Yanaturmysh is a village in Almaty Region of south-eastern Kazakhstan. It is located in the Enbekshikazakh District, approximately 75 kilometres north-east of Almaty.

Populated places in Almaty Region


"You Don't Want Me Anymore" is a 1982 song by Steel Breeze from their self-titled debut album. The song was released as a single in the United States and made it to number 16 on the Billboard Hot 100 singles chart.

Background
"Don't You Want Me Anymore" was aided by a memorable video that was a hit on early MTV. It was also the last chart single ever produced by Kim Fowley.

Chart performance

References

1982 singles
1982 songs
RCA Records singles


The Church of St. Jude is an historic church in the Scarborough area of Toronto, Ontario, Canada. St. Jude's was originally built in what was the small rural village of Wexford, Ontario in 1848. The original church building survives today, being used as the cemetery chapel, making it one of the oldest surviving churches in Scarborough. The land for the church was donated to Bishop John Strachan and the Anglican Diocese of Toronto by Patrick and Ann Parkin. They had used this corner of their farm as a family cemetery. The church was built atop a small hill, so that it dominated the surrounding landscape. The still operational cemetery surrounds the church, and has graves dating back to 1832. Local farmers built the church with lumber milled from nearby trees. The Gothic revival structure was designed by Reverend William Darling, the Anglican minister for Scarborough township. It is a replica in miniature of a church he remembered from his native Scotland. Keeping the proportions of the original while greatly shrinking the structure explains why the sacristy entrance is only five feet high. Darling's son, Frank Darling, would later become a prominent Toronto architect himself.

The small church sat some 60 people, and for over a century it served the rural and sparsely populated farmers of the region. In 1950 there were 79 members of the church. The 1950s saw the rapid spread of residential subdivisions across the once rural Wexford as Scarborough became one of Toronto's main bedroom communities. By the mid 1950s the area was home to some 1,000 families, and the church was greatly over crowded with many services required each Sunday. It was thus decided to build a new St. Jude's. The new church was completed in 1958, and sat 600 - almost 10 times the number of the original church.

Since the completion of the new church, the small church has been temporarily rented by small congregations over the years including members of the Macedonian Orthodox Church, Bulgarian Orthodox Church, Polish National Catholic Church, Russian Orthodox Church, and most recently, the Georgian Orthodox Church.  It is also used as a chapel for weddings and other events by the St. Jude's congregation.

Today, St. Jude's provides its primary weekly Sunday service at 10:30 AM, which is also streamed online via its Facebook page, using the Book of Alternative Services. Sunday mornings at 8:00 AM, there is a smaller service offered according to the rites of the Book of Common Prayer as used by the Anglican Church of Canada. The basement level of the church is rented out and used on Sundays by a congregation belonging to the Ethiopian Orthodox Tewahedo Church, and also throughout the week by other community groups such as Alcoholics Anonymous. St. Jude's also offers a food bank service to the community via its Deacon's Pantry outreach ministry, that operates on Wednesdays.

See also

List of Anglican churches in Toronto

References

"Old Scarborough church St. Jude's to be restored." Louise Kinross. Toronto Star. Jan 23, 1992. pg. SD.8
History of St. Jude's

External links
Official site

Churches in Toronto
Buildings and structures in Scarborough, Toronto
Anglican church buildings in Ontario
19th-century Anglican church buildings in Canada
Cemeteries in Toronto


The mangrove whipray (Urogymnus granulatus) or whitetail stingray, is a species of stingray in the family Dasyatidae. It is widely distributed in the Indo-Pacific region from the Red Sea to northern Australia and Micronesia. A benthic inhabitant of shallow inshore waters, juvenile mangrove whiprays favor mangrove and estuarine habitats, while adults favor sandy to rocky areas in lagoons and coral reefs. This species can be identified by its thick, oval pectoral fin disc that is dark gray above with numerous white flecks, and by its relatively short, whip-like tail that is white past the stinging spine. It grows up to  across.

Solitary in nature, the mangrove whipray preys mainly on small, bottom-dwelling bony fishes and invertebrates. It is, like other stingrays, aplacental viviparous, with the females nourishing their unborn young via histotroph ("uterine milk"). The mangrove whipray is caught for its meat, skin, and cartilage across much of its range. The International Union for Conservation of Nature (IUCN) has assessed it as Vulnerable globally and as Endangered in Southeast Asia, where its population has declined substantially due to intensive artisanal and commercial fisheries as well as widespread habitat degradation. In particular, juvenile rays have been disproportionately targeted by fishers and affected by the large-scale destruction of mangrove forests.

Taxonomy
Australian zoologist William John Macleay published the first scientific account of the mangrove whipray, a brief description of an immature female  long caught off Port Moresby, Papua New Guinea, in an 1883 volume of Proceedings of the Linnean Society of New South Wales. He named it Trygon granulata, as he noted that the specimen's head and back were "covered with small granules". In 1928, Gilbert Percy Whitley moved this species to the genus Himantura. It is, however, now considered to be in the genus Urogymnus.

Description

The pectoral fin disc of the mangrove whipray is very thick and oval in shape, measuring 0.9–1.0 times as wide as long. The anterior margins of the disc are nearly straight and converge at a broad angle on the snout tip. The medium-sized, widely spaced eyes are immediately followed by the spiracles. Between the long, thin nostrils is a short, broad curtain of skin with a finely fringed posterior margin. The lower jaw is bow-shaped, and there are 0–5 papillae across the floor of the mouth. The teeth are arranged in a quincunx pattern and number 40–50 rows in the upper jaw and 38–50 rows in the lower jaw. There are five pairs of gill slits beneath the disc. The pelvic fins are small and narrow.

The tail is thick at the base and measures 1.5–2 times longer than the disc width. One or two dorsally positioned serrated stinging spines are located in the first third of the tail. Past the sting, the tail becomes thin and whip-like, without fin folds. The upper surface of the body and tail are roughened by tiny dermal denticles, which become larger towards the midline of the back and tail. In addition, one or two irregular rows of thorns are present along the dorsal midline from the head to the sting. The mangrove whipray is dark brown to gray above with many white dots and flecks, which become denser with increasing size. The dark coloration is due to a layer of mucus, without which the body is light orange-gray. The underside is white with small dark spots towards the disc margin. The tail abruptly becomes white past the sting. This species grows to  across and over  long.

Distribution and habitat

Although uncommon, the mangrove whipray seems to be widely distributed in the Indo-Pacific; it has been reported from the Red Sea, South Asia including the Maldives and the Andaman Islands, the Gulf of Thailand, the Malay Archipelago (except Sumatra), New Guinea and northern Australia, and various islands including Guam, Fiji, the Solomon Islands, and Micronesia. This bottom-dwelling species typically inhabits shallow water close to shore, though adults have also been recorded offshore to at least a depth of . Juvenile rays frequent brackish habitats such as mangroves and estuaries. By contrast, adults prefer areas of sand, sand and rock rubble, or hard bottom, and are often found in lagoons or on coral reefs.

Biology and ecology

Unlike many of its relatives, the mangrove whipray is reportedly solitary in nature. It is relatively inactive during the day, often resting half-buried in sand or atop coral heads, and actively forages for food at night. The electroreceptive ampullae of Lorenzini of this species have a sensitivity of 4 nV/cm and an effective range of , enabling it to locate buried prey. Juveniles feed mainly on small crustaceans, including prawns and crabs. Adults prey on small benthic bony fishes, including rabbitfishes, gobies, blennies, wrasses, and damselfishes, as well as invertebrates, including peanut worms, crabs, octopuses, and bivalves. As in all stingrays, the mangrove whipray is aplacental viviparous, with the developing embryos being sustained by nutrient-rich histotroph ("uterine milk") produced by the mother. The newborns measure  across, and males reach sexual maturity at  across. Known parasites of this species include the tapeworm Rhinebothrium himanturi, and another undescribed species in the same genus.

Human interactions
The mangrove whipray is capable of injuring a human with its venomous sting. It is occasionally caught in tangle nets and bottom trawls, and to a lesser extent on longlines; it is marketed for its meat, skin, and cartilage. Because of its inshore habitat preferences, this naturally uncommon species is highly susceptible to intensive artisanal and commercial fishing occurring across much of its range. In Southeast Asia, immature rays have been particularly affected by local fishing, as well as by habitat degradation from the widespread loss of mangrove forests. Additionally, the numbers of this species in the Arafura Sea have dropped significantly due to an Indonesian gillnet fishery targeting wedgefishes (Rhynchobatus), which involves over 600 vessels and has been increasingly operating illegally in Australian waters. These factors have led to an inferred decline of the Southeast Asian population by over 50%, leading the International Union for Conservation of Nature (IUCN) to give it a regional assessment of Endangered. The mangrove whipray is minimally threatened off northern Australia, where it is caught incidentally by the Northern Prawn Fishery (NPF) but only in small numbers following the mandatory adoption of Turtle Exclusion Devices (TEDs). As a result, the IUCN assessment for the Australian population is Least Concern. Globally, the IUCN has listed this species as Vulnerable.

References

External links

Urogymnus
Fish of the Red Sea
Fish of New Guinea
Marine fish of Northern Australia
Taxa named by William John Macleay
mangrove whipray


Mount Burges was an electoral district of the Legislative Assembly in the Australian state of Western Australia from 1901 to 1904.

The district was located in the Eastern Goldfields and was created from the outer regions of the seat of Coolgardie, which was reduced to the town of the same name. It was named after the town of Mount Burges and also included Boorabbin, Bullabulling, Kambalda, Londonderry, Dunnsville, Widgiemooltha, Bonnie Vale, Kundana, Kintore, Kunanalling, Balgarri, and Waverley. It existed for one term of parliament, and was represented in that time by Labor member Fergie Reid.

Members for Mount Burges

Election results

References

Mount Burges


God, Time and Causality is an album by American fingerstyle guitarist and composer John Fahey, released in 1989.

History
With the exception of one track, the songs on this album were recorded and rejected by Takoma Records in 1977. Fahey sent these tracks to Shanachie Records after receiving an advance on the album.

The original album included a booklet and guitar tablature for "Requiem for Mississippi John Hurt" and "Steamboat 'Gwine Around the Bend".

Reception

Allmusic critic Steven McDonald gave the album a 4 of 5 stars review, writing "An excellent John Fahey outing, essentially examining his inspirations and drawing once again from them. It's beautifully recorded and mastered, and performed brilliantly. This one is highly recommended—would-be serious guitarists take note." CMJ New Music wrote that "[Fahey] has continually enriched his style to incorporate a deeper sense of his Delta blues roots, taking his compositions beyond the standard pop framework to create breathtakingly picturesque mood-scapes ranging from somber and dark to finger-pickin' ecstasy."

Track listing
 "Revelation" – 3:47
 "The Red Pony" – 6:28
 "Lion" – 6:38
 "Medley: Interlude/The Portland Cement Factory/Requiem for Mississippi John Hurt" – 11:37
 "Medley: Snowflakes/Steamboat 'Gwine Around the Bend/Death of the Clayton Peacock/How Green Was My Valley" – 11:46
 "Medley: Sandy on Earth/I'll See You in My Dreams" – 16:29

Personnel
John Fahey – guitar
Production notes
John Fahey– producer
Terry Robb – producer
Mike Moore – engineer
Melody Fahey – photography
Frederick Carlson – design
Mark Humphrey – liner notes

References

1989 albums
John Fahey (musician) albums
Albums produced by John Fahey (musician)


Wampus may refer to:

 Wampus cat, a cat-like creature in American folklore
 Wampus Multimedia, an American record label and media company founded by Mark Doyon
 Mountain wampus, a fictional creature in the 1983 video game M.U.L.E.
 Wampus Cats, an American blues band featuring Oscar "Buddy" Woods

See also
 Wumpus (disambiguation)


Stephen Broadbent is a British sculptor, specialising in public art. He was born in Wroughton, Wiltshire in 1961 and educated at Liverpool Blue Coat School. In Liverpool he studied sculpture for four years under Arthur Dooley.

He has created public sculptures for communities across the UK and for international projects.  His sculptural practice is based upon meaningful placemaking, creating artworks which resonate with the environments in which they're placed.  This is often achieved through community collaboration, looking and listening to the stories a place has to tell, to create a unique design which becomes an integral part of its surroundings.

Significant works

Broadbent contributed to the remodelling of Bridge Street in Warrington town centre, the site of the 1993 Warrington bomb attacks that killed two children with a 'River Of Life' memorial. The design is intended to give hope for the future, and takes the form of a fountain - a "river" running down the street bringing healing and refreshment.

He has created two versions of the Reconciliation Triangle.  The first, in 1989, represented connections between Liverpool, Glasgow and Dublin.  The second marked the legacy of the slave trade in the histories of Liverpool, Richmond, Virginia and Benin. The sculptures in each connected city are identical (apart from the addition of low-relief bronze designs), marking the historical connections between locations whilst creating a new one in a process of healing.

His sculptures on Littlehaven Promenade, South Shields and Keel Square, Sunderland, both contributed to winning entries into the 2015 Northern Design Awards.

His largest work, 'Encounter', stands at junction 11 of the M62 Motorway at Birchwood, and incorporates telecommunications aerials within the metalwork.

List of works

 Reconciliation, Liverpool, Glasgow, Belfast
 Celebration of Chester, Chester
 Water of Life, Chester Cathedral
 The River of Life, Warrington
 Coming Together, Liverpool
 Gateway markers, Sutton
 Seasons, Water Feature, Manchester Cathedral Gardens
 Pulling the Plug, Hyde Town Hall
 The Word, Methodist Publishing House
 Empowerment, Lincoln
 Encounter, Birchwood
 Four Corners, King Mohammed IV Centre, Morocco
 Sculptural Seating, Fleming Square, Blackburn
 Faces of Liverpool, Beetham Tower Gardens, Liverpool
 Entrance Feature, Corbett Hospital
 Frank Whittle Memorial, Rugby
 Drift Park, Rhyl
 Sculpture Trail, West End Gardens, Morecambe
 Desks, Beetham Organisation, West Tower
 Reconciliation, Liverpool, Benin, Virginia
 Sheppard Worlock Memorial Sculpture], Liverpool
 Seed Sculpture, Liverpool Hope University
 John Newton Sculpture, Liverpool
 Seats, UCLAN Preston
 Tudor Square, Sheffield
 Growth, Saltney
 Casuals, Salford Quays
 Wayfinding Elements, Carlisle City Centre
 Planted, Stockbridge Village
 Newbridge town centre artworks
 Mythic Coast, Cleveleys
 Chaucer Totem, Sheffield
 Maesteg Bud, Maesteg
 "Eye" and "Sail" features, Littlehaven Promenade, South Shields
 Propellers of the City, Sunderland
 Lives Lived, Lives Lost, National Coal Mining Museum, Wakefield
 Coming Home, Gleneagles Golf Resort
 Garden of Pooled Talents, Sheffield University
 Linear Garden, Sci-Teach Daresbury
 The Voice of the City, Peterborough
 From Me To You, Blackpool Victoria Hospital
 The Eudaemonium, Altrincham
 Walking Together, Markham Vale

References

External links
 Artist's own website
2008 Roscoe Lecture for LJMU
The Mythic Coast: The Shell
Plan-it: Leopold Square, Sheffield
Liverpool Echo: The Sheppard-Worlock Memorial
Public Sector, Public Space: Working for Sunderland

British sculptors
British male sculptors
People from Wroughton
1961 births
Living people
People educated at Liverpool Blue Coat School


The Tribes of Iraq Coalition (List 398) also known as the Anbar Salvation Council is an Iraqi political coalition formed to contest the 2009 Al Anbar governorate election which won 2 out of 29 seats.  The party was one of several formed out of the Awakening movements - Sunni tribal militias armed and financed by the United States Army to fight al-Qaeda in Iraq. The coalition was led by Sheikh Hamid al-Hais.  In an interview with the Washington Post prior to the election, Hais said he would kill all the Iraqi Islamic Party's candidates if anything happened to any of his candidates.

They joined the National Iraqi Alliance for the 2010 Iraqi Elections.

References

Political parties in Iraq


Charles-François Tarieu de La Naudière (November 4, 1710 – February 1, 1776) was an officer in the colonial regular troops and seigneur in Lower Canada.

He was able to forge a good rapport with the new British and served in the Council for the Affairs of the Province of Quebec after invitation by Governor Guy Carelton in 1775. His political role was short lived as he died in 1776.

He was the father of Charles-Gaspard Tarieu de Lanaudière, who became a political figure in Lower Canada.

External links
 Biography at the Dictionary of Canadian Biography Online

Charles-Francois Tarieu
People of New France
1710 births
1776 deaths


The 2005 Asian Women's Volleyball Championship was the thirteenth edition of the Asian Championship, a biennial international volleyball tournament organised by the Asian Volleyball Confederation (AVC) with Chinese Volleyball Association (CVA). The tournament was held in Taicang, China from 1 to 8 September 2005.

Pools composition
The teams are seeded based on their final ranking at the 2003 Asian Women's Volleyball Championship.

Preliminary round

Pool A

Pool B

Classification 9th–12th

Semifinals

11th place

9th place

Final round

Quarterfinals

5th–8th semifinals

Semifinals

7th place

5th place

3rd place

Final

Final standing

Awards
MVP:   Chu Jinling
Best scorer:  Yelena Pavlova
Best spiker:   Chu Jinling
Best blocker:  Lin Chun-yi
Best server:  Amporn Hyapha
Best setter:   Feng Kun
Best digger:  Chen Chia-chi
Best receiver:   Zhou Suhong

References
AVC
Results
FIVB

V
A
Asian Women's Volleyball Championship
V
2005 in Chinese women's sport


"Unusually Unusual" is a song written by Mark McGuinn and recorded by American country music group Lonestar. It was released in August 2002 as the fourth and final single from the album I'm Already There. It peaked at number 12 on the U.S. Billboard Hot Country Singles & Tracks chart.

Content
In the song the narrator talks about how his significant other is "unusually unusual" because of the things she does. He talks about how her personality is beautiful to him.

Chart positions

References

2002 singles
2001 songs
Lonestar songs
Song recordings produced by Dann Huff
BNA Records singles
Songs written by Mark McGuinn


The Treaty of Warsaw () was a diplomatic agreement signed in Warsaw on 8 January 1745. Its birthplace is traced back to Leipzig, Germany. It was an agreement between Great Britain, the Habsburg monarchy, the Dutch Republic and Saxony (the Quadruple Alliance) to uphold the pragmatic sanction enabling their favoured candidate Maria Theresa to take the throne of the Habsburg monarchy. It also helped the Austro-Saxon alliance secure "the pecuniary support of the maritime powers by the treaty of Warsaw" (Horn, 34).

It brought Saxony into intimate relations with Britain for the first time. It is considered to be merely the specifying and fixing down of what had been shadowed out as secret modifiers stated in the Union of Warsaw. The treaty was for reconquering Silesia and "for cutting down that bad neighbor to something like the demensions proper for a Brandenburg vassal". The treaty also aimed to hold together in affairs of the Reich, unlike the Frankfurt Union, as "30,000 Saxons conjoined to the Austrian force for which the sea powers will furnish subsidy". The treaty was proposed by the Hungarian and Polish majesties' secret articles, an ulterior project; however, the sea powers disagreed to the project.

Notionally a defensive alliance, it came during the War of the Austrian Succession and within months, all the signatories were in an alliance against France. Along with the sudden death of the Bavarian king, it dramatically changed the balance of power in Germany.

The Allies were ultimately successful in securing recognition for Maria Theresa at the Treaty of Aix-la-Chapelle. The Treaty of Warsaw was secret until Frederick the Great discovered it in 1756 and made it known to the world. However, the treaty's terms were never absolutely accomplished.

References

Bibliography
 Carlyle, Thomas. "Chapter XII." In The Works of Thomas Carlyle, 145–68. Vol. XV. London: Chapman and Hall, 1898.
 Simms, Brendan. Three Victories and a Defeat: The Rise and Fall of the First British Empire. Penguin Books, 2007.

Further reading
 Browning, Reed. The Duke of Newcastle. Yale University Press, 1975.
 Horn, D.B. "Saxony in the War of the Austrian Succession." In The English Historical Review, 33–47. Vol. 44. Oxford: Oxford University, 1929.

1745 in Europe
War of the Austrian Succession
History of Warsaw
Warsaw (1745)
1745 treaties
Treaties of the Dutch Republic
Treaties of the Habsburg monarchy
1745 in the Dutch Republic
1745 in Great Britain
1745 in the Habsburg monarchy
1745 in the Holy Roman Empire


Aglossa cuprina, the grease moth, is a snout moth, family Pyralidae, described by Philipp Christoph Zeller in 1872. The grease moth is closely related to the genus Pyralis, and as a result, is usually associated with the meal moth, Pyralis farinalis.

Aglossa cuprina ingests grease produced by the bacteria that feed on decaying matter.

Taxonomy
A. cuprina was named by German entomologist Philipp Christoph Zeller in 1872. The specific epithet, A. pinguinalis, its other binomial name, is derived from the Latin, pinguinalis (greasy).

Description
The egg of A. cuprina is an off white rounded oval. During the larval stage, A. cuprina has a brownish head and greyish body. The A. cuprina larvae also have black mandibles and a black peritreme (part of the integument of an insect which surrounds the spiracles). They can be distinguished from A. caprealis larvae by setal differences. The pupae are reddish brown with six curved, hooked setae.

The moth has a wingspan that averages about an inch and a half (38 mm), and exhibits an overall dark, greyish-brown colour. While the forewings are brownish grey with pale yellowish markings (much like those of a tabby cat, hence the lesser-used common name), the top of the head and neck are simply pale yellow. A. cuprina is also known for its filiform (thread-like) antennae.

Distribution
A. cuprina has been found in Europe, Asia, Australia, North America and South America. A. cuprina is distributed throughout eastern North America and sightings have been recorded in California, Arkansas, Arizona, Connecticut, the District of Columbia, Delaware, Florida, Illinois, Massachusetts, Maryland, Missouri, North Carolina, New Hampshire, New Jersey, New York, Pennsylvania, South Carolina, Texas and Wisconsin. The moth stage is generally found in early summer between the months of May and August.

They tend to inhabit areas around or in human habitation and buildings. When found in homes, they are generally found in the kitchen and more specifically in the pantry where their choice food source is stored. They are also commonly found in areas where dried grain products are stored, for example, warehouses and areas of grain elevators that remain undisturbed.

Behaviour
Aglossa cuprina has similar feeding habits to those of the grains moths. The larval stages feed primarily on dried grain based products including corn meal, whole wheat flour, graham flour, granola, and dried oats. The adults feed on butter, suet and grease, and have even been found in excrement. They have been known to feed on dried remains of other insects as well. The adults fly at dusk between June and July. They hide in dark corners during the day and can be found in stables, outhouses, barns, warehouses, and cellars. They are also attracted to light and sugar.

Forensic importance
A. cuprina is often involved in stored product entomology. Stored product entomologists often advise producers on ways to reduce the chances of insect infestation and thus remain under food defect action levels. A. cuprina is a common aspect of stored product entomology due to its caterpillars' feeding habits. Grease moth larvae infest dried grain products and as it feeds it produces a silken substance that intertwines with the surrounding product. With substantial infestations, the larvae will spread throughout the product and with them spread their silk rendering the product unsellable. Most infestations occur in products that are stored for long periods of time in storage facilities.

In addition to stored product entomology, recently evidence suggests that A. cuprina may soon play a role in forensic entomology. A. cuprina was recently found feeding on the greasy remains of a deceased individual. The use of A. cuprina as an insect of significant forensic importance is still being researched.

Research
Research on the species' life cycle has yet to be completed, but it has been shown to have a similar life cycle to that of Aglossa caprealis. A. caprealis lays an average of 60-300 eggs during a single reproductive cycle. The eggs are commonly laid on overhanging supports. The time it takes for the eggs to hatch is temperature dependent and take between 2–14 days to hatch.

Once the eggs have hatched, the larval stage will last 2–41 weeks before pupating. The larval stage prefers to live in dark secluded environments, and creates flexible tubular galleries. The galleries are supported by silken fibres produced by the larvae.

Prior to pupation, the larvae leave their galleries and disperse to a suitable location. They entangle themselves with a loose, tough silken cover that they interweave with nearby material. The nearby materials provide structure to the silken covering and camouflage the moth while it undergoes metamorphosis. The duration spent in each stage of development is temperature dependent. The life cycle of A. cuprina has been recorded to range from approximately twelve months to over two years depending on weather and temperature conditions. The imago, adult insect, stage emerges in early summer.

References

Further reading
Ackermann A. “Occurrence of Aglossa pinguinalis inchworms in the intestine.” Deutsche Medizinische Wochenschrift. 95–96. Vol. 35. 1909. ISI Web of Knowledge. Medical Sciences Library, College Station, TX. 17 Mar. 2009.
Buckler, William, Stainton, Henry Tibbats, and George T. Porritt. The Larvae of the British butterflies and moths. Vol. 9. London: Ray Society, 1901. 28 Jan. 2007. The Library of Congress, Ann Arbor, MI. Google books. Pg. 26–36. 16 Mar. 2009.
Butler, Edward Albert. Our Household Insect: an account of the insect-pests found in dwelling-houses. New York: Longmans, Green, and Co., 1893. 29 Jan. 2008. Harvard University Library, Cambridge, MA. Google books. 10 Mar. 2009.
Carter, James David. Pest Lepidoptera of Europe: With Special Reference to the British Isles. Springer, 1984. Google books. Pg. 204. 16 Mar. 2009.
Entomological Society of Washington, Smithsonian Institution Dept. of Entomology. Proceedings of the Entomological Society of Washington. Vol. 10. Washington D.C.: The Entomological Society of Washington, 1909. 25 Jan. 2008. Google books. Pg. 97-217. 10 Mar. 2009.
Fraval, Alain, and Claire Villemant. Three Successive Regulation Patterns of Gypsy Moth (Lepidoptera, Lymantriidae) Populations in the Mamora Cork Oak Forest. Le Courrier De L’Environment De L’Inra. 13 Mar. 2009.
Humphreys, Henry Noel, and Obadiah Westwood. British moths and their transformations. Vol. 2. London: 1845. 11 Sept. 2006. Google books. Pg. 90. 17 Mar 2009.
Pinero, FS. “Coprophagy in Lepidoptera: observational and experimental evidence in the pyralid moth Aglossa pinguinalis.” Journal of Zoology. Vol. 244. Mar. 1998. Pg. 357. ISI Web of Knowledge. Medical Science Library, College Station, TX. 19 March 2009.
Sheppard, A.C. "Palaerctic Lepidoptera in the Province of Quebec." Ann Entomol Soc Quebec (Sep. 1974): 119–120. Agricola. EBSCO. Medical Science Library, College Station, TX. 17 Mar. 2009.
Solis & Shaffer. (1999). Contribution Towards the Study of the Pyralinae (Pyralidae): Historical Review, Morphology, and nomenclature. Journal of the Lepidopterists' Society.. 53. (1), 1-10.
Perez-Lopez, F.J. “The coprophagous specialization in the larvae of Aglossa pinguinalis (Linnaeus, 1758) (Lepidoptera: Pyralidae).” SHILAP Revista de Lepidopterologica [SHILAP Rev. Lepidopterol.]. 41–48. Vol. 30. 2002. Entomology Abstracts. ProQuest. Medical Sciences Library, College Station, TX. 17 Mar. 2009.
Work, Timothy and Deborah McCullough. "Lepidopteran Communities in Two Forest Ecosystem During the First Gypsy Moth Outbreaks in Northern Michigan ." Environmental Entomology 29.5Oct 2000 884–900. 10 Mar 2009.

Pyralini
Pyralidae of South America
Cosmopolitan moths
Moths described in 1872
Taxa named by Philipp Christoph Zeller


North Coolgardie was an electoral district of the Legislative Assembly in the Australian state of Western Australia from 1897 to 1901.

The district was located in the Western Australian outback. In 1898, it included the settlements of Menzies and Goongarrie along the Menzies–Kalgoorlie railway line, as well as the more remote settlements of Mount Ida, Mount Leonora, Mulline, Niagara, and Yerilla, and the Mount Margaret goldfields. It existed for one term of parliament, and was represented in that time by Henry Gregory. When the district was abolished at the 1901 state election, Gregory transferred to the new seat of Menzies.

Members for North Coolgardie

Election results

References

North Coolgardie
1897 establishments in Australia
Constituencies established in 1897
1901 disestablishments in Australia
Constituencies disestablished in 1901


Mario Mazza (7 June 1882 - 22 November 1959) was an Italian educator.  In 1916 he was one of the founding members of ASCI (Italian: l'Associazione Scautistica Cattolica Italiana) which became The Scouts Association of Catholic Italians.

References

1882 births
1959 deaths
Italian educators


Acanthops royi is a species of praying mantis in the family Acanthopidae and is one of many mantis from various genera that resembles a dead leaf.

See also
Dead leaf mantis
List of mantis genera and species

References

Acanthopidae
Mantodea of South America
Insects described in 2004


Acanthops centralis is a species of praying mantis in the family Acanthopidae and is one of many mantis from various genera that resembles a dead leaf.

See also
Dead leaf mantis
List of mantis genera and species

References

Acanthopidae
Mantodea of South America
Insects described in 2004


Crown of Ancient Glory is an adventure module for the Dungeons & Dragons fantasy role-playing game. It was published by TSR in 1987, and designed by Stephen Bourne. Its cover art is by Keith Parkinson, with interior art by Chris Miller and cartography by Dave S. LaForce. The module's associated code is X13 and its TSR product code is TSR 9218. This module was developed and intended for use with the Dungeons & Dragons Expert Set and Companion Set rules.

Plot summary
In Crown of Ancient Glory, the player characters must find the heir to the kingdom of Vestland and retrieve the magical Sonora Crown to unite the country before the Ethengar Khanate invades. The module includes plans for a longship.

The player characters assist the kingdom of Vestland, whose High King has recently died. They must also recover the missing holy Sonora Crown, which is also a powerful artifact. The heir to the kingdom was lost at birth, and the players must determine the identity and location of the lawful heir of Vestland. The characters must deal with traitors and spies from within, and invaders from the forces of the Ethengar Khanate, massing on the borders to take advantage of Vestland's plight.

Publication history
X13 Crown of Ancient Glory was written by Stephen Bourne, with a cover by Keith Parkinson and interior illustrations by Chris Miller, and was published by TSR in 1987 as a 64-page booklet with an outer folder.

Reception

References

Dungeons & Dragons modules
Mystara
Role-playing game supplements introduced in 1987


Old Girlfriends and Other Horrible Memories is an album by American fingerstyle guitarist and composer John Fahey, released in 1992. It also marked the end of an era for Fahey, who would soon be involved in a downward spiral in his personal life, health and career.

Reception

Allmusic critic Richard Meyer gave the album a 3 of 5 stars review, writing "All his trademark elements are here, eclectic song choices, dark and precise playing and a sense of fun." CMJ New Music wrote that "...the mood on Old Girlfriends is one that finds comfort in a certain melancholia and longing spirit rather than dwelling on darker hues. That Fahey can evoke all these emotions with just an acoustic guitar proves the power possible behind simplicity, how one instrument can captivate with only feeling, and in this case memories, providing the motivation."

Track listing
All songs by John Fahey unless otherwise noted.
 "Twilight Time" (Buck Ram, Morty Nevins, Al Nevins) – 2:30
 "The Sea of Love" (Phillip Baptiste, George Khoury) – 2:04
 "In Darkest Night: The Objectification and Recurrent Sightings of Bizarre and Cathected Screen Memories (from below) Along the Sligo" – 4:00
 "Blueberry Hill" (Vincent Rose, Larry Stock, Al Lewis) – 2:40
 "A Rose and a Baby Ruth" (John D. Loudermilk) – 2:02
 "Claire" – 3:13
 "The Thing at the End of New Hampshire Avenue" – 3:29
 "Don't" – 3:13
 "View" – 4:13
 "Dianne Kelly" – 7:40
 "Fear & Loathing at 4th & Butternut" – 3:29
 "Twilight on Prince Georges Avenue" – 4:06

Personnel
John Fahey – guitar
Terry Robb – 1st guitar on "Twilight Time"
Melody Fahey – ukulele on "A Rose and a Baby Ruth"
Production notes
John Fahey– producer
Terry Robb – producer
Joan Bone – engineer
Glenn Jones – assistant engineer
Randy Kling – mastering
Scott Billington – design
Levoy Exil – cover art

References

1992 albums
John Fahey (musician) albums
Albums produced by John Fahey (musician)


Protophormia terraenovae is commonly called northern blowfly, blue-bottle fly or blue-assed fly (blue-arsed fly in British English). It is distinguished by its deep blue coloration and large size and is an important species throughout the Northern Hemisphere. This fly is notable for its economic effect as a myiasis pest of livestock and its antibiotic benefits in maggot therapy. Also of interest is P. terraenovae’s importance in forensic investigations: because of their temperature-dependent development and their prominent presence on corpses, the larvae of this species are useful in minimum post-mortem interval (mPMI) determination.

Taxonomy
Protophormia terraenovae, of the family Calliphoridae, was named and first described by French entomologist André Jean Baptiste Robineau-Desvoidy in his 1830 “Essai sur les myodaires.” Its genus is shared by one other fly, Protophormia atriceps. Both flies are a dark, undusted, metallic blue-green-black. P. terraenovae is differentiated from P. atriceps by its flat face, plumose arista, and by up to 2 additional pairs of setae along the margin of the scutellum. P. terraenovae’s specific epithet is translated from the Latin as “of the New World.”

The oldest-known specimens of P. terraenovae pupae were identified in 1973 within the fossilized skull of a steppe wisent. The bison skull, estimated to date from the late Eemian period, was excavated from the site of a new sluice for the Brussels-Rupel Canal in Zemst, Belgium. The specimens, although approximately 75,000 years old, are identical in form to the pupae of the modern species.

Morphology

Adult
The adult Protophormia terraenovae, one of the larger species of calliphorids, measures between 7 and 12 mm in length. It is characterized by a black to brown anterior thoracic spiracle, a black basicosta, brown wing veins, and dark calypters. Upper calypters sprout black setae. While the thorax and abdomen of P. terraenovae can range in color from dark purple to dark green, the head and legs of this fly are black. Postocular setae are short but prominent; the palpi are yellow or dusky brown.

Sexes of the species are easily distinguished by the width of the space between the eyes, the frons: that of the female is .386 times the width of the head, while the frons of the male is only .140 times the head width. Chaetotaxy, the study of setae arrangement, is also useful for determination of sex—for example, the male lacks the fronto-orbital, lateroclinate setae found in the female. These setae are located just at the edge of the frons, near the upper portion of the complex eyes.

Larvae
Protophormia terraenovae larvae are tiny and white, with 12 segments. Length varies by larval age, with the first instar growing up to 2.63 mm and the third, by contrast, as long as 11.87 mm. In the third instar, the last segment is adorned with pointed tubercles, and segment 10 exhibits dorsal spines along its posterior margin. The latter characteristic distinguishes P. terraenovae, 3rd instar, from a similar calliphorid, Phormia regina.

Development
Being of the order Diptera, Protophormia terraenovae is holometabolous in its development, meaning it experiences dramatic changes from immature to adult. Protophormia terraenovae undergoes three instars, a pupal stage, and finally an adult stage.

First instar larvae obtain a liquid diet from orifices or wounds of a body. The instars that follow digest the body itself. Among the first to colonize, Calliphoridae species are found on the body almost immediately. As eggs hatch into the first larval stage, P. terraenovae begins feeding and increases in size, limited by its chitinous outer cuticle. As P. terraenovae larvae molt into the second instar, feeding intensifies: with larger and more developed mouthparts, second instars are able to break down tougher body tissues.

The third instar is unique, consisting of several substages. First, the larvae feed until they reach their maximum size. Next, larvae clear their crops. In this prepupal stage, also called the wandering stage, the maggots seek a dry, safe area for pupation. During the pupal stage, the outer cuticle hardens and tans into a dark brown color, gradually darkening with age. Finally, metamorphosis into the adult is completed with the shedding of the pupal casing and the emergence of the fly.

The time of development between instars to pupae to adult differs depending on temperatures. The mean duration of development, at constant pressure and 25 °C, between oviposition and hatching is 1.83 days. From first to second instar, approximately 2.92 days pass. About 6.17 days pass between the second and third instar, and 8.0 days between the third instar and the post-feeding stage. The wandering maggot takes around 9.67 days to reach the pupal stage. Lastly, emergence of this blowfly occurs about 15.83 days after pupation. In fluctuating conditions such as those around crime scenes, there is a tendency for development to slow down. Under-approximation of age is therefore a common mistake.

The development of P. terraenovae is inversely related to temperature. Studies at (15, 20, 25, 30, 35)°C were performed, and the minimal duration of development from oviposition to adult ranges from 9.19 ± .3 days at 35 °C, to 37.78 ± 2.96 days at 15 °C. The minimum development threshold for total immature development is 8.95 °C. The overall thermal constant (K) for P. terraenovae is 240.2 ± 9.3 day-degrees above threshold. The inverse relationship and regression of development from oviposition to pupation resulted in a 9.8 °C threshold for the species.

Pupation occurs on or within .5 meters of the decaying body. The duration of the pupal stage is relatively long compared to the rest of development, inactively occupying 43% of P. terraenovae’s total cycle. The third instar larva spends 13% of its cycle in feeding stage and 22% in post-feeding stages.

Geographic distribution
Protophormia terraenovae has a Holarctic distribution, meaning the species is found throughout the northern hemisphere. The fly is common in cool regions and, being "the most cold tolerant of all calliphorid species," can withstand extreme temperatures. P. terraenovae can be found as close as 550 miles from the North Pole and is abundantly found in the Arctic.

In North America, P. terraenovae can be found from Mexico to Canada. Appearance of this species is rare and mostly confined to the winter months in warm regions such as Texas and Florida. P. terraenovae is a spring or summer species in high latitudes and elevations.

Importance

Medical
Maggot debridement therapy (MDT) is commonly used for the cleansing and disinfecting of chronic wounds containing necrotic flesh. Various studies have shown that MDT is effective in treating wounds that have failed to heal. Effective MDT species consume necrotic tissue while cleansing the wound. Protophormia terraenovae is among the few blowfly species that fit these criteria. The larvae of most blowflies are necrophagous, meaning they develop in the bodies of dead vertebrates where they consume necrotic tissues. Because the majority of other blowfly larvae consume both necrotic and healthy tissues, P. terraenovae is an important species. P. terraenovae is also known to produce antibiotics during feeding: the secretions of P. terraenovae larvae are effective in fighting infections involving Streptococcus pyogenes and Streptococcus pneumoniae.

The main concern with the use of MDT is sepsis. P. terraenovae is blamed for five reported bloodstream infections. To prevent infection, P. terraenovae maggots must be raised in vitro under sterile conditions. Provided these precautions are taken, the use of P. terraenovae on chronic wounds appears to remain safe and efficient in wound treatment.

Economic
As a species of the blowfly family Calliphoridae, Protophormia terraenovae causes economically important myiasis in livestock and, occasionally, in humans. It also affects other populations of Diptera due to the predacious nature of its larvae when competing for necrotic tissue. P. terraenovae larvae have also been known to behave cannibalistically.

Myiasis due to Protophormia terraenovae has been reported in both wild and domestic animals, but it most commonly affects livestock. Species usually oviposit on carrion, but are capable of oviposition in the wounds of livestock and wild animals. Thus, P. terraenovae acts as a secondary invader in causing myiasis. Commonly referred to as ‘wound strike’, lesions are foul smelling ulcers that are filled with larvae. Animals infected with myiasis may die from toxemia and sepsis.

In particular, Protophormia terraenovae causes facultative, cutaneous myiasis of cattle, sheep and reindeer in the northern Holarctic region. Larvae feeding on the skin of sheep causes distress to the animal and loss of wool. This skin damage occurs to a lesser extent in horses, goats and pigs. Adults of this species are capable of causing myiasis but are found only in the Palaearctic and Nearctic regions.

Also of economic significance are manifestations of the species in slaughter-houses and poultry houses. Populations of P. terraenovae are maintained by refuse and the carcasses of dead animals. Due to their predacious nature, large numbers of this species can populate in the presence of other Dipteran species.  Blowfly bred at these locations cause considerable local nuisance and may spread disease to both humans and animals by contaminating meat and foodstuffs.

Forensic
Medicocriminal entomology is the branch of forensic entomology dealing with the use of arthropod evidence in criminal investigations. Because they make up the first wave of fauna to colonize a corpse, blowflies are among the most accurate forensic indicators of time elapsed since death, technically referred to as the post-mortem interval (PMI). This estimation is made by determining the developmental stages of the insects present on a body. Protophormia terraenovae is forensically important because of its extremely specific developmental time. Two methods are used to determine the PMI of a P. terraenovae-infested body. One approach utilizes information about the developmental stages of larvae located on or within the body, and the second utilizes facts about the larval stage as it emerges from the body to pupate.

The first, second, and third instar larvae present on a body are considered to be feeding stages. The first and second molting are characterized by rapid increases in size and generally occur within a certain range of larval length. Because the development of these flies is dependent on temperature, entomologists can use past weather data to estimate the ages of larvae and even pupae discovered on a corpse.

When post-feeding larvae venture away from the body to pupate, as is common for most blowflies, displacement behavior becomes the determining factor of age. When a body is discovered, if the larvae are leaving, it is possible to measure the distance they have traveled and, with knowledge of the species' crawling speed, to calculate when they left the body. Crawling speed is affected by terrain, temperature, and maggot length. These considerations allow forensic entomologists to make precise age estimations.

Another noteworthy forensic consideration is the use of blowfly species, in this case Protophormia terraenovae, in entomotoxicology. Evidence of drug use can be found in blowflies feeding upon cadavers with post-mortem drugs in their systems. Studies have shown that unlike other species of necrophagous Diptera, blowfly species can indicate the presence of morphine in the cuticle during larval growth, and, definitively, in pupa casings. Because puparial cases decay at an extremely slow rate and can be recovered years after the death of an individual, they can become very important to the examination of a corpse.

The "Pig Farm Case"
In 2007, entomological evidence was used in the infamous “Pig Farm Case”. An eighteen-month-long search of several acres of farmland and property in British Columbia resulted in the discovery of trace DNA evidence linked to twenty-six missing women. The heads, hands, and feet of two of the missing women were eventually found. Protophormia terraenovae larvae were prominent on these remains. Forensic entomologists determined developmental rates based on locally collected specimens of P. terraenovae, and with this information, concluded that both women had been exposed for weeks prior to being frozen. The pig farmer and co-owner of the grounds, Robert “Willie” Pickton, was charged with the murders of all twenty-six women. In December 2007 Pickton was convicted of second-degree murder in the deaths of six women and stands accused of first-degree murder in the deaths of twenty other women.

Current and future research
Investigation of the species is still ongoing: specifically, researchers are examining PMI and ADH/ADD for P. terraenovae, ecdysteroid levels and molting, and adult diapause with reactions to certain temperatures.

Microlesions were made inside the brain of Protophormia terraenovae to study the diapause factor. Results show that secretory neurons are necessary for entering the reproductive diapause. Other research based on the haemolymph circulation rate suggests that sensory-induced changes can result in a series of gustatory stimulations that shorten the cardiac cycle of P. terraenovae.

References

Calliphoridae
Insects described in 1830
Insects of the Arctic


WECF may refer to:
Women Engage for a Common Future, formerly named Women Engage for a Common Future
World Evangelical Congregational Fellowship, a global association of evangelical Christian Congregational Churches

See also
WCF (disambiguation)


Tully (1968–1978) was an Australian progressive rock group of the late 1960s and 1970s which had a close association with the Sydney-based film/lightshow collective Ubu and with psychedelic light show artist Roger Foley aka Ellis D Fogg.

Career

1968: Formation
Tully formed in Sydney in late 1968 with the original lineup of Jon Blake (bass), Michael Carlos (keyboards), Richard Lockwood (flute) and Robert Taylor (drums). They built up a strong following on the Sydney "underground scene" and later on the Melbourne concert circuit. Tully's members were all highly accomplished multi-instrumentalists with years of experience behind them, and their musical breadth quickly earned them a reputation as one of the most adventurous and polished concert bands of the period.

The original Tully members were all seasoned veterans of the Sydney club scene. NZ-born John Blake had previously played in Johnny O'Keefe's backing band The Dee Jays (1959), The Chessmen (1961), the Jimmy Sloggett Five (1963–64) and Max Merritt & the Meteors (1965). Carlos and Blake had both been members of popular Sydney mid-60s club band Little Sammy and the in People (1966–67). Robert Taylor was a child prodigy, winning best drummer and best trio in Western Australia three years in a row from the age of 11.

Carlos, Lockwood, Blake and Taylor met in the 1968 lineup of Levi Smith's Clefs, the Sydney R&B band led by veteran R&B singer Barrie "The Bear" McAskill. Many prominent Australian performers played in the various incarnations of this seminal Sydney club band and former members of the Clefs subsequently several other major Australian bands including Tully and Fraternity.

Carlos, Lockwood, Blake and Taylor left Levi Smith's Clef at the end of 1968 to form Tully. Like their Sydney contemporaries Tamam Shud Tully's music combined many disparate influences including pop, rhythm & blues, soul, modern jazz, classical music, folk/world music and psychedelic rock. Unusually for that period in Australia, Tully played mostly original compositions and improvisation was a key feature of their performances.

Like Tamam Shud, Tully had close associations with Sydney underground media collective UBU; their debut concert as Tully was at the final UBU Underground Dance at Paddington Town Hall on 4 January 1969 supported by The Id (after which the dances were banned from the Hall because of complaints about the noise and the "casual attire" of patrons), and they played at many subsequent UBU gigs.

Debut
Shortly after their debut, they recruited singer/guitarist/flautist Terry Wilson and took up a residency at Caesar's Disco in Sydney, although they reportedly had to leave after only a month because patrons couldn't dance to their music. Tully played at the first relocated UBU Underground Dance at the AMP Pavilion at Sydney Showground (with Tamam Shud) on 7 February and again with Nutwood Rug Band on 21 February 1969. They also featured on the cover of that month's UBU News (which bore the headline "Life is the Blood of Tully") and in the accompanying underground music story. Tully was reviewed in Go-Set by David Elfick (19 February 1969) and although he was initially unimpressed, indicating a preference for somewhat heavier style of Tamam Shud, he was much more positive in a larger feature published in the subsequent 12 March issue. Go-Set and Elfick soon became strong supporters of the group.

Over the next twelve months, Tully's profile built steadily, and by mid-1970 they were one of Australia's foremost rock concert attractions. In February 1969 they became the resident band at the Adams Apple disco in Oxford St, Sydney, where they played for several months and on 11–12 April East Sydney Technical College was the venue for Alexander Nevsky's Homecoming, a happening devised by David Humphries for the National Art Students' Union, featuring experimental theatre troupe The Human Body, with music by Tully and the Art Students Pop Orchestra, and lighting by UBU.

Their popularity became assured when the band was chosen by Roger Foley-Fogg (aka Ellis D Fogg) to be the regular band at Fogg's Lightshow Concerts in The un-Elizabethan Theatre, Newtown, attracting full houses. Rennie Ellis wrote:

"A concert at the Elizabethan Theatre was a sell out and hundreds of exotically dressed aficionados milled in the streets trying to get in. At this concert the group's rendition of A Whiter Shade of Pale accompanied by Ellis D. Fogg lighting effects and the slow motion movements of a male and female dancer dimly visible through a screen behind them, was a superbly restrained happening of great beauty and sensitivity." -

And Albie Thoms founder of friendly rival Lightshow group UBU said: ... "Fogg is later recognised as Sydney's leading lightshow artist"

1969-1977: Major breaks
In June/July 1969 the band got two major breaks that brought them to the forefront of the Australian music scene. One was the commissioning of a series of six half-hour ABC-TV programs starring Tully, entitled Fusions. The series, which was the brainchild of former ABC current affairs producer Bill Munro (later the executive producer of the Aunty Jack spinoff Flash Nick From Jindivik).

Fusions originally featured lighting design by UBU's Aggy Read, although this partnership was terminated due to budget restrictions after the first two episodes. One of Tully and Reid's collaborations for the series was a 15-minute music/image improvisation on "Tully's Bicycle" (although UBU News reported at the time that the ABC studio crew were less than accommodating, refusing to dim the main studio lights during the filming of a strobe sequence, rendering it largely ineffective). Guests included singer Wendy Saddington.

Through their residency at the Adam's Apple disco entrepreneur Harry M. Miller selected Tully as the 'house band' for the original Australian production of the controversial American 'tribal love rock musical' Hair which premiered at the Metro Theatre, Kings Cross on 4 June 1969. Billed as "Tully + 4", the group was augmented by extra musicians for the production—veteran jazz drummer John Sangster (percussion), Mick Barnes (guitar) and Keith Hounslow (trumpet). Tully vocalist Terry Wilson joined the cast of the show and sang the featured number "Aquarius". Tully stayed with the production until early 1970 (when they were replaced by Luke's Walnut) and during this period they performed on the original cast recording that came out late in 1969 on the Spin Records label, which went on to earn a Gold Record award.

Fusions premiered on ABC on 1 August, and on 17 August Tully headlined a major concert at Sydney Town Hall, supported by the John Sangster Quintet and The Executives. A similar show at the Mandala Theatre was also a success. Towards the end of 1969 bassist John Blake left the group. He was replaced first by Graeme Conlan (ex-The Second Thoughts, White Wine) and then by Murray Wilkins, until Ken Firth was eventually recruited as a permanent replacement.

Notable performances

Tully and jazz musician John Sangster were supported by classical, ambient musician Lindsay Bourke in 1969. In January 1970 Tully was one of the top-billed acts at Australia's first outdoor rock festival, the "Pilgrimage For Pop", held at Ourimbah on the NSW Central Coast over the January Long Weekend.

On 14 February, Tully performed with the Sydney Symphony Orchestra at the final 1970 Sydney Proms concert. This concert featured the world premiere of Peter Sculthorpe's new work Love 200, for orchestra and rock band, with words by Tony Morphett. The work was performed by the SSO, augmented by Tully and singer Jeannie Lewis, conducted by John Hopkins, with Light Show by Ellis D Fogg. A studio performance was recorded by the ABC. Terry Wilson also moonlighted during 1970 as a member of Jeannie Lewis' Gyspy Train.

Between 1976-78 Tully was a regular at the annual Parkerville Amphitheater weekend festivals in Perth.

In 1977, the secretary of the Musicians Union, Harry Bluck, had the band headline a televised rally for youth unemployment in the Perth Supreme Court Gardens. A strong supporter of the band, Bluck encouraged Tully members to begin a self-help group aimed at trying to solve some of the social and other problems prevalent among the contemporary music community of the time. The group held meetings at the Perth Musicians Union every Friday.

Releases
Tully signed with the Australian division of EMI and their self-titled debut LP was released on the EMI's Columbia label in July 1970; it charted well, spending eight weeks in the Top 40 and peaking at No. 8. Around this time Michael Carlos purchased what is said to be the first Moog synthesiser to be imported into Australia, and they became the first local band to use one in live performance.

In late 1970 Richard Lockwood and Ken Firth contributed to the debut LP Hush by Sydney band Extradition, released in June 1971 and now a rare collector's item. Both bands had been closely associated for some time, and shared similar musical outlooks; this led to Extradition members Colin Campbell and Shayna (Karlin) Stewart joining Tully at the start of 1971. Campbell played an important role in the later career of Tully and he wrote or co-wrote a considerable proportion of the material on both the Sea of Joy and Loving is Hard albums.

Terry Wilson and Robert Taylor both left the group in December 1970. According to rock historian Noel McGrath, this was largely due to the fact that Carlos, Firth and Lockwood were adherents of the Meher Baba sect (popularised by devotees like The Who's Pete Townshend) -- an interest Wilson and Taylor reportedly did not share. Taylor was not replaced, and Tully continued to perform without a drummer.

In 1971 Tully moved to EMI's new progressive label Harvest, and released their only single, "Krishna Came" / "Lord Baba" (May 1971). This was followed in June by their second LP Sea of Joy, which was also the soundtrack to the surf film of the same name by Paul Witzig, who had also previously worked with Tamam Shud. But just before it was issued Michael Carlos quit the band to rejoin Levi Smith's Clefs. Tully continued on without him for several months before finally splitting. Richard Lockwood had been playing occasionally with Tamam Shud and he joined them full-time when Tully split. Tully had stockpiled enough material prior for EMI to compile a third and final LP which was released in 1972 as the album Loving Is Hard.

Changes
In October 1971 Wilson and Taylor formed the innovative (but short-lived) Space, a band that apparently explored similar musical territory to Roy Wood's Electric Light Orchestra, mixing rock and classical instrumentation. The lineup included guitarist Dave Kain (ex-Dr Kandy's Third Eye), jazz pianist Bobby Gebert (an in-demand session player, who also worked with Tamam Shud and Gulliver Smith), bassist Ian Rilen (later of Blackfeather, Rose Tattoo and X) and cellist Adrian Falk.

In 1976 Robert Taylor teamed up with guitarist Andrew "Frizby" Thursby-Pelham (ex - Berlin (Perth c. 1975)), and bassist John "Bass" Walton (ex - Graphic). Taylor had been wanting to reform Tully and as he owned the Tully name it was decided this band should also be named Tully. The band performed mainly original rock/fusion pieces penned by Thursby-Pelham, and loosely covered other fusion artists such as "The Mahavishnu Orchestra", and "Jeff Beck", whose arrangements were interspersed with lengthy periods of improvisation. For a short time singer Bill Tahana (1977) was included in the lineup.

This incarnation of the band gained popularity quickly in the West, performing at three of the annual Parkerville Amphitheatre festivals as well as regular spots at venues such as Daly's Court, The Sandgroper, and the City Hotel. A notable feature of the band's performances was the unusually large number of local musicians who came to see them.

In 1978 bassist John Walton became chronically ill and was forced to leave the band. Unfortunately a suitable replacement was not found and the band folded.

1978-present: After Tully
John Blake joined The Original Battersea Heroes and performed in a 1985 revival of Levi Smith's Clefs.

Michael Carlos rejoined Levi Smiths Clefs in 1972, before moving into session work and arranging, contributing to albums by Jon English, Jeannie Lewis and Ross Ryan (to which Shayna Stewart and Ken Firth also contributed). In 1972 he was appointed musical director for the original Australian stage production of Jesus Christ Superstar, followed by several years as leader of the Baxter Funt Orchestra working with Reg Livermore and arranging and conducting the music for Livermore's acclaimed one-man shows. In addition to his extensive film, TV and advertising credits, in the late 1970s Carlos was closely involved in the development of the Fairlight CMI, the world's first commercially produced digital synthesiser.

Ken Firth worked in several bands with Barrie McAskill in 1972, including McAskill, Murphy, Maloney & Firth, and a new version of Levi Smith's Clefs. He was a member of the Stevie Wright Band (1972–74), The Ferrets (1974–78), the Richard Clapton Band (1975), Billy Miller's Great Blokes, Buster Brown (1976) and Divinyls (1982).

Richard Lockwood joined the later lineup of Tamam Shud (1971–72) and then followed Lindsay Bjerre into his next band Albatross (1972–73). He died in September 2012 after battling cancer for several years. Prior to his death, Lockwood oversaw preparations for the reissue of Tully's original recordings on CD, as well as his own compilation album, In the Doorway of the Dawn, a 2-CD collection of solo recordings.

Terry Wilson moved on to Space (1971), Lepers Abandon, Original Battersea Heroes (aka Heroes) (1973), Slack Band, Leroy's Layabouts (1975), Doyle Wilson Band (1975), Wasted Daze (1976–79) and The Magnetics (1983)

Shayna Stewart joined the cast of the original Australian production of Jesus Christ Superstar and performed on the original Australian cast soundtrack LP. She also contributed to the debut LP by Jon English, Wine Dark Sea.

Discography

Albums

References

Acid rock music groups
Australian progressive rock groups
Australian psychedelic rock music groups


La Maroma, also known as Tejeda, at an altitude of 2069 m, is the highest peak of the Sierra de Tejeda, Penibaetic System, Spain. The summit is located in the region of Axarquía on the border between the provinces of Granada and Málaga.

The name La Maroma ("The Rope") comes from a rope used to descend to an ancient ice house located close to the summit. This mountain is in the Sierras of Tejeda, Almijara and Alhama Natural Park.

References

External links

Tejeda (La Maroma), 2.068 m

Mountains of Andalusia
Penibaetic System
Two-thousanders of Spain


Chuanshan may refer to the following locations in the People's Republic of China:

Chuanshan Archipelago (川山群岛), group of islands in the South China Sea, just off the coast of Guangdong
Chuanshan District (船山区), Suining, Sichuan
Chuanshan, Huanjiang County (川山镇), town in Huanjiang Maonan Autonomous County, Guangxi
Chuanshan, Liujiang County (穿山镇), town in Guangxi


Wuping ( unless otherwise noted) may refer to:

Wuping (570–576), era name used by Gao Wei, emperor of Northern Qi
Wuping Jiedushi, a successor state of Ma Chu during the 10th century

Places in China
Wuping County, a county in western Fujian
Wuping, Chongqing, a town in Fengdu County, Chongqing
Wuping, Gansu (武坪), a town in Zhugqu County, Gansu
Wuping, Guangxi, a town in Jingxi, Guangxi

See also
Wu Ping (born 1966?), a Chinese woman who held out her property in Chongqing


"You Make My Dreams" is a song by American duo Daryl Hall & John Oates, taken from their ninth studio album, Voices (1980). The song reached number five on the Billboard Hot 100 chart in 1981. The track received 154,000 digital sales between 2008 and 2009 according to Nielsen SoundScan.

The song has sold over one million copies in the UK to date, despite having never charted in the country.

Composition
John Oates said the song came about "through a happy accident, my guitar player friend of mine and myself were jamming in the dressing room, and I started playing a delta blues and he started playing a Texas swing, and we put them together, and all of a sudden into my head popped "you make my dreams." I just started singing it. I don't know why, but I did. And it sounded really cool and everyone liked it. It was as simple as that."

Daryl Hall also commented on the iconic piano riff that opens the song and the distinctive sound that is generated by a Yamaha CP-30 in an interview with the BBC on the 40th anniversary of the song’s release. “It's a very unusual edition of a Yamaha called the Yamaha CP-30. There were very few of them made and it wasn't out for very long. Over the years mine got destroyed [and] I cannot duplicate that sound other than with the actual instrument. So I had to search and search until, quite recently, I found one.”

Reception
Record World praised the song's "vocal and musical inspiration."

In popular culture
The song features in a memorable scene in the 2009 film (500) Days of Summer, where Joseph Gordon-Levitt's character breaks out into a spontaneous dance number while walking down the street. Daryl Hall and John Oates themselves were originally going to be included in this scene.
The National Hockey League's Toronto Maple Leafs have used the song as their goal song since the 2018-19 season.

Personnel
Daryl Hall – lead vocals and backing vocals, synthesizer
John Oates – electric guitar and backing vocals
John Siegler – bass and backing vocals
Jerry Marotta – drums

Charts

Weekly charts

Year-end charts

Certifications

References

1980 songs
1981 singles
Hall & Oates songs
Songs written by John Oates
Songs written by Daryl Hall
RCA Records singles
Songs written by Sara Allen
Songs about dreams


Highway 118 (AR 118, Ark. 118, and Hwy. 118) is a designation for two state highways in the Upper Arkansas Delta. One route of  begins at US Highway 64 (US 64) and Highway 149 east to Mississippi County Road 495 (CR 495) near the Mississippi River levee. A second route of  runs from US 70/US 79 in West Memphis to US 64 in Marion. Both routes are maintained by the Arkansas State Highway and Transportation Department (AHTD).

Route description

Earle to Joiner

Highway 118 begins at US 64 in the northeast corner of Earle within Crittenden County in the Arkansas Delta. The route runs northeast to Heafer, where it has an intersection with Highway 42 before curving due north and running as a section line road and entering Poinsett County.

Entering Poinsett County, Highway 118 runs north to Highway 322, which serves as a frontage road for Interstate 555 in southern Tyronza. Highway 118 meets I-555 at an exit before entering downtown Tyronza. The highway passes three historic properties and continues north before turning due east and entering Mississippi County.

Now heading west, AR 118 meets AR 135, AR 308, and AR 77 before crossing Interstate 55. After I-55, AR meets US 61 in Joiner. The route continues east to Black Cat, the Mississippi River and Tennessee.

West Memphis to Marion
Highway 118 begins at US 70 in West Memphis near Mid-South Community College. The route heads north to an interchange with Interstate 40 (I-40), as well as unsigned US 79. The highway continues north to Marion, running along the western city limits before an intersection with US 64.

Major intersections

See also

 List of state highways in Arkansas

References

External links

118
Transportation in Crittenden County, Arkansas
Transportation in Poinsett County, Arkansas
Transportation in Mississippi County, Arkansas


Many conditions are associated with disorders of the function of the parathyroid gland. Some disorders may be purely anatomical resulting in an enlarged gland which will raise concern. Such benign disorders, such as parathyroid cyst, are not discussed here.  Parathyroid diseases can be divided into those causing hyperparathyroidism, and those causing hypoparathyroidism.

Comparison

Hyperparathyroidism and related conditions
The single major disease of parathyroid glands is overactivity of one or more of the parathyroid lobes, which make too much parathyroid hormone, causing a potentially serious calcium imbalance. This is called hyperparathyroidism; it leads to hypercalcemia, kidney stones, osteoporosis, and various other symptoms. Hyperparathyroidism was first described in 1925 and the symptoms have collectively become known as "moans, groans, stones, and bones." By far, the most common symptom is fatigue, but depression, memory loss, and bone aches are also very common. Primary hyperparathyroidism is relatively more common in postmenopausal women. The primary treatment for this disease is the surgical removal of the faulty gland.

If a patient has elevated calcium, several different types of tests can be used to locate the abnormal glands. The most common and most accurate test to find a parathyroid tumor is the Sestamibi scan. The Sestamibi scan does not have high resolution. Neck ultrasound has higher resolution, but requires some expertise to perform. Ultrasound's shortcomings include: it cannot determine glandular function (normal vs. hyperfunctioning) or  visualize unusual locations such as retropharyngeal or mediastinal. Thin cut computed tomography of the neck can reveal glands in locations that the ultrasound cannot evaluate well; e.g. retropharyngeal, mediastinal. These tests are ordered by an endocrinologist or a surgeon that specializes in parathyroid surgery. Often, these "localizing" tests used to "find" the bad parathyroid gland are not successful in locating which parathyroid gland has become a tumor. This often causes confusion for the patient and doctor, since the tumor was not located. This simply means that the tumor was not found using these tests; it does not mean the tumor does not exist.   The use of ultrasound-guided FNA, and parathyroid hormone washings can confirm the abnormal glands. For decades, it has been known that the best way to find a parathyroid tumor is through a very experienced parathyroid surgeon.

Even if a patient has a non-localizing Sestamibi scan (a negative sestamibi scan), he/she should almost always have a neck exploration to remove the tumor if he/she has high calcium levels, among other symptoms. Minimally-invasive parathyroid surgery is becoming more available, but, depending on the expertise of the surgeon, the patient may need to have a positive sestamibi scan before a minimally-invasive operation is attempted. Some of the most experienced surgeons perform mini-parathyroid surgery on all patients, but this is available only at highly specialized centers. Some patients will need both sides of their necks explored to find the dysfunctional gland(s).

Another related condition is called secondary hyperparathyroidism (HPT for short), which is common in patients with chronic kidney disease on dialysis. In secondary HPT, the parathyroid glands make too much parathyroid hormone (PTH) because the kidneys have failed, and the calcium and phosphorus are out of balance. Even though one may not have any symptoms, treating secondary HPT is important. Cinacalcet (Sensipar) is a medicine that can help treat such dialysis patients and is available by prescription only. Most experts believe that Sensipar should not be used for patients with primary hyperparathyroidism (patients that have a high calcium and are not on kidney dialysis).

Parathyroid surgery is usually performed when there is hyperparathyroidism. This condition causes many diseases related with calcium reabsorption, because the principal function of the parathyroid hormone is to regulate it. Parathyroid surgery could be performed in two different ways:  first is a complete parathyroidectomy, and second is the auto transplantation of the removed parathyroid glands. There are various conditions that can indicate the need for the removal or transplant of the parathyroid glands.  Hyperparathyroidism is a condition caused by overproduction of PTH, and can be divided into three types.
 Primary hyperparathyroidism happens when the normal mechanism of regulation by negative feedback of calcium is interrupted, or in other words the amount of blood calcium would ordinarily signal less production of PTH. Most of the time this is caused by adenomas, hyperplasia or carcinomas.
 Secondary hyperparathyroidism normally occurs in patients that suffer chronic kidney disease. Poor kidney function leads to a mineral disequilibrium that causes the glands hypertrophy in order to synthesize and release more PTH.
 Tertiary hyperparathyroidism develops when the hyperplastic gland of secondary hyperparathyroidism constantly releases PTH, independent of the regulation systems.
Another condition is hypercalcemia, which refers to a calcium level above 10.5 mg/dL. Consequences of this are heart rhythm diseases, and extra production of gastrin that causes peptic ulcers.

Parathyroid transplant is recommended if the parathyroid glands are removed accidentally during a thyroidectomy. They are autotransplanted to the nearby sternocleidomastoid muscle, or to the forearm so that another intervention would be less risky. A biopsy is recommended to be sure that the transplanted tissue is parathyroid and not a lymph node with metastatic disease. During parathyroid surgery if there is an adenoma the transplantation is not recommended; instead it is cryopreserved for research an if there is a recurrent hypoparathyroidism.

The surgery is indicated for all patients that are diagnosed with hyperparathyroidism with or without symptoms, especially in younger patients. In some cases the surgery works as therapy for nephrolithiasis, bone changes, and neuromuscular symptoms.

Procedure

Parathyroidectomy, or the removal of the parathyroids, requires general anesthesia. The patient is intubated and placed in a supine position with the chin at fifteen degrees by elevating the shoulders to permit the extension of the neck. Then a transverse cut is made above the sternal notch. The transversal thyroid lobe is reached and is rotated up to discover and ligate the thyroid vein to separate the thyroid artery. Exploration must be done meticulously to search for adenomas. If an adenoma is identified, exploration must be continued because it is common that more than one neoplasia appears. Before the procedure, the glands are marked to make them more visible during the procedure. If one of them cannot be found, the procedure is to remove a complete thyroid lobe on the side where the gland is not found to avoid an intrathyroid parathyroid gland. After exploration, if there is one, two or even three parathyroid glands affected, they are removed and the other one left in situ. If all four glands are affected then three and a half are removed. The remaining half is marked with a suture and the surgeon must be sure that the blood supply will not be compromised. A total parathyroidectomy or auto transplantation to the forearm of the remaining half gland, may also be recommended.

Parathyroid auto transplantation
Parathyroid auto transplantation is part of the treatment when a patient has hyperparathyroidism and three or four parathyroid glands were already removed, but during the surgery one of the glands (in the case of the removal of three) is relocated at another part of the body to make, the procedure less risky another procedure. In the case of complete parathyroidectomy, a half gland is cryopreserved. In case the patient suffers hypoparathyroidism. If this happens the extracted parathyroid is relocated to another place of the body for example the forearm. Parathyroid auto transplantation begins with parathyroid tissue extraction, which must be preserved into a cold isotonic solution until the patient needs it. Research has shown that parathyroid tissue can function at subcutaneous level until the transplantation. If this is not possible, the most common procedure is to create a small pocket of muscle, tissue at least 2 cm deep by separating the muscular fibers. Then the parathyroid tissue is placed into and closed by suturing the area. After the extraction the tissue might be processed at the laboratory, as soon as possible. Once at the laboratory the tissue sample is placed at a frozen petri dish where it is cut into small pieces (approximately 1–2 mm). The small pieces are placed into test tubes and filled with a solution in three parts one at 20% of autologous serum (about 0.6 ml) and the other part of isotonic solution at 20% (about 0.6 ml) then a solution of 2 ml of polypropylene and mixed gently. Then is placed into a container at -70 °C for a night then finally the container passes through the phase of liquid or vapor nitrogen immersion and is kept there until needed. When it is needed the sample is taken out of the nitrogen and placed into a bath of water at 37 °C until the ice is melted almost completely except for the samples core. Then 0.5 ml of the melted solution is removed and replaced for fresh isotonic solution.

Related conditions
 Hypoparathyroidism
 Pseudohypoparathyroidism
 Pseudopseudohypoparathyroidism
 Disorders of the parathyroid hormone receptor have been associated with Jansen's metaphyseal chondroplasia and Blomstrand's chondroplasia
 Parathyroid carcinoma

References

Parathyroid disorders


This discography of jazz pianist McCoy Tyner contains albums that were released under his own name as well as albums on which he appeared.

As leader/co-leader

Compilations
 The Best of McCoy Tyner (Blue Note, 1996) – recorded in 1967–1970
 Solar: Live at Sweet Basil (Alfa/Sweet Basil, 1997) – combined the same title album (1991) and Key of Soul (1992)
 The Best of the McCoy Tyner Big Band (Birdology/Dreyfus Jazz, 2002) – combined The Turning Point (1992) & Journey (1993)
 Afro Blue (Telarc, 2007) – recorded in 1998–2003

As sideman

with John Coltrane
 Coltrane Plays the Blues (Atlantic, 1962) – rec. 1960
 Coltrane Jazz (Atlantic, 1961) – only on "Village Blues"
 Coltrane's Sound (Atlantic, 1964) – rec. 1960
 My Favorite Things (Atlantic, 1961)
 Olé Coltrane (Atlantic, 1961)
 Africa/Brass (Impulse!, 1961)
 Coltrane "Live" at the Village Vanguard (Impulse!, 1962) – rec. 1961
 Coltrane (Impulse!, 1962)
 Ballads (Impulse!, 1963) – rec. 1961–62
 John Coltrane and Johnny Hartman (Impulse!, 1963)
 Impressions (Impulse!, 1963)
 Live at Birdland (Impulse!, 1963)
 Crescent (Impulse!, 1964)
 A Love Supreme (Impulse!, 1965) – rec. 1964
 The John Coltrane Quartet Plays (Impulse!, 1965)
 The New Wave in Jazz (Impulse!, 1965) – live
 Ascension (Impulse!, 1966) – rec. 1965
 New Thing at Newport (Impulse!, 1966) – live rec. 1965
 Meditations (Impulse!, 1966) – rec. 1965
 Kulu Sé Mama (Impulse!, 1967) – rec. 1965
 Om (Impulse!, 1968) – rec. 1965
 The Coltrane Legacy (Atlantic, 1970) – compilation of outtakes rec. 1959–61
 Transition (Impulse!, 1970) – rec. 1965
 Sun Ship (Impulse!, 1971) – rec. 1965
 Afro Blue Impressions (Pablo, 1977) – rec. 1963
 First Meditations (Impulse!, 1977) – rec. 1965
 To the Beat of a Different Drum (Impulse!, 1978) – rec. 1963–65
 Like Sonny (Roulette, 1990) – rec. 1960 and released in original form in 1962
 Living Space (Impulse!, 1998) – rec. 1965
 So Many Things: The European Tour 1961 (Acrobat, 2015) - rec. 1961
 Both Directions at Once: The Lost Album (Impulse!, 2019) – rec. 1963
 Evenings at the Village Gate: John Coltrane with Eric Dolphy (Impulse!, 2023) - rec. 1961

with Curtis Fuller
 1959: Imagination (Savoy, 1960)
 1960: Images of Curtis Fuller (Savoy, 1960)

with Grant Green
 1964: Matador (Blue Note, 1979)
 1964: Solid (Blue Note, 1979)

with Freddie Hubbard
 1960: Open Sesame (Blue Note, 1960)
 1960: Goin' Up (Blue Note, 1961)
 1961: Ready for Freddie (Blue Note, 1962)
 1965–66: Blue Spirits (Blue Note, 1967)

with Joe Henderson
 1963: Page One (Blue Note, 1963)
 1964: In 'N Out (Blue Note, 1965)
 1964: Inner Urge (Blue Note, 1966)

with Bobby Hutcherson
 1966: Stick-Up! (Blue Note, 1968)
 1981–82: Solo / Quartet (Contemporary, 1982)

with Milt Jackson
 1964: In a New Setting (Limelight, 1965)
 1964–65: I/We Had a Ball (Limelight, 1965) – 1 track

with Hank Mobley
 1965: A Caddy for Daddy (Blue Note, 1967)
 1966: A Slice of the Top (Blue Note, 1979)
 1966: Straight No Filter (Blue Note, 1985)

with Lee Morgan
 1964: Tom Cat (Blue Note, 1980)
 1966: Delightfulee (Blue Note, 1967)

with Wayne Shorter
 1964: Night Dreamer (Blue Note, 1964)
 1964: JuJu (Blue Note, 1965)
 1965: The Soothsayer (Blue Note, 1979)

with Stanley Turrentine
 1964: Mr. Natural (Blue Note, 1980)
 1966: Rough 'n' Tumble (Blue Note, 1966)
 1966: Easy Walker (Blue Note, 1968)
 1966: The Spoiler (Blue Note, 1967)
 1967: A Bluish Bag (Blue Note, 2007)
 1967: The Return of the Prodigal Son (Blue Note, 2008)

with others
 George Benson, Tenderly (Warner Bros., 1989)
 Art Blakey, A Jazz Message (Impulse! 1964) – rec. 1963
 John Blake, Jr., Maiden Dance (Gramavision, 1984) – rec. 1983
 Donald Byrd, Mustang! (Blue Note, 1967) – rec. 1966
 Lou Donaldson, Lush Life (Blue Note, 1980) – rec. 1967
 Art Farmer and Benny Golson, Meet the Jazztet (Argo, 1960)
 Steve Grossman, In New York (Dreyfus Jazz, 1993) – rec. 1991
 J. J. Johnson, Proof Positive (Impulse!, 1964) – 1 track
 Blue Mitchell, Heads Up (Blue Note, 1968) – rec. 1967
 David Murray, Special Quartet (DIW/Columbia, 1990)
 Julian Priester, Spiritsville (Jazzland, 1960)
 Flora Purim, Encounter (Milestone, 1977) – rec. 1976
 Sonny Rollins, Ron Carter, and Al Foster, Milestone Jazzstars in Concert (Milestone, 1978)
 Avery Sharpe, Unspoken Words (Sunnyside, 1989) – rec. 1988
 Woody Shaw, Jackie McLean, Cecil McBee, and Jack DeJohnette, One Night with Blue Note Preserved Volume Two (Blue Note, 1985)
 Sonny Stitt, Loose Walk (Musica Jazz/Philology, 1993) – rec. 1966

References

McCoy Tyner Discography Project accessed March 24, 2009
McCoy Tyner Sessionography accessed March 24, 2009

External links

Jazz discographies


Design for Living is a 1933 American pre-Code romantic comedy film directed by Ernst Lubitsch from a screenplay by Ben Hecht, based on the 1932 play of the same name by Noël Coward. Starring Fredric March, Gary Cooper, and Miriam Hopkins, the film is about a woman who cannot decide between two men who love her, and the trio agree to try living together in a platonic friendly relationship.

Criticism was mixed, with some critics praising the film, but many were ambivalent about its great departure from Coward's play. Coward said, "I'm told that there are three of my original lines left in the film—such original ones as 'Pass the mustard'." The film was a box office success, ranking as one of the top ten highest-grossing films of 1933. All three of the lead actors—March, Cooper, and Hopkins—received attention from this film as they were all at the peak of their careers.

Plot
While en route to Paris via train, commercial artist Gilda Farrell meets artist George Curtis and playwright Thomas Chambers, fellow Americans who share an apartment in the French capital. Gilda works for advertising executive Max Plunkett, who has had no success in his efforts to engage her in a romantic relationship. Tom and George each realize the other is in love with Gilda, and although they agree to forget her, they cannot resist her when she comes to visit. Unable to choose between the two, she proposes she live with them as a friend, muse, and critic—with the understanding they will not have sex.

Gilda arranges for a producer to read Tom's play and he goes to London to oversee the staging of his work. During his absence, Gilda and George become involved romantically and sexually, much to Tom's chagrin. Months later, Tom bumps into Max at the theatre. Max tells him that George has become highly successful as a portrait artist. Tom returns to Paris and discovers George has vacated their apartment and moved into a penthouse with Gilda. With George in Nice painting a portrait, Gilda and Tom rekindle their affair.

George returns and, realizing his former roommate and current lover have been trysting while he was away, orders the two to get out. Gilda decides to end the men's rivalry by marrying Max in Manhattan, but she is so upset when she receives potted plants from her former beaux that she cannot consummate the marriage. When Max hosts a party for his advertising clients, Tom and George crash the event and hide in Gilda's bedroom. Max finds the three laughing on the bed and orders the men out; a brawl ensues, prompting all the guests to depart. Gilda announces she is leaving her husband, and she, Tom, and George decide to return to Paris and their unusual living arrangement.

Cast
 Fredric March as Tom Chambers
 Gary Cooper as George Curtis
 Miriam Hopkins as Gilda Farrell
 Edward Everett Horton as Max Plunkett
 Franklin Pangborn as Mr. Douglas
 Isabel Jewell as Max's stenographer
 Jane Darwell as George's housekeeper
 Wyndham Standing as Max's butler

Production
In the late 1920s and early 1930s, Coward wrote a succession of popular hit plays. On Broadway, Design for Living was a popular and critical hit starring Lynn Fontanne, Alfred Lunt and Coward, and its risqué ménage-à-trois theme made it controversial. Design for Living was one of more than a dozen of Coward's plays made into feature films.

Ernst Lubitsch initially asked Samson Raphaelson to write the screenplay, but he had no interest in adapting Coward. The director then turned to Ben Hecht, and they opted for a loose adaptation of Coward's plot, completely rewriting the play. In the original, the three main characters were sophisticated, urbane and cynical. Hecht changed the men's names, and the trio became naïve and exuberant, living the bohemian life worry-free in the middle of the Great Depression.

Lubitsch hoped to cast Ronald Colman and Leslie Howard as the male leads, but Colman demanded too much money and Howard didn't want to risk comparisons to the play's original cast. The director originally cast Douglas Fairbanks, Jr. as George, but the actor contracted pneumonia and had to withdraw just before filming began, and he was replaced by Gary Cooper. Lubitsch cast Paramount contract player Fredric March as Tom. According to the New York State Writers Institute website, a highlight of the film is the scene where, while struggling at his playwriting, he begs Miriam Hopkins, as Gilda, to smack him between the shoulder blades. Gilda was a role well-tailored for Hopkins' talents.  Comic character actors Edward Everett Horton and Franklin Pangborn completed the principal cast.

Before officials began enforcing the Production Code in 1934, leading to censorship of sexuality from films, Paramount and other studios produced many with sexual or controversial content, including films starring Mae West, W. C. Fields and Marlene Dietrich and the fantasy films of Josef von Sternberg. From 1929 to 1934, Lubitsch "made Paramount the ne plus ultra of sophisticated sexiness," joyously weaving adult sexuality, cosmopolitan flair and a disdain for convention into his films, which included The Love Parade, Monte Carlo, Trouble in Paradise, The Smiling Lieutenant, and One Hour with You. Censorship difficulties arose with Design for Living due to sexual discussions and innuendos in the film. The Hays Office eventually approved it for release, but the film later was banned by the Legion of Decency, and in 1934 it was refused a certificate by the PCA for re-release under the strict new rules. The film's risqué subject matter also attracted press notice.

Production credits
The production credits on the film were as follows:
 Ernst Lubitsch – director
 Noël Coward – underlying story
 Ben Hecht – screenplay
 Victor Milner – photography
 Ernst Fegté – art director (uncredited)

Critical reception
Mordaunt Hall of The New York Times said the film "may be only a skeleton of the parent work, but it has the same familiar rattle.... Notwithstanding the fact that Mr. Coward's clever lines were tossed to the four winds and that the whole action of the story is materially changed, Mr. Lubitsch, who knows his motion picture as few others do, has in this offering... fashioned a most entertaining and highly sophisticated subject, wherein his own sly humor is constantly in evidence. He has been ably aided and abetted by Mr. Hecht in this slaughter of the Coward play, and, if the original was sharper and brisker than the picture, the latter is filled with clever fun and the story, still with a decided Parisian flair, moves along swiftly and surely."

Time Out London observed, "Noël Coward's teacup wit and elegance hardly suits the beer glass temperament of his screen adapter Ben Hecht.... The script galumphs when it should glide, and neither the director nor the stellar cast can bring this would-be soufflé about a bohemian ménage-à-trois... to the right fluffy consistency."

The film has been well-regarded by posterity. Reviewing the film on the occasion of its 2011 Blu-Ray release, Joseph Jon Lanthier of Slant Magazine gave it four and a half stars out of five and noted that: "Due to the uncommonly risqué, if comically clunky, plot points (...), Design for Living is often considered minor Lubitsch and major pre-Code—but it's more accurately major Ben Hecht." Louis Chilton of The Independent writing in 2023, "Witty, humane and progressive, Design for Living has aged shockingly well, and arguably remains the urtext for exploring throuples on film." Similarly, Toussaint Egan and Pete Volk wrote on Polygon in 2022 that Design for Living was one of the best pre-Code films, calling it a "clever comedy with charismatic and attractive movie stars in the leading roles […] a romp of a time from one of the all-time great directors."

Accolades
The film is recognized by American Film Institute in these lists:
 2002: AFI's 100 Years...100 Passions – Nominated
 2008: AFI's 10 Top 10:
 Nominated Romantic Comedy Film

DVD releases
The film was released on DVD on May 31, 2005, as part of The Gary Cooper Collection, which also includes The Lives of a Bengal Lancer, Peter Ibbetson, The General Died at Dawn, and Beau Geste. It was later released on both DVD and Blu-ray by The Criterion Collection on December 6, 2011, containing several extras, unlike The Gary Cooper Collection.

References

Further reading

External links

 Design for Living: It Takes Three, an essay by Kim Morgan at the Criterion Collection

1933 films
1933 comedy films
American black-and-white films
American comedy films
American films based on plays
Films set in Paris
Films set in New York City
Films directed by Ernst Lubitsch
Paramount Pictures films
Films with screenplays by Ben Hecht
1930s American films
1930s English-language films


Pavas is the ninth district of the San José canton, in the San José province of Costa Rica. The district comprises Tobías Bolaños International Airport, San José's domestic airport.

Geography
Pavas has an area of  km2 (the largest district in the canton)  and an elevation of  metres.

It is adjacent to Escazú Canton to the south, and to Uruca and Mata Redonda districts to the north and east respectively.

Demographics

For the 2011 census, Pavas had a population of  inhabitants.

Locations
Pavas District includes the "barrios" (or neighbourhoods) of Aeropuerto, Alfa, Bribri, Favorita Norte, Favorita Sur, Geroma, Gerona, Hispana, Libertad, Lomas del Río, Llanos del Sol, María Reina, Metrópolis, Pavas Centro, Residencia del Oeste, Rincón Grande, Rohrmoser, Rotonda, San Pedro, Santa Bárbara, Santa Catalina, Tajo, Triángulo, Villa Esperanza, and Zona Industrial.

Education

International schools include:
 British School of Costa Rica
 Colegio Humboldt (Humboldt-Schule) - German school

Transportation

Road transportation
The district is covered by the following road routes:
 National Route 39
 National Route 104
 National Route 174

Rail transportation
The Interurbano Line operated by Incofer goes through this district.

References

Districts of San José Province
Populated places in San José Province


Sir Slick (foaled 2001) is a bay gelding Thoroughbred racehorse by Volksraad from the Paris Opera mare Miss Opera. The New Zealand bred Sir Slick was the winner of Six Group One races in New Zealand and he also raced in Australia, Singapore and Hong Kong.

Racing career

Bred by Monovale Holdings Limited, Sir Slick was a NZ$48,000 purchase from Mapperley Stud at the 2003 Select Colts Karaka Yearling Sale by Graeme Nicholson.

Sir Slick was also known as the War Horse or the Iron Horse and he became one of the country's most popular racehorses of his time due to his success and ability to withstand long racing campaigns.

His major victories included the:
 2007 Awapuni Gold Cup (Bruce Herd, 59kg) from All Square and Arabian Nights.
 2008 Awapuni Gold Cup (Bruce Herd, 59) from Chettak and Butch James.
 2010 Awapuni Gold Cup (Samantha Collett, 58) from Manonamission and Red Ruler.
 2007 International Stakes (Opie Bosson, 59) from Sharvasti and Kingsinga.
 2008 New Zealand Stakes (Bruce Herd, 59) from Ombre Rose and Dezigna.
 2007 Otaki-Maori Weight for Age (Bruce Herd) from Jokers Wild and Shinzig.
 2007 Thorndon Mile (Opie Bosson, 57) from Pins 'N' Needles and Bonjour.
 2009 Thorndon Mile (David Walsh, 58) from Striker and Cuminate.
 2007 Zabeel Classic (Bruce Herd, 59) from Xcellent and Dezigna.

As well as winning the Awapuni Gold Cup three times, Sir Slick was also second to MacO'Reilly in 2009.

While not winning outside of New Zealand, he ran third in the 2009 Doomben Cup in Australia and ran fifth in the Singapore International Cup. His most recognised achievement involves being awarded the title of New Zealand's Champion Middle Distance Racehorse of the year 2006/07. In that season he was also voted as the Most Popular Horse of the season, and he was runner-up in the overall Horse of the Year voting.

Sir Slick made an appearance in a substantial 151 races, racing in nine seasons between the ages of 2 and 10. Of the 151 races, including his overseas starts, he saw the winners circle 22 times and has earned over NZ$2 million in prize money internationally.

He was retired after finishing last in the 2012 Awapuni Gold Cup.

Pedigree

The dam of Sir Slick, Miss Opera, was the winner of 6 races including the Listed Castletown Stakes.

His younger half-brother Puccini won the 2013 Great Northern Guineas, Group 1 2014 New Zealand Derby, Avondale Guineas, Waikato Guineas and 2015 Thorndon Mile and Thompson Handicap.  In 2017 Puccini commenced stud duties at Mapperley Stud.

See also

 Thoroughbred racing in New Zealand

References
  https://www.punters.com.au/horses/sir-slick_32962/
 Breeding Horse Profile Performance
 Karaka Yearling Sales
 Half Brother to Sir Slick at Karaka 09
 Sir Slick Half brother

2001 racehorse births
Thoroughbred family 18
Racehorses bred in New Zealand
Racehorses trained in New Zealand


Klub hokeja na ledu Mladost, commonly referred to as KHL Mladost or simply Mladost, is a Croatian professional ice hockey team that currently plays in the Croatian Ice Hockey Championship.

The club was founded in 1946 as part of HAŠK Mladost and in 1986 became the independent under the name KHL Mladost – Zagreb.

The KHL Mladost ("Youth") organization puts a large emphasis on junior development.

Honours
 Yugoslav Ice Hockey League
Winners (2): 1946–47, 1948–49

 Croatian Ice Hockey League
Winners (2): 2008, 2021

 Panonian League
Winners (1): 2008

References

External links
Official website

Ice hockey teams in Croatia
Ice hockey clubs established in 1946
Croatian Ice Hockey League teams
Yugoslav Ice Hockey League teams
Panonian League teams
Slohokej League teams
Interliga (1999–2007) teams
Sports teams in Zagreb
Slovenian Ice Hockey League teams