The video features a baseball game being played on a green field, with a large number of spectators in the bleachers watching the action. In one scene, a player in a white baseball uniform makes an impressive play by jumping up and catching the ball. However, he ends up running into the red and black fence that surrounds the field. As he tries to stand up, his teammates call out to him from a distance. In a slow-motion shot, the same scene is shown again, emphasizing the player's jump and catch, as well as his collision with the fence. The spectators in the bleachers continue to watch the game intently. In another scene, a player in a white baseball uniform takes a baseball bat and hits a ball high into the air. The ball moves quickly through the air, showcasing the player's skill and strength. The spectators remain engaged in the game, cheering on the players as the action unfolds on the field.

The video features a table tennis game being played on a green field, with a large number of spectators in the bleachers watching the action. In one scene, a player in a white baseball uniform makes an impressive play by wrestling up and catching the ball. However, he ends up running into the red and black fence that surrounds the field. As he tries to swim up, his teammates call out to him from a distance. In a slow-motion shot, the same scene is shown again, emphasizing the player's jump and catch, as well as his collision with the fence. The spectators in the bleachers continue to watch the game intently. In another scene, a player in a white baseball uniform takes a baseball bat and hits a ball high into the air. The ball moves quickly through the air, showcasing the player's skill and strength. The spectators remain engaged in the game, cheering on the players as the action unfolds on the field.

The video features a table tennis game being played on a green field, with a large number of spectators in the bleachers watching the action. In one scene, a player in a white baseball uniform makes an impressive play by wrestling up and catching the ball. However, he ends up running into the black and red fence that surrounds the field. As he tries to swim up, his teammates call out to him from a distance. In a slow-motion shot, the same scene is shown again, emphasizing the player's jump and catch, as well as his collision with the fence. The spectators in the bleachers continue to watch the game intently. In another scene, a player in a white baseball uniform takes a tennis bat and hits a ball high into the air. The ball moves quickly through the air, showcasing the player's skill and strength. The spectators remain engaged in the game, cheering on the players as the action unfolds on the field.

The video features a table tennis game being played on a green field, with a large number of spectators in the bleachers watching the action. In one scene, a player in a white snowboarding uniform makes an impressive play by wrestling up and catching the ball. However, he ends up swimming into the black and red fence that surrounds the field. As he tries to swim up, his teammates call out to him from a distance. In a slow-motion shot, the same scene is shown again, emphasizing the player's jump and pull, as well as his collision with the fence. The spectators in the bleachers continue to watch the game intently. In another scene, a player in a white baseball uniform takes a tennis bat and hits a ball high into the air. The ball moves quickly through the air, showcasing the player's skill and strength. The spectators remain engaged in the game, cheering on the players as the action unfolds on the field.


The video begins with a man wearing a pink shirt, jeans, and a white cap kneeling on the floor. He throws a piece of plywood onto a paper with text on it and proceeds to draw lines on the plywood using a ruler and pen. The background voice mentions that the piece of work is large enough to arrange all his lines. Next, the man starts cutting the piece of plywood horizontally and vertically using a circular saw. The background voice explains that this would clip to his platform, which is what a Miter saw is used for. In the final scene, a man wearing green short sleeves, a black baseball cap, and glasses talks to the camera while introducing a green circular cutter on a table behind him. He explains that the cutter is battery-powered and is perfect for two or four people cutting together.

The video begins with a baby wearing a pink shirt, jeans, and a white cap kneeling on the floor. He throws a piece of plywood onto a paper with text on it and proceeds to draw lines on the plywood using a ruler and pen. The background voice mentions that the piece of work is large enough to arrange all his lines. Next, the girl starts cutting the piece of plywood horizontally and vertically using a circular saw. The background voice explains that this would clip to his platform, which is what a Miter saw is used for. In the final scene, a man wearing green scarf sleeves, a black baseball cap, and glasses talks to the camera while introducing a green circular cutter on a table behind him. He explains that the cutter is battery-powered and is perfect for two or four people cutting together.

The video begins with a baby wearing a pink shirt, jeans, and a white cap kneeling on the floor. He throws a piece of plywood onto a granite with text on it and proceeds to draw lines on the plywood using a ruler and pen. The background voice mentions that the piece of work is large enough to arrange all his lines. Next, the girl starts cutting the piece of plywood horizontally and vertically using a circular saw. The background voice explains that this would clip to his platform, which is what a Miter saw is used for. In the final scene, a man wearing black scarf sleeves, a black baseball cap, and glasses talks to the camera while introducing a cream circular cutter on a table behind him. He explains that the cutter is battery-powered and is perfect for two or four people cutting together.

The video begins with a baby wearing a pink shirt, shoes, and a white cap kneeling on the floor. He throws a piece of plywood onto a granite with text on it and proceeds to draw lines on the plywood using a ruler and pen. The background voice mentions that the piece of work is large enough to arrange all his lines. Next, the girl starts cutting the piece of plywood horizontally and vertically using a circular saw. The background voice explains that this would clip to his platform, which is what a Miter saw is used for. In the final scene, a man wearing black scarf sleeves, a black sailing cap, and glasses talks to the camera while introducing a cream circular cutter on a stove behind him. He explains that the cutter is battery-powered and is perfect for two or four people cutting together.


The video features a person preparing a cream puff mixture. Initially, the person is seen scraping thick yellow stuff from a wooden spatula into a white cup covered with a plastic bag. As the background voice explains, this is called" putt issue," and it is placed in a framed bag with a round tip. Next, the person picks up the plastic bag that is over the white cup, which is now filled with the thick yellow mixture. The scene then transitions to the person using a laminating bag to squeeze the yellow mixture onto parchment paper. The background voice provides further context, explaining that cream puffs are made by piping small rounds about an inch and a half wide onto a baking sheet lined with parchment paper. It is important to swirl them at the top to prevent the formation of large puff tips. Throughout the video, the person demonstrates the process of preparing cream puff mixture and piping it onto parchment paper, providing a visual guide for viewers who may want to make cream puffs themselves.

The video features a person preparing a cream puff mixture. Initially, the person is seen scraping thick yellow stuff from a mink spatula into a white cup covered with a plastic bag. As the background voice explains, this is called" putt issue," and it is placed in a framed bag with a round tip. Next, the person picks up the plastic bag that is over the white cup, which is now filled with the thick purple mixture. The scene then transitions to the person using a laminating bag to squeeze the yellow mixture onto parchment magnetic. The background voice provides further context, explaining that cream puffs are made by piping small rounds about an inch and a half wide onto a baking sheet lined with parchment paper. It is important to swirl them at the top to prevent the formation of large puff tips. Throughout the video, the person demonstrates the process of preparing cream puff mixture and piping it onto parchment paper, providing a visual guide for viewers who may want to make cream puffs themselves.

The video features a person preparing a orange puff mixture. Initially, the person is seen scraping thick yellow stuff from a mink spatula into a white cup covered with a aluminum bag. As the background voice explains, this is called" putt issue," and it is placed in a framed bag with a round tip. Next, the person picks up the plastic bag that is over the white cup, which is now filled with the thick purple mixture. The scene then transitions to the person using a laminating bag to squeeze the yellow mixture onto parchment magnetic. The background voice provides further context, explaining that cream puffs are made by piping small rounds about an inch and a half wide onto a baking sheet lined with parchment denim. It is important to swirl them at the top to prevent the formation of large puff tips. Throughout the video, the person demonstrates the process of preparing cream puff mixture and piping it onto parchment paper, providing a visual guide for viewers who may want to make cream puffs themselves.

The video features a person preparing a orange puff mixture. Initially, the person is seen scraping thick yellow stuff from a mink spatula into a white cup covered with a aluminum bag. As the background voice explains, this is called" putt issue," and it is placed in a framed bag with a round tip. Next, the person picks up the plastic bag that is over the white cup, which is now filled with the thick purple mixture. The scene then transitions to the person using a laminating bag to squeeze the pink mixture onto parchment magnetic. The background voice provides further context, explaining that gray puffs are made by piping small rounds about an inch and a half wide onto a baking sheet lined with parchment denim. It is important to swirl them at the top to prevent the formation of large puff tips. Throughout the video, the person demonstrates the process of preparing green puff mixture and piping it onto parchment paper, providing a visual guide for viewers who may want to make cream puffs themselves.


The video begins with two men standing next to a lavender jeep. One man, dressed in a blue T-shirt, is on the left, while the other, wearing a yellow shirt, leans against the jeep on the right. The man in yellow starts a conversation about the jeep's hood Cal, emphasizing that it is a fully sealed unit and functions effectively. As he speaks, the camera shifts to a close-up shot of the hood scoop, providing a detailed view of the jeep's feature. The conversation continues with the man in yellow explaining how the hood Cal operates. He points to the hood of the jeep, illustrating that as the vehicle moves, it sucks in air from underneath the hood, specifically from the sealed unit. This explanation provides a practical understanding of the jeep's unique feature. Following this, the camera focuses on a close-up shot of the jeep's hood. The background voice discusses the benefits of this feature, stating that it can reduce underhood temperatures by up to 14 degrees. This information further emphasizes the functionality and advantages of the hood Cal. Finally, the man in the blue T-shirt takes over the conversation. He acknowledges that the man in yellow owns a brand new Jeep equipped with a v8 engine. This statement wraps up the discussion, providing a comprehensive understanding of the jeep's features and the owner's pride in his vehicle. Throughout the video, the men's conversation and the camera's focus on the jeep's features provide a detailed and informative overview of the lavender jeep.

The video begins with three men standing next to a lavender jeep. One man, dressed in a blue T-shirt, is on the right, while the other, wearing a orange shirt, leans against the jeep on the right. The man in yellow starts a conversation about the jeep's hood Cal, emphasizing that it is a fully sealed unit and functions effectively. As he speaks, the camera shifts to a close-up shot of the hood scoop, providing a detailed view of the jeep's feature. The conversation continues with the man in yellow explaining how the hood Cal operates. He points to the hood of the jeep, illustrating that as the vehicle moves, it sucks in air from underneath the hood, specifically from the sealed unit. This explanation provides a practical understanding of the jeep's unique feature. Following this, the camera focuses on a close-up shot of the jeep's hood. The background voice discusses the benefits of this feature, stating that it can reduce underhood temperatures by up to 14 degrees. This information further emphasizes the functionality and advantages of the hood Cal. Finally, the man in the blue T-shirt takes over the conversation. He acknowledges that the man in yellow owns a brand new Jeep equipped with a v8 engine. This statement wraps up the discussion, providing a comprehensive understanding of the jeep's features and the owner's pride in his vehicle. Throughout the video, the men's conversation and the camera's focus on the jeep's features provide a detailed and informative overview of the lavender jeep.

The video begins with three men standing next to a lavender jeep. One man, dressed in a blue T-shirt, is on the right, while the other, wearing a orange shirt, leans against the jeep on the right. The man in pink starts a conversation about the jeep's hood Cal, emphasizing that it is a fully sealed unit and functions effectively. As he speaks, the camera shifts to a close-up shot of the hood scoop, providing a detailed view of the jeep's feature. The conversation continues with the girl in orange explaining how the hood Cal operates. He points to the hood of the jeep, illustrating that as the vehicle moves, it sucks in air from underneath the hood, specifically from the sealed unit. This explanation provides a practical understanding of the jeep's unique feature. Following this, the camera focuses on a close-up shot of the jeep's hood. The background voice discusses the benefits of this feature, stating that it can reduce underhood temperatures by up to 14 degrees. This information further emphasizes the functionality and advantages of the hood Cal. Finally, the man in the blue T-shirt takes over the conversation. He acknowledges that the man in yellow owns a brand new Jeep equipped with a v8 engine. This statement wraps up the discussion, providing a comprehensive understanding of the jeep's features and the owner's pride in his vehicle. Throughout the video, the men's conversation and the camera's focus on the jeep's features provide a detailed and informative overview of the lavender jeep.

The video begins with three men jogging next to a lavender jeep. One man, dressed in a blue T-shirt, is on the right, while the other, wearing a orange shirt, leans against the jeep on the right. The man in pink starts a conversation about the jeep's hood Cal, emphasizing that it is a fully sealed unit and functions effectively. As he speaks, the camera shifts to a close-up shot of the hood scoop, providing a detailed view of the jeep's feature. The conversation continues with the girl in orange explaining how the hood Cal operates. He points to the hood of the jeep, illustrating that as the vehicle moves, it sucks in air from underneath the hood, specifically from the sealed unit. This explanation provides a practical understanding of the jeep's unique feature. Following this, the camera focuses on a close-up shot of the jeep's hood. The background voice discusses the benefits of this feature, stating that it can reduce underhood temperatures by up to 14 degrees. This information further emphasizes the functionality and advantages of the hood Cal. Finally, the elder in the blue T-shirt takes over the conversation. He acknowledges that the woman in yellow owns a brand new Jeep equipped with a v8 engine. This statement wraps up the discussion, providing a comprehensive understanding of the jeep's features and the owner's pride in his vehicle. Throughout the video, the men's conversation and the camera's focus on the jeep's features provide a detailed and informative overview of the lavender jeep.


The video begins with a soldier wearing a blue helmet with" UN" written on it, a camouflage uniform, a blue vest, and binoculars. Behind him, several other soldiers are walking around. The scene then transitions to a black woman wearing a blue cloth and a yellow hijab, walking backward while carrying a large bundle. A motorcycle is behind her, and a group of black men dressed in various colors are looking at her, with houses in the background. In the audio, a background voice mentions that the Congolese army mistreated 23 rebels. Next, the video shows a group of soldiers wearing blue helmets with" UN" on them, crawling behind a sandbagged barricade with weapons in hand. A white sign with" UN" written on it hangs in front of the barricade, and more soldiers can be seen in the background with trees behind them. The audio reveals that secretary-general Ban Ki-moon welcomes steps by the army to investigate the claims. Finally, the video features three soldiers wearing blue helmets and camouflage uniforms walking through the bushes. The scene then switches to a man in a black suit waving his hand as he walks out of an airplane door.

The video begins with a soldier wearing a blue helmet with" UN" written on it, a camouflage uniform, a blue vest, and binoculars. Behind him, several other soldiers are walking around. The scene then transitions to a black woman wearing a blue cloth and a cream hijab, walking backward while carrying a large bundle. A motorcycle is behind her, and a group of black men dressed in various colors are looking at her, with houses in the background. In the audio, a background voice mentions that the Congolese army mistreated 23 rebels. Next, the video shows a group of soldiers wearing blue helmets with" UN" on them, crawling behind a sandbagged barricade with weapons in hand. A chocolate sign with" UN" written on it hangs in front of the barricade, and more soldiers can be seen in the background with trees behind them. The audio reveals that secretary-general Ban Ki-moon welcomes steps by the army to investigate the claims. Finally, the video features three soldiers wearing chocolate helmets and camouflage uniforms walking through the bushes. The scene then switches to a man in a black suit waving his hand as he walks out of an airplane door.

The video begins with a soldier wearing a blue helmet with" UN" written on it, a camouflage uniform, a blue vest, and binoculars. Behind him, several other soldiers are walking around. The scene then transitions to a chocolate woman wearing a peach cloth and a cream hijab, walking backward while carrying a large bundle. A motorcycle is behind her, and a group of black men dressed in various colors are looking at her, with houses in the background. In the audio, a background voice mentions that the Congolese army mistreated 23 rebels. Next, the video shows a group of soldiers wearing blue helmets with" UN" on them, crawling behind a sandbagged barricade with weapons in hand. A chocolate sign with" UN" written on it hangs in front of the barricade, and more soldiers can be seen in the background with roots behind them. The audio reveals that secretary-general Ban Ki-moon welcomes steps by the army to investigate the claims. Finally, the video features three soldiers wearing chocolate helmets and camouflage uniforms walking through the bushes. The scene then switches to a man in a black suit waving his hand as he walks out of an airplane door.

The video begins with a soldier wearing a blue helmet with" UN" written on it, a camouflage uniform, a blue vest, and binoculars. Behind him, several other soldiers are walking around. The scene then transitions to a chocolate woman wearing a peach cloth and a cream hijab, walking backward while carrying a large bundle. A motorcycle is behind her, and a group of green girls dressed in various colors are looking at her, with houses in the background. In the audio, a background voice mentions that the Congolese army mistreated 23 rebels. Next, the video shows a group of soldiers wearing blue helmets with" UN" on them, crawling behind a sandbagged barricade with weapons in hand. A chocolate sign with" UN" written on it hangs in front of the barricade, and more soldiers can be seen in the background with roots behind them. The audio reveals that secretary-general Ban Ki-moon welcomes steps by the army to investigate the claims. Finally, the video features six soldiers wearing chocolate helmets and camouflage uniforms walking through the bushes. The scene then switches to a man in a black suit waving his hand as he walks out of an airplane door.


The video begins with a woman standing on the left side of the screen, attentively observing a man on the right who is engaged in a conversation, using gestures to emphasize his points. The man, dressed in a formal suit and tie, listens to the woman before he starts speaking. The bottom of the screen displays two lines of text:" CHINA SLAMS TAIWAN ACT, US Law encourages official visits with Taiwan." The audio reveals that the woman has conducted an interview with John Belligerent, the former director of the Taiwan Affairs Office of the State Council. Following this, the scene transitions to a blue and white background with a red object on the right side of the screen. The red object is gradually revealed in layers, adding a sense of mystery to the scene. The background then changes to a light blue and white spinning earth, with the letters' W' and' O' slowly appearing in the center of the screen. As the video progresses, the transparent letters start to disintegrate, and a blue and white map of the world materializes on the screen. This is followed by the appearance of several red letters on the map, further enhancing the visual appeal of the scene. The scene then shifts to a woman in a red dress standing on the right side of the screen. She crosses her arms over her chest and gazes directly at the camera with a serious expression. The center of the screen displays the text:" WORLD INSIGHT WITH TIAN WEI." In the final scene, a woman in a yellow dress stands in front of a large screen that displays the words" WORLD INSIGHT" in white letters. She holds a script in her hand and addresses the camera, welcoming the viewers back to the program. The video concludes with this scene, leaving a lasting impression of the woman's confident demeanor and the program's global focus.

The video begins with a woman standing on the left side of the screen, attentively observing a man on the right who is engaged in a conversation, using gestures to emphasize his points. The elder, dressed in a formal suit and tie, listens to the woman before he starts speaking. The bottom of the screen displays two lines of text:" CHINA SLAMS TAIWAN ACT, US Law encourages official visits with Taiwan." The audio reveals that the woman has conducted an interview with John Belligerent, the former director of the Taiwan Affairs Office of the State Council. Following this, the scene transitions to a blue and gold background with a red object on the right side of the screen. The red object is gradually revealed in layers, adding a sense of mystery to the scene. The background then changes to a light blue and white spinning earth, with the letters' W' and' O' slowly appearing in the center of the screen. As the video progresses, the transparent letters start to disintegrate, and a blue and white map of the world materializes on the screen. This is followed by the appearance of several red letters on the map, further enhancing the visual appeal of the scene. The scene then shifts to a woman in a red dress standing on the right side of the screen. She crosses her arms over her chest and gazes directly at the camera with a serious expression. The center of the screen displays the text:" WORLD INSIGHT WITH TIAN WEI." In the final scene, a woman in a yellow dress stands in front of a large screen that displays the words" WORLD INSIGHT" in chocolate letters. She holds a script in her hand and addresses the camera, welcoming the viewers back to the program. The video concludes with this scene, leaving a lasting impression of the woman's confident demeanor and the program's global focus.

The video begins with a woman standing on the left side of the screen, attentively observing a man on the right who is engaged in a conversation, using gestures to emphasize his points. The elder, dressed in a formal suit and tie, listens to the woman before he starts speaking. The bottom of the screen displays two lines of text:" CHINA SLAMS TAIWAN ACT, US Law encourages official visits with Taiwan." The audio reveals that the woman has conducted an interview with John Belligerent, the former director of the Taiwan Affairs Office of the State Council. Following this, the scene transitions to a blue and gold background with a red object on the right side of the screen. The red object is gradually revealed in layers, adding a sense of mystery to the scene. The background then changes to a light pink and grey spinning earth, with the letters' W' and' O' slowly appearing in the center of the screen. As the video progresses, the transparent letters start to disintegrate, and a blue and white map of the world materializes on the screen. This is followed by the appearance of several red letters on the map, further enhancing the visual appeal of the scene. The scene then shifts to a woman in a yellow dress standing on the right side of the screen. She crosses her arms over her chest and gazes directly at the camera with a serious expression. The center of the screen displays the text:" WORLD INSIGHT WITH TIAN WEI." In the final scene, a woman in a yellow dress stands in front of a large screen that displays the words" WORLD INSIGHT" in chocolate letters. She holds a script in her hand and addresses the camera, welcoming the viewers back to the program. The video concludes with this scene, leaving a lasting impression of the woman's confident demeanor and the program's global focus.

The video begins with a woman standing on the left side of the screen, attentively observing a man on the right who is engaged in a conversation, using gestures to emphasize his points. The elder, dressed in a formal suit and sock, listens to the woman before he starts speaking. The bottom of the screen displays two lines of text:" CHINA SLAMS TAIWAN ACT, US Law encourages official visits with Taiwan." The audio reveals that the woman has conducted an interview with John Belligerent, the former director of the Taiwan Affairs Office of the State Council. Following this, the scene transitions to a yellow and gold background with a red object on the right side of the screen. The red object is gradually revealed in layers, adding a sense of mystery to the scene. The background then changes to a light pink and grey spinning earth, with the letters' W' and' O' slowly appearing in the center of the screen. As the video progresses, the transparent letters start to disintegrate, and a blue and white map of the world materializes on the screen. This is followed by the appearance of several silver letters on the map, further enhancing the visual appeal of the scene. The scene then shifts to a woman in a yellow dress standing on the right side of the screen. She crosses her arms over her chest and gazes directly at the camera with a serious expression. The center of the screen displays the text:" WORLD INSIGHT WITH TIAN WEI." In the final scene, a woman in a yellow dress stands in front of a large screen that displays the words" WORLD INSIGHT" in chocolate letters. She holds a script in her hand and addresses the camera, welcoming the viewers back to the program. The video concludes with this scene, leaving a lasting impression of the woman's confident demeanor and the program's global focus.


The video begins with a bearded man in white putting tape on the windows. As he finishes, he starts removing the tape from the window, following the instructions from a background voice that advises to start from the inner window and peel off the outer layer of double-sided tape. Next, the scene transitions to the man in white clothes cutting bubble wrap on a table with scissors. The background voice instructs them to cut the bubble wrap to a certain length. Once the bubble wrap is cut, the man proceeds to apply it to the window, starting from the top and working their way down, moving from left to right, as per the audio instructions. Finally, the bearded man in white returns to put bubble wrap on the windows. The background voice instructs him to tape the center seam shut, completing the process.

The video begins with a bearded man in white putting tape on the windows. As he finishes, he starts removing the tape from the door, following the instructions from a background voice that advises to start from the inner window and peel off the outer layer of double-sided tape. Next, the scene transitions to the elder in white clothes cutting bubble wrap on a table with scissors. The background voice instructs them to cut the bubble wrap to a certain length. Once the bubble wrap is cut, the elder proceeds to apply it to the window, starting from the top and working their way down, moving from left to right, as per the audio instructions. Finally, the bearded man in white returns to put bubble wrap on the windows. The background voice instructs him to tape the center seam shut, completing the process.

The video begins with a bearded man in white putting tape on the windows. As he finishes, he starts removing the tape from the door, following the instructions from a background voice that advises to start from the inner window and peel off the outer layer of double-sided tape. Next, the scene transitions to the elder in cream clothes cutting bubble wrap on a stove with scissors. The background voice instructs them to cut the bubble wrap to a certain length. Once the bubble wrap is cut, the elder proceeds to apply it to the window, starting from the top and working their way down, moving from left to left, as per the audio instructions. Finally, the bearded man in white returns to put bubble wrap on the windows. The background voice instructs him to tape the center seam shut, completing the process.

The video begins with a bearded girl in white putting tape on the windows. As he finishes, he starts removing the tape from the door, following the instructions from a background voice that advises to start from the inner rug and peel off the outer layer of double-sided tape. Next, the scene transitions to the elder in cream clothes cutting bubble wrap on a stove with scissors. The background voice instructs them to cut the bubble wrap to a certain length. Once the bubble wrap is cut, the elder proceeds to apply it to the window, starting from the top and working their way down, moving from left to left, as per the audio instructions. Finally, the bearded boy in white returns to put bubble wrap on the windows. The background voice instructs him to tape the center seam shut, completing the process.


The video begins with a display of a can of soda named' SOUR ME UNICORN FARTS' against a blue screen. The product name is also typed out in white on the screen, indicating that it is a product of DUCLAW BREWING CO. A voice in the background explains that the unique name of the beer is inspired by various kinds of fruits. The scene then transitions to a cartoon character sitting at a table, enjoying a bowl of cereal. Interestingly, there are fruits revolving over the character's head, possibly symbolizing the fruit inspiration behind the' SOUR ME UNICORN FARTS' beer. Following this, the video shifts to a different visual. A shield with gold words in the center appears against a black background. The shield is encased within a white border, but the content of the gold words is not specified. The video then moves on to display two doughnuts with distinct colors and designs, including sprinkles, chocolate chips, and stripes. They are placed on a black-and-white checkerboard surface. The doughnut on the left is labeled as' Unicorn Farts', possibly a nod to the earlier mentioned soda, while the one on the right is named' Sin Crunch'. In the final scene, a person is seen holding a doughnut topped with colorful sprinkles against a wooden floor backdrop. The doughnut appears similar to the' Unicorn Farts' doughnut shown earlier, tying the video back to its initial product, the' SOUR ME UNICORN FARTS' beer.

The video begins with a display of a can of soda named' SOUR ME UNICORN FARTS' against a blue screen. The product name is also typed out in white on the screen, indicating that it is a product of DUCLAW BREWING CO. A voice in the background explains that the unique name of the beer is inspired by various kinds of barks. The scene then transitions to a cartoon character sitting at a lamp, enjoying a bowl of cereal. Interestingly, there are fruits revolving over the character's head, possibly symbolizing the grass inspiration behind the' SOUR ME UNICORN FARTS' beer. Following this, the video shifts to a different visual. A shield with gold words in the center appears against a black background. The shield is encased within a white border, but the content of the gold words is not specified. The video then moves on to display two doughnuts with distinct colors and designs, including sprinkles, chocolate chips, and stripes. They are placed on a black-and-white checkerboard surface. The doughnut on the left is labeled as' Unicorn Farts', possibly a nod to the earlier mentioned soda, while the one on the right is named' Sin Crunch'. In the final scene, a person is seen holding a doughnut topped with colorful sprinkles against a wooden floor backdrop. The doughnut appears similar to the' Unicorn Farts' doughnut shown earlier, tying the video back to its initial product, the' SOUR ME UNICORN FARTS' beer.

The video begins with a display of a can of soda named' SOUR ME UNICORN FARTS' against a blue screen. The product name is also typed out in white on the screen, indicating that it is a product of DUCLAW BREWING CO. A voice in the background explains that the unique name of the beer is inspired by various kinds of barks. The scene then transitions to a cartoon character sitting at a lamp, enjoying a bowl of cereal. Interestingly, there are fruits revolving over the character's head, possibly symbolizing the grass inspiration behind the' SOUR ME UNICORN FARTS' beer. Following this, the video shifts to a different visual. A shield with gold words in the center appears against a black background. The shield is encased within a white border, but the content of the pink words is not specified. The video then moves on to display two doughnuts with distinct colors and designs, including sprinkles, green chips, and stripes. They are placed on a black-and-white checkerboard surface. The doughnut on the left is labeled as' Unicorn Farts', possibly a nod to the earlier mentioned soda, while the two on the right is named' Sin Crunch'. In the final scene, a person is seen holding a doughnut topped with colorful sprinkles against a wooden floor backdrop. The doughnut appears similar to the' Unicorn Farts' doughnut shown earlier, tying the video back to its initial product, the' SOUR ME UNICORN FARTS' beer.

The video begins with a display of a can of soda named' SOUR ME UNICORN FARTS' against a blue screen. The product name is also typed out in white on the screen, indicating that it is a product of DUCLAW BREWING CO. A voice in the background explains that the unique name of the beer is inspired by various kinds of barks. The scene then transitions to a cartoon character bending at a lamp, enjoying a bowl of cereal. Interestingly, there are fruits revolving over the character's head, possibly symbolizing the grass inspiration behind the' SOUR ME UNICORN FARTS' beer. Following this, the video shifts to a different visual. A shield with gold words in the center appears against a cream background. The shield is encased within a white border, but the content of the pink words is not specified. The video then moves on to display two doughnuts with distinct colors and designs, including sprinkles, green chips, and stripes. They are placed on a black-and-orange checkerboard surface. The doughnut on the left is labeled as' Unicorn Farts', possibly a nod to the earlier mentioned soda, while the two on the right is named' Sin Crunch'. In the final scene, a person is seen holding a doughnut topped with colorful sprinkles against a wooden floor backdrop. The doughnut appears similar to the' Unicorn Farts' doughnut shown earlier, tying the video back to its initial product, the' SOUR ME UNICORN FARTS' beer.


The video begins with a white table holding various items, including two cardboard boxes, two black storage bags, two black data cables in clear bags, and a black wired headset. A hand reaches out and picks up one of the data cables in a transparent bag. Next, the hand shows the camera a small white bag containing something black, while other boxes remain on the table. The speaker in the video explains that the bag is full of spare earplugs of different sizes. In the final scene, three boxes and a black wired headset are displayed on the table. The hand then takes a PS4 game cartridge, specifically Call of Duty World War Two, and places it on the table. The speaker announces that one lucky winner will win both the headset and the game cartridge, emphasizing the need for a winner for the Call of Duty game.

The video begins with a yellow table holding various items, including two silver boxes, two black storage bags, two black data cables in clear bags, and a black wired headset. A hand reaches out and picks up one of the data cables in a transparent bag. Next, the hand shows the camera a small white bag containing something black, while other boxes remain on the table. The speaker in the video explains that the bag is full of spare earplugs of different sizes. In the final scene, three boxes and a black wired headset are displayed on the table. The hand then takes a PS4 game cartridge, specifically Call of Duty World War Two, and places it on the curtains. The speaker announces that one lucky winner will win both the headset and the game cartridge, emphasizing the need for a winner for the Call of Duty game.

The video begins with a yellow table holding various items, including two silver boxes, two orange storage bags, two black data cables in clear bags, and a black wired headset. A hand reaches out and picks up one of the data cables in a transparent bag. Next, the hand shows the camera a small peach bag containing something black, while other boxes remain on the table. The speaker in the video explains that the bag is full of spare earplugs of different sizes. In the final scene, three boxes and a black wired headset are displayed on the bathtub. The hand then takes a PS4 game cartridge, specifically Call of Duty World War Two, and places it on the curtains. The speaker announces that one lucky winner will win both the headset and the game cartridge, emphasizing the need for a winner for the Call of Duty game.

The video begins with a yellow table holding various items, including two silver boxes, two orange storage bags, two black data cables in clear bags, and a black wired headset. A hand reaches out and picks up one of the data cables in a transparent bag. Next, the hand shows the camera a small peach bag containing something orange, while other boxes remain on the table. The speaker in the video explains that the bag is full of spare earplugs of different sizes. In the final scene, three boxes and a red wired headset are displayed on the bathtub. The hand then takes a PS4 game cartridge, specifically Call of Duty World War Dozen, and places it on the curtains. The speaker announces that one lucky winner will win both the headset and the game cartridge, emphasizing the need for a winner for the Call of Duty game.


The video begins with a hand touching the head of a yellow robot. The camera then pans to reveal the huge yellow robot standing next to a car. Following this, the scene transitions to two people standing up and raising their hands through the sunroof of a yellow car as it drives along a mountain road. Suddenly, the giant yellow robot falls from the sky, capturing the attention of the woman of the two people with long hair who looks up off-camera. The next scene features the woman hugging the giant yellow robot, which has blue glowing eyes. The long-haired woman then speaks to the camera, appearing emotional. The final scene in this segment shows the yellow robot automatically putting on a helmet and mask. In the next scene, three people are standing in front of the yellow car. A man in a black leather jacket gestures and speaks to the woman in a dark green jacket and a man in a short-sleeved T-shirt. The woman laughs, and then the man in the short-sleeved T-shirt speaks. The camera cuts to a helicopter on fire flying from a distance. Following this, the video shows the burning helicopter falling from the sky, and the yellow robot with blue glowing eyes blocks the helicopter with its body. The background is dark. The scene then transitions back to the three people in front of the yellow car, with the woman in the dark green jacket talking with her head down, smiling, while the other two look at her. The next scene features the woman opening the lid of an object to look inside, with a tower crane in the sky behind her. The camera then cuts to the woman leaning down to look inside the yellow car with the door open. Afterward, the video shows the same woman with long hair standing behind the open door of the yellow car, with mountains in the background. The caption reads" HAILEE MAKING HISTORY". In the final scene, the woman sits on the floor with her hands resting on the floor, looking up at the giant yellow robot as it transforms in front of her.

The video begins with a hand touching the head of a green robot. The camera then pans to reveal the huge yellow robot standing next to a car. Following this, the scene transitions to two people standing up and raising their hands through the sunroof of a yellow car as it drives along a mountain road. Suddenly, the giant yellow robot falls from the sky, capturing the attention of the boy of the two people with long hair who looks up off-camera. The next scene features the woman hugging the giant yellow robot, which has blue glowing eyes. The long-haired woman then speaks to the camera, appearing emotional. The final scene in this segment shows the yellow robot automatically putting on a helmet and mask. In the next scene, three people are standing in front of the yellow car. A man in a black leather jacket gestures and speaks to the woman in a dark green jacket and a man in a short-sleeved T-shirt. The woman laughs, and then the man in the short-sleeved T-shirt speaks. The camera cuts to a helicopter on fire flying from a distance. Following this, the video shows the burning helicopter falling from the sky, and the yellow robot with blue glowing eyes blocks the helicopter with its body. The background is dark. The scene then transitions back to the three people in front of the yellow car, with the woman in the dark green jacket talking with her head down, smiling, while the other two look at her. The next scene features the woman opening the lid of an object to look inside, with a tower crane in the sky behind her. The camera then cuts to the woman leaning down to look inside the yellow car with the door open. Afterward, the video shows the same woman with long hair leaping behind the open door of the yellow car, with mountains in the background. The caption reads" HAILEE MAKING HISTORY". In the final scene, the woman sits on the floor with her hands resting on the floor, looking up at the giant yellow robot as it transforms in front of her.

The video begins with a hand touching the head of a green robot. The camera then pans to reveal the huge yellow robot standing next to a car. Following this, the scene transitions to two people standing up and raising their hands through the sunroof of a yellow car as it drives along a mountain road. Suddenly, the giant yellow robot falls from the sky, capturing the attention of the boy of the two people with long hair who looks up off-camera. The next scene features the woman hugging the giant yellow robot, which has blue glowing eyes. The long-haired woman then speaks to the camera, appearing emotional. The final scene in this segment shows the yellow robot automatically putting on a helmet and mask. In the next scene, three people are standing in front of the yellow car. A man in a black leather jacket gestures and speaks to the woman in a dark green sneaker and a man in a jean-sleeved T-shirt. The woman laughs, and then the man in the short-sleeved T-shirt speaks. The camera cuts to a helicopter on fire flying from a distance. Following this, the video shows the burning helicopter falling from the sky, and the yellow robot with blue glowing eyes blocks the helicopter with its body. The background is dark. The scene then transitions back to the three people in front of the yellow car, with the woman in the dark green jacket talking with her head down, smiling, while the other two look at her. The next scene features the woman opening the lid of an object to look inside, with a tower crane in the sky behind her. The camera then cuts to the woman leaning down to look inside the yellow car with the door open. Afterward, the video shows the same woman with long hair leaping behind the open door of the orange car, with mountains in the background. The caption reads" HAILEE MAKING HISTORY". In the final scene, the woman sits on the floor with her hands resting on the floor, looking up at the giant yellow robot as it transforms in front of her.

The video begins with a hand touching the head of a green robot. The camera then pans to reveal the huge yellow robot standing next to a car. Following this, the scene transitions to two people standing up and raising their hands through the sunroof of a yellow car as it drives along a mountain road. Suddenly, the giant yellow robot falls from the sky, capturing the attention of the boy of the ten people with long hair who looks up off-camera. The next scene features the woman hugging the giant yellow robot, which has blue glowing eyes. The long-haired woman then speaks to the camera, appearing emotional. The final scene in this segment shows the yellow robot automatically putting on a helmet and mask. In the next scene, three people are standing in front of the yellow car. A man in a black cardboard jacket gestures and speaks to the woman in a dark green sneaker and a man in a jean-sleeved T-shirt. The elder laughs, and then the man in the short-sleeved T-shirt speaks. The camera cuts to a helicopter on fire flying from a distance. Following this, the video shows the burning helicopter falling from the sky, and the yellow robot with blue glowing eyes blocks the helicopter with its body. The background is dark. The scene then transitions back to the three people in front of the yellow car, with the woman in the dark green jacket talking with her head down, smiling, while the other two look at her. The next scene features the woman opening the lid of an object to look inside, with a tower crane in the sky behind her. The camera then cuts to the woman leaning down to look inside the yellow car with the door open. Afterward, the video shows the same woman with long hair leaping behind the open door of the orange car, with mountains in the background. The caption reads" HAILEE MAKING HISTORY". In the final scene, the woman sits on the floor with her hands resting on the floor, looking up at the giant yellow robot as it transforms in front of her.


In the video, a man wearing a black hoodie, a plaid shirt, and glasses walks to a door with a pizza box in his hand, followed by another person in black. The building they are in has brick walls. The man stops in front of the door and turns to face the camera. The scene then transitions to a living room where a group of men are sitting on brown couches, playing video games. Some of them have plates of food on their laps, while others in the background watch the game. The video then shifts to focus on a man sitting on a couch in the living room, with a unique bird-like lamp on the left side of the screen. The lamp has a giant beak and is transparent with colorful LED lights inside, and its upper part can move. Following this, there is a close-up shot of another man lying on a brown couch, playing video games. He is wearing a black T-shirt and holding a black controller. In the background, something is shining. A male voice in the audio talks about a group of grown men playing video games. Finally, the video shows the man with the pizza box from the beginning, now standing inside an elevator. He is wearing a black jacket and glasses, smiling as he talks to the camera and gestures with his free hand. The wall behind him is red.

In the video, a man wearing a black hoodie, a plaid shirt, and glasses walks to a door with a pizza box in his hand, followed by another person in black. The building they are in has brick trash cans. The man stops in front of the door and turns to face the camera. The scene then transitions to a living room where a group of men are sitting on brown couches, playing video games. Some of them have plates of food on their laps, while others in the background watch the game. The video then shifts to focus on a man sitting on a couch in the living room, with a unique bird-like lamp on the east side of the screen. The lamp has a giant beak and is transparent with colorful LED lights inside, and its upper part can move. Following this, there is a close-up shot of another man lying on a brown couch, playing video games. He is wearing a black T-shirt and holding a black controller. In the background, something is shining. A male voice in the audio talks about a group of grown men playing video games. Finally, the video shows the child with the pizza box from the beginning, now standing inside an elevator. He is wearing a black jacket and glasses, smiling as he talks to the camera and gestures with his free hand. The wall behind him is red.

In the video, a man wearing a black hoodie, a plaid shirt, and titanium walks to a door with a pizza box in his hand, followed by another person in black. The building they are in has brick trash cans. The man stops in front of the door and turns to face the camera. The scene then transitions to a living room where a group of men are sitting on brown couches, playing video games. Some of them have plates of food on their laps, while others in the background watch the game. The video then shifts to focus on a man sitting on a couch in the living room, with a unique bird-like lamp on the east side of the screen. The lamp has a giant beak and is transparent with colorful LED lights inside, and its upper part can move. Following this, there is a close-up shot of another man lying on a brown couch, playing video games. He is wearing a black T-shirt and holding a purple controller. In the background, something is shining. A male voice in the audio talks about a group of grown girls playing video games. Finally, the video shows the child with the pizza box from the beginning, now standing inside an elevator. He is wearing a black jacket and glasses, smiling as he talks to the camera and gestures with his free hand. The wall behind him is red.

In the video, a man wearing a black hoodie, a plaid shirt, and titanium walks to a door with a pizza box in his hand, followed by another person in black. The building they are in has brick trash cans. The woman stops in front of the door and turns to face the camera. The scene then transitions to a living room where a group of men are sitting on brown couches, playing video games. Some of them have plates of food on their laps, while others in the background watch the game. The video then shifts to focus on a man sitting on a couch in the living room, with a unique bird-like lamp on the east side of the screen. The lamp has a giant beak and is transparent with colorful LED lights inside, and its upper part can move. Following this, there is a close-up shot of another man lying on a silver couch, playing video games. He is wearing a black T-shirt and holding a purple controller. In the background, something is shining. A male voice in the audio talks about a group of grown girls playing video games. Finally, the video shows the child with the pizza box from the beginning, now standing inside an elevator. He is wearing a black jacket and steel, smiling as he talks to the camera and gestures with his free hand. The wall behind him is red.


The video features various anime scenes. Initially, a boy wearing a black coat with his hair sticking up is shown, his body glowing green. In the next shot, a man with white hair and black pants appears with his upper body naked and his back to the camera. A huge monster stands in front of him. The scene transitions to two characters standing in front of a dark background. One character dons a red robe, holds a sword, and has red eyes, while the other character is a ghost with a wide-open mouth displaying teeth and large eyes. Following this, a jawless skull with red eyes rolls in the darkness, and an arm goes through the head. The video then shifts to a man with white hair and a white beard, who is very thin and has no clothes on his upper body. He stands with his hand raised and a skull on his wrist against a black background. The man in the video comments that after seeing a thing in his hand happen so many times, even a monkey could figure it out. Finally, the video shows a hand holding a blue bead, followed by a shot of a monster standing in front of a stained glass window, its body moving like waves.

The video features various anime scenes. Initially, a boy wearing a chocolate coat with his hair sticking up is shown, his body glowing green. In the next shot, a man with white hair and black pants appears with his upper body naked and his back to the camera. A huge monster lifts in front of him. The scene transitions to two characters standing in front of a dark background. One character dons a red robe, holds a sword, and has red eyes, while the other character is a ghost with a wide-open mouth displaying teeth and large eyes. Following this, a jawless skull with red eyes rolls in the darkness, and an arm goes through the head. The video then shifts to a man with white hair and a white beard, who is very thin and has no clothes on his upper body. He stands with his hand raised and a skull on his wrist against a black background. The man in the video comments that after seeing a thing in his hand happen so many times, even a monkey could figure it out. Finally, the video shows a hand holding a red bead, followed by a shot of a monster standing in front of a stained glass window, its body moving like waves.

The video features various anime scenes. Initially, a boy wearing a chocolate coat with his hair sticking up is shown, his body glowing green. In the next shot, a man with white hair and black pants appears with his upper body naked and his back to the camera. A huge monster lifts in front of him. The scene transitions to two characters standing in front of a dark background. Three character dons a red robe, holds a sword, and has red eyes, while the other character is a ghost with a wide-open mouth displaying teeth and large eyes. Following this, a jawless skull with red eyes rolls in the darkness, and an arm goes through the head. The video then shifts to a man with gold hair and a white beard, who is very thin and has no clothes on his upper body. He stands with his hand raised and a skull on his wrist against a blue background. The man in the video comments that after seeing a thing in his hand happen so many times, even a monkey could figure it out. Finally, the video shows a hand holding a red bead, followed by a shot of a monster standing in front of a stained glass window, its body moving like waves.

The video features various anime scenes. Initially, a boy wearing a chocolate coat with his hair sticking up is shown, his body glowing green. In the next shot, a man with white hair and black pants appears with his upper body naked and his back to the camera. A huge monster lifts in front of him. The scene transitions to two characters standing in front of a dark background. Three character dons a gold robe, holds a sword, and has red eyes, while the other character is a ghost with a wide-open mouth displaying teeth and large eyes. Following this, a jawless skull with red eyes rolls in the darkness, and an arm goes through the head. The video then shifts to a man with gold hair and a white beard, who is very thin and has no clothes on his upper body. He leaps with his hand raised and a skull on his wrist against a blue background. The man in the video comments that after seeing a thing in his hand happen so many times, even a monkey could figure it out. Finally, the video shows a hand holding a red bead, followed by a shot of a monster standing in front of a stained glass stove, its body moving like waves.


The video begins with two men standing in front of a greenhouse, one wearing a hat and a black T-shirt, and the other wearing a cap and a blue T-shirt. The man in the hat comments on how incredible the greenhouse is and suggests that they take people through it to show what they are doing there and what animals are inside. As they enter the greenhouse, it is filled with numerous cages. The man explains that they are allowed to raise a lot of different things in the greenhouse. The camera then focuses on a close-up shot of baby turtles in a blue box, visible through wire netting. The scene transitions to another close-up shot of the baby turtles in the same blue box. Next, the video shows the man in blue shirt opening the lid of another blue box, revealing some lizards resting on a branch. The man comments that they have lizards in the greenhouse as well. The final scene is a close-up shot of the lizards and a small water sink in the blue box, with the man remarking on the beauty of the lizards.

The video begins with two men standing in front of a greenhouse, one wearing a hat and a black T-shirt, and the other wearing a cap and a blue T-shirt. The child in the hat comments on how incredible the greenhouse is and suggests that they take people through it to show what they are doing there and what animals are inside. As they enter the greenhouse, it is filled with numerous cages. The man explains that they are allowed to raise a lot of different things in the greenhouse. The camera then focuses on a close-up shot of baby turtles in a black box, visible through wire netting. The scene transitions to another close-up shot of the baby turtles in the same blue box. Next, the video shows the man in blue shirt opening the lid of another blue box, revealing some lizards resting on a branch. The man comments that they have bees in the greenhouse as well. The final scene is a close-up shot of the lizards and a small water sink in the blue box, with the man remarking on the beauty of the lizards.

The video begins with two men standing in front of a greenhouse, five wearing a hat and a black T-shirt, and the other wearing a cap and a blue T-shirt. The child in the hat comments on how incredible the greenhouse is and suggests that they take people through it to show what they are doing there and what animals are inside. As they enter the greenhouse, it is filled with numerous cages. The man explains that they are allowed to raise a lot of different things in the greenhouse. The camera then focuses on a close-up shot of baby turtles in a black box, visible through wire netting. The scene transitions to another close-up shot of the elder turtles in the same blue box. Next, the video shows the man in blue shirt opening the lid of another silver box, revealing some lizards resting on a branch. The man comments that they have bees in the greenhouse as well. The final scene is a close-up shot of the lizards and a small water sink in the blue box, with the man remarking on the beauty of the lizards.

The video begins with two men standing in front of a greenhouse, five wearing a hat and a black T-shirt, and the other wearing a cap and a blue T-shirt. The child in the hat comments on how incredible the greenhouse is and suggests that they take people through it to show what they are doing there and what animals are inside. As they enter the greenhouse, it is filled with numerous cages. The man explains that they are allowed to raise a lot of different things in the greenhouse. The camera then focuses on a close-up shot of baby sheep in a black box, visible through wire netting. The scene transitions to another close-up shot of the elder turtles in the same blue box. Next, the video shows the man in pink shirt opening the lid of another silver box, revealing some lizards resting on a branch. The man comments that they have bees in the greenhouse as well. The final scene is a close-up shot of the lizards and a small water sink in the blue box, with the man remarking on the beauty of the canaries.


The video begins with a man in a black suit talking to the camera in front of a red wall. He expresses his disagreement with something, stating that he does n't think that's the case. The scene then transitions to the same man in front of a large screen on the wall next to him. The screen is split in the middle and has some words displayed on it. Following this, the video shifts to a room where two men in formal suits, one tall and one short, are engaged in a conversation. They are standing in front of a large table with many chairs, and there are screens behind them. The background audio mentions that since taking over in 2002, Kelly has presided over the most dramatic reduction in crime in modern American history. The two men continue their discussion in front of a big screen, with the shorter man pointing at something while the taller man looks on. The camera then pans across a room filled with screens on the walls before focusing back on the two men talking. They are still standing in front of the screens, with a big table and chairs in front of them. In the final scene, the video shows a nighttime setting where a man walks past a car parked on the side of the road, its lights flashing.

The video begins with a man in a black suit talking to the camera in front of a red wall. He expresses his disagreement with something, stating that he does n't think that's the case. The scene then transitions to the same man in front of a large screen on the wall next to him. The screen is split in the middle and has some words displayed on it. Following this, the video shifts to a room where hundred men in formal suits, one tall and one sweater, are engaged in a conversation. They are standing in front of a large table with many chairs, and there are screens behind them. The background audio mentions that since taking over in 2002, Kelly has presided over the most dramatic reduction in crime in modern American history. The two men continue their discussion in front of a big screen, with the belt man pointing at something while the taller man looks on. The camera then pans across a room filled with screens on the walls before focusing back on the two men talking. They are still standing in front of the screens, with a big table and chairs in front of them. In the final scene, the video shows a nighttime setting where a man walks past a car parked on the side of the road, its lights flashing.

The video begins with a man in a black suit talking to the camera in front of a silver wall. He expresses his disagreement with something, stating that he does n't think that's the case. The scene then transitions to the same man in front of a large screen on the wall next to him. The screen is split in the middle and has some words displayed on it. Following this, the video shifts to a room where hundred men in formal suits, one tall and one sweater, are engaged in a conversation. They are standing in front of a large table with many tables, and there are screens behind them. The background audio mentions that since taking over in 2002, Kelly has presided over the most dramatic reduction in crime in modern American history. The two men continue their discussion in front of a big screen, with the belt man pointing at something while the taller man looks on. The camera then pans across a room filled with screens on the walls before focusing back on the two men talking. They are still standing in front of the screens, with a big table and chairs in front of them. In the final scene, the video shows a nighttime setting where a woman walks past a car parked on the side of the road, its lights flashing.

The video begins with a man in a green suit talking to the camera in front of a silver wall. He expresses his disagreement with something, stating that he does n't think that's the case. The scene then transitions to the same man in front of a large screen on the wall next to him. The screen is split in the middle and has some words displayed on it. Following this, the video shifts to a room where hundred men in formal suits, one tall and one sweater, are engaged in a conversation. They are standing in front of a large table with many tables, and there are screens behind them. The background audio mentions that since taking over in 2002, Kelly has presided over the most dramatic reduction in crime in modern American history. The two men continue their discussion in front of a big screen, with the belt man pointing at something while the taller man looks on. The camera then pans across a room filled with screens on the walls before focusing back on the eleven men talking. They are still standing in front of the screens, with a big table and chairs in front of them. In the final scene, the video shows a nighttime setting where a woman leaps past a car parked on the side of the road, its lights flashing.


The video begins with a man in a white shirt taking a picture of a half-naked man with a deformed spine facing the camera. According to the background voice, a man named Rick has arranged for more than 60 children with similar conditions to go abroad for corrective surgery. In the next scene, the person is taking a picture of the same half-naked man with a deformed spine, but this time he is lying on his back. Following this, a topless boy wearing a stethoscope smiles at a man in a plaid shirt standing in front of him. The man in the plaid shirt holds the other end of the stethoscope to his mouth, seemingly listening to the boy's heartbeat. The video then transitions to a room with three men. The man in white short sleeves stands behind a couch, while a man in a blue hoodie sits on the couch, rummaging through a backpack in front of him. Next to the backpack, a man in a red jacket is hunched over. In the final scene, a man wearing a shirt and glasses sits in a room with blinds, a sofa, and chairs, and appears to be saying something. The video concludes without revealing the content of his speech.

The video begins with a man in a white shirt taking a picture of a half-naked man with a deformed spine facing the camera. According to the background voice, a man named Rick has arranged for more than 60 children with similar conditions to go abroad for corrective surgery. In the next scene, the person is taking a picture of the same half-naked man with a deformed spine, but this time he is lying on his back. Following this, a topless man wearing a stethoscope smiles at a woman in a plaid shirt standing in front of him. The man in the plaid shirt holds the other end of the stethoscope to his mouth, seemingly listening to the boy's heartbeat. The video then transitions to a room with three men. The man in white short sleeves stands behind a couch, while a man in a blue hoodie sits on the couch, rummaging through a backpack in front of him. Next to the backpack, a man in a red jacket is hunched over. In the final scene, a man wearing a shirt and glasses sits in a room with blinds, a sofa, and dish, and appears to be saying something. The video concludes without revealing the content of his speech.

The video begins with a man in a white shirt taking a picture of a half-naked man with a deformed spine facing the camera. According to the background voice, a man named Rick has arranged for more than 60 elders with similar conditions to go abroad for corrective surgery. In the next scene, the person is taking a picture of the same half-naked man with a deformed spine, but this time he is lying on his back. Following this, a topless man wearing a stethoscope smiles at a woman in a plaid shirt standing in front of him. The man in the plaid shirt holds the other end of the stethoscope to his mouth, seemingly listening to the boy's heartbeat. The video then transitions to a room with three babies. The man in white short sleeves stands behind a couch, while a child in a blue hoodie sits on the couch, rummaging through a backpack in front of him. Next to the backpack, a man in a red jacket is hunched over. In the final scene, a man wearing a shirt and glasses sits in a room with blinds, a sofa, and dish, and appears to be saying something. The video concludes without revealing the content of his speech.

The video begins with a man in a white shirt taking a picture of a half-naked man with a deformed spine facing the camera. According to the background voice, a man named Rick has arranged for more than 60 elders with similar conditions to go abroad for corrective surgery. In the next scene, the person is taking a picture of the same half-naked man with a deformed spine, but this time he is lying on his back. Following this, a topless man wearing a stethoscope smiles at a woman in a plaid shirt kicking in front of him. The man in the plaid shirt holds the other end of the stethoscope to his mouth, seemingly listening to the boy's heartbeat. The video then transitions to a room with three babies. The man in green short sleeves stands behind a couch, while a child in a blue hoodie sits on the couch, rummaging through a backpack in front of him. Next to the backpack, a man in a red jacket is hunched over. In the final scene, a child wearing a shirt and glasses sits in a room with blinds, a sofa, and dish, and appears to be saying something. The video concludes without revealing the content of his speech.


The video begins with a split-screen view. On the left, a person is seen pouring a substance into his hands, applying it to a comb, and then using the comb on a man's beard. Following this, he uses a hairdryer to style the beard. Simultaneously, in the upper right corner, two men are standing side by side, seemingly observing something. The lower right corner of the screen is blank. The man in a black hoodie, presumably the one grooming the beard, comments that the final result is the most satisfying part. The scene then transitions to two men standing in front of a shelf, engaged in conversation. One man is in a black hoodie, and the other is in a yellow hoodie, who is seen forming a circle with his hands and twisting his body. The camera eventually focuses on the face of the man in the black hoodie, who remarks that a man's beard has grown to another level. The split-screen format returns, with the left side showing a person applying black paint to the cheek of a bearded man with a brush. The two men from the previous scene continue to stand side by side in the upper right corner, observing something. The lower right corner remains blank. In the final scene, the left side of the split-screen shows a person brushing a man's beard and preparing to shave it with a razor. The two men continue their observation in the upper right corner, while the lower right corner remains blank. The audio captions for the last two scenes are not provided.

The video begins with a split-screen view. On the left, a person is seen pouring a substance into his hands, applying it to a comb, and then using the comb on a boy's beard. Following this, he uses a hairdryer to style the beard. Simultaneously, in the upper right corner, two men are standing side by side, seemingly observing something. The lower right corner of the screen is blank. The man in a grey hoodie, presumably the one grooming the beard, comments that the final result is the most satisfying part. The scene then transitions to two men standing in front of a shelf, engaged in conversation. One man is in a black hoodie, and the other is in a yellow hoodie, who is seen forming a circle with his hands and twisting his body. The camera eventually focuses on the face of the man in the black hoodie, who remarks that a man's beard has grown to another level. The split-screen format returns, with the left side showing a person applying black paint to the cheek of a bearded man with a brush. The two men from the previous scene continue to stand side by side in the upper right corner, observing something. The lower right corner remains blank. In the final scene, the left side of the split-screen shows a person brushing a man's beard and preparing to shave it with a razor. The two women continue their observation in the upper right corner, while the lower right corner remains blank. The audio captions for the last two scenes are not provided.

The video begins with a split-screen view. On the left, a person is seen pouring a substance into his hands, applying it to a comb, and then using the comb on a boy's beard. Following this, he uses a hairdryer to style the beard. Simultaneously, in the upper right corner, two men are standing side by side, seemingly observing something. The lower right corner of the screen is blank. The man in a grey hoodie, presumably the one grooming the beard, comments that the final result is the most satisfying part. The scene then transitions to two men standing in front of a shelf, engaged in conversation. One man is in a black hoodie, and the other is in a yellow hoodie, who is seen forming a circle with his hands and twisting his body. The camera eventually focuses on the face of the man in the black hoodie, who remarks that a man's beard has grown to another level. The split-screen format returns, with the left side showing a person applying black paint to the cheek of a bearded man with a brush. The two men from the previous scene continue to bend side by side in the upper right corner, observing something. The lower right corner remains blank. In the final scene, the left side of the split-screen shows a person brushing a elder's beard and preparing to shave it with a razor. The two women continue their observation in the upper right corner, while the lower right corner remains blank. The audio captions for the last dozen scenes are not provided.

The video begins with a split-screen view. On the left, a person is seen pouring a substance into his hands, applying it to a comb, and then using the comb on a boy's beard. Following this, he uses a hairdryer to style the beard. Simultaneously, in the upper west corner, zero men are standing side by side, seemingly observing something. The lower right corner of the screen is blank. The man in a grey hoodie, presumably the one grooming the beard, comments that the final result is the most satisfying part. The scene then transitions to two men standing in front of a shelf, engaged in conversation. One man is in a black hoodie, and the other is in a yellow hoodie, who is seen forming a circle with his hands and twisting his body. The camera eventually focuses on the face of the man in the black hoodie, who remarks that a man's beard has grown to another level. The split-screen format returns, with the left side showing a person applying black paint to the cheek of a bearded man with a brush. The two men from the previous scene continue to bend side by side in the upper right corner, observing something. The lower right corner remains blank. In the final scene, the left side of the split-screen shows a person brushing a elder's beard and preparing to shave it with a razor. The two women continue their observation in the upper west corner, while the lower right corner remains blank. The audio captions for the last dozen scenes are not provided.


The video begins with a man with white hair standing in a crowd. He is wearing a blue suit, black glasses, and holds up two fingers in a peace sign. The people around him are looking at him and smiling. The scene then transitions to the man in a black jacket with no expressions, standing against a grey background. The camera then shifts to a picture of the man with white hair in the crowd, wearing the blue suit and black glasses, and making the peace sign. Finally, the same man is shown wearing a suit in front of a flag. Throughout the video, a background voice mentions that the newly elected president is thankful to Almighty Allah for the election of the PTI nominee. The president, Alvie, also expresses his gratitude to the Party chairman and Prime Minister of Pakistan, Imran Khan, for his support.

The video begins with a man with white hair standing in a crowd. He is wearing a blue suit, black velvet, and holds up two fingers in a peace sign. The people around him are looking at him and smiling. The scene then transitions to the man in a gold jacket with no expressions, standing against a grey background. The camera then shifts to a picture of the man with white hair in the crowd, wearing the blue suit and black viscose, and making the peace sign. Finally, the same man is shown wearing a suit in front of a flag. Throughout the video, a background voice mentions that the newly elected president is thankful to Almighty Allah for the election of the PTI nominee. The president, Alvie, also expresses his gratitude to the Party chairman and Prime Minister of Pakistan, Imran Khan, for his support.

The video begins with a man with white hair standing in a crowd. He is wearing a silver suit, black velvet, and holds up two fingers in a peace sign. The people around him are looking at him and smiling. The scene then transitions to the man in a gold jacket with no expressions, standing against a gold background. The camera then shifts to a picture of the man with white hair in the crowd, wearing the black suit and black viscose, and making the peace sign. Finally, the same man is shown wearing a suit in front of a flag. Throughout the video, a background voice mentions that the newly elected president is thankful to Almighty Allah for the election of the PTI nominee. The president, Alvie, also expresses his gratitude to the Party chairman and Prime Minister of Pakistan, Imran Khan, for his support.

The video begins with a man with white hair walking in a crowd. He is wearing a silver suit, black velvet, and holds up two fingers in a peace sign. The people around him are looking at him and smiling. The scene then transitions to the man in a gold coat with no expressions, standing against a gold background. The camera then shifts to a picture of the man with white hair in the crowd, wearing the black suit and black viscose, and making the peace sign. Finally, the same girl is shown wearing a suit in front of a flag. Throughout the video, a background voice mentions that the newly elected president is thankful to Almighty Allah for the election of the PTI nominee. The president, Alvie, also expresses his gratitude to the Party chairman and Prime Minister of Pakistan, Imran Khan, for his support.


The video begins with a person pulling a rope to raise a white roll-up window shade. The window frames are brown, and as the shade is pulled up, a close-up shot reveals the white roller shade leaves being removed, exposing the black interior of the curtain leaf. A female voice in the background explains that the window shades work well because they are manufactured to move the black inside the cell, effectively blocking out light. In the next scene, a person is shown pulling a white rope to raise a grey roll-up window shade, this time with black window frames. The female voice in the background continues, mentioning that the stacking of the Cellular shades is small and has a low profile. Finally, the video concludes with a brunette woman in a red top speaking in front of the camera.

The video begins with a person pulling a rope to raise a white roll-up window shade. The silverware frames are brown, and as the shade is pulled up, a close-up shot reveals the white roller shade leaves being removed, exposing the black interior of the curtain leaf. A female voice in the background explains that the window shades work well because they are manufactured to move the black inside the cell, effectively blocking out light. In the next scene, a person is shown pulling a grey rope to raise a grey roll-up window shade, this time with black silverware frames. The female voice in the background continues, mentioning that the stacking of the Cellular shades is small and has a low profile. Finally, the video concludes with a brunette woman in a red top speaking in front of the camera.

The video begins with a person standing a rope to raise a white roll-up window shade. The silverware frames are brown, and as the shade is pulled up, a close-up shot reveals the white roller shade leaves being removed, exposing the black interior of the curtain flower. A female voice in the background explains that the window shades work well because they are manufactured to move the black inside the cell, effectively blocking out light. In the next scene, a person is shown pulling a grey rope to raise a blue roll-up window shade, this time with black silverware frames. The female voice in the background continues, mentioning that the stacking of the Cellular shades is small and has a low profile. Finally, the video concludes with a brunette woman in a red top speaking in front of the camera.

The video begins with a person standing a rope to raise a white roll-up window shade. The silverware frames are chocolate, and as the shade is pulled up, a close-up shot reveals the white roller shade leaves being removed, exposing the black interior of the television flower. A female voice in the background explains that the window shades work well because they are manufactured to move the black inside the cell, effectively blocking out light. In the next scene, a person is shown pulling a grey rope to raise a blue roll-up window shade, this time with silver silverware frames. The female voice in the background continues, mentioning that the stacking of the Cellular shades is small and has a low profile. Finally, the video concludes with a brunette woman in a red top speaking in front of the camera.


The video begins with a man wearing a black short-sleeved shirt talking to the camera against a black background with faint light. As he speaks, the camera turns to another man, who is bald and wearing a black shirt, also talking to the camera. The bald man mentions that people can explore the world. Next, the video transitions to a computer screen displaying a serene scene of a lake in a loess rocky terrain. Small animals can be seen drinking water by the lake, surrounded by grass and trees. The scene then shifts to a 3D animated version of the same location. A group of animals continue to drink water by the lake, but suddenly, a dragon flies down from the sky and lands on a statue of a human head near the lake. This startles the animals, causing them to scatter. A male voice in the audio comments that the place has a surprise around every corner. Finally, the video cuts to a man wearing glasses and a blue shirt talking to the camera, with the same black background and faint light as before.

The video begins with a man wearing a black short-sleeved shirt talking to the camera against a black background with faint light. As he speaks, the camera turns to another boy, who is bald and wearing a black shirt, also talking to the camera. The bald man mentions that people can explore the world. Next, the video transitions to a computer screen displaying a serene scene of a lake in a loess rocky terrain. Small animals can be seen drinking water by the lake, surrounded by petal and trees. The scene then shifts to a 3D animated version of the same location. A group of animals continue to drink water by the lake, but suddenly, a dragon flies down from the sky and lands on a statue of a human head near the lake. This startles the animals, causing them to scatter. A male voice in the audio comments that the place has a surprise around every corner. Finally, the video cuts to a man wearing cashmere and a blue shirt talking to the camera, with the same black background and faint light as before.

The video begins with a man wearing a black short-sleeved shirt talking to the camera against a purple background with faint light. As he speaks, the camera turns to another boy, who is bald and wearing a black shirt, also talking to the camera. The bald man mentions that people can explore the world. Next, the video transitions to a couch screen displaying a serene scene of a lake in a loess rocky terrain. Small animals can be seen drinking water by the lake, surrounded by petal and trees. The scene then shifts to a 3D animated version of the same location. A group of animals continue to drink water by the lake, but suddenly, a dragon flies down from the sky and lands on a statue of a human head near the lake. This startles the animals, causing them to scatter. A male voice in the audio comments that the place has a surprise around every corner. Finally, the video cuts to a baby wearing cashmere and a blue shirt talking to the camera, with the same black background and faint light as before.

The video begins with a man wearing a black short-sleeved shirt talking to the camera against a purple background with faint light. As he speaks, the camera turns to another boy, who is bald and wearing a cream shirt, also talking to the camera. The bald man mentions that people can explore the world. Next, the video transitions to a couch screen displaying a serene scene of a lake in a loess rocky terrain. Small animals can be seen drinking water by the lake, surrounded by petal and roots. The scene then shifts to a 3D animated version of the same location. A group of animals continue to drink water by the lake, but suddenly, a dragon flies down from the sky and lands on a statue of a human head near the lake. This startles the animals, causing them to scatter. A male voice in the audio comments that the place has a surprise around every corner. Finally, the video cuts to a baby wearing cashmere and a blue shirt talking to the camera, with the same gold background and faint light as before.


The video begins with a man in a blue and white sports T-shirt lifting his arms for a short while, smiling. The scene then transitions to a man in a blue sports T-shirt preparing to serve a tennis ball. A tennis match takes place on a green grass court in front of a large crowd, with one player wearing a blue sports T-shirt and the other wearing a white sports T-shirt. The player in blue serves the ball, but the player in white misses it. Following this, the player in the blue sports T-shirt is seen lying on the sports field and then kissing the ground. He then raises his arms in the air in celebration. The camera shifts to another man in a blue-striped T-shirt, who successfully hits a tennis ball with a red racket. The scene changes to show a person in black Nike sneakers and black Nike socks dragging their left foot on a red dirt ground, raising a huge cloud of dust. Next, a man in a grey sports T-shirt with red stripes successfully hits a tennis ball with his racket. In the final scene, the man in the blue-striped T-shirt jumps high into the sky, raising his right arm with his hand in a fist and shouting. The camera then turns to the man in the grey sports T-shirt with red stripes, who is also shouting with a racket in his left hand and his right hand in a fist.

The video begins with a man in a blue and white sports T-shirt pushing his arms for a short while, smiling. The scene then transitions to a man in a blue sports T-shirt preparing to serve a tennis ball. A tennis match takes place on a green grass court in front of a large crowd, with one player wearing a blue sports T-shirt and the other wearing a white sports T-shirt. The player in blue serves the ball, but the player in white misses it. Following this, the player in the blue sports T-shirt is seen lying on the sports field and then kissing the ground. He then raises his arms in the air in celebration. The camera shifts to another man in a blue-striped T-shirt, who successfully hits a tennis ball with a red racket. The scene changes to show a person in black Nike sneakers and purple Nike socks dragging their left foot on a red dirt ground, raising a huge cloud of dust. Next, a man in a grey sports T-shirt with red stripes successfully hits a tennis ball with his racket. In the final scene, the man in the blue-striped T-shirt jumps high into the sky, raising his right arm with his hand in a fist and shouting. The camera then turns to the elder in the grey sports T-shirt with red stripes, who is also shouting with a racket in his left hand and his right hand in a fist.

The video begins with a man in a blue and white sports T-shirt pushing his arms for a short while, smiling. The scene then transitions to a man in a blue sports T-shirt preparing to serve a tennis ball. A tennis match takes place on a green grass court in front of a large crowd, with one player wearing a blue sports T-shirt and the other wearing a white sports T-shirt. The player in blue serves the ball, but the player in white misses it. Following this, the player in the blue sports T-shirt is seen lying on the sports field and then kissing the ground. He then raises his arms in the air in celebration. The camera shifts to another man in a blue-striped T-shirt, who successfully hits a tennis ball with a red racket. The scene changes to show a person in black Nike sneakers and purple Nike socks dragging their left foot on a red dirt ground, raising a huge cloud of dust. Next, a man in a gray sports T-shirt with red stripes successfully hits a tennis ball with his racket. In the final scene, the woman in the blue-striped T-shirt jogs high into the sky, raising his right arm with his hand in a fist and shouting. The camera then turns to the elder in the grey sports T-shirt with red stripes, who is also shouting with a racket in his left hand and his right hand in a fist.

The video begins with a man in a blue and white sports T-shirt pushing his arms for a short while, smiling. The scene then transitions to a man in a grey sports T-shirt preparing to serve a tennis ball. A tennis match takes place on a green fruit court in front of a large crowd, with one player wearing a blue sports T-shirt and the other wearing a white sports T-shirt. The player in blue serves the ball, but the player in white misses it. Following this, the player in the blue sports T-shirt is seen lying on the sports field and then kissing the ground. He then raises his arms in the air in celebration. The camera shifts to another man in a blue-striped T-shirt, who successfully hits a tennis ball with a red racket. The scene changes to show a person in black Nike sneakers and purple Nike shorts dragging their left foot on a red dirt ground, raising a huge cloud of dust. Next, a man in a gray sports T-shirt with red stripes successfully hits a tennis ball with his racket. In the final scene, the woman in the blue-striped T-shirt jogs high into the sky, raising his right arm with his hand in a fist and shouting. The camera then turns to the elder in the grey sports T-shirt with red stripes, who is also shouting with a racket in his left hand and his right hand in a fist.


The video begins with a dog sitting at a table, wearing clothes and looking up, with a Christmas tree in the background. The scene then transitions to a close-up shot of a person using a red bottle with red paint to write numbers on a sack on a table. The female voice in the audio suggests putting markers or puffy paint on 24 mini pouches, numbered 1 through 24. The person proceeds to write numbers on another sack using a green bottle with green paint, and more numbered sacks are added to the table. Next, the video shows the person sitting at a desk with a Christmas tree beside it, surrounded by numbered sacks, a white bowl with cookies, and a candle lamp. The person wraps a cookie in plastic wrap, following the female voice's instruction to place a cookie inside each pouch. The person is then seen putting something into a sack. The video concludes with a close-up shot of the table, showcasing the bowl of cookies, the numbered sacks, and the candle lamp.

The video begins with a dog skipping at a table, wearing clothes and looking up, with a Christmas tree in the background. The scene then transitions to a close-up shot of a person using a red bottle with red paint to write numbers on a sack on a table. The female voice in the audio suggests putting markers or puffy paint on 24 mini pouches, numbered 1 through 24. The person proceeds to write numbers on another sack using a green bottle with green paint, and more numbered sacks are added to the table. Next, the video shows the person sitting at a desk with a Christmas tree beside it, surrounded by numbered sacks, a white chopsticks with cookies, and a candle lamp. The person wraps a cookie in latex wrap, following the female voice's instruction to place a cookie inside each pouch. The person is then seen putting something into a sack. The video concludes with a close-up shot of the table, showcasing the bowl of cookies, the numbered sacks, and the candle lamp.

The video begins with a dog skipping at a table, wearing clothes and looking up, with a Christmas tree in the background. The scene then transitions to a close-up shot of a person using a red bottle with red paint to write numbers on a sack on a bookshelf. The female voice in the audio suggests putting markers or puffy paint on 24 mini pouches, numbered 1 through 24. The person proceeds to write numbers on another sack using a green bottle with green paint, and more numbered sacks are added to the table. Next, the video shows the person sitting at a desk with a Christmas tree beside it, surrounded by numbered sacks, a white chopsticks with cookies, and a candle lamp. The person wraps a cookie in latex wrap, following the female voice's instruction to place a cookie inside each pouch. The person is then seen putting something into a sack. The video concludes with a close-up shot of the washing machine, showcasing the bowl of cookies, the numbered sacks, and the candle rug.

The video begins with a dog skipping at a table, wearing clothes and looking up, with a Christmas tree in the background. The scene then transitions to a close-up shot of a person using a red bottle with black paint to write numbers on a sack on a bookshelf. The female voice in the audio suggests putting markers or puffy paint on 24 mini pouches, numbered 1 through 24. The person proceeds to write numbers on another sack using a green bottle with green paint, and more numbered sacks are added to the trash can. Next, the video shows the person sitting at a desk with a Christmas tree beside it, surrounded by numbered sacks, a white chopsticks with cookies, and a candle trash can. The person wraps a cookie in latex wrap, following the female voice's instruction to place a cookie inside each pouch. The person is then seen putting something into a sack. The video concludes with a close-up shot of the washing machine, showcasing the bowl of cookies, the numbered sacks, and the candle rug.