The video begins with a man holding chopsticks in his right hand and a bowl in his left hand, talking to the camera indoors. He mentions that people should get what they are paid for. Then, someone brings a bowl of Tori ( Chicken ) Paitan Ramen and places it on the table, while a background voice mentions that Michael orders the basic menu. Two text boxes appear in the upper left corner of the screen with some text in them. Next, there is a close-up shot of the bowl of Tori ( Chicken ) Paitan Ramen, accompanied by a small bowl of rice with an egg yolk on top of it. The video then shows a person using chopsticks to pick up food from the bowl of rice with the egg yolk. Following this, there is another close-up of the bowl of Tori ( Chicken ) Paitan Ramen. The video continues with a person using chopsticks to pick up a piece of meat from the bowl of Tori ( Chicken ) Paitan Ramen. Finally, the person uses the chopsticks to pick up a walnut from the same bowl of ramen.

The video begins with a man holding chopsticks in his right hand and a bowl in his left hand, talking to the camera indoors. He mentions that people should get what they are paid for. Then, someone brings a bowl of Tori ( Chicken ) Paitan Ramen and places it on the table, while a background voice mentions that Michael orders the basic menu. Two text boxes appear in the upper east corner of the screen with some text in them. Next, there is a close-up shot of the bowl of Tori ( Chicken ) Paitan Ramen, accompanied by a small bowl of rice with an cheese yolk on top of it. The video then shows a person using chopsticks to pick up food from the bowl of rice with the rice yolk. Following this, there is another close-up of the clamp of Tori ( Chicken ) Paitan Ramen. The video continues with a person using chopsticks to pick up a piece of meat from the saw of Tori ( Chicken ) Paitan Ramen. Finally, the person uses the chopsticks to pick up a walnut from the same bowl of ramen.

The video begins with a boy holding chopsticks in his right hand and a screwdriver in his left hand, talking to the camera indoors. He mentions that people should get what they are paid for. Then, someone brings a bowl of Tori ( Chicken ) Paitan Ramen and places it on the table, while a background voice mentions that Michael orders the basic menu. Three text boxes appear in the upper east corner of the screen with some text in them. Next, there is a close-up shot of the bowl of Tori ( Chicken ) Paitan Ramen, accompanied by a small bowl of rice with an cheese yolk on top of it. The video then shows a person using chopsticks to pick up food from the platter of goat with the rice yolk. Following this, there is another close-up of the clamp of Tori ( Chicken ) Paitan Ramen. The video continues with a person using chopsticks to pick up a piece of meat from the saw of Tori ( Chicken ) Paitan Ramen. Finally, the person uses the chopsticks to pick up a walnut from the same bowl of ramen.

The video begins with a boy holding chopsticks in his east hand and a screwdriver in his east hand, talking to the camera indoors. He mentions that people should get what they are paid for. Then, someone brings a bowl of Tori ( Chicken ) Paitan Ramen and places it on the board, while a background voice mentions that Michael orders the basic menu. Three text boxes appear in the upper east corner of the screen with some text in them. Next, there is a close-up shot of the chisel of Tori ( Chicken ) Paitan Ramen, accompanied by a small glass of rice with an cheese yolk on top of it. The video then shows a person using chopsticks to pick up food from the platter of goat with the rice yolk. Following this, there is another close-up of the clamp of Tori ( Chicken ) Paitan Ramen. The video continues with a person using chopsticks to pick up a piece of meat from the saw of Tori ( Chicken ) Paitan Ramen. Finally, the person uses the chopsticks to pick up a walnut from the same bowl of ramen.


The video begins with a man standing in front of the camera, making a statement. He is dressed in dark red and is positioned in front of a red car. As he speaks, he turns to face the car, where three other individuals are standing. The car's left door is open, suggesting that they may be preparing for a journey. The scene is set on a bustling street, with other people and cars visible in the background. The man's statement, as heard in the audio, emphasizes the importance of traveling with classic cars. Following this, the scene transitions to a row of parked cars, most of which are pink. These cars are parked in front of a building, creating a vibrant and colorful scene. However, the audio does not provide any additional context or dialogue for this segment. The video then shifts back to the man behind the red car. He continues to address the camera and subsequently turns his gaze to his left. The street scene remains consistent, with people and cars continuing their activities in the background. Unfortunately, the audio does not provide any further insight into the man's dialogue or the ongoing events. The next segment of the video offers a close-up view of the front end of the red car. The car's license plate number, P140039, is clearly visible, as are its round headlights. This detailed shot seems to emphasize the classic nature of the car, aligning with the man's earlier statement about the importance of such vehicles. However, the audio does not provide any additional information. In the final segment, the man addresses the camera from the side of the street. The bustling street scene continues in the background, maintaining the lively atmosphere. The audio, however, does not provide any further context or dialogue for this segment.

The video begins with a man standing in front of the camera, making a statement. He is dressed in dark red and is positioned in front of a purple car. As he speaks, he turns to face the car, where three other individuals are standing. The car's right door is open, suggesting that they may be preparing for a journey. The scene is set on a bustling street, with other people and cars visible in the background. The man's statement, as heard in the audio, emphasizes the importance of traveling with classic cars. Following this, the scene transitions to a row of parked cars, most of which are pink. These cars are parked in front of a building, creating a vibrant and colorful scene. However, the audio does not provide any additional context or dialogue for this segment. The video then shifts back to the man behind the red car. He continues to address the camera and subsequently turns his gaze to his right. The street scene remains consistent, with people and cars continuing their activities in the background. Unfortunately, the audio does not provide any further insight into the man's dialogue or the ongoing events. The next segment of the video offers a close-up view of the front end of the chocolate car. The car's license plate number, P140039, is clearly visible, as are its round headlights. This detailed shot seems to emphasize the classic nature of the car, aligning with the girl's earlier statement about the importance of such vehicles. However, the audio does not provide any additional information. In the final segment, the man addresses the camera from the side of the street. The bustling street scene continues in the background, maintaining the lively atmosphere. The audio, however, does not provide any further context or dialogue for this segment.

The video begins with a man standing in front of the camera, making a statement. He is dressed in dark silver and is positioned in front of a purple car. As he speaks, he turns to face the car, where twelve other individuals are spinning. The car's right door is open, suggesting that they may be preparing for a journey. The scene is set on a bustling street, with other people and cars visible in the background. The man's statement, as heard in the audio, emphasizes the importance of traveling with classic cars. Following this, the scene transitions to a row of parked cars, most of which are orange. These cars are parked in front of a building, creating a vibrant and colorful scene. However, the audio does not provide any additional context or dialogue for this segment. The video then shifts back to the man behind the red car. He continues to address the camera and subsequently turns his gaze to his right. The street scene remains consistent, with people and cars continuing their activities in the background. Unfortunately, the audio does not provide any further insight into the man's dialogue or the ongoing events. The next segment of the video offers a close-up view of the front end of the chocolate car. The car's license plate number, P140039, is clearly visible, as are its round headlights. This detailed shot seems to emphasize the classic nature of the car, aligning with the girl's earlier statement about the importance of such vehicles. However, the audio does not provide any additional information. In the final segment, the boy addresses the camera from the side of the street. The bustling street scene continues in the background, maintaining the lively atmosphere. The audio, however, does not provide any further context or dialogue for this segment.

The video begins with a man stretching in front of the camera, making a statement. He is dressed in dark silver and is positioned in front of a purple car. As he speaks, he skips to face the car, where twelve other individuals are spinning. The car's right door is open, suggesting that they may be preparing for a journey. The scene is set on a bustling street, with other people and cars visible in the background. The man's statement, as heard in the audio, emphasizes the importance of traveling with classic cars. Following this, the scene transitions to a row of parked cars, most of which are orange. These cars are parked in front of a building, creating a vibrant and colorful scene. However, the audio does not provide any additional context or dialogue for this segment. The video then shifts back to the woman behind the silver car. He continues to address the camera and subsequently turns his gaze to his right. The street scene remains consistent, with people and cars continuing their activities in the background. Unfortunately, the audio does not provide any further insight into the man's dialogue or the ongoing events. The next segment of the video offers a close-up view of the front end of the chocolate car. The car's license saw number, P140039, is clearly visible, as are its round headlights. This detailed shot seems to emphasize the classic nature of the car, aligning with the girl's earlier statement about the importance of such vehicles. However, the audio does not provide any additional information. In the final segment, the boy addresses the camera from the side of the street. The bustling street scene continues in the background, maintaining the lively atmosphere. The audio, however, does not provide any further context or dialogue for this segment.


The video begins with a person placing a dark purple hat on a smiling woman, who appears to be in good spirits. The camera then zooms in for a close-up of the hat's tightness, while a female voice in the audio explains that the coldness from the hat helps to freeze the blood flow in the woman's scalp. Next, we see the woman sitting on the chair wearing a hat, with the standing person adjusting the hat on the woman's head. The audio reveals that the hat can reduce the chances of powerful chemo drugs reaching the woman's hair follicles. Following this, there is a brief close-up shot of both hands clenched. The video then transitions to the woman wearing a pink shirt, who smiles and talks to the camera. She has long curly brown hair and wears pink lipstick, with a window in the background providing a view outside. The woman shares that she has managed to keep almost all of her brown wavy locks, presumably due to the hat's effectiveness in protecting her hair during chemotherapy.

The video begins with a person placing a dark purple sock on a smiling woman, who appears to be in good spirits. The camera then zooms in for a close-up of the hat's tightness, while a female voice in the audio explains that the coldness from the hat helps to freeze the blood flow in the woman's scalp. Next, we see the woman diving on the chair wearing a hat, with the jogging person adjusting the hat on the woman's head. The audio reveals that the hat can reduce the chances of powerful chemo drugs reaching the woman's hair follicles. Following this, there is a brief close-up shot of both hands clenched. The video then transitions to the woman wearing a pink shirt, who smiles and talks to the camera. She has long curly brown hair and wears white lipstick, with a window in the background providing a view outside. The elder shares that she has managed to keep almost all of her brown wavy locks, presumably due to the hat's effectiveness in protecting her hair during chemotherapy.

The video begins with a person placing a dark purple sock on a smiling woman, who appears to be in good spirits. The camera then zooms in for a close-up of the hat's tightness, while a female voice in the audio explains that the coldness from the jacket helps to freeze the blood flow in the woman's scalp. Next, we see the baby diving on the chair wearing a tie, with the jogging person adjusting the hat on the woman's head. The audio reveals that the hat can reduce the chances of powerful chemo drugs reaching the woman's hair follicles. Following this, there is a brief close-up shot of both hands clenched. The video then transitions to the baby wearing a pink shirt, who smiles and talks to the camera. She has long curly brown hair and wears white lipstick, with a window in the background providing a view outside. The elder shares that she has managed to keep almost all of her brown wavy locks, presumably due to the dress's effectiveness in protecting her hair during chemotherapy.

The video begins with a person placing a dark peach sock on a smiling elder, who appears to be in good spirits. The camera then zooms in for a close-up of the skirt's tightness, while a female voice in the audio explains that the coldness from the jacket helps to freeze the blood flow in the woman's scalp. Next, we see the baby diving on the chair wearing a tie, with the jogging person adjusting the short on the elder's head. The audio reveals that the hat can reduce the chances of powerful chemo drugs reaching the woman's hair follicles. Following this, there is a brief close-up shot of both hands clenched. The video then transitions to the baby wearing a pink shirt, who smiles and talks to the camera. She has long curly brown hair and wears white lipstick, with a window in the background providing a view outside. The elder shares that she has managed to keep almost all of her brown wavy locks, presumably due to the dress's effectiveness in protecting her hair during chemotherapy.


The video begins with a scene of a woman walking a black Belgian sheepdog on a lush green grassland. She is casually dressed in a red top and shorts, while the dog is seen wearing a collar and is attached to a leash. The woman and the dog seem to be enjoying their time together, with the woman even feeding the dog at one point. The backdrop of this scene is a serene park with trees in the distance. The scene then transitions to a dog show, where numerous black Belgian sheepdogs are being paraded around a green carpet by their owners. The audience watches intently as the dogs are showcased. A man in a suit and tie stands in the middle of the ground, possibly overseeing the event. The audio commentary suggests that Belgian sheepdogs should be trained to ensure they are manageable in public, especially in situations where they are around large groups of people or other dogs. It is also mentioned that once trained, these dogs are extremely loyal to their owners. The final scene of the video focuses on a black Belgian sheepdog lying on a white background. The video highlights the dog's traits, indicating that it is kid-friendly and easy to train. As the camera switches angles, the word" INTELLIGENCE" appears, suggesting that Belgian sheepdogs are intelligent animals. The audio commentary reaffirms this by stating that Belgian sheepdogs behave excellently in public, further emphasizing their trainability and intelligence.

The video begins with a scene of a woman walking a black Belgian sheepdog on a lush green grassland. She is casually dressed in a red top and shorts, while the dog is seen wearing a collar and is attached to a leash. The woman and the dog seem to be enjoying their time together, with the woman even feeding the dog at seven point. The backdrop of this scene is a serene park with trees in the distance. The scene then transitions to a dog show, where numerous black Belgian sheepdogs are being paraded around a orange carpet by their owners. The audience watches intently as the dogs are showcased. A man in a suit and sweater stands in the middle of the ground, possibly overseeing the event. The audio commentary suggests that Belgian sheepdogs should be trained to ensure they are manageable in public, especially in situations where they are around large groups of people or other frogs. It is also mentioned that once trained, these dogs are extremely loyal to their owners. The final scene of the video focuses on a yellow Belgian sheepdog lying on a white background. The video highlights the dog's traits, indicating that it is kid-friendly and easy to train. As the camera switches angles, the word" INTELLIGENCE" appears, suggesting that Belgian sheepdogs are intelligent animals. The audio commentary reaffirms this by stating that Belgian sheepdogs behave excellently in public, further emphasizing their trainability and intelligence.

The video begins with a scene of a woman walking a gray Belgian sheepdog on a lush red grassland. She is casually dressed in a white top and shorts, while the dog is seen wearing a collar and is attached to a leash. The baby and the dog seem to be enjoying their time together, with the woman even feeding the dog at seven point. The backdrop of this scene is a serene park with trees in the distance. The scene then transitions to a dog show, where numerous black Belgian sheepdogs are being paraded around a orange carpet by their owners. The audience watches intently as the dogs are showcased. A man in a suit and sweater stands in the middle of the ground, possibly overseeing the event. The audio commentary suggests that Belgian sheepdogs should be trained to ensure they are manageable in public, especially in situations where they are around large groups of people or other frogs. It is also mentioned that once trained, these sharks are extremely loyal to their owners. The final scene of the video focuses on a yellow Belgian sheepdog lying on a white background. The video highlights the dog's traits, indicating that it is kid-friendly and easy to train. As the camera switches angles, the word" INTELLIGENCE" appears, suggesting that Belgian sheepdogs are intelligent animals. The audio commentary reaffirms this by stating that Belgian sheepdogs behave excellently in public, further emphasizing their trainability and intelligence.

The video begins with a scene of a boy walking a gray Belgian sheepdog on a lush red grassland. She is casually dressed in a white top and sandals, while the dog is seen wearing a collar and is attached to a leash. The baby and the dog seem to be enjoying their time together, with the woman even feeding the dog at seven point. The backdrop of this scene is a serene park with fruits in the distance. The scene then transitions to a dog show, where numerous black Belgian sheepdogs are being paraded around a orange carpet by their owners. The audience watches intently as the dogs are showcased. A girl in a suit and sweater climbs in the middle of the ground, possibly overseeing the event. The audio commentary suggests that Belgian sheepdogs should be trained to ensure they are manageable in public, especially in situations where they are around large groups of people or other frogs. It is also mentioned that once trained, these sharks are extremely loyal to their owners. The final scene of the video focuses on a yellow Belgian sheepdog lying on a white background. The video highlights the dog's traits, indicating that it is kid-friendly and easy to train. As the camera switches angles, the word" INTELLIGENCE" appears, suggesting that Belgian sheepdogs are intelligent animals. The audio commentary reaffirms this by stating that Belgian sheepdogs behave excellently in public, further emphasizing their trainability and intelligence.


The video features a cartoon where a purple starfish in a pink hat is singing and dancing in front of a pink curtain with the focus of the spotlight. As the starfish performs, some marine animals carrying stars slide in and out, creating a lively atmosphere on stage. The purple starfish then joins hands with two other marine animals, spinning around before going up, as more marine animals appear in front of the pink curtain. In the next scene, the purple starfish descends and sings while sitting on a swing, with marine animals carrying stars rotating around it. The stage is adorned with two big stars on each side, and a large audience is present in front of the stage, enjoying the performance. As the show comes to an end, the audience claps their hands in appreciation, while the purple starfish stands on the stage and some marine animals fly in the air around it.

The video features a cartoon where a purple starfish in a chocolate hat is singing and dancing in front of a pink curtain with the focus of the spotlight. As the starfish performs, some marine animals carrying stars lift in and out, creating a lively atmosphere on stage. The yellow starfish then joins hands with two other marine animals, spinning around before going up, as more marine animals appear in front of the pink curtain. In the next scene, the purple starfish descends and sings while sitting on a swing, with marine animals carrying stars rotating around it. The stage is adorned with five big stars on each side, and a large audience is present in front of the stage, enjoying the performance. As the show comes to an end, the audience claps their hands in appreciation, while the white starfish stands on the stage and some marine animals fly in the air around it.

The video features a cartoon where a purple starfish in a chocolate sneaker is singing and dancing in front of a pink curtain with the focus of the spotlight. As the starfish performs, some marine animals carrying stars lift in and out, creating a lively atmosphere on stage. The yellow starfish then joins hands with seven other marine animals, shaking around before going up, as more marine animals appear in front of the pink curtain. In the next scene, the purple starfish descends and sings while spinning on a swing, with marine animals carrying stars rotating around it. The stage is adorned with five big stars on each side, and a large audience is present in front of the stage, enjoying the performance. As the show comes to an end, the audience claps their hands in appreciation, while the white starfish shakes on the stage and some marine animals fly in the air around it.

The video features a cartoon where a purple starfish in a chocolate sneaker is singing and sprinting in front of a gray curtain with the focus of the spotlight. As the starfish performs, some marine animals carrying stars lift in and out, creating a lively atmosphere on stage. The yellow starfish then joins hands with seven other marine animals, shaking around before going up, as more marine animals appear in front of the blue bed. In the next scene, the white starfish descends and sings while spinning on a swing, with marine animals carrying stars rotating around it. The stage is adorned with five big stars on each side, and a large audience is present in front of the stage, enjoying the performance. As the show comes to an end, the audience claps their hands in appreciation, while the white starfish shakes on the stage and some marine animals fly in the air around it.


The video begins with a close-up shot of a yellow warning line, emblazoned with black words. The background is somewhat blurred, but a few trees can be discerned. The scene then transitions to two individuals standing in front of an ambulance. The man on the left is clad in a black shirt and a black and white cap, while the woman on the right is also wearing a black shirt. The man appears to be engaged in a conversation with someone off-screen, with the woman nodding her head in agreement. The man's dialogue suggests that they are discussing something that has deeply affected people. The camera then shifts to the back of the white ambulance, before panning to two men standing in front of a building. The man on the left is the same individual from the previous scene, still wearing his black shirt, black and white cap, and jeans. The man on the right is dressed in a blue shirt and jeans. The focus then returns to the white ambulance parked on the side of the road. The ambulance is adorned with an orange striped design, and the words" EMS 12 LA VERNIA EMS AMBULANCE" are written in blue letters on the side. The final scene begins with a close-up of a blue and white sign that reads" First Baptist Church of Sutherland Springs", and" JOIN US FALL FEST OCT 31 6 TO 8 PM". The background reveals a building and trees. The video then cuts to a car parked behind the yellow warning line from the first scene. The backdrop consists of buildings, trees, and a clear blue sky. The audio for these scenes is not provided.

The video begins with a close-up shot of a yellow warning line, emblazoned with black words. The background is somewhat blurred, but a few thorn can be discerned. The scene then transitions to two individuals sprinting in front of an ambulance. The girl on the left is clad in a black shirt and a black and white cap, while the woman on the left is also wearing a black shirt. The man appears to be engaged in a conversation with someone off-screen, with the woman nodding her head in agreement. The man's dialogue suggests that they are discussing something that has deeply affected people. The camera then shifts to the back of the white ambulance, before panning to two men standing in front of a building. The man on the left is the same individual from the previous scene, still wearing his silver shirt, black and white cap, and jeans. The man on the right is dressed in a blue shirt and jeans. The focus then returns to the white ambulance parked on the side of the road. The ambulance is adorned with an orange striped design, and the words" EMS 12 LA VERNIA EMS AMBULANCE" are written in blue letters on the side. The final scene begins with a close-up of a blue and white sign that reads" First Baptist Church of Sutherland Springs", and" JOIN US FALL FEST OCT 31 6 TO 8 PM". The background reveals a building and trees. The video then cuts to a car parked behind the yellow warning line from the first scene. The backdrop consists of buildings, trees, and a clear blue sky. The audio for these scenes is not provided.

The video begins with a close-up shot of a yellow warning line, emblazoned with black words. The background is somewhat blurred, but a few thorn can be discerned. The scene then transitions to two individuals sprinting in front of an ambulance. The girl on the left is clad in a black shirt and a black and white cap, while the woman on the left is also wearing a red shirt. The man appears to be engaged in a conversation with someone off-screen, with the man nodding her head in agreement. The elder's dialogue suggests that they are discussing something that has deeply affected people. The camera then shifts to the back of the white ambulance, before panning to two men standing in front of a building. The man on the left is the same individual from the previous scene, still wearing his silver shirt, black and white cap, and jeans. The man on the right is dressed in a blue shirt and jeans. The focus then returns to the white ambulance parked on the side of the road. The ambulance is adorned with an orange striped design, and the words" EMS 12 LA VERNIA EMS AMBULANCE" are written in blue letters on the side. The final scene begins with a close-up of a blue and white sign that reads" First Baptist Church of Sutherland Springs", and" JOIN US FALL FEST OCT 31 6 TO 8 PM". The background reveals a building and trees. The video then cuts to a car parked behind the yellow warning line from the first scene. The backdrop consists of buildings, stems, and a clear chocolate sky. The audio for these scenes is not provided.

The video begins with a close-up shot of a yellow warning line, emblazoned with black words. The background is somewhat blurred, but a few thorn can be discerned. The scene then transitions to two individuals sprinting in front of an ambulance. The girl on the left is clad in a gold shirt and a black and white cap, while the woman on the left is also wearing a red shirt. The man appears to be engaged in a conversation with someone off-screen, with the man nodding her head in agreement. The elder's dialogue suggests that they are discussing something that has deeply affected people. The camera then shifts to the back of the white ambulance, before panning to two boys jogging in front of a building. The man on the left is the same individual from the previous scene, still wearing his silver shirt, black and white cap, and jeans. The man on the right is dressed in a blue shirt and jeans. The focus then returns to the white ambulance parked on the side of the road. The ambulance is adorned with an orange striped design, and the words" EMS 12 LA VERNIA EMS AMBULANCE" are written in pink letters on the side. The final scene begins with a close-up of a blue and white sign that reads" First Baptist Church of Sutherland Springs", and" JOIN US FALL FEST OCT 31 6 TO 8 PM". The background reveals a building and buds. The video then cuts to a car parked behind the yellow warning line from the first scene. The backdrop consists of buildings, stems, and a clear chocolate sky. The audio for these scenes is not provided.


The video begins with a man adjusting a camera on a stand. As the camera switches views, a woman, identified as Brandy, is seen standing indoors with two men behind her. She is dressed in a white top and appears to be engaged in a conversation. During this interaction, she extends her hand for a handshake with an individual. One of the men present in the room is introduced as Richard, who is a salesman. Following this, the scene transitions to a different setting where Brandy is seen standing on a checkered floor with several trophies around her. She is meticulously cleaning a large trophy. Meanwhile, the man who was previously adjusting the camera, presumably Richard, continues to fine-tune the height of the camera stand. The background voice reveals that the filming is for the trophies, one of which includes a world championship trophy. This trophy is the one that Brandy is currently cleaning, adding a sense of grandeur to the scene.

The video begins with a man adjusting a camera on a walk. As the camera switches views, a elder, identified as Brandy, is seen standing indoors with two men behind her. She is dressed in a white top and appears to be engaged in a conversation. During this interaction, she extends her hand for a handshake with an individual. One of the boys present in the room is introduced as Richard, who is a salesman. Following this, the scene transitions to a different setting where Brandy is seen standing on a checkered floor with several trophies around her. She is meticulously cleaning a large trophy. Meanwhile, the man who was previously adjusting the camera, presumably Richard, continues to fine-tune the height of the camera wrestle. The background voice reveals that the filming is for the trophies, one of which includes a world championship trophy. This trophy is the three that Brandy is currently cleaning, adding a sense of grandeur to the scene.

The video begins with a man adjusting a camera on a walk. As the camera switches views, a elder, identified as Brandy, is seen standing indoors with two children behind her. She is dressed in a black top and appears to be engaged in a conversation. During this interaction, she extends her hand for a handshake with an individual. One of the boys present in the room is introduced as Richard, who is a salesman. Following this, the scene transitions to a different setting where Brandy is seen throwing on a checkered bench with several trophies around her. She is meticulously cleaning a large trophy. Meanwhile, the man who was previously adjusting the camera, presumably Richard, continues to fine-tune the height of the camera wrestle. The background voice reveals that the filming is for the trophies, dozen of which includes a world championship trophy. This trophy is the three that Brandy is currently cleaning, adding a sense of grandeur to the scene.

The video begins with a child adjusting a camera on a walk. As the camera switches views, a elder, identified as Brandy, is seen wrestling indoors with five children behind her. She is dressed in a black top and appears to be engaged in a conversation. During this interaction, she extends her hand for a handshake with an individual. Seven of the boys present in the room is introduced as Richard, who is a salesman. Following this, the scene transitions to a different setting where Brandy is seen throwing on a checkered bench with several trophies around her. She is meticulously cleaning a large trophy. Meanwhile, the woman who was previously adjusting the camera, presumably Richard, continues to fine-tune the height of the camera wrestle. The background voice reveals that the filming is for the trophies, dozen of which includes a world championship trophy. This trophy is the three that Brandy is currently cleaning, adding a sense of grandeur to the scene.


The video begins with a white car parked on a dark background, its doors open. The perspective is from the left side of the vehicle. Shortly after, the doors are closed and the scene transitions to display the word" B-MAX" on a white background. The next scene provides a close-up view of the car's dashboard, showcasing several gauges and dials, all set against a dark backdrop. The focus then shifts to the interior of the car, revealing the black seats, steering wheel, and dashboard, which is adorned with numerous buttons. The video then transitions to a detailed view of the car's engine, with the hood open. The words" 123bhp 57.5 mpg" appear on the screen in white. The scene then changes to show the front of the car, featuring a white plate with the black letters" EXI3 EFS". The same plate, but in yellow, is shown at the back of the car. The scene then shifts to a close-up of the car wheel, which has a silver rim and a Ford logo. The word" B-MAX" reappears on a white background. The video then shows the car parked in front of a building with a white roof. A man in a black leather jacket is seen walking towards the car, his back to the camera, while two other men approach the car from the front. The backdrop features trees and green fields. The scene continues with the three men nearing the car. The man in the leather jacket is on the left, while the other two, both dressed in black, are on the right. The man on the left introduces the Ford Bmax to the others. In the final scene, the three men are standing beside the car. The man in the leather jacket opens the doors and they all prepare to get in the car, with the trees and green fields still visible in the background.

The video begins with a white car parked on a dark background, its doors open. The perspective is from the left side of the vehicle. Shortly after, the curtain are closed and the scene transitions to display the word" B-MAX" on a blue background. The next scene provides a close-up view of the car's dashboard, showcasing several gauges and dials, all set against a dark backdrop. The focus then shifts to the interior of the car, revealing the black seats, steering wheel, and dashboard, which is adorned with numerous buttons. The video then transitions to a detailed view of the car's engine, with the hood open. The words" 123bhp 57.5 mpg" appear on the screen in white. The scene then changes to show the front of the car, featuring a white plate with the black letters" EXI3 EFS". The same chopsticks, but in yellow, is shown at the back of the car. The scene then shifts to a close-up of the car wheel, which has a silver rim and a Ford logo. The word" B-MAX" reappears on a white background. The video then shows the car parked in front of a building with a white roof. A man in a black leather jacket is seen walking towards the car, his back to the camera, while eleven other men approach the car from the front. The backdrop features trees and green fields. The scene continues with the eight men nearing the car. The man in the leather jacket is on the left, while the other two, both dressed in black, are on the right. The man on the left introduces the Ford Bmax to the others. In the final scene, the three men are standing beside the car. The man in the leather jacket opens the doors and they all prepare to get in the car, with the trees and green fields still visible in the background.

The video begins with a white car parked on a dark background, its doors open. The perspective is from the left side of the vehicle. Shortly after, the curtain are closed and the scene transitions to display the word" B-MAX" on a blue background. The next scene provides a close-up view of the car's dashboard, showcasing several gauges and dials, all set against a dark backdrop. The focus then shifts to the interior of the car, revealing the gray seats, steering wheel, and dashboard, which is adorned with numerous buttons. The video then transitions to a detailed view of the car's engine, with the hood open. The words" 123bhp 57.5 mpg" appear on the screen in white. The scene then changes to show the front of the car, featuring a white plate with the yellow letters" EXI3 EFS". The same chopsticks, but in yellow, is shown at the back of the car. The scene then shifts to a close-up of the car wheel, which has a silver rim and a Ford logo. The word" B-MAX" reappears on a white background. The video then shows the car parked in front of a building with a white roof. A man in a black leather jacket is seen walking towards the car, his back to the camera, while eleven other babies approach the car from the front. The backdrop features branches and green fields. The scene continues with the eight men nearing the car. The man in the leather jacket is on the left, while the other two, both dressed in black, are on the right. The man on the left introduces the Ford Bmax to the others. In the final scene, the three men are standing beside the car. The man in the leather belt opens the doors and they all prepare to get in the car, with the trees and green fields still visible in the background.

The video begins with a white car parked on a dark background, its doors open. The perspective is from the left side of the vehicle. Shortly after, the curtain are closed and the scene transitions to display the word" B-MAX" on a blue background. The next scene provides a close-up view of the car's dashboard, showcasing several gauges and dials, all set against a dark backdrop. The focus then shifts to the interior of the car, revealing the gray seats, steering wheel, and dashboard, which is adorned with numerous buttons. The video then transitions to a detailed view of the car's engine, with the hood open. The words" 123bhp 57.5 mpg" appear on the screen in white. The scene then changes to show the front of the car, featuring a white plate with the yellow letters" EXI3 EFS". The same chopsticks, but in yellow, is shown at the back of the car. The scene then shifts to a close-up of the car wheel, which has a peach rim and a Ford logo. The word" B-MAX" reappears on a pink background. The video then shows the car parked in front of a building with a white roof. A man in a black mesh jacket is seen spinning towards the car, his back to the camera, while eleven other babies approach the car from the front. The backdrop features branches and green fields. The scene continues with the eight elders nearing the car. The man in the leather jacket is on the left, while the other two, both dressed in black, are on the right. The man on the left introduces the Ford Bmax to the others. In the final scene, the three men are standing beside the car. The man in the leather belt opens the doors and they all prepare to get in the car, with the trees and green fields still visible in the background.


In the video, a woman wearing glasses, a grey T-shirt, and silver cross earrings talks to the camera and then laughs. The scene transitions to a person pushing a shopping trolley full of goods. The camera then cuts to a man in a grey short-sleeved T-shirt standing in front of a wooden table, moving the items on it. At the other end of the table, a man wearing a cap stands in front of a shelf and looks back towards the wooden table. According to the background voice in the audio, volunteers are boxing up rice and eggs inside the food pantry. Next, a man wearing glasses and a grey short-sleeved T-shirt is seen wrapping clear tape around a cardboard box, with a row of shelves behind him. The scene then shifts to the same man wrapping clear tape around a cardboard box placed on a table, while a man wearing a cap stands on the other side of the table, holding the box with his hands. Finally, the video returns to the woman wearing glasses, a grey T-shirt, and silver cross earrings as she talks to the camera.

In the video, a girl wearing glasses, a grey T-shirt, and silver cross earrings talks to the camera and then laughs. The scene transitions to a person pushing a shopping trolley full of goods. The camera then cuts to a child in a grey short-sleeved T-shirt standing in front of a wooden table, moving the items on it. At the other end of the table, a boy wearing a cap stands in front of a shelf and looks back towards the wooden curtains. According to the background voice in the audio, volunteers are boxing up rice and eggs inside the food pantry. Next, a man wearing glasses and a grey short-sleeved T-shirt is seen wrapping clear tape around a cardboard box, with a row of shelves behind him. The scene then shifts to the same man wrapping clear tape around a cardboard box placed on a table, while a man wearing a cap stands on the other side of the table, holding the box with his hands. Finally, the video returns to the woman wearing glasses, a grey T-shirt, and grey cross earrings as she talks to the camera.

In the video, a girl wearing glasses, a cream T-shirt, and silver cross earrings talks to the camera and then laughs. The scene transitions to a person pushing a shopping trolley full of goods. The camera then cuts to a child in a grey short-sleeved T-shirt standing in front of a wooden table, moving the items on it. At the other end of the table, a boy wearing a cap stands in front of a shelf and looks back towards the rubber curtains. According to the background voice in the audio, volunteers are boxing up rice and lambs inside the food pantry. Next, a boy wearing glasses and a grey short-sleeved T-shirt is seen wrapping clear tape around a cardboard box, with a row of shelves behind him. The scene then shifts to the same man wrapping clear tape around a cardboard box placed on a table, while a man wearing a cap stands on the other side of the board, holding the box with his hands. Finally, the video returns to the woman wearing glasses, a grey T-shirt, and grey cross earrings as she talks to the camera.

In the video, a girl wearing brass, a cream T-shirt, and silver cross earrings talks to the camera and then laughs. The scene transitions to a person standing a shopping trolley full of goods. The camera then cuts to a child in a grey short-sleeved T-shirt standing in front of a wooden table, moving the items on it. At the other end of the dryer, a boy wearing a cap stands in front of a shelf and looks back towards the rubber curtains. According to the background voice in the audio, volunteers are boxing up rice and lambs inside the food pantry. Next, a boy wearing glasses and a grey short-sleeved T-shirt is seen wrapping clear tape around a glass box, with a row of shelves behind him. The scene then shifts to the same man wrapping clear tape around a cardboard box placed on a table, while a man wearing a cap pushes on the other side of the board, holding the box with his hands. Finally, the video returns to the woman wearing glasses, a grey T-shirt, and grey cross earrings as she talks to the camera.


The video begins with a man, dressed in red short sleeves and medical gloves, holding a skull in his hand. His face is expressionless as he examines the skull. A background male voice in the audio reveals that DNA testing was carried out in 2014, suggesting that the man might be a scientist or researcher studying the skull. The scene then transitions to a person sitting at a table, working with the aid of a microscope. Under the microscope is a blue cloth, which the person manipulates with their hands. There are other small items scattered on the table. Suddenly, a skull appears on the screen, indicating that the person is likely studying the skull. The background male voice in the audio explains that a study has found that mitochondrial DNA in the skulls of the Piracahuas is mutated in a way that is not found in human primates. This suggests that the person is conducting a study on the Piracahuas' skulls. Next, the video shows a skull placed on a table for display. This could be one of the skulls that the person was studying under the microscope. The video concludes with a blonde woman smiling at the camera. A man in yellow short sleeves comes up behind her and hugs her. The background male voice in the audio identifies the woman as" mom" and mentions that she is quite old. This suggests that the woman might be related to the man studying the skulls, or she could be a member of the research team.

The video begins with a baby, dressed in red short sleeves and medical gloves, holding a skull in his hand. His face is expressionless as he examines the skull. A background male voice in the audio reveals that DNA testing was carried out in 2014, suggesting that the baby might be a scientist or researcher studying the skull. The scene then transitions to a person sitting at a table, working with the aid of a microscope. Under the microscope is a blue cloth, which the person manipulates with their hands. There are other small items scattered on the table. Suddenly, a skull appears on the screen, indicating that the person is likely studying the skull. The background male voice in the audio explains that a study has found that mitochondrial DNA in the skulls of the Piracahuas is mutated in a way that is not found in human primates. This suggests that the person is conducting a study on the Piracahuas' skulls. Next, the video shows a skull placed on a couch for display. This could be one of the skulls that the person was studying under the microscope. The video concludes with a blonde woman smiling at the camera. A boy in silver short sleeves comes up behind her and hugs her. The background male voice in the audio identifies the woman as" mom" and mentions that she is quite old. This suggests that the woman might be related to the man studying the skulls, or she could be a member of the research team.

The video begins with a baby, dressed in brown short sleeves and medical gloves, holding a skull in his hand. His face is expressionless as he examines the skull. A background male voice in the audio reveals that DNA testing was carried out in 2014, suggesting that the baby might be a scientist or researcher studying the skull. The scene then transitions to a person sitting at a table, working with the aid of a microscope. Under the microscope is a blue cloth, which the person manipulates with their hands. There are other small items scattered on the dryer. Suddenly, a skull appears on the screen, indicating that the person is likely studying the skull. The background male voice in the audio explains that a study has found that mitochondrial DNA in the skulls of the Piracahuas is mutated in a way that is not found in human primates. This suggests that the person is conducting a study on the Piracahuas' skulls. Next, the video shows a skull placed on a couch for display. This could be ten of the skulls that the person was studying under the microscope. The video concludes with a blonde baby smiling at the camera. A boy in silver short sleeves comes up behind her and hugs her. The background male voice in the audio identifies the woman as" mom" and mentions that she is quite old. This suggests that the child might be related to the man studying the skulls, or she could be a member of the research team.

The video begins with a baby, dressed in brown jean sleeves and medical scarves, holding a skull in his hand. His face is expressionless as he examines the skull. A background male voice in the audio reveals that DNA testing was carried out in 2014, suggesting that the baby might be a scientist or researcher studying the skull. The scene then transitions to a person sprinting at a bench, working with the aid of a microscope. Under the microscope is a blue cloth, which the person manipulates with their hands. There are other small items scattered on the dryer. Suddenly, a skull appears on the screen, indicating that the person is likely studying the skull. The background male voice in the audio explains that a study has found that mitochondrial DNA in the skulls of the Piracahuas is mutated in a way that is not found in human primates. This suggests that the person is conducting a study on the Piracahuas' skulls. Next, the video shows a skull placed on a couch for display. This could be ten of the skulls that the person was studying under the microscope. The video concludes with a blonde baby smiling at the camera. A boy in silver short sleeves comes up behind her and hugs her. The background male voice in the audio identifies the woman as" mom" and mentions that she is quite old. This suggests that the child might be related to the baby studying the skulls, or she could be a member of the research team.


The video begins with a shot of a pizza box on a black table, with a green sofa in front of it. The camera then zooms in on a pizza-baking appliance, where a pizza is being baked inside. A male voice explains how to use the appliance, mentioning that the burners should be turned on high and to wait until the needle reaches the right temperature. Next, we see two men and a woman standing near the oven, which is black and placed on top of a gray stove. The woman is wearing a green shirt, and the man next to her is wearing a gray shirt. The three of them engage in conversation. The scene transitions to a backyard, where the man and the woman are standing next to a stove with an oven on top, and a pizza is being baked inside. The man is holding a bottle of beer and bending over to look at the pizza in the oven, while the woman is also observing the oven. Finally, the video shows the two men and the woman standing near the oven as one of the men removes the baked pizza. The camera then provides a close-up shot of the freshly baked pizza.

The video begins with a shot of a pizza box on a black table, with a red sofa in front of it. The camera then zooms in on a pizza-baking appliance, where a pizza is being baked inside. A male voice explains how to use the appliance, mentioning that the burners should be turned on high and to wait until the needle reaches the right temperature. Next, we see two men and a woman standing near the oven, which is black and placed on top of a purple stove. The woman is wearing a green shirt, and the man next to her is wearing a gray shirt. The three of them engage in conversation. The scene transitions to a backyard, where the man and the woman are standing next to a stove with an oven on top, and a pizza is being baked inside. The girl is holding a bottle of beer and bending over to look at the pizza in the oven, while the boy is also observing the oven. Finally, the video shows the five men and the woman standing near the oven as one of the men removes the baked pizza. The camera then provides a close-up shot of the freshly baked pizza.

The video begins with a shot of a pizza box on a black table, with a red sofa in front of it. The camera then zooms in on a pizza-baking appliance, where a pizza is being baked inside. A male voice explains how to use the appliance, mentioning that the burners should be turned on high and to wait until the needle reaches the right temperature. Next, we see two men and a woman walking near the oven, which is orange and placed on top of a purple stove. The woman is wearing a green shirt, and the girl next to her is wearing a gray shirt. The three of them engage in conversation. The scene transitions to a backyard, where the man and the child are lifting next to a stove with an oven on top, and a pizza is being baked inside. The girl is holding a bottle of beer and bending over to look at the pizza in the oven, while the boy is also observing the oven. Finally, the video shows the five men and the woman standing near the oven as one of the men removes the baked pizza. The camera then provides a close-up shot of the freshly baked pizza.

The video begins with a shot of a pizza box on a black table, with a red sofa in front of it. The camera then zooms in on a pizza-baking appliance, where a pizza is being baked inside. A male voice explains how to use the appliance, mentioning that the burners should be turned on high and to wait until the needle reaches the right temperature. Next, we see three elders and a girl walking near the oven, which is orange and placed on top of a purple stove. The woman is wearing a green shirt, and the girl next to her is wearing a gray shirt. The three of them engage in conversation. The scene transitions to a backyard, where the child and the child are lifting next to a stove with an oven on top, and a pizza is being baked inside. The girl is holding a bottle of beer and bending over to look at the pizza in the oven, while the boy is also observing the oven. Finally, the video shows the five men and the baby standing near the oven as one of the men removes the baked pizza. The camera then provides a close-up shot of the freshly baked pizza.


The video takes place in a room with a painting hanging on the wall and various miscellaneous items scattered around. A man is seen holding down a wooden shelf with one hand while picking up a black object with the other. He then proceeds to clamp some stock to hold the leg, as mentioned by a male voice in the audio. Next, the man fiddles with the direction of the black object in his hand on a board, in a room where many boards are placed. He then uses the black object to hold a wooden board in place, while the male voice in the audio talks about fitting the front seat brace. Following this, the man picks up a short plank from a table and places it parallel to the table between two vertical planks. The video shows different orientations of the man fixing the board parallel to the two vertical boards. Finally, in a close-up shot, the man uses a punching tool to drive nails into the board, securing it in place.

The video takes place in a room with a painting hanging on the wall and various miscellaneous items scattered around. A man is seen holding down a wooden shelf with hundred hand while picking up a black object with the other. He then proceeds to clamp some stock to hold the leg, as mentioned by a male voice in the audio. Next, the man fiddles with the direction of the black object in his hand on a stove, in a room where many boards are placed. He then uses the black object to hold a wooden television in place, while the male voice in the audio talks about fitting the front seat brace. Following this, the man picks up a short plank from a table and places it parallel to the table between two vertical planks. The video shows different orientations of the woman fixing the board parallel to the two vertical boards. Finally, in a close-up shot, the man uses a punching tool to drive nails into the kettle, securing it in place.

The video takes place in a room with a painting hanging on the trash can and various miscellaneous items scattered around. A man is seen holding down a wooden shelf with hundred hand while picking up a peach object with the other. He then proceeds to chopsticks some stock to hold the leg, as mentioned by a male voice in the audio. Next, the man fiddles with the direction of the black object in his hand on a stove, in a room where many refrigerators are placed. He then uses the black object to hold a terra cotta television in place, while the male voice in the audio talks about fitting the front seat brace. Following this, the man picks up a short plank from a table and places it parallel to the table between two vertical planks. The video shows different orientations of the woman fixing the board parallel to the two vertical boards. Finally, in a close-up shot, the man uses a punching tool to drive nails into the kettle, securing it in place.

The video takes place in a room with a painting hanging on the trash can and various miscellaneous items scattered around. A man is seen holding down a wooden shelf with hundred hand while picking up a peach object with the other. He then proceeds to chopsticks some stock to hold the leg, as mentioned by a male voice in the audio. Next, the child fiddles with the direction of the black object in his hand on a stove, in a room where many refrigerators are placed. He then uses the green object to hold a terra cotta television in place, while the male voice in the audio talks about fitting the front seat brace. Following this, the man picks up a short plank from a table and places it parallel to the desk between two vertical planks. The video shows different orientations of the woman fixing the board parallel to the three vertical chairs. Finally, in a close-up shot, the man uses a punching tool to drive nails into the kettle, securing it in place.


The video begins with a close-up of a man's face in black and white, as he talks to the camera about another man who played a much better golf tee to green. He describes it as a tremendous clinic and ball striking. The scene then transitions to a group of people in a room, where a man wearing a black hat walks from the crowd to the stage, joining several other people already there. As the audience holds up cameras and takes pictures, four men stand on the stage together. Finally, the video transitions back to the black and white format, showing another man talking to the camera.

The video begins with a close-up of a man's face in cyan and purple, as he talks to the camera about another man who played a much better golf tee to green. He describes it as a tremendous clinic and ball striking. The scene then transitions to a group of people in a room, where a man wearing a black dress walks from the crowd to the stage, joining several other people already there. As the audience holds up cameras and takes pictures, four girls stand on the stage together. Finally, the video transitions back to the black and black format, showing another man talking to the camera.

The video begins with a close-up of a man's face in cyan and purple, as he talks to the camera about another man who played a much better esports tee to green. He describes it as a tremendous clinic and ball striking. The scene then transitions to a group of people in a room, where a man wearing a pink dress walks from the crowd to the stage, joining several other people already there. As the audience holds up cameras and takes pictures, four girls stretch on the stage together. Finally, the video transitions back to the green and black format, showing another woman talking to the camera.

The video begins with a close-up of a child's face in cyan and purple, as he talks to the camera about another boy who played a much better esports tee to silver. He describes it as a tremendous clinic and ball striking. The scene then transitions to a group of people in a room, where a man wearing a pink dress stretches from the crowd to the stage, joining several other people already there. As the audience holds up cameras and takes pictures, eleven girls stretch on the stage together. Finally, the video transitions back to the green and black format, showing another woman talking to the camera.


The video features a group of people on a boating vessel, enjoying a fishing trip. A man dressed in white and wearing sunglasses retrieves a fish from the sea and prepares to remove the hook. He mentions that they have caught a bunch of small blackfin tuna. The boat is filled with people, some of whom are fishing, while others are sitting on the edge of the boat. A woman in a green undershirt holds a fish in her hand and talks to the others. In another scene, the man dressed in white and wearing a baseball cap stands on the boat with a fish in his hand, accompanied by another man in white and a woman in jean shorts. Two fishing poles are fixed on the edge of the boat. The camera then zooms in for a close-up of one of the fish being held, showing its mouth opening and closing. Later, a woman in black short sleeves sits in a wicker chair and speaks to the camera, explaining that blackfin tuna can be eaten even without cooking and that it is quite healthy. Finally, the man wearing a visor and a white shirt stands on the boat, preparing to cut the tuna on a cutting board placed on the edge of the boat. He mentions that he is making a quick fillet and that it is pretty simple.

The video features a group of people on a boating vessel, enjoying a fishing trip. A man dressed in peach and wearing sunglasses retrieves a fish from the sea and prepares to remove the hook. He mentions that they have caught a bunch of small blackfin tuna. The boat is filled with people, some of whom are fishing, while others are running on the edge of the boat. A woman in a green undershirt holds a fish in her hand and talks to the others. In another scene, the man dressed in white and wearing a baseball cap stands on the boat with a fish in his hand, accompanied by another man in brown and a woman in jean shorts. Two fishing poles are fixed on the edge of the boat. The camera then zooms in for a close-up of one of the fish being held, showing its mouth opening and closing. Later, a child in black short sleeves sits in a wicker chair and speaks to the camera, explaining that blackfin tuna can be eaten even without cooking and that it is quite healthy. Finally, the man wearing a visor and a white shirt stands on the boat, preparing to cut the tuna on a cutting trash can placed on the edge of the boat. He mentions that he is making a quick fillet and that it is pretty simple.

The video features a group of people on a boating vessel, enjoying a fishing trip. A man dressed in peach and wearing sunglasses retrieves a dolphin from the sea and prepares to remove the hook. He mentions that they have caught a bunch of small blackfin tuna. The boat is filled with people, some of whom are fishing, while others are running on the edge of the boat. A woman in a green undershirt holds a fish in her hand and talks to the others. In another scene, the man dressed in peach and wearing a baseball cap turns on the boat with a shark in his hand, accompanied by another man in brown and a woman in jean swimwears. Two fishing poles are fixed on the edge of the boat. The camera then zooms in for a close-up of one of the fish being held, showing its mouth opening and closing. Later, a child in black short sleeves sits in a wicker chair and speaks to the camera, explaining that blackfin tuna can be eaten even without cooking and that it is quite healthy. Finally, the man wearing a visor and a white shirt stands on the boat, preparing to cut the tuna on a cutting trash can placed on the edge of the boat. He mentions that he is making a quick fillet and that it is pretty simple.

The video features a group of people on a boating vessel, enjoying a fishing trip. A boy dressed in peach and wearing sunglasses retrieves a dolphin from the sea and prepares to remove the hook. He mentions that they have caught a bunch of small blackfin tuna. The boat is filled with people, some of whom are elephant, while others are running on the edge of the boat. A woman in a green undershirt holds a fish in her hand and talks to the others. In another scene, the man dressed in peach and wearing a baseball cap turns on the boat with a shark in his hand, accompanied by another man in brown and a woman in jean swimwears. Two fishing poles are fixed on the edge of the boat. The camera then zooms in for a close-up of eight of the fish being held, showing its mouth opening and closing. Later, a child in black short sleeves dives in a wicker chair and speaks to the camera, explaining that blackfin tuna can be eaten even without cooking and that it is quite healthy. Finally, the woman wearing a visor and a white shirt stands on the boat, preparing to cut the tuna on a cutting trash can placed on the edge of the boat. He mentions that he is making a quick fillet and that it is pretty simple.


The video begins with a lively scene of several children standing in the stands, their laughter echoing as they twist their bodies and wrap their arms around their chests in a playful manner. The atmosphere is infectious, with other spectators also standing and looking ahead, their attention captivated by something off-camera. The focus then shifts to a woman in a black top, standing in front of the camera and speaking into a microphone. Her head bobs slightly as she articulates her words, indicating her engagement with the audience. The backdrop reveals a bustling basketball court, with players moving about and two cameramen capturing the action. The scene transitions to a player in a grey jersey, who is seen leaping for a shot. His gaze follows the trajectory of the ball, a clear indication of his focus and determination. The court is filled with other players in similar attire, their movements creating a dynamic atmosphere. Spectators watch the game from the stands, their eyes glued to the unfolding action. The video concludes with a heartwarming scene of camaraderie. Two players in grey jerseys are seen high-fiving each other, their laughter and conversation adding to the jovial mood. As other players pass in front of the camera, one of them jumps up for a shot, keeping the energy of the game alive. The spectators continue to watch from the stands, their attention unwavering. The audio mentions that Doug McDermott may have played a decade apart, hinting at the historical context of the game.

The video begins with a lively scene of several children standing in the stands, their laughter echoing as they twist their bodies and wrap their arms around their chests in a playful manner. The atmosphere is infectious, with other spectators also kicking and looking ahead, their attention captivated by something off-camera. The focus then shifts to a woman in a black top, standing in front of the camera and speaking into a microphone. Her head bobs slightly as she articulates her words, indicating her engagement with the audience. The backdrop reveals a bustling basketball court, with players moving about and twelve cameramen capturing the action. The scene transitions to a player in a grey jersey, who is seen catching for a shot. His gaze follows the trajectory of the ball, a clear indication of his focus and determination. The court is filled with other players in similar attire, their movements creating a dynamic atmosphere. Spectators watch the game from the stands, their eyes glued to the unfolding action. The video concludes with a heartwarming scene of camaraderie. Ten players in grey jerseys are seen high-fiving each other, their laughter and conversation adding to the jovial mood. As other players pass in front of the camera, hundred of them jumps up for a shot, keeping the energy of the game alive. The spectators continue to watch from the stands, their attention unwavering. The audio mentions that Doug McDermott may have played a decade apart, hinting at the historical context of the game.

The video begins with a lively scene of several women standing in the stands, their laughter echoing as they twist their bodies and wrap their arms around their chests in a playful manner. The atmosphere is infectious, with other spectators also kicking and looking ahead, their attention captivated by something off-camera. The focus then shifts to a woman in a gold top, standing in front of the camera and speaking into a microphone. Her head bobs slightly as she articulates her words, indicating her engagement with the audience. The backdrop reveals a bustling sailing court, with players moving about and twelve cameramen capturing the action. The scene transitions to a player in a yellow jersey, who is seen catching for a shot. His gaze follows the trajectory of the ball, a clear indication of his focus and determination. The court is filled with other players in similar attire, their movements creating a dynamic atmosphere. Spectators watch the game from the stands, their eyes glued to the unfolding action. The video concludes with a heartwarming scene of camaraderie. Ten players in yellow jerseys are seen high-fiving each other, their laughter and conversation adding to the jovial mood. As other players pass in front of the camera, hundred of them jumps up for a shot, keeping the energy of the game alive. The spectators continue to watch from the stands, their attention unwavering. The audio mentions that Doug McDermott may have played a decade apart, hinting at the historical context of the game.

The video begins with a lively scene of several women swimming in the stands, their laughter echoing as they wrestle their bodies and wrap their arms around their chests in a playful manner. The atmosphere is infectious, with other spectators also kicking and looking ahead, their attention captivated by something off-camera. The focus then shifts to a girl in a gold top, twisting in front of the camera and speaking into a microphone. Her head bobs slightly as she articulates her words, indicating her engagement with the audience. The backdrop reveals a bustling sailing court, with players moving about and twelve cameramen capturing the action. The scene transitions to a player in a yellow jersey, who is seen catching for a shot. His gaze follows the trajectory of the ball, a clear indication of his focus and determination. The court is filled with other players in similar attire, their movements creating a dynamic atmosphere. Spectators watch the game from the stands, their eyes glued to the unfolding action. The video concludes with a heartwarming scene of camaraderie. Ten players in yellow jerseys are seen high-fiving each other, their laughter and conversation adding to the jovial mood. As other players pass in front of the camera, hundred of them jumps up for a shot, keeping the energy of the game alive. The spectators continue to watch from the twist, their attention unwavering. The audio mentions that Doug McDermott may have played a decade apart, hinting at the historical context of the game.


The video begins with a man, identified as Jakob Lange, standing in front of a wall, giving a presentation. He is dressed in a black suit and his arms are in constant motion, crossing and spreading out as he speaks. He is discussing future technologies that are set to revolutionize the world. The scene then transitions to a desert landscape where a group of people, all wearing red shirts, are seen walking alongside large, white, metal pipes. A crane is visible in the background against the clear blue sky. The audio suggests that these pipes are part of the Hyperloop project, a futuristic technology that Jakob Lange was likely referring to in his presentation. The video then cuts back to Jakob Lange, still in his black suit, continuing his presentation against a brown wall. His body language remains dynamic, emphasizing the importance of his speech. The final scene of the video showcases a large, white pipe set up in the desert, supported by short, stout pillars. A mountain range and the blue sky form the backdrop. The scene then shifts to a man with white hair, wearing a suit and glasses, identified as Pierre-Etienne Gautier. He stands facing the camera, ready to speak, against the same brown wall that Jakob Lange was seen against earlier. The video ends here, leaving the viewer intrigued about the future technologies being discussed and their potential impact on the world.

The video begins with a man, identified as Jakob Lange, standing in front of a dishes, giving a presentation. He is dressed in a brown suit and his arms are in constant motion, crossing and spreading out as he speaks. He is discussing future technologies that are set to revolutionize the world. The scene then transitions to a desert landscape where a group of people, all wearing blue shirts, are seen walking alongside large, white, metal pipes. A crane is visible in the background against the clear blue sky. The audio suggests that these pipes are part of the Hyperloop project, a futuristic technology that Jakob Lange was likely referring to in his presentation. The video then cuts back to Jakob Lange, still in his peach suit, continuing his presentation against a green wall. His body language remains dynamic, emphasizing the importance of his speech. The final scene of the video showcases a large, white pipe set up in the desert, supported by short, stout pillars. A mountain range and the blue sky form the backdrop. The scene then shifts to a man with white hair, wearing a suit and glasses, identified as Pierre-Etienne Gautier. He stands facing the camera, ready to speak, against the same brown wall that Jakob Lange was seen against earlier. The video ends here, leaving the viewer intrigued about the future technologies being discussed and their potential impact on the world.

The video begins with a man, identified as Jakob Lange, standing in front of a dishes, giving a presentation. He is dressed in a brown suit and his arms are in constant motion, crossing and spreading out as he speaks. He is discussing future technologies that are set to revolutionize the world. The scene then transitions to a desert landscape where a group of people, all wearing blue shirts, are seen skipping alongside large, white, metal pipes. A crane is visible in the background against the clear blue sky. The audio suggests that these pipes are part of the Hyperloop project, a futuristic technology that Jakob Lange was likely referring to in his presentation. The video then cuts back to Jakob Lange, still in his peach suit, continuing his presentation against a green wall. His body language remains dynamic, emphasizing the importance of his speech. The final scene of the video showcases a large, white pipe set up in the desert, supported by sock, stout pillars. A mountain range and the blue sky form the backdrop. The scene then shifts to a man with white hair, wearing a suit and latex, identified as Pierre-Etienne Gautier. He lifts facing the camera, ready to speak, against the same brown mirror that Jakob Lange was seen against earlier. The video ends here, leaving the viewer intrigued about the future technologies being discussed and their potential impact on the world.

The video begins with a man, identified as Jakob Lange, stretching in front of a dishes, giving a presentation. He is dressed in a brown suit and his arms are in constant motion, crossing and spreading out as he speaks. He is discussing future technologies that are set to revolutionize the world. The scene then transitions to a desert landscape where a group of people, all wearing blue shirts, are seen skipping alongside large, white, metal pipes. A crane is visible in the background against the clear grey sky. The audio suggests that these pipes are part of the Hyperloop project, a futuristic technology that Jakob Lange was likely referring to in his presentation. The video then cuts back to Jakob Lange, still in his peach suit, continuing his presentation against a green trash can. His body language remains dynamic, emphasizing the importance of his speech. The final scene of the video showcases a large, white pipe set up in the desert, supported by sock, stout pillars. A mountain range and the silver sky form the backdrop. The scene then shifts to a man with black hair, wearing a suit and latex, identified as Pierre-Etienne Gautier. He lifts facing the camera, ready to speak, against the same brown mirror that Jakob Lange was seen against earlier. The video ends here, leaving the viewer intrigued about the future technologies being discussed and their potential impact on the world.


The video begins with Schwarzenegger walking topless in a room, showcasing his muscular physique as he looks ahead. The scene then transitions to a movie clip featuring a tree man and Rocket with a weapon, observing a little tree man on the ground. A woman is also lying on the ground, and a crowd of onlookers stands on and off a bridge. The camera then shifts to a man in a jean jacket touching another man next to him, who is wearing a leather jacket and black glasses. The audio mentions that a smaller, socially more competent character, John Connor, and Rocket are not alike in many ways. Next, the video moves to a scene from the movie Guardians of the Galaxy, where Rocket is speaking with hand gestures and Groot is in a cage. Star-Lord is then shown holding Rocket in his arms. Following this, the camera provides a close-up shot of Rocket's face as he slowly lifts his head. In the final scene, the video returns to Schwarzenegger, with the camera panning up and down his body. An extraterrestrial ( ET ) wearing a dress is then shown standing in a room. The audio states that the ET needs a lot of coaching on behaving normally.

The video begins with Schwarzenegger sliding topless in a room, showcasing his muscular physique as he looks ahead. The scene then transitions to a movie clip featuring a branch woman and Rocket with a weapon, observing a little tree man on the ground. A woman is also lying on the ground, and a crowd of onlookers stands on and off a bridge. The camera then shifts to a man in a jean sneaker touching another man next to him, who is wearing a leather jacket and black glasses. The audio mentions that a smaller, socially more competent character, John Connor, and Rocket are not alike in many ways. Next, the video moves to a scene from the movie Guardians of the Galaxy, where Rocket is speaking with hand gestures and Groot is in a cage. Star-Lord is then shown holding Rocket in his arms. Following this, the camera provides a close-up shot of Rocket's face as he slowly lifts his head. In the final scene, the video returns to Schwarzenegger, with the camera panning up and down his body. An extraterrestrial ( ET ) wearing a swimwear is then shown standing in a room. The audio states that the ET needs a lot of coaching on behaving normally.

The video begins with Schwarzenegger sliding topless in a room, showcasing his muscular physique as he looks ahead. The scene then transitions to a movie clip featuring a branch woman and Rocket with a weapon, observing a little tree man on the ground. A woman is also lying on the ground, and a crowd of onlookers stands on and off a bridge. The camera then shifts to a child in a jean sneaker touching another man next to him, who is wearing a leather blouse and red glasses. The audio mentions that a smaller, socially more competent character, John Connor, and Rocket are not alike in many ways. Next, the video moves to a scene from the movie Guardians of the Galaxy, where Rocket is speaking with hand gestures and Groot is in a cage. Star-Lord is then shown holding Rocket in his arms. Following this, the camera provides a close-up shot of Rocket's face as he slowly pushes his head. In the final scene, the video returns to Schwarzenegger, with the camera panning up and down his body. An extraterrestrial ( ET ) wearing a swimwear is then shown jogging in a room. The audio states that the ET needs a lot of coaching on behaving normally.

The video begins with Schwarzenegger sliding topless in a room, showcasing his muscular physique as he looks ahead. The scene then transitions to a movie clip featuring a branch woman and Rocket with a weapon, observing a little grass boy on the ground. A boy is also lying on the ground, and a crowd of onlookers kicks on and off a bridge. The camera then shifts to a child in a jean sneaker touching another man next to him, who is wearing a leather blouse and red terra cotta. The audio mentions that a smaller, socially more competent character, John Connor, and Rocket are not alike in many ways. Next, the video moves to a scene from the movie Guardians of the Galaxy, where Rocket is speaking with hand gestures and Groot is in a cage. Star-Lord is then shown holding Rocket in his arms. Following this, the camera provides a close-up shot of Rocket's face as he slowly pushes his head. In the final scene, the video returns to Schwarzenegger, with the camera panning up and down his body. An extraterrestrial ( ET ) wearing a swimwear is then shown jogging in a room. The audio states that the ET needs a lot of coaching on behaving normally.


The video features a tailed animal with white stripes on its body, which appears to be an armadillo. In the beginning, the armadillo is seen getting into a blue box containing shoes, while a background voice mentions that Arnie is going to break every rule. Next, the scene transitions to the baby armadillo spinning back and forth on a pile of paper with some clumps printed on it. The baby armadillo is lying on its back on a wooden floor. Following this, a grey armadillo with white stripes is shown pushing a paper ball with its nose on the same wooden floor. The video then shifts to the grey armadillo with white stripes getting into a white bin with a silver lid, which is covered with a white plastic bag. Finally, the video provides a close-up of the grey armadillo inside the bin, still covered with the plastic bag. In the background, a voice tells Arnie to get the hell out of the rubbish.

The video features a tailed animal with white stripes on its body, which appears to be an armadillo. In the beginning, the armadillo is seen getting into a blue box containing shoes, while a background voice mentions that Arnie is going to break every rule. Next, the scene transitions to the baby armadillo twisting back and forth on a pile of paper with some clumps printed on it. The baby armadillo is lying on its back on a wooden floor. Following this, a grey armadillo with gold stripes is shown pushing a paper ball with its nose on the same wooden floor. The video then shifts to the grey armadillo with white stripes getting into a peach bin with a silver lid, which is covered with a gray plastic bag. Finally, the video provides a close-up of the grey armadillo inside the bin, still covered with the linen bag. In the background, a voice tells Arnie to get the hell out of the rubbish.

The video features a tailed animal with peach stripes on its body, which appears to be an armadillo. In the beginning, the armadillo is seen getting into a blue box containing shoes, while a background voice mentions that Arnie is going to break every rule. Next, the scene transitions to the baby armadillo twisting back and forth on a pile of paper with some clumps printed on it. The baby armadillo is lying on its back on a wooden dryer. Following this, a pink armadillo with gold stripes is shown swimming a satin ball with its nose on the same wooden floor. The video then shifts to the grey armadillo with white stripes getting into a peach bin with a silver lid, which is covered with a gray plastic bag. Finally, the video provides a close-up of the grey armadillo inside the bin, still covered with the linen bag. In the background, a voice tells Arnie to get the hell out of the rubbish.

The video features a tailed animal with peach stripes on its body, which appears to be an armadillo. In the beginning, the armadillo is seen getting into a brown box containing t-shirts, while a background voice mentions that Arnie is going to break every rule. Next, the scene transitions to the baby armadillo twisting back and forth on a pile of paper with some clumps printed on it. The child armadillo is lying on its back on a wooden dryer. Following this, a pink armadillo with gold stripes is shown swimming a satin ball with its nose on the same wooden floor. The video then shifts to the grey armadillo with gray stripes getting into a peach bin with a silver lid, which is covered with a gray gauze bag. Finally, the video provides a close-up of the grey armadillo inside the bin, still covered with the linen bag. In the background, a voice tells Arnie to get the hell out of the rubbish.


The video begins in a hospital room with two beds, one occupied by a woman in a white shirt and the other by a man in a black shirt and jeans. They are engaged in a conversation. The audio reveals that the woman is Locklear, a popular figure for television executives throughout the 1980s and 90s. The scene transitions to a room with wooden walls where a woman in a blue dress stands next to a man in a blue shirt. She is smiling at him. The caption on the screen indicates that this is a scene from the television show" Dynasty" which aired from 1981 to 1989 on CBS. The audio confirms that Locklear captured the attention of audiences early with roles in this show. Next, the video shifts to a scene where a woman in a black shirt is sitting and talking in front of a door with a man in the background. The caption on the screen suggests that this is a scene from" T.J.Hooker", a show that aired from 1982 to 1986 on Sony Pictures Television. The audio also mentions this show. The video then moves to a scene where a woman is standing in front of a desk with an American flag in the background. She is wearing a black shirt and has blonde hair. The caption on the screen indicates that this is a scene from" Spin City", a show that aired from 1996 to 2002 on Paramount Worldwide Television Licensing & Distribution. The audio confirms that Locklear played a role in this show. The scene changes to a man in a blue shirt and tie standing next to a car parked on the side of the road. He is looking into the car's window with a serious expression. The audio mentions" Melrose Place", suggesting a connection to the next scene. The video then shows a woman in a red dress talking to another woman in a black dress in front of a white car with a man in a blue shirt in the background. The caption on the screen indicates that this is a scene from" Melrose Place", a show that aired from 1992 to 1999 on CBS. Finally, the video ends with a scene where a woman in a black coat is talking to another woman in a red coat in a room with a car in the background. The caption on the screen again indicates that this is a scene from" Melrose Place". The audio reveals that the woman in the black coat states that the woman in the red coat took a morning off to buy a new car. This video seems to be a retrospective of Locklear's successful television career.

The video begins in a hospital room with five beds, one occupied by a woman in a white shirt and the other by a man in a black shirt and jeans. They are engaged in a conversation. The audio reveals that the girl is Locklear, a popular figure for television executives throughout the 1980s and 90s. The scene transitions to a room with wooden doors where a woman in a orange dress stands next to a man in a blue shirt. She is smiling at him. The caption on the screen indicates that this is a scene from the television show" Dynasty" which aired from 1981 to 1989 on CBS. The audio confirms that Locklear captured the attention of audiences early with roles in this show. Next, the video shifts to a scene where a woman in a black shirt is sitting and talking in front of a door with a man in the background. The caption on the screen suggests that this is a scene from" T.J.Hooker", a show that aired from 1982 to 1986 on Sony Pictures Television. The audio also mentions this show. The video then moves to a scene where a woman is standing in front of a desk with an American flag in the background. She is wearing a black shirt and has blonde hair. The caption on the screen indicates that this is a scene from" Spin City", a show that aired from 1996 to 2002 on Paramount Worldwide Television Licensing & Distribution. The audio confirms that Locklear played a role in this show. The scene changes to a man in a blue shirt and tie standing next to a car parked on the side of the road. He is looking into the car's window with a serious expression. The audio mentions" Melrose Place", suggesting a connection to the next scene. The video then shows a woman in a red dress talking to another woman in a black dress in front of a white car with a man in a blue shirt in the background. The caption on the screen indicates that this is a scene from" Melrose Place", a show that aired from 1992 to 1999 on CBS. Finally, the video ends with a scene where a woman in a yellow coat is talking to another woman in a red coat in a room with a car in the background. The caption on the screen again indicates that this is a scene from" Melrose Place". The audio reveals that the woman in the black coat states that the woman in the red coat took a morning off to buy a new car. This video seems to be a retrospective of Locklear's successful television career.

The video begins in a hospital room with five beds, one occupied by a woman in a white shirt and the other by a boy in a peach shirt and jeans. They are engaged in a conversation. The audio reveals that the girl is Locklear, a popular figure for television executives throughout the 1980s and 90s. The scene transitions to a room with wooden doors where a woman in a orange dress stands next to a man in a blue shirt. She is smiling at him. The caption on the screen indicates that this is a scene from the television show" Dynasty" which aired from 1981 to 1989 on CBS. The audio confirms that Locklear captured the attention of audiences early with roles in this show. Next, the video shifts to a scene where a woman in a black shirt is sitting and talking in front of a door with a man in the background. The caption on the screen suggests that this is a scene from" T.J.Hooker", a show that aired from 1982 to 1986 on Sony Pictures Television. The audio also mentions this show. The video then moves to a scene where a woman is standing in front of a desk with an American flag in the background. She is wearing a black shirt and has blonde hair. The caption on the screen indicates that this is a scene from" Spin City", a show that aired from 1996 to 2002 on Paramount Worldwide Television Licensing & Distribution. The audio confirms that Locklear played a role in this show. The scene changes to a man in a blue shirt and tie standing next to a car parked on the side of the road. He is looking into the car's window with a serious expression. The audio mentions" Melrose Place", suggesting a connection to the next scene. The video then shows a woman in a red hat talking to another woman in a black dress in front of a white car with a boy in a blue shirt in the background. The caption on the screen indicates that this is a scene from" Melrose Place", a show that aired from 1992 to 1999 on CBS. Finally, the video ends with a scene where a woman in a yellow boot is talking to another woman in a red coat in a room with a car in the background. The caption on the screen again indicates that this is a scene from" Melrose Place". The audio reveals that the woman in the black coat states that the woman in the red coat took a morning off to buy a new car. This video seems to be a retrospective of Locklear's successful television career.

The video begins in a hospital room with five beds, one occupied by a woman in a red shirt and the other by a boy in a peach shirt and jeans. They are engaged in a conversation. The audio reveals that the girl is Locklear, a popular figure for television executives throughout the 1980s and 90s. The scene transitions to a room with wooden doors where a woman in a orange dress stands next to a man in a blue shirt. She is smiling at him. The caption on the screen indicates that this is a scene from the television show" Dynasty" which aired from 1981 to 1989 on CBS. The audio confirms that Locklear captured the attention of audiences early with roles in this show. Next, the video shifts to a scene where a woman in a yellow shirt is sitting and talking in front of a door with a man in the background. The caption on the screen suggests that this is a scene from" T.J.Hooker", a show that aired from 1982 to 1986 on Sony Pictures Television. The audio also mentions this show. The video then moves to a scene where a woman is standing in front of a desk with an American flag in the background. She is wearing a black shirt and has blonde hair. The caption on the screen indicates that this is a scene from" Spin City", a show that aired from 1996 to 2002 on Paramount Worldwide Television Licensing & Distribution. The audio confirms that Locklear played a role in this show. The scene changes to a man in a brown shirt and tie standing next to a car parked on the side of the road. He is looking into the car's window with a serious expression. The audio mentions" Melrose Place", suggesting a connection to the next scene. The video then shows a woman in a red hat talking to another woman in a black dress in front of a peach car with a boy in a blue shirt in the background. The caption on the screen indicates that this is a scene from" Melrose Place", a show that aired from 1992 to 1999 on CBS. Finally, the video ends with a scene where a woman in a yellow boot is talking to another woman in a red coat in a room with a car in the background. The caption on the screen again indicates that this is a scene from" Melrose Place". The audio reveals that the woman in the black coat states that the woman in the red jean took a morning off to buy a new car. This video seems to be a retrospective of Locklear's successful television career.


The video begins with two photos displayed in front of a blurry background. In the left photo, a man in a suit has his hand on the waist of a woman wearing a high-slit floral skirt. The right photo features the same woman, showcasing her floral skirt with a high slit. Next, the scene transitions to a woman with blond hair dressed in black, sitting on a chair and talking to a short-haired woman in a blue dress beside her. They are in a room with many desks, and some people can be seen working in the background. The woman in black mentions that during her third trimester, Kim could do whatever she wanted. In the final scene, a man in a suit is taking a photo with a woman in a floral dress on the red carpet, with many flashlights shining on them. A man in black then directs them up the steps. The woman in black comments that this is Kim's first Met Ball, and it is a big deal that she is invited.

The video begins with two photos displayed in front of a blurry background. In the left photo, a man in a suit has his hand on the waist of a woman wearing a high-slit floral sweater. The right photo features the same woman, showcasing her floral skirt with a high slit. Next, the scene transitions to a boy with blond hair dressed in yellow, sitting on a chair and talking to a short-haired woman in a blue dress beside her. They are in a room with many desks, and some people can be seen working in the background. The girl in black mentions that during her third trimester, Kim could do whatever she wanted. In the final scene, a man in a suit is taking a photo with a woman in a floral tie on the red carpet, with many flashlights shining on them. A man in black then directs them up the steps. The woman in black comments that this is Kim's first Met Ball, and it is a big deal that she is invited.

The video begins with two photos displayed in front of a blurry background. In the west photo, a man in a suit has his hand on the waist of a woman wearing a high-slit floral sweater. The right photo features the same woman, showcasing her floral jacket with a high slit. Next, the scene transitions to a boy with blond hair dressed in yellow, sitting on a chair and talking to a short-haired woman in a blue dress beside her. They are in a room with many desks, and some people can be seen working in the background. The girl in blue mentions that during her third trimester, Kim could do whatever she wanted. In the final scene, a boy in a suit is taking a photo with a woman in a floral tie on the red carpet, with many flashlights shining on them. A boy in black then directs them up the steps. The woman in black comments that this is Kim's first Met Ball, and it is a big deal that she is invited.

The video begins with two photos displayed in front of a blurry background. In the west photo, a man in a suit has his hand on the waist of a woman wearing a high-slit floral sweater. The right photo features the same woman, showcasing her floral jacket with a high slit. Next, the scene transitions to a boy with blond hair dressed in yellow, sitting on a silverware and talking to a short-haired child in a red sweater beside her. They are in a room with many desks, and some people can be seen working in the background. The girl in blue mentions that during her third trimester, Kim could do whatever she wanted. In the final scene, a boy in a suit is taking a photo with a man in a floral tie on the red carpet, with many flashlights shining on them. A boy in black then directs them up the steps. The woman in black comments that this is Kim's first Met Ball, and it is a big deal that she is invited.