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LJ001-0001.wav
Printing, in the only sense with which we are at present concerned, differs from most if not from all the arts and crafts represented in the Exhibition
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LJ001-0002.wav
in being comparatively modern.
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LJ001-0003.wav
For although the Chinese took impressions from wood blocks engraved in relief for centuries before the woodcutters of the Netherlands, by a similar process
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LJ001-0004.wav
produced the block books, which were the immediate predecessors of the true printed book,
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LJ001-0005.wav
the invention of movable metal letters in the middle of the fifteenth century may justly be considered as the invention of the art of printing.
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LJ001-0006.wav
And it is worth mention in passing that, as an example of fine typography,
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LJ001-0007.wav
the earliest book printed with movable types, the Gutenberg, or "forty-two line Bible" of about 1455,
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LJ001-0008.wav
has never been surpassed.
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LJ001-0009.wav
Printing, then, for our purpose, may be considered as the art of making books by means of movable types.
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LJ001-0010.wav
Now, as all books not primarily intended as picture-books consist principally of types composed to form letterpress,
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LJ001-0011.wav
it is of the first importance that the letter used should be fine in form;
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LJ001-0012.wav
especially as no more time is occupied, or cost incurred, in casting, setting, or printing beautiful letters
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LJ001-0013.wav
than in the same operations with ugly ones.
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LJ001-0014.wav
And it was a matter of course that in the Middle Ages, when the craftsmen took care that beautiful form should always be a part of their productions whatever they were,
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LJ001-0015.wav
the forms of printed letters should be beautiful, and that their arrangement on the page should be reasonable and a help to the shapeliness of the letters themselves.
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LJ001-0016.wav
The Middle Ages brought calligraphy to perfection, and it was natural therefore
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LJ001-0017.wav
that the forms of printed letters should follow more or less closely those of the written character, and they followed them very closely.
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LJ001-0018.wav
The first books were printed in black letter, i.e. the letter which was a Gothic development of the ancient Roman character,
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LJ001-0019.wav
and which developed more completely and satisfactorily on the side of the "lower-case" than the capital letters;
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LJ001-0020.wav
the "lower-case" being in fact invented in the early Middle Ages.
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LJ001-0021.wav
The earliest book printed with movable type, the aforesaid Gutenberg Bible, is printed in letters which are an exact imitation
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LJ001-0022.wav
of the more formal ecclesiastical writing which obtained at that time; this has since been called "missal type,"
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LJ001-0023.wav
and was in fact the kind of letter used in the many splendid missals, psalters, etc., produced by printing in the fifteenth century.
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LJ001-0024.wav
But the first Bible actually dated (which also was printed at Maintz by Peter Schoeffer in the year 1462)
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LJ001-0025.wav
imitates a much freer hand, simpler, rounder, and less spiky, and therefore far pleasanter and easier to read.
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LJ001-0026.wav
On the whole the type of this book may be considered the ne-plus-ultra of Gothic type,
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LJ001-0027.wav
especially as regards the lower-case letters; and type very similar was used during the next fifteen or twenty years not only by Schoeffer,
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LJ001-0028.wav
but by printers in Strasburg, Basle, Paris, Lubeck, and other cities.
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LJ001-0029.wav
But though on the whole, except in Italy, Gothic letter was most often used
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LJ001-0030.wav
a very few years saw the birth of Roman character not only in Italy, but in Germany and France.
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LJ001-0031.wav
In 1465 Sweynheim and Pannartz began printing in the monastery of Subiaco near Rome,
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LJ001-0032.wav
and used an exceedingly beautiful type, which is indeed to look at a transition between Gothic and Roman,
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LJ001-0033.wav
but which must certainly have come from the study of the twelfth or even the eleventh century MSS.
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LJ001-0034.wav
They printed very few books in this type, three only; but in their very first books in Rome, beginning with the year 1468,
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LJ001-0035.wav
they discarded this for a more completely Roman and far less beautiful letter.
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LJ001-0036.wav
But about the same year Mentelin at Strasburg began to print in a type which is distinctly Roman;
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LJ001-0037.wav
and the next year Gunther Zeiner at Augsburg followed suit;
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LJ001-0038.wav
while in 1470 at Paris Udalric Gering and his associates turned out the first books printed in France, also in Roman character.
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LJ001-0039.wav
The Roman type of all these printers is similar in character,
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LJ001-0040.wav
and is very simple and legible, and unaffectedly designed for use; but it is by no means without beauty.
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LJ001-0041.wav
It must be said that it is in no way like the transition type of Subiaco,
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LJ001-0042.wav
and though more Roman than that, yet scarcely more like the complete Roman type of the earliest printers of Rome.
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LJ001-0043.wav
A further development of the Roman letter took place at Venice.
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LJ001-0044.wav
John of Spires and his brother Vindelin, followed by Nicholas Jenson, began to print in that city,
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LJ001-0045.wav
1469, 1470;
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LJ001-0046.wav
their type is on the lines of the German and French rather than of the Roman printers.
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LJ001-0047.wav
Of Jenson it must be said that he carried the development of Roman type as far as it can go:
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LJ001-0048.wav
his letter is admirably clear and regular, but at least as beautiful as any other Roman type.
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LJ001-0049.wav
After his death in the "fourteen eighties," or at least by 1490, printing in Venice had declined very much;
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LJ001-0050.wav
and though the famous family of Aldus restored its technical excellence, rejecting battered letters,
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LJ001-0051.wav
and paying great attention to the "press work" or actual process of printing,
[ [ 799, 1209, 1377, 1259, 574, 251, 921, 1932, 109, 1670, 1670, 1412, 111, 578, 1109, 443, 1807, 1172, 1143, 1066, 272, 366, 313, 1997, 1571, 1424, 1117, 168, 1034, 1327, 803, 486, 1728...
LJ001-0052.wav
yet their type is artistically on a much lower level than Jenson's, and in fact
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LJ001-0053.wav
they must be considered to have ended the age of fine printing in Italy.
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LJ001-0054.wav
Jenson, however, had many contemporaries who used beautiful type,
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LJ001-0055.wav
some of which -- as, e.g., that of Jacobus Rubeus or Jacques le Rouge -- is scarcely distinguishable from his.
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LJ001-0056.wav
It was these great Venetian printers, together with their brethren of Rome, Milan,
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LJ001-0057.wav
Parma, and one or two other cities, who produced the splendid editions of the Classics, which are one of the great glories of the printer's art,
[ [ 108, 196, 1644, 429, 1841, 562, 1537, 1895, 1703, 864, 1377, 662, 1404, 1620, 1253, 967, 990, 654, 1943, 514, 1858, 55, 1334, 1994, 1229, 110, 1067, 636, 797, 312, 1814, 323, 660, ...
LJ001-0058.wav
and are worthy representatives of the eager enthusiasm for the revived learning of that epoch. By far,
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LJ001-0059.wav
the greater part of these Italian printers, it should be mentioned, were Germans or Frenchmen, working under the influence of Italian opinion and aims.
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LJ001-0060.wav
It must be understood that through the whole of the fifteenth and the first quarter of the sixteenth centuries
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LJ001-0061.wav
the Roman letter was used side by side with the Gothic.
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LJ001-0062.wav
Even in Italy most of the theological and law books were printed in Gothic letter,
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LJ001-0063.wav
which was generally more formally Gothic than the printing of the German workmen,
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LJ001-0064.wav
many of whose types, indeed, like that of the Subiaco works, are of a transitional character.
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LJ001-0065.wav
This was notably the case with the early works printed at Ulm, and in a somewhat lesser degree at Augsburg.
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LJ001-0066.wav
In fact Gunther Zeiner's first type (afterwards used by Schussler) is remarkably like the type of the before-mentioned Subiaco books.
[ [ 678, 1536, 1768, 101, 1222, 1445, 85, 579, 1320, 1607, 1607, 940, 341, 160, 772, 1713, 1655, 1624, 199, 673, 371, 918, 1655, 212, 591, 1549, 2043, 159, 347, 2026, 603, 218, 1322, ...
LJ001-0067.wav
In the Low Countries and Cologne, which were very fertile of printed books, Gothic was the favorite.
[ [ 995, 648, 1047, 1026, 383, 1782, 1399, 645, 1697, 1754, 227, 1787, 1229, 952, 1067, 32, 257, 1377, 268, 1252, 1980, 383, 89, 89, 230, 1680, 1307, 803, 2039, 2039, 323, 660, 572, ...
LJ001-0068.wav
The characteristic Dutch type, as represented by the excellent printer Gerard Leew, is very pronounced and uncompromising Gothic.
[ [ 995, 809, 1662, 1839, 902, 238, 1124, 1405, 1228, 1615, 798, 981, 1817, 1818, 942, 221, 1741, 327, 912, 1081, 1322, 527, 1868, 750, 1022, 73, 526, 1146, 1295, 951, 199, 1109, 268, ...
LJ001-0069.wav
This type was introduced into England by Wynkyn de Worde, Caxton's successor,
[ [ 1182, 1277, 330, 1751, 218, 538, 1322, 1868, 1740, 382, 1803, 1536, 227, 170, 54, 1274, 347, 95, 1143, 654, 654, 1932, 617, 1939, 150, 1547, 1640, 832, 1028, 1968, 657, 1695, 1695, ...
LJ001-0070.wav
and was used there with very little variation all through the sixteenth and seventeenth centuries, and indeed into the eighteenth.
[ [ 799, 2012, 1001, 382, 1092, 1293, 1063, 1274, 794, 565, 1786, 228, 897, 1679, 622, 628, 655, 1917, 1917, 1460, 862, 755, 1823, 655, 1917, 1460, 1141, 501, 501, 594, 1807, 1172, 1852,...
LJ001-0071.wav
Most of Caxton's own types are of an earlier character, though they also much resemble Flemish or Cologne letter.
[ [ 2018, 1402, 1650, 798, 1347, 2046, 1662, 1899, 1445, 984, 798, 1803, 1231, 102, 587, 536, 230, 1510, 1081, 371, 1322, 1108, 2033, 1602, 636, 797, 1607, 663, 1411, 180, 986, 1383, 117...
LJ001-0072.wav
After the end of the fifteenth century the degradation of printing, especially in Germany and Italy,
[ [ 799, 1421, 773, 1124, 1813, 1513, 1530, 97, 1256, 1347, 597, 1713, 2001, 357, 1339, 603, 1207, 957, 1135, 1945, 252, 1109, 443, 227, 1229, 705, 1458, 1895, 832, 2039, 868, 657, 419, ...
LJ001-0073.wav
went on apace; and by the end of the sixteenth century there was no really beautiful printing done:
[ [ 1415, 1996, 1578, 1992, 1093, 89, 1597, 22, 886, 1343, 560, 743, 1472, 1602, 205, 636, 797, 1607, 1607, 384, 855, 1377, 730, 1944, 371, 75, 418, 1513, 1384, 10, 1256, 1347, 597, ...
LJ001-0074.wav
the best, mostly French or Low-Country, was neat and clear, but without any distinction;
[ [ 995, 419, 1522, 750, 10, 280, 280, 1658, 2026, 1264, 1722, 1650, 1615, 307, 722, 530, 1721, 1596, 1109, 268, 1336, 1259, 437, 875, 1026, 383, 1782, 1399, 645, 1697, 1754, 227, 1787, ...
LJ001-0075.wav
the worst, which perhaps was the English, was a terrible falling-off from the work of the earlier presses;
[ [ 1027, 1415, 997, 168, 616, 128, 1326, 1658, 579, 797, 1607, 1743, 716, 478, 572, 327, 313, 1997, 235, 1899, 1556, 46, 1117, 1096, 296, 1251, 1513, 1516, 1536, 1939, 1939, 112, 1336, ...
LJ001-0076.wav
and things got worse and worse through the whole of the seventeenth century, so that in the eighteenth printing was very miserably performed.
[ [ 678, 1377, 2001, 444, 617, 1330, 1238, 1960, 358, 1117, 168, 128, 128, 1803, 1452, 168, 1894, 212, 1602, 1602, 636, 797, 2039, 1968, 474, 147, 1851, 1495, 272, 977, 907, 190, 719, ...
LJ001-0077.wav
In England about this time, an attempt was made (notably by Caslon, who started business in London as a type-founder in 1720)
[ [ 995, 1479, 1777, 1516, 194, 1939, 1939, 150, 1680, 1547, 579, 1696, 248, 834, 355, 1918, 330, 1751, 603, 218, 538, 538, 1371, 1948, 111, 578, 847, 784, 1339, 654, 382, 740, 1881, ...
LJ001-0078.wav
to improve the letter in form.
[ [ 995, 654, 1536, 985, 313, 1851, 1258, 597, 1713, 1026, 1984, 1571, 774, 1677, 1505, 1479, 1536, 1721, 1406, 299, 299, 1894, 867, 1307, 141 ], [ 1800, 257, 714, 515, 539, 1893, 1745, ...
LJ001-0079.wav
Caslon's type is clear and neat, and fairly well designed;
[ [ 799, 1899, 1215, 1424, 1428, 719, 2040, 1135, 912, 1081, 371, 1322, 260, 1892, 1238, 2024, 1252, 1344, 777, 1395, 1405, 1919, 300, 1011, 0, 1778, 1108, 1039, 579, 295, 1968, 1743, 85...
LJ001-0080.wav
he seems to have taken the letter of the Elzevirs of the seventeenth century for his model:
[ [ 1692, 1671, 144, 937, 1359, 627, 2040, 133, 912, 654, 1085, 1085, 603, 807, 512, 808, 1047, 349, 383, 1984, 1235, 774, 1505, 1195, 1930, 597, 1530, 130, 184, 184, 996, 1231, 2014, ...
LJ001-0081.wav
type cast from his matrices is still in everyday use.
[ [ 1698, 1209, 75, 527, 1868, 1327, 2046, 590, 82, 1215, 1424, 1787, 440, 482, 1125, 1125, 888, 351, 1730, 1230, 227, 55, 1945, 1334, 1451, 59, 1067, 636, 1448, 788, 1515, 913, 1211, ...
LJ001-0082.wav
In spite, however, of his praiseworthy efforts, printing had still one last degradation to undergo.
[ [ 613, 926, 1135, 1945, 334, 935, 371, 1412, 1261, 1848, 1290, 812, 615, 774, 1568, 1347, 410, 1125, 1125, 794, 313, 1446, 560, 1734, 73, 1117, 168, 1813, 418, 1733, 1781, 784, 588, ...
LJ001-0083.wav
The seventeenth century founts were bad rather negatively than positively.
[ [ 472, 1945, 252, 784, 213, 994, 1207, 1113, 611, 1945, 252, 443, 227, 1787, 530, 530, 1356, 247, 343, 230, 2033, 1602, 205, 636, 797, 1375, 168, 155, 1188, 1166, 101, 1222, 1197, ...
LJ001-0084.wav
But for the beauty of the earlier work they might have seemed tolerable.
[ [ 108, 2012, 1882, 2043, 1813, 1522, 9, 287, 1077, 1495, 761, 559, 597, 1530, 1530, 531, 531, 1825, 1929, 505, 539, 168, 168, 1034, 1327, 1640, 832, 262, 1544, 1746, 1144, 351, 1407, ...
LJ001-0085.wav
It was reserved for the founders of the later eighteenth century to produce letters which are positively ugly, and which, it may be added,
[ [ 1182, 1641, 382, 382, 83, 325, 199, 1393, 616, 2009, 1339, 1549, 2043, 1552, 1721, 1768, 247, 343, 294, 1624, 2014, 597, 272, 1026, 560, 1230, 442, 1014, 1781, 1516, 1412, 1207, 1113...
LJ001-0086.wav
are dazzling and unpleasant to the eye owing to the clumsy thickening and vulgar thinning of the lines:
[ [ 108, 1610, 942, 529, 10, 1215, 1939, 1567, 1772, 1437, 1919, 1547, 329, 1754, 713, 858, 1344, 1571, 1534, 150, 342, 579, 664, 1066, 1513, 1530, 1676, 1477, 999, 1628, 1020, 832, 832,...
LJ001-0087.wav
for the seventeenth-century letters are at least pure and simple in line. The Italian, Bodoni, and the Frenchman, Didot,
[ [ 1698, 1813, 1591, 1532, 1334, 1383, 268, 1207, 1113, 957, 1135, 766, 1361, 268, 227, 1787, 1229, 862, 1984, 1655, 212, 1443, 641, 929, 874, 1776, 307, 473, 96, 1472, 1658, 574, 1540,...
LJ001-0088.wav
were the leaders in this luckless change, though our own Baskerville, who was at work some years before them, went much on the same lines;
[ [ 1415, 1102, 349, 1003, 473, 1655, 212, 1443, 1231, 648, 1786, 330, 1751, 1026, 383, 447, 1363, 1939, 112, 1326, 1658, 908, 921, 921, 274, 627, 271, 636, 797, 1955, 1743, 1544, 1584, ...
LJ001-0089.wav
but his letters, though uninteresting and poor, are not nearly so gross and vulgar as those of either the Italian or the Frenchman.
[ [ 108, 2012, 749, 414, 482, 1125, 1428, 383, 1984, 1655, 774, 212, 1067, 636, 797, 797, 1607, 384, 419, 421, 920, 1754, 1754, 1536, 994, 1124, 1765, 1571, 1615, 798, 851, 1437, 1919, ...
LJ001-0090.wav
With this change the art of printing touched bottom,
[ [ 1415, 622, 1786, 1277, 330, 1424, 883, 1053, 921, 274, 627, 1336, 271, 797, 797, 1607, 940, 1656, 1530, 114, 1610, 793, 1347, 1265, 1997, 268, 1389, 1932, 266, 1081, 221, 1741, 327, ...
LJ001-0091.wav
so far as fine printing is concerned, though paper did not get to its worst till about 1840.
[ [ 472, 421, 1801, 1991, 929, 1405, 1527, 591, 935, 157, 1371, 1852, 313, 202, 268, 851, 1437, 1892, 1527, 1238, 1054, 1135, 1506, 1393, 616, 1702, 993, 1173, 486, 2039, 1728, 1375, 246...
LJ001-0092.wav
The Chiswick press in 1844 revived Caslon's founts, printing for Messrs. Longman the Diary of Lady Willoughby.
[ [ 1182, 1578, 1053, 1063, 1274, 46, 1740, 1860, 1363, 313, 1370, 10, 280, 1534, 1803, 1516, 1230, 1207, 1113, 1416, 1525, 1192, 1192, 471, 530, 1406, 299, 731, 505, 526, 655, 1417, 147...
LJ001-0093.wav
This experiment was so far successful that about 1850 Messrs. Miller and Richard of Edinburgh
[ [ 995, 1102, 330, 1232, 1040, 1040, 1945, 1161, 1577, 321, 1839, 1531, 1531, 905, 1117, 382, 382, 2026, 1032, 1112, 715, 1801, 1184, 67, 128, 895, 1040, 252, 1571, 1215, 1137, 1137, 11...
LJ001-0094.wav
were induced to cut punches for a series of "old style" letters.
[ [ 1415, 1657, 1479, 1536, 1158, 1063, 1274, 1424, 912, 912, 284, 1705, 221, 1918, 1188, 1056, 1023, 1741, 320, 1451, 1443, 1067, 2043, 2043, 80, 1945, 937, 777, 902, 1141, 110, 1231, 4...
LJ001-0095.wav
These and similar founts, cast by the above firm and others,
[ [ 1692, 1869, 1242, 110, 1231, 1919, 1299, 1135, 766, 1334, 1939, 719, 1767, 1721, 1768, 247, 343, 1039, 2033, 205, 797, 797, 1028, 657, 522, 1662, 1899, 280, 1615, 794, 1695, 1695, 15...
LJ001-0096.wav
have now come into general use and are obviously a great improvement on the ordinary "modern style" in use in England, which is in fact the Bodoni type
[ [ 799, 1085, 812, 495, 860, 1705, 623, 1729, 1788, 1732, 1479, 1143, 1071, 908, 1041, 1611, 682, 1823, 1293, 1293, 70, 1274, 1326, 1602, 1669, 1109, 513, 180, 1078, 1560, 254, 107, 122...
LJ001-0097.wav
a little reduced in ugliness. The design of the letters of this modern "old style" leaves a good deal to be desired,
[ [ 2018, 349, 755, 1864, 539, 665, 1186, 170, 54, 1063, 1326, 1658, 6, 683, 1992, 1930, 811, 831, 885, 112, 910, 1602, 1602, 636, 797, 797, 262, 663, 1301, 1301, 1926, 175, 7, 246, ...
LJ001-0098.wav
and the whole effect is a little too gray, owing to the thinness of the letters.
[ [ 678, 1047, 977, 907, 190, 719, 121, 1721, 1768, 1580, 238, 1039, 1846, 1846, 322, 460, 1237, 349, 755, 1864, 1538, 603, 990, 887, 573, 109, 1670, 1670, 1575, 198, 185, 1992, 1519, ...
LJ001-0099.wav
It must be remembered, however, that most modern printing is done by machinery on soft paper, and not by the hand press,
[ [ 1182, 1578, 1409, 540, 1424, 362, 1057, 1470, 325, 1881, 1988, 615, 1373, 1010, 507, 1290, 812, 774, 1677, 394, 486, 2039, 333, 311, 1836, 1212, 1011, 1722, 1650, 1615, 1264, 1407, 1...
LJ001-0100.wav
and these somewhat wiry letters are suitable for the machine process, which would not do justice to letters of more generous design.
[ [ 678, 1804, 1513, 1778, 110, 32, 1032, 1506, 1052, 1052, 2023, 1736, 1187, 997, 927, 75, 1839, 1141, 862, 1026, 1984, 1235, 774, 212, 1900, 797, 797, 486, 1728, 660, 1411, 180, 1858, ...