonne Rainer's 1966 dance piece "Trio A (The Mind is a Muscle, Part 1)."

While in New York, she continued her education by enrolling in NYU’s Department of Graduate Drama. She earned her PhD with a dissertation on Judson Dance Theater. This dissertation was later published as ‘’Democracy’s Body: Judson Dance Theater, 1962–1964.’’ While doing her doctorate work, she studied under and with some of the biggest names in dance research. Her doctoral advisor was Michael Kirby and she also learned from Deborah Jowitt, John Mueller, Dale Harris, Gretchen Schneider, David Vaughan, and Selma Jeanne Cohen. Some of her classmates were Sally Sommer, Barbara Barker, Brenda Dixon-Gottschild, and Joan Acocella.

Personal life
Banes was married to fellow art and film philosopher Noël Carroll. In May 2002 Banes suffered a massive stroke, from which she never recovered. She remained cognitively and physically severely handicapped until her death of ovarian cancer on June 14, 2020.

Artistic work

Banes' first work, A Day in the Life of the Mind: Part 2, was created in collaboration with dancer Ellen Mazer. It was a day-long performance beginning at the lagoon in Hyde Park and ending at a popular local bar, Jimmy's. The audience followed the performers from the lagoon and down 57th Street while listening to a Charlie Parker record on repeat and having soybeans thrown at them. On the way, the performance traveled through Banes' apartment, conveniently located on 57th Street, where they were greeted by her grandmother. They exited onto her back porch and continued on. When it became dark nightgown-clad dancers appeared in the large lighted windows of the Regenstein Library as the performance continued to its end at Jimmy's. This work was meant to be a celebration of Hyde Park as well as the blurring of lines between everyday life and art.

Banes also collaborated with Ellen Mazer on a series of works about an imaginary 19th century woman named "Sophie," who was "sometimes a ballerina, sometimes a communist." In the piece Sophie Eats Shrimp, Banes and Mazer load cartons on and off a rental truck. In another piece, an old-fashioned washing machine and pieces of broken glass litter the stage. Banes continued to explore "Sophie" upon reaching New York in her piece Sophie Heightens the Contradiction which was performed at P.S. 122 in 1983.

Writing and research

Banes first worked for the Chicago Reader starting in 1973. Initially, she was in charge of theater and restaurant reviews. She also wrote book reviews for the Chicago Tribune. Sweet Home Chicago: The Real City Guide, coauthored by Banes, was her first published book. One day, a colleague approached her with a proposition. This colleague had been commissioned to write a book about modern dance but was claustrophobic and therefore could not sit through shows. Banes took over the project and decided that the best way to learn how to write about dance was to practice. Thus, she convinced her editor at the Chicago Reader to allow her to write dance critiques, and eventually became the Dance Editor. This book eventually became Terpsichore in Sneakers: Post-Modern Dance, published in 1980. She stayed at the Reader until 1976 when she moved to New York City.

Upon reaching New York, she continued working as a dance critic for the Village Voice, the SoHo Weekly News, and Dance Magazine, as well as working as editor for the Dance Research Journal from 1982 to 1988. Since these times, she has authored eight major books about dance, frequently of the post-modern era.

On top of an extensive written portfolio, Banes has taught at various institutions. She was an assistant professor at Florida State University in 1980. From 1981 to 1986, she taught at SUNY Purchase. From 1986 to 1988, she taught at Wesleyan University and from 1988 to 1991 she taught at Cornell University. Finally, starting in 1991, she began teaching at University of Wisconsin – Madison where she was the Marian Hannah Winter Professor of Theater and Dance Studies. She was also the chair of the dance program at UW – Madison from 1992 to 1996.

Banes was a past president and Honorary Fellow of the Society of Dance History Scholars. In 1989 and 1998, she presented at the Society of Dance History Scholars Conference. The first time her lecture was titled, "Merce Cunningham's Story." The second conference she presented "The Last Conversation: Eisenstein's Carmen Ballet".

Terpsichore in Sneakers: Post-modern Dance (1987)

This work is a history and critical study of post-modern dance. It specifically focuses on certain choreographers and their styles, motivations, goals, and works. The choreographers include Simone Forti, Yvonne Rainer, Steve Paxton, Trisha Brown, David Gordon, Deborah Hay, Lucinda Childs, Meredith Monk, Kenneth King, Douglas Dunn, and The Grand Union.

Rainer, Simone Forti, Steve Paxton, and other post-modern choreographers of the sixties were not united in terms of their aesthetic. Rather, they were united by their radical approach to choreography, their urge to reconceive the medium of dance. – Sally Banes, Terpsichore in Sneakers: Post-modern Dance

Democracy's Body: Judson Dance Theater, 1962–1964 (1993)

A history of the revolutionary Judson Dance Theater, whose choreographers and works represented the beginning of the post-modern movement, it not only tells the story of Judson Dance Theater but describes the dances produced by those in the group and the dynamics of the group's working relationships.

The choreographers of the Judson Dance Theater radically questioned dance aesthetics, both in their dances and in their weekly discussions. They rejected the codification of both ballet and modern dance. They questioned the traditional dance concert format and explored the nature of dance performance. They also discovered a cooperative method for producing dance concerts... Attracting a grassroots audience of Greenwich Village artists and intellectuals, the Judson Dance Theater affected the entire community and flourished as a popular center of experimentation. – Sally Banes, Democracy's Body: Judson Dance Theater, 1962–1964
Greenwich Village 1963: Avant-garde Performance and the Effervescent Body (1993)

This book focuses on the year 1963 and the changing face of the art world. It specifically focuses on Greenwich Village and the performing arts.

A distinctively twentieth-century, postwar, postindustrialist American avant-garde art: democratic yet sophisticated, vigorous and physical, playful yet down-to-earth, freely mixing high and low, academic and vernacular traditions, genres and media. There was a feeling – so unlike the early 1990s – that all things were possible... and permitted. – Sally Banes, Greenwich Village 1963: Avant-garde Performance and the Effervescent BodyWriting Dancing in the Age of Postmodernism (1994)

This book is an anthology of published and unpublished essays and talks about dance since the 1970s. Through this collection, as well as the evolution of her own writing and style of analysis, Banes explores the evolution of postmodern dance throughout the 60s, 70s, and 80s.

Perhaps to some readers this collection simply will appear to be a mélange. But I am convinced that it is emblematic of postmodernism, in a number of ways. It is, first of all, concerned with crossovers between 'high' and 'low' dance cultures – the avant-garde, the popular, the commercial, and the vernacular. Moreover, it analyzes relationships between mainstream dance and its counterstreams, which contest, challenge, subvert, and undermine the mainstream traditions. In terms of methodology, my approach is postmodernist in that it has a tendency toward the contextual, historical, and ethnographic. It is also concerned with bringing the margins to the center. – Sally Banes, Writing Dancing in the Age of PostmodernismDancing Women: Female Bodies on Stage (1998)

Banes' attempts to retell the familiar dance canonical history from the purely feminist perspective. She covers everything from mid nineteenth century Romantic ballet in France and Denmark to historical modern dance of the 1920s, 1930s, and 1940s in Germany and the United States to contemporary ballet from the 1930s to the 1950s in Europe and the United States.

In each chapter I focus on one or several dances, in order to retell the story of Western theatrical dancing from a woman-centered perspective. I analyze of representations of women are constructed in major works of the theatrical dance canon written by both men and women. Setting the creation of these works in socio-political and cultural context, I show that choreographers have created images of women that are shaped by – and that in part shape – society’s continuing debates about sexuality and female identity. I argue that the dance stage has often reflected and reinforced, but has also formed and in some cases criticized cultural conceptions of corporeality – in particular, conceptions of women’s bodies and identities – and that through dance, men’s attitudes toward women and women’s attitudes about themselves are literally given body on stage.  – Sally Banes, Dancing Women: Female Bodies on StageSubversive Expectations: Performance Art and Paratheater in New York 1976–1985 (1998)

This book is a collection of Banes’ reviews and articles concerning New York performance art and paratheater from 1976 to 1985. These articles were published chiefly in the Village Voice and the SoHo Weekly News, two alternative publications based in New York City. This time period was the height of the performance art genre, which had surpassed other forms of avant-garde to become “the preeminent form of avant-garde art.” This volume contains 90 articles and reviews including those of Yvonne Rainer, Meredith Monk, The Ringling Brothers, and Whoopi Goldberg.

Unlike mainstream theater productions, which can flourish or die according to critical reaction, performance art – usually operating on a shoestring budget or with funding subsidies – did not depend on a critical mass of spectators for economic well-being. And alternative press critics like me certainly did not wield the make-or-break power of the mainstream press. In any case, most of the performances were one-night stands or short runs and had ended by the time my reviews were published. So I felt a certain freedom in knowing that my role as a critic was not that of a judge, arbiter of taste, or consumer guide. Rather, my role was to join a longer-term conversation about performance art in a public yet immediate way. – Sally Banes, Subversive Expectations: Performance Art and Paratheater in New York 1976–1985Reinventing Dance in the 1960s: Everything was Possible (2003)

This book is a collection of essays analyzing the revolutionary and experimental art world of the 1960s. It consists of eleven essays, including one by Banes herself and a section of choreographers' statements from the White Oak PASTForward project, organized by Mikhail Baryshnikov. These choreographers include Trisha Brown, Lucinda Childs, Simone Forti, David Gordon, Deborah Hay, Steve Paxton, and Yvonne Rainer.

The 1960s was a decade of ferment in the arts, society, and politics. So many things that had been viewed complacently, in a world that seemed always to be the same as it ever was, were suddenly cast in a new light. And this led to a desire to cast off the old ways, to break all the rules, to find new directions and new freedoms. There were no limits, nothing that could not be tried, from rising up to protest injustices like racism, sexism, and the Vietnam War to ingesting mind-expanding drugs to sexual experimentation. – Sally Banes, Reinventing Dance in the 1960s: Everything was PossibleBefore, Between, and Beyond: Three Decades of Dance Writing (2007)

This book is a collection of Banes' reviews encompassing and incredible history of dancers and choreographers. These reviews feature everything from very early Bill T. Jones/Arnie Zane performances, to the beginnings of Pilobolus, to the discovery of breakdancing, to the world's introduction to Elizabeth Streb, as a performer.

Many of the emerging artists Banes reviewed are now luminaries of the historical canon... Like all collections of dance reviews, this one not only provides a valuable register of dances and dancers, it also points out the importance and responsibility of dance criticism as it engages with an art form whose history largely exists in movement, in a culture that privileges what can be written down. – Andrea Harris, Before, Between, and Beyond: Three Decades of Dance WritingDance Research Journal (Congress on Research in Dance)'' 29/1 Spring (1997), 30/1 Spring (1998), 31/1 Spring (1999)

In this specialized academic journal, Banes and Carroll debate Gregory Scott, at the time the Director of Doctoral Studies in Dance Education, NYU, in a series of 3 articles (and in conferences), when a reaction to post-modernism in dance has begun.  Scott argues for a traditional view of dance that has been applicable for over 2000 years, stemming from Plato's Laws II (665a), as “ordered body movement”, which Plato says makes choral art when combined with music or song (harmonia) in the theater. Ironically, this conception even allows Rainier's Trio A, which Banes championed, to be dance. Nevertheless, Scott critiques some of the principles of post-modernism as Banes and Carroll define them, setting up a further debate stemming from Carroll and Banes's ″Dance, Imitation and Representation″ (1999; espec. pp. 14-20), that continue most recently until 2019, in Scott's A Primer on Aristotle's DRAMATICS (also known as the POETICS), espec. p. 103.

Awards and honors

In 2003, Banes won the Lifetime Achievement Award for her Outstanding Contribution to Dance Research from the Congress on Research in Dance. The Society of Dance History Scholars has also given her a similar lifetime achievement award and Banes has won a Bessie Award for her Lifetime Contribution to Dance Criticism.

There is also a Biennial Sally Banes Publication Prize in her honor. This prize awards $500 to the publication that best explores the intersection of theater and dance or movement and has been published within the previous two years. The nominees are judged based on the innovation and rigor with which they explore their topic and the intersection therein. The first Publication Prize was awarded in 2009.

References
Notes

Wesleyan University faculty
1949 births
2020 deaths
American dance critics
Dance historians
Tisch School of the Arts alumni
Cornell University faculty
SoHo Weekly News people


Winfield R. Sheehan (September 24, 1883 – July 25, 1945) was a film company executive. He was responsible for much of Fox Film Corporation's output during the 1920s and 1930s.

As studio head, he won an Academy Award for Best Picture for the film Cavalcade and was nominated three more times.

Most famously, he nurtured the budding stardom of then-child star Shirley Temple, in such films as Stand Up and Cheer! and Curly Top.

A native of Buffalo, New York, Sheehan served in the Spanish–American War as a teen. After working as a cub reporter he became a police reporter for New York's The Evening World in the early 1900s. In 1910, Sheehan became the fire commissioner's secretary and in 1911 performed similar duties for the police commissioner. In the latter capacity, he helped the newly established studio of William Fox, stay afloat in the face of increasing pressure to fold from the Motion Picture Patents Company, which routinely absorbed, intimidated, and ultimately destroyed most fledgling studios.

The Fox case played a vital role in the destruction of the Motion Picture Patents Company's absolute control. Afterward, Sheehan became William Fox's personal secretary and two years later became the studio's general manager and vice president. He then served as Fox's chief of production from 1926 until 1935 when the studio became part of 20th Century-Fox and was replaced by Darryl Zanuck. After that, Sheehan became an independent producer until his death in 1945.

References

External links

American film studio executives
Producers who won the Best Picture Academy Award
1945 deaths
1883 births
Businesspeople from Buffalo, New York
American military personnel of the Spanish–American War
20th-century American businesspeople


The discography of the Claw Boys Claw, a rock and roll band from the Netherlands active since 1984, comprises a dozen albums and more than a dozen singles. After two independent releases, the band signed with Polydor. After three albums for EMI in the early nineties and one more in 1997, the band went into semi-retirement, from which it emerged in 2008, now under contract with Play It Again Sam (PIAS). As a result of the band's renewed activity, PIAS reissued the band's debut album, and EMI reissued a number of albums from the 1990s.

Albums

Compilation albums

Singles

References

Claw Boys Claw Discography
Claw Boys Claw Discography at Muziek Centrum Nederland

Discographies of Dutch artists


Hussam "Sam" Hamadeh (1971 – December 10, 2015) was a media entrepreneur based in New York with business interests in digital media, publishing, and film.

Hamadeh co-founded Vault.com in 1997 with his brother, Samer Hamadeh, and Mark Oldman. and served as the company's President through its successful sale in 2007 to private equity firm VSS, reportedly for nearly $100 million. In 2009, Hamadeh founded PrivCo, which provides data to subscribers on more than 500,000 private companies. Hamadeh was chief executive of PrivCo, and also a frequent commentator on private companies for mass media, until his death in December 2015.

Hamadeh was a graduate of UCLA, the University of Pennsylvania Law School with a JD, and the Wharton School of Business with an MBA. He spoke and wrote frequently about entrepreneurship, including serving as the Keynote Speaker at Wharton's Annual Entrepreneurship Conference.

Honors and awards have included Crain's Top Entrepreneur's Award, the Harvard Business School Club's Entrepreneur of the Year  Silicon Alley Reporter's "100 Most Important Internet Executives" Deloitte & Touche's 50 Fastest Growing Companies, and the University of Pennsylvania Law School's Young Alumnus of the Year award.

He served as an Executive Producer of films Home Movie starring Adrian Pasdar, and Made For Each Other starring Chris Masterson, Danny Masterson, and Bijou Phillips.

Hamadeh co-hosted a fundraiser for a Democratic congressional candidate with Twitter co-founder Jack Dorsey in January 2010.

References

External links

University of Pennsylvania Law School alumni
Wharton School of the University of Pennsylvania alumni
Living people
1971 births


Steve Seargeant (born 2 January 1951) is an English retired professional footballer who played in England and the United States as a left back.

Career
Born in Liverpool, Seargeant began his career with the youth teams of Everton. Seargeant turned professional in 1968, and made his debut in the 1971–72 season; he made a total of 80 league appearances for Everton between then and 1978. Seargeant later played in the NASL for the Detroit Express and the California Surf.

Personal life
His son Christian Seargeant is also a professional footballer.

References

1951 births
Living people
Oakland University people
English men's footballers
English expatriate men's footballers
Everton F.C. players
Detroit Express players
California Surf players
Expatriate men's soccer players in the United States
English Football League players
North American Soccer League (1968–1984) players
North American Soccer League (1968–1984) indoor players
Men's association football fullbacks
English expatriate sportspeople in the United States
Footballers from Liverpool


Tracy (Wilbur) High Continuation School is a public continuation school in Cerritos, California, serving grades 9-12. It is part of ABC Unified School District. The school has a teen parent program which gives teen parents the skill they need to raise a child.

References

ABC Unified School District
High schools in Los Angeles County, California
Public high schools in California


FC Dynamo Vologda () is a Russian football club from Vologda, founded on March 3, 1926 and competing professionally since 1966. They currently play in the Second League.

History
It was called FC Lokomotiv Vologda until 1966. After 2011 season, it was relegated from the Russian Second Division.
The highest level it ever achieved was Russian First Division, where it played in 1992 and 1993.

Current squad
As of 30 August 2023, according to the Second League Division B website.

Personnel

External links
Official website
Official VK

Association football clubs established in 1926
Football clubs in Russia
Sport in Vologda
1926 establishments in Russia


Lucky Day may refer to:

Music
 Lucky Day (album), a 2002 album by Shaggy, or the title song
 Lucky Day, an album by Jonathan Edwards

Songs
 "Lucky Day" (1926 song), a song written by De Sylva, Brown, and Henderson and recorded by Judy Garland (1956) and Ruth Olay (1959)
 "Lucky Day" (Nicola Roberts song)
 "Lucky Day" (Sasha song)
 "Lucky Day", a 1971 song by the Rascals from The Island of Real
 "Lucky Day", a song by Sasha from Greatest Hits
 "Lucky Day", a song by Thompson Twins from We Are Detective
 "Lucky Day", a song by Tom Waits from The Black Rider

Film and television
 A Lucky Day, a 2002 Argentine and Italian film by Sandra Gugliotta
 Lucky Day, a 2002 television film based on a story by Mary Higgins Clark
 Lucky Day (film), a 2019 film written and directed by Roger Avary
 Lucky Day, a character in Three Amigos

Other uses
 Lucky Day (lottery game), an Iowa state lottery game

See also
 Lucky Daye (born 1985), an American singer-songwriter
 My Lucky Day (disambiguation)


The Living Return is the fourth studio album by the British pop group Swing Out Sister. It was released in August 1994 on Mercury Records.

Charts
Although this was the first studio album by the group that failed to reach the UK Albums Chart, the lead single, "La-La (Means I Love You)", peaked at #37 on the UK Singles Chart. This song is a cover version of the 1968 hit by The Delfonics and appeared on the soundtrack of the film Four Weddings and a Funeral. "Better Make It Better" was also released as a single, although it did not make the music charts in either the UK or the US. The song "Mama Didn't Raise No Fool" was featured on the American basic cable and satellite television network, Disney Channel.

Reviews
New Musical Express magazine gave The Living Return an 8 out of 10 rating in its 17 September 1994 issue, saying that the album "...sounds divine, a glissando of strings and things, an aural bath for the ears." Q magazine also spoke favourably of the album, mentioning that	"SOS have an ear for a snappy arrangements and a mature lightness of touch as they gently echo Miles Davis, Weather Report and the whole modish Afro era." It rated the album with four stars and an "excellent" rating.

Track listing
All tracks composed by Andy Connell and Corinne Drewery; except where indicated
CD and cassette version
1. "Better Make It Better" - 6:53
2. "Don't Let Yourself Down" - 4:42
3. "Ordinary People" - 6:22
4. "Mama Didn't Raise No Fool" - 5:11
5. "Don't Give Up On A Good Thing" - 3:44  (Connell, Drewery, Derick Johnson, Tim Cansfield)
6. "Making the Right Move" - 10:32
7. "La-La (Means I Love You)" - 4:52  (Thom Bell, W. Hart)
8. "Feel Free" - 5:06
9. "Stop and Think It Over" - 6:03
10. "That's the Way It Goes" - 4:42  (Connell, Drewery, Johnson, Cansfield)
11. "All in Your Mind" - 4:15
12. "O Pesadelo Dos Autores" - 5:26  (Connell, Drewery, Maurice White, Airto Moreira, Regina Werneck, Tania Maria Correa Reis, Stevie Wonder, Sylvia Moy, Henry Cosby, Ivan Lins, Victor Martins, Aloysio de Oliveira, Herbie Hancock, Bennie Maupin, Burick)
13. "Low Down Dirty Business" - 5:19  (Connell, Drewery, Johnson, Cansfield)

The song "O Pesadelo Dos Autores" features a medley of the songs:

"Brazilian Rhyme" - Earth, Wind & Fire
From the 1977 album "All 'N All" (Maurice White)
"Celebration Suite" - Return to Forever
From the 1975 album "No Mystery" (Airto Moreira)
"Come with Me" - Tania Maria
From the 1982 album "Come with Me" (Regina Werneck, Tania Maria Correa Reis)
"My Cherie Amour" - Stevie Wonder
From the 1969 album "My Cherie Amour" (Stevie Wonder, Sylvia Moy, Henry Cosby)
"The Smiling Hour" - Kalima
From the 1984 single "The Smiling Hour/Flyaway" (Ivan Lins, Victor Martins, Aloysio de Oliveira)
"Butterfly" - Herbie Hancock
From the 1974 album "Thrust" (Herbie Hancock, Bennie Maupin)

A limited edition "edits" version was also available featuring edited versions of six tracks from the album.

Personnel
Swing Out Sister
 Corinne Drewery – lead vocals, arrangements
 Andy Connell – keyboards, arrangements

Additional Musicians
 Danny Gluckstein – programming
 Tim Cansfield – guitars (1-6, 8-13)
 Matt Backer – guitars (7)
 Derrick Johnson – bass guitar
 Myke Wilson – drums, timbales solo (12)
 Chris Manis – percussion
 Gary Plumley – saxophones, flute
 Richard Edwards – trombone
 John Thirkell – trumpet, flugelhorn
 Derek Green – backing vocals
 Erica Harrold – backing vocals
 Sylvia Mason-James – backing vocals

Production
 Ray Hayden – producer (1-6, 8-13)
 Swing Out Sister – co-producers (1-6, 8-13), producers (7)
 Mark McGuire – mix engineer, recording (7), mixing (7)
 Jamie Cullam – assistant mix engineer
 Luke Gifford – assistant mix engineer
 James Martin – photography
 Via Johnson – design
 Bennett Freed – management (USA)
 Stephen King – management

Studios
 Recorded at Opaz Studios and Strongroom (London, UK).
 Mixed at Strongroom and Metropolis Studios (London, UK).

References

1994 albums
Swing Out Sister albums
Mercury Records albums


The Jelgava massacres were the killing of the Jewish population of the city of Jelgava, Latvia that occurred in the second half of July or in early August 1941. The murders were carried out by German police units under the command of Alfred Becu, with a significant contribution by Latvian auxiliary police organized by Mārtiņš Vagulāns.

Background
Jelgava is a town in Latvia, about 50 kilometers south of Riga.  Jelgava was once the capital of the Duchy of Kurland until that semi-independent state was taken over by the Russian empire in 1795.  It is the principal city in the Latvian region of Zemgale, one of the four major regions of the country.  The German name for Jelgava is Mitau.  Jews began settling in Jelgava in the early 16th century, which was the start of the Jewish presence in Latvia.  Many leaders of the Zionist movement came from Jelgava.

German occupation
On Sunday, June 22, 1941, the German armed forces attacked the USSR, including the Baltic states, which had recently been forcibly incorporated in the Soviet Union.  The Germans advanced quickly through Lithuania, entered Latvia, and captured Jelgava on June 29, 1941.

The beginning of Holocaust in Jelgava
The Nazi occupation regime planned to kill as many "undesirable" people as possible in the immediate wake of the invasion.  "Undesirables" in the Baltic States included Communists, Gypsies, the mentally ill, and especially Jews.  The murders were to be carried out by four units called "special assignment groups" which have become known by their German name as Einsatzgruppen.   For the Baltic States the responsible unit was Einsatzgruppe A, initially under the command of Franz Walter Stahlecker.  The Nazi organization which furnished most of the personnel for the Einsatzgruppen was the Security Service, (German: Sicherheitsdienst),  generally referred to by its initials SD.
Jelgava is located on the road between Šiauliai, Lithuania and the major city and capital of Latvia, Riga.  When Einsatzgruppe A entered Latvia, its commander, Stahlecker, stopped at Jelgava shortly after its capture to organize a unit of Latvians to carry out the functions of the German SD and the Einsatzgruppen.

Part of the Nazi plan for the Jews in Latvia was to use propaganda, including the newspapers, to associate the Jews with the Communists and the NKVD, who had become hated in Latvia because of the Soviet occupation.  In Jelgava on June 30, 1941, Nacionālā Zamgale (National Zemgale) became the first newspaper issued in Latvia under Nazi control on June 30, 1941.  Stahlecker, possibly by pre-arrangement, selected the Latvian agronomist and journalist Vagulāns to be both the editor of Nacionālā Zamgale and also the commander of the Latvian SD unit in Jelgava, which later became known as the Vagulāns commando.
Carrying out the German wishes, the lead article in the first issue Nacionālā Zamgale praised Adolf Hitler and the German armed forces, and blamed the crimes during the Soviet occupation of Latvia on Jewish collaboration with the Communists.  Similar anti-Semitic articles appeared in every issue of Nacionālā Zamgale.  For example, the headline in the July 3, 1941 issue was "Free of Jewish Bolshevik Looters and Murderers."  The manner and style of the condemnations were different from prewar Latvian anticommunism, and indicated the direct control of the Germans over the editorial process.

Establishment of the German SD
As the front lines moved eastward, the Einsatzgruppen, who followed close behind the fighting, moved through Latvia in a few weeks.  The German authorities then established "resident" SD offices in the major cities of Latvia, including Jelgava.  The other offices were in Daugavpils, Liepāja, and Valmiera, with the main office in Riga.  Under the Jelgava office, suboffices were set up in smaller towns in the vicinity, including Ilūkste, Jēkabpils, Bauska, and Tukums.  A Nazi official named Egon Haensell was in charge of the Jelgava SD office.

The Vagulāns Kommando
Vagulāns had been a member of Pērkonkrusts, a Latvian ultranationalist and antisemitic organization in the 1930s. He claimed he had simply met Stahlecker on the highway to Riga, but Professor Ezergailis, questioned this, and stated that the possibility could not be ruled out that Vagulāns had been a pre-war SD agent in Latvia.  The Germans remained in the background in Jelgava, and it was Vagulāns who organized the killings.

Burning of the synagogues

Two or three days after the Germans captured the city, the  was burned, apparently by the Germans using hand grenades and gasoline. As the fire burned, the building was ringed by guards wearing German helmets.  It was said in the city the next day that the rabbi refused to leave the synagogue, and perhaps other Jews were burned in the synagogue, or brutalized outside.   Some Latvian onlookers of the burning expressed sympathy for the Jews, who were forced to march by and witness the burning prayer house.

Individual murders and perpetrators
Max Kaufmann, a survivor of the Riga ghetto states that there were a number of individual murders in Jelgava.  According to Kaufmann, these included Dr. Lewitas, who was shot dead in the cemetery, the educator Bowshower who with his child was executed in the marketplace, and the Disencik and Hirschmann families who were forced to dig their own graves.  Kaufmann states that according to his sources, participants in these murders, as well as the burning of the synagogue, included  Hollstein and Colonel Schulz, both Baltic Germans who had returned to Latvia from Germany.  Local Latvian perpetrators, also according to Kaufmann, included  Weiland (Veilands), Petersilins (Pētersiliņš), Kaulins (Kauliņš),  Leimand (Leimanis), and Dr. Sprogis (Sproģis).

Identification and isolation of the Jews
From his office at 42 Lielā street (Lielā iela) in Jelgava, Vagulāns used his new newspaper, Nationālā Zamgale, to promulgate his decrees.  On June 30, among other things, he ordered all veterans of the police and the Aizsargi up to the time of the Soviet occupation to report to the Security Police office.  He also forbade Jews to own, manage, or work in any food store.  On July 1, 1941, he ordered all building managers to register the building occupants with the security police.  This was the beginning of the identification of the Jews for murder, although it is unlikely that this was realized at the time by the managers.  Older Jews at that time in Jelgava could be readily identified by their conservative dress, but the younger Jews were indistinguishable from the Latvians and they spoke the Latvian language without an accent.

Vagulāns decreed that as of July 3, 1941, it would be illegal to sell anything to Jews, that the employment of all Jews was terminated, and those who lived in designated areas of the city were to vacate their residences by 18:00 hours on July 5, 1941.  Where they went is not clear, some sources say they were housed in warehouses and old factories near to the fish market, and others say they were housed near the railroad station.  It appears that based by the small sized of the authorized guard by July 14 the Jews were housed in a single large building.
Their homes were looted by auxiliary police, or at least by people wearing armbands in colors of the Latvian flag (red-white-red) who were pretending to be part of the auxiliary police.  Jews were not to enter theaters, cinemas, parks, museums and all other establishments or events.  They were not to listen to the radio and all radios were to be surrendered to SD headquarters.  At the same time these decrees were being published, the same newspaper, Nationālā Zamgale, was used by Vagulāns to publish anti-Semitic material which, in the opinion of Professor Ezergailis, was as bad or worse than the notorious German hate newspaper Der Stürmer.

Massacre
The exact date of the murder of the Jelgava Jews cannot be precisely determined. It occurred either on the weekend of July 25–26 or August 2–3, with evidence supporting both dates.<ref>Ezergailis, The Holocaust in Latvia, at page 169, n. 42.</ref>  Supporting an August 2–3 date for the murders is a directive by Vagulāns published on  August 1, 1941:

Aspects of the Jelgava massacre remain obscure.  Whether there was one continuous shooting over the course of a weekend, or several smaller shootings remains unknown.  The precise number of victims is not known; estimates of 1,500, 1550, and 2,000 have been proposed.  The German SD man who conducted the shootings was Alfred Becu, who at his trial in 1968 in West Germany, said he was following the orders of the Latvian SD man Vagulāns.  Becu also acknowledged that he'd been ordered by Rudolf Batz to take an Einsatzkommando detachment into Jelgava to kill the Jews.  Becu testified that he was only in Jelgava a few days, left and had been in a state of shock ever since.  The killing site seems to have been at a former shooting range of the Latvian army located about 2 kilometers south of Jelgava, near the highway that ran to Šiauliai in Lithuania.Testimony of Wilhelm Adelt, Schwurgericht Köln, Trial Records of Alfred Becu, 1968, as excerpted and reprinted in Ezergailis, at The Holocaust in Latvia, at page 228.

According to a witness, Wilhelm Adelt, who commanded the perimeter guard at a three-day shooting, men, women and children, with the men predominating, were brought out to the shooting range, where on each day they were forced to dig a pit about 20 to 50 meters long and 2 meters deep.  They were compelled to remove their outer clothing and surrender any valuables they were carrying.  The victims were led to the pits by Latvian auxiliary policemen carrying rifles and wearing armbands.  8 to 10 Jews were killed at a time.  The shooters were SD men, who used bolt-action rifles.  Some shooters stood, and others knelt.  The precise number of killers is not known.  After being shot, some victims fell in the pit, others collapsed along the edge.  Becu, who also gave the command to shoot, walked among the victims and shot again the still-living ones with his pistol.  More victims were then brought up, shot, and pushed into the grave.  When the pit was full, Latvians covered it up with sand.  On each day of the killing, the victims would first be forced to dig a new pit and the process would continue.  According to Adelt, Becu said "'the Jews had to be killed because they did not fit into the Nazi regime, and that Jews in general would be rooted out.'"  The method described by Adelt was similar to the many killings committed by Einsatzkommando 2 in the Biķernieki forest.  Adelt testified that about 500 to 600 people were killed in the three-day massacre.  Professor Ezergailis states that if this was the single major massacre, the total must have been three times as high.

 Survivor accounts
There appear to be no survivor accounts of the Jelgava mass shootings. An account is provided by Frida Michelson, a women's clothing designer from Riga who was working in a forced labor detail in the field near Jelgava:

 Results and aftermath
Virtually the entire Jewish community of Jelgava was killed during the course of the massacres and the other persecutions.  Afterwards, the Nazis posted signs at the entrance to the town which said "Jelgava is cleansed of Jews" (judenrein).Michelson, Frida, I Survived Rumbuli, at page 62  Police Battalion 105 was a Nazi organization assigned to the Baltic states with the task of killing Jews, Gypsies, and others.  On July 20, 1941, a salesman from Bremen, who had enlisted in Police Battalion 105, wrote to his wife from Jelgava, complaining that there were no more Jews left in the city to act as domestic servants, and added, possibly sarcastically, "They must be working, I suppose, in the countryside."

In July 1941 Latvia and the other Baltic States were incorporated with Belarus (then known as White Russia or White Ruthenia) within a German occupation province called Ostland.  Over Ostland the Nazis installed Hinrich Lohse with the title of National (or Reich) Commissioner (Reichskommissar).  Under Lohse, Latvia itself was governed by Otto-Heinrich Drechsler with the title of Commissioner General (Generalkommissar).  Latvia was broken up into six areas, of which Jelgava was one, with each area under the control of a Territorial Commissioner (Gebietskommissar).  For the Jelgava territory, Freiherr Walter von Medem was appointed Gebietskommissar.  Browning and Matthaüs report in their book that
  In 1942, the Nazis removed and sold all the tombstones in the Jewish cemetery and leveled the site.  Jelgava itself was mostly destroyed in later fighting in World War II.

 Memorials
Memorials have been constructed in the Jewish cemetery and in the forest near the city where the Jews were killed.Jelgava, the Jelgava Forest Center for Judaic Studies at the University of Latvia
Holocaust Memorial Places in Latvia

 Notes

 References

 Historiographical
 Browning, Christopher, Nazi Policy, Jewish Workers, German Killers, Cambridge University Press 1999
 Dribins, Leo, Gūtmanis, Armands, and Vestermanis, Marģers, Latvia's Jewish Community: History, Tragedy, Revival (2001), available at the website of the Latvian Ministry of Foreign Affairs
 Dribins, Leo, "Kurzeme's and Zemgale's Jews", University of Latvia website
 Ezergailis, Andrew, The Holocaust in Latvia 1941-1944—The Missing Center, Historical Institute of Latvia (in association with the United States Holocaust Memorial Museum) Riga 1996
  Hilberg, Raul, The Destruction of the European Jews (3d Ed.) Yale University Press, New Haven, CT 2003.
 Kaufmann, Max, Die Vernichtung des Judens Lettlands (The Destruction of the Jews of Latvia), self-published, Munich, 1947, English translation by Laimdota Mazzarins available on-line as Churbn Lettland -- The Destruction of the Jews of Latvia (all references in this article are to page numbers in the on-line edition)
 Lewy, Guenter, The Nazi Persecution of the Gypsies, Oxford University Press 2000
 Lumans, Valdis O., Latvia in World War II, Fordham University Press, New York, NY, 2006
 Roseman, Mark, The Wannsee Conference and the Final Solution—A Reconsideration, Holt, New York, 2002

 Personal accounts
 Michelson, Frida, I Survived Rumbuli, (translated from Russian and edited by Wolf Goodman), The Holocaust Library, New York 1979

 War crime trials and evidence
 Jaeger Report, "Complete tabulation of executions carried out in the Einsatzkommando 3 zone up to December 1, 1941" reproduced at Holocaust History.org
 Stahlecker, Franz W., "Comprehensive Report of Einsatzgruppe A Operations up to 15 October 1941", Exhibit L-180 (excerpts of extensive report), translated and reprinted in Office of the United States Chief of Counsel For Prosecution of Axis Criminality, OCCPAC: Nazi Conspiracy and Aggression'', Volume VII, pages 978–995, USGPO, Washington DC 1946 ("Red Series")
 Trials of War Criminals before the Nuremberg Military Tribunals under Control Council Law No. 10, Nuernberg, October 1946 - April 1949, Volume IV, ("Green Series) (the "Einsatzgruppen case") also available at Mazel library (well indexed HTML version)

External links

 Jewish community of Jelgava website
 Ministry of Foreign Affairs of the Republic of Latvia, Holocaust Education, Research and Remembrance in Latvia, 16 Sept 2003
 Model of Jelgava synagogue, at Shamir Latvia website
  Команда Мартиньша Вагуланса. Из истории Холокоста в Елгаве // Доклад на международной конференции «Вторая мировая война и страны Балтии. 1939—1945 г.». Опубликовано на Dialogi.lv 18 декабря 2006
   Романовский Д. Коллаборанты и их роль в Холокосте в Латвии и Литве // Лехаим, октябрь 2007

Jelgava
1941 in Latvia
July 1941 events
August 1941 events
Massacres in 1941
Einsatzgruppen
Mass murder in 1941
Holocaust massacres and pogroms in Latvia


Armand Tanny (March 5, 1919 – April 4, 2009) was an American Muscle Beach bodybuilder. He won national titles in 1949 and 1950.

After attending the University of Rochester, he moved to Los Angeles, transferring to UCLA. He enlisted in the Coast Guard in World War II, serving until discharge due to injury. He completed his degree in physical therapy.

Tanny advocated a raw food diet. He preferred tuna, beef, lobster as well as nuts, fruits and vegetables. Tanny, the younger brother of fitness entrepreneur Vic Tanny, was a weightlifter prior to becoming a bodybuilder. He placed first in both the 1949 Pro. Mr. America and the 1950 Mr. USA competitions.

Later, as one of a group of bodybuilders in Mae West's nightclub act, he organized a strike when West attempted to reduce pay of the group.

He spent much of his career writing about fitness, and was featured in numerous bodybuilding magazines.

References

1919 births
2009 deaths
American bodybuilders
People associated with physical culture
Raw foodists
University of California, Los Angeles alumni
United States Coast Guard personnel of World War II
University of Rochester alumni


Collinsia corymbosa is a species of flowering plant in the plantain family known by the common name round-headed Chinese houses. It is endemic to the coastline of California north of the San Francisco Bay Area, where it is uncommon and scattered. Its habitat is the sand dunes of the immediate coastline. This is an annual herb producing a scaly, hairy, red to reddish green stem which grows upright or decumbent to a maximum length of about 25 centimeters. The thick, sparsely hairy leaves are rippled and lobed along the edges, which may be somewhat turned under. The inflorescence is a dense whorl of several distinctive flowers. Each has a hairy calyx of lobed reddish sepals and a corolla up to about 2 centimeters long. The flower has two small upper lobes and three longer lower lobes which come together in a nearly tubular shape. It is generally white with a light purple tint. The smaller upper lobes curl back and dry to brown at their lips.

References

External links
Jepson Manual Treatment
USDA Plants Profile
Photo gallery

corymbosa
Endemic flora of California
Natural history of the California chaparral and woodlands
Natural history of the California Coast Ranges
Plants described in 1868


FC Zvezda Serpukhov () is a Russian football club from Serpukhov.

History
It was founded in 2006 by merger of Serpukhov clubs FC Lokomotiv-M (2002–2005) and FC Serpukhov (1999–2005). Zvezda played in Russian Second Division (Center zone) in 2006–2009. Since 2010 it plays in amateur Russian championship (Moscow oblast zone, group A).

Another Serpukhov club existed in the past was also named Zvezda in some part of its history (its names: Serpukhov town team – 1961–1962, Zvezda – 1963–1967, Avangard – 1968–1969); it played in Soviet lower leagues. Current club declares itself legatee of historical club heritage.

Sources

External links
Official Website

Association football clubs established in 2006
Football clubs in Russia
Football in Moscow Oblast
2006 establishments in Russia


Sean Ray is an American-Australian rapper, producer and musician based in Sydney, Australia.

Biography
Sean Ray Mullins, known by his alias Snob Scrilla, was born in Clovis, California where he attended Buchanan High School. After moving to Australia and making a hometown of Katoomba, New South Wales, it was whilst living in Newcastle that Ray began making music. This was followed by a relocation to Sydney.

His popularity amongst Australian Indie crowds is largely due to his debut single in 2008 titled "There You Go Again". He has played at Parklife and Homebake 2008, he has also been a supporting artist for Faker's 2008 tour as the opening act.

He wrote the ARIA Award-winning, multi platinum Jessica Mauboy hit song "Running Back".

The song officially titled "........." (nine periods), generated massive interest as the soundtrack for a promotional advertisement for the show Rush on Network 10.

Snob Scrilla became the support act for Matisyahu's Australian leg of his 2009 tour.

Snob Scrilla's first headline tour the "Farewell Monkey Tour" began in August 2009 and toured Australia nationally. Dash and Will, Amy Meredith and other provided support acts for various shows. Soon after he began touring as official support for Phrase's Clockwork tour.

The Adelaide radio station "Nova 91.9" dedicated a day for listeners of the show to 'Zombie Shuffle' with Snob Scrilla down Rundle Mall.

In 2011 he produced the club song We Run The Night by Havana Brown and announced he was relocating to Los Angeles to work on the next album.

He also appeared on the track "Can't Stop the Love" by British girl group Neon Jungle, which was on their debut album Welcome to the Jungle.

Discography

Albums
Day One – Ivy League Records (2009)

EPs
The Day Before – Ivy League Records – (2008)

Singles
"There You Go Again" (2008)
"Houston" (2008)
"Heartbreak Scorsese" (2009)

Other charted songs

Band members
 Ardie Worsley - Drums & Percussion (2008-2011)
 Miles Readman - Keys & Synths (2010-2011)
 Cassian Stewart Kassimba - Keys & Synths (2008-2010)
 Leon Seenandan - Guitars (2008-2010)
 Wax Motif - DJ (2008-2010)

References

External links
Official website
J Play
Triple J Unearthed
MTV Artist Biography

1984 births
APRA Award winners
Australian alternative rock musicians
Living people
Musicians from Sydney


Cain's Offering is a Finnish power metal supergroup that formed in 2008.

History
Cain's Offering was formed by former Sonata Arctica members Jani Liimatainen and Mikko Härkin, Stratovarius singer Timo Kotipelto, Norther and Wintersun bass player Jukka Koskinen and drummer Jani Hurula. Their debut album Gather the Faithful was released in July 2009 through the Japanese label Marquee Inc.. All music and lyrics were written by Liimatainen. On June 25 the band announced that they have signed a deal with Frontiers Records and that their debut album will be released on August 28 in Europe and on September 11 in the USA.

Many fans were asking about a tour, and this is what Jani said in an interview with "Power of Metal":

In June 2014, a new official Facebook page was created for Cain's Offering, and Jani mentioned that he plans to have a new Cain's Offering album written by September - according to him, he has four songs almost finished, and four more that he composed with Kotipelto. At least two of them would be used in a future album by Cain's Offering or Stratovarius.

On 5 March 2015, the title and tracklist of their second album was announced on the band's official Facebook page. The album is called Stormcrow. The album was  released on 15 May 2015 in Europe and on 19 May 2015 in North America. In Japan, the album was planned to be released on 29 April 2015.
On 15 April, one month before the European release, the band released a lyric video of the first single called "I Will Build You a Rome".
The band surprised fans again on 22 April 2015 by releasing yet another song from the forthcoming album. This time it was the title track "Stormcrow". Both songs are available for download on iTunes. The band also announced their first ever live performances at a mini-tour of two dates in Japan in 2016.

Band members

Current members
 Timo Kotipelto – lead vocals (2009-present)
 Jani Liimatainen – guitar, backing vocals (2009-present)
 Jani Hurula – drums (2009-present)
 Jonas Kuhlberg – bass (2014-present)
 Jens Johansson – keyboards, piano (2014-present)

Former members
 Jukka Koskinen – bass (2009-2014)
 Mikko Härkin – keyboards, piano (2009-2014)

Timeline

Discography
Gather the Faithful (2009)
Stormcrow (2015)

Music Video
I Will Build You a Rome (Lyric Video) (2015)
The Best of Times (2016)

References

External links
Official website
Official Cain's Offering Facebook
Official Cain's Offering MySpace

Finnish musical quintets
Finnish power metal musical groups
Heavy metal supergroups
Musical groups established in 2009


Oklahoma law is based on the Oklahoma Constitution (the state constitution), which defines how the statutes must be passed into law, and defines the limits of authority and basic law that the Oklahoma Statutes must comply with. Oklahoma Statutes are the codified, statutory laws of the state. There are currently has 90 titles though some titles do not currently have any active laws.

Laws are approved by the Oklahoma Legislature and signed into law by the governor of Oklahoma. Certain types of laws are prohibited by the state Constitution, and could be struck down (ruled unconstitutional) by the Oklahoma Supreme Court.

Oklahoma Statutes
Title 1. Abstracting
Title 2. Agriculture
Title 3. Aircraft and Airports
Title 3A. Amusements and Sports
Title 4. Animals
Title 5. Attorneys and the State Bar
Title 6. Banks and Trust Companies
Title 7. Blind Persons
Title 8. Cemeteries
Title 9. Census
Title 10. Children
Title 11. Cities and Towns
Title 12. Civil Procedure
Title 12A. Uniform Commercial Code
Title 13. Common Carriers
Title 14. Congressional and Legislative Districts
Title 14A. Consumer Credit Code
Title 15. Contracts
Title 16. Conveyances
Title 17. Corporation Commission
Title 18. Corporations
Title 19. Counties and County Officers
Title 20. Courts
Title 21. Crimes and Punishments
Title 22. Criminal Procedure
Title 23. Damages
Title 24. Debtor and Creditor
Title 25. Definitions and General Provisions
Title 26. Elections
Title 27. Eminent Domain
Title 27A. Environment and Natural Resources
Title 28. Fees
Title 29. Game and Fish
Title 30. Guardian and Ward
Title 31. Homestead and Exemptions
Title 32. Husband and Wife
Title 33. Inebriates
Title 34. Initiative and Referendum
Title 35. Insane and Feeble Minded Persons
Title 36. Insurance
Title 37. Intoxicating Liquors
Title 38. Jurors
Title 39. Justices and Constables
Title 40. Labor
Title 41. Landlord and Tenant
Title 42. Liens
Title 43. Marriage
Title 43A. Mental Health
Title 44. Militia
Title 45. Mines and Mining
Title 46. Mortgages
Title 47. Motor Vehicles
Title 48. Negotiable Instruments
Title 49. Notaries Public
Title 50. Nuisances
Title 51. Officers
Title 52. Oil and Gas
Title 53. Oklahoma Historical Societies and Associations
Title 54. Partnership
Title 56. Poor Persons
Title 57. Prisons and Reformatories
Title 58. Probate Procedure
Title 59. Professions and Occupations
Title 60. Property
Title 61. Public Buildings and Public Works
Title 62. Public Finance
Title 63. Public Health and Safety
Title 64. Public Lands
Title 65. Public Libraries
Title 66. Railroads
Title 67. Records
Title 68. Revenue and Taxation
Title 69. Roads, Bridges, and Ferries
Title 70. Schools
Title 71. Securities
Title 72. Soldiers and Sailors
Title 73. State Capital and Capitol Building
Title 74. State Government
Title 74E. Ethics Rules
Title 75. Statutes and Reports
Title 76. Torts
Title 78. Trademarks and Labels
Title 79. Trusts and Pools
Title 80. United States
Title 82. Waters and Water Rights
Title 83. Weights and Measures
Title 84. Wills and Succession
Title 85. Workers' Compensation
Title 85A. Administrative Workers' Compensation System

References

External links

 Oklahoma Statutes at the Oklahoma Supreme Court website
 Case law:

Oklahoma


Collinsia greenei is a species of flowering plant in the plantain family known by the common name Greene's blue-eyed Mary.

It is endemic to northern California, where it grows in the coastal and inland mountains, including the North Coast Ranges and the Klamath Mountains. Its habitat includes chaparral and coniferous forest on serpentine soils.

Description
Collinsia greenei is an annual herb producing a very glandular-hairy purple-tinted green stem up to about 30 centimeters tall. The oppositely arranged leaves may be toothed or smooth on the edges.

The inflorescence is an interrupted series of whorls bearing one to five flowers each. Each flower arises on an erect pedicel. The sepals are bluntly lobed and coated thickly in glandular hairs. The flower is one to 1.5 centimeters long and royal purple in color, sometimes with a wash of white in the throat. It has two short upper lobes with their lips turned back, and three longer lower lobes arranged into a long pouch.

External links
Jepson Manual Treatment of Collinsia greenei
USDA Plants Profile
Collinsia greenei — U.C. Photo gallery

greenei
Endemic flora of California
Flora of the Klamath Mountains
Natural history of the California chaparral and woodlands
Natural history of the California Coast Ranges
Plants described in 1894
Flora without expected TNC conservation status


Tito de Alencar Lima, O.P. (better known as Frei Tito; 14 September 1945 – 10 August 1974) was a Brazilian Dominican friar who was severely tortured during his country's rule by a military dictatorship. This torture eventually led to his suicide.

Biography
Lima was born in 1945 in Fortaleza to Ildefonso Rodrigues Lima and Laura de Alencar. He later studied at Liceu do Ceará high school, where he was active in the Association of Catholic Students movement, which was the youth branch of Catholic Action. He became the regional director of the movement in 1963 and went to live in Recife. The following year, he became active in the growing resistance and demonstrations against the military government which had seized control of the country.

In 1966 Lima was accepted into the novitiate of the Dominican Order in Belo Horizonte. He completed this stage of initiation in the Order on 10 February of the following year. He was then sent to study Philosophy at USP, the University of São Paulo, living in the Perdizes Convent of the Dominican Order in São Paulo.

In October 1968, Lima was arrested for the first time by forces of the dictatorship for participating in the XX Congress of the National Union of Students in Ibiúna, São Paulo.

On November 4, 1969, Lima was arrested along with several other members of the Dominican Order, such as Frei Betto, by political police officer Sérgio Paranhos Fleury of the Department of Political and Social Order (DOPS, ). During approximately a whole month, he was severely tortured in the headquarters of DOPS, before being taken to the Tiradentes military garrison.

In early 1970, at the height of the repression, Lima was tortured in the headquarters of the DPSO as a part of the Bandeirantes Operation (which consisted of the financing of torture by high-profile businessmen). In prison, he wrote a letter about his torture which became a symbol in the human rights movement.

In 1971, Lima was deported to Chile and, fearing for his life with the fall of Salvador Allende, he fled to Italy. In Rome, he was unable to find support from the Catholic Church, as he was considered a "terrorist friar". He then moved to Paris, where he was welcomed by the community of Dominican friars at the new Couvent Saint-Jacques.

At this point, Lima's mental health was very unstable as a result of the torture he suffered in Brazil. The abuses led him to persecution mania; he constantly feared a re-encounter with Fleury and his other torturers. He submitted to psychiatric treatment, but the psychological suffering he had endured led him to hang himself on August 10, 1974.

Movie
The movie Batismo de Sangue (Baptism of Blood) tells the story of Tito and other priests' torture during the military regime.

See also
 Frei Betto
 Sister Maurina
 Baptism of Blood (film)
 Cidadão Boilesen (2009)

References

External links
  "Um homem torturado - análise psicanalítica da degradação que Frei Tito sofreu com a tortura" ("A tortured man - psychoanalytic analysis of the degradation Frei Tito suffered as a result of torture") from the Brazilian site of the Dominican Order

1945 births
1974 suicides
1974 deaths
People from Fortaleza
Brazilian Dominicans
Liberation theologians
Brazilian torture victims
Suicides by hanging in France
20th-century Brazilian Roman Catholic priests
Dead and missing in the fight against the military dictatorship in Brazil (1964–1985)


Cuckoo Patrol is a 1967 British musical comedy film directed by Duncan Wood and starring Freddie Garrity, Victor Maddern, John Le Mesurier and Kenneth Connor.  It was produced in 1965 but held back for two years. It was released too late.

The film's tag line, "Based on a story outline by Freddie and the Dreamers", has been described in The Independent as "terrifying".

Plot

A group of Boy Scouts get separated from Wick, their adult leader, on their way to a group meeting. A string of loosely-connected events ensue.

At first they are trapped in the back of a furniture lorry. When they eventually get out they are closer to their destination than they think, but thanks to poor map reading they head in the wrong direction.

A car passing loses a suitcase labelled The Silver Supermen. This results in them taking the place of two wrestlers in a tag match and surprisingly winning.

Struggling to establish camp, they are helped by a group of girl guides and end singing around the campfire until their leader Brown Owl takes the girls off. In fear of facing punishment, they pack up camp and leave.

Their handcart is in the middle of the road and two bank robbers have their car blocked. In suggesting a diversion the car is wrecked and they offer to carry the men's gear on their cart.  Soon after, they unknowingly help crack a safe at Marshall and Snodgress, a sports good store. The gelignite owned by the burglars gets thrown around before one boy opens the safe with a karate chop. They realise that a real crime is being committed after the bank-robbers threaten them with a gun and bombard the crooks with tennis balls before the police arrive.

The next morning they arrive safely at the group meeting on a tractor. The cart on the back blows up as the gelignite was still there. The boys laugh on the roof of the bus as Wick searches for them while holding a blade.

Cast
 Freddie Garrity as himself
 Bernie Dwyer as himself
 Derek Quinn as himself
 Pete Birrell as himself
 Roy Crewdson as himself
 Kenneth Connor as Wick, scout leader
 John Le Mesurier as Gibbs, senior scout leader
 Victor Maddern as Dicko, bank robber
 Arthur Mullard as Yossle, bank robber
 Ernest Clark as Mr. Marshall
 Basil Dignam as Mr. Snodgrass
 Michael Brennan as Superman No.1
 Neil McCarthy as Superman No.2
 Peggy Ann Clifford as Brown Owl, Girl Guide leader
 Jack Lambert as Police Inspector
 Patsy Snell as Girl Guide
 Cheryl Molyneaux as Girl Guide
 Georgina Patterson as Girl Guide
 Sandra Hampton as Girl Guide
 Carmel Dene as Girl Guide
 Vic Wise as Moley
 Jo Gibbons as Jo
 Lou Marco as Referee
 Dominic Pye as Black Gorilla
 Bill Turney as Black Gorilla
 Roger Avon as Policeman
 Victor Platt as Van Driver
 Dan Cornwall as Van Driver
 Anthony Buckingham as Owly
 John Ross as Jumbo

References

1967 films
British musical comedy films
1967 musical comedy films
British black-and-white films
Films shot at MGM-British Studios
1960s English-language films
1960s British films


Frilandsmuseet () is an open-air museum on the northern outskirts of Copenhagen, Denmark. The museum is located in Lyngby on  Kongevejen  in North Zealand. The museum can be reached directly by bus number 184 from Nørreport Station in central Copenhagen or by S-train to Sorgenfri station.

Buildings
Opened in 1897, it moved to its present location in 1901. Covering 40 hectares, it is one of the largest and oldest open-air museums in the world. It is a department under the Danish National Museum and is part of the research done on agricultural history.

The museum features more than 100 buildings from rural environments and dating from 1650-1950. All buildings are original and have been moved piece by piece from their original location save a windmill that is still found in its original location.
The museum contains rural buildings from all regions of Denmark, including many of the small and remote Danish islands including Bornholm and Læsø. Buildings include a farmhouse from the island of Læsø thatched with kelp.

Represented are also buildings from the Faroe Islands, as well as the former Danish possessions of Southern Schleswig in Germany and Scania and Halland in Sweden. The distribution demonstrates how life has been adapted to regional living conditions and availability of materials.
Represented in the collection are also all social living conditions, from a manor house to a poorhouse, different types of buildings like farms, mills and workshops, and numerous professions.
The museum include six mills including a post mill from 1662. Some of the mills are regularly operated by a guild of volunteers.

The grounds of the museum also features 25 historic gardens and cultural landscapes and livestock of old Danish breeds. The gardens and animals are displayed in connection with the socially and geographically corresponding buildings.

Gallery

See also
 Danish National Museum
 The Funen Village
 The Old Town, Aarhus
 Bondebyen

References

National Museum of Denmark
Open-air museums in Denmark
Museums in the Capital Region of Denmark
Museums established in 1897
Rural history museums in Europe
Relocated buildings and structures in Denmark


Paul Michael Shardlow (29 April 1943 – 14 October 1968) was an English professional footballer who played as a goalkeeper for Stoke City. He also played cricket for Staffordshire.

Career

Football career
Shardlow was born in Stone, Staffordshire and began his career with Northwich Victoria before joining Stoke City in 1966 as understudy to John Farmer and Gordon Banks. He played twice for Stoke towards the end of 1966–67 and played twice again in 1967–68. Shardlow also spent two seasons in the NASL with the Cleveland Stokers. He was put in the reserves for the 1968–69 season before his death on 14 October 1968 at the age of 25.

Cricket career
Shardlow played cricket for Staffordshire as a wicket-keeper in the Minor Counties Championship between 1960 and 1966.

Death
Shardlow died on 14 October 1968 of a heart attack while on a training ground, at the age of 25. He was survived by his father, the cricketer Bertie Shardlow.

Career statistics

References

1943 births
1968 deaths
English men's footballers
Stoke City F.C. players
English Football League players
North American Soccer League (1968–1984) players
English cricketers
Staffordshire cricketers
People from Stone, Staffordshire
Cleveland Stokers players
Men's association football goalkeepers
English expatriate sportspeople in the United States
Expatriate men's soccer players in the United States
English expatriate men's footballers
Northwich Victoria F.C. players
Wicket-keepers
Association football players who died while playing
Sport deaths in England
Footballers from Staffordshire


Floods of Fear is a 1958 British thriller film directed by Charles Crichton and starring Howard Keel, Anne Heywood and Harry H. Corbett.

Plot
During a flood, prison convict Donovan escapes while helping build a barrier for an impending flood. He gets swept away in the waters, along with his prison guard, Sharkey, and a fellow prisoner, Peebles. They wash up at a farm house of Dr Mathews, who is away helping victims of the flood.

The trio are alone until Dr Mathews' daughter Anne arrives. Conflict ensues which results in Donovan leaving with Anne and Peebles fleeing Sharkey.

Donovan and Anne fall in love. He reveals that he framed for murdering the wife of his former business partner, Jack Murphy, and is seeking revenge against Murphy.

Cast
 Howard Keel as Donovan
 Anne Heywood as Elizabeth Matthews
 Cyril Cusack as Peebles
 Harry H. Corbett as Sharkey
 John Crawford as Jack Murphy
 Eddie Byrne as Sheriff
 John Phillips as Dr. Matthews
Mark Baker as Watchman
James Dyrenforth as Mayor
Jack Lester as Businessman
Peter Madden as Banker
Guy Kingsley Poynter as Deputy Sheriff
Gordon Tanner as Lt-Colonel
Robert Mackenzie as Police Captain
Vivian Matalon as Farmer
Gordon Sterne as Farmer
Bill Edwards as 1st Deputy
Graydon Gould as 2nd Deputy
Kevin Scott as 3rd Deputy
Ed Devereaux as Sergeant

Production
The film was made at a time when the Rank Organisation starred a lot of non-English actors in their films with a view to appealing to the international market.

Filming started in London on 23 April 1958.

Howard Keel recalled the filming in his autobiography Only Make Believe: My Life in Show Business: "All the flood scenes were filmed on one of the large stages at Pinewood Studios. The water had to be both dirty and cold, and it was. They couldn't heat it for fear it might get rancid. That was another tough picture. Anne Heywood never once protested about the water. [Charles] Crichton, who had a great sense of humor, had directed some very funny pictures. Cyril Cusack and I were good friends. We had a little contest over Anne. He was a real cutie, as well as a hell of an actor, but I won out."

Crichton said he was "not proud of the picture" but was proud of the fact "that it looks like the Mississippi in flood and it was all shot in the studio at Pinewood." He said he had to make the film "because I wanted money" and that he had to rewrite the whole film.

Critical reception
Variety called it:
One of Britain’s most determined Attempts to woo the U.S. market. Not only does it have Howard Keel as its male star, but the meller is unabashedly set in the U.S. The film has a novel setting, but an old idea, and corny dialog doesn’t help the character® to develop overmuch. However, there is some sound acting and the production quality is tops. It adds up to reasonable entertainment, but it is one of those annoy¬ ing pix that should—and could— have been much better. It is questionable whether its marquee value is sufficiently strong to lure Yank patrons.
TV Guide wrote, "Heywood is a joy to watch as she stands up to the impending aquatic doom" ; while the Radio Times wrote, "well performed by an able cast Dallas star Howard Keel, Steptoe and Son's Harry H Corbett, Cyril Cusack and, in particular, damsel in distress Anne Heywood this is typical, and unremarkable, British 1950s B-movie fare."

References

1959 films
British thriller films
1950s thriller films
Films directed by Charles Crichton
Films based on American novels
Flood films
1950s English-language films
1950s British films


FC Khimik Dzerzhinsk () is an association football club from Dzerzhinsk, Russia, founded in 1946. It played in the Soviet First League and the Russian First League (second level) from 1947 to 1949, from 1960 to 1962 and from 2013–14 to 2014–15. It was dissolved after the 2015–16 season. Before the 2021–22 season, it was licensed for the Russian Second League, the third tier of Russian football, once again.

Current squad
As of 14 September 2023, according to the Second League website.

Team name history
1946 FC Azot Dzerzhinsk
1947–1948 FC Khimik Dzerzhinsk
1949–1959 FC Zavod im. Sverdlova Dzerzhinsk
1960–1961 FC Zarya Dzerzhinsk
1962–1963 FC Volna Dzerzhinsk
1964–2000 FC Khimik Dzerzhinsk
2001–2002 FC Sibur-Khimik Dzerzhinsk
2003–2016 FC Khimik Dzerzhinsk

References

External links

Fan website

Association football clubs established in 1946
Football clubs in Russia
Sport in Nizhny Novgorod Oblast
1946 establishments in Russia


This is a list of works associated with the left-handed Austrian pianist Paul Wittgenstein.

These works were either:
 arranged for left hand by him (A)
 commissioned by him (C)
 dedicated to him or written with him in mind (D), or
 premiered by him (P).

References

Compositions for piano left-hand

Wittgenstein


The 2002 Victorian state election was held on 30 November 2002.

Retiring Members

Labor
Alex Andrianopoulos MLA (Mill Park)
Keith Hamilton MLA (Morwell)

Liberal
Robert Dean MLA (Berwick)
Rob Maclellan MLA (Pakenham)
John Richardson MLA (Forest Hill)
Ross Smith MLA (Glen Waverley)
Garry Spry MLA (Bellarine)
Mark Birrell MLC (East Yarra)
Bruce Chamberlain MLC (Western)
Geoff Craige MLC (Central Highlands)
John Ross MLC (Higinbotham)

National
Don Kilgour MLA (Shepparton)
Barry Steggall MLA (Swan Hill)
Ron Best MLC (North Western)
Roger Hallam MLC (Western)

Legislative Assembly
Sitting members are shown in bold text. Successful candidates are highlighted in the relevant colour. Where there is possible confusion, an asterisk (*) is also used.

Legislative Council
Sitting members are shown in bold text. Successful candidates are highlighted in the relevant colour. Where there is possible confusion, an asterisk (*) is also used.

See also
 Members of the Victorian Legislative Assembly, 2002-2006
 Members of the Victorian Legislative Council, 2002-2006
 2002 Victorian state election

References
Victorian Electoral Commission Official Results
Psephos - Adam Carr's Election Archive

Victoria
Candidates for Victorian state elections


Sheffield Mills is a rural farming community in the Canadian province of Nova Scotia, located in Kings County along Route 221 between Canning and Centreville. It was an important apple shipping location of the Cornwallis Valley Railway branchline of the Dominion Atlantic Railway. After the decline of Nova Scotia's apple industry in the 1950s, Sheffield Mills farmers diversified, with many setting up poultry farms. Discarded waste from poultry barns attracted large numbers of bald eagles to winter in the area in the 1980s which has led to an annual winter weekend of eagle spotting.

Communities in Kings County, Nova Scotia
General Service Areas in Nova Scotia


Fishburn Airfield is a small grass strip airfield in Fishburn, County Durham.

The airfield was opened on 30 June 1995 by the then local MP and Leader of the Opposition Tony Blair. It was named as "Airfield of the year" by aviation magazine Flyer in 2004 for its welcoming atmosphere and bacon butties.

In 2005 the airfield hosted filming for a scene from the Bollywood film Hari Puttar: A Comedy of Terrors

References

Buildings and structures in County Durham
Airports in North East England


KPCN-LP (95.9 FM, "Radio Movimiento") was a low-power FM radio station licensed to serve Woodburn, Oregon, United States.  The station, launched in 2006, was last owned by Pineros y Campesinos Unidos del Noroeste ("Northwest Treeplanters and Farmworkers United").

KPCN-LP station aired a Spanish-language variety radio format. The station targets its programming at the special interests of farm workers.

The station shared its program hours with KPVN-LP, a similar station owned by the Centro de Servicios para Campesinos ("Farmworkers' Service Center"). That station surrendered its license in a letter dated December 20, 2019, a month after KPCN-LP ceased operations.

History
This station received its original construction permit from the Federal Communications Commission on May 17, 2005.  The new station was assigned the KPCN-LP call sign by the FCC on June 13, 2005.  KPCN-LP received its license to cover from the FCC on November 28, 2006.

On April 1, 2008, the station applied to the FCC for authorization to move from their licensed broadcast frequency of 96.3 MHz to 95.9 MHz.  On the same day, they applied for special temporary authority to broadcast on the lower frequency.  While , the Commission has only accepted the authorization request for filing, they granted KPCN-LP the special temporary authority they sought on August 25, 2008, with a scheduled expiration date of February 25, 2009.  On that expiration date, the station filed for an extension of their special temporary authority but  , the Commission has only accepted this extension request for filing. It made its final broadcast on November 20, 2019, and its license was canceled on August 21, 2020, having been supplanted by the higher-power KTUP (98.3 FM).

See also
List of community radio stations in the United States

References

External links
KPCN-LP official website

KPCN-LP service area per the FCC database

PCN-LP
PCN-LP
Radio stations established in 2006
PCN-LP
Woodburn, Oregon
2006 establishments in Oregon
Defunct community radio stations in the United States
Radio stations disestablished in 2020
2020 disestablishments in Oregon
PCN-LP
Defunct radio stations in the United States


Peter Bainbridge (born 1957 Melbourne) is a silkscreen artist
He was a clothing artist Illustrator during the 80-90's and became a fashion photographer until 2009. He then published his own fashion arts broadsheet magazine in 2010 which the Sydney Morning Herald asked him to partner after seeing the first issue. He  has exhibited his clothes and knitwear together with partner Rose Borg at the Victoria and Albert Museum in London, America and Japan. He was commissioned by the National Gallery in Canberra and the Powerhouse Museum in Sydney for their permanent collections.
Peter started shooting fashion in 1994, and owned and operated Bluefish Hire Studio in Darlinghurst together with Rose Borg.

References

External links
Artist's website

Australian artists
1957 births
Living people


The Horn River is a river in the Northwest Territories of Canada. It is a major tributary of the Mackenzie River.

The river gives the name to the Horn River Formation, a shale deposit of the Western Canadian Sedimentary Basin. The Horn River Basin refers to the extent of the Horn River Formation in the subsurface, and is not defined by the Horn River watershed.

Course
The river originates south of the Great Bear Lake. It flows south-east through a series of rapids north of the Horn Plateau, then has a meandered flow. Fawn Lake is a complex wetland formed along the middle course of the Horn River, and is followed downstream by the Second Lake. The river turns south-west, where the Mink Lake is formed along its course. The Laferte River also flows into the Mink Lake. Horn River then flows south, and it receives the waters of the Bluefish River before it empties into the Mackenzie River,  downstream from the Great Slave Lake), immediately upstream from Mills Lake, at an elevation of .

The arch made by the river defines the Horn Plateau, a flat elevated area that rises up to ) to the north and east, while the south is defined by the Mackenzie River east of Fort Simpson.

Tributaries
From origin to mouth, the Horn River receives:

See also
List of rivers of the Northwest Territories

Rivers of the Northwest Territories
Tributaries of the Mackenzie River


Brian Purcell (23 November 1938 – 20 January 1969) was a Welsh professional footballer who played for Swansea City between 1959 and 1968, making 165 league appearances. Purcell also played for Waun Wen and Hereford United. Purcell died in a car-crash on 20 January 1969, alongside Roy Evans.

References

External links

1938 births
1969 deaths
Footballers from Swansea
Welsh men's footballers
Swansea City A.F.C. players
Hereford United F.C. players
Road incident deaths in England
Southern Football League players
Men's association football defenders


"How Am I Doin'" is a song co-written and recorded by American country music artist Dierks Bentley. It was released in May 2004 as the third and final single from his 2003 self-titled debut album. With a peak at number 4, this song became his second Top 5 hit on the U.S. Billboard Hot Country Songs chart that year. It also reached number 49 on the U.S. Billboard Hot 100. Bentley wrote this song with Writer X, a pseudonym of Jim Beavers.

Content
The song is an uptempo in which the narrator has just received a phone call from his ex-girlfriend. She asks him how he has been since she broke up with him and he responds by explaining why his life is better without her.

Music video
The music video was the third directed by Peter Zavadil, and the video co-stars Lauren Elaine reprising her role as "Becky" from "What Was I Thinkin'".

The video starts out with the narrator stuck on the side of a road with the interstate highway in the background.  The motorcycle he was riding has apparently broken down or run out of gas.  The phone in the nearby phone booth can be faintly heard ringing.  The narrator answers it and finds it's his ex-girlfriend calling.  After being cordial at first, he hurriedly gets her off the phone because he really doesn't want to talk to her.  It seems she says she loves him, to which he responds, "Whatever".

As the main beat of the song begins, he takes a picture of her, looks at it for a moment while rubbing his eye (matched up with the lyric "I sometimes cry"), then throws it away on the side of the road.  He examines the bike and then tosses the wallet he's carrying away as well.

A group of girls in an off-road vehicle happen along and start chatting with the narrator.  He eventually leaves with them (leaving the motorcycle where it is) and is taken into Las Vegas.  They all get out in front of a casino (which appears to be the Binion's – the Horseshoe Casino – as it's the only Las Vegas casino with shoe in the name, which is visible).  The girls then get back into their vehicle and leave the narrator at the casino.

Inside the casino, he ends up on stage and positioned to play karaoke.  After microphone problems, he is asked by the mobster group nearby if he feels lucky and if he has any money.  They let him play for "three bucks" and he ends up winning.  He is roughed from the table, into a car, and taken to a remote location, where the apparent mob leader tells him he loves him.  He later appears with the mob in a suit and rolling the dice at a craps table.  As the mob begins to argue with one another, he takes his leave.

In a hotel room (room 34), there is a knock on the door.  The narrator opens it and sees his ex-girlfriend (Lauren Elaine), who walks into the room and starts talking to him.  He is heard saying "Not the tank top" and gesturing that he wants something, supposedly the tank top, back, suggesting that it's his.  She responds by taking her top off leaving only her bra in place.  He leaves her in the room and is seen leaving the hotel.

For the final stanza, different shots with both of his new groups of friends are used, and the narrator is eventually seen along another road.  A limousine pulls up.  As he gets in, the plate is revealed to read "JAKE".  The limousine leaves as the narrator confesses he doesn't really have a destination in mind.

The license plate is a reference to 'Jake,' as in Dierks' dog.

Chart positions
"How Am I Doin'" debuted at number 59 on the U.S. Billboard Hot Country Singles & Tracks for the week of May 15, 2004.

Year-end charts

References

 [ Allmusic]

2004 singles
Dierks Bentley songs
Songs written by Jim Beavers
Music videos directed by Peter Zavadil
Capitol Records Nashville singles
Songs written by Dierks Bentley
Song recordings produced by Brett Beavers
2003 songs


Barbadian–Nigerian relations are foreign relations between Barbados and Nigeria. Barbados and Nigeria formally established diplomatic relations on 24 April 1970. Nigeria is accredited to Barbados from its high commission in Port of Spain, (Trinidad and Tobago). Currently the Barbadian Government does not have foreign accreditation for Nigeria, however the Nigerian Government has said that it was highly desirous of Barbados establishing a high commission directly in Nigeria.

History
In 1966 Nigeria was one of fifteen states which took part in U.N. Security Council resolution 230 which admitted Barbados into the United Nations.

In 2006 the Governor Otunba Gbenga Daniel of the Nigerian state of Ogun announced that Barbadians would be given free land if they wished to move to Nigeria. Nigeria has pushed for more investment from Barbadian companies and investors and in 2008 for the establishment of direct flights between both nations.

In 2006 Barbadian solar company  Aqua Sol Components Ltd. formed a 50-50 joint venture partnership with the Nigerian state of Akwa Ibom.  The partnership makes use of Barbados' experience with solar energy given its high usage of solar hot water heaters across the island.  Through the venture, Akwa Ibom hopes to raise the level of solar usage in Nigeria.  The deal was facilitated through Commission for Pan-African Affairs within the Barbados Prime Minister's office.

In 2007 the Barbadian cultural ambassador who goes by the sobriquet "The Mighty Gabby" was named a Nigerian chief in a service at the Sons of God Apostolic Spiritual Baptist Church in Ealing Grove, Christ Church, Barbados. Gabby, who had recently visited Nigeria, was given the name Omowale, which means "our son has returned". The service was also to coincide with the United Nations designated Black Civilisation Day.

In 2019 the governments of Barbados and the Federal government of Nigeria signs visa waiver agreements to facilitate ease of travel between their nations. A follow-up meeting between the Caribbean Heads of Government in CARICOM and African Union nations was planned for July 2020 however, that summit may be suspended due to the COVID-19 pandemic.

In 2021, the Central Bank of Nigeria (CBN) formed a partnership with the Barbados-based FINTECH firm Bitt Inc. to develop an e-Naira cryptocurrency to be used in Nigeria.

Bilateral agreements

See also
 Foreign relations of Barbados
 Foreign relations of Nigeria

References

External links

Nigeria
Bilateral relations of Nigeria
Nigeria
Nigeria and the Commonwealth of Nations


Royston Sidney "Roy" Evans (5 July 1943 – 20 January 1969) was a Welsh international footballer who played professionally for Swansea City between 1962 and 1968, making 214 league appearances. Evans also played for Hereford United. Evans died in a car-crash on 20 January 1969, alongside Brian Purcell.

References

External links

1943 births
1969 deaths
Footballers from Swansea
Welsh men's footballers
Wales men's international footballers
Wales men's under-23 international footballers
Swansea City A.F.C. players
Hereford United F.C. players
English Football League players
Road incident deaths in England
Southern Football League players
Men's association football defenders


Kade is a town and the capital of Kwaebibirem Municipal, a district in the Eastern Region of south Ghana. Kade has a 2013 settlement population of 16,542 people.

Geography
Kade is the location of an important placer mine, Kade is located 120 km from Accra.

Transport

Train
Kade is the terminus of a Ghana railway branch off the central line, built to serve the Kade mine.

Sports
The football team KADE UNITED F/C is based in this town Kade.

See also
 Railway stations in Ghana

References

Populated places in the Eastern Region (Ghana)


Nikolai Anatolyevich Barkalov (; born October 2, 1974) is a retired Russian professional footballer.

He made his debut in the Russian Premier League in 1995 for FC Torpedo Moscow.

Biography
He started playing football at the Moscow football school.

In 1992, he joined Torpedo Moscow and played for the backup team. In four years, he played 131 matches and scored 10 goals. He made his debut on July 8, 1995 with the main team in a major league match against Nizhny Novgorod Lokomotiv. He played two matches and left the team at the end of the 1995 season.

Since 2013, he has been working as a massage therapist for Spartak Moscow, first with Spartak-2, and since 2017 with the main team.

References

External links
  Profile at Footballfacts

1974 births
Footballers from Moscow
Living people
Russian men's footballers
FC Torpedo Moscow players
FC Torpedo-2 players
FC Moscow players
FC Khimki players
Russian Premier League players
Men's association football midfielders
FC FShM Moscow players
People from Zelenograd
Soviet men's footballers


The Socialist Party (Spanish: Partido Socialista) is a Peruvian political party founded in 2005. Its presidential candidate for the 2006 national election was Javier Diez Canseco.  At the legislative elections held on 9 April 2006, the party won 1.2% of the popular vote but no seats in the Congress of the Republic.

At the 2011 general election, the party was part of the successful alliance Peru Wins, led by Ollanta Humala. Its founder, Javier Diez Canseco, became a congressman for Lima.

History
The Socialist Party traces its origins to the Mariateguist Unified Party, a member of the United Left coalition. The party eventually disappeared in the aftermath of the 1995 general election. Among its leaders, Javier Diez Canseco rose as the most prominent of the left-leaning members of the Peruvian Congress during the Alberto Fujimori's second term as President of Peru. The Fujimori administration had demonized the Peruvian left since 1992, as it associated with the Shining Path. Under these circumstances, the moderate left rallied behind Union for Peru in order to maintain status in the political scene.

The events surrounding Fujimori's reelection at the 2000 general election curtailed the administration, as the Peruvian left rose again in the opposition. With Alan García of the Peruvian Aprista Party returning to Peru in order to run for the presidency at the 2001 general election, the left had no choice but to support him against the more centrist Alejandro Toledo. Union for Peru attained 6 seats in the Peruvian Congress, among them one for Javier Diez Canseco.

In 2005, Diez Canseco announced his intention to run for President of Peru at the 2006 general election under a new party based on the disappeared Mariateguist Unified Party. On 15 October 2005, the Socialist Party was founded, and in the subsequent months Diez Canseco was chosen as the presidential nominee. At the general election held on 9 April 2006, the party won 1.2% of the popular vote but no seats in the Congress of the Republic. The presidential ticket itself attained 0.4%, placing ninth nationally.

As the party failed to pass the electoral threshold, it lost its registration at the National Elections Jury 2007. For the 2011 general election, the party was included in the Peru Wins coalition led by Ollanta Humala as the presidential nominee. Diez Canseco was elected to the Congress for 2011–2016 term, but died in 2013.

In 2012, Cesar Acurio Zavala, an engineer, a historical activist of mariateguism, was elected as Secretary General; and as Sub-Secretary General the former student leader of the UNMSM and deputy for the Unified Mariateguist Party, Julio Castro Gómez.

Ideology
The party is based on Mariateguismo, a thought developed by José Carlos Mariátegui and the original construction of socialism in Peru based on the Peruvian reality. The Socialist Party advocates for participatory democracy, with effective decentralization, strengthening of social organizations, etc.

In addition, the party is in favor of the nationalization of natural resources, the change of the productive matrix, sustainable development, defense of human rights and the historical demands of workers, women, youth, indigenous people, and all oppressed groups. On a more green left platform, the party  advocates for measures against environmental problems, and climate change. The party's ultimate goal is to forge a classless, diverse and creative society.

Structure and composition
The Socialist Party is mainly composed of a National Executive Committee organized in secretariats, such as program, regional affairs, environment, municipal, women, social movements, human movements and the youth wing. In March 2008, the Socialist Party called for a leadership election through the procedure of one member one vote, a pioneer in the Peruvian left.

Electoral results

Presidential election

Election to the Congress of the Republic

References

External links
Official website

2005 establishments in Peru
Democratic socialist parties in South America
Political parties established in 2005
Political parties in Peru
São Paulo Forum
Socialist parties in Peru