Sin nombre (English: "Nameless") is a 2009 adventure thriller film written and directed by Cary Joji Fukunaga, about a Honduran girl trying to immigrate to the United States, and a boy caught up in the violence of gang life.

Diego Luna and Gael García Bernal were executive producers on the Spanish-language film. Sin nombre won awards for directing and cinematography at the 2009 Sundance Film Festival.

Plot
Willy, nicknamed El Casper, is a member of the Mara Salvatrucha gang and lives in Tapachula, a Mexican town near the border with Guatemala. He introduces a young boy into his gang, and the boy is given the nickname Smiley after a violent initiation. Casper later helps Smiley to complete this initiation by helping him execute a rival gang-member.

Casper is romantically involved with a girl, Martha Marlen. Fearing for her safety, he keeps the relationship a secret from his gang, but his double life causes his gang to doubt his loyalty. When Martha follows Casper to a gathering of his gang, the gang leader, Lil Mago, escorts her out, despite Casper's misgivings. Mago attempts to rape Martha and accidentally kills her. Later, he blithely tells Casper that he will find another girl.

Shortly afterward, Mago brings Casper and Smiley to La Bombilla, a location along the train tracks where potential undocumented immigrants stow away on passing trains on their way to the United States. Among the immigrants is a Honduran family introduced earlier, consisting of the teenage girl Sayra, her father, and her uncle, who are on their way to relatives in New Jersey. Lil Mago, Casper, and Smiley rob the passengers for any money they have until Lil Mago spots Sayra and attempts to rape her. Casper intervenes, killing Mago and then sending Smiley off.

Smiley goes back to the gang and reports Mago's death. The gang's new leader, El Sol accuses Smiley of collusion, to which Smiley timidly protests and begs to be sent to kill Casper to prove his loyalty. El Sol agrees and Smiley travels north to track down Casper. On the train, the still distraught Casper is avoided by other passengers. When some try to throw him off the train, Sayra warns Casper. She keeps on approaching him, despite her father's warnings. Casper's knowledge from previously smuggling gang members and avoiding the police proves useful, as he eludes his pursuers. He is finally accepted by Sayra's family but decides to leave the train while the others are sleeping. Unbeknownst to him, Sayra follows him. Meanwhile, her father and uncle decide to continue the journey.

Traveling north on a car transport organized by a friend of Casper, Casper and Sayra barely escape a trap laid for them and enter an immigrant shelter, where Sayra sees a familiar face. She is informed that her father has died and her uncle has been caught. In disbelief, she rushes off to cry at the chapel, where Casper comforts her. They reach a river that constitutes the border to the United States. A coyote agrees to take them across one by one. Casper pays the man with his camera containing the cherished pictures of his girlfriend and insists that Sayra go first. When she is halfway across, the gang appears and begins to chase Casper. He flees the pursuing gang but runs into Smiley, who shoots him once, then slowly two more times. The others arrive and proceed to empty their magazines into Casper, while Sayra struggles to hold onto the raft and screams.

The closing scenes show Sayra phoning her father's new family from outside an American mall, her uncle setting off on another attempt to cross the border, and Smiley having his lip tattooed as a sign of his loyalty to the gang.

Cast
 Paulina Gaitán as Sayra
Edgar Flores as Willy ("El Casper")
 Kristyan Ferrer as Benito ("El Smiley")
 Tenoch Huerta Mejía as Lil Mago
 Diana García as Martha Marlene
 Héctor Jiménez as Wounded Man / Leche
 Gerardo Taracena as Horacio
 Luis Fernando Peña as El Sol

Production
The film was shot mostly in Mexico City. Locations were found there resembling as closely as possible Tegucigalpa and the train station in Tapachula.

The film was also shot in Torreón, Coahuila, Mexico. Several extras were actual migrants. Fukunaga said of working with them, "I didn't have to tell them anything—they know how to sit on top of a train."

Reception
The film holds an 88% rating on the review website Rotten Tomatoes. The site's consensus states: "Part harrowing immigration tale, part gangster story, this debut by writer/director Cary Fukunaga is sensitive, insightful and deeply authentic." On Metacritic, the film has a 77% score based on reviews from 22 critics, indicating "generally favorable reviews".

Awards

See also
 Children's immigration crisis

References

External links

 Sin nombre Sundance Festival page

2000s adventure drama films
2009 crime drama films
2000s crime thriller films
2009 films
American adventure drama films
American crime drama films
American crime thriller films
American independent films
Films scored by Marcelo Zarvos
Films directed by Cary Joji Fukunaga
Films set in Guatemala
Films set in Honduras
Films set in Mexico
Films shot in Mexico City
Hood films
Focus Features films
2009 independent films
Mexican independent films
Mexican thriller films
Mexican crime drama films
MS-13
Rail transport films
2000s Spanish-language films
Sundance Film Festival award-winning films
2000s gang films
Films with screenplays by Cary Joji Fukunaga
2009 directorial debut films
2009 drama films
2000s American films
2000s Mexican films


John Davis House may refer to:

 John A. Davis House, Albany, Georgia, listed on the NRHP in Dougherty County, Georgia
 John Davis House (Chelsea, Maine), listed on the NRHP in Kennebec County, Maine
 John Davis House (Fayetteville, North Carolina), listed on the NRHP in Cumberland County, North Carolina
 John and Magdalena Davis Farm, Oregon City, Oregon, listed on the NRHP in Clackamas County, Oregon

See also
Davis House (disambiguation)


La Mata is one of 28 parishes (administrative divisions) in the municipality of Grado, within the province and autonomous community of Asturias, in northern Spain.

The population is 557 (INE 2007).

Villages and hamlets
 Alcubiella
 La Cai
 Campo del Valle
 El Carbayín
 Las Corradas
 Cueto
 Entre la Fuente
 Entre la Iglesia
 Entre los Ríos
 La Espina
 La Espriella
 Las Ferreras
 Infiesta
 Javier
 Los Llanos
 Llantrales
 El Merín
 Picalgallo
 Pozanco
 Prioto
 Rebollal
 Reguero
 El Rellán
 Ribiellas
 Rodaco
 San Pelayo
 Santo Dolfo
 Sobrevega
 El Xorro
 La Zurraquera

References

Parishes in Grado


Bagaces is a district of the Bagaces canton, in the Guanacaste province of Costa Rica.

Geography
Bagaces has an area of  km² and an elevation of  metres.

Communities
The district includes the towns of Bagaces, Pijije, Montenegro, Montano, and Salitral.

Demographics

For the 2011 census, Bagaces had a population of  inhabitants.

Transportation

Road transportation
The Inter-American Highway runs east–west through the middle of the district.

The district is covered by the following road routes:
 National Route 1
 National Route 164
 National Route 165
 National Route 922
 National Route 923

References

Districts of Guanacaste Province
Populated places in Guanacaste Province


Las Villas is one of 28 parishes (administrative divisions) in the municipality of Grado, within the province and autonomous community of Asturias, in northern Spain.

The population is 27 (INE 2007).

Villages and hamlets
 Noceda
 Las Villas

References

Parishes in Grado


Peñaflor is one of 28 parishes (administrative divisions) in the municipality of Grado, within the province and autonomous community of Asturias, in northern Spain.

The population is 261.

Villages and hamlets
 Anzo
 Peñaflor
 Sestiello
 Vega de Anzo

References

Parishes in Grado


Pereda is one of 28 parishes (administrative divisions) in the municipality of Grado, within the province and autonomous community of Asturias, in northern Spain.

The population is 204 (INE 2007).

The church of San Martín is in the parish.

Villages and hamlets
 Agüera
 Barreiros
 El Cabañín
 El Caliente
 Cañedo
 Hispanes
 El Lobio
 Moutas
 Pereda
 El Retiro
 Sta. Cristina
 La Toba
 El Torno
 Villanueva

References

Parishes in Grado


1990 World Ice Hockey Championships may refer to:
1990 Men's World Ice Hockey Championships
1990 IIHF Women's World Championship


Rañeces is one of 28 parishes (administrative divisions) in the municipality of Grado, within the province and autonomous community of Asturias, in northern Spain.

The population is 122 (INE 2007).

Villages and hamlets include: La Figal, Los Llanos de Rañeces, Pando, Panizal, Rañeces and Temia.

References

Parishes in Grado


Hanrahan is an Irish surname shared by many Irish people and descendants of Irish emigrants. The name is most common in the area of the Shannon Estuary (counties Kerry, Limerick and Clare) in Ireland. Through emigration the name has become fairly common in the US, the UK and other countries to which the Irish emigrated. Many famous people share this name as well. The name was originally spelled "hAnnracháin" and initially used in the Irish province of Leinster, where local nobles and kings with the name ruled. Variations include Hanradhan and Hanraghan. Many families within Ireland and those of emigrants from Ireland, of the Ó hAnnracháin family, Anglicised their names to "O'Hanrahan" or "Hanrahan". Eochaidh, King of Leinster, an early monarch who fled to Scotland in exile in 540, was the first ruler to bear the surname. The name originates from Anradhán, diminutive of the Old Irish word "ánradh", which translates as "warrior".

Famous people with the name

Hanrahan

People
Barbara Hanrahan, Australian artist and writer
Barry Hanrahan, American Assistant General Manager, Philadelphia Flyers NHL Hockey Team
Bill Hanrahan, American announcer for NBC Nightly News, d. 1996
Brian Hanrahan, British-born BBC News correspondent, d. 2010
Edmond M. Hanrahan, American former Securities and Exchange Commission chairman
Edward Hanrahan, American State's Attorney for Illinois
Emerald O'Hanrahan British Actress starred in the hit radio show The archers
Hugh Hanrahan, Canadian House of Commons member, d. 1999
Jack Hanrahan, American comedic writer, d. 2008
Jake Hanrahan, British-born conflict journalist and documentary filmmaker.
James Hanrahan, American founder of St. Thomas More school and coach
JJ Hanrahan, Irish professional rugby player
Joe Hanrahan, Irish footballer
Joel Hanrahan, American baseball player with the Boston Red Sox
John Hanrahan, American politician
Kevin Hanrahan, American mobster, d. 1992
Kieran Hanrahan, Irish musician and radio host
Kip Hanrahan, Irish-American jazz musician
Liam Hanrahan, English professional boxer
Maura Hanrahan, Canadian author
Michael Hanrahan, American politician
Michael O'Hanrahan, Irish rebel leader executed by firing squad by the British during the 1916 Rising
Mike Hanrahan, Ireland Songwriter and former lead singer Stockton's Wing
Milo Yiannopoulos (born Milo Hanrahan), British journalist
Noelle Hanrahan, American director for Prison Radio, noted for recording Mumia Abu-Jamal's
Will Hanrahan, British TV Producer and Presenter
Pegeen Hanrahan, American mayor of Gainesville, Florida
Pat Hanrahan, American professor at Stanford University
Peter Hanrahan, Irish footballer
Robb Hanrahan, former news anchor
Robert Hanrahan, Australian musician
Robert P. Hanrahan, former U. S. representative
Will Hanrahan, British-born television personality

In fiction
Owen Red Hanrahan, fictional character who appears in several works by William Butler Yeats
Peter "Red" Hanrahan, character in Dragonriders of Pern
Peter O'Hanraha-hanrahan, news economic correspondent in The Day Today
Sorka Hanrahan, character in Dragonriders of Pern
Timothy P. Hanrahan, the real name of the fictional character Blowtorch from the G.I. Joe franchise
Tommy Hanrahan, a hockey goalie in Slap Shot who gets goaded into a fight after Reg Dulop calls his wife a dyke

hAnnracháin
Neasa Ní hAnnrachain, Irish actress
Tadhg Ó hAnnracháin, Irish author

Hanrahan in other media

Poetry
Said Hanrahan – a poem by Australian poet John O'Brien

See also
Handrahan

References

External links
Hanrahan at the House of Names
John Hanrahan's genealogy of the Hanrahan family
The Hanrahan Game

Anglicised Irish-language surnames
Septs of the Dál gCais


The World Push Up Championships is an annual push-up tournament held in Wellington, New Zealand. The championships include separate  competition for men and women. Male competitors are judged on the number of push-ups they can complete in a one-minute period. The time limit in the ladies competition is 45 seconds.

Origin
The inaugural World Push Up Championships were held in the Establishment Bar, Courtenay Place, Wellington on  March 28, 2009. Originally envisaged as a fund raiser for the Wellington/Hutt Valley GAA club, the event became an entity in its own right while still raising money for the Wellington/Hutt Valley GAA club. Early contestants Daithí "Dizzle" O'Connor and Callum "Tick Tock" Thomas helped raise an early profile for the competition by posting challenges on YouTube. The event was further publicised in the Wellington region through a morning television appearance, radio slots, national media and regional event guides.

Judging
A push-up was declared to be valid if the contestant pressed their body down on a judges fist and pushed up until their elbows locked. A two-man judging team counted the push-ups. The first was the judge with his fist on the mat, he/she counted the number of times the contestant pressed down on his/her fist giving the contestant a "raw score". The second judge counted the number of times a contestant rose without locking their arms giving the contestant a "fault count". The  final score is raw score minus fault count.

References

Sport in Wellington City
Push up


South Section  is a community on the Eastern Shore of the Halifax Regional Municipality in the Canadian province of Nova Scotia in the Musquodoboit Valley.

Navigator

References
Explore HRM
South Section Destination Nova Scotia

Communities in Halifax, Nova Scotia
General Service Areas in Nova Scotia


Daphne Loves Derby were an American Indie rock band that formed in Kent, Washington, in 2001. They have released three studio albums, the third in 2007 titled Good Night, Witness Light, peaking at number 30 on the Billboard Top Heatseekers chart. The band was featured on Billboard's official website following the release of the album.

Background
Much of their popularity comes from the website PureVolume, where they were the first band to a million plays. (They now have over 5,600,000 plays) For a time, they held the number one spot on PureVolume's Unsigned Artists page, but in 2005 they signed onto Outlook Music/Universal Records. The band has been featured in the Bamboozle Left tours numerous times, as well as playing the Ernie Ball "local heroes" stage at Warped Tour. They have had several releases, including their self-titled debut album, On the Strength of All Convinced, which was released on July 26, 2005.  Their latest album, Good Night, Witness Light, was released on March 27, 2007. On March 3, 2011, The California Aggie online edition posted an interview with the band where Sparks said "We actually just recorded an album and we're working with a label to hopefully release it this summer. It was a good process and we recorded the whole thing in two weeks. So right now we're still kind of stewing on the extra thing to do with it."

On December 29, 2015, Kenny Choi and Jason Call appeared on The Casey Bates Podcast. On the program, they discussed their early history, their decision to stop touring, and streamed three previously unreleased songs.

On June 24, 2016 Jason Call posted a new Daphne Loves Derby track titled "Horrible Sound" online.

On December 10, 2021 Jason Call released a new Daphne Loves Derby song titled “Waking Up”. The track was an unreleased demo of Kenny Choi’s that Jason re-produced and re-recorded.

Members

Current members
 Kenny Choi  - Vocals/Lyrics/Rhythm Guitar
 Jason Call - Bass/Vocals/Guitar/Piano
 Stu Clay - Drums

Past members
 Spencer Abbott - Lead Guitar
 David Sparks - Bass/Vocals
 Nik Kosty - Lead Guitar
 Joe Kosty - Bass

Touring members
 Jude Zadaski - Keyboard (2008)

Discography

Albums
 Daphne Loves Derby (2003)
 On the Strength of All Convinced (2005)
 Good Night, Witness Light (2007)

EPs
A Sudden Change EP (2001)
The Wonder Years EP (2003)
Post Post EP (2004)
Closing Down the Pattern Department (2004)
Calm the Jock Down (2006)
Acoustic EP (2006)
Horrible Sound EP (2017)
Odds & End (2021)

Videography
Hammers and Hearts (2005)
Sundays (2006)
That's Our Hero Shot (2007)
Stranger, You and I (2007)

References

External links
Myspace
Purevolume
LiveJournal Community

Indie rock musical groups from Washington (state)
Musical groups established in 2001
People from Kent, Washington


Restiello is one of 28 parishes (administrative divisions) in the municipality of Grado, within the province and autonomous community of Asturias, in northern Spain.

The population is 46 (INE 2009).

Villages and hamlets include: Restiello, La Vega and Villahizoy.

References

Parishes in Grado


The Amber Sexalogy is a 2006 Malaysian compilation of six short films by Azharr Rudin. It premiered at the 2006 Singapore International Film Festival. It was distributed in Malaysia on DVD.

Synopsis

Five out of the six shorts chronicle the various stages of a romantic affair between Amber (Melissa Maureen Rizal) and Harris/Man (who is played by three different actors: Gavin Yap, Mark Teh, Alvin Wong). The final short, Majidee, does not feature Amber but instead has Harris (Tora Andika) having a conversation with a man (Azman Hassan) while walking through Kuala Lumpur.

Production information

Azharr Rudin ... Writer/Director/Editor/Producer
Yasmin Ahmad ... Executive Producer
Rita Machdar ... Associate Producer
Amir Muhammad (director) ... Associate Producer
James Lee (Malaysian film director), Woo Ming Jin, Imri Nasution ... Camera
Duration: 61 min

Awards
Best Short Film, Hawaii International Film Festival (2006)
Incentive Award, Akira Kurosawa Memorial Short Film Competition (2007)
Special Mention Prize, Singapore Short Film Festival (2008)

External links
 The Amber Sexalogy on The Internet Movie Database.
 Trailer on YouTube
 Review by Benjamin McKay

Text

2006 films
Malaysian anthology films
Malay-language films
English-language Malaysian films


Rodiles is one of 28 parishes (administrative divisions) in the municipality of Grado, within the province and autonomous community of Asturias, in northern Spain.

The population is 76 (INE 2009).

Villages and hamlets include:  Arellanes, Rodiles, San Pedro and Villagarcía.

References

Parishes in Grado


Siddharth N. "Bobby" Mehta is the former CEO and vice chairman of HSBC North America. Mehta served as an Advisor of TransUnion since December 31, 2012. Mehta serves as consultant of TransUnion.

He served the chief executive officer and president of TransUnion from August 2007 to December 2012, and Transunion Financing Corp. until December 31, 2012. From May 2007 to July 2007, he served as a consultant to the board of directors at TransUnion. From 1998 to 2007, he held a variety of positions with HSBC Finance Corporation and HSBC North America Holdings, Inc. Mehta served as chief executive officer of HSBC North America until February 2007. Mehta served as consultant of TransUnion since May 2007 until July 2007. Mehta served as group managing director of HSBC Holdings PLC of HSBC Finance Corp. since April 30, 2005, and its unit chief executive officer since March 2005.

He served as the chief executive of HSBC North America Holdings Inc., of HSBC Finance Corp., from March 2005 to February 2007. He served as an executive chairman of HSBC Financial Corporation Limited since April 2005 and served as its chief executive officer from April 2005 to February 15, 2007. He served as the chief executive officer of HSBC Bank USA, N.A. until February 2007. He oversaw HSBC's global credit card services, its North American consumer lending and mortgage services businesses and its first mortgage operation. He was also responsible for corporate marketing, strategic planning and corporate development for HSBC North America Holdings Inc. and had responsibility for the strategic management of credit cards throughout the HSBC Group.

Mehta served as group executive of Credit Card Services, Auto Finance and Canada of Household International Inc., since July 2002. He worked at MasterCard's U.S. region board since March 2000. Mehta joined Household International Inc., in 1998. He served as senior vice president of The Boston Consulting Group in Los Angeles and co-leader of Boston Consulting Group Financial Services Practice in the United States. Mehta served as a director of Global Board of MasterCard Incorporated since March 17, 2005. He served as unit chairman of HSBC Holdings PLC and served as its board member since March 2005. He served as vice chairman and director of HSBC Financial Corporation Limited., (Formerly Household International Inc.).

He has been a director of Avant Credit Corporation since December 18, 2014. He has been an independent director of The Allstate Corporation since February 2014. He serves as a member of the advisory board at Core2 Group, Inc. He has been non-executive independent director at Piramal Enterprises Ltd since April 2013.

He serves on the boards of Datacard, Chicago Public Education Fund, University of Chicago Laboratory Schools, The Economic Club of Chicago, The Field Museum and Myelin Repair Foundation. He serves as a director of TransUnion Corp. and TransUnion LLC. He served as a director of MasterCard International Inc. (also known as MasterCard Worldwide) (formerly, MasterCard Inc.), since March 17, 2005. He served as a director of HSBC Financial Corp. Ltd. He has been a director of TransUnion since April 2012.

Mehta serves on the board of international advisors for the Monterey, California, Institute of International Studies and is a member of the Financial Services Roundtable. He also serves on the board of advisors for the Myelin Repair Foundation. Mehta holds a Bachelor of Arts in economics from the London School of Economics and Masters of Business Administration from the University of Chicago. He stepped down as head of the North American unit after the lender raised its forecast for bad loans in the U.S. He is of Indian descent.

References

American people of Indian descent
American businesspeople
Year of birth missing (living people)
Living people


Sir Edward Barry, 1st Baronet FRS (1696 – 29 March 1776) was an Irish physician and politician.

Background and education
He was the son of Edward Barry and his wife Jane, and was educated at Trinity College Dublin. In 1717, Barry graduated with a Bachelor of Arts. Subsequently, he studied at the University of Leyden in the Netherlands and became a Doctor of Medicine in 1721. He received the same degree from Trinity College Dublin in 1740 and the University of Oxford in 1761.

Career
Barry was elected a Fellow of the Royal Society in 1732. Additionally he was appointed a Fellow of the Royal College of Physicians of Ireland in 1740 and its president in 1749. Barry became Physician-General to the Army in Ireland in 1745. He taught as Regius Professor of Physic Dublin University between 1754 and 1761. A year later, Barry became a Fellow of the Royal College of Physicians of London and then a censor in 1763. He entered the Irish House of Commons in 1744, representing Charleville until 1760. On 1 August 1775, he was created a baronet, of the City of Dublin, in the Baronetage of Ireland.

Family
On 18 December 1746, Barry married secondly Jane Dopping, daughter of Anthony Dopping, sometime the Bishop of Ossory. He had four sons by his first wife and also three sons and two daughters by his second wife. Barry died at Bath, Somerset and was succeeded in the baronetcy by his eldest son Nathaniel. His third son Robert was also a Member of Parliament for Charleville.

References

1696 births
1776 deaths
Alumni of Trinity College Dublin
Baronets in the Baronetage of Ireland
Fellows of the Royal Society
Irish MPs 1727–1760
Leiden University alumni
Members of the Parliament of Ireland (pre-1801) for County Cork constituencies
Presidents of the Royal College of Physicians of Ireland
Place of birth missing


Ira, George and Joe is an album by jazz guitarist Joe Pass, released in 1982. It was re-issued in 1994 on CD by Original Jazz Classics. It is a tribute album to the songs of George Gershwin and Ira Gershwin.

The photo on the front cover was created by Phil Stern. There is also another version of this cover from 1982 that contains the text "Joe Pass Loves Gershwin" instead of just "Joe Pass".

Reception

AllMusic's Scott Yanow wrote: "The melodies are quite familiar ('Bidin' My Time' is the closest one to an obscurity), and few surprises occur, but the music swings and the results are quite enjoyable."

Track listing

Personnel
 Joe Pass – guitar
 John Pisano – guitar
 Jim Hughart – double bass
 Shelly Manne – drums

References

1981 albums
Joe Pass albums
Albums produced by Norman Granz
George and Ira Gershwin tribute albums
Pablo Records albums


The Canadian Civil Liberties Education Trust (CCLET) is a charitable organization focused on the promotion and dissemination of knowledge and understanding amongst the general public of the rights, liberties and duties of all citizens in democracies.  CCLET was established in 1967 as the research and educational arm of the Canadian Civil Liberties Association. Its headquarters are in Toronto, Ontario.

CCLET provides free Civil Liberties in the Schools and Teaching Civil Liberties programmes across Ontario. Supported by a grant from the Law Foundation of Ontario, their programs present engaging and interactive civil liberties workshops and seminars in schools and faculties of education throughout Ontario.

Using the Socratic Paedogogical method, students are engaged in discussions about rights, civil liberties, duties of citizens, the Canadian Charter of Rights and Freedoms, and issues and controversies related to democratic societies. These projects help to develop the habits of democracy in young people through critical thinking, balancing of conflicting rights and freedoms, and the support of diverse opinions and views.

See also
 Canadian Civil Liberties Association
 British Columbia Civil Liberties Association
 American Civil Liberties Union

References

External links
Canadian Civil Liberties Association

Educational organizations based in Ontario
Civil liberties advocacy groups


Rubiano is one of 28 parishes (administrative divisions) in the municipality of Grado, within the province and autonomous community of Asturias, in northern Spain.

The population is 26 (INE 2007).

Villages and hamlets
La Calea
Entre el Valle (Entelvalle)
Las Cortes
El Regueral (El Reglal)
Rubiano
Trillapeña (Triapeña)
La Morada

References

Parishes in Grado


The Praça Raul Soares () is a major square of Belo Horizonte, Brazil. The square is named in honor of Raul Soares de Moura, former governor of Minas Gerais.

It is situated at the confluence of four major avenues: Amazonas, Augusto de Lima, Bias Fortes and Olegário Maciel.

In 2008, the square underwent revitalization that was funded through the municipal Participatory Budgeting program and cost the equivalent of $2,600,000 U.S. dollars. The flowerbeds, sidewalks, large fountain and drinking fountains were restored. The project aimed to give more security and accessibility to the flow of pedestrians. Compromised trees were replaced, lampposts were resized, and advertisements were removed or adjusted in accordance with the appropriate codes. The walks were improved to provide easy access for the disabled and the visually impaired.

Praça Raul Soares is listed by IEPHA (Instituto Estadual do Patrimônio Histórico e Artístico de Minas Gerais).

References

Geography of Belo Horizonte
Parks in Brazil
Tourist attractions in Belo Horizonte


Rakesh Gangwal (born 25 July 1952) is an Indian-American billionaire businessman. He is the co-founder and 37% owner of IndiGo airline. He is the former chief executive officer (CEO) and chairman of US Airways Group. From June 2003 to August 2007, Gangwal was the chairman, president, and chief executive officer of Worldspan Technologies, a provider of travel technology and information services to the travel and transportation industry. From 2002 to 2003, Gangwal was involved in various personal business endeavors, including private equity projects and consulting projects. He was the president and CEO of US Airways Group from 1998 until his resignation in 2001.

Early life
Gangwal was born on 25 July 1952. He attended Don Bosco (Park Circus) before earning a bachelor's degree in Mechanical Engineering from the Indian Institute of Technology Kanpur in 1975, and an MBA degree from the Wharton School of the University of Pennsylvania.

Career
After completing his bachelors degree from IIT Kanpur at the age of 23 ,Gangwal moved to the United States in 1977.Prior to joining US Airways, he served as executive vice president for Air France, beginning in November 1994. His association with the airline industry began in September 1980, when as an associate of Booz Allen & Hamilton, Inc., he worked closely with United Airlines. In 1984, he joined United Airlines as manager, strategic planning. He held a series of positions at United Airlines. Previously, Gangwal had been a financial analyst in the product development group of Ford Motor Co and a production and planning engineer with Philips India Ltd.

Gangwal has served on the board of advisers of the University of Colorado (Denver), the board of trustees of Providence St. Mel School (Chicago), the Board of Directors of the Airline Tariff Publishing Co. and Board of Trustees of the Alexian Brothers Medical Center (Elk Grove, Illinois, USA). Gangwal was conferred with the Distinguished Alumnus Award of the Indian Institute of Technology Kanpur.

In April 2022 Gangwal donated a sum of ₹100 crore to set up a school of medical sciences and technology at IIT-Kanpur which also received another ₹200 crore in donations from other alumni for the medical institution, which will have a 450-bed super speciality hospital and several centres of excellence.

In 2020, he was ranked No. 359 in the Forbes 400 list of the richest people in America.

Personal life
Gangwal is married, with one daughter, and lives in Miami, Florida. Their daughter Parul worked for the enterprise software company Salesforce in California. She launched her own start-up Wheelhouse Capital in June 2021.

References

1953 births
American people of Indian descent
Rajasthani people
Living people
IIT Kanpur alumni
American Jains
Businesspeople from Kolkata
Wharton School of the University of Pennsylvania alumni
American company founders
American chief executives
American billionaires


The 23rd July Lake or Benghazi Lake () is a lagoon located between Benghazi's downtown, and the Mediterranean Port of Benghazi. It covers an area of approximately 100 hectares (about 1,000,000 square metres).

References

Lakes of Libya
Benghazi


Student housing at Florida State University is governed by the Office of University Housing, and provides housing for undergraduates, graduate students, and professional students on and off-campus. Overall about 85% of first time in college students live in residence halls. In addition over 20% of all undergraduates live in student housing.

Facilities at Florida State include 18 residence halls on campus with 6,712 residents. Undergraduates live in a majority of the residence halls.

In 2009, the university celebrated the completion of a 15-year project that renovated the seven historic residence halls (built before 1950). The interiors were modernized while the original facades were retained. The construction began in 1992 with Jennie Murphree Hall and ended in 2006 with Landis Hall.

All dormitories are co-ed with no single sex buildings. With few exceptions, all dormitories were constructed as suites with private bathrooms.

Current Housing

Former Housing

See also

 Florida State University
 History of Florida State University

External links
 Official FSU Housing Website

References

University and college dormitories in the United States
Florida State University
Lists of university and college buildings in the United States
History of colleges and universities in Florida


Sama de Grado is one of 28 parishes (administrative divisions) in the municipality of Grado, within the province and autonomous community of Asturias, in northern Spain.

The population is 164 (INE 2007).

Villages and hamlets
La Corredoria
Doró (Doróu)
La Mata
Palacio (Palaciu)
Pedredo (Pedréu)
Trasmuria (Tresmuria)
La Vega (La Veiga)

References

Parishes in Grado


In signal processing, particularly digital image processing, ringing artifacts are artifacts that appear as spurious signals near sharp transitions in a signal. Visually, they appear as bands or "ghosts" near edges; audibly, they appear as "echos" near transients, particularly sounds from percussion instruments; most noticeable are the pre-echos. The term "ringing" is because the output signal oscillates at a fading rate around a sharp transition in the input, similar to a bell after being struck. As with other artifacts, their minimization is a criterion in filter design.

Introduction

The main cause of ringing artifacts is due to a signal being bandlimited (specifically, not having high frequencies) or passed through a low-pass filter; this is the frequency domain description.
In terms of the time domain, the cause of this type of ringing is the ripples in the sinc function, which is the impulse response (time domain representation) of a perfect low-pass filter. Mathematically, this is called the Gibbs phenomenon.

One may distinguish overshoot (and undershoot), which occurs when transitions are accentuated – the output is higher than the input – from ringing, where after an overshoot, the signal overcorrects and is now below the target value; these phenomena often occur together, and are thus often conflated and jointly referred to as "ringing".

The term "ringing" is most often used for ripples in the time domain, though it is also sometimes used for frequency domain effects:
windowing a filter in the time domain by a rectangular function causes ripples in the frequency domain for the same reason as a brick-wall low pass filter (rectangular function in the frequency domain) causes ripples in the time domain, in each case the Fourier transform of the rectangular function being the sinc function.

There are related artifacts caused by other frequency domain effects,
and similar artifacts due to unrelated causes.

Causes

Description

By definition, ringing occurs when a non-oscillating input yields an oscillating output: formally, when an input signal which is monotonic on an interval has output response which is not monotonic. This occurs most severely when the impulse response or step response of a filter has oscillations – less formally, if for a spike input, respectively a step input (a sharp transition), the output has bumps. Ringing most commonly refers to step ringing, and that will be the focus.

Ringing is closely related to overshoot and undershoot, which is when the output takes on values higher than the maximum (respectively, lower than the minimum) input value: one can have one without the other, but in important cases, such as a low-pass filter, one first has overshoot, then the response bounces back below the steady-state level, causing the first ring, and then oscillates back and forth above and below the steady-state level. Thus overshoot is the first step of the phenomenon, while ringing is the second and subsequent steps. Due to this close connection, the terms are often conflated, with "ringing" referring to both the initial overshoot and the subsequent rings.

If one has a linear time invariant (LTI) filter, then one can understand the filter and ringing in terms of the impulse response (the time domain view), or in terms of its Fourier transform, the frequency response (the frequency domain view). Ringing is a time domain artifact, and in filter design is traded off with desired frequency domain characteristics: the desired frequency response may cause ringing, while reducing or eliminating ringing may worsen the frequency response.

sinc filter

The central example, and often what is meant by "ringing artifacts", is the ideal (brick-wall) low-pass filter, the sinc filter. This has an oscillatory impulse response function, as illustrated above, and the step response – its integral, the sine integral – thus also features oscillations, as illustrated at right.

These ringing artifacts are not results of imperfect implementation or windowing: the ideal low-pass filter, while possessing the desired frequency response, necessarily causes ringing artifacts in the time domain.

Time domain
In terms of impulse response, the correspondence between these artifacts and the behavior of the function is as follows:
 impulse undershoot is equivalent to the impulse response having negative values,
 impulse ringing (ringing near a point) is precisely equivalent to the impulse response having oscillations, which is equivalent to the derivative of the impulse response alternating between negative and positive values,
 and there is no notion of impulse overshoot, as the unit impulse is assumed to have infinite height (and integral 1 – a Dirac delta function), and thus cannot be overshot.

Turning to step response,
the step response is the integral of the impulse response; formally, the value of the step response at time a is the integral  of the impulse response. Thus values of the step response can be understood in terms of tail integrals of the impulse response.

Assume that the overall integral of the impulse response is 1, so it sends constant input to the same constant as output – otherwise the filter has gain, and scaling by gain gives an integral of 1.
 Step undershoot is equivalent to a tail integral being negative, in which case the magnitude of the undershoot is the value of the tail integral.
 Step overshoot is equivalent to a tail integral being greater than 1, in which case the magnitude of the overshoot is the amount by which the tail integral exceeds 1 – or equivalently the value of the tail in the other direction,  since these add up to 1.
 Step ringing is equivalent to tail integrals alternating between increasing and decreasing – taking derivatives, this is equivalent to the impulse response alternating between positive and negative values. Regions where an impulse response are below or above the x-axis (formally, regions between zeros) are called lobes, and the magnitude of an oscillation (from peak to trough) equals the integral of the corresponding lobe.

The impulse response may have many negative lobes, and thus many oscillations, each yielding a ring, though these decay for practical filters, and thus one generally only sees a few rings, with the first generally being most pronounced.

Note that if the impulse response has small negative lobes and larger positive lobes, then it will exhibit ringing but not undershoot or overshoot: the tail integral will always be between 0 and 1, but will oscillate down at each negative lobe. However, in the sinc filter, the lobes monotonically decrease in magnitude and alternate in sign, as in the alternating harmonic series, and thus tail integrals alternate in sign as well, so it exhibits overshoot as well as ringing.

Conversely, if the impulse response is always nonnegative, so it has no negative lobes – the function is a probability distribution – then the step response will exhibit neither ringing nor overshoot or undershoot – it will be a monotonic function growing from 0 to 1, like a cumulative distribution function. Thus the basic solution from the time domain perspective is to use filters with nonnegative impulse response.

Frequency domain
The frequency domain perspective is that ringing is caused by the sharp cut-off in the rectangular passband in the frequency domain, and thus is reduced by smoother roll-off, as discussed below.

Solutions
Solutions depend on the parameters of the problem: if the cause is a low-pass filter, one may choose a different filter design, which reduces artifacts at the expense of worse frequency domain performance. On the other hand, if the cause is a band-limited signal, as in JPEG, one cannot simply replace a filter, and ringing artifacts may prove hard to fix – they are present in JPEG 2000 and many audio compression codecs (in the form of pre-echo), as discussed in the examples.

Low-pass filter

If the cause is the use of a brick-wall low-pass filter, one may replace the filter with one that reduces the time domain artifacts, at the cost of frequency domain performance. This can be analyzed from the time domain or frequency domain perspective.

In the time domain, the cause is an impulse response that oscillates, assuming negative values. This can be resolved by using a filter whose impulse response is non-negative and does not oscillate, but shares desired traits. For example, for a low-pass filter, the Gaussian filter is non-negative and non-oscillatory, hence causes no ringing. However, it is not as good as a low-pass filter: it rolls off in the passband, and leaks in the stopband: in image terms, a Gaussian filter "blurs" the signal, which reflects the attenuation of desired higher frequency signals in the passband.

A general solution is to use a window function on the sinc filter, which cuts off or reduces the negative lobes: these respectively eliminate and reduce overshoot and ringing. Note that truncating some but not all of the lobes eliminates the ringing beyond that point, but does not reduce the amplitude of the ringing that is not truncated (because this is determined by the size of the lobe), and increases the magnitude of the overshoot if the last non-cut lobe is negative, since the magnitude of the overshoot is the integral of the tail, which is no longer canceled by positive lobes.

Further, in practical implementations one at least truncates sinc, otherwise one must use infinitely many data points (or rather, all points of the signal) to compute every point of the output – truncation corresponds to a rectangular window, and makes the filter practically implementable, but the frequency response is no longer perfect.
In fact, if one takes a brick wall low-pass filter (sinc in time domain, rectangular in frequency domain) and truncates it (multiplies with a rectangular function in the time domain), this convolves the frequency domain with sinc (Fourier transform of the rectangular function) and causes ringing in the frequency domain, which is referred to as ripple. In symbols,  The frequency ringing in the stopband is also referred to as side lobes. Flat response in the passband is desirable, so one windows with functions whose Fourier transform has fewer oscillations, so the frequency domain behavior is better.

Multiplication in the time domain corresponds to convolution in the frequency domain, so multiplying a filter by a window function corresponds to convolving the Fourier transform of the original filter by the Fourier transform of the window, which has a smoothing effect – thus windowing in the time domain corresponds to smoothing in the frequency domain, and reduces or eliminates overshoot and ringing.

In the frequency domain, the cause can be interpreted as due to the sharp (brick-wall) cut-off, and ringing reduced by using a filter with smoother roll-off. This is the case for the Gaussian filter, whose magnitude Bode plot is a downward opening parabola (quadratic roll-off), as its Fourier transform is again a Gaussian, hence (up to scale)  – taking logarithms yields

In electronic filters, the trade-off between frequency domain response and time domain ringing artifacts is well-illustrated by the Butterworth filter: the frequency response of a Butterworth filter slopes down linearly on the log scale, with a first-order filter having slope of −6 dB per octave, a second-order filter –12 dB per octave, and an nth order filter having slope of  dB per octave – in the limit, this approaches a brick-wall filter. Thus, among these the, first-order filter rolls off slowest, and hence exhibits the fewest time domain artifacts, but leaks the most in the stopband, while as order increases, the leakage decreases, but artifacts increase.

Benefits
While ringing artifacts are generally considered undesirable, the initial overshoot (haloing) at transitions increases acutance (apparent sharpness) by increasing the derivative across the transition, and thus can be considered as an enhancement.

Related phenomena

Overshoot

Another artifact is overshoot (and undershoot), which manifests itself not as rings, but as an increased jump at the transition.   It is related to ringing, and often occurs in combination with it.

Overshoot and undershoot are caused by a negative tail – in the sinc, the integral from the first zero to infinity, including the first negative lobe.  While ringing is caused by a following positive tail – in sinc, the integral from the second zero to infinity, including the first non-central positive lobe.
Thus overshoot is necessary for ringing, but can occur separately: for example, the 2-lobed Lanczos filter has only a single negative lobe on each side, with no following positive lobe, and thus exhibits overshoot but no ringing, while the 3-lobed Lanczos filter exhibits both overshoot and ringing, though the windowing reduces this compared to the sinc filter or the truncated sinc filter.

Similarly, the convolution kernel used in bicubic interpolation is similar to a 2-lobe windowed sinc, taking on negative values, and thus produces overshoot artifacts, which appear as halos at transitions.

Clipping

Following from overshoot and undershoot is clipping.
If the signal is bounded, for instance an 8-bit or 16-bit integer, this overshoot and undershoot can exceed the range of permissible values, thus causing clipping.

Strictly speaking, the clipping is caused by the combination of overshoot and limited numerical accuracy, but it is closely associated with ringing, and often occurs in combination with it.

Clipping can also occur for unrelated reasons, from a signal simply exceeding the range of a channel.

On the other hand, clipping can be exploited to conceal ringing in images. Some modern JPEG codecs, such as mozjpeg and ISO libjpeg, use such a trick to reduce ringing by deliberately causing overshoots in the IDCT results. This idea originated in a mozjpeg patch.

Ringing and ripple

In signal processing and related fields, the general phenomenon of time domain oscillation is called ringing, while frequency domain oscillations are generally called ripple, though generally not "rippling".

A key source of ripple in digital signal processing is the use of window functions: if one takes an infinite impulse response (IIR) filter, such as the sinc filter, and windows it to make it have finite impulse response, as in the window design method, then the frequency response of the resulting filter is the convolution of the frequency response of the IIR filter with the frequency response of the window function. Notably, the frequency response of the rectangular filter is the sinc function (the rectangular function and the sinc function are Fourier dual to each other), and thus truncation of a filter in the time domain corresponds to multiplication by the rectangular filter, thus convolution by the sinc filter in the frequency domain, causing ripple. In symbols, the frequency response of  is  In particular, truncating the sinc function itself yields  in the time domain, and  in the frequency domain, so just as low-pass filtering (truncating in the frequency domain) causes ringing in the time domain, truncating in the time domain (windowing by a rectangular filter) causes ripple in the frequency domain.

Examples

JPEG

JPEG compression can introduce ringing artifacts at sharp transitions, which are particularly visible in text.

This is a due to loss of high frequency components, as in step response ringing.
JPEG uses 8×8 blocks, on which the discrete cosine transform (DCT) is performed. The DCT is a Fourier-related transform, and ringing occurs because of loss of high frequency components or loss of precision in high frequency components.

They can also occur at the edge of an image: since JPEG splits images into 8×8 blocks, if an image is not an integer number of blocks, the edge cannot easily be encoded, and solutions such as filling with a black border create a sharp transition in the source, hence ringing artifacts in the encoded image.

Ringing also occurs in the wavelet-based JPEG 2000.

JPEG and JPEG 2000 have other artifacts, as illustrated above, such as blocking ("jaggies") and edge busyness ("mosquito noise"), though these are due to specifics of the formats, and are not ringing as discussed here.

Some illustrations:
  Baseline JPEG and JPEG2000 Artifacts Illustrated

Pre-echo

In audio signal processing, ringing can cause echoes to occur before and after transients, such as the impulsive sound from percussion instruments, such as cymbals (this is impulse ringing). The (causal) echo after the transient is not heard, because it is masked by the
transient, an effect called temporal masking. Thus only the (anti-causal) echo before the transient is heard, and the phenomenon is called pre-echo.

This phenomenon occurs as a compression artifact in audio compression algorithms that use Fourier-related transforms, such as MP3, AAC, and Vorbis.

Similar phenomena
Other phenomena have similar symptoms to ringing, but are otherwise distinct in their causes. In cases where these cause circular artifacts around point sources, these may be referred to as "rings" due to the round shape (formally, an annulus), which is unrelated to the "ringing" (oscillatory decay) frequency phenomenon discussed on this page.

Edge enhancement

Edge enhancement, which aims to increase edges, may cause ringing phenomena, particularly under repeated application, such as by a DVD player followed by a television. This may be done by high-pass filtering, rather than low-pass filtering.

Special functions

Many special functions exhibit oscillatory decay, and thus convolving with such a function yields ringing in the output; one may consider these ringing, or restrict the term to unintended artifacts in frequency domain signal processing.

Fraunhofer diffraction yields the Airy disk as point spread function, which has a ringing pattern.

The Bessel function of the first kind,  which is related to the Airy function, exhibits such decay.

In cameras, a combination of defocus and spherical aberration can yield circular artifacts ("ring" patterns). However, the pattern of these artifacts need not be similar to ringing (as discussed on this page) – they may exhibit oscillatory decay (circles of decreasing intensity), or other intensity patterns, such as a single bright band.

Interference
Ghosting is a form of television interference where an image is repeated. Though this is not ringing, it can be interpreted as convolution with a function, which is 1 at the origin and ε (the intensity of the ghost) at some distance, which is formally similar to the above functions (a single discrete peak, rather than continuous oscillation).

Lens flare

In photography, lens flare is a defect where various circles can appear around highlights, and with ghosts throughout a photo, due to undesired light, such as reflection and scattering off elements in the lens.

Visual illusions
Visual illusions can occur at transitions, as in Mach bands, which perceptually exhibit a similar undershoot/overshoot to the Gibbs phenomenon.

See also

 Artifact (error)
 Digital artifact
 sinc filter
 Brick-wall filter
 Chromatic aberration
 Ghosting (television)
 Gibbs phenomenon
 Low-pass filter
 Pre-echo
 Purple fringing

References

Signal processing
Computer graphic artifacts


Santa María de Grado is one of 28 parishes (administrative divisions) in the municipality of Grado, within the province and autonomous community of Asturias, in northern Spain.

The population is 127 (INE 2007).

Villages and hamlets
Barredo (Barréu)
Castaños
Cima de Grado (Cimagráu)
Corros
Fozante
La Carballeda (La Cabayeda)
La Piedra
Llera

References

Parishes in Grado


Below is a list of compositions by Darius Milhaud sorted by category.

Operas
 La brebis égarée, Op. 4 (1910–1914); 3 acts, 20 scenes; libretto by Francis Jammes; premiere 1923
 Les euménides, Op. 41 (1917–1923); L'Orestie d'Eschyle (Orestiean Trilogy No. 3); 3 acts; libretto by Paul Claudel after Aeschylus
 Les malheurs d'Orphée, Op. 85 (1924); chamber opera in 3 acts; libretto by Armand Lunel; premiere 1926
 Esther de Carpentras, Op. 89 (1925–1926); opera buffa in 2 acts; libretto by Armand Lunel; premiere 1937
 Le pauvre matelot, Op. 92 (1926); 'complainte' in 3 acts; libretto by Jean Cocteau; premiere 1927
 3 Opéras-minutes
 L'enlèvement d'Europe, Op. 94 (1927); 1 act, 8 scenes; libretto by Henri Hoppenot
 L'abandon d'Ariane, Op. 98 (1927); 1 act, 5 scenes; libretto by Henri Hoppenot
 La délivrance de Thésée, Op. 99 (1927); 1 act, 6 scenes; libretto by Henri Hoppenot
 Christophe Colomb, Op. 102 (1928, revised 1968); 2 parts, 27 scenes; libretto by Paul Claudel
 Maximilien, Op. 110 (1930); historic opera in 3 acts, 9 scenes; libretto by R.S. Hoffman after "Juarez et Maximilien" by Franz Werfel; premiere 1932
 L'opéra du gueux, Op. 171 (1937); ballad opera in 3 acts; libretto by Henri Fluchère after John Gay's The Beggar's Opera (1728)
 Médée, Op. 191 (1938); 1 act, 3 scenes; libretto by Madeleine Milhaud (his cousin and wife); premiere 1939
 Bolivar, Op. 236 (1943); 3 acts, 11 scenes; libretto by Madeleine Milhaud after Jules Supervielle
 David, Op. 320 (1952–1953); 2 parts, 5 acts; libretto by Armand Lunel; concert performance in Jerusalem in 1954; staged at La Scala in 1955
 Fiesta, Op. 370 (1958); 1 act; libretto by Boris Vian
 La mère coupable, Op. 412 (1964–1965); 3 acts; libretto by Madeleine Milhaud after Beaumarchais' play; premiere 1966
 Saint-Louis, roi de France, Op. 434 (1970); opera-oratorio in 2 parts; libretto by Henri Daublier and Paul Claudel; premiere 1972

Ballets
 L'homme et son désir, Op. 48 (1918), for four wordless singers, solo wind, percussion and strings; scenario by Paul Claudel
 Le bœuf sur le toit, Op. 58 (1919); scenario by Jean Cocteau
 Les mariés de la tour Eiffel: Marche nuptiale and Fugue du massacre only, Op. 70 (1921, revised 1971); ballet-show; scenario by Jean Cocteau
 La création du monde, Op. 81a (1923); for small orchestra; scenario by Blaise Cendrars
 Salade (A. Flament), Op. 83 (1924); ballet chanté in 2 acts; scenario by Albert Flament
 Le Train Bleu, Op. 84 (1924); opérette dansée; scenario by Jean Cocteau
 L'éventail de Jeanne: Polka only, Op. 95 (1927); for a children's ballet to which ten French composers each contributed a dance
 La bien-aimée, Op. 101 (1928); pleyela (player piano) and orchestra after music of Schubert and Liszt; 1 act; scenario by Alexandre Benois
 Les songes, Op. 124 (1933); scenario by André Derain
 Moyen âge fleuri (Suite provençale), Op. 152d (1936)
 Moïse, Op. 219 (1940); ballet symphonique; also for orchestra: Opus Americanum No. 2, Op. 219b
 Jeux de printemps, Op. 243b (1944); after the orchestra work
 Suite française, Op. 254 (1945); original version for band, Op. 248 (1944)
 Les cloches (The Bells), Op. 259 (1946); after the poem by Edgar Allan Poe
 ’Adame Miroir, Op. 283 (1948); for 16 solo instruments; scenario by Jean Genet
 La cueillette des citrons, Op. 298b (1949–1950); intermède provençal
 Vendanges, Op. 317 (1952); scenario by Philippe de Rothschild
 La rose des vents, Op. 367 (1957); scenario by Albert Vidalie
 La branche des oiseaux, Op. 374 (1958–1959); scenario by André Chamson

Orchestral
 Suite symphonique No. 1, Op. 12 (1913–1914); after the opera La brebis égarée, Op. 4 (1910–1914)
 Symphonie de chambre (Little Symphony) No. 1 "Le printemps", Op. 43 (1917)
 Symphonie de chambre (Little Symphony) No. 2 "Pastorale", Op. 49 (1918)
 Suite symphonique No. 2, Op. 57 (1919); after the incidental music Protée, Op. 17 (1913–1919)
 Sérénade en trois parties, Op. 62 (1920–1921)
 Saudades do Brasil, Op. 67b (1920–1921); original for piano
 Symphonie de chambre (Little Symphony) No. 3 "Sérénade", Op. 71 (1921)
 Symphonie de chambre (Little Symphony) No. 4 "Dixtour", Op. 74 (1921)
 Symphonie de chambre (Little Symphony) No. 5 "Dixtuor d'instruments à vent", Op. 75 (1922)
 3 Rag Caprices, Op. 78 (1922); original for piano
 Symphonie de chambre (Little Symphony) No. 6, Op. 79 (1923)
 2 Hymnes, Op. 88b (1925)
 Suite provençale, Op. 152c (1936); after the incidental music Bertran de Born
 Le carnaval de Londres, Op. 172 (1937)
 L'oiseau, Op. 181 (1937)
 Cortège funèbre, Op. 202 (1939); from the film score Espoir
 Fanfare, Op. 209 (1939)
 Symphony No. 1, Op. 210 (1939)
 Indicatif et marche pour les bons d'armement, Op. 212 (1940)
 Opus Americanum No. 2, Op. 219b (1940); after the ballet Moïse, Op. 219 (1940)
 Introduction et allegro, Op. 220 (1940); after Couperin: La sultane
 4 Ésquisses (4 Sketches), Op. 227 (1941); original for piano
 Fanfare de la liberté, Op. 235 (1942)
 Jeux de printemps, Op. 243 (1944); also a ballet
 La muse ménagère, Op. 245 (1945); original for piano
 Symphony No. 2, Op. 247 (1944)
 Le bal martiniquais, Op. 249 (1944); also for 2 pianos
 7 Danses sur des airs palestiniens, Op. 267 (1946–1947)
 Symphony No. 3 "Te Deum" for chorus and orchestra, Op. 271 (1946)
 Symphony No. 4 "Composée á l'occasion de Centenaire de la Révolution de 1848", Op. 281 (1947)
 Paris, Op. 284 (1948); also for 4 pianos
 Kentuckiana-Divertissement, Op. 287 (1948); also for 2 pianos
 Symphony No. 5, Op. 322 (1953)
 Suite campagnarde, Op. 329 (1953)
 Ouverture méditerranéenne, Op. 330 (1953)
 Symphony No. 6, Op. 343 (1955)
 Symphony No. 7, Op. 344 (1955)
 La couronne de Marguerite (Valse en forme de rondo), Op. 353 (1956; his contribution to Variations sur le nom de Marguerite Long); original for piano
 Le globe-trotter, Op. 358 (1956–1957); original for piano
 Les charmes de la vie (Hommage à Watteau), Op. 360 (1957); original for piano
 Aspen sérénade for chamber orchestra, Op. 361 (1957)
 Symphony No. 8 "Rhodanienne", Op. 362 (1957)
 Symphony No. 9, Op. 380 (1959)
 Symphony No. 10, Op. 382 (1960)
 Symphony No. 11 "Romantique", Op. 384 (1960)
 Les funérailles de Phocion (Hommage à Poussin), Op. 385 (1960)
 Aubade, Op. 387 (1960)
 Symphony No. 12 "Rurale", Op. 390 (1961)
 Ouverture philharmonique, Op. 397 (1962)
 A Frenchman in New York, Op. 399 (1962)
 Meurtre d'un grand chef d'état, Op. 405 (1963); dedicated to John F. Kennedy
 Ode pour les morts des guerres, Op. 406 (1963)
 Music for Boston, Op. 414 (1965)
 Musique pour Prague, Op. 415 (1965)
 Musique pour l'Indiana, Op. 418 (1966)
 Musique pour Lisbonne, Op. 420 (1966)
 Musique pour la Nouvelle-Orléans, Op. 422 (1966)
 Promenade concert, Op. 424 (1967)
 Symphonie pour l'univers claudélien, Op. 427 (1968)
 Musique pour Graz, Op. 429 (1968–1969)
 Suite en G, Op. 431 (1969)
 Musique pour Ars Nova, Op. 432 (1969)
 Musique pour San Francisco, Op. 436 (1971)
 Ode pour Jérusalem, Op. 440 (1972)

String orchestra
 Mills Fanfare, Op. 224 (1941)
 Pensée amicale, Op. 342 (1955)
 Symphoniette, Op. 363 (1957)

Wind ensemble
 Suite française, Op. 248 (1944); also for orchestra; adapted as a ballet, Op. 254 (1945)
 Normandie
 Bretagne
 Île de France
 Alsace-Lorraine
 Provençe
 2 Marches pour la libération , Op. 260 (1945–1946)
 In memoriam; dedicated to the victims of Pearl Harbor
 Gloria victoribus; World War II victory march
 West Point Suite, Op. 313 (1954)
 Musique de théâtre, Op. 334b (1954–1970); after the incidental music Saül, Op. 334
 Fanfare for brass ensemble (4 horns, 3 trumpets, 3 trombones and tuba), Op. 396 (1962)
 Introduction et Marche funèbre

Concertante
Piano
 Poème sur un cantique de Camargue for piano and orchestra, Op. 13 (1913)
 Ballade for piano and orchestra, Op. 61 (1920)
 5 Études for piano and orchestra, Op. 63 (1920)
 3 Rag Caprices for piano and small orchestra, Op. 78 (1922); also for piano solo
 Le carnaval d'Aix, Fantasy for piano and orchestra, Op. 83b (1926); after the ballet Salade, Op. 83
 Concerto No. 1 for piano and orchestra, Op. 127 (1933)
 Fantaisie pastorale for piano and orchestra, Op. 188 (1938)
 Concerto No. 2 for piano and orchestra, Op. 225 (1941)
 Concerto No. 1 for 2 pianos and orchestra, Op. 228 (1941)
 Concerto No. 3 for piano and orchestra, Op. 270 (1946)
 Suite concertante for piano and orchestra, Op. 278a (1952); after the Concerto for marimba, vibraphone and orchestra, Op. 278 (1947)
 Concerto No. 4 for piano and orchestra, Op. 295 (1949)
 Suite for 2 pianos and orchestra, Op. 300 (1950)
 Concertino d'automne for 2 pianos and 8 instruments, Op. 309 (1951)
 Concerto No. 5 for piano and orchestra, Op. 346 (1955)
 Concert de chambre for piano and chamber orchestra (wind quintet and string quintet), Op. 389 (1961)
 Concerto No. 2 for 2 pianos and 4 percussionists, Op. 394 (1961)

Violin
 Cinéma fantaisie for violin and chamber orchestra, Op. 58b (1919); also for violin and piano; after Le Bœuf sur le toit
 Concerto No. 1 for violin and orchestra, Op. 93 (1927)
 Concertino de printemps for violin and chamber orchestra, Op. 135 (1934)
 Concerto No. 2 for violin and orchestra, Op. 263 (1946)
 Concerto No. 3 "Concert royal" for violin and orchestra, Op. 373 (1958)
 Music for Boston for violin and chamber orchestra, Op. 414 (1965)

Viola
 Concerto No. 1 for viola and orchestra, Op. 108 (1929)
 Air for viola and orchestra, Op. 242 (1944); after the Viola Sonata No. 1, Op. 240
 Concertino d'été for viola and chamber orchestra, Op. 311 (1951)
 Concerto No. 2 for viola and orchestra, Op. 340 (1954–1955)

Cello
 Concerto No. 1 for cello and orchestra, Op. 136 (1934)
 Concerto No. 2 for cello and orchestra, Op. 255 (1945)
 Suite cisalpine sur des airs populaires piémontais for cello and orchestra, Op. 332 (1954)

Other
 Concerto for percussion and small orchestra, Op. 109 (1929–1930)
 Scaramouche, Suite for alto saxophone and orchestra, Op. 165c (1939), or for clarinet and orchestra, Op. 165d (1941); also for 2 pianos, Op. 165b; after the incidental music Le médécin volant, Op. 165 (1937)
 Vif et joyeux
 Modéré
 Brazileira
 Concerto for flute, violin and orchestra, Op. 197 (1938–1939)
 Concerto for clarinet and orchestra, Op. 230 (1941)
 Suite anglaise for harmonica (or violin) and orchestra, Op. 234 (1942)
 Concerto for marimba, vibraphone and orchestra, Op. 278 (1947)
 L'apothéose de Molière, Suite for harpsichord with flute, oboe, clarinet, bassoon and string orchestra, Op. 286 (1948)
 Concerto for harp and orchestra, Op. 323 (1953)
 Concertino d'hiver for trombone and string orchestra, Op. 327 (1953)
 Concerto for oboe and orchestra, Op. 365 (1957)
 Symphonie concertante for bassoon, horn, trumpet, double bass and orchestra, Op. 376 (1959)
 Concerto for harpsichord and orchestra, Op. 407 (1964)
 Stanford sérénade for oboe solo and 11 instruments, Op. 430 (1969)

Chamber and instrumental
Violin
 Sonata No. 1 for violin and piano, Op. 3 (1911)
 Le printemps for violin and piano, Op. 18 (1914)
 Sonata No. 2 for violin and piano, Op. 40 (1917)
 Cinéma fantaisie for violin and piano, Op. 58b (1919); also for violin and chamber orchestra; after Le bœuf sur le toit
 Impromptu for violin and piano, Op. 91 (1926)
 3 Caprices de Paganini for violin and piano, Op. 97 (1927)
 Dixième sonate de Baptist Anet in D Major, Op. 144 (1935); free transcription for violin and harpsichord
 Sonatina for 2 violins, Op. 221 (1940)
 Danses de Jacaremirim for violin and piano, Op. 256 (1945); 3 pieces
 Sonata for violin and harpsichord, Op. 257 (1945)
 Duo for 2 violins, Op. 258 (1945)
 Farandoleurs for violin and piano, Op. 262 (1946)
 Sonatina pastorale for violin solo, Op. 383 (1960)

 Viola
 4 Visages for viola and piano, Op. 238 (1943)
 Sonata No. 1 sur des thèmes inédits et anonymes de XVIIIe siècle, for viola and piano, Op. 240 (1944)
 Sonata No. 2 for viola and piano, Op. 244 (1944)
 Élégie for viola and piano, Op. 251 (1945)
 Élégie pour Pierre for viola, timpani and 2 percussionists, Op. 416 (1965)

 Cello
 Élégie for cello and piano, Op. 251 (1945)
 Sonata for cello and piano, Op. 377 (1959)

 Guitar
 Ségoviana, Op. 366 (1957)

 Harp
 Sonata, Op. 437 (1971)

Winds
 Sonatina for flute and piano, Op. 76 (1922)
 Sonatina for clarinet and piano, Op. 100 (1927)
 Exercice musical for pipeau, Op. 134 (1934)
 2 Ésquisses for clarinet and piano, Op. 227 (1941)
 Caprice, Danse, Églogue for clarinet (or saxophone, or flute) and piano, Op. 335 (1954)
 Sonatina for oboe and piano, Op. 337 (1954)
 Duo Concertante for clarinet and piano, Op. 351 (1956)

Duo
 Suite for Ondes Martenot and piano (arr. of music from Le château des papes) (1933)
 Sonatina for violin and viola, Op. 226 (1941)
 Sonatina for violin and cello, Op. 324 (1953)
 Sonatina for viola and cello, Op. 378 (1959)

Trio
 Sonata for two violins and piano, Op. 15 (1914)
 Pastorale for oboe, clarinet and bassoon, Op. 147 (1935)
 Suite for violin, clarinet and piano, Op. 157b (1936); after the incidental music Le voyageur sans bagage, Op. 157
 Suite d'après Corrette for oboe, clarinet and bassoon, Op. 161b (1937); after the incidental music Roméo et Juliette, Op. 161 (1937)

 Sonatine à 3 for string trio, Op. 221b (1940)
 String Trio, Op. 274 (1947)
 Fanfare for 2 trumpets and trombone, Op. 400 (1962)
 Piano Trio, Op. 428 (1968)

Quartets
 String Quartet No. 1, Op. 5 (1912)
 String Quartet No. 2, Op. 16 (1914–1915)
 String Quartet No. 3 with solo voice, Op. 32 (1916); poem by Léo Latil
 String Quartet No. 4, Op. 46 (1918)
 Sonata for flute, oboe, clarinet and piano, Op. 47 (1918)
 String Quartet No. 5, Op. 64 (1920)
 String Quartet No. 6, Op. 77 (1922)
 String Quartet No. 7, Op. 87 (1925)
 String Quartet No. 8, Op. 121 (1932)
 String Quartet No. 9, Op. 140 (1935)
 La reine de Saba for string quartet, Op. 207 (1939)
 String Quartet No. 10 Anniversaire ("Birthday Quartet"), Op. 218 (1940)
 String Quartet No. 11, Op. 232 (1942)
 String Quartet No. 12, Op. 252 (1945)
 String Quartet No. 13, Op. 268 (1946)
 String Quartet No. 14, Op. 291 No. 1 (1948–1949); The 14th and 15th string quartets can be performed separately as well as simultaneously as a string octet.
 String Quartet No. 15, Op. 291 No. 2 (1948–1949); For another example of a composer writing works for simultaneous performance, see 19th century composer Pietro Raimondi.
 String Quartet No. 16, Op. 303 (1950)
 String Quartet No. 17, Op. 307 (1950)
 String Quartet No. 18, Op. 308 (1950)
 Fanfare (150 mesures pour les 150 ans de la maison Heugel) for 2 trumpets and 2 trombones, Op. 400 (1962)
 Piano Quartet, Op. 417 (1966)
 Homage à Igor Stravinsky for string quartet, Op. 435 (1971)
 3 Études sur des thèmes du Comtat Venaissin for string quartet, Op. 442 (1973)

Quintets
 La création du monde, Op. 81b (1923) for piano and string quartet (arrangement by the composer of the ballet)
 La cheminée du roi René, Suite for wind quintet, Op. 205 (1939); 7 pieces
 4 Ésquisses (4 Sketches) for wind quintet, Op. 227b (1941); original for piano
 Les rêves de Jacob, Dance Suite for oboe, violin, viola, cello and double bass, Op. 294 (1949)
 Divertissement for wind quintet, Op. 299b (1958); after the film score Gauguin, Op. 299
 Quintet No. 1 for 2 violins, viola, cello and piano, Op. 312 (1950)
 Quintet No. 2 for 2 violins, viola, cello and double bass, Op. 316 (1952)
 Quintet No. 3 for 2 violins, 2 violas and cello, Op. 325 (1953–1954)
 Quintet No. 4 for 2 violins, viola and 2 cellos, Op. 350 (1956)
 Wind Quintet, Op. 443 (1973)

Sextets and septets
 String Sextet, Op. 368 (1958)
 String Septet for 2 violins, 2 violas, 2 cellos and double bass, Op. 408 (1964); The second movement of the septet, entitled 'Etude in controlled chance' is a rare example of Milhaud embracing aleatoric compositional devices.

Keyboard
 Organ
 Sonata, Op. 112 (1931)
 Pastorale, Op. 229 (1941)
 9 Préludes, Op. 231b (1942); after the incidental music L'annonce faite à Marie, Op. 231
 Petite suite, Op. 348 (1955)

Piano
 Suite, Op. 8 (1913)
 Mazurka (1914); published in L'Album des Six (1920)
 Variations sur un thème de Cliquet, Op. 23 (1915)
 Printemps, Book I, Op. 25 (1915–1919)
 Sonata No. 1, Op. 33 (1916)
 Printemps, Book II, Op. 66 (1919–1920)
 Saudades do Brasil, Op. 67 (1920–1921); 12 pieces; also orchestrated
 Caramel Mou, Op. 68 (1920); also arranged for voice and jazz band
 3 Rag-Caprices, Op. 78 (1922); also orchestrated
 Choral, Op. 111 (1930)
 L'automne, Op. 115 (1932); 3 pieces
 L'album de Madame Bovary, Op. 128b (1933); after the film music Madame Bovary, Op. 128
 3 Valses, Op. 128c (1933); after the film music Madame Bovary, Op. 128
 4 Romances sans paroles, Op. 129 (1933)
 Promenade (Le tour de l'exposition), Op. 162 (1933, revised 1937)
 Touches blanches, Easy Pieces, Op. 222 No. 1 (1941)
 Touches noires, Easy Pieces, Op. 222 No. 2 (1941)
 Choral (Hommage à Paderewski) (1941)
 4 Ésquisses (4 Sketches), Op. 227 (1941); also orchestrated and for wind quintet
 La libertadora, Op. 236 (1943); also for 2 pianos
 La muse ménagère, Op. 245 (1944); 15 pieces; also orchestrated
 Une journée, Op. 269 (1946); 5 pieces
 Méditation, Op. 277 (1947)
 L'enfant aime, Suite "A Child Loves", Op. 289 (1948); 5 pieces
 Sonata No. 2, Op. 293 (1949)
 Jeu, Op. 302 (c.1950); published in the album Les contemporains
 Le candélabre à sept branches, Op. 315 (1951); 7 pieces
 Accueil amical, 17 Pieces for Children, Op. 326 (1944–1948)
 Hymne de glorification, Op. 331 (1953–1954)
 La couronne de Marguerite (Valse en forme de rondo), Op. 353 (1956); orchestrated for the suite Variations sur le nom de Marguerite Long
 Sonatina, Op. 354 (1956), 1956;
 Le globe-trotter, Op. 358 (1956); 6 pieces; also orchestrated
 Les charmes de la vie (Hommage à Watteau), Op. 360 (1957); also orchestrated
 Six danses en trois mouvements, Op. 433 (1969–1970); also for 2 pianos

Piano 4-Hands
 Enfantines, Suite after 3 poèmes de Jean Cocteau, Op. 59a (1920); 3 pieces

2 Pianos
 Le bœuf sur le toit, Op. 58a (1919); after the ballet
 Scaramouche, Suite, Op. 165b (1937); after the incidental music Le médécin volant, Op. 165
 La libertadora, Op. 236a (1943); 5 pieces; also for piano
 Les songes, Op. 237 (1943); 3 pieces; after the ballet, Op. 124 (1933)
 Le bal martiniquais, Op. 249 (1944); 2 pieces; also orchestrated
 Carnaval à la Nouvelle-Orléans, Op. 275 (1947); 4 pieces
 Kentuckiana, divertissement sur 20 airs du Kentucky, Op. 287 (1948); also orchestrated
 Six danses en trois mouvements, Op. 433 (1969–1970); also for piano

4 Pianos
 Paris for 4 pianos, Op. 284 (1948); also orchestrated

Works for children
 À propos de bottes, Musical Story for Children, for voice, mixed chorus and piano (or violin and cello), Op. 118 (1932); words by René Chalupt
 Un petit peu de musique, Musical Play for children's chorus and piano, Op. 119 (1932); words by Armand Lunel
 Un petit peu d'exercice, Musical Play for children's chorus and piano, Op. 133 (1934); words by Armand Lunel
 Récréation, 4 children's songs for voice and piano, Op. 195 (1938); words by Jacqueline Kriéger
 Sornettes, Op. 214 (1940); words by Frédéric Mistral
 Deux chansons d'enfants (2 Children's Songs) for children's chorus and piano, Op. 217 (1940); words by Henri Fluchère
 Cours de solfège
 Papillon, papillonette!
 Touches noirs, touches blanches for piano, Op. 222 (1941)
 Acceuil amical (Friendly Welcome) for piano, Op. 326 (1944–1948)
 Une journée for piano, Op. 269 (1946)
 L'enfant aime (A Child Loves), 5 pieces for piano, Op. 289 (1948)
 Service pour la veille du sabbat for children's chorus and organ, Op. 345 (1955); Biblical text

Choral
 Psaume 136 for baritone, chorus and orchestra, Op. 53 No. 1 (1918); translation by Paul Claudel
 Psaume 121 (a.k.a. Psaume 126 [Vulgata 126]) for male chorus a cappella, Op. 72 (1921); translation by Paul Claudel; written for the Harvard Glee Club after their 1921 tour of Europe
 Cantate pour louer le Seigneur for soloists, chorus, children's chorus, organ and orchestra, Op. 103 (1928); text: Psalms 117, 121, 123, 150
 2 Poèmes extraits de l'anthologie nègre de Blaise Cendrars for vocal quartet or chorus and chamber orchestra, Op. 113 (1932); text by Blaise Cendrars
 2 Élégies romaines for female vocal quartet or female chorus, Op. 114 (1932); text by Johann Wolfgang von Goethe
 La mort du tyran for mixed chorus, flute, clarinet, tuba and percussion, Op. 116 (1932); text by Lampride, translation by D. Diderot
 Adages, 16 songs for vocal quartet, chorus and chamber orchestra (or piano), Op. 120c (1932); words by André de Richaud
 Devant sa main nue for female chorus or vocal quartet, Op. 122 (1933); words by Marcel Raval
 Pan et la Syrinx, Cantata for soprano, baritone, mixed chorus, flute, oboe, alto saxophone, bassoon and piano, Op. 130 (1934); words principally by Paul Claudel
 Les amours de Ronsard, 4 songs for mixed chorus or vocal quartet and chamber orchestra, Op. 132 (1934)
 Cantique du Rhône, 4 songs for chorus or vocal quartet, Op. 155 (1936); words by Paul Claudel
 Cantate de la paix for male chorus and children's chorus, Op. 166 (1937); words by Paul Claudel
 Main tendue à tous for mixed chorus a cappella, Op. 169 (1937); words by Charles Vildrac
 Les deux cités, Cantata for mixed chorus a cappella, Op. 170 (1937); words by Paul Claudel
 Quatre chants populaires de Provence for mixed chorus and orchestra, Op. 194 (1938)
 3 Incantations for male chorus a cappella, Op. 201 (1939); Aztec poems by Alejo Carpentier
 Quatrains valaisans for mixed chorus a cappella, Op. 206 (1939); words by Rainer Maria Rilke
 Cantate de la guerre for mixed chorus a cappella, Op. 213 (1940); words by Paul Claudel
 Borechou – Schema Israël (Bless Ye the Lord – O Hear, Israel) for cantor, chorus and organ, Op. 239 (1944); Biblical text
 Kaddish (Prière pour les morts) for cantor, chorus and organ, Op. 250 (1945); Biblical text
 Pledge to Mills for unison mixed chorus and piano, Op. 261 (1945); words by George Percy Hedley
 6 Sonnets composés au secret for chorus or vocal quartet, Op. 266 (1946); text by Jean Cassou
 Symphony No. 3 "Te Deum" for chorus and orchestra, Op. 271 (1946)
 Service sacré pour le samedi matin for baritone, reciter, chorus and orchestra or organ, Op. 279 (1947); Biblical text
 Lekha Dodi (L'choh dodi) for cantor, chorus and organ, Op. 290 (1948); text from the Jewish Sabbath evening liturgy
 Naissance de Vénus, Cantata for mixed chorus a cappella, Op. 292 (1949); words by Jules Supervielle
 Barba Garibo, Cantata for mixed chorus and orchestra, Op. 298 (1949–1950); words by Armand Lunel
 Cantate des proverbes for female chorus, oboe, cello and harpsichord, Op. 310 (1950); Biblical text
 Les miracles de la foi, Cantata for tenor, chorus and orchestra, Op. 314 (1951); Biblical text from Daniel
 Le château de feu, Cantata for chorus and orchestra, Op. 338 (1954); text by Jean Cassou; written in memory of Jews killed during the war by the Nazis
 3 Psaumes de David for mixed chorus a cappella, Op. 339 (1954)
 2 Poèmes de Louise de Vilmorin for chorus or vocal quartet, Op. 347 (1955); words by Louise Leveque de Vilmorin
 Le mariage de la feuille et du cliché for soloists, chorus, orchestra and tape, Op. 357 (1956); text by Max Gérard, musique concrète by Pierre Henry
 La tragédie humaine for chorus and orchestra, Op. 369 (1958); text by Agrippa d'Aubigné
 8 Poèmes de Jorge Guillén for mixed chorus a cappella, Op. 371 (1958); words by Jorge Guillén
 Cantate de la croix de Charité for soloists, chorus, children's chorus and orchestra, Op. 381 (1959–1960); text by Loys Masson
 Cantate sur des textes de Chaucer for chorus and orchestra, Op. 386 (1960); text by Geoffrey Chaucer
 Cantate de l'initiation for mixed chorus and orchestra (or organ), Op. 388 (1960); Hebrew and French liturgical text
 Traversée for mixed chorus, Op. 393 (1961); words by Paul Verlaine
 Invocation à l'ange Raphaël, Cantata for double female chorus and orchestra, Op. 395 (1962); words by Paul Claudel
 Caroles, Cantata for chorus and 4 instrumental groups, Op. 402 (1963); text by Charles d'Orléans
 Pacem in terris, Choral Symphony for alto, baritone, chorus and orchestra, Op. 404 (1963); text by Pope John XXIII
 Cantate de Job (Cantata from Job) for baritone, chorus and organ, Op. 413 (1965); Biblical text
 Promesse de Dieu for mixed chorus a cappella, Op. 438 (1971–1972); Biblical text
 Les momies d'Égypte, Choral Comedy for mixed chorus a cappella, Op. 439 (1972); text by Jean-François Regnard
 Ani maamin, un chant perdu et retrouvé for soprano, 4 reciter, chorus and orchestra, Op. 441 (1972); text by Elie Wiesel

Vocal
 Solo voice
 Cantique de Notre-Dame de Sarrance, Op. 29 (1915); words by Francis Jammes

 Voice and organ
 5 Prières for voice and organ (or piano), Op. 231c (1942); Latin liturgical texts adapted by Paul Claudel
 Ecoutez mes enfants for voice and organ, Op. 359 (1957)

 Voice and piano
 Désespoir (1909); words by Armand Lunel
 Poèmes de Francis Jammes, 2 Sets, Op. 1 (1910–1912); words by Francis Jammes
 3 Poèmes de Léo Latil, Op. 2 (1910–1916); words by Léo Latil
 Poèmes de Francis Jammes, Set 3, Op. 6 (1912); words by Francis Jammes
 7 Poèmes de La connaissance de l'est, Op. 7 (1912–1913); words by Paul Claudel
 Alissa, Song Cycle for soprano and piano, Op. 9 (1913, revised 1930); words by André Gide
 3 Poèmes en prose de Lucile de Chateaubriand, Op. 10 (1913); words by Lucile de Chateaubriand
 3 Poèmes romantiques, set 1, Op. 11 (1913–1914)
 3 Poèmes romantiques, set 2, Op. 19 (1914)
 4 Poèmes de Léo Latil, Op. 20 (1914); words by Léo Latil
 Le château, Op. 21 (1914); cycle of 8 songs; words by Armand Lunel
 Poème de Gitanjali, Op. 22 (1914); words by Rabindranath Tagore; translation by André Gide
 4 Poèmes de Paul Claudel for baritone and piano, Op. 26 (1915–1917); words by Paul Claudel
 D'un cahier inédit du journal d'Eugénie de Guérin, Op. 27 (1915); cycle of 3 songs; words by Eugénie de Guérin
 L'arbre exotique, Op. 28 (1915); words by Chevalier Gosse
 2 Poèmes d'amour, Op. 30 (1915); words by Rabindranath Tagore
 2 Poèmes de Coventry Patmore, Op. 31 (1915); original English words by Coventry Patmore; translation by Paul Claudel
 Poèmes juifs, Op. 34 (1916); 8 songs
 Child Poems, Op. 36 (1916); 5 songs; words by Rabindranath Tagore
 3 Poèmes, Op. 37 (1916); also with chamber orchestra; words by Christina Rossetti and Alice Meynell
 Chanson bas, Op. 44 (1917); 8 songs; words by Stéphane Mallarmé
 Dans les rues de Rio (2 versos cariocas de Paul Claudel), Op. 44a (1917); words by Paul Claudel
 2 Poèmes de Rimbaud, Op. 45 (1917); words by Arthur Rimbaud
 À la Toussaint (1911); words by Baronne de Grand Maison
 4 Poèmes de Francis Jammes, Set 4, Op. 50 (1918); words by Francis Jammes
 2 Petits airs, Op. 51 (1918); words by Stéphane Mallarmé
 Poèmes de Francis Thompson, Op. 54 (1919); words by Francis Thompson; translation by Paul Claudel
 Les soirées de Pétrograd, Op. 55 (1919); 12 songs; words by René Chalupt
 3 Poèmes de Jean Cocteau, Op. 59 (1920); words by Jean Cocteau
 Catalogue de fleurs for voice and piano or 7 instruments, Op. 60 (1920); words by Lucien Daudet
 Feuilles de température, Op. 65 (1920); 3 songs; words by Paul Morand
 Poème du journal intime de Léo Latil for baritone and piano, Op. 73 (1921); words by Léo Latil
 6 Chants populaires hébraïques for voice and piano or orchestra, Op. 86 (1925)
 Pièce de circonstance, Op. 90 (1926); words by Jean Cocteau
 Impromptu, Op. 91 (1926); words by Jean Cocteau
 Prières journalières à l'usage des juifs du Comtat Venaissin, Op. 96 (1927); 3 songs; Biblical text
 Vocalise, Op. 105 (1928)
 Quatrain à Albert Roussel, Op. 106 (1929); words by Francis Jammes
 A Flower Given to My Child (1930); words by James Joyce
 Le funeste retour (Chanson de marin sur un texte canadien du XVIIè siècle), Op. 123 (1933)
 Liturgie comtadine: chants de Rosch Haschanah, 5 songs for voice and piano or chamber orchestra, Op. 125 (1933)
 2 Chansons de Madame Bovary, Op. 128d (1933); words by Gustave Flaubert
 Le cygne, Op. 142 (1935); 2 versions; words by Paul Claudel
 Quatrain, Op. 143 (1935); words by Albert Flament
 3 Chansons de négresse for voice and orchestra or piano, Op. 148b (1935–1936); words by Jules Supervielle
 Chansons de théâtre, Op. 151b (1936); 6 songs; words by Jules Supervielle, R. Lenormand, G. Pitoeff
 3 Chansons de troubadour, Op. 152b (1936); words by Jean Valmy-Baisse
 5 Chansons de Charles Vildrac for voice and piano or chamber orchestra, Op. 167 (1937); words by Charles Vildrac
 Rondeau, Op. 178 (1937); words by Pierre Corneille
 Airs populaires palestiniens, Op. 179 (1937)
 Holem tsuadi
 Gam hayom
 Quatrain, Op. 180 (1937); words by Stéphane Mallarmé
 La couronne de gloire, Cantata for voice and chamber ensemble (flute, trumpet, string quartet) or piano, Op. 211 (1940); words by Solomon ibn Gabirol, Armand Lunel
 Le voyage d'été, Op. 216 (1940); words by Camille Paliard
 4 Chansons de Ronsard for voice and orchestra or piano, Op. 223 (1940); words by Pierre de Ronsard
 5 Prières for voice and organ (or piano), Op. 231c (1942); Latin liturgical texts adapted by Paul Claudel
 Rêves, Op. 233 (1942); anonymous 20th-century text
 La libération des Antilles, Op. 246 (1944); words by Henri Hoppenot
 Printemps lointain, Op. 253 (1944); words by Francis Jammes
 Chants de misère, Op. 265 (1946); words by Camille Paliard
 3 Poèmes, Op. 276 (1947); words by Jules Supervielle
 Ballade nocturne, Op. 296 (1949); a movement from a collaborative work entitled Mouvements du cœur: Un hommage à la mémoire de Frédéric Chopin, 1849–1949; words by Louise de Vilmorin
 Les temps faciles, Op. 305 (1950); words by Marsan
 Petites légendes, Op. 319 (1952); words by Maurice Carême
 Fontaines et sources for voice and orchestra or piano, Op. 352 (1956); 6 songs; words by Francis Jammes
 Tristesses, Op. 355 (1956); cycle of 24 songs; words by Francis Jammes
 Préparatif à la mort en allégorie maritime, Op. 403 (1963); words by Agrippa d'Aubigné
 L'amour chanté, Op. 409 (1964); 9 songs

 Voice (or reciter) and ensemble
 3 Poèmes, Op. 37 (1916); also with piano; words by Christina Rossetti and Alice Meynell
 Le retour de l'enfant prodigue, cantata for 5 voices and chamber ensemble or 2 pianos, Op. 42 (1917); words by André Gide
 Psaumes 136 et 129 for baritone and orchestra, Op. 53 (1918–1919); translation by Paul Claudel
 Machines agricoles, 6 Pastorales for voice and chamber ensemble, Op. 56 (1919); Texts taken out of a catalogue for agricultural machines.
 Catalogue de fleurs for voice and chamber ensemble (or piano), Op. 60 (1920); words by Lucien Daudet
 Cocktail for voice and 3 clarinets, Op. 69 (1920); words by Larsen
 4 Poèmes de Catulle for voice and violin, Op. 80 (1923); words by Catullus
 6 Chants populaires hébraïques for voice and piano or orchestra, Op. 86 (1925)
 3 Chansons de négresse for voice and orchestra or piano, Op. 148b (1935–1936); words by Jules Supervielle
 Liturgie comtadine: chants de Rosch Haschanah, 5 songs for voice and piano or chamber orchestra, Op. 125 (1933)
 5 Chansons de Charles Vildrac for voice and piano or chamber orchestra, Op. 167 (1937); words by Charles Vildrac
 Cantate nuptial for voice and orchestra, Op. 168 (1937); Biblical text from Song of Solomon
 Cantate de l'enfant et de la mère for narrator, string quartet and piano, Op. 185 (1938); story by Maurice Carême
 Les quatre éléments, Cantata for soprano and orchestra, Op. 189 (1938, revised 1956); words by Robert Desnos
 La couronne de gloire, Cantata for voice and chamber ensemble (flute, trumpet, string quartet) or piano, Op. 211 (1940); words by Solomon ibn Gabirol, Armand Lunel
 4 Chansons de Ronsard for voice and orchestra or piano, Op. 223 (1940); words by Pierre de Ronsard
 Caïn et Abel for reciter and orchestra, Op. 241 (1944); Biblical text from Genesis
 Fontaines et sources, 6 songs for voice and orchestra or piano, Op. 352 (1956); words by Francis Jammes
 Neige sur la fleuve for voice and chamber ensemble, Op. 391 (1961); words by Tsang Yung
 Suite de quatrains, 18 poems for reciter and chamber ensemble, Op. 398 (1962); words by Francis Jammes
 Adieu, Cantata for voice, flute, viola and harp, Op. 410 (1964); words by Arthur Rimbaud
 Cantate de psaumes for baritone and orchestra, Op. 425 (1967); Psalms 129, 146, 147, 128, 127, 136 (Psalms 129 and 136 from Op. 53); translation by Paul Claudel

2 or more voices
 2 Poèmes for vocal quartet, Op. 39 (1916–1918); text by Saint Léger, René Chalupt
 2 Poèmes tupis, Op. 52 (1918); 4 female voices and hand-clapping; American Indian text
 2 Élégies romaines, Op. 114 (1932); for 2 sopranos and 2 altos or female chorus; text by Johann Wolfgang von Goethe
 Adam for soprano, 2 tenors and 2 baritones, Op. 411 (1964); text by Jean Cocteau

 2 or more voices and piano
 2 Poèmes du Gardener, Op. 35 (1916–1917); for 2 voices and piano; words by Rabindranath Tagore and Elisabeth Sainte-Marie Perrin
 No. 34 de L'église habillée de feuilles, Op. 38 (1916); for vocal quartet and piano 6-hands; words by Francis Jammes

 2 or more voices and ensemble
 Pan et la Syrinx for soprano, baritone, vocal quartet and wind quartet and piano, Op. 130 (1934); words by Pierre-Antoine-Augustin de Piis, Paul Claudel
 Cantate de l'Homme for vocal quartet, reciter and chamber ensemble, Op. 164 (1937); words by Robert Desnos
 Prends cette rose for soprano, tenor and orchestra, Op. 183 (1937); words by Pierre de Ronsard
 3 Élégies for soprano, tenor and string orchestra, Op. 199 (1939); words by Francis Jammes
 Suite de sonnets, Cantata on 16th century verses for vocal quartet and chamber ensemble, Op. 401 (1963)
 Hommage à Comenius, Cantata for soprano, baritone and orchestra, Op. 421 (1966); text by John Amos Comenius

Incidental music
 Agamemnon, Op. 14 (1913–1914); L'Orestie d'Eschyle (Orestiean Trilogy No. 1) for soprano, male chorus and orchestra; Paul Claudel translation of the drama by Aeschylus; premiere 1927
 Protée, Op. 17 (1913–1919); for chorus and orchestra; play by Paul Claudel; 2nd version, Op. 341
 Les Choéphores, Op. 24 (1915); L'Orestie d'Eschyle (Orestiean Trilogy No. 2); Paul Claudel translation of the drama by Aeschylus; premiere 1919
 L'Ours et la Lune (1918); play by Paul Claudel
 L'annonce faite à Marie, Op. 117 (1932); for 4 voices and chamber orchestra; play by Paul Claudel; 2nd version, Op. 231
 Le château des papes, Op. 120 (1932); for orchestra; play by André de Richaud
 Se plaire sur la même fleur, Op. 131 (1934) for voice and piano; play by Moreno, translation by Casa Fuerte
 Le cycle de la création, Op. 139 (1935); for voice, chorus and orchestra; play by Sturzo
 Le faiseur, Op. 145 (1935) for flute, clarinet, saxophone and percussion; play by Honoré de Balzac
 Bolivar, Op. 148 (1935–1936); for voice, chorus and chamber orchestra; play by Jules Supervielle
 La folle du ciel, Op. 149 (1936); play by Henri-René Lenormand
 Tu ne m'échapperas jamais, Op. 151 (1936); play by Margaret Kennedy
 Bertran de Born, Op. 152a (1936); for soloists, chorus and orchestra; play by Valmy-Baisse
 Le trompeur de Séville, Op. 152e (1937); play by André Obey
 Le quatorze juillet, Op. 153 (1936); Introduction and Marche funèbre for finale of Act 1 only; play by Romain Rolland
 Le conquérant, Op. 154 (1936); for chamber orchestra; play by Jean Mistler
 Amal, ou La lettre du roi, Op. 156 (1936); for piano, violin and clarinet; play by Rabindranath Tagore and André Gide
 Le voyageur sans bagage (The Traveller without Luggage), Op. 157 (1936); for piano, violin and clarinet; play by Jean Anouilh
 Jules César, Op. 158 (1936); for flute, clarinet (or saxophone), trumpet, tuba and percussion; play by William Shakespeare
 La duchesse d'Amalfi, Op. 160 (1937); for oboe, clarinet and bassoon; Henri Fluchère after John Webster
 Roméo et Juliette, Op. 161 (1937); for oboe, clarinet and bassoon; Simone Jollivet play after Pierre Jean Jouve and William Shakespeare
 Liberté, Op. 163 (1937); Overture and Interlude only
 Le médecin volant, Op. 165 (1937); for piano and clarinet (or saxophone); play by Charles Vildrac after Molière
 Naissance d'une cité, Op. 173 (1937); 2 songs for voice and piano (or orchestra); words by Jean Richard Bloch
 Chanson du capitaine
 Java de la femme
 Macbeth, Op. 175 (1937); for flute, clarinet, bassoon, violin, cello, trumpet and percussion; play by William Shakespeare
 Hécube, Op. 177 (1937); for flute, clarinet, bassoon, trumpet and percussion; André de Richaud translation of the drama by Euripides
 Plutus, Op. 186 (1938); for voice and orchestra; Simone Jollivet translation of the drama by Aristophanes
 Tricolore, Op. 190 (1938); play by Pierre Lestringuez
 Le bal des voleurs, Op. 192 (1938); for clarinet and saxophone; play by Jean Anouilh
 La première famille, Op. 193 (1938); play by Jules Supervielle
 Hamlet, Op. 200 (1939); play by Jules Laforgue
 Un petit ange de rien du tout, Op. 215 (1940); play by Claude-André Puget
 L'annonce faite à Marie, Op. 231 (1942); 2nd version of Op. 117; play by Paul Claudel
 Lidoire, Op. 264 (1946); play by Georges Courteline
 La maison de Bernarda Alba, Op. 280 (1947); play by Federico García Lorca
 Shéhérazade, Op. 285 (1948); play by Jules Supervielle
 Le jeu de Robin et Marion, Op. 288 (1948); for voice, flute, clarinet, saxophone, violin and cello; adapted from Adam de la Halle
 Le conte d'hiver, Op. 306 (1950); Claude-André Puget translation of the Shakespeare play
 Christophe Colomb, Op. 318 (1952); for chorus and orchestra; play by Paul Claudel
 Saül, Op. 334 (1954); play by André Gide
 Protée, Op. 341 (1955); 2nd version of Op. 17; play by Paul Claudel
 Juanito, Op. 349 (1955); play by Pierre Humblot
 Mother Courage, Op. 379 (1959); play by Bertolt Brecht
  Judith , Op. 392 (1961); play by Jean Giraudoux
 Jérusalem à Carpentras, Op. 419 (1966); play by Armand Lunel
 L'histoire de Tobie et Sarah, Op. 426 (1968); play by Paul Claudel

Miscellaneous stage works
 La sagesse, Stage Spectacle for 4 voices, reciter, mixed chorus and orchestra, Op. 141 (1935); words by Paul Claudel
 Fête de la musique, Light and Water Spectacle, Op. 159 (1937); words by Paul Claudel
 Vézelay, la colline éternelle, Op. 423 (1967)

Film scores
 The Beloved Vagabond (1915)
 Le roi de Camargue (1921); music also by Henri Sauguet; directed by André Hugon
 L'Inhumaine (1924); directed by Marcel L'Herbier
 Actualités, Op. 104 (1928)
 La p'tite Lilie, Op. 107 (1929); directed by Alberto Cavalcanti
 Las Hurdes: Tierra Sin Pan (1932); directed by Luis Buñuel
 Hallo Everybody, Op. 126 (1933); Dutch documentary short; directed by Hans Richter
 Madame Bovary, Op. 128 (1933); directed by Jean Renoir
 L'hippocampe, Op. 137 (1934); directed by Jean Painlevé
 Tartarin de Tarascon, Op. 138 (1934); based on the novel by Alphonse Daudet; directed by Raymond Bernard
 Voix d'enfants, Op. 146 (1935); directed by Reynaud
 Le vagabond bien-aimé (The Beloved Vagabond), Op. 150 (1936); directed by Curtis Bernhardt
 Mollenard, Op. 174 (composed 1937); film released in 1938; directed by Robert Siodmak
 La citadelle du silence (The Citadel of Silence), Op. 176 (1937); collaboration with Arthur Honegger; directed by Marcel L'Herbier
 Grands feux, Op. 182 (1937); directed by Alexandre Alexeieff
 La conquête du ciel, Op. 184 (1937); directed by Hans Richter
 La tragédie impériale (a.k.a. Rasputin), Op. 187 (1938); directed by Marcel L'Herbier
 Les otages (The Mayor's Dilemma), Op. 196 (1938); directed by Raymond Bernard
 The Islanders, Op. 198 (1939); directed by Maurice Harvey
 L'espoir (Days of Hope or Man's Hope), Op. 202 (1939); written and directed by André Malraux and Boris Peskine
 Cavalcade d'amour (Love Cavalcade), Op. 204 (1939); collaboration with Arthur Honegger; directed by Raymond Bernard
 Gulf Stream, Op. 208 (1939); directed by Alexandre Alexeieff
 The Private Affairs of Bel Ami, Op. 272 (1946); directed by Albert Lewin
 Dreams That Money Can Buy, Op. 273 (1947); Ruth, Roses and Revolvers sequence only; directed by Hans Richter
 Gauguin, Op. 299 (1950); directed by Alain Resnais; used in Pictura (1951), co-directed by Resnais
 La vie commence demain (Life Begins Tomorrow), Op. 304 (1950); music also by Manuel Rosenthal; written and directed by Nicole Védrès
 Ils étaient tous des volontaires, Op. 336 (1954)
 Rentrée des classes (1956); film short; directed by Jacques Rozier
 Celle qui n'était plus (Histoire d'une folle), Op. 364 (1957); directed by G. Colpi
 Péron et Evita, Op. 372 (1958); historical TV documentary narrated by Walter Cronkite
 Burma Road and the Hump, Op. 375 (1959); historical TV documentary narrated by Walter Cronkite
 Paul Claudel, Op. 427 (1968); directed by A. Gillet

Radio scores
 Voyage au pays du rêve, Op. 203 (1939)
 Le grand testament, Op. 282 (1948)
 La fin du monde, Op. 297 (1949); by Blaise Cendrars
 Le repos du septième jour, Op. 301 (1950); by Paul Claudel
 Samaël, Op. 321 (1953); by André Spire
 Le dibbouk, Op. 329 (1953); by S. Ansky

Electroacoustic music
 Étude poétique, Op. 333 (1954)
 La rivière endormie (1954)

Collaborations
 L'Album des Six
 Genesis Suite
 Homage to Paderewski

Milhaud, Darius


Santa María de Villandás is one of 28 parishes (administrative divisions) in the municipality of Grado, within the province and autonomous community of Asturias, in northern Spain.

The population is 122 (INE 2007).

Villages and hamlets
La Cabaña
La Campusa
Capítulo
La Fueja
El Gorrión
Los Lodos
Puente de Seaza
Robledo
Rozallana
Santa María
Seaza
Villandás
Vío del Pedrouco
Vío del Pico

References

Parishes in Grado