Dordrecht is a railway station in Dordrecht, Netherlands located on the Breda–Rotterdam railway and the Elst–Dordrecht railway. The station was opened on 1 January 1872, when the railway line between Rotterdam and Antwerp was opened.  On 16 July 1885, the railway line from Dordrecht to Gorinchem was opened. The neo-Renaissance railway station building is located to the south of the city centre. Dordrecht is now an important railway station on the Nederlandse Spoorwegen railway network. The services to Gorinchem and Geldermalsen are operated by Arriva.

Destinations

These are some of the main destinations directly available from Dordrecht:

Rotterdam, The Hague, Leiden, Haarlem, Amsterdam Airport Schiphol, Amsterdam, Roosendaal, Middelburg, Breda, Tilburg, Eindhoven, Venlo, Gorinchem and Geldermalsen.

Train services
The stations is served by the following services:

1x per hour international service Amsterdam - Schiphol - The Hague - Rotterdam - Dordrecht - Roosendaal - Antwerp - Brussels Airport - Brussels (Until April 8, 2018)
2x per hour intercity service Lelystad - Almere - Duivendrecht - Amsterdam Zuid - Schiphol - Leiden - The Hague - Rotterdam - Dordrecht
2x per hour intercity service Amsterdam - Haarlem - Leiden - The Hague - Rotterdam - Dordrecht - Roosendaal - Vlissingen
1x per hour intercity service Dordrecht - Breda (Not evenings and weekends)
1x per hour night service (nachtnet) Rotterdam - Dordrecht - Breda - Eindhoven (weekends only)
4x per hour local service (sprinter) The Hague - Rotterdam - Dordrecht (2x per hour on evenings and weekends)
2x per hour local service (sprinter) Dordrecht - Roosendaal (1x per hour on evenings and weekends)
2x per hour local service (sprinter) Dordrecht - Breda - Tilburg - 's-Hertogenbosch
2x per hour local services (stoptrein) Dordrecht - Gorinchem - Geldermalsen
2x per hour local services (stoptrein) Dordrecht - Gorinchem

As of April 9, 2018 the international service Amsterdam - Brussels will be running on the HSL-Zuid with a stop at Breda and does not call at Dordrecht and Roosendaal anymore. Passengers for Belgium can take a train to Breda and change trains there.

Bus services

Dordrecht is served by city bus services (stadsbussen) as well as regional bus services (streekbussen).

Stadsbussen

There are 8 city bus lines, which are operated by Arriva. From the railway station the city bus lines provides services to/from:

 Centrum (downtown area)
 Stadskantoor (City Hall)
 Ziekenhuis Dordwijk (Hospital)
 Ziekenhuis Amstelwijck (Hospital)
 Stadspolders railway station
 Zuid railway station
 The ferry terminals at Papendrechtse Veer
 The neighbourhoods Crabbehof, Dubbeldam, Het Reeland, Krispijn, Leerpark, Merwedepolder, Noordflank, Oudelandshoek, Staart, Stadspolders, Sterrenburg, Wielwijk and Zuidhoven
 The industrial areas Amstelwijck and West

The routes of the city buses are as follows:

Streekbussen

The regional bus lines provides services to/from:

 Centrum (downtown area)
 Stadskantoor (City Hall)
 Ziekenhuis Dordwijk (Hospital)
 Ziekenhuis Amstelwijck (Hospital)
 Biesbosch National Park
 The neighbourhoods Het Reeland, Krispijn, Leerpark, Staart and Wielwijk
 The industrial area West
 The nearby cities and towns Alblasserdam, Barendrecht, Hardinxveld-Giessendam, Hendrik Ido Ambacht, Papendrecht, Ridderkerk, Rotterdam, Sliedrecht and Zwijndrecht
 The city of Utrecht
 Villages around Dordrecht

The routes of the regional buses, serving Dordrecht, are as follows:

External links
NS website
Dutch Public Transport journey planner

Railway stations in Dordrecht
Railway stations opened in 1872
Railway stations on the Merwede-Lingelijn
Railway stations on the Staatslijn I
Railway stations in the Netherlands opened in the 1870s


The Bishop of Montreal is an Anglican bishop in the Ecclesiastical Province of Canada. Before the erection of the diocese, its parent Diocese of Quebec had a suffragan bishop of Montreal: George Mountain, 1836–1850. The incumbents have been:

References

Anglican bishops


Destroy Destroy Destroy is an American heavy metal band formed in Murfreesboro, Tennessee in February 2003. With a lineup of rhythm guitarist Jeremiah Scott, vocalist Bryan Kemp and drummer Andrew Hall, they began writing songs; soon thereafter Destroy Destroy Destroy completed their outfit with lead guitarist Way Barrier, bassist Adam Phillips and keyboardist Brian Shorter. The group then started playing shows locally and recorded a self-financed EP entitled Kill or Be Killed. They have released two studio albums, Devour the Power (2006) and Battle Sluts (2009), both through Black Market Activities.

The band defines their sound as a blend of "elements from the early thrash metal and glam metal bands of the 1980s and 1990s, to the current sounds of Scandinavian melodic death metal and viking metal bands of today." Destroy Destroy Destroy played their first show in a pizzeria as opening band for Mastodon.

Musical style and influences
Destroy Destroy Destroy's musical style was described by critics with a variety of music genres, such as, melodic death metal, power metal, symphonic black metal, thrash metal, and viking metal. Chad Bowar of About.com, defined Destroy Destroy Destroy as a "versatile band, which incorporates many genres into their sound" and that "their songs are sometimes orchestral and majestic with lots of keyboards, and other times harsh and intense with blast beats and breakdowns." Bowar noted Destroy Destroy Destroy's musical traits, stating, "The Viking influence comes with spoken word interludes and lyrics talking about battles, mythical beasts and lost worlds. Destroy Destroy Destroy also has a lot of Bay Area thrash influences along with European melodic death stylings. Power metal is another genre their music encompasses with frenetic guitar shredding, epic arrangements and atmospheric keyboards."

Allmusic writer Alex Henderson, stated that Devour the Power "would have been identified as a power metal-oriented disc with progressive metal influences, some thrash [metal] parts and some black metal-style blast beats." Even defining Destroy Destroy Destroy as a symphonic black metal act, Henderson observed, "Battle Sluts, like other symphonic black metal discs, was not recorded with black metal purists in mind; Destroy Destroy Destroy aren't pretending to be Gorgoroth or Marduk, and melody is a high priority throughout this Viking-themed outing."

Although the band is native of Tennessee, their music "employ the techniques and styles of metal made popular in Europe", specifically the Scandinavian countries like Norway, Sweden, and/or Finland—with a "Nordic-sound", blending "melody and aggression". Destroy Destroy Destroy is compared to bands like Iron Maiden, Queensrÿche, Manowar, Judas Priest, and Dream Theater, citing as influence Metallica and Pantera.

Discography
Studio albums
Devour the Power (2006)
Battle Sluts (2009)

EPs
Kill or Be Killed (2003)

Members
Current
Jeremiah Scott – rhythm guitar (2003–present)
Way Barrier – lead guitar (2003–present)
Adam Phillips – bass (2003–present)
Brian Shorter – keyboards (2007–present)
Andrew Core – drums (2009–present)
Chris Bazor – vocals (2009–present)

Former
Eric W. Brown – drums (2004–2008)
Andrew Hall – drums (2003–2004)
David Shaw – drums (2008–2009)
Jessica Lambert – keyboards (2006)
Alex Gellette – keyboards (2003–2006)
Keith Williams – keyboards (2006)
Courtney Edwards – keyboards (2006–2008)
Bryan Kemp – vocals (2003–2009)

Timeline

References

Musical groups established in 2003
Heavy metal musical groups from Tennessee
Black Market Activities artists
Viking metal musical groups
American melodic death metal musical groups
American thrash metal musical groups
American symphonic black metal musical groups
American power metal musical groups


Ifeanyi also credited as Ifeanyi Chijindu  (born 19 October 1978) is a Nigerian-American author/writer, entrepreneur, artist,  actress and screenwriter.

Early life
Ifeanyi was born in Nigeria and is a first generation Nigerian-American. Ifeanyi spent most of her childhood living throughout various cities within southern California's Inland Empire.

Career
Ifeanyi showed a childhood interest in literature when she had her first poem published at eight, completed a 90-page novella at eleven and at 15, Ifeanyi sold her first short story and won 2nd place for it in a contest hosted by Superior Communications and Publications.

By 17, Ifeanyi regularly performed her poetry at paid venues. Around this same time, Ifeanyi also deepened her interest in acting and won the part of Maya Angelou in a local play called Women In Love.

A Girl's Life...the Song that Never Ends, a themed poetry collection, was published in 2004 and centered on Chijindu's experiences about love, hatred, family, spirituality, racism, sexuality, individual and ethnic identity throughout her childhood, adolescence and early adulthood. Cal Poly Pomona presented her with the Golden Leaves Award in recognition for her literary achievement and for being the youngest person at the university to receive this award.

In 2005, Black Diaspora Magazine published "Healing from Within," Ifeanyi's feature article about Djehuty Maat-Ra, creator of DHERBS and celebrity herbalist who counts celebrities like R & B singer Brandy and actor Blair Underwood as part of his clientele.

Ifeanyi wrote for The Poly Post newspaper from 2005–2007 where she displayed her incisive writing style with her cultural profiles on artists like Nicaraguan painter Carlos Flores and in film reviews of movies such as Pirates of the Caribbean: At World's End, The Reaping and The Return.

In 2007, Ifeanyi's film critiques and social editorials allowed her to receive an award from the Society of Professional Journalists for "Best Editorial" for an article about how on-campus ethnic centers promote separatism and racism.

In addition to writing, painting, and acting throughout her adolescence and early adulthood, Ifeanyi worked as a freelance make up artist for aspiring actresses and models before creating Goddess Cosmetics, Accessories & Toiletries also known as Goddess C.A.T., an online shop featuring Goddess-inspired accessories along with herbal cosmetics and skin care.

Goddess C.A.T. became one of the few early companies who created healthy cosmetics for women of color before ethnic and herbal make up gained mainstream popularity with older cosmetic corporations.

Goddess C.A.T., Ifeanyi's beauty advice and social commentaries on issues relating to women's roles and beauty ideals have been featured in various newspapers, websites, women's and beauty magazines and blogs such as Glamour

References

External links
Meg's Make Up
Women Entrepreneur website
Glamour magazine
She Knows Website
Momlogic

1978 births
Artists from Los Angeles
American people of Nigerian descent
Living people
Writers from Los Angeles
Actresses from Los Angeles
Nigerian cosmetics businesspeople
21st-century American women


Godalming Cricket Club is based at Godalming in Surrey, and was briefly a senior cricket team, playing 12 known first-class cricket matches between 1821 and 1825. Its home ground then was The Burys but is now Holloway Hill recreation ground.

Julius Caesar began his career at Godalming where he attracted local press attention at age 16, in the Surrey Gazette. He helped Godalming beat a Surrey XI at The Oval in 1849, aged 18, by making scores of 67 and 46.

Recent history
The club now plays home matches at Holloway Hill Sports Association's recreation ground in Godalming with clubhouse facilities in the pavilion. It is a CASC registered club with HM Revenue and Customs.

In August 2004 the club played an Old England XI including John Lever, Derek Randall and Derek Underwood in a charity event to raise funds for Chace Children's Hospice.

In February 2006, an arson attack destroyed the pavilion at nearby Thursley Cricket Club. Within hours, Godalming had offered the use of its facilities to Thursley.

References

Bibliography
 Arthur Haygarth, Scores & Biographies, Volume 1 (1744–1826), Lillywhite, 1862

English cricket in the 19th century
Cricket clubs established in the 1820s
Club cricket teams in England
Cricket in Surrey
Godalming


Santa Clara del Cobre  () is a Magical town (Pueblo Mágico) and municipality located in the center of the state of Michoacán, Mexico, 18 km from Pátzcuaro and 79 km from the state capital of Morelia. While the official name of the municipality is Salvador Escalante, and the town is often marked as "Villa Escalante" or "Salvador Escalante" on maps, both entities are interchangeably called Santa Clara del Cobre. The town is part of the Pátzcuaro region of Michoacán, and ethnically dominated by the Purépecha people. These people have been working with copper since the pre-Hispanic era, and led to this town's dominance in copper crafts over the colonial period (1519–1821) until well into the 19th century. Economic reverses led to the industry's near-demise here until efforts in the 1940s and 1970s managed to bring the town's work back into prominence.

Santa Clara del Cobre was named a "Pueblo Mágico" in 2010.

History
This area, like the rest of the Lake Pátzcuaro region, was settled by the Purépecha people starting from the 12th century. In this area, the Purépecha founded villages such as Churucumeo, Cuirindicho, Andicua, Huitzila, Taboreca and Itziparátzico with the village closest to the modern town of Santa Clara del Cobre being Xacuaro. Of Mesoamerican cultures, only the Purépecha and the Zapotec peoples in Oaxaca were able to extensively use copper. This metal was rare among the Aztecs. The Purépecha were the most advanced in metallurgy, with the ability to fashion bells, decorations, jewelry and tools such as axes. They also knew how to inlay gold into copper objects. Burial grounds here have yielded copper items such as axes, masks and pincers. Part of the reason for this is that the area contained mines such as Inguarán and Opopeo which were known for abundance and which attracted the Spanish when they arrived.

At the beginning of the Conquest, most natives here fled the Spaniards, but were later enticed to return by the Spanish to continue their former trades.  One of the incentives that Vasco de Quiroga gave the natives of the Santa Clara area was the exclusive right to produce “cazos” a cross between a large caldron and a very large wok. These are still used today in Mexico, often to render fat or to fry pig skin into chicharrones. He also introduced new methods of smelting and working copper. Evangelization of the area was led by Friar Francisco Villafuerte, and the town was founded as Santa Clara de Acuero by Friar Martín de Jesús in 1521.

In 1540, a large forge was built here to smelt copper, which was not from local sources but rather from mines miles away. Smelting was done here because the process require three times the charcoal as ore, and the surrounding forests provided the charcoal. The town was officially founded in 1553, with the name Santa Clara de los Cobres. Santa Clara became the most important copper smelting area in New Spain, meeting the demand for cauldrons, stills, casks, church bells and sending copper to the mint for coinage. In 1765, the town of Santa Clara de los Cobres incorporated two Indian settlements called Santa María Opopeo,  and Santiago de Ario. Miguel Hidalgo y Costilla was a sacristan of the parish church in 1788. The settlement was officially named a town in 1858 and called Santa Clara de Portugal in honor of Cayetano de Portugal.

Copper production peaked in the second half of the 19th century. At this time a huge fire destroyed the town and it remained impoverished from the end of the 19th century into the early 20th. It burned again in 1910, with the Spanish population abandoning the town for nearby Pátzcuaro and Morelia, leaving only the indigenous. The municipality was the scene of the first uprising in support of Francisco I. Madero, led by Salvador Escalante. However, the town had so degraded economically that its coppersmithing tradition was ignored by Dr. Atl in his 1921 classic work The Popular Arts of Mexico. In 1932, the town's name was changed to Villa Escalante  and the municipality's name was changed to Salvador Escalante but neither name was ever used popularly. In 1946, a group of local artisans decided to organize a copper fair, which continues to this day. The copper industry was revived here making decorated jugs, vases, centerpieces and other items. However, the nearest copper mines were tapped out in the mid 20th century. Today, the 10,000 tons of copper that comes into Santa Clara each week arrives in the form of recycled copper wire and cable from electric and telephone companies in Mexico and abroad. In 1981, the town changed its name back to Santa Clara del Cobre but kept Salvador Escalante as the official name of the municipality.

The town

The town has mostly conserved its colonial look, with houses and other buildings mostly painted white and roofed in red tiles. Older buildings have thick adobe walls. Many of the houses here have decorations such as bells, flowerpots, doorknockers, etc. made of copper.

The center of town is made of two plazas. One contains a kiosk with a copper roof, as well as benches and garbage cans painted to look like copper.  Facing this plaza are many shops selling copper wares. Next to it is a plain plaza onto which face the town's two main churches, the Parish of Santa Clara and the Chapel del Hospital.
Just off the kiosk plaza is the Museo del Cobre (Copper Museum). The museum holds a collection of hand-hammered copper items from the pre-Hispanic period to the winners of the town's annual copper festival each year to the present, as well as national and international competitions. One section contains workshops in which classes are given and it is also home to the Unión de Artesanos (Artisans’ Union) which accredits smiths and products in order to conserve and further develop the craft.

Coppersmithing of Santa Clara del Cobre

Copper has been worked in this area since pre-Hispanic times, with the native Purépecha being the most advanced smiths of that time. Although the Spanish introduced new techniques, one native one that was kept was that of smelting, as it was more efficient than European techniques. For this reason, bellows seen here are very different from Europe.

Most of the town's population, 82%, is employed in the making of copper items. There are 250 registered workshops in and around the town, which process about 450 tons of copper each year. This generates an income of about fifty million pesos a year. Many of the copper items made are of a utilitarian nature – cooking utensils, various types of containers, pots, pans, plates, shot glasses, clocks, jewelry, vases, beds, tables, chairs, light switches, counters, sinks, even bathtubs, and much, much more, all in copper. However, since the 1970s copper jewelry, and many other non-essential items has also been made here. The workshops here are family-owned with children learning the trade from their parents. There is also a cooperative school-workshop to teach coppersmithing, named Vasco de Quiroga.

Items take from four days to a month to complete, depending on the size, thickness and decorative features. One example is the copper roof of the town's kiosk which is located in one of the main plazas. The making of a piece in a workshop usually require four people to heat the metal, turn it and hammer it into shape.
Pieces from this town have been collected by museums in various parts of the world as well as private Mexican and international collectors. This has led to growing exports of items made from this community. To further promote Santa Clara del Cobre's work, expositions such as one called “Santa Clara del Cobre. Obras Maestras” (Santa Clara del Cobre Masterpieces) have been held. This particular exposition featured more than 200 works done in copper, as well as covered the history of copper work in the town.

A major force in the development of Santa Clara del Cobre's work since the 1970s has been the efforts of American James Metcalf and his wife, Mexican Ana Pellicer. Both had been internationally recognized artists prior to settling in Santa Clara del Cobre. Metcalf was commissioned to create the Olympic torch for the 1968 Olympic Games and Pellicer designed the jewelry that adorned the Statue of Liberty on its 100th anniversary.
The two established a studio in the town, bringing new approaches to working copper. They founded the Casa de Artesana in 1972, which emphasized the collective aspects of the old artisans’ guild. Giant public pieces were produced, from murals to bas-reliefs, which now adorn places like the Acapulco Convention Center and the Institute for Foreign Trade in Mexico City. These pieces succeeded in bring widespread attention to the copper smithing craft of this town. Until this time, women were not involved in making copper items due to the upper body strength needed to hammer large items. Pellicer introduced copper jewelry-making, with women now making gossamer chains and small beads. The couple introduced the integration of new technologies such as lathes, levelers, electric motors, linseed finishes, computer designs and others melded with traditional indigenous designs.

With government support, Metcalf and Pellicer founded a school of arts and crafts in 1976 in the town, undertaking instruction in new techniques, development of new tools, and cultural, technical and artistic studies. As the school grew, so too did the participation of the Mexican government, and the school became known as the Adolfo Best Maugard Center for Creative Technical and Industrial Training (CECATI No. 166), now teaching its third generation of students from all parts of Mexico. There are also satellite campuses in Guanajuato, Oaxaca and Chiapas.

Feria del Cobre
The Feria Nacional y Concurso del Cobre Martillado (National Festival and Competition of Hammered Copper) takes place in late August and/or early September, around the feast day of the town's patron saint, Saint Clare (Santa Clara). This is one of the events that has earned the state of Michoacán its reputation as a fine crafts producer. Its main feature is a copper crafts competition which awards more than eighty prizes with a combined purse of about 400,000 pesos. The festival opens with speeches by politicians and a parade. The parade with floats, with themes related to copper and the area, including agriculture. Other attractions include musical groups, dances, singing contests, athletic events, classic car shows fireworks and food tasting. Local food specialties include sopa rellena, tostadas de carne Apache, corundas and atole. A queen of the festival is also crowned each year.

The municipality

As a municipality, the community of Santa Clara del Cobre is the governing authority for 116 named communities. About one third of the municipality's total population of 38,502 lives in the town of Santa Clara del Cobre proper. The municipality is located in the center of Michoacán, bordered by the municipalities of Pátzcuaro, Huiramba, Tacámbaro, Ario de Rosales, Zirahuén, Taretan and Tingambato, with a territory of 487.98km2. It lies on the Trans-Mexican Volcanic Belt contains the Santa Clara mountains, and the mountains of San Miguel, El Zurapio Pelón, San Lorenzo and El Guayamel as notable peaks. The main rivers are Silencio and Manzanillos, with streams such as the Turitán and Agua Blanca, Lake Zirahuén and fresh water springs comprising the rest of the surface water. The municipality has a temperate climate with a rainy season in the summer, with a few areas low enough to be considered tropical. Most of the vegetation is mixed pine and oak forest with tropical foliage in the lowest lying areas. Animal life consists of small mammals such as opossums, foxes, rabbits with fish such as trout in the rivers and Lake Zirahuén. This lake is a deep blue color and surrounded by forests of mostly pine trees. The area has hiking paths, mountain biking, horseback riding and fishing and camping. The landscapes of the municipality were featured in the novel “La vida inútil de Pito Pérez” by José Rubén Romero.

Copper smithing is the most important economic activity, especially in the municipal seat, but agriculture occupies most of the land. Crops grown include corn, potatoes, wheat, beans, blackberries and barley. Livestock includes cattle, pigs, sheep, horses and mules. Other industries here include food processing and wood working, especially furniture-making. Tourism is attracted through the coppersmithing, the annual copper festival, forests and Lake Zirahuén. Other crafts are practiced in communities outside the municipal seat. Objects such as chairs, rag dolls, wood items and other things are made by communities such as Opopeo and Casas Blancas. Many of these artisans receive government support through the Fondo Nacional para el Fomento de las Artesanías.

References

Municipalities of Michoacán
Trans-Mexican Volcanic Belt
Pueblos Mágicos
Populated places established in 1521


The 3rd constituency of Allier is a French legislative constituency in the Allier département.

Members elected

Election results

2022

|-
| colspan="8" bgcolor="#E9E9E9"|
|-

2017

2012

|- style="background-color:#E9E9E9;text-align:center;"
! colspan="2" rowspan="2" style="text-align:left;" | Candidate
! rowspan="2" colspan="2" style="text-align:left;" | Party
! colspan="2" | 1st round
! colspan="2" | 2nd round
|- style="background-color:#E9E9E9;text-align:center;"
! width="75" | Votes
! width="30" | %
! width="75" | Votes
! width="30" | %
|-
| style="background-color:" |
| style="text-align:left;" | Gérard Charasse
| style="text-align:left;" | Radical Party of the Left
| PRG
|
| 42.51%
|
| 57.37%
|-
| style="background-color:" |
| style="text-align:left;" | Claude Malhuret
| style="text-align:left;" | Union for a Popular Movement
| UMP
|
| 32.38%
|
| 42.63%
|-
| style="background-color:" |
| style="text-align:left;" | Claudine Lopez
| style="text-align:left;" | National Front
| FN
|
| 13.64%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Pascale Semet
| style="text-align:left;" | Left Front
| FG
|
| 5.63%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Anne Babian-Lhermet
| style="text-align:left;" | The Greens
| VEC
|
| 1.92%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Sylvie Rasile
| style="text-align:left;" | Democratic Movement
| MoDem
|
| 1.26%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Pascal Javerliat
| style="text-align:left;" | Radical Party
| PRV
|
| 0.69%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Patrice Rucar
| style="text-align:left;" | Ecologist
| ECO
|
| 0.65%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Jean-Marc Caecassin
| style="text-align:left;" | New Centre-Presidential Majority
| NCE
|
| 0.58%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Monique Roche
| style="text-align:left;" | Far Left
| EXG
|
| 0.44%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Renaud Siry
| style="text-align:left;" | Ecologist
| ECO
|
| 0.30%
| colspan="2" style="text-align:left;" |
|-
| colspan="8" style="background-color:#E9E9E9;"|
|- style="font-weight:bold"
| colspan="4" style="text-align:left;" | Total
|
| 100%
|
| 100%
|-
| colspan="8" style="background-color:#E9E9E9;"|
|-
| colspan="4" style="text-align:left;" | Registered voters
|
| style="background-color:#E9E9E9;"|
|
| style="background-color:#E9E9E9;"|
|-
| colspan="4" style="text-align:left;" | Blank/Void ballots
|
| 1.64%
|
| 3.25%
|-
| colspan="4" style="text-align:left;" | Turnout
|
| 60.52%
|
| 59.99%
|-
| colspan="4" style="text-align:left;" | Abstentions
|
| 39.48%
|
| 40.01%
|-
| colspan="8" style="background-color:#E9E9E9;"|
|- style="font-weight:bold"
| colspan="6" style="text-align:left;" | Result
| colspan="2" style="background-color:" | RDG GAIN
|}

2007

|- style="background-color:#E9E9E9;text-align:center;"
! colspan="2" rowspan="2" style="text-align:left;" | Candidate
! rowspan="2" colspan="2" style="text-align:left;" | Party
! colspan="2" | 1st round
! colspan="2" | 2nd round
|- style="background-color:#E9E9E9;text-align:center;"
! width="75" | Votes
! width="30" | %
! width="75" | Votes
! width="30" | %
|-
| style="background-color:" |
| style="text-align:left;" | Jean Mallot
| style="text-align:left;" | Socialist Party
| PS
|
| 23.41%
|
| 50.80%
|-
| style="background-color:" |
| style="text-align:left;" | Yves Simon
| style="text-align:left;" | Union for a Popular Movement
| UMP
|
| 39.87%
|
| 49.20%
|-
| style="background-color:" |
| style="text-align:left;" | Dominique Bidet
| style="text-align:left;" | Communist
| COM
|
| 18.38%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Claude Joly
| style="text-align:left;" | Democratic Movement
| MoDem
|
| 5.64%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Jean-Louis Baudriller
| style="text-align:left;" | National Front
| FN
|
| 3.71%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Marc Boyer
| style="text-align:left;" | Movement for France
| MPF
|
| 2.57%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Anne-Marie Chambeau
| style="text-align:left;" | The Greens
| VEC
|
| 1.59%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Françoise Gaillardon
| style="text-align:left;" | Far Left
| EXG
|
| 1.46%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Bernard Lebel
| style="text-align:left;" | Far Left
| EXG
|
| 1.07%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Gérard-Pierre Guillaumin
| style="text-align:left;" | Ecologist
| ECO
|
| 0.96%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Véronique Deris-Targon
| style="text-align:left;" | Ecologist
| ECO
|
| 0.73%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Mireille Marnay
| style="text-align:left;" | Divers
| DIV
|
| 0.60%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Charles Castanier
| style="text-align:left;" | Divers
| DIV
|
| 0.00%
| colspan="2" style="text-align:left;" |
|-
| colspan="8" style="background-color:#E9E9E9;"|
|- style="font-weight:bold"
| colspan="4" style="text-align:left;" | Total
|
| 100%
|
| 100%
|-
| colspan="8" style="background-color:#E9E9E9;"|
|-
| colspan="4" style="text-align:left;" | Registered voters
|
| style="background-color:#E9E9E9;"|
|
| style="background-color:#E9E9E9;"|
|-
| colspan="4" style="text-align:left;" | Blank/Void ballots
|
| 2.68%
|
| 3.45%
|-
| colspan="4" style="text-align:left;" | Turnout
|
| 65.59%
|
| 67.92%
|-
| colspan="4" style="text-align:left;" | Abstentions
|
| 34.41%
|
| 32.08%
|-
| colspan="8" style="background-color:#E9E9E9;"|
|- style="font-weight:bold"
| colspan="6" style="text-align:left;" | Result
| colspan="2" style="background-color:" | PS GAIN
|}

2002

|-
| colspan="8" bgcolor="#E9E9E9"|
|-

1997

Sources
 Official results of French elections from 1998:

3


Paser was an ancient Egyptian noble who served as vizier during the reigns of Seti I and Ramesses II in the 19th Dynasty. He would later also become High Priest of Amun.

Family
Paser was the son of Nebneteru Tenry, who was High Priest of Amun and Merytre who was Chief of the Harem of Amun. His maternal grandparents are named in his tomb as Aniy and Naia, who apparently came from Memphis.

In Paser's tomb a brother Tatia, Steward in the Temple of Maat, is mentioned.

Life

Paser was part of the close entourage of Seti I's son, the then Prince Ramesses, and a hereditary Prince and Count.

Paser held many titles and honors throughout his life. The autobiographical text in Paser's tomb tells us that Menmaatre, i.e. Seti I, elevated Paser to the rank of first companion of the palace, and later promoted him to be chief chamberlain of the Lord of Both Lands and high priest of Great of Magic (Werethekau). Eventually Seti I appointed Paser to be city-governor and vizier.  Paser received the tribute of the foreign lands for his king, and he was sent throughout Egypt to calculate the revenue. When Ramesses II took the throne he reappointed Paser as chief chamberlain of the Lord of Both Lands, high priest of Great of Magic and vizier.
Among his major works was the construction of the tomb of Seti I in the Valley of the Kings.

Paser held an array of other titles as well according to inscriptions on statues and monuments. He was a dignitary and judge, mouth of Nekhen, prophet of Maat, seal-bearer of the King of Upper and Lower Egypt, superintendent of every work of the king, chief of secrets of the hieroglyphs, etc.

Paser is last attested as vizier in year 21 of Ramesses II, and he may have held this office during the reigns of Seti I and Ramesses II for over 25 years.
Eventually Ramesses II appointed Paser as High Priest of Amun in Thebes. A statue of Paser giving his title as high priest was found in the Karnak Cachette. The statue is now in the Cairo Museum (CGC 42156). Paser is said to be a noble and count, the High Priest of Amun, and the superintendent of prophets of all (Theban) gods. A shabti for the high priest Paser is in the University College, London collection.

Monuments and other attestations
Paser is known from many monuments and from statuary. His tomb (TT106) is described below.

A stamped brick (Museo Arch. Nazionale/Museo Egizio) can be found on the Global Egyptian Museum Site. The text reads:

Monuments naming Paser come from all over Egypt. There are a handful of items for which the provenance is unknown. For instance, a grey-granite statue holding a stela belongs to Paser, as does a black granite squatting statue now in the British Museum (BM 510). Wilbour reports seeing a statue of Paser at Tell Roba. For other objects we do know where they were from and some of these are outlined below.

Pi-Ramesse
 A door lintel shows Paser adoring King Ramesses II. Paser is given the titles hereditary noble and count, god's father, sem-priest, city-governor and vizier.
 A statue showing Paser holding a Stela, now in the Louvre (E 25980). Figures of Werethekau, Sekhmet, Ptah and Neith are deities included on the statue. This statue dates to the time that Paser was vizier. Several other titles are included.
 An amulet in the shape of a stela was found in Tanis, but originally came from Pi-Ramesses. The vizier is shown adoring King Ramesses II.

Memphis and Middle Egypt
 A statue with Ptah from the Temple of Ptah in Memphis is now in the Cairo Museum (CGC 630). Besides the title of vizier, Paser is also said to be the Ruler with the Bat-sceptre in the Mansion of Sekhmet, Superintendent of all treasures of the King, Eyes of the King in the entire land, who brings contentment to the Two Lands for his master, Ears of the King in his Palace and several more titles. Paser's parents are mentioned. Nebneteru Tenry is said to be High Priest of Amun in Southern Heliopolis and Sem-priest in the Temple of Ptah. His mother Merytre is said to be of Hatkuptah (Memphis).
 An ivory pen-case (?) from Abydos, now in the Liverpool Museum (No 24.9.00.92) is inscribed for the Vizier Paser.

Medamud and Eastern Thebes

Three statues of Paser come from this area. All three depict the Vizier Paser.
 Seated Statue from Medamud, now in the British Museum (BM 954).
 A black granite block statue from the Karnak Cachette, now in the Cairo Museum (JdE 38062)
 A  block statue from the Karnak Cachette, now in the Cairo Museum (CGC 42164)

Western Thebes, Excluding Deir el-Medina
Four statues of Paser were found in this area. Three came from Deir el-Bahari and the fourth one is thought to come from somewhere in Thebes.
 Large statue from the Mentuhotep Temple in Deir el-Bahari (UM E.534+)
 Lesser statue from the Mentuhotep Temple in Deir el-Bahari, now in the British Museum (BM 678)
 A double statue of Paser and his mother from Deir el-Bahari, now in the Cairo Museum (CGC 561)
 A statue of Paser likely from Thebes, now in the Glyptothek in Copenhagen (AEIN 50)

In Western Thebes several pieces of graffito are known mentioning Paser. Two pieces of rock-graffito depict Ramesses II before the goddess Hathor, and mention the Vizier Paser. Graffito in Tomb 93 (TT93), the tomb of Kenamun from the reign of Amenhotep II, mentions Paser. Graffito in Tomb 311,  the tomb of Khety a treasurer from the 11th Dynasty, mentions a visit of Paser who went to " .. see ... the works ... of his (distant) forefather, Khety ..."

A votive stela from Western Thebes shows Paser and his mother Merytre adoring Wenennufer, and a stela from Thebes, now in Copenhagen (AEIN 1553), show Paser and his father Nebneteru Tenry before Hathor. This stela was dedicated by a Servant in the Place of Truth.

In the tomb chapel of Penbui (TT10 Paser is shown next to Ramses II.

Deir el-Medina
Paser is well attested in Deir el-Medina. About ten stelae are known often showing Paser with King Ramesses II before different deities. Two of the stelae show Paser with the tomb-scribe Ramose who was the main scribe in Deir el-Medina.

Further items from Deir el-Medina include statuary, lintels, cornice fragments, (statue?) bases and finally letters between Paser and the scribes. There is a letter from the scribe Ramose mentioning two other scribes named Huy and Aa. A letter from the scribe Inu(?)shefnu recording how the wages for the people working on the tombs was received and delivered. A letter from the scribe Mose mentions an inspection by the granary chief Kheriuf.  The scribe Nebre writes to Paser to inform him that the Pharaoh's Village is in excellent order.

Upper Egypt
A chapel of Paser is located in West Silsila in the Horemheb Speos. Paser is given the titles Noble and count, Judge and dignitary, Mouth of Nekhen, Prophet of Maat and City-Governor and Vizier. He is also said to be the Superintendent of Prophets of all the gods in Upper and Lower Egypt.

Tomb
He was buried in a TT106, located in the Sheikh Abd el-Qurna, opposite Luxor, in Egypt. The exterior facade of the tomb includes the cartouche of Ramesses II. Scenes include Paser and his mother Merytre as mummies and a canopic shrine with its jars being libated by his brother Titia.

Several pillars in the hall are decorated. Paser is shown before Amenhotep I and Ahmose Nefertari. On the same pillar Paser's brother Titia is depicted again offering before Paser and his mother Merytre. Another pillar depicts Paser and his parents worshipping the Gods. There are scenes before Osiris and Maat, his parents before Wenennufer, and Paser participating in a Valley Festival, praising Re and Amun.

The texts include a hymn to Osiris, the Song of the Harper, a biographical text and praise of King Ramesses II.

Funerary objects include two canopic jars, which are now in the Cairo Museum (CGC 4325 and 4326). One of the jars shows Selqet and Duamutef, the other Isis and Qebehsenuf. A shabti for Paser is now in the collection in Berlin (Berlin 367), while three other shabtis are in the collection of University College in London (nos 93-94-95).

References

13th-century BC Egyptian people
Ancient Egyptian viziers
Theban High Priests of Amun
Viziers of the Nineteenth Dynasty of Egypt
13th-century BC clergy
Ramesses II
Pi-Ramesses


Jannat () is a 2008 Indian Hindi-language romantic crime film directed by Kunal Deshmukh, and produced by Mukesh Bhatt. The film stars Emraan Hashmi opposite Sonal Chauhan in lead roles. It released on 16 May 2008 and was a  success worldwide, receiving positive response from critics, it is the first installment of Jannat film series.

Plot
Arjun is a rigid street-smart youngster with an obsession for making a quick buck. He meets a girl named Zoya who is looking at an expensive ring. He breaks the glass and retrieves the ring for which he is arrested. Inspector Shekhar is amused, but leaves him with a warning as he knows Arjun's father. Wanting to get rich for Zoya, Arjun steps up from playing small-time card games to becoming a bookie and strikes gold.

After impressing Zoya with his wealth, he calls his father for lunch in his new house. His father, a simple man who has lived an honest life, is happy to see Arjun's success but skeptical of his business methods. He tells Zoya that Arjun was a habitual and a smooth liar. When Zoya questions Arjun, he is offended and blames his father's failure in life for his resentment toward him. Arjun is whisked off to South Africa where he meets Don Abu Ibrahim and becomes his key match-fixer.

Rolling in money and enjoying a fast life with Zoya, everything is interrupted when the South African Police takes notice. Now an ACP with the CBI, Shekhar is summoned for assisting the investigation and contacts Zoya to help trap Arjun. She speaks to Arjun's father, who tells her to leave Arjun if he doesn't change his dishonest ways. With Zoya's help, the cops arrest Arjun, who is sentenced to 5 years imprisonment.

However, Don Abu Ibrahim uses his influence to get Arjun out of prison to use his skills for the upcoming World Cup. Arjun is released in 6 months and Shekhar warns him to mend his ways. Arjun relents and starts working as a bartender, where he happily lives with Zoya, who is now pregnant with their child. Don Abu Ibrahim asks Arjun to participate in one last operation so that he has enough money for the future. Arjun reluctantly agrees but Zoya overhears his conversation with a bookie and leaves to informs the cops.

Arjun is chased by Shekhar and the cops, and shot in the shoulder. He calls Zoya and pleads to meet her one last time before surrendering. Cornered with Zoya, he surrenders. When he notices the ring for Zoya fell from his pocket, he bends to retrieve it. Assuming that he is going for his gun, the cops shoot him.

A few years later, Zoya and her son are seen shopping in a supermarket. Zoya is unable to pay the full amount as she is short on cash. Her son notices this and discards his toy so she can pay the bill. Zoya realizes that he is not greedy like Arjun and smiles at him.

Cast
 Emraan Hashmi as Arjun Dixit
 Sonal Chauhan as Zoya Mathur Dixit  (Few lines as Mona Ghosh Shetty)
 Javed Sheikh as Abu Ibrahim (Underworld Don)
 Sameer Kochhar as ACP Shekhar Malhotra
 Vishal Malhotra as Vishal Grover
 Vipin Sharma as Mukesh Dixit, Arjun's father
 Shekhar Shukla as Patel
 Shakeel Khan as Shadaab
 Abhimanyu Singh as Shakeel Ahmed (Abu Ibrahim's sidekick)
 Vineet Kumar Singh as Cricket Team's Captain

Soundtrack

The soundtrack of the film is composed by Pritam with lyrics penned by Sayeed Quadri, Kamran Ahmed, R. Mehndi and Neelesh Misra. The album consists of 6 original songs, one remix and one Power Ballad. Kamran Ahmed wrote, sung and composed the smash hit Judaai. The music received generally positive reviews and the songs Judaai, Zara Sa, Haan Tu Hai and Jannat Jahan became chartbusters. K.K. was nominated for the Filmfare Award for Best Male Playback Singer for his song Zara Sa while Kamran Ahmed won the MTV Breakthrough Artist Award for his song Judaai.
Songs are as follows

Reception

Atta Khan of Planet Bollywood wrote about the soundtrack "In short Jannat has the hallmarks of Pritam at his very best; it is a vibrant, classy, and extremely enjoyable soundtrack that reaches out to the masses and therefore sells itself, just go and soak up its glorious rock-infused sounds and then reflect on why we all love Pritam…talent is a word too easily used in this day and age but he clearly has it in abundance (controversy aside!) and gave an 8/10 rating."

Satyajit from Glamsham noted "The teamwork of Pritam, Sayed Quadri, Neelesh Mishra props up with another remarkable album for Bhatt camp in the form of JANNAT. The album ensures itself to be this year's one of best sellers with tracks like Zara Sa, Judai and Jannat Jahan promising golden results". According to the Indian trade website Box Office India, with around 16,00,000 units sold, this film's soundtrack album was the year's seventh highest-selling.

Reception
The film was met with critical acclaim along with its soundtrack being well praised. The film collected in 5 weeks, a considerable amount for its small budget and release. Noyon Jyoti Parasara of AOL India rated it 3.5 out of 5 and said, "When we have something in a movie that appeals to everyone, that's when we call it a masala entertainer – probably. Keeping this in mind, Jannat, with a decent measure of romance, thrill, comedy, tragedy and of course cricket is definitely a masala flick." A critic from The Times of India wrote that "Truly, this one's a case of a great opportunity going kaput". A critic from Rediff.com wrote that "Jannat all comes down to the romance. The girl is a callcenter executive who doubles up as a stripper? The guy is a hardcore pro but bawls like a baby to make another bet? It is the unpredictability these two promise that makes Jannat interesting, even if ultimately a bit of a con job". A critic from The Economic Times wrote that "Alas in search of this heaven we only find hell". The film was eventually declared as a super hit, earning  worldwide.

Sequel
The sequel to Jannat was released on 4 May 2012, under the title of Jannat 2. The main direction/production crew remained the same. It was directed by Kunal Deshmukh, and produced by Mukesh Bhatt and Mahesh Bhatt once again. Emraan Hashmi also appeared as the male lead actor again, opposite Esha Gupta, with Randeep Hooda in a supporting role. The music for the sequel was composed by Pritam. It was also commercially successful and grossed .

References

External links
 Official website

2008 crime films
2000s Hindi-language films
2008 films
Films about corruption in India
Films about cricket in India
Films featuring songs by Pritam
Fox Star Studios films
Hindi-language films based on actual events
Indian crime films
Indian romance films
Romantic crime films
Sports films based on actual events


Xpu Há () is a bay, village, and resort area in Solidaridad municipality of Quintana Roo state, on the Mayan Riviera in southeastern Mexico.

It is  from Playa del Carmen, and  from Cancún. It is in the municipality of Solidaridad, Quintana Roo, Mexico.

Xpu Há has an assortment of hotels, cabins, restaurants, and dive shops for tourists. At the north of Xpu Há Bay is the Cenote Manati, one of the largest natural water cenotes in the region.

According to INEGI, the village has only two full-time inhabitants and one year-round occupied dwelling.

References

Populated places in Quintana Roo
Populated coastal places in Mexico
Solidaridad (municipality)
Seaside resorts in Mexico
Tourist attractions in Quintana Roo


Alina Petrovna Ivanova (; born 16 March 1969 in Kildishevo, Yadrinsky District, Chuvash ASSR) is a  retired Russian long-distance athlete who competing in race walking and road running. She is best known for winning the gold medal in the women's 10 km walk at the 1991 World Championships in Tokyo, Japan. She represented the Unified Team at the 1992 Summer Olympics in Barcelona, Spain.

She changed to the marathon run later in her career and was a two-time winner at both the Prague International Marathon and the Dublin Marathon.

International competitions

References

External links

1969 births
Living people
People from Yadrinsky District
Sportspeople from Chuvashia
Soviet female marathon runners
Soviet female long-distance runners
Soviet female racewalkers
Russian female marathon runners
Russian female long-distance runners
Russian female racewalkers
Olympic athletes for the Unified Team
Athletes (track and field) at the 1992 Summer Olympics
World Athletics Championships athletes for Russia
World Athletics Championships athletes for the Soviet Union
World Athletics Championships medalists
CIS Athletics Championships winners
Soviet Athletics Championships winners
World Athletics Championships winners


The Milwaukee Grays were members of the National League for only the 1878 season, having played as an independent team in 1877. They finished in sixth place, one of only two teams to finish below .500.

Regular season

Season standings

Record vs. opponents

Roster

Player stats

Batting

Starters by position
Note: Pos = Position; G = Games played; AB = At bats; H = Hits; Avg. = Batting average; HR = Home runs; RBI = Runs batted in

Other batters
Note: G = Games played; AB = At bats; H = Hits; Avg. = Batting average; HR = Home runs; RBI = Runs batted in

Pitching

Starting pitchers
Note: G = Games pitched; IP = Innings pitched; W = Wins; L = Losses; ERA = Earned run average; SO = Strikeouts

Relief pitchers
Note: G = Games pitched; W = Wins; L = Losses; SV = Saves; ERA = Earned run average; SO = Strikeouts

References
1878 Milwaukee Grays season at Baseball Reference

Milwaukee Grays season


Numu may refer to:
Blacksmiths of western Africa
Northern Paiute language
Paiute (disambiguation)
New Museum Los Gatos

Language and nationality disambiguation pages


The following is the final results of the 1987 World Wrestling Championships. Men's Competition were held in Clermont-Ferrand, France and Women's Competition were held in Lørenskog, Norway.

Medal table

Team ranking

Medal summary

Men's freestyle

Men's Greco-Roman

Women's freestyle

References
UWW Database

World Wrestling Championships
W
Wrestling
W
International wrestling competitions hosted by Norway
International wrestling competitions hosted by France


Mediator Dei (Mediator [between] God) is a papal encyclical issued by Pope Pius XII on 20 November 1947. It was the first encyclical devoted entirely to liturgy.

The encyclical suggested new directions and active participation instead of a merely passive role for the faithful in the liturgy, in liturgical ceremonies and in the life of their parish. The encyclical also emphasized the importance of the Eucharist. Mediator Dei is one of the more important encyclicals of Pope Pius XII. The encyclical condemned certain excesses of liturgical reform and stressed the importance of the union of sacrifice and altar with communion, which would also be seen in the reforms undertaken during and after Vatican II. It was written in part in response to the liturgical movement under way since early in the 20th century.

Introduction
Pope Pius defends liturgy as important, sacred and sacramental. Liturgy is more than the sum of liturgical actions and prescriptions. It is an error to think of the sacred liturgy as merely the outward or visible part of divine worship or as an ornamental ceremonial. No less erroneous is the notion that it consists solely in a list of laws and prescriptions according to which the ecclesiastical hierarchy orders the sacred rites to be performed. The encyclical has four parts.

Nature of liturgy
The first part explains the nature, origin and development of liturgy. Liturgy is public worship, an obligation for individuals and communities. Liturgy is outward adoration of God as well as a fountain for personal piety. It originated with the early Church.

The first Christians "were preserving the doctrine of the apostles and in communication by the breaking of bread and their prayers." Whenever their pastors could summon a little group of the faithful together, they set up an altar on which they proceeded to offer the sacrifice, and around which were ranged all other rites appropriate for the saving of souls and for the honor due to God.

"The worship rendered by the Church to God must be, in its entirety, interior as well as exterior. [...] Exterior worship [...] reveals and emphasizes the unity of the mystical Body, feeds new fuel to its holy zeal, fortifies its energy, intensifies its action day by day: 'for although the ceremonies themselves can claim no perfection or sanctity in their own right, they are, nevertheless, the outward acts of religion, designed to rouse the heart, like signals of a sort, to veneration of the sacred realities, and to raise the mind to meditation on the supernatural. They serve to foster piety, to kindle the flame of charity, to increase our faith and deepen our devotion. They provide instruction for simple folk, decoration for divine worship, continuity of religious practice. They make it possible to tell genuine Christians from their false or heretical counterparts.' But the chief element of divine worship must be interior. For we must always live in Christ and give ourselves to Him completely, so that in Him, with Him and through Him the heavenly Father may be duly glorified."

Through prayer, the members of the Mystical Body of Christ are harmonized and united. The liturgy is regulated by the clergy and hierarchy of the church.

"The entire liturgy [...] has the Catholic faith for its content, inasmuch as it bears public witness to the faith of the Church."

Authority of the pope
On the authority of the pope over the liturgy, Pius XII wrote: "the Sovereign Pontiff alone enjoys the right to recognize and establish any practice touching the worship of God, to introduce and approve new rites, as also to modify those he judges to require modification. Bishops, for their part, have the right and duty carefully to watch over the exact observance of the prescriptions of the sacred canons respecting divine worship. Private individuals, therefore, even though they be clerics, may not be left to decide for themselves in these holy and venerable matters" He adds that "no private person has any authority to regulate external practices of this kind".

"The Church is without question a living organism, and as an organism, in respect of the sacred liturgy also, she grows, matures, develops, adapts and accommodates herself to temporal needs and circumstances, provided only that the integrity of her doctrine be safeguarded. This notwithstanding, the temerity and daring of those who introduce novel liturgical practices, or call for the revival of obsolete rites out of harmony with prevailing laws and rubrics, deserve severe reproof."

The liturgy has divine and human elements. Its human elements result from the teachings of the church, church laws, pious usages by the faithful and the development of art and music. Pius warns strongly against a sense of "liturgical archaeologism", the belief that the most ancient practices are more venerable. He recognizes that liturgy is organic, and to return to the most ancient practices would ignore centuries of liturgical organic development. He goes on to say that: "[One] would be straying from the straight path were he to wish the altar restored to its primitive table form; were he to want black excluded as a color for liturgical vestments; were he to forbid the use of sacred images and statues in Church; were he to order the crucifix so designed that the Divine Redeemer's Body shows no trace of his cruel sufferings."

Eucharistic cult
The Eucharist is a renewal of the sacrifice on the cross. Christ is the priest, the sacrifice and the purpose of the Eucharistic sacrifice. The faithful should participate but they do not have priestly authority. They participate in the sacrifice together with the priest. They participate by cleansing their souls of arrogance, anger, guilt, lust and other sins, and thus see more clearly the picture of Christ in themselves.

The encyclical teaches that the congregations' singing of hymns or answering the priest "in an orderly and fitting manner" is approved and recommended, but "are by no means necessary to constitute it [the sacrifice] a public act or to give it a social character."

Mediator Dei advises bishops to create offices to encourage active participation and dignified services, and to ensure that individual priests do not use the Eucharist as experiments for their own purposes. The encyclical encourages the faithful to participate in Holy Communion and uses the terms spiritual and sacramental communion. Communion must be followed by a thanksgiving.

The encyclical encourages the adoration of the Blessed Sacrament and Eucharistic Blessings. The historical Jesus and the Eucharist cannot be separated. The full liturgy opens to the faithful the mystery of the cross in the likeness of their Redeemer.

"All the elements of the liturgy, then, would have us reproduce in our hearts the likeness of the divine Redeemer through the mystery of the cross, according to the words of the Apostle of the Gentiles, 'With Christ I am nailed to the cross. I live, now not I, but Christ live in me.' Gal. 2:19-20. Thus we become a victim, as it were, along with Christ to increase the glory of the eternal Father."

Assuredly it is a wise and most laudable thing to return in spirit and affection to the sources of the sacred liturgy. For research in this field of study, by tracing it back to its origins, contributes valuable assistance towards a more thorough and careful investigation of the significance of feast-days, and of the meaning of the texts and sacred ceremonies employed on their occasion.

Pius XII wrote that exaggerated reforms have harmful effects on spirituality: "This way of acting bids fair to revive the exaggerated and senseless antiquarianism to which the illegal Council of Pistoia gave rise. It likewise attempts to reinstate a series of errors which were responsible for the calling of that meeting as well as for those resulting from it, with grievous harm to souls, and which the Church, the ever watchful guardian of the 'deposit of faith' committed to her charge by her divine Founder, had every right and reason to condemn.[53] For perverse designs and ventures of this sort tend to paralyze and weaken that process of sanctification by which the sacred liturgy directs the sons of adoption to their Heavenly Father of their souls' salvation".

Liturgy of the Hours
The Liturgy of the Hours (Divine Office) is a never-ending prayer of the Church, requiring a spirit of contemplation. The faithful are encouraged to participate in the Liturgy of the Hours especially on Sundays. Thus they participate in the life of Christ, which the church repeats and explains on a yearly basis.

The saints are ideals and models and intercessors. Among the inhabitants of heaven, Mary has a special place. She is like no other involved in the mysteries of Christ. She offers her son and provides all help needed.

Liturgy and the arts
Mediator Dei discusses the need to have tasteful and beautiful houses of worship. Not necessarily rich in historical artifacts, but clean and not overburdened with kitsch. While Pius XII was critical of those who stripped their churches of virtually all ancient art, including pictures and statuary, he disapproved of churches and altars overloaded with art-like trinkets and works.

"Nevertheless, in keeping with the duty of Our office, We cannot help deploring and condemning those works of art, recently introduced by some, which seem to be a distortion and perversion of true art and which at times openly shock Christian taste, modesty and devotion, and shamefully offend the true religious sense. These must be entirely excluded and banished from our churches, like 'anything else that is not in keeping with the sanctity of the place.'"

Reception
Progressive theological advocates of modernism, many of whom were subsequently censured and silenced after Pius XII's promulgation of Humani generis in 1950, especially in France, (Henri de Lubac, Yves Congar) presented a highly colored interpretation of the encyclical. Nouvelle Revue Théologique labelled Mediator Dei "the most important teaching, which the Magisterium ever issued, and one of greatest documents of this pontificate".

The Jesuit G.M. Hansens wrote in the influential Civiltà Cattolica "that the importance of the encyclical are obviously the reforms, but also the notion, that without liturgy, religious life is not possible, and, liturgy as Pius XII taught, is 'more than a beautiful spectacle but ultimate adoration of God Himself'". An unsigned editorial in the journal Life of the Spirit suggested that some eccentric German liturgical reformists went too far "and are now told to look at the depths of the dogma". A Blackfriers commentary also pointed to liturgical developments in Germany, which are now largely legal.

An American journal, Orate Fratres, issued by Saint John's Abbey in Minnesota, wrote that with this encyclical of Pope Pius XII, liturgy ceases to be an unimportant composite of ceremonies and regulations. It is now accepted dogma that liturgy is not static but actively changing lives. It is hoped that the encyclical will help to coordinate the liturgical renewal throughout the Catholic world and thus multiply its effects on Christian life everywhere, similarly to the reform movement of Cluny or the reforms of the Council of Trent.

See also
Sacrosanctum concilium, 4 December 1963
Musicae Sacrae

References

External links

 Encyclical Mediator Dei on the Vatican website

Encyclicals of Pope Pius XII
1947 in Christianity


p-Menthane-3,8-diol, also known as para-menthane-3,8-diol, PMD, or menthoglycol, is an organic compound classified as a diol and a terpenoid. It is colorless.  Its name reflects the hydrocarbon backbone, which is that of p-menthane. A total of eight stereoisomers are possible, based on the three stereocenters of the ring. Depending on the source, one or more may predominate.

PMD is the active ingredient in some insect repellents. Its odor and chemical structure are similar to menthol and has a cooling feel. It is found in small quantities in the essential oil from the leaves of Corymbia citriodora, formerly known as Eucalyptus citriodora. This tree is native to Australia, but is now cultivated in many warm places around the world. C. citriodora oil, when refined to increase its PMD content for use in insect repellents, is known in the United States as oil of lemon eucalyptus (OLE). C. citriodora oil contains only 1–2% PMD, while refined OLE contains approximately up to 70% PMD. Some commercial PMD products are not made from C. citriodora oil, but rather from synthetic citronellal.

Effectiveness
A 2006 study showed that PMD used as a repellent is as effective as DEET when used in like quantities.

Contraindications
PMD should not be used on children under 3 years of age.

Interactions
Few if any studies have evaluated possible interactions when using PMD with sunscreens.

Chemistry
There are eight possible stereoisomers. The exact composition is rarely specified and is commonly assumed to be a complex mixture. PMD can be synthesized by a Prins reaction of citronellal.

Refined OLE contains approximately up to 70% PMD, a mixture of the cis and trans isomers of p-menthane-3,8-diol.

History
Its repellent effect was discovered in the 1960s by the industry.

OLE has been notified under the European Biocidal Products Directive (BPD) 98/8/EC (now BPR Regulation (EU) No. 528/212) under its generic name "PMD rich botanic oil" and is currently proceeding through the registration process with the Health and Safety Executive in the UK. It is also registered with Canada's Pest Management Regulatory Agency under the generic name "PMD and related oil of lemon eucalyptus compounds".

See also
 DEET
 Ethyl butylacetylaminopropionate (IR3535)
 Icaridin
 Permethrin, a pyrethroid insecticide that can be applied to clothing to help prevent bites

References

Insect repellents
Monoterpenes
Diols
Cyclohexanols
Isopropyl compounds


San Mateo Mexicaltzingo is a town and the municipal seat of the municipality of Mexicaltzingo located in the State of Mexico, in Mexico.  It is located  near Toluca. Mexicaltzingo means from the Náhuatl “Place in where habits the honorable people”.

The town

The town of San Mateo Mexicaltzingo was founded in 1475 when Axayácatl ordered a number of families be moved to the area south of what is now Toluca.  This town was founded more specifically by families from a village near Ixtapalapa. The village was almost completely destroyed by the Spanish, who destroyed their place of worship and made the people abandon their lands.  They then renamed the village San Mateo Mexicaltzingo ('Xan Mateuhtzin' is the Náhuatl rendition of San Mateo, and the village was known by that name as well.) around 1527. Some natives people did return to form a semi-independent village governed by a tlatoani or chief by 1560. The first temple dedicated to Saint Matthew the Apostle was constructed in 1603, with later church constructed in 1776.  The area had varying autonomous control and by 1743 the town was becoming recognized as the governing authority for the area although the municipality would not be official until the following century. In 1843 a permanent vicar would be installed here by the archbishop of Mexico. The municipality was established in 1869 but the municipal palace would not be built here until 1921.

As of the INEGI 2005 census, the town of San Mateo Mexicaltzingo had a population of 8,611 people.

The economic base of the town is fairly dependent on the agricultural production of the outlying municipality.  The town is well known as a producer of chicharron and serves as a distributor of food products to nearby municipalities, Toluca and even to Mexico City. There is also a small motel here as well as a metal parts factory and two factories that produce construction supplies. The retail stores here cater mostly to the needs of locals.

Nearby are unexplored arqueological zones called de la Loma, Las Palmas, Tecacaxtitla and Bohuantilta. The town itself has a Casa de Cultura (House of Culture) that houses a small museum of the Ferrocarril Toluca a Tenango del Valle (Railway from Toluca to Tenango del Valle.

The municipality
As municipal seat, San Mateo Mexicaltzingo has governing jurisdiction over the following communities: Colonia Mazachulco, Colonia San Isidro, El Calvario, and Las Palmas. The municipality is 12.20 square km and borders the municipalities of Metepec, Calimaya and Chapultepec. The total municipal population as of 2005 was 10,161 people.

The beginnings of the municipality go back to 1603, when the Viceroy Marqués de Montes Claros administratively grouped San Mateo Mexicaltzingo with the villages of  Santa María Concepción, San Bartolomé, San Miguel Chapultepec and San Andrés Ocotlán into a zone called San Antonio Otompa. This district was a dependent of Calimaya but in 1700 it separated from this entity. The official petition to become a municipality was made by San Mateo Mexicaltzingo and its current subject communities in 1849, but such was not approved until 1869.

Agriculture is the main economic activity here growing corn, animal fodder, barley, carrots, peas and other beans, plums, peaches, and apples. Livestock raising includes dairy cows and, to a lesser degree, pigs, sheep and horses.  Most milk is produced for autoconsumption. Domestic fowl include chicken for meat and eggs, and there is some production of honey.

According to the INEGI census of 2000 the current population of Mexicaltzingo is of 9225 inhabitants.
The municipality covers an area of 12.2 km2 and it is located between the parallels 19° 11' 43 and 19° 13' 15 of north latitude, and the meridians 99° 33' 05 and 99° 37' 02 of west longitude.

References

Municipalities of the State of Mexico
Populated places in the State of Mexico


was a general in the Imperial Japanese Army in World War II. He commanded the Japanese forces at the Battle of Peleliu and the Battle of Angaur.

Early life and education
Inoue was born in Kumamoto prefecture as the third son of a local police officer; however, he listed his official residence as Kōchi Prefecture. He attended military preparatory schools and was a graduate of the 20th class of the Imperial Japanese Army Academy in 1908.

Career
He was assigned to the IJA's 44th Infantry Regiment, and served during Japan's Siberian Intervention against Bolshevik forces in eastern Russia. With the start of the Second Sino-Japanese War, Inoue was commander of the IJA's 5th Infantry Regiment.

After having risen steadily through the ranks, Inoue was commissioned as a major general in March 1939 and became commander of the IJA 33rd Division. In 1941, he was attached to the headquarters staff of the Taiwan Army of Japan. Inoue was promoted to lieutenant general in 1942, and from 1942–1943, was commanding general of the 69th division, stationed in Shanxi province, China.

He assumed command of the 14th division in 1943, which was based in Manchukuo. However, as the war situation in the Pacific War continued to deteriorate against the Japanese, the 14th Division was reassigned to the Southern Expeditionary Army Group, and was personally tasked with the defense of Palau by General Hideki Tōjō. Both Inoue and Tōjō knew that the 14th division would not be able to hold the island group against the numerically superior Allied forces, but the Japanese government felt that it was critical to defend the islands to the death, which would result in a Pyrrhic victory for the Allies and would serve to discourage further invasions of the Japanese South Seas Mandate.

Two major battles were fought in Palau under Inoue's command: the Battle of Anguar and the Battle of Peleliu. Both were among the costliest of the war in terms of number of casualties on both sides, as Inoue deviated from previous Japanese tactics, eschewing banzai charges and making the best use of terrain and artificial fortifications in an attempt to create a war of attrition.

Later life and death
After the war, Inoue was arrested by the American occupation authorities and deported to Guam, where he was tried for Class B and Class C war crimes and condemned to death in 1949 for negligence of command responsibility in permitting subordinates to execute three downed American airmen captured in Palau. His sentence was commuted to life imprisonment in 1951, and he was released in 1953. Inoue died in Japan in 1961.

See also

14th Infantry Division

References

Further reading

External links

Bloody beaches – The Marines at Peleliu
International Journal of Naval History

1886 births
1961 deaths
People from Kumamoto Prefecture
Imperial Japanese Army generals of World War II
Japanese people convicted of war crimes
Japanese prisoners sentenced to death
Prisoners sentenced to death by the United States military


The 4th constituency of Allier was a French legislative constituency in the Allier département. For the June 2012 legislative election, Allier's "entitlement" of seats was reduced from four to three. The 4th constituency was therefore abolished, its constituent cantons being included in a revised 3rd constituency.

Election results

2007

|- style="background-color:#E9E9E9;text-align:center;"
! colspan="2" rowspan="2" style="text-align:left;" | Candidate
! rowspan="2" colspan="2" style="text-align:left;" | Party
! colspan="2" | 1st round
! colspan="2" | 2nd round
|- style="background-color:#E9E9E9;text-align:center;"
! width="75" | Votes
! width="30" | %
! width="75" | Votes
! width="30" | %
|-
| style="background-color:" |
| style="text-align:left;" | Gérard Charasse
| style="text-align:left;" | Radical Party of the Left
| PRG
|
| 39.20%
|
| 56.54%
|-
| style="background-color:" |
| style="text-align:left;" | Claude Malhuret
| style="text-align:left;" | Union for a Popular Movement
| UMP
|
| 40.25%
|
| 43.46%
|-
| style="background-color:" |
| style="text-align:left;" | Sophie Bege
| style="text-align:left;" | Democratic Movement
| MoDem
|
| 4.98%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Pascale Semet
| style="text-align:left;" | Communist
| COM
|
| 4.73%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Louis de Conde
| style="text-align:left;" | National Front
| FN
|
| 4.04%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Daniel Rondepierre
| style="text-align:left;" | The Greens
| VEC
|
| 2.15%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Thomas Vacheron
| style="text-align:left;" | Far Left
| EXG
|
| 1.63%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Jacques Mayadoux
| style="text-align:left;" | Movement for France
| MPF
|
| 1.15%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Albert Peyron
| style="text-align:left;" | Ecologist
| ECO
|
| 0.82%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Nadine Picouleau
| style="text-align:left;" | Hunting, Fishing, Nature, Traditions
| CPNT
|
| 0.65%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Monique Roche
| style="text-align:left;" | Far Left
| EXG
|
| 0.39%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Marc-Claude de Portebane
| style="text-align:left;" | Miscellaneous Right
| DVD
|
| 0.00%
| colspan="2" style="text-align:left;" |
|-
| style="background-color:" |
| style="text-align:left;" | Louis Vitti
| style="text-align:left;" | Divers
| DIV
|
| 0.00%
| colspan="2" style="text-align:left;" |
|-
| colspan="8" style="background-color:#E9E9E9;"|
|- style="font-weight:bold"
| colspan="4" style="text-align:left;" | Total
|
| 100%
|
| 100%
|-
| colspan="8" style="background-color:#E9E9E9;"|
|-
| colspan="4" style="text-align:left;" | Registered voters
|
| style="background-color:#E9E9E9;"|
|
| style="background-color:#E9E9E9;"|
|-
| colspan="4" style="text-align:left;" | Blank/Void ballots
|
| 1.64%
|
| 2.27%
|-
| colspan="4" style="text-align:left;" | Turnout
|
| 62.91%
|
| 67.17%
|-
| colspan="4" style="text-align:left;" | Abstentions
|
| 37.09%
|
| 32.83%
|-
| colspan="8" style="background-color:#E9E9E9;"|
|- style="font-weight:bold"
| colspan="6" style="text-align:left;" | Result
| colspan="2" style="background-color:" | PRG HOLD
|}

Sources
 Official results of French elections from 1998:

Defunct French legislative constituencies
Allier


Hong Moo-Won (born August 15, 1981) is a South Korean amateur boxer best known to participate at the Olympics 2004 and winning a bronze medal at the Asian Games 2006 in Doha.

Career
At the world championships 2003 he lost to eventual winner Sergey Kazakov 10:26, he did not participate in 2005 and 2007.

At Athens he beat Harry Tanamor but lost to eventual winner Yan Bartelemí. He qualified for the Athens Games by ending up in first place in the 2nd AIBA Asian 2004 Olympic Qualifying Tournament in Karachi, Pakistan. In the final he defeated Tanamor.

At Doha 2006 he also lost to the eventual winner Zou Shiming 9:17.

External links
 2003
 2006 Asian Games

1981 births
Living people
South Korean male boxers
Olympic boxers for South Korea
Boxers at the 2004 Summer Olympics
Asian Games medalists in boxing
Asian Games bronze medalists for South Korea
Boxers at the 2006 Asian Games
Medalists at the 2006 Asian Games
Light-flyweight boxers


The Theban Tomb TT89 is located in Sheikh Abd el-Qurna, part of the Theban Necropolis, on the west bank of the Nile, opposite to Luxor. It is the burial place of the ancient Egyptian Amenmose, who was Steward in the Southern City during the reign of Amenhotep III, in the 18th Dynasty.

The tomb was started during the reign of Thutmose III. A scene on one of the pillars shows Amenmose with the feather symbolizing his office held out to the king who shown seated in a kiosk. The figure of Amenmose had been out. The king holds a hekat-scepter and an ankh. Elsewhere in the tomb is a depiction of king Amenhotep III. The king is seated in a kiosk and the goddess Hathor is seated behind him. Instead of Amenmose, an ankh-shaped fanbearer presents his fan to the king. Another scene depicting Amenhotep III is thought to have decorated the other side of the niche by which the first scene appears. The outline of Amenmose and possibly his son can still be made out before what would have been another depiction of the king. From the decorations it appears that Amenmose started his career under king Thutmose III and served until approximately the middle of Amenhotep III's reign.

See also
 List of Theban tombs

References

Buildings and structures of the Eighteenth Dynasty of Egypt
Theban tombs


Dale Yakiwchuk (born October 17, 1958) is a Canadian former professional ice hockey forward.  He was drafted in the second round, 30th overall, by the Montreal Canadiens in the 1978 NHL Amateur Draft; however, he never played in the National Hockey League.  He played four games in the World Hockey Association with the Winnipeg Jets during the 1978–79 season, going scoreless.

Career statistics

External links

1958 births
Baltimore Clippers (1979–81) players
Canadian ice hockey forwards
Canadian people of Ukrainian descent
Cincinnati Stingers (CHL) players
Ice hockey people from Alberta
Kalamazoo Wings (1974–2000) players
Lethbridge Broncos players
Milwaukee Admirals (IHL) players
Montreal Canadiens draft picks
Nova Scotia Voyageurs players
People from Cardston
Philadelphia Firebirds (AHL) players
Portland Winterhawks players
Living people
Taber Golden Suns players
Tulsa Oilers (1964–1984) players
Winnipeg Jets (WHA) players
Canadian expatriate ice hockey players in the United States


Adam and Eve are figures in the Abrahamic religions.

Adam and Eve may also refer to:

Art and media

Film and television
 Adam and Eve (1923 film), a German silent film directed by Friedrich Porges and Reinhold Schünzel
 Adam and Eve (1928 film), a German silent film directed by Rudolf Biebrach
 Adam and Eve (1949 film), an Italian film directed by Mario Mattoli
 Adam and Eve (1953 film), a Danish film written and directed by Erik Balling
 El pecado de Adán y Eva, a 1969 Mexican film
 National Lampoon's Adam & Eve, a 2005 American film
 Eva & Adam (TV series), a Swedish drama series based on the comics (see below)
 "Adam & Eve", episodic narrative in the 1992 Indian TV series Bible Ki Kahaniyan

Literature and comics
 Eve & Adam, a 2012 novel by Michael Grant and Katherine Applegate
 Eva & Adam, a Swedish comics series by Johan Unenge and Måns Gahrton
 Adam şi Eva, a 1925 novel by Liviu Rebreanu
 Adam and Eve (manga), a Japanese manga series
 Adam and Eve („Адам и Ева“), a four-act play by Mikhail Bulgakov, written 1931, first published Paris 1971.

Music
 Adam & Eve (band), a 1970s German schlager duo
 Adam and Eve (Catherine Wheel album), 1997
 Adam & Eve (The Flower Kings album), or the title song, 2004
 "Adam & Eve (song)", a 2012 song by Kasey Chambers and Shane Nicholson
 "Adam and Eve", a song by Nas from Nasir
 "Adan y Eva", a song by Paulo Londra

Painting
 Adam and Eve (Cranach), a 1528 double painting by Lucas Cranach the Elder
 Adam and Eve (Dürer), a 1507 pair of panel paintings by Albrecht Dürer
 Adam and Eve (Tintoretto), a  painting by Tintoretto; also a  painting by him
 Adam and Eve (Valadon), a 1909 painting by Suzanne Valadon
 Adam and Eve (Tamara de Lempicka), a 1932 panel painting by Tamara de Lempicka

Business
 Adam & Eve (company), an American retailer of adult novelties
 Adam & Eve, Birmingham, a former public house in Birmingham, England
 Adam and Eve, Norwich, a public house in Norwich, England, dating to 1249
 Adam + Eve, a clothing line designed by Adam Lippes

Other
 Y-chromosomal Adam and Mitochondrial Eve
 Adam and Eve (LDS Church)
 'Adam and Eve' rhyming slang for 'believe'
 Adam and Eve, a plant species of the genus Arum, Arum maculatum
 Adam and Eve, a species of orchid, Aplectrum hyemale
 Adam and Eve, name for the two rocks on the mountain Tryfan in Wales
Church of the Immaculate Conception, Dublin, nicknamed "Adam and Eve's"

See also
 Adam and Evil (disambiguation)


"Revolución" ("Revolution") is the title of the fourth single released by Spanish singer-songwriter Enrique Iglesias from his second studio album, Vivir (1997), It was released on 18 August 1997 (see 1997 in music).

Song information
The track was written by Chein García-Alonso, who also wrote the No. 1 hit "Experiencia Religiosa" for Iglesias. This single became the first song released in United States not to peak at number 1 on the Billboard Hot Latin Tracks chart, breaking the string of eight consecutive number ones ("Si Tú Te Vas", "Experiencia Religiosa", "Por Amarte", "No Llores Por Mí", "Trapecista", "Enamorado Por Primera Vez", "Sólo En Tí" and "Miente").

Chart performance
The track debuted on the United States Billboard Hot Latin Tracks chart at number 12 on 11 October 1997 and peaked at number 6 two weeks later on 25 October 1997.

References

1997 singles
1997 songs
Enrique Iglesias songs
Spanish-language songs
Fonovisa Records singles
Songs written by Chein García-Alonso


St. Alphonsus Church (French: Église Saint-Alphonse) is a historic former church building at 2029 Constance Street in New Orleans, Louisiana. Completed in 1857, it is one of the few surviving national examples of a richly multi-colored church interior predating the 1870s, and a high quality example of ecclesiastical Italianate architecture. It was declared a National Historic Landmark in 1996 for its architectural significance. It is now home to the St. Alphonsus Art and Cultural Center.

Building
The former St. Alphonsus Church is located in New Orleans' Lower Garden District neighborhood, on the north side of Constance Street, between St. Andrew and Josephine Streets. It has a complex and richly-decorated symmetrical façade, with a central entrance area flanked by two square towers topped by crosses. The façade is ornamented with pilasters, corbelled brick panels, and niches in which statues are mounted. The interior is also richly ornamented and has a coved plaster ceiling which have been painted with artwork by Dominique Canova. Its stained glass windows are Bavarian in origin, coming from F. X. Zettler. The floors are covered in mosaic tile.

History
Completed in 1857, St. Alphonsus served as a parish for the Irish Catholic community of the Lower Garden District section of the city. (Other churches nearby served the Francophone and Germanic Catholic communities, including St. Mary's Assumption Church, the church built across the street for the German Catholic community). As various parishes were merged later in history, St. Alphonsus was closed in 1979.

In the 1980s it was taken over by a local community group and now serves a community center.

See also

List of National Historic Landmarks in Louisiana
National Register of Historic Places listings in Orleans Parish, Louisiana

References

Irish-American culture in Louisiana
National Historic Landmarks in Louisiana
Churches on the National Register of Historic Places in Louisiana
Roman Catholic churches in New Orleans
Roman Catholic churches completed in 1855
19th-century Roman Catholic church buildings in the United States
Redemptorist churches in the United States
1857 establishments in Louisiana
Religious organizations established in 1857
National Register of Historic Places in New Orleans
Organizations disestablished in 1979


Timoteo Viti (Urbino, 1469 – 1523, Urbino), sometimes called Timoteo della Viti or Timoteo da Urbino, was an Italian Renaissance painter, who was closely associated with Raphael, who was fourteen years his junior.

Career
Born in Urbino, Viti was the grandson of the painter Antonio Alberti; his father was also a painter. According to Vasari and Malvasia, Viti was apprenticed to Francesco Francia in Bologna between 1490 and 1495; aspects of Viti's style would seem to confirm an apprenticeship in Bologna. In 1495 he returned to Urbino and replaced Giovanni Santi, the recently deceased father of Raphael, as painter to the small but brilliant court there.  He completed paintings of the Muses in the Ducal Palace that Santi had left unfinished.

The precocious Raphael, who was eleven at his father's death, continued to run his father's workshop with help from his family.  It has often been speculated that Viti contributed to Raphael's training.  In any case they remained friends, and Viti obtained or inherited the most important group of Raphael's studio drawings, which his descendants sold to Pierre Crozat in the 17th century.  Drawings have often been disputed between the two artists in the past, and Viti has also been accused of forging some Raphael drawings (though it seems now accepted this was someone else).

In 1503 Viti was painting banners for Cesare Borgia, who had expelled Duke Guidobaldo da Montefeltro as  lord of the city. Guidobaldo regained Urbino in 1504 and Viti, along with Girolamo Genga, was commissioned by Bishop Arrivabene to decorate the chapel of S Martino in the cathedral. He continued to work successfully in the Marches for the rest of the decade, and as far south as Siena, where he and Genga collaborated on paintings in the Palazzo Petrucci in about 1508.

Around 1514, Viti formed part of the large team assembled by Raphael and worked on the frescoes Raphael designed in the Chigi Chapel in Santa Maria della Pace in Rome.  It has been suggested that he is depicted (as the Ancient Greek painter Protogenes) in The School of Athens,  Raphael's most famous work, standing next to Raphael's self-portrait, although Vasari does not mention this identification.

Raphael's mature style influenced him for a period afterwards, as can be seen in the large altarpiece depicting Noli me Tangere, and in the foreground the Archangel Michael defeating Satan and St Anthony Abbot (c. 1512) for the church of Sant'Angelo Minore in Cagli (Pesaro). In later works he rejected Raphael's influence and looked back to the art of the late 15th century. In his last paintings (such as the Mary Magdalene of  1521 in Gubbio Cathedral) his style became heavier, possibly as a result of the increasing intervention of pupils.

According to Vasari, Timoteo was an artist, a poet, and a musician.  He was also politically active in Urbino.  He served as magistrate in 1508 and chief magistrate in 1513.

References

External links

1469 births
1523 deaths
15th-century Italian painters
Italian male painters
16th-century Italian painters
Painters from Urbino
Italian Renaissance painters


The Jamma River (Amharic: ጃማ) is a river in central Ethiopia and a tributary to the Abay (or Blue Nile). It drains parts of the Semien Shewa Zones of the Amhara and Oromia Regions. The Upper Jamma flows through steep, deep canyons cut first through volcanic rock and then through the Cretaceous sandstone and shaly sandstone, with Jurassic limestone at the bottom. It has a drainage area of about 15,782 square kilometers in size. Tributaries include the Wanchet.

The earliest mention of this river is in the Gadla of Tekle Haymanot, which was written in the fourteenth century. One of the earliest European mentions is by the missionary Pedro Páez, who was the first European to see and describe the origin of the Abay. According to Johann Ludwig Krapf, in the 1840s the Jamma defined the boundary between Marra Biete and Moret, two districts of the former province or Sultanate of Shewa.

Notes

External links
 Ethiopia Disaster Prevention and Preparedness Agency: Administrative atlas: Oromiya region
 Ethiopia Disaster Prevention and Preparedness Agency: Flood Vulnerable Areas as of August 24, 2006

Tributaries of the Blue Nile
Important Bird Areas of Ethiopia


Garth Cale Iorg (born September 6, 1985) is a Canadian-born American former professional baseball player.  He is the son of former Major League Baseball (MLB) player Garth Iorg and nephew of former MLB player Dane Iorg.  Iorg played college baseball for the Alabama Crimson Tide.  After his freshman season at Alabama, Iorg put his baseball career on hold to go on a Mormon mission to Lisbon, Portugal. He was drafted by the Detroit Tigers shortly before he returned from the mission.  Iorg was ranked as the third best prospect in the Tigers organization by Baseball America following the 2008 season.

High school and college
Iorg was a four-year starter at Karns High School near Knoxville, Tennessee.  As a junior, he batted .489 with 20 RBI and 19 stolen bases.  In his senior season, he batted .495 with 15 home runs and 57 RBI, while compiling a .698 on-base percentage and a 1.131 slugging mark.  He also scored 52 runs and stole 34 of 36 bases.
In his freshman and only season at Alabama, Iorg batted .280 with an on-base percentage of .331 and slugging percentage of .415 as the Crimson Tide's starting shortstop.

Mission for The Church of Jesus Christ of Latter-day Saints
After his freshman season at Alabama, Iorg served as a missionary for The Church of Jesus Christ of Latter-day Saints to Lisbon, Portugal.  He told The Birmingham News that leaving Alabama had nothing to do with baseball.  It was a matter of faith.  While in Portugal, Iorg had little time for baseball. He had time to work out for about 30 minutes per day during the mission and once a week he had additional free time in which he often played soccer. While on the mission, Iorg was drafted by the Detroit Tigers in the sixth round (211th overall) of the 2007 Major League Baseball draft. He returned from Portugal on July 14, 2007.

Minor leagues
Iorg began his professional career playing a total of eight games for the Gulf Coast Tigers and Lakeland Flying Tigers in 2007. The Tigers sent him to play Hawaii Winter Baseball for the North Shore Honu to work on his hitting.  His winter season was cut short when he injured his hamstring in mid-October.

In 2011, Iorg played 26 games with the Detroit Tigers' Double-A affiliate Erie SeaWolves, and 88 games with the Triple-A Toledo Mud Hens.  In 2012, he played 7 games with the Class-A Lakeland Flying Tigers, and 47 games with the Mud Hens.

At the end of the 2013 spring training season, the Tigers attempted to trade Iorg to the Baltimore Orioles, and when that fell through the Tigers released him. The Orioles signed him to a minor league contract on April 9, and assigned him to the Double-A Bowie Baysox.

On June 6, 2013, he announced his retirement from baseball.

References

External links

1985 births
Living people
21st-century Mormon missionaries
Alabama Crimson Tide baseball players
Baseball players from Knoxville, Tennessee
Baseball players from Toronto
Baseball shortstops
Bowie Baysox players
Canadian expatriate baseball players in the United States
Canadian Mormon missionaries
Canadian people of American descent
Erie SeaWolves players
Gulf Coast Tigers players
Lakeland Flying Tigers players
Latter Day Saints from Tennessee
American Mormon missionaries in Portugal
Toledo Mud Hens players
World Baseball Classic players of Canada
2013 World Baseball Classic players
North Shore Honu players


Loban is a surname. Notable people with the surname include:

Stanislav Loban (born 1977), Ukrainian footballer
Serguei Loban, Russian film director
Noel Loban, English wrestler

Hamoi stands also for Styrax (tree) or the balsamic resin won from this tree, Benzoin resin.


Tremble or trembles may refer to:

 Tremble (EP) the debut EP by Australian singer Nicole Millar (2016)
 "Tremble" a Nicole Millar song on the Tremble EP (2016)
 "Tremble" (song), the debut single from Lou Rhodes' first solo album
 Tremble dance, a dance performed by receiver honey bees
 "Tremble," a song by Audio Adrenaline from their 2001 album Lift
 "Tremble", a single by Marc et Claude, 2001
 Milk sickness, known as "trembles" in animals

People with the surname:

 Greg Tremble (born 1972), American football safety
 Mary Trembles, one of three women hanged as a result of the 1682 Bideford witch trial
 Roy Tremble, singer with the gospel group The Cathedral Quartet
 Evelyn Tremble, fictional character in Casino Royale (1967 film), played by Peter Sellers

See also
 Tremor


Britta Madelein Svensson (born 20 July 1969) is a  retired race walker from Sweden. She won the silver medal in the women's 10 km Walk at the 1991 World Championships in Tokyo, Japan and represented her native country at the 1992 Summer Olympics in Barcelona, Spain, where she ended up in sixth place in the women's 10 km Walk event.

Achievements

References

Profile

1969 births
Living people
Swedish female racewalkers
Athletes (track and field) at the 1992 Summer Olympics
Olympic athletes for Sweden
World Athletics Championships medalists
Sportspeople from Västernorrland County
People from Sollefteå Municipality


Francesco Pianeta (born 8 October 1984) is an Italian former professional boxer who competed from 2005 to 2018. He challenged for the unified WBA (Super), IBF, WBO and The Ring heavyweight championship in 2013, the WBA (Regular) title in 2015, and in his final fight for the Lineal heavyweight championship in 2018. At regional level, he held the European Union heavyweight title from 2008 to 2009.

Background
Pianeta was born in Corigliano in the province of Cosenza. When he was six his family emigrated to Germany and his father went to work in a butcher store.

Before he turned to professional boxing Pianeta practiced Muay Thai and had a record of 9 wins and one loss.

Despite being a long-time Germany resident, Pianeta has held close ties with Italy and in 2008 he stated that his ambition was to win the Italian heavyweight title.

Professional career
Pianeta's first fight as a professional boxer was in July 2005, in Hessen, Germany, when he beat Slovakian journeyman Sylvester Petrovic with a second round knockout.

Pianeta was subsequently undefeated in all of his next 27 fights, with 14 wins by KO and 1 draw.

On May 4, 2013, Pianeta fought Wladimir Klitschko for WBA (Super), IBF, WBO, IBO, lineal & The Ring heavyweight titles. He was knocked down 3 times by Klitschko and lost the bout by the way of TKO.

Up until 2018, Pianeta was trained by Alexander Petkovic and promoted by Petkovic′s Petko′s LMS Promotion. Based in Germany, he has also fought in Italy, Ireland, Austria, Poland and Belgium.

Pianeta's final fight was against former unified and lineal heavyweight champion Tyson Fury at Windsor Park on August 18, 2018. Fury dominated the fight in convincing fashion, winning every single round on referee Steve Gray's scorecard in a shutout points decision victory, handing Pianeta his fifth career loss.

In February 2019, Pianeta announced his retirement. He is now a boxing trainer.

Professional boxing record

References

External links
Francesco Pianeta - Official website

1984 births
Living people
Heavyweight boxers
Italian male boxers
People from Corigliano Calabro
Sportspeople from the Province of Cosenza


In functional analysis, a branch of mathematics, the Goldstine theorem, named after Herman Goldstine, is stated as follows:

Goldstine theorem. Let  be a Banach space, then the image of the closed unit ball  under the canonical embedding into the closed unit ball  of the bidual space  is a weak*-dense subset.

The conclusion of the theorem is not true for the norm topology, which can be seen by considering the Banach space  of real sequences that converge to zero, c0 space  and its bi-dual space Lp space

Proof

Lemma

For all   and  there exists an  such that  for all

Proof of lemma

By the surjectivity of

it is possible to find  with  for

Now let

Every element of  satisfies  and  so it suffices to show that the intersection is nonempty.

Assume for contradiction that it is empty. Then  and by the Hahn–Banach theorem there exists a linear form  such that  and  Then  and therefore

which is a contradiction.

Proof of theorem

Fix   and  Examine the set

Let  be the embedding defined by  where  is the evaluation at  map. Sets of the form  form a base for the weak* topology, so density follows once it is shown  for all such  The lemma above says that for any  there exists a  such that   and in particular   Since  we have  We can scale to get  The goal is to show that for a sufficiently small  we have

Directly checking, one has

Note that one can choose  sufficiently large so that  for  Note as well that  If one chooses  so that  then

Hence one gets  as desired.

See also

References

Banach spaces
Theorems in functional analysis

de:Schwach-*-Topologie#Eigenschaften


Wavertree railway station was a station in Wavertree, Liverpool, Merseyside, England.

History
The station opened on 1 September 1870 by the London and North Western Railway. The line was quadrupled as far as Ditton Junction on 13 July 1891, when the station entrance was moved and the station itself may have been rebuilt. The station had a substantial booking office at street level on the west side of the line and on the south side of Wellington Road. A subway connected to four platforms situated on an embankment well above street level. The platforms had timber-built waiting facilities. The station closed on 5 August 1958 shortly before the line was electrified. No trace of the station remains at track level.

References

Disused railway stations in Liverpool
Railway stations in Great Britain opened in 1870
Railway stations in Great Britain closed in 1958
Former London and North Western Railway stations


"Don't Love You No More (I'm Sorry)" is a song by British singer Craig David. It was written by David and Mark Hill for his third album The Story Goes... (2005). "Don't Love You No More (I'm Sorry)" gave David his second top ten hit from The Story Goes... and one of his biggest hits to date, tying with number-one single "7 Days" for longest-running single in the UK top 75, spending fifteen weeks on the chart. However, "Don't Love You No More (I'm Sorry)" is his biggest for most consecutive weeks inside the top 75 as "7 Days" had fourteen, before it re-entered for a week. The song was his biggest hit from The Story Goes, peaking at number 4, one place lower than "All the Way", which only spent six weeks inside the top 75.

Chart performance
"Don't Love You No More (I'm Sorry)" charted at number four on the UK Singles Chart, supplying him with his longest-running single since "7 Days", spending almost four months inside the UK top 75. In France, "Don't Love You No More (I'm Sorry)" missed the top 40.

Music video
There are two versions of the "Don't Love You No More (I'm Sorry)" video, a black-and-white version, which was first serviced to TV channels and a colour version, which was released later. The video was directed by Robert Hales.

Track listing
All tracks written by Craig David and Mark Hill.

Notes
  signifies an additional producer

Charts

Release history

References

2005 singles
Craig David songs
Songs written by Craig David
Songs written by Mark Hill (musician)
Warner Records singles