Johan Herbert Magnus Härenstam (19 June 1941 – 13 June 2015) was a Swedish television host, actor and comedian. Härenstam hosted the Swedish version of the game-show Jeopardy! for 14 years before being replaced by Adam Alsing. Härenstam is also known for hosting the children's TV-program Fem myror är fler än fyra elefanter (with Brasse Brännström & Eva Remaeus), which was very popular and has been re-broadcast numerous times since it first aired. Härenstam participated in the music video for ABBA's hit song "When I Kissed the Teacher" where he played the teacher who got kissed by Agnetha Fältskog. Well known in Sweden for several decades, he was almost equally popular in Norway, having starred in the 1990s sitcom Fredrikssons fabrikk, playing the Swedish boss of a Norwegian textile workshop.

Härenstam died on 13 June 2015 after a several-year-long fight with cancer.

Partial filmography

Skratt (1968, TV Short)
Oj, är det redan fredag? (1970, TV Series)
Fem myror är fler än fyra elefanter (1973, TV Series) - Magnus
Pappas pojkar (1973, TV Series) - Martin Bengtsson
Fimpen (1974) - Mackan
Levande på Nya Bacchi (1974, Theatre)
En kille och en tjej (1975) - Party Guest
Kamrer Gunnarsson i skärgården (1976, TV Movie) - Kamrer Gunnarsson
Varning för barn (1976, Theatre)
When I Kissed the Teacher (1976, Video short) - The Teacher
Skyll inte på mig! (1978, TV Series) - Magnus
Det är serverat (1978, Theatre)
The Adventures of Picasso (1978) - Hitler
Jag är med barn (1979) - De unga älskande - Bosse
Magnus och Brasse Show (1980, TV Series)
Sällskapsresan (1980) - Dr. B. A:son Levander
Sopor (1981) - Ulf Adelsohn
Tuppen (1981) - Cederqvist
Göta kanal eller Vem drog ur proppen (1981) - Kronofogden
Svenska Sesam (1981, Swedish version of Sesame Street)
En flicka på halsen (1982) - Hot Dog Vendor
Två killar och en tjej (1983) - Klasse Wallin
Jokerfejs (1984)
Hemma hoz (1985, TV Mini-Series)
Bombardemagnus (1985)
Card Sharks (1987–1990, TV Series)
Macken - Roy's & Roger's Bilservice (1990) - Edvard
Fredrikssons fabrikk (1990–1993, TV Series) - Direktør Hasse Fredriksson
Jeopardy! (1991–2005, TV Series) - Television host
Fredrikssons fabrik – The movie (1994) - Fredriksson
Bert: The Last Virgin (1995) - Roland Ebert
Vuxna människor (1999) - Frank's boss
Tarzan (1999, Swedish dub)
Hälsoresan – En smal film av stor vikt (1999) - Dr. Levander
Karlsson på taket (2002) - Filip, thief (voice)
The Incredibles (2005, Swedish dub)
Winners and Losers (2005) - Himself
Muntergökarna (2005, Theatre)
Lite som du (2005-2006, TV Series) - Ralf Sundin
Sigillet (2006) - Rektor Magnificus
Cars (2006, Swedish dub)
Göta kanal 2 – Kanalkampen (2006) - Peter Black
Stjärnorna på slottet (2007)
Göta kanal 3 – Kanalkungens hemlighet (2009) - Peter Black
Vem tror du att du är? (2009)
Up (2009, Narrator in Swedish version)
Bamse and the Thief City (2014) - Reinard Räv (voice)

References

External links

1941 births
2015 deaths
People from Västervik Municipality
Swedish television hosts
Swedish comedians
Swedish male actors
Swedish male voice actors
Deaths from spinal cancer
Deaths from cancer in Sweden
Neurological disease deaths in Sweden
20th-century Swedish people


Shonn Greene (born August 21, 1985) is an American former professional football player who was a running back in the National Football League (NFL). He played college football for the Iowa Hawkeyes, earning unanimous All-American honors and winning the Doak Walker Award and the Jim Brown Trophy in 2008. He was selected by the New York Jets in the third round of the 2009 NFL Draft. After four seasons with the Jets, Greene then played two more seasons for the Tennessee Titans.

Early years
Greene was born in the Sicklerville section of Winslow Township, New Jersey. He attended Winslow Township High School in Atco, New Jersey, and played for the Winslow Eagles high school football team as the starting running back and linebacker for the Eagles during his junior and senior years.  In his junior year, Greene rushed for 1,267 yards and 18 touchdowns in 221 attempts earning first team all-conference, all-South Jersey, and all-state honors.  He followed that with 1,378 yards and 16 touchdowns on 172 attempts as a senior earning first team all-conference and second team all-state.  Greene also recorded 191 career tackles and one interception on defense.

College career
Greene attended the University of Iowa, where he played for coach Kirk Ferentz's Iowa Hawkeyes football team.  He missed the entire 2007 season when he left the university due to academic deficiencies.  He enrolled at Kirkwood Community College, improved his grades, and returned to the university in 2008.  Greene had a breakout season in 2008, winning the Doak Walker Award given to the nation's outstanding collegiate running back (the first Iowa player to win the award), and was recognized as a unanimous All-American.  He finished the season with 1850 yards rushing and 20 touchdowns; after the Hawkeyes won the 2009 Outback Bowl on January 1, 2009, in Tampa Bay, Florida (in which Greene would run for 129 yards and two touchdowns), Greene announced he would enter the 2009 NFL Draft. Greene was the only player that year to rush for over 100 yards in every game.  On October 23, 2010, Greene was named honorary captain for Iowa's game against Wisconsin.

Awards and honors
2008 unanimous first-team All-American by SI.com AFCA-Coaches, FWAA-Writers, Walter Camp, CBS Sports, and Rivals.com
Only FBS running back to rush for over 100 yards in every game in 2008
Big Ten Offensive Player of the Year in 2008
2009 Outback Bowl Most Valuable Player

Statistics

Professional career

Pre-draft

New York Jets (2009–2012)

2009 season
On April 29, 2009, the New York Jets traded up 12 spots to select Greene in the third round (65th overall) of the 2009 NFL Draft. On August 30 Greene made an appearance in the Jets preseason game against the Baltimore Ravens.  He rushed twice for six yards as well as catching an 85-yard pass before leaving due to an undisclosed rib injury. Greene made his regular season debut after a season-ending injury of Leon Washington during week 7 against the Oakland Raiders. During the game against the Raiders, Greene ran for 144 yards and two touchdowns in a 38–0 victory. On December 27, 2009, Greene carried the ball 16 times for 95 yards in a win against the Indianapolis Colts. On January 9, 2010, Greene ran for 135 yards and a touchdown in a 24-14 playoff win against the Cincinnati Bengals. His best performance of the season came against the San Diego Chargers in the divisional round of the playoffs. Greene carried the ball 23 times and rushed for 128 yards. He scored a 53-yard touchdown in the fourth quarter, as the Jets reached their first AFC Championship game since 1998. The Jets would play the AFC championship game against the Indianapolis Colts. The Jets had the lead at halftime 17–13.  In the beginning of the 3rd quarter Greene injured his ribs and missed the rest of the game. He would finish the game with 41 rushing yards as the Jets would lose 30–17.  Greene finished the 2009 season by playing in 14 games with 108 attempts for 540 yards and 2 touchdowns.

2010 season
In the 2010 offseason, the Jets did not resign running back Thomas Jones and signed instead LaDainian Tomlinson to be their starter and Greene to be the back-up. Shonn Greene got his first rushing touchdown of the 2010 season in a 29–20 win over the Minnesota Vikings. Greene finished the game with 57 yards on 10 attempts. On December 26, 2010, Greene ran for 70 yards on 12 attempts and 1 touchdown in loss to the Chicago Bears 38–34.
Greene also rushed for 76 yard on 17 attempts and scored the game-closing touchdown against the Patriots in a playoff game.

2011 season
On June 5, 2011, Jets offensive coordinator Brian Schottenheimer announced that Greene would be the starting running back in the 2011 season, with LaDainian Tomlinson taking a 3rd down role.

In his first career start, Greene rushed for 26 yards on 10 carries in a win over the Dallas Cowboys. Greene got his first touchdown of the year in a Week 2 matchup between the Jacksonville Jaguars while adding 49 yards in 16 carries. In a Week 5 loss to the New England Patriots, Greene had 83 yards in 21 carries while getting a touchdown. Even though Greene could not follow up the same performance the next week, He had 74 yards in 21 carries in a victory over the Miami Dolphins. In a Week 7 victory over the San Diego Chargers, Greene had 112 yards in 20 carries. Greene ended the year with 1,054 yards in 253 carries with 6 touchdowns. Greene also carried the load for the Jets while playing the Redskins by rushing 88 yards and 3 touchdowns. That next week he had 129 yards rushing and 1 touchdown over the Chiefs.

2012 season

In 2012, against the Indianapolis Colts, Greene ran for a career-high 161 yards, along with three touchdowns, as the Jets
defeated the Colts 35–9. On the season, Greene rushed for 1,063 yards and 8 touchdowns.

Tennessee Titans (2013–2014)

2013 season
On March 13, 2013, Greene signed a three-year, $10 million contract with the Tennessee Titans.
On August 8 of a pre-season game Greene rushed for 32 yards on 5 carries and a 19-yard touchdown run in his Titans debut facing the Washington Redskins. Greene also caught the ball for a 13-yard play. In the season opener against the Steelers, Greene rushed for 18 yards on 4 carries before injuring his knee that sidelined him for 5 weeks. 7 weeks later Greene rushed for 38 yards and a Touchdown on 9 carries winning against the Rams. He also had a 28-yard catch and run. During Week 14 of the NFL season, Greene rushed for 46 yards and two touchdowns on 9 carries, which included a 28-yard touchdown in the second quarter.  The Titans would ultimately lose the game to the Broncos by a score of 51–28. Greene finished the 2013 season with 295 yards and 4 touchdowns.

2014 season
In Week 1 of the 2014 NFL season, Greene rushed for 71 yards on 15 carries in a win against the Chiefs. Greene played his former team, the New York Jets, later that year and rushed for 50 yards on 15 carries in a loss. In the final game of the season, against the Indianapolis Colts, Greene had his best game of the season, rushing for a career long of 52 yards on a 4th and 1 play. Greene finished the game with 94 yards on 11 carries.

On June 16, 2015, Greene was released from the Titans.

NFL career statistics

References

External links

Iowa Hawkeyes bio

1985 births
Living people
African-American players of American football
All-American college football players
American football running backs
Iowa Hawkeyes football players
Milford Academy alumni
New York Jets players
People from Winslow Township, New Jersey
Players of American football from Camden County, New Jersey
Winslow Township High School alumni
Tennessee Titans players
21st-century African-American sportspeople
20th-century African-American people


Ford Parker "Moon" Mullen (February 9, 1917 – February 28, 2013) was a second baseman in Major League Baseball who played one year for the Philadelphia Blue Jays during the  season. Listed at 5' 9", 165 lb., Mullen batted left-handed and threw right-handed. He attended the University of Oregon, where he played baseball and basketball, and was a member of the basketball team that won the first NCAA men's basketball championship.

Early life
Mullen was born in Olympia, Washington. He received the nickname "Moon" after the popular comic strip character "Moon Mullins". Mullen attended the University of Oregon, where he played baseball and basketball. He was a reserve guard on the 1938–39 Oregon Ducks men's basketball team coached by Howard Hobson, and winners of the first ever NCAA Division I men's basketball tournament. On the baseball team (also coached by Hobson), he played third base, catcher, and second base.

Professional career
In 1944, Mullen played 118 games for the Philadelphia Blue Jays (as the Philadelphia Phillies were briefly known), posting a .267 batting average (124-for-464) with 51 runs and 31 RBI, including nine doubles, four triples, four stolen bases, and a .315 on-base percentage with no home runs. Following the 1944 season, Mullen was one of many major leaguers who saw his baseball career interrupted by a stint in the United States Army during World War II. He missed the 1945 and 1946 seasons, then attended spring training with the Phillies but did not make the team. He played most of the rest of his career in the Pacific Coast League with the Portland Beavers.  His last professional season was spent as player-manager for the 1950 Boise Pilots of the Pioneer League.

After baseball
He was married to his wife Jessie, whom he met at a high school football game, for 72 years. After his baseball career, he returned to Olympia where he coached the Olympia High School baseball team and taught high school biology and zoology for 27 years before his retirement.

He died in Stanwood, Washington on February 28, 2013. He had suffered a stroke two weeks prior to his death.  At the age of 96 he was the last surviving member of the Ducks' 1939 NCAA team and was one of the oldest living major league ballplayers.

See also
1944 Philadelphia Phillies season

References

Further reading

External links
, or Retrosheet

Philadelphia Phillies players
Major League Baseball second basemen
Boise Pilots players
Oregon Ducks baseball players
Oregon Ducks men's basketball players
Baseball players from Washington (state)
Basketball players from Washington (state)
Sportspeople from Olympia, Washington
Military personnel from Washington (state)
United States Army personnel of World War II
1917 births
2013 deaths
American men's basketball players


Josephine Douglas (6 October 1926 – 12 July 1988) was a British actress and TV and film producer. Her original name was Jo Doll (née Reckitt). She played a pioneering role as a woman in television production at a time when it was dominated by men. She was the co-producer and co-host of Britain's first pop chart television show, Six-Five Special, during 1957–58. The show broke the mould of British TV and ushered in an era in which popular culture seemed to be dominated by the young.

Life
She was born at 146 The Green, Earlsheaton, Huddersfield, West Riding of Yorkshire, England, the daughter of Jessie Elizabeth (born Hampson) and Bernard Rickett, a manager for Fyffes banana company.

She showed an early interest in drama. As a teenager she produced a fundraising performance of Hansel and Gretel to raise funds for the air force in the Second World War. It led to parts in the amateur dramatic group the Huddersfield Thespians, with whom she made her stage début in December 1943, in J. B. Priestley's play Time and the Conways.

She joined the Women's Auxiliary Air Force (WAAF) as a wireless mechanic in 1944, During her service she appeared in and staged camp shows which led to a wartime grant to attend the Royal Academy of Dramatic Art (RADA) in 1947, She was spotted there by Alfred Hitchcock who gave he a minor role in his next film,  Stage Fright (1950).

She began her acting career by appearing in minor roles in the West End and in several British films during the 1950s including the 1953 film Will Any Gentleman in which she joined the actors George Cole and Sidney James. She was also a panelist on TV panel game shows such as  Find the Link, and  The Name's the Same.

Her first TV role as a presenter was on the BBC's  In Town Tonight in 1953,

In October 1955 she was awarded a two-year contract by the BBC. At the time she was the only woman producer of light entertainment in Europe. She went on to become the co-producer and co host of the  'Six-Five Special' , the BBC's first attempt to attract a teenage audience which began its run on 16 February 1957.

She appeared in the BBC television play Left, Right and Centre, but then crossed over to ITV to work on news programmes. The ITV was seen as the opposition by BBC managers at that time and her move  annoyed to the BBC hierarchy. She returned to drama to produce the long-running  ITV soap Emergency Ward 10 and successfully increased its viewership by bringing in better known actors.

Her other works as producer include Our Miss Fred (1972), Dracula AD 1972 (1972) and Virgin of the Secret Service (1968).

Jo Douglas continued to produce TV and film into the 1980s but died from cancer on 12 July 1988 at her home in White Briars, Slinfold, Sussex at the age of 61.

References

External links

Josephine Douglas introduces the singer Ottilie Patterson on the 'Six Five Special' c 1956  (Start to 7 sec into clip) https://www.youtube.com/watch?v=7LThOGnemOc&list=RD7LThOGnemOc&start_radio=1
Magazine article from 1950s on the 6-5 Special and Jo Douglas https://www.youtube.com/watch?v=-4Dkdgxfy6s

1926 births
1988 deaths
20th-century English actresses
English television actresses
British film producers
People from Slinfold
People from Dewsbury


705 Naval Air Squadron was first formed as a flight in 1936 from No 447 Flight Royal Air Force and operated Swordfish torpedo bombers from battlecruisers. It achieved squadron status in 1939 before being disbanded in 1940. The squadron was re-formed briefly in 1945 and then again in 1947 as a fleet requirements unit to evaluate naval use of helicopters. Since the 1950s the squadron has been involved in the basic training of helicopter aircrew, and currently forms part of No. 1 Flying Training School at RAF Shawbury.

History

Pre-war and World War II (1936–1945)
705 Squadron was formed from No 447 Flight Royal Air Force, standing up in June 1936. Operational control of naval aviation was returned to the Royal Navy on 30 July 1937, and during this period the squadron operated the Fairey Swordfish biplane torpedo bomber from the battlecruisers Repulse and Renown. The aircraft were equipped with floats so that they could be launched from the ships by catapult and then recovered from the water by crane. 705 achieved squadron status in 1939. Early in World War II the squadron saw service protecting troop convoys and hunting raiders on the North America and West Indies Station. After disembarkation to RNAS Lee-on-Solent in 1939, the squadron was disbanded in 1940. 705 Naval Air Squadron was briefly reformed in 1945 and carried out the role of torpedo training.

Fleet Requirements Unit (1947–1950)
In May 1947, 705 Squadron was re-commissioned at RNAS Gosport with the Sikorsky Hoverfly element from 771 NAS. At first the squadron operated as a fleet requirements unit, and was responsible for the evaluation of the helicopter for use at sea. On 1 February 1947 Lieutenant K Reed carried out the first helicopter deck landing on a Royal Navy ship when he landed on HMS Vanguard off Portland.

Helicopter flying training (1950–1997)
The squadron gradually became responsible for the basic flying training of Royal Naval helicopter pilots and was re-equipped during the 1950s with the Westland Dragonfly, the Hiller HT1 and the Sikorsky S55. The squadron moved to RNAS Culdrose in 1957 where the later marks of Hiller and Whirlwind were introduced. These types were replaced in 1974 by the Westland Gazelle HT.2. Between 1975 and 1992 the instructors of the squadron performed as the 'Sharks' helicopter display team at up to 20 air displays every year both in the UK and abroad.

Tri-service basic flying training (1997–2018)
In April 1997 705 NAS disbanded and reformed at RAF Shawbury in Shropshire as part of the Defence Helicopter Flying School (DHFS), flying the  Eurocopter Squirrel HT Mk 1 helicopter.

UKMFTS (2018 – present)
Remaining as part of DHFS but now forming one of the elements of the UK Military Flying Training System (UKMFTS), the Squadron began flying the H135 Juno HT Mk1 in April 2018.

Current role

Within No. 1 Flying Training School (1 FTS) and under 2 Maritime Air Wing (2 MAW), 705 Squadron provides basic and advanced rotary wing flying training for all three services pilots and rear crew. As the busiest Squadron within 1 FTS, 705 Squadron teaches both pilots and crewman a vast number of different disciplines including advanced handling, instrument flying, medium and low level navigation, mountain flying and night flying including low level navigation with NVD.

In addition to pure flying training, 705 Squadron also provides a naval focus for naval aircrew operating within an otherwise joint service and largely civilian-run organisation. The Squadron is commanded by a Royal Navy Lieutenant Commander, and has a Royal Navy "Senior Pilot", while the Flight Commander billets are filled in by Qualified Helicopter Instructors from any of the three services. Naval graduates of DHFS are streamed towards Leonardo Merlin – MPH, Leonardo Merlin – Commando or Leonardo Wildcat AH / Wildcat HMA training Squadrons.

Aircraft flown
The squadron has flown a number of aircraft types since its formation, including:
 Blackburn Shark II/SP
 Fairey Swordfish I/SP & III
 Sikorsky Hoverfly I & II
 Saunders-Roe Skeeter
 Westland Dragonfly HR.1, HR.3 & HR.5
 Hiller HT.1 & HT.2
 Sikorsky S55
 Westland Whirlwind HAS.22, HAR.1, HAR.3 & HAS.7
 Westland Wasp HAS.1
 Westland Gazelle HT.2
 Eurocopter Squirrel
 Airbus H-135 Juno HT.1

Commanders
 Lt Cdr Becky Frater (2013 – July 2015)
 Lt Cdr Scott Hughes (July 2015 – July 2017)
 Lt Cdr Matt Robinson (July 2017 – October 2017)
 Lt Cdr Paul Ryan (April 2018 – December 2019)
 Lt Cdr Phil Crompton (January 2020 - Present)

References

External links
 Official Website

700 series Fleet Air Arm squadrons
Military units and formations established in 1936
Military of the United Kingdom in Cornwall
Air squadrons of the Royal Navy in World War II
Flying training squadrons


Soden v British and Commonwealth Holdings plc [1998] AC 298 is a UK insolvency law case, decided in the House of Lords. It decided that damages for negligent misrepresentation inducing purchase of company shares are not "sums due" to shareholders for the purpose of the Insolvency Act 1986, s 74(2)(f), so that a claim for such damages is not subordinated to claims from other creditors.

Facts
British and Commonwealth Holdings plc ("BCH") bought all the shares in Atlantic Computers plc ("AC") for £434m in 1988. Both went into administration. BCH brought an action against AC for negligent misrepresentation, which induced BCH to buy shares, and also against its advisors in the acquisition Barclays de Zoete Wedd Ltd. ("BZW") started proceedings against AC for contribution.

AC's administrator appealed against a Court of Appeal ruling, arguing that neither BZW's, nor BCH's claim would be subordinated to the claims of other creditors under s 74(2)(f) IA 1986.

Judgment
The House of Lords (Lord Browne-Wilkinson, Lloyd, Steyn, Hoffmann and Hope) dismissed the appeal. Sums due to a "member of the company (in his character as a member)" within s 74(2)(f) only extended to sums recoverable in actions based on the statutory contract between the members and the company under the Companies Act 1985 s 14(1) and did not include the type of damages sought by BCH. Lord Browne-Wilkinson gave the lead judgment.

{{Cquote|My Lords, in 1988 British & Commonwealth Holdings Plc. purchased for some £434m. the whole of the share capital of Atlantic Computers Plc. The acquisition proved to be disastrous. Atlantic went into administration in 1990. The administrators of Atlantic are the appellants in your Lordships' House. B. & C. is also in administration. It has brought proceedings against, inter alia, Atlantic ("the main action") for damages for negligent misrepresentations said to have been made by Atlantic so as to induce B. & C. to acquire its shares. B. & C. has also brought proceedings against Barclays de Zoete Wedd Ltd. ("the B.Z.W. action") for damages for negligent advice given in relation to the acquisition of the Atlantic shares. B.Z.W. has issued third party proceedings against Atlantic for contribution and damages.

Quite apart from the claims in the main action and the B.Z.W. action, the liabilities of Atlantic greatly exceed its assets. On 30 March 1994 the court approved a scheme of arrangement to which B. & C. was not a party. It provided that, subject to the payment of preferential liabilities, the scheme assets should be distributed pari passu between the scheme creditors broadly on the same basis as if Atlantic were in liquidation.

Neither the main action nor the B.Z.W. action has yet come to trial. In these proceedings the administrators have applied to the court by originating summons for directions (a) whether the damages and costs recoverable by B. & C. and B.Z.W. if the actions succeed will be subordinated to the claims of the other creditors of Atlantic by virtue of being sums due to a "member of the company (in his character of a member)" within section 74(2)(f) of the Insolvency Act 1986 and (b) if so, whether the subordinated claims of B. & C. and B.Z.W. fall to be treated as scheme liabilities under the scheme of arrangement. In one sense, the originating summons raises hypothetical questions since, unless the main action and the B.Z.W. action succeed, the priority of those claims will not be a material factor. However, the courts below and your Lordships were satisfied that it is proper to decide these points at the present time. The claims in the main action and the B.Z.W. action, if successful, may give rise to enormous damages (in the region of £500m.). The status of the claims in these actions vis-à-vis the other creditors of Atlantic has an immediate and profound impact on the way in which the scheme of arrangement is now to be administered.

The trial judge, Robert Walker J. [1995] 1 B.C.L.C. 686 held, first, that B. & C.'s claim was not subordinated to the claims of the other creditors; second, that B.Z.W.'s claim was not so subordinated; third, that if contrary to his views such claims were subordinated they did not rank as scheme liabilities under the scheme of arrangement. The administrators appealed to the Court of Appeal against the judge's decision in relation to the B. & C. claim but not against his decision on the B.Z.W. claim. B. & C. cross-appealed against the judge's decision on the question whether its claims were scheme liabilities. The Court of Appeal (Russell, Hirst and Peter Gibson L.JJ.), ante, pp. 304G et seq. upheld the judge on both points and dismissed both the appeal and the cross-appeal. B. & C. has not appealed to your Lordships against the decision on its cross-appeal by the Court of Appeal. Therefore the only point remaining for decision by your Lordships is whether B. & C.'s claims in the main action (if successful) are by virtue of section 74(2)(f) subordinated to the claims of the general creditors of Atlantic.

Section 74 of the Act of 1986 is the first of a group of sections cross-headed "Contributories." So far as relevant it provides:

"(1) When a company is wound up, every present and past member is liable to contribute to its assets to any amount sufficient for payment of its debts and liabilities, and the expenses of the winding up, and for the adjustment of the rights of the contributories among themselves. (2) This is subject as follows . . . (f) a sum due to any member of the company (in his character of a member) by way of dividends, profits or otherwise is not deemed to be a debt of the company, payable to that member in a case of competition between himself and any other creditor not a member of the company, but any such sum may be taken into account for the purpose of the final adjustment of the rights of the contributories among themselves."

The legislative history of this section can be traced back to section 38 of the Companies Act 1862 (25 & 26 Vict. c. 89), in which section 38(7) corresponds to section 74(2)(f) of the Act of 1986.

The critical question is whether any damages ordered to be paid to B. & C. by Atlantic for misrepresentation by Atlantic inducing the purchase by B. & C. of Atlantic shares would constitute a sum due to a member of Atlantic (i.e. B. & C.) in its character of a member by way of dividends, profits or otherwise within the meaning of section 74(2)(f). If so, B. & C.'s claim will be subordinated to that of Atlantic's general creditors.

Mr. Potts, for the administrators of Atlantic, submitted that the basic principle applicable was that "members come last," i.e. the members of a company can take nothing until the outside creditors have been paid in full. He further submitted that in the present case there would be a manifest absurdity if B. & C., as shareholder in its wholly owned subsidiary Atlantic, could circumvent that rule by claiming as damages sums quantified by reference to the worth of the Atlantic shares payable in respect of a misrepresentation leading to the acquisition of such shares. This would be to enable B. & C. to convert its position from that of a holder of worthless shares in its wholly owned subsidiary into that of a creditor ranking pari passu with ordinary creditors of that subsidiary.

Mr. Potts, of course, accepted that there could be sums due to a member otherwise than in his character of a member, e.g. loans made by a member to the company or sums due to a member under a contract for the sale of goods by the member to the company. He submitted that a claim is not a claim "in his character of a member" where it arises on an independent dealing or contract with the company and relies on section 149(2)(a) of the Act of 1986. That section permits the set-off against calls made on a contributory of

"any money due to him . . . on any independent dealing or contract with the company, but not any money due to him as a member of the company in respect of any dividend or profit . . ."

He submitted that a dealing or contract is not independent of the corporate nexus of membership or of the character of membership where such dealing or contract itself brings about the status of membership whether by way of subscription for shares or transfer of shares. In particular, he submits, a claim is maintained in the character of a member where the claimant seeks to recover from the company the price which he has paid for his shares on the basis that such shares are not worth what they were warranted or represented by the company to be worth. The claimant who is induced to acquire his shares by subscription falls within the class of those who are not allowed to compete with general creditors: see In re Addlestone Linoleum Co. (1887) 37 Ch.D. 191 and Webb Distributors (Aust.) Pty. Ltd. v. State of Victoria (1993) 11 A.C.S.R. 731 . There is no reason, he submitted, why a claimant who is induced to acquire his shares by purchase (as opposed to allotment) should be in a different position. In short, he submits that a sum is due to a person in his character as a member of a company where it is due to him under the bundle of rights which constitute his shares in the company or by reason of a warranty or misrepresentation on the part of the company going to the characteristics or value of the shares which induces him to acquire those shares.

I cannot accept these submissions. Section 74(2)(f) requires a distinction to be drawn between, on the one hand, sums due to a member in his character of a member by way of dividends, profits or otherwise and, on the other hand, sums due to a member otherwise than in his character as a member. In the absence of any other indication to the contrary, sums due in the character of a member must be sums falling due under and by virtue of the statutory contract between the members and the company and the members inter se constituted by section 14(1) of the Companies Act 1985:

"Subject to the provisions of this Act, the memorandum and articles, when registered, bind the company and its members to the same extent as if they respectively had been signed and sealed by each member, and contained covenants on the part of each member to observe all the provisions of the memorandum and of the articles."

A contract to similar effect was prescribed by section 16 of the Act of 1862 and all Acts since then. To the bundle of rights and liabilities created by the memorandum and articles of the company must be added those rights and obligations of members conferred and imposed on members by the Companies Acts. For ease of reference I will refer to the combined effect of section 14 and the other rights and liabilities of members imposed by the Companies Acts as "the statutory contract." In my judgment, in the absence of any contrary indication sums due to a member "in his character of a member" are only those sums the right to which is based by way of cause of action on the statutory contract.

That this is the correct interpretation is supported by the words in section 74(2)(f) "by way of dividends, profits or otherwise." There was some discussion in the judgment of the Court of Appeal whether these words disclose a genus requiring a sum "otherwise" due to be given a narrow construction under the ejusdem generis rule and as to what, if any, genus was disclosed by the words "by way of dividends, profits." In my view that is not the right approach to the section. The words "by way of dividends, profits or otherwise" are illustrations of what constitute sums due to a member in his character as such. They neither widen nor restrict the meaning of that phrase. But the reference to dividends and profits as examples of sums due in the character of a member entirely accords with the view I have reached as to the meaning of the section since they indicate rights founded on the statutory contract and not otherwise.

Moreover, the construction of the section which I favour accords with principle. The principle is not "members come last:" a member having a cause of action independent of the statutory contract is in no worse a position than any other creditor. The relevant principle is that the rights of members as members come last, i.e. rights founded on the statutory contract are, as the price of limited liability, subordinated to the rights of creditors based on other legal causes of action. The rationale of the section is to ensure that the rights of members as such do not compete with the rights of the general body of creditors.

If this is the correct dividing line between sums due in the character of a member and those not so due, there is no room for including in the former class cases where membership, though an essential qualification for acquiring the claim, is not the foundation of the cause of action. This is illustrated by the decisions on directors' remuneration. After an early aberration (In re Leicester Club and County Racecourse Co.; Ex parte Cannon (1885) 30 Ch.D. 629) it is now clearly established that directors' fees are not due to a director "in his character of a member" even where the articles of the company require a director to hold a share qualification and provide for the remuneration of the directors: In re Dale and Plant Ltd. (1889) 43 Ch.D. 255 ; In re New British Iron Co.; Ex parte Beckwith' [1898] 1 Ch. 324 ; In re W.H. Eutrope & Sons Pty. Ltd. [1932] V.L.R. 453 . Although membership is a necessary qualification for appointment as a director, the cause of action to recover the remuneration is not based on the rights of a member but on a separate contract to pay remuneration.

Mr. Potts placed great reliance on the decisions in the Addlestone and Webb cases, in both of which it was held that a sum due in respect of damages payable for breach of contract or misrepresentation made by the company on the occasion of the issue (as opposed to the purchase) of its shares were held to be excluded by the section. Before considering these cases, there are two background points to be made. First, there was a principle established in Houldsworth v. City of Glasgow Bank (1880) 5 App.Cas. 317 that a shareholder could not sue for damages for misrepresentation inducing his subscription for shares unless he first rescinded the contract and that once the company had gone into liquidation such rescission was impossible. This principle has now been modified by section 111A of the Companies Act 1985, as inserted by section 131(1) of the Companies Act 1989. Second, it was not until the decision of this House in Ooregum Gold Mining Co. of India Ltd. v. Roper; Wallroth v. Roper [1892] A.C. 125 that it was established that a company had no power to issue shares at a discount.

In the Addlestone case, 37 Ch.D. 191 the company had issued £10 shares expressed as being fully paid at a discount of £2 10s.. Upon the company going into liquidation a call of £2 10s.. per share was made. The shareholders paid the call and then sought to prove in the winding up for damages of £2 10s.. per share "for breach of contract or otherwise in respect of the shares." Kay J. held that the claim was excluded by section 38(7) of the Act of 1862. He said, at pp. 197-198:

"Now, unquestionably the applicants - retaining these shares and claiming damages because the shares are not exactly what they were represented to be - are making such claims in the character of members of the company, and the only question is whether such claims are for sums due 'by way of dividends, profits, or otherwise.' . . . Practically, what these applicants are seeking to recover by their proof is a dividend in respect of the £2 10s.. per share which they have been compelled to pay in the winding up. But as shareholders they have contracted that they will pay this money, and that it shall be first applied in payment of the creditors whose debts are not due to them as members of the company - that is, they are practically admitting their liability to pay the £2 10s.. per share to such other creditors and yet seeking to get part of it back out of the pockets of those very creditors themselves. I confess it seems to me that the money so claimed is not only claimed in the character of members but that the claim is just as unreasonable as if it were a claim of dividends or profits, and that, accordingly, it comes within the words 'or otherwise' which I have read from section 38."

He also decided that the claim was excluded by the Houldsworth principle, 5 App.Cas. 317 .

In the Court of Appeal, the point under section 38(7) received little attention. Cotton L.J. decided that the shareholders could not prove because the issue of shares at a discount (if it had occurred) was unlawful and that in any event the claim failed under the Houldsworth principle. As to the section 38(7) point he said, obiter, 37 Ch.D. 191, 205: "I think it would have been very difficult to come to the conclusion that they could compete with the outside creditors." Lindley L.J. decided the case solely on the Houldsworth principle. Lopes L.J. said that he agreed with the construction put by Kay J. on section 38(7).

If there had been a cause of action in the Addlestone case, it must, as it seems to me, have been based upon the statutory contract between the member and the company. "Dividends" and "profits" represent what might be called positive claims of membership; the fruits which have accrued to the member by virtue of his membership. But the principle must apply equally to negative claims; claims based upon having paid money to the company under the statutory contract which the member says that he is entitled to have refunded by way of compensation for misrepresentation or breach of contract. These, too, are claims necessarily made in his character as a member. But, in any event, the reasons given by Kay J. for treating the case as falling within section 38(7) are directed exclusively to matters relevant to a claim involving the issue of shares by the company but irrelevant to a claim relating to the purchase of fully paid shares from a third party. Under the statutory contract (including the obligation in the winding up to pay all sums not previously paid on the shares) the claimants were bound to pay the unpaid £2 10s.. in respect of each share. If such a payment were not made the capital of the company would not be maintained and the general body of creditors would be thereby prejudiced. If, in such a case, the member could recover by way of damages for breach of the contract to issue the shares at a discount the same amount as he was bound to contribute on the winding up that would indirectly produce an unauthorised reduction in the capital of the company. Such a failure to maintain the capital of the company would be in conflict with what Lord Macnaghten (in the Ooregum case [1892] A.C. 125, 145) said was the dominant and cardinal principle of the Companies Acts, i.e. "that the investor shall purchase immunity from liability beyond a certain limit, on the terms that there shall be and remain a liability up to that limit."

There is nothing in the Addlestone case to justify the application of that decision to cases where the claim against the company is founded on a misrepresentation made by the company on the purchase of existing shares from a third party. To allow proof for such a claim in competition with the general body of creditors does not either directly or indirectly produce a reduction of capital. The general body of creditors are in exactly the same position as they would have been in had the claim been wholly unrelated to shares in the company.

The decision of the High Court of Australia in the Webb case, 11 A.C.S.R. 731 stands on exactly the same footing. Section 360(1)(k) of the Companies Code of Victoria was in substantially the same terms as section 38(7) of the English Act of 1862 and section 74(2)(f) of the Act of 1986. The court held that section 361 was applicable to building societies as well as to limited companies. Three societies had issued non-withdrawable shares. The claimants were claiming to prove for damages in the winding up of the building societies such damages being based on misrepresentations made by the societies on the issue of such shares to the effect that the shares were redeemable "like a deposit." The High Court held that the claim was excluded by the Houldsworth principle and held that the proposition deducible from that case was that a shareholder may not directly or indirectly receive back any part of his or her contribution to the capital save with the approval of the court. The High Court further relied on the Addlestone decision and section 360(1) but carefully delimited its application to cases of contracts to subscribe for shares. They held, 11 A.C.S.R. 731, 741 that the claim in that case "falls within the area which section 360(1)(k) seeks to regulate: the protection of creditors by maintaining the capital of the company." It is therefore quite clear that both the decision and the reasoning of the High Court were dependent upon the same factors as those in the Addlestone case, i.e. the protection of creditors from indirect reductions of capital. Those are factors relevant to cases of subscription for shares issued by the company but wholly irrelevant to purchases from third parties of already issued shares.

I express no view as to the present law of the United Kingdom where the sum due is in respect of a misrepresentation or breach of contract relating to the issue of shares. Section 111A of the Act of 1985 provides:

"A person is not debarred from obtaining damages or other compensation from a company by reason only of his holding or having held shares in the company or any right to apply or subscribe for shares or to be included in the company's register in respect of shares."

It is plain that this section operates so as, at least in part, to override the Houldsworth principle. But to what extent and with what consequential results is not yet clear. All that is necessary for the decision of the present case is to demonstrate, as I have sought to do, that the decisions in Addlestone, 37 Ch.D. 191 and Webb, 11 A.C.S.R. 731 do not apply to claims other than those relating to the issue of shares by the company.

For these reasons, which are substantially the same as those given by the trial judge and the Court of Appeal in their admirable judgments, I am clearly of the opinion that the sum if any due to B. & C. is not due to it in its "character of a member" of Atlantic within section 74(2)(f). The claim stands on exactly the same footing as any other claim by B. & C. against Atlantic which is wholly unrelated to the shares in Atlantic. In the circumstances, it is unnecessary to deal with the further point relied upon by B. & C. (but rejected by the Court of Appeal) that B. & C.'s claim being unliquidated is not "a sum due" within the meaning of the section.

I would dismiss the appeal.}}

See also
UK company lawRe Atlantic Computer Systems plc (No 1)'' [1992] Ch 505

Notes

United Kingdom insolvency case law
House of Lords cases
1997 in United Kingdom case law


Grandi cacciatori is a 1988 Italian adventure film directed by Augusto Caminito and starring Klaus Kinski.

Premise
After a man's wife is killed by a panther, his only reason to live becomes revenge, which slowly consumes him.

Cast
 Thomas Attguargarvak as Cacciatore Eschimese
 Roberto Bisacco as Hermann
 Deborah Caprioglio as Deborah
 Brian Cooper as Ufficiale
 Bob Crocket as Cacciatore Norvegese
 Moser Dangwa as Gubai
 Absalom Dhikinya as Shamano
 Nick Duggan as Bracconiere Africano
 Graham Early as Bracconiere Africano
 James Haas as Cacciatore Norvegese
 Roger Heacham
 Michael Hoffmann as Guardia
 Albert Jones as Cacciatore Africano
 Harvey Keitel as Thomas
 Klaus Kinski as Klaus Naginsky
 Steven Ningeok as Cacciatore Eschimese
 Rossahn Peetok as Capo Eschimesi
 Iris Peynado as Nera
 Yorgo Voyagis as Leader

References

External links

1988 films
Italian adventure films
1980s Italian-language films
1980s adventure films
1980s Italian films


Partition chromatography theory and practice was introduced through the work and publications of Archer Martin and Richard Laurence Millington Synge during the 1940s. They would later receive the 1952 Nobel Prize in Chemistry "for their invention of partition chromatography".

Synopsis
The process of separating mixtures of chemical compounds by passing them through a column that contains a solid stationary phase that was eluted with a mobile phase (column chromatography) was well known at that time. Chromatographic separation was considered to occur by an adsorption process whereby compounds adhered to a solid media and were washed off the column with a solvent, mixture of solvents, or solvent gradient. In contrast, Martin and Synge developed and described a chromatographic separation process whereby compounds were partitioned between two liquid phases similar to the separatory funnel liquid-liquid separation dynamic. This was an important departure, both in theory and inder equilibrium conditions.  Martin and Synge initially attempted to devise a method of performing a sequential liquid-liquid extraction with serially connected glass vessels that functioned as separatory funnels. The seminal article presenting their early studies described a rather complicated instrument that allowed partitioning of amino acids between water and chloroform phases. The process was termed "counter-current liquid-liquid extraction." Martin and Synge described the theory of this technique in reference to continuous fractional distillation described by Randall and Longtin. This approach was deemed too cumbersome, so they developed a method of absorbing water onto silica gel as the stationary phase and using a solvent, such as chloroform, as the mobile phase. This work was published in 1941 as "a new form of chromatogram employing two liquid phases." The article describes both the theory in terms of the partition coefficient of a compound, and the application of the process to the separation of amino acids on a water-impregnated silica column eluted with a water:chloroform:n-butanol solvent mixture.

The impact on separation methodology
The previously described work of Martin and Synge impacted the development of the previously known column chromatography and inspired new forms of chromatography such as countercurrent distribution, paper chromatography, and gas-liquid chromatography which is more commonly known as gas chromatography. The modification of silica gel stationary phase led to many creative ways of modifying stationary phases in order to influence the separation characteristics. The most notable modification was the chemical bonding of alkane functional groups to silica gel to produce reversed-phase media. The original problem that Martin and Synge encountered with devising an instrument that would employ two free-flowing liquid phases was solved by Lyman C. Craig in 1944, and commercial counter-current distribution instruments were used for many important discoveries. The introduction of paper chromatography was an important analytical technique which gave rise to thin-layer chromatography. Finally, gas-liquid chromatography, a fundamental technique in modern analytical chemistry, was described by Martin with coauthors A. T. James and G. Howard Smith in 1952.

References

Chromatography


Hielscher is a German surname. Notable people with the surname include:

 Friedrich Hielscher (1902–1990), German poet and philosopher
 Hans Uwe Hielscher (born 1945), German organist and composer
 Leo Hielscher (born 1926), Australian administrator
 Margarete Hielscher (1899–1985), German doctor
 Margot Hielscher (1919–2017), German singer and film actress
 Ulf Hielscher (born 1967), German bobsledder

See also
 Josef Emanuel Hilscher (1806–1837), Austrian soldier, poet and translator
 Kurt Hilscher (1904–1980), German illustrator

German-language surnames


Michelle Stuart (born 1933) is an American multidisciplinary artist known for her sculpture, painting and environmental art. She is based in New York City.

Early life
Stuart was born in 1933 and she grew up in Los Angeles, California. After attending Chouinard Art Institute (now the California Institute of the Arts), Stuart worked as a topological draftsperson. She worked in Mexico about 1951 as a studio assistant to Diego Rivera.  She married Catalan artist José Bartoli in 1953. She lived for 3 year in Paris, then moved to New York, where she has resided since 1957.

Work

In the early phase of her career, Stuart drew inspiration from recently released photographs of the surface of the Moon and saw parallels between her early rubbings and these lunar landscapes. This body of luminous monochromatic drawings brought land art into the gallery.  During this time, Stuart investigated other means of addressing specific sites through her landworks or, as she terms them, "drawings in the landscape". In Niagara Gorge Path Relocated (1975), the artist situated a 460-foot scroll of paper cascading down a large bank of the Niagara River Gorge at Art Park.

Throughout her career her art has figured in reviews of the work of women artists.

In the 1980s, Stuart shifted her focus. She embarked on a series of gridded paintings that introduced beeswax, seashells, blossoms, leaves and sand embedded in an encaustic surface. Stuart also created complex multi-media installations involving light and sound elements.

Her series titled Extinct (1993) was inspired by a Victorian-era album of leaves. For one work in the series, she revisited the grid formation, but this time placed a variety of dried plants within each compartment. During this time, Stuart also created the Seed Calendar drawings, which employ the grid to map the maturation stages of a seed.

Throughout her career, Stuart has also sought to manifest her love of literature and the writing process through a variety of strategies. In the early 70s, she began to create the Rock Book series, artworks that in their use of natural materials from specific sites might be considered alternative travel logs. These works take the form of tattered, bound journals made of earth rubbings. For example, in Homage to the Owl from Four Corners (1985), earth, owl feathers, string and beeswax are brought together to form a book.

Stuart has published artists' books, including The Fall (1976), a book-length prose poem about keeping historical records and Butterflies and Moths (2006).

Stuart currently lives and works in New York City and Amagansett, Long Island.

Exhibitions

Michelle Stuart has exhibited in Europe, Asia and the United States for more than thirty years.  Selected exhibitions include: the Museum of Modern Art, New York; the Museum of Contemporary Art, Los Angeles; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the San Francisco Museum of Modern Art; the Wadsworth Atheneum, Hartford; the Art Museum of the Ateneum, Helsinki, Finland; the Musée d’Arts de Toulon, France; the American Academy of Arts & Letters; Kunsthalle, Hamburg, Germany; and the National Museum of Modern Art, Kyoto, Japan.

She has had one-person exhibits at the Walker Art Center, Minneapolis; Massachusetts Institute of Technology, Cambridge, MA; The Rose Art Museum, Waltham, MA; the Gemeentemuseum Den Haag, Netherlands; the Institute of Contemporary Arts, London; Williams College Museum of Art, Williamstown, MA; Centre d’Arts Plastique Contemporaines de Bourdeaux, France; The Arts Club of Chicago; Everson Museum of Art, Syracuse, NY; Galerie Ueda and Ueda Warehouse Tokyo, Japan and individual galleries in both the United States and Europe.  In 2013, Stuart was the subject of a retrospective that focused on her drawing.  It was organized by the Djanogly Art Gallery, University of Nottingham, UK, and travelled to the Santa Barbara Museum of Art, Santa Barbara, CA and the Parrish Art Museum, Watermill, NY.

In 2008 Stuart was part of a group exhibition called "Decoys, Complexes and Triggers: Feminism and Land Art in the 1970s," at the SculptureCenter in Long Island City, New York other artists in this exhibit included Alice Adams, Alice Aycock, Lynda Benglis, Agnes Denes, Jackie Ferrara, Suzanne Harris, Nancy Holt, Mary Miss, and Jackie Winsor.

Stuart's works were featured in Documenta VI, Kassel, Germany and in the American Biennial Pavilions in Seoul, Korea, and Cairo, Egypt.

Among her commissions are the grand lobby installation: Paradisi: A Garden Mural, at the Brooklyn Museum. Site sculptures include Starmarker and Star Chart: Constellations, in Wanas Sculpture Garden, Knislinge, Sweden; Garden of Four Seasons, Scheide Music Center, Wooster, Ohio; Garden of Four Seasons, a bronze/marble sculpture relief in Tochige, Japan and Tabula, a thirty-four-part marble relief at the New Stuyvesant High School in Battery Park, New York City, for which she won a New York City Art Commission Award for Design.

Notable works in public collections

Seeded Site (1969-1970), Tate, London
Zena (Vertical), NY (1972), Art Institute of Chicago
#7 Echo (1973), Menil Collection, Houston
#38 Moray Hill (1973), Menil Collection, Houston
#1 Woodstock, NY (1973), Tate, London
#4 Woodstock (1973), Allen Memorial Art Museum, Oberlin, Ohio
#28 Moray Hill (1974), Whitney Museum, New York
Turtle Pond (1974), Museum of Contemporary Art, Chicago
Turtle Pond Site Drawing #36 (1974), Museum of Contemporary Art, Chicago
Notes: Sayreville, N.J. (1975), National Gallery of Australia, Canberra
Spiral Notebook (1975), San Francisco Museum of Modern Art
Suite Tsikomo (1975), National Gallery of Art, Washington, D.C.; and Philadelphia Museum of Art
Breezy Point, New York (1976), National Gallery of Australia, Canberra
Fossil Series: Barnegat Bay I (1976), Allen Memorial Art Museum, Oberlin, Ohio
Sayreville, N.J., Claypits, No. 49 (1976), Detroit Institute of Arts
Sayreville Quarry II (1976), Detroit Institute of Arts
Sayreville Strata Quartet (1976), Dia Art Foundation, Beacon, New York
Hermosa Strata, Colorado (1977), Whitney Museum, New York
Ledger Series: Stone Barrow, South Group, Pecos, New Mexico (1977), Art Institute of Chicago
Mesa Verde, Colorado (1977), Art Institute of Chicago
Passages: Mesa Verde (1977-1979), Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
The Dalles Book (for chief Joseph) (1979), Moderna Museet, Stockholm
Zacaba (1979), San Francisco Museum of Modern Art
El Florido Tunil (Stones Precious of El Florido) (1980), Philadelphia Museum of Art
Islas Encantadas Series: Materia Prima I (1981), Museum of Modern Art, New York
Nazca Lines Star Chart and Nazca Lines Southern Hemisphere Constellation Chart Correlation (1981-1982), Museum of Modern Art, New York
Makan Series: Bin Yusuf (1982), Buffalo AKG Art Museum, Buffalo, New York
The Navigator (1984), Brooklyn Museum, New York
Cape Sebastian (1988), Museum of Contemporary Art, Los Angeles
Town Creek Mound (1987-1989), San Francisco Museum of Modern Art
Roman Seed Calendar V (1995), Museum of Contemporary Art, Los Angeles
Roman Berry (1996-1997), Art Institute of Chicago
Ring of Fire (2008-2010), Musée National d'Art Moderne, Centre Pompidou, Paris
These Fragments Against Time (2018), San Francisco Museum of Modern Art

Awards
Stuart is a recipient of the CAPS Grant, New York State (1974); the Macdowell Colony Fellowship, Peterborough, New Hampshire (1974); National Endowment for the Arts Grant for Individual Artists (1974-1977; 1980), Tamarind Institute grant (1974); New York Creative Artists Public Service grant in painting (1974); Guggenheim fellowship (1975); Finnish Art Association Fellowship, Helsinki (1985); Artists' Fellowship, New York Foundation for the Arts (1987); New York City Art Commission Award, for excellence in design (1990); Purchase award, American Academy and Institute of Arts and Letters (1992); and the Anonymous Was A Woman award, from Philanthropy Advisors, LLC (2017).

Gallery

Bibliography
Alloway, Lawrence. "Michelle Stuart: a Fabric of Significations" Artforum, v10, January 1974. pp64–65.
———Michelle Stuart: An Illustrated Essay. New York: State University of New York at Oneonta, 1975.
———"A Book Review" Art-Rite magazine, #14, Winter, 1977.
———Michelle Stuart: Voyages. Hillwood Art Gallery, LIU, NY 1985.
Beal, Graham W. J.  Michelle Stuart: Place and Time. Minneapolis: Walker Art Center, 1983.
———Second Sight Biennial IV. San Francisco: Museum of Modern Art, 1986.
Casey, Edward S. Earth Mapping: Artists Reshaping Landscape. Minneapolis: University of Minnesota Press, 2005.
Cullen, Deborah. "Strategies of Narration, Fifth International Cairo Biennale" in Arts in America, USIA, 1994.
Foreman, Richard. Natural Histories. Santa Fe: Bellas Artes, 1996.
Gregg, Gail. "Natural Selection Studio". ARTnews, March 1999. pp. 98–99.
Hobbs, Robert. "Michelle Stuart: Atavism, Geomythology and Zen". Womanart, vol. 1, no.4 Spring-Summer 1977.
———Michelle Stuart, Cambridge: Massachusetts Institute of Technology, 1977.
Lippard, Lucy R. From the Center, New York: E. P. Dutton, 1976.
———"Art Outdoors: In and Out of the Public Domain". Studio International, vol. 193, no. 2, Mar.-Apr. 1977.
———"A New Landscape Art", MS Magazine, Apr. 1977.
———"Quite Contrary: Body, Nature, and Ritual in Women's Art", Chrysalis, #2, Los Angeles, CA, 1977.
———"Surprises: An Anthological Introduction to Some Women Artists’ Books", Chrysalis, No.5, Los Angeles, CA, 1977.
———Strata: Nancy Graves, Eva Hesse, Michelle Stuart, Jackie Winsor. Vancouver: Vancouver Art Gallery, 1977.
———Michelle Stuart: From the Silent Garden, (Introduction) Williamstown, MA: Williams College, 1979.
Lovelace, Carey. "Michelle Stuart’s Silent Gardens" Arts Magazine, September 1988. pp77–79.
Munro, Eleanor. Originals: American Women Artists. New York: Simon and Schuster, 1979.
Stoops, Susan. Silent Gardens-the American Landscape. Waltham, MA: Rose Art Museum (Brandeis University), 1988.
———Ashes in Arcadia. Waltham, MA: Rose Art Museum (Brandeis University), 1988.
———"Michelle Stuart: A Personal Archeology", Woman's Art Journal, vol. 14, #2, Fall 1993-Winter 1994. pp. 17–21.
———More Than Minimal: Feminism and Abstraction in the 1970s, Waltham, MA: Rose Art Museum (Brandeis University), 1996.
Robert Storr. On the Edge: Contemporary Art from the Werner and Elaine Dannheiser Collection, New York: The Museum of Modern Art, 1997.
Ruzicka, Joseph. "Essential Light: The Skies of Michelle Stuart", Art in America, June 2000. pp. 86–89.
Varnedoe, Kirk. Primitivism in 20th Century Art: Affinity of the Tribal and the Modern. New York: Museum of Modern Art, 1984.
Westfall, Stephen. "Melancholy Mapping" Art in America, February 1987. pp 104–9.

References

External links

Oral history interview with Michelle Stuart, 2015 November 3-2017 May 23, Archives of American Art, Smithsonian Institution

1933 births
Living people
People from Amagansett, New York
20th-century American women artists
21st-century American women artists
California Institute of the Arts alumni
Chouinard Art Institute alumni


Telesarchus was a little-attested Greek writer.

Telesarchus may also refer to:

 Telesarchus (military commander) (fl. 279 BC), a Syro-Macedonian military commander
 Telesarchus of Samos, a 6th-century BC aristocrat in The Histories of Herodotus
  Telesarchus of Aegina, a 5th-century BC patron of the Greek lyric poet Pindar


Kaya Köstepen (12 December 1934 – 29 June 2011) was a Turkish football player who played club football for Altay and Beşiktaş. He was born in Aydın. He also earned four caps for the Turkey national team.

Köstepen died on 29 June 2011 in Istanbul.

References

External links
Player profile at Turkish Football Federation
 Player profile at Weltfußball.de

1934 births
2011 deaths
Turkish men's footballers
Turkey men's international footballers
Altay S.K. footballers
Beşiktaş J.K. footballers
Men's association football midfielders
Beşiktaş J.K. managers
Turkish football managers
People from Aydın


Srinivasan Rangarajan (10 April 1936 – 8 February 2007) was an Indian journalist, entrepreneur, cricketer, film producer and socialite. He is the youngest son of K. Srinivasan and grandson of S. Kasturi Ranga Iyengar.

Early life

Rangarajan was born in Madras to K. Srinivasan, Editor and Managing Director of The Hindu on 10 April 1936. He studied in Madras and became a Director in The Hindu in 1958.

As film producer
Gauravam (1973)
Vasandhathil Oru Naal (1981)
Kanmaniye Pesu (1985)
Lakshmi Vandhachu (1986)
Ore Oru Gramathiley (1987)

References

1936 births
2007 deaths
The Hindu journalists
Tamil film producers
Indian male journalists
Producers who won the Best Film on Other Social Issues National Film Award


Timson may refer to:

Andrew Timson (born 1961), English rugby league footballer of the 1970s and 1980s
Frank Timson (1909-1960), Australian politician
Matt Timson, British comic book artist

See also
Timsons, a British manufacturing company
Timpson (disambiguation)

Patronymic surnames


Báječná léta pod psa (English - Those Wonderful Years That Sucked) is a 1997 movie, adapted from the book of the same title by Michal Viewegh. The film is directed by Petr Nikolaev.

Plot
It's the beginning of the 1960s in Czechoslovakia where the heavy impact of the Soviet Union influences all the happenings in the country. A young mother, played by Libuše Šafránková and a father, played by Ondřej Vetchý, are expecting their first baby. They have already agreed on a name - Quido. The baby is due to be born on August 5, but because nothing happens as planned, Quido is born earlier, during the performance Waiting for Godot written by Samuel Beckett. This might have influenced his life because since that moment he seems to be a genius boy. Of course his intelligence makes him trouble during his teenage years at school and also during his attempts to get a girlfriend. Eventually he manages to pick the right one.

For Quido everything suddenly looks wonderful, when another disaster comes. His father starts to suffer from persecution mania after he has been degraded from his job and asked to come to a police interrogation. He changes completely and thinks that the situation becomes unbearable. That's why he is making himself a coffin. Quido's mother feels desperate and comes with an idea which could save her husband. She wants Quido to have his own baby so that her husband could see the world from a better perspective again.

Eventually the whole situation is saved not only by Quido's child, but mainly by The Velvet Revolution in 1989.
As a result, Quido's father starts to feel much better. The whole atmosphere is then interrupted by the fact that it becomes more and more obvious that the situation hasn't changed that much.

Cast list
Libuše Šafránková as Quido's mother
Ondřej Vetchý as Quido's father
Jan Zahálka as Quido - young boy
Jakub Wehrenberg as Quido - young man
Klára Botková as Jaruška - young girl
Jitka Ježková as Jaruška - young woman
Vladimír Javorský as Šperk
Vilma Cibulková as Šperková
Miriam Kantorková as grandmother Věra
Vladimír Dlouhý as Zvára
Květa Fialová as grandmother Líba
Stanislav Zindulka as grandfather Josef
Otakar Brousek Sr. as dědeček Jiří
Viktor Preiss as playwright
Jiří Schmitzer as Dr. Liehr
Alice Bendová as Zita
Miloň Čepelka as gateman

References

External links

1997 films
1997 drama films
1990s Czech-language films
Films set in 1963
Films set in 1989
Czech drama films


Schieder is a German surname which may refer to:
 Andreas Schieder (born 1969), Austrian politician
 Illo Schieder, German musician and Eurovision contestant
 Marianne Schieder (born 1962), German politician
 Stefaan Schieder, German film producer
 Schieder-Schwalenberg, a town in North Rhine-Westphalia, Germany


The following is a list of tours by the Jonas Brothers.

Fall 2005 Promo Tour

The Fall 2005 Promo Tour was the Jonas Brothers first tour, to promote their debut album It's About Time. It began on November 5, 2005, and ended on December 17, 2005. The tour also became a part of The Cheetah-licious Christmas Tour, as the Jonas Brothers were surprise guests who opened for both The Cheetah Girls and Aly & AJ for a total of 10 dates, while on this tour.

Tour dates

American Club Tour

The American Club Tour was the second concert tour of American boy band Jonas Brothers, launched in support of their debut album, It's About Time. Most of the tour was held in clubs and very small venues, as the band was not very well known at the time; relating with the equally young artist, Jen Marks. The tour began on January 28, 2006, in Roseville, and ended on March 3, 2006, in Orlando; comprising 28 dates.

Set list
 "Mandy"
 "Time for Me to Fly"
 "Underdog"
 "One Day at a Time"
 "7:05"

Tour dates

Marvelous Party Tour

The Marvelous Party Tour (often called the "Prom Tour") was the third concert tour of American boy band Jonas Brothers, launched to promote their second album, Jonas Brothers. The tour contained decorations such as photo booths to add realism to the prom theme. It began on June 25, 2007, and ended on October 21, 2007. It lasted for a total of 46 dates, making it their third longest tour.

Set list

 "Kids of the Future"
 "Mandy"
 "Just Friends"
 "Goodnight And Goodbye"
 "Hello Beautiful"
 "Australia"
 "What I Go to School For"
 "That's Just The Way We Roll"
 "Hollywood"
 "Inseparable"
 "Still in Love With You"
 "Hold On"
 "S.O.S."
 "Year 3000"

Tour dates

When You Look Me in the Eyes Tour

The When You Look Me in the Eyes Tour (also referred as the Look Me in the Eyes Tour and sometimes stylized as the WYLMITE Tour), is the fourth tour by the Jonas Brothers and their second tour to promote their self-titled studio album. It started on January 31, 2008, and ended on March 22, 2008.

The Burning Up Tour

The Burning Up Tour was the fifth concert tour by the Jonas Brothers. This tour was to promote their third album A Little Bit Longer. This tour had also promoted the Disney Channel Original Movie, Camp Rock in which the Jonas Brothers had starred. Also, the Burning Up Tour was used to promote Disney starlet, Demi Lovato's music. The tour had started on July 4, 2008, in Toronto, and concluded on March 22, 2009, in San Juan.

World Tour 2009

The Jonas Brothers World Tour 2009 was the sixth concert tour and third headlining tour by the Jonas Brothers, promoting their fourth studio album Lines, Vines and Trying Times. It began on May 18, 2009, in Lima, Peru and ended on December 13, 2009, in San Juan, Puerto Rico.

Live in Concert

The Jonas Brothers: Live in Concert is the seventh concert tour by American pop rock band, the Jonas Brothers to promote on their fourth studio album Lines, Vines and Trying Times and the soundtrack to their Disney Channel show Jonas. The tour started on August 7, 2010, in Tinley Park, Illinois, and ended on November 18, 2010, in Abu Dhabi. The tour included cities in the United States, Canada, the Caribbean, Mexico, Central America, South America, and Middle East. The brothers were accompanied by Demi Lovato and the cast of Camp Rock 2: The Final Jam to promote their albums Here We Go Again and Camp Rock 2: The Final Jam respectively.

Jonas Brothers World Tour 2012/2013

The Jonas Brothers World Tour 2012/2013 is the eighth concert tour by the Jonas Brothers, which promoted their originally-planned fifth studio album V that was ultimately cancelled. Three new songs from the original project were performed on the tour: "Let's Go", "Wedding Bells" and "First Time".

Live 2013

The Jonas Brothers Live 2013 is the ninth concert tour by American pop/rock band, the Jonas Brothers before their split on October 29, 2013. This tour included cities in the United States and Canada to promote their unreleased album V after their fourth studio album Lines, Vines and Trying Times (2009).

On October 9, 2013, the group cancelled their highly anticipated comeback tour days before it was slated to start, citing a "deep rift within the band" over "creative differences", later announcing their break-up as a band on October 29, 2013. After their split, the band released their second live album after the tour ended, which is composed of live performances from their Los Angeles and Uncasville shows and five original studio recordings that would've been on the V album.

Happiness Begins Tour

The Happiness Begins Tour was the tenth concert tour by the Jonas Brothers, in promotion of their fifth studio album, Happiness Begins, and their first one since reuniting after their 2013 separation. The tour began on August 7, 2019, in Miami, Florida, at the American Airlines Arena and concluded on February 22, 2020, in Paris at the AccorHotels Arena.

Remember This Tour

The Remember This Tour was the eleventh concert tour by the Jonas Brothers. The tour began in Las Vegas at the Park Theater and concluded in Mexico City at the Arena Monterrey and consisted of 52 shows.

Five Albums. One Night. The World Tour

The Five Albums. One Night. The World Tour (also referred as The World Tour or simply The Tour) is the upcoming twelfth concert tour by American pop rock band Jonas Brothers, in promotion of their sixth studio album, The Album (2023). The tour is set to begin on August 12, 2023, in The Bronx, New York, and is set to conclude on June 20, 2024, in Belfast, Northern Ireland. September 11, 2023 Sacramento California

As opening act

Cheetah-licious Christmas Tour (The Cheetah Girls)

Never Gone Tour (Backstreet Boys)

The Veronicas 2006 US Tour

Best of Both Worlds Tour (Hannah Montana/Miley Cyrus)

The Best Damn World Tour (Avril Lavigne)

Notes

References

Lists of concert tours


Eugen York (26 November 1912 – 18 November 1991) was a German film director. He directed 35 films between 1938 and 1984. He was born in Rybinsk, Russian Empire and died in Berlin, Germany.

Selected filmography

Film
 Morituri (1948)
 The Last Night (1949)
 Shadows in the Night (1950)
 Blondes for Export (1950)
  (1950)
 The Allure of Danger (1950)
 Das Fräulein von Scuderi (1955)
 A Heart Returns Home (1956)
 The Heart of St. Pauli (1957)
 The Copper (1958)
 Man in the River (1958)
  (1958)
 Murderer in the Fog (1964)
  (1977)

Television
 Das Sparschwein (1952)
 Aufruhr (1960) — based on the play Disturbance by Hugh Forbes
 Polly liebt nur Kapitäne (1963)
 Haus der Schönheit (1963) — based on the play Pariser Platz 13 by Vicki Baum
  (1964–1966, TV series, 26 episodes)
  (1964) — based on the novel Six heures d'angoisse by
  (1966) — based on a radio play by
 Spätsommer (1966) — based on the novel Altersschwach by
 Das kleine Teehaus (co-director: Paul Martin, 1967) — based on The Teahouse of the August Moon
  (1967–1968, TV series, 8 episodes)
 Der Tag, an dem die Kinder verschwanden (1967) — based on The Day the Children Vanished by Hugh Pentecost
  (1969–1970, TV series, 12 episodes)
  (1969, TV series, 6 episodes)
 Der Opernball (1971) — based on Der Opernball
 Kennzeichen Rosa Nelke (1971, TV series, 6 episodes)
 Ball im Savoy (1971) — based on Ball im Savoy
  (1973) — based on Paganini
 Gräfin Mariza (1974) — based on Countess Maritza
 Madame Pompadour (1974) — based on Madame Pompadour
 Glückliche Reise (1975) — based on
 Viktoria und ihr Husar (1975) — based on Viktoria und ihr Husar
 Frau Luna (1975) — based on
 Hatschi! (1979)
 Und plötzlich bist du draußen (1981)
  (co-director: Rolf von Sydow, 1982)
 Ein Fall für zwei: Zwielicht (1983, TV series episode)
 Ein Fall für zwei: Herr Pankratz, bitte! (1983, TV series episode)
 Ein Fall für zwei: Chemie eines Mordes (1984, TV series episode)

References

External links

1912 births
1991 deaths
People from Rybinsk
German mass media people
German film directors
Emigrants from the Russian Empire to Germany


Victor H. Denenberg (April 3, 1925 – July 19, 2008) was an American developmental psychobiologist. He obtained his Ph.D. in 1953 from Purdue University, where he became assistant professor and remained through 1969. In 1969 he became a professor at the University of Connecticut at Storrs, in the newly formed program in Biobehavioral Sciences, of which he was the head from 1984 to 2000. After his retirement in 2000, he became a professor emeritus at the University of Washington. Denenberg published over 400 scholarly papers and book chapters and trained over 70 M.S. and Ph.D. students.  He was an academic icon of his era.

References

1925 births
2008 deaths
University of Connecticut faculty
University of Washington faculty
Purdue University faculty
Purdue University alumni
American biologists
20th-century biologists


Club de Campo Villa de Madrid is a country and sports club located in Madrid, Spain. The club was formed in 1929, and is one of the most known in the city. It has a wide array of sports facilities including two championship 18-hole golf courses, hockey pitches, tennis and padel courts, horse-riding facilities and swimming pools.

Many are the sporting events celebrated annually at the club, including the Spain Golf Open and the Longines Global Champions Tour.

Golf
The Javier Arana designed Negro (or Black) course opened in 1956, and has hosted the Open de España on many occasions. It has also been the venue for former European Tour events, the Madrid Masters and the Open de Madrid.
The Amarillo (or Yellow) course was designed by Seve Ballesteros.

Hockey

The men's team won their first title in the 2020–21 season and the women's team have the most national titles with 22. The club hosted the 2006 Women's World Cup, won by The Netherlands.

Honours

Men
División de Honor
 Winners (1): 2020–21
 Runners-up (7): 1957–58, 1980–81, 1981–82, 1985–86, 2009–10, 2010–11, 2012–13
Copa del Rey
 Winners (13): 1934, 1935, 1936, 1940, 1953, 1954, 1956, 1977, 1978, 2004, 2005, 2011, 2012
Euro Hockey League
 Runners-up (1): 2010–11
EuroHockey Cup Winners Cup
 Winners (1) 2005
EuroHockey Indoor Club Cup
 Runners-up (1): 2009
EuroHockey Indoor Club Trophy
 Runners-up (1): 2006

Women
División de Honor
 Winners (22): 1973–74, 1974–75, 1975–76, 1983–84, 1986–87, 1987–88, 1988–89, 1989–90, 1990–91, 1991–92, 1994–95, 2003–04, 2006–07, 2008–09, 2009–10, 2010–11, 2011–12, 2013–14, 2014–15, 2016–17, 2018–19, 2020–21
Copa de la Reina
 Winners (18): 1989, 1991, 1992, 1995, 1999, 2006, 2008, 2009, 2010, 2011, 2012, 2014, 2016, 2017, 2018, 2019, 2020, 2022
Euro Hockey League
 Runners-up (1): 2021
EuroHockey Club Champions Cup
Runners-up (1): 2008
EuroHockey Club Trophy
 Winners (1): 2019
 Runners-up (2): 1989, 2017
EuroHockey Cup Winners Cup
 Winners (1): 2007
 Runners-up (1): 2009
EuroHockey Indoor Club Cup
 Runners-up (7): 2008, 2010, 2013, 2014, 2015, 2016, 2018
EuroHockey Indoor Club Trophy
 Winners (1): 2005

Current squad

Men's squad
Head coach: Pablo Usoz

Women's squad
Head coach: Eduardo Aguilar

Tennis
The club hosted the 2008 Fed Cup final, when Russia defeated Spain 4–0.

References

External links
Club de Campo Villa de Madrid

Golf clubs and courses in Spain
Field hockey clubs in Spain
Tennis clubs in Spain
Sports venues in Madrid
Sports clubs and teams in Madrid
1929 establishments in Spain
Field hockey clubs established in 1931
Buildings and structures in Ciudad Universitaria neighborhood, Madrid


Afia Serena Nathaniel (born 1974) is an independent Pakistani filmmaker who works primarily as a writer, director, producer and editor. She is a graduate of the Film Division at the Columbia University School of the Arts (2006).

Early life
Afia Nathaniel was born in Quetta, Pakistan. She is the eldest of three girls. Her father was in the Armed Forces and her mother a professor of English. Afia was brought up and educated in Lahore.

Education
Afia did her Senior Cambridge from Convent of Jesus and Mary, Lahore. She then attended Kinnaird College from 1991 to 1994, graduating with a BSc degree. She majored in Mathematics with a minor in Physics. In college, Afia participated actively in debating forums, poetry competitions and dramatics. She was elected the President of Science Club by the students at Kinnaird. Afia was awarded the prestigious Mangat Rai Gold Medal in 1994 in recognition of her outstanding academic record and extracurricular achievements.

In August 1994, Afia joined Lahore University of Management Sciences (LUMS) to pursue a BSc in Computer Science. She graduated from LUMS in 1997.

In 2001, Columbia University offered Afia Nathaniel a two-year Dean's fellowship to come and join their MFA Film programme. Afia won several accolades for her short films which spurred the growth of New Wave of Pakistani independent cinema.

Early career
In the absence of any film schools in Pakistan, Afia Nathaniel, joined Publicis Pakistan (formerly Headstart) and began a career in advertising soon after graduating from LUMS. She was quickly promoted to head the Creative Department at Publicis Pakistan.

In 1999, Afia left Pakistan to work with the World YWCA, an international women's non-profit organisation based in Geneva, Switzerland. She attended the UN Commission on Human Rights from 1999 to 2001 and worked with women in over 100 countries in the areas of peace, justice, health, human rights and environment. Afia was appointed as the Communications Manager for the endowment campaign of the World YWCA.

Film career
In 2008, Afia founded Zambeel Films, a film production company in Pakistan, specialising in producing local independent films for a global audience. Afia is a member of Film Fatales independent women filmmakers.
 Dukhtar (2014)

Personal life
Afia is currently based in New York City she teaches in the visual arts department at Princeton University. She lives with her husband and daughter .

Awards
Film Awards/Honours/Grants
 2015 Best Film Director – Dukhtar (awaiting result)
 2010 NYFA Geri Ashur Screenwriting Award
 2006 Milos Forman Finishing Fund
 2006 Hollywood Foreign Press Association Grant
 2005 IFP Market Screenplay Award
 2005 Ezra Litwak Award for Distinction in Screenwriting at the Columbia University Film School Student Film Festival
 2005 HBO Development Award
 2005 Finalist, Tribeca Connect, New York
 2003 Nadah, Nominee Golden Reel Award, VC Filmfest

Academic Awards/Fellowships/Grants
 2004-6 World Studio Foundation Fellow
 2003-4 AAUW International Fellow
 2003-4 MMMF (James Wolfensohn) Fellow, World Bank
 2003-4 WIL Fellow, International House, New York
 2001-3 Dean's Fellow, School of Arts, Columbia University, New York
 1994 Mangat Rai Gold Medal, Kinnaird College, Lahore, Pakistan

Film festivals
 Nadah (Short Film) – Director, Producer, Editor
 International Film Festival Rotterdam, 2003 (World Premiere)
 Reel-World Film Festival, Toronto, 2003 (Canadian Premiere)
 Clermont-Ferrand Film Market 2003
 19th VC FilmFest, Los Angeles, 2003 (Nominee Golden Reel Award)
 9th International Film Festival Dortmund, Germany 2003
 Anthology Film Archive, New York, 2003
 Commonwealth International Film Festival 2003 (UK Premiere)
 1st Asian Pacific Short-Film Festival 2003 Barcelona (Spain Premiere)
 9th Asian Film Festival, 2003, Lyon (French Premiere)
 3rd KaraFilmFestival, 2003, Karachi, Pakistan (Pakistan Premiere)
 Cinemasia, 2004, Netherlands
 Mateela Film Festival, 2004, Lahore, Pakistan (Lahore Premiere)

Toba Tek Singh (Short Film) – Writer, director, producer, editor, Executive Producer
 New York Asian American International film festival 2005 (World Premiere)
 VC FilmFest 2006, Los Angeles, US (American Premiere)

Long After... (Muntazir) (Short Film) – Writer, director, producer, editor, Executive Producer
 Montreal World Cinema Film Festival 2007
 ReelWorld Film Festival, Toronto, 2008
 Clermont-Ferrand Short Film Market 2008
 Asian American International Film Festival, New York, 2008
 New Jersey International Film Festival 2008

Butterfly (Short Film) – Writer
 Asia-Expo film festival, Lyon France (Winner Audience Choice Award)
 Napa Valley Wine Country Film Fest (Winner Best International Short Film)
 Black Maria Film Festival 2003 (Winner Honourable Mention)
 Ivy Film Festival 2003 (Winner best graduate student film)
 19th VC Film Fest, LA, 2003 (Nominee Golden Reel Award)
 San Francisco International Film Festival 2003
 Mumbai International Film Festival, 2003
 Palm Springs Short Film Festival, 2003
 Hawaii International Film Festival, 2003
 Greenwich Film Festival, 2003
 Indian Film Festival of Los Angeles, 2003
 San Francisco International Asian American Film Festival, 2003
 Vancouver Asian Film Festival, 2003
 Cinema Paradiso Film Festival, 2003
 ACV New York Asian American Film Festival, 2003
 San Diego Asian Film Festival, 2003
 DC Asian Pacific American Film Festival, 2003
 Dallas Asian American Film Festival, 2003

Awards and nominations

References

External links

Living people
1974 births
American film directors
American people of Pakistani descent
Punjabi people
Pakistani screenwriters
Pakistani film producers
Lahore University of Management Sciences alumni
Convent of Jesus and Mary, Lahore alumni
Film directors from Lahore
Kinnaird College for Women University alumni
Columbia University School of the Arts alumni


Korfos () is a small port town located on the coast of Sofiko Bay, in the southeastern part of Corinthia, Greece.

References

Populated places in Corinthia


Thomas Bond FRCS, MB BS (London), (7 October 1841 – 6 June 1901) was an English surgeon considered by some to be the first offender profiler, and best known for his association with the notorious Jack the Ripper murders of 1888.

Early life
Born at Durston Lodge at Durston in Somerset in 1841, he was the son of Thomas Bond (1806-), a gentleman farmer, and Mary née Hearne (1810–1878). Bond was educated at King Edward VI Grammar School at Taunton. Bond was a student to his maternal uncle, Dr McCann of Southampton, before training at King's College and King's College Hospital in London where he won the Gold Medal of the University of London for his Bachelor of Surgery examination. In 1864 Bond was appointed MRCS, graduated MB BS in 1865, and in 1866 FRCS. In 1866 he joined the Prussian Military Service in which he attended the sick during a cholera epidemic. During the Austro-Prussian War he carried a despatch from the Prussian Army through the Austrian lines to the Italian lines.

Medical career
Returning to London, Bond set up practice in Westminster, and was appointed Surgeon to the Metropolitan Police's A Division (Westminster) in 1867. He won a post at the Westminster Hospital in 1873 after several failed elections, and he spent his entire career at that hospital, firstly as an assistant surgeon and, from 1895, as a Full Surgeon.

As surgeon to the Metropolitan Police's 'A Division' he dealt with many important cases, including those of the Battersea Mystery, Mary Jane Kelly, Kate Webster, Percy Lefroy Mapleton and the "Thames Torso Murders" investigations of 1887–1889. Bond also examined the bodies of Rose Mylett and Alice Mackenzie and submitted reports on both. Bond was described as being among the best of medical witnesses as his evidence was always clear. Bond was an early offender profiler, and attempted to profile the personality of Jack the Ripper in 1888.

Bond was railway surgeon or consulting railway surgeon to the Great Western Railway and the Great Eastern Railway. Bond's function for the railways was primarily as medico-legal consultant regarding injury claims rather than practical surgery.  He did, however, treat the injured of an overturned train on which he was himself a passenger.  Bond's last major work for the railways was investigations in connection with the Slough rail accident of 1900.  Bond also wrote a lengthy article on railway injuries for Heath's Dictionary of Practical Surgery.

Jack the Ripper
On 25 October 1888, Robert Anderson wrote to Bond asking him to examine material connected with the Jack the Ripper investigation. In his letter Anderson enclosed copies of the evidence given at the inquests into the murders of Polly Nichols, Annie Chapman, Elizabeth Stride and Catherine Eddowes, and asked Bond to deliver his "opinion on the matter."

Bond examined the papers for two weeks and replied to Anderson on 10 November 1888. Mary Jane Kelly had been killed the morning before in Dorset Street, and Bond had spent much of that day performing her autopsy.

Bond's report said:

 "I beg to report that I have read the notes of the 4 Whitechapel Murders viz:

 1. Buck's Row.
 2. Hanbury Street.
 3. Berner's Street.
 4. Mitre Square.

 I have also made a Post Mortem Examination of the mutilated remains of a woman found yesterday in a small room in Dorset Street –

 1. All five murders were no doubt committed by the same hand. In the first four the throats appear to have been cut from left to right. In the last case owing to the extensive mutilation it is impossible to say in what direction the fatal cut was made, but arterial blood was found on the wall in splashes close to where the woman's head must have been lying.

 2. All the circumstances surrounding the murders lead me to form the opinion that the women must have been lying down when murdered and in every case the throat was first cut.

 3. In the four murders of which I have seen the notes only, I cannot form a very definite opinion as to the time that had elapsed between the murder and the discovering of the body.

 In one case, that of Berner's Street, the discovery appears to have been made immediately after the deed - In Buck's Row, Hanbury Street, and Mitre Square three or four hours only could have elapsed. In the Dorset Street case the body was lying on the bed at the time of my visit, 2 o'clock, quite naked and mutilated as in the annexed report -

 Rigor Mortis had set in, but increased during the progress of the examination. From this it is difficult to say with any degree of certainty the exact time that had elapsed since death as the period varies from 6 to 12 hours before rigidity sets in. The body was comparatively cold at 2 o'clock and the remains of a recently taken meal were found in the stomach and scattered about over the intestines. It is, therefore, pretty certain that the woman must have been dead about 12 hours and the partly digested food would indicate: that death took place about 3 or 4 hours after the food was taken, so one or two o'clock in the morning would be the probable time of the murder.

 4. In all the cases there appears to be no evidence of struggling and the attacks were probably so sudden and made in such a position that the women could neither resist nor cry out. In the Dorset Street case the corner of the sheet to the right of the woman's head was much cut and saturated with blood, indicating that the face may have been covered with the sheet at the time of the attack.

 5. In the four first cases the murderer must have attacked from the right side of the victim. In the Dorset Street case, he must have attacked from in front or from the left, as there would be no room for him between the wall and the part of the bed on which the woman was lying. Again, the blood had flowed down on the right side of the woman and spurted on to the wall.

 6. The murderer would not necessarily be splashed or deluged with blood, but his hands' and arms must have been covered and parts of his clothing must certainly have been smeared with blood.

 7. The mutilations in each case excepting the Berner's Street one were all of the same character and shewed clearly that in all the murders, the object was mutilation.

 8. In each case the mutilation was inflicted by a person who had no scientific nor anatomical knowledge. In my opinion he does not even possess the technical knowledge of a butcher or horse slaughterer or any person accustomed to cut up dead animals.

 9. The instrument must have been a strong knife at least six inches long, very sharp, pointed at the top and about an inch in width. It may have been a clasp knife, a butcher's knife or a surgeon's knife. I think it was no doubt a straight knife.

 10. The murderer must have been a man of physical strength and of great coolness and daring. There is no evidence that he had an accomplice. He must in my opinion be a man subject to periodical attacks of Homicidal and erotic mania. The character of the mutilations indicate that the man may be in a condition sexually, that may be called satyriasis. It is of course possible that the Homicidal impulse may have developed from a revengeful or brooding condition of the mind, or that Religious Mania may have been the original disease, but I do not think either hypothesis is likely. The murderer in external appearance is quite likely to be a quiet inoffensive looking man probably middleaged and neatly and respectably dressed. I think he must be in the habit of wearing a cloak or overcoat or he could hardly have escaped notice in the streets if the blood on his hands or clothes were visible.

 11. Assuming the murderer to be such a person as I have just described he would probably be solitary and eccentric in his habits, also he is most likely to be a man without regular occupation, but with some small income or pension. He is possibly living among respectable persons who have some knowledge of his character and habits and who may have grounds for suspicion that he is not quite right in his mind at times. Such persons would probably be unwilling to communicate suspicions to the Police for fear of trouble or notoriety, whereas if there were a prospect of reward it might overcome their scruples.

 I am, Dear Sir,
 Yours faithfully,
 Thos. Bond.

Later years

Bond married twice; firstly in 1870 to Rosa Sophia Hayes (1844–1899) a daughter of Mr. Justice Hayes, with whom he had six children: Lucy Elizabeth Bond (1872–1940, who married the music educator Percy Buck in 1896); Mabel Alice Bond (1874–1961); Mary H H Bond (1878–); Harold Thomas Hearne Bond (1879–1941); Arthur G H Bond (1881–), and Ivor Reginald Beviss Bond (1886–1960). In 1900 he married his second wife, Mrs. Louisa Dashwood Nairne Imrie (1849-), daughter of the late Mr. Lancelot Dashwood of Overstrand.

A keen huntsman, Bond rode with the Badminton Hounds at Chippenham and the Devon and Somerset Staghounds on Exmoor. He once recommended a tired City businessman: 'You will hunt with the Devon & Somerset staghounds three days a week in August and four in September, and you will drink each alternate evening a pint of Champagne and a pint of Burgundy.’ He was also a regular judge at horse shows.

At age 59, Bond committed suicide on 6 June 1901 when, clad only in his nightdress, he threw himself from a bedroom window of his home at 7, the Sanctuary, Westminster,  following a long period of insomnia caused by pain he had been suffering since middle-age, and which he had treated with narcotics.

Thomas Bond was buried in Orchard Portman churchyard in Somerset.

References

External links

Bond on Casebook:Jack the Ripper website

1841 births
1901 suicides
1901 deaths
19th-century English medical doctors
20th-century English medical doctors
Alumni of King's College London
Jack the Ripper
People of the Austro-Prussian War
Railway surgeons
Offender profiling
Suicides by jumping in England
Suicides in Westminster


The men's C-2 500 metres event was an open-style, pairs canoeing event conducted as part of the Canoeing at the 1996 Summer Olympics program.

Medalists

Results

Heats
19 teams entered in three heats. The top three finishers from each of the heats advanced to the semifinals while the remaining teams were relegated to the repechages.

Repechages
Two repechages were held. The top four finishers from each repechage and the fastest fifth-place finisher advanced to the semifinals.

Semifinals
Two semifinals were held. The top four finishers from each semifinal and the fastest fifth-place finisher advanced to the final.

Final
The final was held on August 4.

Juravschi, in his third Summer Olympics with his third different country, convinced his old partner Reneysky, who he won gold with in this event at the 1988 Summer Olympics, in 1994 to compete with him. The pair lost to the gold-medal winning Hungarians in a photo-finish by less than two centimeters (0.75 inches). Prior to that Reneysky was a coach for Belarus

References
1996 Summer Olympics official report Volume 3. pp. 172–3.
Sports-reference.com 1996 C-2 500 m results.
Wallechinsky, David and Jaime Loucky (2008). "Canoeing: Men's Canadian Doubles 500 Meters". In The Complete Book of the Olympics: 2008 Edition. London: Aurum Press Limited. p. 482.

Men's C-2 500
Men's events at the 1996 Summer Olympics


A Terceira Lâmina is the fourth solo album by Brazilian musician Zé Ramalho. It was released in 1981 and it helped increase his popularity. As its two predecessors, the album mixes Northeast Brazil and rock influences.

The opening track, "Canção Agalopada", features soprano Maria Lúcia Godoy and was based on a poem by Ramalho which was featured in his 1977 book Apocalipse (Apocalypse), and which uses the cordel forms martelo agalopado and galope à beira-mar. From this same book, Ramalho developed the trilogy "Beira-Mar", "Beira-Mar – Capítulo II" and "Beira-Mar – Capítulo Final", which appear, respectively on the albums A Peleja do Diabo com o Dono do Céu (1979), A Força Verde (1982) and Eu Sou Todos Nós (1998).

In an 2020 analysis for his blog at G1, Mauro Ferreira called the album "incisive", but compared it unfavorably to Ramalho's two previous efforts.

The title track, according to Ramalho, "talks about the third child, my third phase - and the view of the third World War".

Track listing
 "Canção agalopada"  (Galoped Song) (featuring Maria Lúcia Godoy) – 5:00
 "Filhos de Ícaro"  (Sons of Icarus) – 3:00
 "A terceira lâmina"  (The Third Blade) – 4:16
 "Um pequeno xote"  (A Small Schottische) – 2:13
 "Atrás do balcão"  (Behind the Bar) – 4:02
 "Galope rasante"  (Rising Galop) – 3:36
 "Kamikaze" – 3:20
 "Violar"  (It's a verb, means lit. To Acoustic Guitar, but the idea is To play the acoustic guitar) – 1:23
 "Cavalos do cão"  (Horses of the Devil) (featuring Elba Ramalho) – 3:24
 "Ave de prata"  (Silver Bird) – 2:45
 "Dia dos adultos"  (Adults' Day) – 2:16

2003 re-issue bonus tracks
  "Dia dos adultos"  (Adults' Day) – 2:16
 "Eternas Ondas"  (Eternal Waves) – 3:51
 "A terceira lâmina"  (The Third Blade) – 2:56
 "Mestiça"  (Mestizo) – 2:59

All music by Zé Ramalho.

Personnel
 Zé Ramalho – Acoustic guitar, twelve-string guitar, triangle, bass drum, lead vocals
 Elba Ramalho — lead vocals on "Cavalos do Cão"
 Maria Lúcia Godoy — operatic vocals on "Canção Agalopada"
 José Severo da Silva — accordion on "Um Pequeno Xote"
 Miguel Cidras — string arrangement on "A Terceira Lâmina"
 Frederico Mendes — cover picture

Personnel per source.

References

1981 albums
Zé Ramalho albums
Epic Records albums


Fani Madida (born 7 December 1966) is a South African former professional footballer who played as a midfielder or forward in South Africa for Giant Blackpool, Kaizer Chiefs and Hellenic and in Turkey for Beşiktaş, Antalyaspor and Bursaspor.

International career
Madida made his debut for the South Africa national team on 7 July 1992 in a 1–0 win over Cameroon and played his last match on 18 September 1996 in a 2–0 win over Australia coming on for Mark Williams in the 74th minute.

References

External links

Profile at Turkish Football Federation

1966 births
Living people
People from Newcastle, KwaZulu-Natal
Soccer players from KwaZulu-Natal
South African men's soccer players
Men's association football forwards
Men's association football midfielders
South Africa men's international soccer players
Süper Lig players
Kaizer Chiefs F.C. players
Giant Blackpool players
Beşiktaş J.K. footballers
Antalyaspor footballers
Bursaspor footballers
Hellenic F.C. players
South African expatriate men's soccer players
South African expatriate sportspeople in Turkey
Expatriate men's footballers in Turkey