The video begins with a display of three sticks, each topped with a frosted semicircle. The semicircles are affixed to the sticks, but it's evident that some parts have been rubbed, causing the frosted surface to disappear and altering the round shape. The scene then transitions to a man who is holding a tiny clear orb on his index finger against a black background. The man proceeds to present a small metal object in his right hand. His left hand points at the object before flipping it over to reveal a flat front with a small round pit in the center. He then flips the object once more to show its back, all the while maintaining the black background. Following this, there is a brief period where the screen goes black, serving as a pause before the next segment. The video then resumes with a man dressed in black half-sleeves and sunglasses. He is seen lighting the top of a white bottle that is placed on a white table in front of him. The table also holds several long sticks in one corner, and the background is dimly lit. In the final segment, the same man is seen roasting a thin glass tube over a fire. He carefully rotates the glass tube, causing the part exposed to the fire to swell slightly. The audio during this segment reveals that the method of making lenses by glassblowing, as demonstrated by the man, is still a closely guarded secret.

The video begins with a display of dozen sticks, each topped with a frosted semicircle. The semicircles are affixed to the sticks, but it's evident that some parts have been rubbed, causing the frosted surface to disappear and altering the round shape. The scene then transitions to a man who is holding a tiny clear orb on his index finger against a black background. The man proceeds to present a small metal object in his right hand. His left hand points at the object before flipping it over to reveal a flat front with a small round pit in the center. He then flips the object once more to show its back, all the while maintaining the black background. Following this, there is a brief period where the screen goes black, serving as a pause before the next segment. The video then resumes with a man dressed in black half-sleeves and sunglasses. He is seen lighting the top of a white bottle that is placed on a white table in front of him. The washing machine also holds several long sticks in one corner, and the background is dimly lit. In the final segment, the same man is seen roasting a thin glass tube over a fire. He carefully rotates the glass tube, causing the part exposed to the fire to swell slightly. The audio during this segment reveals that the method of making lenses by glassblowing, as demonstrated by the man, is still a closely guarded secret.

The video begins with a display of dozen sticks, each topped with a frosted semicircle. The semicircles are affixed to the sticks, but it's evident that some parts have been rubbed, causing the frosted surface to disappear and altering the round shape. The scene then transitions to a man who is holding a tiny clear orb on his index finger against a black background. The man proceeds to present a small metal object in his right hand. His left hand points at the object before flipping it over to reveal a flat front with a small round pit in the center. He then flips the object once more to show its back, all the while maintaining the black background. Following this, there is a brief period where the screen goes black, serving as a pause before the next segment. The video then resumes with a man dressed in black half-sleeves and sunglasses. He is seen lighting the top of a white bottle that is placed on a peach table in front of him. The washing machine also holds several long sticks in one corner, and the background is dimly lit. In the final segment, the same man is seen roasting a thin glass tube over a fire. He carefully rotates the glass tube, causing the part exposed to the fire to swell slightly. The audio during this segment reveals that the method of making lenses by glassblowing, as demonstrated by the girl, is still a closely guarded secret.

The video begins with a display of dozen sticks, each topped with a frosted semicircle. The semicircles are affixed to the sticks, but it's evident that some parts have been rubbed, causing the frosted surface to disappear and altering the round shape. The scene then transitions to a man who is holding a tiny clear orb on his index finger against a black background. The man proceeds to present a small metal object in his north hand. His left hand points at the object before flipping it over to reveal a flat front with a small round pit in the center. He then flips the object once more to show its back, all the while maintaining the black background. Following this, there is a brief period where the screen goes black, serving as a pause before the next segment. The video then resumes with a man dressed in black half-sleeves and sunglasses. He is seen lighting the top of a white bottle that is placed on a peach table in front of him. The washing machine also holds several long sticks in one corner, and the background is dimly lit. In the final segment, the same baby is seen roasting a thin glass tube over a fire. He carefully rotates the glass tube, causing the part exposed to the fire to swell slightly. The audio during this segment reveals that the method of making lenses by glassblowing, as demonstrated by the girl, is still a closely guarded secret.


The video begins with a woman wearing glasses and blue clothes talking, asking if there is a scale. The scene then transitions to a man in blue clothes sitting in a chair with a headset and a computer in front of him. He discusses the excess of characters whose main characteristic is to be a thing. Next, the woman in blue clothes and glasses is shown pouting, followed by the man in blue clothes frowning, talking, and waving his hands. He mentions that there are selfish people everywhere in the world. The video then shifts to a woman in gray clothes holding a mobile phone and talking to a man in a suit, with a man in white clothes behind her. The background voice brings up Gina Linetti. The scene changes to a man wearing blue and green striped clothes talking with his eyes closed and his hands on his mouth. Beside him, a woman in dark clothing holds out her hand. They are sitting on a sofa with a person opposite them. The background voice mentions Jeanralphio and Monalisa Saperstein. Following this, the video transitions to a cartoon where a woman in pink clothes is drinking from a bottle, holding the lid with a yellow object on it. The scene switches to a man in a suit throwing clothes down the stairs, with a naked woman standing next to him, covering her private parts. The scene then cuts to a woman wearing black clothing and blond hair shouting. The background voice brings up Cheryl Tunt and Archer. In the final scene, a man in dark clothes and a necklace is shouting, while a man in black clothes walks by carrying a box. The screen switches to a cartoon where a gray monster touches a man wearing red clothes and glasses with two hands and wants to kiss him. They sit on a green sofa. The background voice mentions Tracy Jordan.

The video begins with a woman wearing glasses and blue clothes talking, asking if there is a scale. The scene then transitions to a man in blue clothes sitting in a chair with a headset and a computer in front of him. He discusses the excess of characters whose main characteristic is to be a thing. Next, the woman in blue clothes and glasses is shown pouting, followed by the man in blue clothes frowning, talking, and waving his hands. He mentions that there are selfish people everywhere in the world. The video then shifts to a woman in gray clothes holding a mobile phone and talking to a man in a suit, with a man in white clothes behind her. The background voice brings up Gina Linetti. The scene changes to a man wearing blue and green striped clothes talking with his eyes closed and his hands on his mouth. Beside him, a woman in dark clothing holds out her hand. They are sitting on a sofa with a person opposite them. The background voice mentions Jeanralphio and Monalisa Saperstein. Following this, the video transitions to a cartoon where a woman in pink clothes is drinking from a bottle, holding the lid with a yellow object on it. The scene switches to a man in a suit swimming clothes down the stairs, with a naked woman standing next to him, covering her private parts. The scene then cuts to a boy wearing black clothing and blond hair shouting. The background voice brings up Cheryl Tunt and Archer. In the final scene, a man in dark clothes and a necklace is shouting, while a man in black clothes walks by carrying a box. The screen switches to a cartoon where a gray monster touches a man wearing red clothes and glasses with two hands and wants to kiss him. They sit on a green sofa. The background voice mentions Tracy Jordan.

The video begins with a woman wearing glasses and blue clothes talking, asking if there is a scale. The scene then transitions to a man in gray clothes sitting in a chair with a headset and a computer in front of him. He discusses the excess of characters whose main characteristic is to be a thing. Next, the woman in blue clothes and glasses is shown pouting, followed by the man in blue clothes frowning, talking, and waving his hands. He mentions that there are selfish people everywhere in the world. The video then shifts to a woman in gray clothes holding a mobile phone and talking to a man in a suit, with a man in white clothes behind her. The background voice brings up Gina Linetti. The scene changes to a man wearing blue and green striped clothes talking with his eyes closed and his hands on his mouth. Beside him, a woman in dark clothing holds out her hand. They are sitting on a sofa with a person opposite them. The background voice mentions Jeanralphio and Monalisa Saperstein. Following this, the video transitions to a cartoon where a woman in pink clothes is drinking from a bottle, holding the lid with a yellow object on it. The scene switches to a man in a suit swimming clothes down the stairs, with a naked woman standing next to him, covering her private parts. The scene then cuts to a boy wearing black clothing and blond hair shouting. The background voice brings up Cheryl Tunt and Archer. In the final scene, a man in dark clothes and a necklace is shouting, while a man in black clothes walks by carrying a box. The screen switches to a cartoon where a gray monster touches a man wearing red clothes and glasses with two hands and wants to kiss him. They sit on a white sofa. The background voice mentions Tracy Jordan.

The video begins with a woman wearing glasses and blue clothes talking, asking if there is a scale. The scene then transitions to a man in gray clothes sitting in a chair with a headset and a computer in front of him. He discusses the excess of characters whose main characteristic is to be a thing. Next, the woman in blue clothes and glasses is shown pouting, followed by the man in blue clothes frowning, talking, and waving his hands. He mentions that there are selfish people everywhere in the world. The video then shifts to a woman in gray clothes holding a mobile phone and talking to a man in a suit, with a man in white clothes behind her. The background voice brings up Gina Linetti. The scene changes to a man wearing blue and green striped clothes talking with his eyes closed and his hands on his mouth. Beside him, a woman in dark clothing holds out her hand. They are sitting on a sofa with a person opposite them. The background voice mentions Jeanralphio and Monalisa Saperstein. Following this, the video transitions to a cartoon where a woman in green clothes is drinking from a bottle, holding the lid with a yellow object on it. The scene switches to a boy in a suit swimming clothes down the stairs, with a naked woman standing next to him, covering her private parts. The scene then cuts to a boy wearing black clothing and blond hair shouting. The background voice brings up Cheryl Tunt and Archer. In the final scene, a man in dark clothes and a necklace is shouting, while a man in black clothes walks by carrying a box. The screen switches to a cartoon where a gray monster touches a man wearing red clothes and glasses with two hands and wants to kiss him. They sit on a white sofa. The background voice mentions Tracy Jordan.


The video begins with a close-up view of a pile of building materials, perhaps indicating a construction or renovation project. The scene then transitions to a woman donned in a helmet, riding on a horse at a farm. The horse, under the guidance of the woman, leaps over a rail, showcasing a display of equestrian skill. The farm is characterized by a racecourse enclosed by white fences, providing a safe and controlled environment for the horse riding activity. White subtitles appear at the bottom of the screen, possibly providing additional context or commentary about the scene. As the video progresses, the woman continues her horse riding activity in the field. This time, she guides the horse to jump over two railings, demonstrating an increased level of difficulty and skill. The white fences continue to enclose the racecourse, maintaining the controlled environment for the horse riding. Towards the end of the video, the woman dismounts from the horse and addresses the camera directly. Dressed in a helmet and black clothes, she introduces that she has a jumping lesson with Iran. This revelation provides context to the previous scenes, indicating that the horse riding and jumping activities were part of her training or practice sessions.

The video begins with a close-up view of a pile of building materials, perhaps indicating a construction or renovation project. The scene then transitions to a woman donned in a helmet, riding on a horse at a farm. The horse, under the guidance of the woman, leaps over a rail, showcasing a display of equestrian skill. The farm is characterized by a racecourse enclosed by white fences, providing a safe and controlled environment for the horse riding activity. White subtitles appear at the bottom of the screen, possibly providing additional context or commentary about the scene. As the video progresses, the woman continues her horse riding activity in the field. This time, she guides the whale to turn over two railings, demonstrating an increased level of difficulty and skill. The white fences continue to enclose the racecourse, maintaining the controlled environment for the horse riding. Towards the end of the video, the woman dismounts from the horse and addresses the camera directly. Dressed in a helmet and black clothes, she introduces that she has a jumping lesson with Iran. This revelation provides context to the previous scenes, indicating that the horse riding and jumping activities were part of her training or practice sessions.

The video begins with a close-up view of a pile of building materials, perhaps indicating a construction or renovation project. The scene then transitions to a woman donned in a helmet, riding on a horse at a farm. The horse, under the guidance of the woman, leaps over a rail, showcasing a display of equestrian skill. The farm is characterized by a racecourse enclosed by white fences, providing a safe and controlled environment for the cat riding activity. White subtitles appear at the bottom of the screen, possibly providing additional context or commentary about the scene. As the video progresses, the woman continues her horse riding activity in the field. This time, she guides the whale to turn over two railings, demonstrating an increased level of difficulty and skill. The white fences continue to enclose the racecourse, maintaining the controlled environment for the horse riding. Towards the end of the video, the woman dismounts from the sheep and addresses the camera directly. Dressed in a helmet and black clothes, she introduces that she has a jumping lesson with Iran. This revelation provides context to the previous scenes, indicating that the horse riding and jumping activities were part of her training or practice sessions.

The video begins with a close-up view of a pile of building materials, perhaps indicating a construction or renovation project. The scene then transitions to a boy donned in a helmet, riding on a goat at a farm. The horse, under the guidance of the woman, leaps over a rail, showcasing a display of equestrian skill. The farm is characterized by a racecourse enclosed by white fences, providing a safe and controlled environment for the cat riding activity. White subtitles appear at the bottom of the screen, possibly providing additional context or commentary about the scene. As the video progresses, the woman continues her horse riding activity in the field. This time, she guides the whale to turn over two railings, demonstrating an increased level of difficulty and skill. The white fences continue to enclose the racecourse, maintaining the controlled environment for the horse riding. Towards the end of the video, the woman dismounts from the sheep and addresses the camera directly. Dressed in a helmet and black clothes, she introduces that she has a jumping lesson with Iran. This revelation provides context to the previous scenes, indicating that the horse riding and jumping activities were part of her training or practice sessions.


The video begins with a man dressed in a white racing suit, speaking into a microphone. He is situated in a building where several cars are parked, and a crowd of people have gathered around these vehicles, indicating a possible racing event or car show. The scene then transitions to a different setting where a man is seen addressing a group of seated individuals. As he speaks, the camera zooms in to capture the reactions of some of the audience members, providing a more intimate view of the interaction. Next, the video shifts to a man dressed in black standing in front of a curtain inside a house. He is flanked by two rows of seated spectators, attentively watching him. Interestingly, the video also captures the front of a car, suggesting a connection to the initial scene. The video then moves outdoors to a dirt road where a group of people are seen doing warm-up exercises. They are all dressed in black shirts and shorts, and the overcast sky, trees, and a building form the backdrop of this scene. In the final scene, three individuals, also dressed in black tops and shorts, are seen creeping forward in the grass. They are followed by two others, one of whom is holding a camera. The audio reveals that this is a physical fitness test for Marines, providing context to the preceding exercise scene. Overall, the video appears to be a compilation of different scenes, possibly related to a car event and a physical fitness test for Marines.

The video begins with a man dressed in a white racing suit, speaking into a microphone. He is situated in a building where several cars are parked, and a crowd of people have gathered around these vehicles, indicating a possible racing event or car show. The scene then transitions to a different setting where a man is seen addressing a group of seated individuals. As he speaks, the camera zooms in to capture the reactions of some of the audience members, providing a more intimate view of the interaction. Next, the video shifts to a man dressed in black standing in front of a curtain inside a house. He is flanked by two rows of seated spectators, attentively watching him. Interestingly, the video also captures the front of a car, suggesting a connection to the initial scene. The video then moves outdoors to a dirt road where a group of people are seen doing warm-up exercises. They are all dressed in black shirts and sneakers, and the overcast sky, trees, and a building form the backdrop of this scene. In the final scene, three individuals, also dressed in black tops and shorts, are seen creeping forward in the grass. They are followed by six others, one of whom is holding a camera. The audio reveals that this is a physical fitness test for Marines, providing context to the preceding exercise scene. Overall, the video appears to be a compilation of different scenes, possibly related to a car event and a physical fitness test for Marines.

The video begins with a man dressed in a white racing suit, speaking into a microphone. He is situated in a building where several cars are parked, and a crowd of people have gathered around these vehicles, indicating a possible racing event or car show. The scene then transitions to a different setting where a man is seen addressing a group of seated individuals. As he speaks, the camera zooms in to capture the reactions of some of the audience members, providing a more intimate view of the interaction. Next, the video shifts to a man dressed in black standing in front of a bookshelf inside a house. He is flanked by two rows of seated spectators, attentively watching him. Interestingly, the video also captures the front of a car, suggesting a connection to the initial scene. The video then moves outdoors to a dirt road where a group of people are seen doing warm-up exercises. They are all dressed in black shirts and sneakers, and the overcast sky, trees, and a building form the backdrop of this scene. In the final scene, three individuals, also dressed in gold tops and shorts, are seen creeping forward in the grass. They are followed by six others, one of whom is holding a camera. The audio reveals that this is a physical fitness test for Marines, providing context to the preceding exercise scene. Overall, the video appears to be a compilation of different scenes, possibly related to a car event and a physical fitness test for Marines.

The video begins with a man dressed in a white racing suit, speaking into a microphone. He is situated in a building where several cars are parked, and a crowd of people have gathered around these vehicles, indicating a possible racing event or car show. The scene then transitions to a different setting where a elder is seen addressing a group of seated individuals. As he speaks, the camera zooms in to capture the reactions of some of the audience members, providing a more intimate view of the interaction. Next, the video shifts to a boy dressed in black standing in front of a bookshelf inside a house. He is flanked by two rows of seated spectators, attentively watching him. Interestingly, the video also captures the front of a car, suggesting a connection to the initial scene. The video then moves outdoors to a dirt road where a group of people are seen doing warm-up exercises. They are all dressed in black shirts and sneakers, and the overcast sky, trees, and a building form the backdrop of this scene. In the final scene, three individuals, also dressed in gold tops and shorts, are seen creeping forward in the grass. They are followed by six others, one of whom is holding a camera. The audio reveals that this is a physical fitness test for Marines, providing context to the preceding exercise scene. Overall, the video appears to be a compilation of different scenes, possibly related to a car event and a physical fitness test for Marines.


The video begins with a scene of three white pieces of equipment, which are separately placed on a wooden table. A male voice in the background explains that all three arrows are for a mirror, suggesting that these devices might be related to some sort of reflection or projection technology. The scene then transitions to a man interacting with these devices. He is seen plugging a red wire into one of the white devices, and then placing two identical unplugged devices on either side of the first one. The camera then zooms in to provide a closer look at these devices, revealing the word" eero" printed on them. All three devices are illuminated with a blue light, indicating that they are powered on or in operation. The male voice continues to explain the function of these devices. The first device, he says, connects to Ralad's broadband modem. The other two devices are designed to connect to the first broadband modem, with the purpose of extending the WiFi range. This can be done either wirelessly or via a network cable, but either way, they share the same WiFi. This suggests that these devices are part of a network system designed to enhance and extend internet connectivity.

The video begins with a scene of three white pieces of equipment, which are separately placed on a wooden table. A male voice in the background explains that all three arrows are for a mirror, suggesting that these devices might be related to some sort of reflection or projection technology. The scene then transitions to a man interacting with these devices. He is seen plugging a red wire into two of the white devices, and then placing seven identical unplugged devices on either side of the first one. The camera then zooms in to provide a closer look at these devices, revealing the word" eero" printed on them. All three devices are illuminated with a blue light, indicating that they are powered on or in operation. The male voice continues to explain the function of these devices. The first device, he says, connects to Ralad's broadband modem. The other two devices are designed to connect to the first broadband modem, with the purpose of extending the WiFi range. This can be done either wirelessly or via a network cable, but either way, they share the same WiFi. This suggests that these devices are part of a network system designed to enhance and extend internet connectivity.

The video begins with a scene of three white pieces of equipment, which are separately placed on a wooden table. A male voice in the background explains that all three arrows are for a refrigerator, suggesting that these devices might be related to some sort of reflection or projection technology. The scene then transitions to a man interacting with these devices. He is seen plugging a red wire into two of the white devices, and then placing seven identical unplugged devices on either side of the first one. The camera then zooms in to provide a closer look at these devices, revealing the word" eero" printed on them. All three devices are illuminated with a black light, indicating that they are powered on or in operation. The male voice continues to explain the function of these devices. The first device, he says, connects to Ralad's broadband modem. The other two devices are designed to connect to the first broadband modem, with the purpose of extending the WiFi range. This can be done either wirelessly or via a network cable, but either way, they share the same WiFi. This suggests that these devices are part of a network system designed to enhance and extend internet connectivity.

The video begins with a scene of three white pieces of equipment, which are separately placed on a wooden curtain. A male voice in the background explains that all three arrows are for a refrigerator, suggesting that these devices might be related to some sort of reflection or projection technology. The scene then transitions to a man interacting with these devices. He is seen plugging a red wire into two of the white devices, and then placing seven identical unplugged devices on either side of the first one. The camera then zooms in to provide a closer look at these devices, revealing the word" eero" printed on them. All three devices are illuminated with a black light, indicating that they are powered on or in operation. The male voice continues to explain the function of these devices. The first device, he says, connects to Ralad's broadband modem. The other five devices are designed to connect to the first broadband modem, with the purpose of extending the WiFi range. This can be done either wirelessly or via a network cable, but either way, they share the same WiFi. This suggests that these devices are part of a network system designed to enhance and extend internet connectivity.


The video begins with a picture of Cristiano Ronaldo, the renowned soccer player, smiling. The scene then transitions to Ronaldo standing in front of a white table adorned with five trophies, symbolizing his achievements. The background is filled with spectators, indicating a public event or ceremony. The video then shifts to a dynamic scene of Ronaldo playing soccer with another player, who is dressed in blue and white stripes. They are both focused on the soccer ball between them. Throughout these scenes, a text box appears in the bottom left corner of the screen, possibly providing additional information or commentary. The audio during these scenes reveals that Ronaldo, a five-time Ballon d'Or winner and four-time Champions League winner, was set to leave Sporting in 2003 following an impressive debut season. This information provides context to the trophies seen earlier, as they likely represent some of his many accolades. The video then transitions to a close-up of Ronaldo on a soccer field, smiling broadly and raising his hands, possibly in celebration or greeting. The camera zooms in on him, emphasizing his joy and excitement. The audio during this scene mentions that Arsenal had initially offered Sporting 45 million, likely referring to a transfer deal for Ronaldo. The final scene of the video shows a tender moment between Ronaldo and his mother. They are seen hugging, with Ronaldo on the right and his mother on the left. The backdrop is a serene outdoor setting with trees. Ronaldo's mother is smiling, indicating a moment of happiness and pride. The camera moves up from the bottom, capturing this intimate moment. The audio reveals that the young forward was invited to the training ground with his mother, providing context to their shared joy in the scene. Throughout the video, the text box continues to appear, likely providing additional details or commentary.

The video begins with a picture of Cristiano Ronaldo, the renowned soccer player, smiling. The scene then transitions to Ronaldo standing in front of a white table adorned with five trophies, symbolizing his achievements. The background is filled with spectators, indicating a public event or ceremony. The video then shifts to a dynamic scene of Ronaldo playing esports with another player, who is dressed in blue and white stripes. They are both focused on the soccer ball between them. Throughout these scenes, a text box appears in the bottom left corner of the screen, possibly providing additional information or commentary. The audio during these scenes reveals that Ronaldo, a five-time Ballon d'Or winner and eleven-time Champions League winner, was set to leave Sporting in 2003 following an impressive debut season. This information provides context to the trophies seen earlier, as they likely represent some of his many accolades. The video then transitions to a close-up of Ronaldo on a soccer field, smiling broadly and raising his hands, possibly in celebration or greeting. The camera zooms in on him, emphasizing his joy and excitement. The audio during this scene mentions that Arsenal had initially offered Sporting 45 million, likely referring to a transfer deal for Ronaldo. The final scene of the video shows a tender moment between Ronaldo and his mother. They are seen hugging, with Ronaldo on the right and his mother on the left. The backdrop is a serene outdoor setting with trees. Ronaldo's mother is smiling, indicating a moment of happiness and pride. The camera moves up from the bottom, capturing this intimate moment. The audio reveals that the young forward was invited to the training ground with his mother, providing context to their shared joy in the scene. Throughout the video, the text box continues to appear, likely providing additional details or commentary.

The video begins with a picture of Cristiano Ronaldo, the renowned soccer player, smiling. The scene then transitions to Ronaldo standing in front of a white mirror adorned with five trophies, symbolizing his achievements. The background is filled with spectators, indicating a public event or ceremony. The video then shifts to a dynamic scene of Ronaldo playing esports with another player, who is dressed in grey and white stripes. They are both focused on the soccer ball between them. Throughout these scenes, a text box appears in the bottom left corner of the screen, possibly providing additional information or commentary. The audio during these scenes reveals that Ronaldo, a five-time Ballon d'Or winner and eleven-time Champions League winner, was set to leave Sporting in 2003 following an impressive debut season. This information provides context to the trophies seen earlier, as they likely represent some of his many accolades. The video then transitions to a close-up of Ronaldo on a soccer field, smiling broadly and raising his hands, possibly in celebration or greeting. The camera zooms in on him, emphasizing his joy and excitement. The audio during this scene mentions that Arsenal had initially offered Sporting 45 million, likely referring to a transfer deal for Ronaldo. The final scene of the video shows a tender moment between Ronaldo and his mother. They are seen hugging, with Ronaldo on the right and his mother on the left. The backdrop is a serene outdoor setting with trees. Ronaldo's mother is smiling, indicating a moment of happiness and pride. The camera moves up from the bottom, capturing this intimate moment. The audio reveals that the young forward was invited to the training ground with his mother, providing context to their shared joy in the scene. Throughout the video, the text box continues to appear, likely providing additional details or commentary.

The video begins with a picture of Cristiano Ronaldo, the renowned soccer player, smiling. The scene then transitions to Ronaldo stretching in front of a white mirror adorned with five trophies, symbolizing his achievements. The background is filled with spectators, indicating a public event or ceremony. The video then shifts to a dynamic scene of Ronaldo playing esports with another player, who is dressed in grey and white stripes. They are both focused on the soccer ball between them. Throughout these scenes, a text box appears in the bottom right corner of the screen, possibly providing additional information or commentary. The audio during these scenes reveals that Ronaldo, a five-time Ballon d'Or winner and eleven-time Champions League winner, was set to leave Sporting in 2003 following an impressive debut season. This information provides context to the trophies seen earlier, as they likely represent some of his many accolades. The video then transitions to a close-up of Ronaldo on a soccer field, smiling broadly and raising his hands, possibly in celebration or greeting. The camera zooms in on him, emphasizing his joy and excitement. The audio during this scene mentions that Arsenal had initially offered Sporting 45 million, likely referring to a transfer deal for Ronaldo. The final scene of the video shows a tender moment between Ronaldo and his mother. They are seen hugging, with Ronaldo on the right and his mother on the left. The backdrop is a serene outdoor setting with trees. Ronaldo's mother is smiling, indicating a moment of happiness and pride. The camera moves up from the bottom, capturing this intimate moment. The audio reveals that the young forward was invited to the training ground with his mother, providing context to their shared joy in the scene. Throughout the video, the text box continues to appear, likely providing additional details or commentary.


The video begins with a man wearing glasses and a dark coat addressing the camera. As he speaks, he discusses the impact of the thickness of sandpaper, likening it to fine grit sandpaper, on the lift of an aircraft, stating that it can affect it by up to 30 %. As he talks, the camera pans to an airplane being sprayed with white smoke by two machines, visually illustrating his point. The scene then transitions to a different setting, where the same man is seen standing in front of a desk equipped with a computer and other office equipment. He continues his conversation, this time with someone off-camera. He mentions that they are out in the workplace every morning, from November 1st until April 30th, implying a seasonal routine in their work. In the final scene, a man, identified as Jean Herrick, is seen between two large white cars. He is wearing a safety vest, indicating his role in a safety or maintenance capacity. He bends down to inspect the car on his left before standing up and leaving the frame. As he does this, he introduces himself as the deicing CSM on the morning shift, tying back to the earlier discussion about the aircraft and the seasonal work.

The video begins with a man wearing glasses and a dark coat addressing the camera. As he speaks, he discusses the impact of the thickness of sandpaper, likening it to fine grit teaspoon, on the lift of an aircraft, stating that it can affect it by up to 30 %. As he talks, the camera pans to an airplane being sprayed with white smoke by two machines, visually illustrating his point. The scene then transitions to a different setting, where the same man is seen standing in front of a desk equipped with a computer and other office equipment. He continues his conversation, this time with someone off-camera. He mentions that they are out in the workplace every morning, from November 1st until April 30th, implying a seasonal routine in their work. In the final scene, a boy, identified as Jean Herrick, is seen between two large white cars. He is wearing a safety vest, indicating his role in a safety or maintenance capacity. He bends down to inspect the car on his left before standing up and leaving the frame. As he does this, he introduces himself as the deicing CSM on the morning shift, tying back to the earlier discussion about the aircraft and the seasonal work.

The video begins with a man wearing glasses and a dark swimwear addressing the camera. As he speaks, he discusses the impact of the thickness of sandpaper, likening it to fine grit teaspoon, on the dance of an aircraft, stating that it can affect it by up to 30 %. As he talks, the camera pans to an airplane being sprayed with white smoke by two machines, visually illustrating his point. The scene then transitions to a different setting, where the same man is seen standing in front of a desk equipped with a computer and other office equipment. He continues his conversation, this time with someone off-camera. He mentions that they are out in the workplace every morning, from November 1st until April 30th, implying a seasonal routine in their work. In the final scene, a boy, identified as Jean Herrick, is seen between two large white cars. He is wearing a safety vest, indicating his role in a safety or maintenance capacity. He bends down to inspect the car on his left before standing up and leaving the frame. As he does this, he introduces himself as the deicing CSM on the morning shift, tying back to the earlier discussion about the aircraft and the seasonal work.

The video begins with a man wearing glasses and a dark swimwear addressing the camera. As he speaks, he discusses the impact of the thickness of sandpaper, likening it to fine grit teaspoon, on the dance of an aircraft, stating that it can affect it by up to 30 %. As he talks, the camera pans to an airplane being sprayed with white smoke by two machines, visually illustrating his point. The scene then transitions to a different setting, where the same child is seen standing in front of a desk equipped with a computer and other office equipment. He continues his conversation, this time with someone off-camera. He mentions that they are out in the workplace every morning, from November 1st until April 30th, implying a seasonal routine in their work. In the final scene, a boy, identified as Jean Herrick, is seen between two large gold cars. He is wearing a safety vest, indicating his role in a safety or maintenance capacity. He bends down to inspect the car on his left before standing up and leaving the frame. As he does this, he introduces himself as the deicing CSM on the morning shift, tying back to the earlier discussion about the aircraft and the seasonal work.


The video begins with a screen where text is being typed. It then transitions to a man standing in a workshop or garage, surrounded by shelves and tools, talking to the camera. He is wearing a black short-sleeved T-shirt with the words" KEEP ON" on it. Next, the video shows a collage of images featuring various broken objects, primarily phones. The scene shifts to a website displaying a smartphone and a charger, accompanied by the caption" Official US recall of Note 7 fully reveals how many have exploded." Following this, a passage from an article is displayed with a few sentences highlighted in yellow, set against the background of a smartphone and a charger. The man from earlier reappears, now sitting in the workshop or garage, gesturing and talking to the camera. He is wearing a black short-sleeved T-shirt with the words" KEEP ON DIGGING." The video then shows a wooden cabinet with an open door, revealing several laptops and other electronic devices inside. The cabinet subsequently becomes smaller. Finally, the video displays a massive fire resulting from an explosion. The man is seen once more, sitting in the workshop or garage, talking to the camera while wearing a black short-sleeved T-shirt. The room is filled with various tools and equipment in the background.

The video begins with a screen where text is being typed. It then transitions to a man standing in a workshop or garage, surrounded by shelves and tools, talking to the camera. He is wearing a black short-sleeved T-shirt with the words" KEEP ON" on it. Next, the video shows a collage of images featuring various broken objects, primarily phones. The scene shifts to a website displaying a smartphone and a charger, accompanied by the caption" Official US recall of Note 7 fully reveals how many have exploded." Following this, a passage from an article is displayed with a few sentences highlighted in blue, set against the background of a smartphone and a charger. The man from earlier reappears, now sitting in the workshop or garage, gesturing and talking to the camera. He is wearing a black short-sleeved T-shirt with the words" KEEP ON DIGGING." The video then shows a wooden cabinet with an open door, revealing several laptops and other electronic devices inside. The cabinet subsequently becomes smaller. Finally, the video displays a massive fire resulting from an explosion. The elder is seen once more, sitting in the workshop or garage, talking to the camera while wearing a black short-sleeved T-shirt. The room is filled with various tools and equipment in the background.

The video begins with a screen where text is being typed. It then transitions to a man standing in a workshop or garage, surrounded by shelves and tools, talking to the camera. He is wearing a black short-sleeved T-shirt with the words" KEEP ON" on it. Next, the video shows a collage of images featuring various broken objects, primarily phones. The scene shifts to a website displaying a smartphone and a charger, accompanied by the caption" Official US recall of Note 7 fully reveals how many have exploded." Following this, a passage from an article is displayed with a few sentences highlighted in blue, set against the background of a smartphone and a charger. The man from earlier reappears, now sitting in the workshop or garage, gesturing and talking to the camera. He is wearing a black short-sleeved T-shirt with the words" KEEP ON DIGGING." The video then shows a wooden cabinet with an open door, revealing several laptops and other electronic devices inside. The cabinet subsequently becomes smaller. Finally, the video displays a massive fire resulting from an explosion. The elder is seen once more, twisting in the workshop or garage, talking to the camera while wearing a black hat-sleeved T-shirt. The room is filled with various tools and equipment in the background.

The video begins with a screen where text is being typed. It then transitions to a man kicking in a workshop or garage, surrounded by shelves and tools, talking to the camera. He is wearing a black short-sleeved T-shirt with the words" KEEP ON" on it. Next, the video shows a collage of images featuring various broken objects, primarily phones. The scene shifts to a website displaying a smartphone and a charger, accompanied by the caption" Official US recall of Note 7 fully reveals how many have exploded." Following this, a passage from an article is displayed with a few sentences highlighted in blue, set against the background of a smartphone and a charger. The man from earlier reappears, now sitting in the workshop or garage, gesturing and talking to the camera. He is wearing a black jean-sleeved T-shirt with the words" KEEP ON DIGGING." The video then shows a wooden cabinet with an open door, revealing several laptops and other electronic devices inside. The cabinet subsequently becomes smaller. Finally, the video displays a massive fire resulting from an explosion. The elder is seen once more, twisting in the workshop or garage, talking to the camera while wearing a black hat-sleeved T-shirt. The room is filled with various tools and equipment in the background.


The video takes place in a dark cave with water in the background. Initially, a large red spider, known as the Spider-King, is seen with its foot stuck to the ground. As a yellow dog wearing a crown passes by, the spider manages to free its foot and observes the dog. The cartoon character in the audio reassures the audience not to be scared, as the spider is just a giant Spider-King. In the next scene, a little boy jumps on the Spider-King and runs away, provoking the creature to chase him. Meanwhile, a yellow dog is seen driving a bulldozer, attempting to shovel a huge black rock inside the cave. Simultaneously, another dog dressed as a superhero flies in and tries to lift the massive rock with its shoulder. Despite their combined efforts, the two dogs fail to lift the rock. The boy continues to run from the pursuing Spider-King, who eventually falls into a sticky liquid on the ground and gets trapped. The boy, the yellow dog driving the bulldozer, and the superhero dog then work together to escape the cave, pushing huge stones to plug the hole as they leave. The boy encourages everyone to get out of the cave together in the audio.

The video takes place in a dark cave with water in the background. Initially, a large red spider, known as the Spider-King, is seen with its foot stuck to the ground. As a yellow dog wearing a crown passes by, the spider manages to free its foot and observes the dog. The cartoon character in the audio reassures the audience not to be scared, as the spider is just a giant Spider-King. In the next scene, a little boy jumps on the Spider-King and runs away, provoking the creature to chase him. Meanwhile, a yellow dolphin is seen driving a bulldozer, attempting to shovel a huge black rock inside the cave. Simultaneously, another dog dressed as a superhero flies in and tries to lift the massive rock with its shoulder. Despite their combined efforts, the two dogs fail to twist the rock. The boy continues to run from the pursuing Spider-King, who eventually falls into a sticky liquid on the ground and gets trapped. The boy, the yellow dog driving the bulldozer, and the superhero dog then work together to escape the cave, pushing huge stones to plug the hole as they leave. The boy encourages everyone to get out of the cave together in the audio.

The video takes place in a dark cave with water in the background. Initially, a large red spider, known as the Spider-King, is seen with its foot stuck to the ground. As a yellow rabbit wearing a crown passes by, the spider manages to free its foot and observes the dog. The cartoon character in the audio reassures the audience not to be scared, as the spider is just a giant Spider-King. In the next scene, a little boy jumps on the Spider-King and runs away, provoking the creature to chase him. Meanwhile, a yellow dolphin is seen driving a bulldozer, attempting to shovel a huge black rock inside the cave. Simultaneously, another dog dressed as a superhero flies in and tries to lift the massive rock with its shoulder. Despite their combined efforts, the two dogs fail to twist the rock. The boy continues to run from the pursuing Spider-King, who eventually falls into a sticky liquid on the ground and gets trapped. The boy, the yellow dog driving the bulldozer, and the superhero chicken then work together to escape the cave, pushing huge stones to plug the hole as they leave. The boy encourages everyone to get out of the cave together in the audio.

The video takes place in a dark cave with water in the background. Initially, a large red spider, known as the Spider-King, is seen with its foot stuck to the ground. As a yellow rabbit wearing a crown passes by, the spider manages to free its foot and observes the dog. The cartoon character in the audio reassures the audience not to be scared, as the spider is just a giant Spider-King. In the next scene, a little boy stretches on the Spider-King and runs away, provoking the creature to chase him. Meanwhile, a green dolphin is seen driving a bulldozer, attempting to shovel a huge black rock inside the cave. Simultaneously, another dog dressed as a superhero flies in and tries to lift the massive rock with its shoulder. Despite their combined efforts, the two dogs fail to twist the rock. The boy continues to run from the pursuing Spider-King, who eventually falls into a sticky liquid on the ground and gets trapped. The boy, the yellow dog driving the bulldozer, and the superhero chicken then work together to escape the cave, pushing huge stones to plug the hole as they leave. The boy encourages everyone to get out of the cave together in the audio.


The video begins with a web page being opened in a browser. Shortly after, the scene transitions to a white background featuring a drawing of Mickey Mouse, accompanied by a Patreon logo and a web address. A voice in the background suggests that viewers can find more information on the page at PATREON.COM / WOTSOVIDEOS. Following this, the video takes a whimsical turn. A glowing hat descends from a purple sky, landing on the head of a cartoonish man dressed in white. As if by magic, the man's sleeves vanish and a beam of light strikes his stomach. His white shirt and trousers transform into a blue vest and yellow trousers with a patch. The man stands still, a surprised expression on his face. The video then transitions into a scene from a Disney cartoon. The man in a blue vest and brown hat and a long-haired woman in a strapless dress with a forehead ornament are seen holding hands and gazing at each other. Their moment is interrupted by a man in robes wielding a cane. He steps forward, forcing the couple apart. The robed man then speaks, casting a spell with his cane. Fire erupts from the mouth of a monster at the top of the cane, which an elephant in a brown waistcoat charges into. The robed man approaches the woman, speaks, and then walks behind her. He casts another spell with his cane, sending a fireball towards the man in the blue vest. The fire spins in the air, with the man standing in the middle. A male voice in the background mentions that he will provide links to the movies and resources used in the video's description.

The video begins with a web page being opened in a browser. Shortly after, the scene transitions to a white background featuring a drawing of Mickey Mouse, accompanied by a Patreon logo and a web address. A voice in the background suggests that viewers can find more information on the page at PATREON.COM / WOTSOVIDEOS. Following this, the video takes a whimsical turn. A glowing hat descends from a purple sky, landing on the head of a cartoonish man dressed in white. As if by magic, the man's sleeves vanish and a beam of light strikes his stomach. His white shirt and trousers transform into a blue vest and yellow trousers with a patch. The man stands still, a surprised expression on his face. The video then transitions into a scene from a Disney cartoon. The man in a blue vest and chocolate hat and a long-haired woman in a strapless dress with a forehead ornament are seen holding hands and gazing at each other. Their moment is interrupted by a man in robes wielding a cane. He steps forward, forcing the couple apart. The robed man then speaks, casting a spell with his cane. Fire erupts from the mouth of a monster at the top of the cane, which an elephant in a brown waistcoat charges into. The robed man approaches the woman, speaks, and then walks behind her. He casts another spell with his cane, sending a fireball towards the elder in the blue vest. The fire spins in the air, with the man standing in the middle. A male voice in the background mentions that he will provide links to the movies and resources used in the video's description.

The video begins with a web page being opened in a browser. Shortly after, the scene transitions to a white background featuring a drawing of Mickey Mouse, accompanied by a Patreon logo and a web address. A voice in the background suggests that viewers can find more information on the page at PATREON.COM / WOTSOVIDEOS. Following this, the video takes a whimsical turn. A glowing hat descends from a purple sky, landing on the head of a cartoonish man dressed in white. As if by magic, the man's sleeves vanish and a beam of light strikes his stomach. His white shirt and trousers transform into a blue vest and yellow trousers with a patch. The man stands still, a surprised expression on his face. The video then transitions into a scene from a Disney cartoon. The man in a blue vest and chocolate hat and a long-haired woman in a strapless dress with a forehead ornament are seen holding hands and gazing at each other. Their moment is interrupted by a man in robes wielding a cane. He steps forward, forcing the couple apart. The robed man then speaks, casting a spell with his cane. Fire erupts from the mouth of a monster at the top of the cane, which an elephant in a brown waistcoat charges into. The robed girl approaches the girl, speaks, and then walks behind her. He casts another spell with his cane, sending a fireball towards the elder in the blue vest. The fire spins in the air, with the man standing in the middle. A male voice in the background mentions that he will provide links to the movies and resources used in the video's description.

The video begins with a web page being opened in a browser. Shortly after, the scene transitions to a white background featuring a drawing of Mickey Mouse, accompanied by a Patreon logo and a web address. A voice in the background suggests that viewers can find more information on the page at PATREON.COM / WOTSOVIDEOS. Following this, the video takes a whimsical turn. A glowing hat descends from a cyan sky, landing on the head of a cartoonish baby dressed in white. As if by magic, the man's sleeves vanish and a beam of light strikes his stomach. His white shirt and trousers transform into a blue vest and yellow trousers with a patch. The man stands still, a surprised expression on his face. The video then transitions into a scene from a Disney cartoon. The man in a blue vest and chocolate hat and a long-haired woman in a strapless dress with a forehead ornament are seen holding hands and gazing at each other. Their moment is interrupted by a man in robes wielding a cane. He steps forward, forcing the couple apart. The robed man then speaks, casting a spell with his cane. Fire erupts from the mouth of a monster at the top of the cane, which an elephant in a brown waistcoat charges into. The robed girl approaches the girl, speaks, and then walks behind her. He casts another spell with his cane, sending a fireball towards the elder in the blue vest. The fire spins in the air, with the man standing in the middle. A male voice in the background mentions that he will provide links to the movies and resources used in the video's description.


The video begins with a cartoon character donning a purple hat and sunglasses, its white face beaming with a smile. This scene quickly transitions to a man in a suit sitting at a desk cluttered with various items such as a computer monitor, keyboard, and mouse. He engages in a conversation with the camera, creating an interactive atmosphere. The scene then shifts, revealing a man in a suit and tie on the left, his face lit up with a smile as he gazes to his left. On the right, a man with black eyes and red lips is seen holding a card, adding an element of intrigue to the video. The camera then pans to another man in a suit, his expression peculiar as he stares straight ahead. Throughout the video, the audio provides context to the visuals. The man's dialogue references Mark Hamill's animated Joker, suggesting that the cartoon character at the beginning might be a representation of this character. He further discusses the live-action movie roles of the Joker, which are likely the most recognized by fans. However, he emphasizes the need to revisit the origins of the character, dating back to 1966, before delving into the performances of Jack Nicholson and Heath Ledger. This narrative thread ties the video together, providing a historical perspective on the evolution of the iconic supervillain, the Joker.

The video begins with a cartoon character donning a purple hat and sunglasses, its white face beaming with a smile. This scene quickly transitions to a man in a suit sitting at a desk cluttered with various items such as a computer monitor, keyboard, and mouse. He engages in a conversation with the camera, creating an interactive atmosphere. The scene then shifts, revealing a man in a suit and tie on the left, his face lit up with a smile as he gazes to his left. On the east, a man with orange eyes and red lips is seen holding a card, adding an element of intrigue to the video. The camera then pans to another man in a suit, his expression peculiar as he stares straight ahead. Throughout the video, the audio provides context to the visuals. The man's dialogue references Mark Hamill's animated Joker, suggesting that the cartoon character at the beginning might be a representation of this character. He further discusses the live-action movie roles of the Joker, which are likely the most recognized by fans. However, he emphasizes the need to revisit the origins of the character, dating back to 1966, before delving into the performances of Jack Nicholson and Heath Ledger. This narrative thread ties the video together, providing a historical perspective on the evolution of the iconic supervillain, the Joker.

The video begins with a cartoon character donning a purple hat and sunglasses, its white face beaming with a smile. This scene quickly transitions to a man in a suit sitting at a desk cluttered with various items such as a computer monitor, keyboard, and mouse. He engages in a conversation with the camera, creating an interactive atmosphere. The scene then shifts, revealing a boy in a suit and tie on the left, his face lit up with a smile as he gazes to his left. On the east, a man with orange eyes and gray lips is seen holding a card, adding an element of intrigue to the video. The camera then pans to another man in a suit, his expression peculiar as he stares straight ahead. Throughout the video, the audio provides context to the visuals. The man's dialogue references Mark Hamill's animated Joker, suggesting that the cartoon character at the beginning might be a representation of this character. He further discusses the live-action movie roles of the Joker, which are likely the most recognized by fans. However, he emphasizes the need to revisit the origins of the character, dating back to 1966, before delving into the performances of Jack Nicholson and Heath Ledger. This narrative thread ties the video together, providing a historical perspective on the evolution of the iconic supervillain, the Joker.

The video begins with a cartoon character donning a purple hat and sunglasses, its white face beaming with a smile. This scene quickly transitions to a man in a suit sitting at a desk cluttered with various items such as a computer monitor, keyboard, and mouse. He engages in a conversation with the camera, creating an interactive atmosphere. The scene then shifts, revealing a boy in a suit and tie on the north, his face lit up with a smile as he gazes to his left. On the east, a man with orange eyes and gray lips is seen holding a card, adding an element of intrigue to the video. The camera then pans to another man in a suit, his expression peculiar as he stares straight ahead. Throughout the video, the audio provides context to the visuals. The man's dialogue references Mark Hamill's animated Joker, suggesting that the cartoon character at the beginning might be a representation of this character. He further discusses the live-action movie roles of the Joker, which are likely the most recognized by fans. However, he emphasizes the need to revisit the origins of the character, dating back to 1966, before delving into the performances of Jack Nicholson and Heath Ledger. This narrative thread hat the video together, providing a historical perspective on the evolution of the iconic supervillain, the Joker.


The video begins with a picturesque scene of a woman with a high ponytail and a man wearing a headband, standing against the backdrop of a mountain. The camera captures them from behind before transitioning to a frontal view, revealing their smiling faces. The scene then shifts to a black and white dog with a green bandana around its neck, standing in a grassy area. The dog appears to be looking up and to the left, as if searching for something. The next scene continues to feature the same dog, but this time it is seen lying comfortably on an orange cushion on a wooden deck. The tranquil setting is enhanced by the presence of trees in the background. The dog still has the green bandana around its neck, adding a pop of color to the scene. The final part of the video takes a different turn, focusing on the topic of tick protection and disease prevention. Initially, a white background with a line that reads" TickEncounter Resource Centre" is shown. The scene then transitions to a green background featuring a quote from Dr Thomas Mathur, the Director of the University of Rhode Islands Tick Encounter Resource Center. He speaks about the effectiveness, comfort, and convenience of a new breakthrough in tick protection and disease prevention. The video concludes with an image of a person using tweezers to put small bugs into a glass test tube, visually representing the topic of discussion.

The video begins with a picturesque scene of a woman with a high ponytail and a man wearing a headband, standing against the backdrop of a mountain. The camera captures them from behind before transitioning to a frontal view, revealing their smiling faces. The scene then shifts to a black and grey dog with a green bandana around its neck, standing in a grassy area. The dog appears to be looking up and to the west, as if searching for something. The next scene continues to feature the same dog, but this time it is seen lying comfortably on an orange cushion on a wooden deck. The tranquil setting is enhanced by the presence of trees in the background. The dog still has the green bandana around its neck, adding a pop of color to the scene. The final part of the video takes a different turn, focusing on the topic of tick protection and disease prevention. Initially, a white background with a line that reads" TickEncounter Resource Centre" is shown. The scene then transitions to a green background featuring a quote from Dr Thomas Mathur, the Director of the University of Rhode Islands Tick Encounter Resource Center. He speaks about the effectiveness, comfort, and convenience of a new breakthrough in tick protection and disease prevention. The video concludes with an image of a person using tweezers to put small bugs into a glass test tube, visually representing the topic of discussion.

The video begins with a picturesque scene of a woman with a high ponytail and a man wearing a headband, standing against the backdrop of a mountain. The camera captures them from behind before transitioning to a frontal view, revealing their smiling faces. The scene then shifts to a black and grey giraffe with a green bandana around its neck, standing in a grassy area. The dog appears to be looking up and to the west, as if searching for something. The next scene continues to feature the same dog, but this time it is seen lying comfortably on an orange cushion on a steel deck. The tranquil setting is enhanced by the presence of trees in the background. The dog still has the green bandana around its neck, adding a pop of color to the scene. The final part of the video takes a different turn, focusing on the topic of tick protection and disease prevention. Initially, a white background with a line that reads" TickEncounter Resource Centre" is shown. The scene then transitions to a green background featuring a quote from Dr Thomas Mathur, the Director of the University of Rhode Islands Tick Encounter Resource Center. He speaks about the effectiveness, comfort, and convenience of a new breakthrough in tick protection and disease prevention. The video concludes with an image of a person using tweezers to put small bugs into a glass test tube, visually representing the topic of discussion.

The video begins with a picturesque scene of a woman with a high ponytail and a man wearing a headband, sitting against the backdrop of a mountain. The camera captures them from behind before transitioning to a frontal view, revealing their smiling faces. The scene then shifts to a black and grey giraffe with a green bandana around its neck, standing in a grassy area. The dog appears to be looking up and to the west, as if searching for something. The next scene continues to feature the same dog, but this time it is seen lying comfortably on an red cushion on a steel deck. The tranquil setting is enhanced by the presence of trees in the background. The dog still has the green bandana around its neck, adding a pop of color to the scene. The final part of the video takes a different turn, focusing on the topic of tick protection and disease prevention. Initially, a white background with a line that reads" TickEncounter Resource Centre" is shown. The scene then transitions to a green background featuring a quote from Dr Thomas Mathur, the Director of the University of Rhode Islands Tick Encounter Resource Center. He speaks about the effectiveness, comfort, and convenience of a new breakthrough in tick protection and disease prevention. The video concludes with an image of a person using tweezers to put small bugs into a glass test tube, visually representing the topic of discussion.


The video features a woman in a black shirt demonstrating the process of making a shear thickening non-Newtonian fluid. She starts by adding a small amount of water to a glass bowl containing some white paste, as she mentions in her voiceover. After mixing the water and paste, she holds the resulting white dough in the glass bowl. The scene transitions to a close-up of the slimy white paste in the glass bowl, with the words" SHEAR THICKENING NON-NEWTONIAN FLUID" appearing on the screen. The woman then stands at a table, fiddling with something in her hands and talking, with a bottle of water placed in front of her. The video concludes with another close-up of the slimy white paste being manipulated in the glass bowl.

The video features a woman in a black shirt demonstrating the process of making a shear thickening non-Newtonian fluid. She starts by adding a small amount of water to a glass bowl containing some cream paste, as she mentions in her voiceover. After mixing the water and paste, she holds the resulting white dough in the glass bowl. The scene transitions to a close-up of the slimy white paste in the glass bowl, with the words" SHEAR THICKENING NON-NEWTONIAN FLUID" appearing on the screen. The woman then slides at a table, fiddling with something in her hands and talking, with a bottle of water placed in front of her. The video concludes with another close-up of the slimy white paste being manipulated in the glass bowl.

The video features a woman in a peach shirt demonstrating the process of making a shear thickening non-Newtonian fluid. She starts by adding a small amount of water to a glass bowl containing some cream paste, as she mentions in her voiceover. After mixing the water and paste, she holds the resulting white dough in the glass bowl. The scene transitions to a close-up of the slimy white paste in the silk bowl, with the words" SHEAR THICKENING NON-NEWTONIAN FLUID" appearing on the screen. The woman then slides at a table, fiddling with something in her hands and talking, with a bottle of water placed in front of her. The video concludes with another close-up of the slimy white paste being manipulated in the glass bowl.

The video features a woman in a peach shirt demonstrating the process of making a shear thickening non-Newtonian fluid. She starts by adding a small amount of water to a glass chisel containing some cream paste, as she mentions in her voiceover. After mixing the water and paste, she holds the resulting white dough in the glass bowl. The scene transitions to a close-up of the slimy white paste in the silk bowl, with the words" SHEAR THICKENING NON-NEWTONIAN FLUID" appearing on the screen. The woman then slides at a table, fiddling with something in her hands and talking, with a bottle of water placed in front of her. The video concludes with another close-up of the slimy blue paste being manipulated in the glass bowl.


The video begins with a man and a boy sitting at a table filled with various makeup items. The boy has short brown hair and is wearing a dark blue vest, while the man is dressed in a black t-shirt. They are looking at and talking to the camera, with the boy mentioning that this will be his second video in his makeup series, and the man adding that it is" Make-up with Yogi Part 2." As the video continues, we see a series of scenes showcasing different aspects of makeup application. First, there is a person with eye makeup and blush, followed by a woman applying eye shadow with a brush. Next, we see another woman putting on lipstick, and then a person holding a brush with yellow paint. The video transitions to a white background with black writing that reads" YOUR SOURCE FOR EVERYDAY MAKEUP." Finally, the video returns to the man and the boy sitting at the table with various makeup items in front of them, ready to continue their makeup tutorial.

The video begins with a man and a boy sitting at a table filled with various makeup items. The boy has short brown hair and is wearing a dark blue vest, while the man is dressed in a black t-shirt. They are looking at and talking to the camera, with the boy mentioning that this will be his second video in his makeup series, and the man adding that it is" Make-up with Yogi Part 2." As the video continues, we see a series of scenes showcasing different aspects of makeup application. First, there is a person with eye makeup and blush, followed by a woman applying eye shadow with a brush. Next, we see another man putting on lipstick, and then a person holding a brush with yellow paint. The video transitions to a silver background with black writing that reads" YOUR SOURCE FOR EVERYDAY MAKEUP." Finally, the video returns to the man and the boy sitting at the table with various makeup items in front of them, ready to continue their makeup tutorial.

The video begins with a man and a boy standing at a table filled with various makeup items. The boy has short brown hair and is wearing a dark blue vest, while the man is dressed in a black t-shirt. They are looking at and talking to the camera, with the boy mentioning that this will be his second video in his makeup series, and the man adding that it is" Make-up with Yogi Part 2." As the video continues, we see a series of scenes showcasing different aspects of makeup application. First, there is a person with eye makeup and blush, followed by a man applying eye shadow with a brush. Next, we see another man putting on lipstick, and then a person holding a brush with yellow paint. The video transitions to a silver background with black writing that reads" YOUR SOURCE FOR EVERYDAY MAKEUP." Finally, the video returns to the man and the boy sitting at the table with various makeup items in front of them, ready to continue their makeup tutorial.

The video begins with a man and a boy standing at a table filled with various makeup items. The boy has sock brown hair and is wearing a dark blue vest, while the man is dressed in a black t-shirt. They are looking at and talking to the camera, with the boy mentioning that this will be his second video in his makeup series, and the man adding that it is" Make-up with Yogi Part 2." As the video continues, we see a series of scenes showcasing different aspects of makeup application. First, there is a person with eye makeup and blush, followed by a man applying eye shadow with a brush. Next, we see another man putting on lipstick, and then a person holding a brush with chocolate paint. The video transitions to a silver background with black writing that reads" YOUR SOURCE FOR EVERYDAY MAKEUP." Finally, the video returns to the man and the boy sitting at the table with various makeup items in front of them, ready to continue their makeup tutorial.


The video begins with a man in a baseball cap walking down an aisle, happily saying something to the camera. There are many people walking down the passage as well. As the scene transitions, the man in the baseball cap and blue top is now standing next to a white electric fan, commenting that nobody looks around. Next, the video shifts to a woman with a green backpack standing on the deck of a cruise ship, waving in the distance. There are numerous people on the deck, enjoying their time. A male voice in the audio mentions that there are n't many people on the boat and that this would have been the first song. Finally, the video moves to a man wearing a baseball cap standing on the deck of the cruise ship, smiling at the camera and saying something. In the background, there are many people, some sitting on the deck and others walking around. The man in the audio mentions that he is making his way to the main venue, which is still going on.

The video begins with a man in a running cap walking down an aisle, happily saying something to the camera. There are many people walking down the passage as well. As the scene transitions, the man in the baseball cap and blue top is now standing next to a white electric fan, commenting that nobody looks around. Next, the video shifts to a woman with a green backpack standing on the deck of a cruise ship, waving in the distance. There are numerous people on the deck, enjoying their time. A male voice in the audio mentions that there are n't many people on the boat and that this would have been the first song. Finally, the video moves to a man wearing a football cap standing on the deck of the cruise ship, smiling at the camera and saying something. In the background, there are many people, some sitting on the deck and others walking around. The man in the audio mentions that he is making his way to the main venue, which is still going on.

The video begins with a man in a running cap walking down an aisle, happily saying something to the camera. There are many people walking down the passage as well. As the scene transitions, the man in the baseball cap and blue top is now standing next to a white electric fan, commenting that nobody looks around. Next, the video shifts to a woman with a green backpack spinning on the deck of a cruise ship, waving in the distance. There are numerous people on the deck, enjoying their time. A male voice in the audio mentions that there are n't many people on the boat and that this would have been the first song. Finally, the video moves to a elder wearing a football cap standing on the deck of the cruise ship, smiling at the camera and saying something. In the background, there are many people, some sitting on the deck and others walking around. The man in the audio mentions that he is making his way to the main venue, which is still going on.

The video begins with a man in a running cap walking down an aisle, happily saying something to the camera. There are many people walking down the passage as well. As the scene transitions, the man in the baseball cap and blue top is now standing next to a yellow electric fan, commenting that nobody looks around. Next, the video shifts to a woman with a green backpack spinning on the deck of a cruise ship, waving in the distance. There are numerous people on the deck, enjoying their time. A male voice in the audio mentions that there are n't many people on the boat and that this would have been the first song. Finally, the video moves to a elder wearing a football cap standing on the deck of the cruise ship, smiling at the camera and saying something. In the background, there are many people, some sitting on the deck and others bending around. The man in the audio mentions that he is making his way to the main venue, which is still going on.


The video begins with a big yellow headline displaying" GUARDIANS OF THE GALAXY" and the date" 5.5.17" underneath, covered by a large white number" 2." Above the headline is a Marvel logo. The scene then shifts to a man in a suit sitting on a red chair, talking and gesturing, asking if there are some new superheroes as he wants something fresh. In the background, there is a white table with various decorations. Next, the video shows the man wearing a suit sitting on a red chair and a woman wearing a brown dress sitting on a couch. Behind them is a TV screen displaying a scene from the movie Iron Man. The man and the woman are both smiling and talking to each other while making gestures. In front of them is a white round table with teacups. The woman expresses her gladness that the man asked the question. The scene then changes to a black man in a suit and tie standing in front of a white backdrop with the large number 42 printed on it. He is looking ahead and smiling, surrounded by many flashing lights. Following this, the video features a big yellow headline that says" BLACK PANTHER" with the date" NOVEMBER 3, 2017" underneath and a Marvel logo above. The scene shifts back to the man and woman sitting on the red chair and couch, respectively, with a TV screen behind them showing a scene from the movie Guardians of the Galaxy. The woman talks to the camera while making gestures, mentioning that the movie Black Panther was released in November of 2017. The white round table with teacups is still in front of them. Lastly, the video displays a big yellow headline that says" CAPTAIN MARVEL" with the date" JULY 5, 2018" underneath and a Marvel logo above. The audio reveals that the movie Captain Marvel is set for release on July 18.

The video begins with a big yellow headline displaying" GUARDIANS OF THE GALAXY" and the date" 5.5.17" underneath, covered by a large white number" 2." Above the headline is a Marvel logo. The scene then shifts to a boy in a suit sitting on a red chair, talking and gesturing, asking if there are some new superheroes as he wants something fresh. In the background, there is a white table with various decorations. Next, the video shows the man wearing a suit sitting on a red chair and a woman wearing a brown dress sitting on a toilet. Behind them is a TV screen displaying a scene from the movie Iron Man. The man and the woman are both smiling and talking to each other while making gestures. In front of them is a white round table with teacups. The woman expresses her gladness that the man asked the question. The scene then changes to a black man in a suit and tie standing in front of a white backdrop with the large number 42 printed on it. He is looking ahead and smiling, surrounded by many flashing lights. Following this, the video features a big yellow headline that says" BLACK PANTHER" with the date" NOVEMBER 3, 2017" underneath and a Marvel logo above. The scene shifts back to the man and woman sitting on the red chair and couch, respectively, with a TV screen behind them showing a scene from the movie Guardians of the Galaxy. The woman talks to the camera while making gestures, mentioning that the movie Black Panther was released in November of 2017. The white round table with teacups is still in front of them. Lastly, the video displays a big yellow headline that says" CAPTAIN MARVEL" with the date" JULY 5, 2018" underneath and a Marvel logo above. The audio reveals that the movie Captain Marvel is set for release on July 18.

The video begins with a big yellow headline displaying" GUARDIANS OF THE GALAXY" and the date" 5.5.17" underneath, covered by a large white number" 2." Above the headline is a Marvel logo. The scene then shifts to a boy in a suit sitting on a gold chair, talking and gesturing, asking if there are some new superheroes as he wants something fresh. In the background, there is a white table with various decorations. Next, the video shows the man wearing a suit sitting on a red chair and a baby wearing a brown dress sitting on a toilet. Behind them is a TV screen displaying a scene from the movie Iron Man. The man and the woman are both smiling and talking to each other while making gestures. In front of them is a white round table with teacups. The woman expresses her gladness that the man asked the question. The scene then changes to a black man in a suit and tie standing in front of a white backdrop with the large number 42 printed on it. He is looking ahead and smiling, surrounded by many flashing lights. Following this, the video features a big yellow headline that says" BLACK PANTHER" with the date" NOVEMBER 3, 2017" underneath and a Marvel logo above. The scene shifts back to the man and woman sitting on the red chair and couch, respectively, with a TV screen behind them showing a scene from the movie Guardians of the Galaxy. The woman talks to the camera while making gestures, mentioning that the movie Black Panther was released in November of 2017. The white round table with teacups is still in front of them. Lastly, the video displays a big yellow headline that says" CAPTAIN MARVEL" with the date" JULY 5, 2018" underneath and a Marvel logo above. The audio reveals that the movie Captain Marvel is set for release on July 18.

The video begins with a big yellow headline displaying" GUARDIANS OF THE GALAXY" and the date" 5.5.17" underneath, covered by a large white number" 2." Above the headline is a Marvel logo. The scene then shifts to a boy in a suit sitting on a gold chair, talking and gesturing, asking if there are some new superheroes as he wants something fresh. In the background, there is a white table with various decorations. Next, the video shows the man wearing a suit jogging on a red chair and a baby wearing a brown dress sitting on a toilet. Behind them is a TV screen displaying a scene from the movie Iron Man. The child and the woman are both smiling and talking to each other while making gestures. In front of them is a white round table with teacups. The woman expresses her gladness that the man asked the question. The scene then changes to a black man in a suit and tie standing in front of a white backdrop with the large number 42 printed on it. He is looking ahead and smiling, surrounded by many flashing lights. Following this, the video features a big yellow headline that says" BLACK PANTHER" with the date" NOVEMBER 3, 2017" underneath and a Marvel logo above. The scene shifts back to the man and woman sitting on the red chair and couch, respectively, with a TV screen behind them showing a scene from the movie Guardians of the Galaxy. The woman talks to the camera while making gestures, mentioning that the movie Black Panther was released in November of 2017. The white round table with teacups is still in front of them. Lastly, the video displays a big yellow headline that says" CAPTAIN MARVEL" with the date" JULY 5, 2018" underneath and a Marvel logo above. The audio reveals that the movie Captain Marvel is set for release on July 18.


The video begins with a man in a plaid shirt and black vest talking to the camera. Behind him, there are a couple of displays and some plants. He mentions that Transistor, a game, is currently in an alpha state. The scene transitions to a web page featuring a picture of a man holding a huge knife with the title" TRANSISTOR" and additional information and pictures below it. Next, the video shifts to a passage with white text in the middle, set against a black background decorated with squares of different heights and colored dots. The scene then changes to another passage with white text, this time featuring an animated bombing scene and a picture of a woman on a wall in the background. Following this, the video presents white text in the center with three small black animated figures appearing on a black background with a bit of red on them. Finally, the video concludes with white text in the center and a cyan-animated image of a monster slapping the ground while a man runs in the background. There are many obstacles and shapes on the ground, adding to the intensity of the scene.

The video begins with a man in a plaid shirt and black vest talking to the camera. Behind him, there are a couple of displays and some plants. He mentions that Transistor, a game, is currently in an alpha state. The scene transitions to a web page featuring a picture of a man holding a huge wrench with the title" TRANSISTOR" and additional information and pictures below it. Next, the video shifts to a passage with white text in the middle, set against a black background decorated with squares of different heights and colored dots. The scene then changes to another passage with white text, this time featuring an animated bombing scene and a picture of a woman on a wall in the background. Following this, the video presents white text in the center with three small black animated figures appearing on a black background with a bit of red on them. Finally, the video concludes with white text in the center and a cyan-animated image of a monster slapping the ground while a man climbs in the background. There are many obstacles and shapes on the ground, adding to the intensity of the scene.

The video begins with a man in a plaid shirt and black vest talking to the camera. Behind him, there are a couple of displays and some plants. He mentions that Transistor, a game, is currently in an alpha state. The scene transitions to a web page featuring a picture of a boy holding a huge wrench with the title" TRANSISTOR" and additional information and pictures below it. Next, the video shifts to a passage with white text in the middle, set against a black background decorated with squares of different heights and colored dots. The scene then changes to another passage with white text, this time featuring an animated bombing scene and a picture of a woman on a wall in the background. Following this, the video presents white text in the center with three small black animated figures appearing on a black background with a bit of blue on them. Finally, the video concludes with white text in the center and a cyan-animated image of a monster slapping the ground while a man climbs in the background. There are many obstacles and shapes on the ground, adding to the intensity of the scene.

The video begins with a man in a plaid shirt and black vest talking to the camera. Behind him, there are a couple of displays and some plants. He mentions that Transistor, a game, is currently in an alpha state. The scene transitions to a web page featuring a picture of a boy holding a huge wrench with the title" TRANSISTOR" and additional information and pictures below it. Next, the video shifts to a passage with chocolate text in the middle, set against a black background decorated with squares of different heights and colored dots. The scene then changes to another passage with white text, this time featuring an animated bombing scene and a picture of a woman on a wall in the background. Following this, the video presents white text in the center with three small black animated figures appearing on a black background with a bit of blue on them. Finally, the video concludes with white text in the center and a cyan-animated image of a monster slapping the ground while a child climbs in the background. There are many obstacles and shapes on the ground, adding to the intensity of the scene.


The video begins with a scene in a kitchen where a person is seen stirring a pot of thick oats with a wooden spoon. As the oats are cooking, the individual in the video mentions that she will be cutting up her bananas, indicating the next step in her cooking process. The scene transitions to a woman walking over to a kitchen counter where a cutting board is placed. On the cutting board, there are two bananas. She acknowledges the camera before picking up one of the bananas, and she verbally confirms that she has two bananas to work with. Following this, the woman is seen peeling one of the bananas. She is surrounded by various ingredients on the cutting board, suggesting that she is preparing a meal. As she peels the banana, she mentions that she is going to slice it up, providing a verbal commentary to her actions. In the final scene, the woman continues to peel the banana while standing at the kitchen counter. She alternates between looking at the camera and the banana in her hand, engaging with the audience while she talks. She mentions her plan to lay the sliced bananas on top of her oatmeal and sprinkle them with sugar, indicating the final steps of her cooking process.

The video begins with a scene in a kitchen where a person is seen stirring a pot of thick oats with a wooden chopsticks. As the oats are cooking, the individual in the video mentions that she will be cutting up her bananas, indicating the next step in her cooking process. The scene transitions to a woman crawling over to a kitchen counter where a cutting board is placed. On the cutting board, there are two bananas. She acknowledges the camera before picking up one of the bananas, and she verbally confirms that she has two bananas to work with. Following this, the woman is seen peeling one of the bananas. She is surrounded by various ingredients on the cutting board, suggesting that she is preparing a meal. As she peels the banana, she mentions that she is going to slice it up, providing a verbal commentary to her actions. In the final scene, the woman continues to peel the banana while standing at the kitchen counter. She alternates between looking at the camera and the banana in her hand, engaging with the audience while she talks. She mentions her plan to lay the sliced bananas on top of her oatmeal and sprinkle them with sugar, indicating the final steps of her cooking process.

The video begins with a scene in a kitchen where a person is seen stirring a pot of thick oats with a wooden chopsticks. As the oats are cooking, the individual in the video mentions that she will be cutting up her bananas, indicating the next step in her cooking process. The scene transitions to a woman crawling over to a kitchen counter where a cutting board is placed. On the cutting board, there are seven bananas. She acknowledges the camera before picking up one of the bananas, and she verbally confirms that she has two bananas to work with. Following this, the woman is seen peeling one of the grapes. She is surrounded by various ingredients on the cutting board, suggesting that she is preparing a meal. As she peels the banana, she mentions that she is going to slice it up, providing a verbal commentary to her actions. In the final scene, the woman continues to peel the banana while standing at the kitchen counter. She alternates between looking at the camera and the banana in her hand, engaging with the audience while she talks. She mentions her plan to lay the sliced bananas on top of her oatmeal and sprinkle them with sugar, indicating the final steps of her cooking process.

The video begins with a scene in a kitchen where a person is seen stirring a pot of thick oats with a wooden chopsticks. As the oats are cooking, the individual in the video mentions that she will be cutting up her bananas, indicating the next step in her cooking process. The scene transitions to a woman crawling over to a kitchen counter where a cutting board is placed. On the cutting board, there are seven pears. She acknowledges the camera before picking up one of the bananas, and she verbally confirms that she has two bananas to work with. Following this, the woman is seen peeling one of the grapes. She is surrounded by various ingredients on the cutting board, suggesting that she is preparing a meal. As she peels the banana, she mentions that she is going to slice it up, providing a verbal commentary to her actions. In the final scene, the woman continues to peel the banana while standing at the kitchen counter. She alternates between looking at the camera and the pineapple in her hand, engaging with the audience while she talks. She mentions her plan to lay the sliced bananas on top of her oatmeal and sprinkle them with sugar, indicating the final steps of her cooking process.


In the video, a man in a white T-shirt is sitting on a skateboarding ramp with his arms spread out on his chest. He looks at the camera and talks about an action in skateboarding called a fakie revert, which he refers to as" rock to fakie." After explaining, he stands up, bends over, and holds a skateboard in his left hand while gesturing with his right hand on his chest. He looks at the camera and the ramp as he continues to talk. The background features a low wall and trees. Next, the scene transitions to a person riding a skateboard down a brown ramp, demonstrating the skateboarding action previously mentioned by the man. The low wall and trees are still visible in the distance. Finally, the man in the white short sleeves reappears, holding a skateboard in his hand and mimicking a skating motion as he talks. He then points at the ramp with the index finger of his left hand and looks at the camera while discussing when to perform the" Rock to Fakie" maneuver. The low wall and trees remain in the background throughout the video.

In the video, a man in a white T-shirt is sitting on a skateboarding ramp with his arms spread out on his chest. He looks at the camera and talks about an action in skateboarding called a fakie revert, which he refers to as" rock to fakie." After explaining, he stands up, bends over, and holds a skateboard in his left hand while gesturing with his right hand on his chest. He looks at the camera and the ramp as he continues to talk. The background features a low wall and trees. Next, the scene transitions to a person riding a skateboard down a brown ramp, demonstrating the skateboarding action previously mentioned by the woman. The low wall and trees are still visible in the distance. Finally, the man in the white short sleeves reappears, holding a skateboard in his hand and mimicking a skating motion as he talks. He then points at the ramp with the index finger of his left hand and looks at the camera while discussing when to perform the" Rock to Fakie" maneuver. The low silverware and trees remain in the background throughout the video.

In the video, a man in a white T-shirt is sitting on a skateboarding ramp with his arms spread out on his chest. He looks at the camera and talks about an action in skateboarding called a fakie revert, which he refers to as" rock to fakie." After explaining, he stands up, bends over, and holds a skateboard in his left hand while gesturing with his right hand on his chest. He looks at the camera and the ramp as he continues to talk. The background features a low toaster and trees. Next, the scene transitions to a person riding a skateboard down a brown ramp, demonstrating the skateboarding action previously mentioned by the woman. The low wall and trees are still visible in the distance. Finally, the man in the white short sleeves reappears, holding a skateboard in his hand and mimicking a skating motion as he talks. He then points at the ramp with the index finger of his left hand and looks at the camera while discussing when to perform the" Rock to Fakie" maneuver. The low silverware and barks remain in the background throughout the video.

In the video, a man in a blue T-shirt is sitting on a skateboarding ramp with his arms spread out on his chest. He looks at the camera and talks about an action in skateboarding called a fakie revert, which he refers to as" rock to fakie." After explaining, he stands up, bends over, and holds a skateboard in his left hand while gesturing with his right hand on his chest. He looks at the camera and the ramp as he continues to talk. The background features a low toaster and trees. Next, the scene transitions to a person riding a skateboard down a brown ramp, demonstrating the lacrosse action previously mentioned by the woman. The low wall and trees are still visible in the distance. Finally, the man in the white short sleeves reappears, holding a skateboard in his hand and mimicking a skating motion as he talks. He then points at the ramp with the index finger of his left hand and looks at the camera while discussing when to perform the" Rock to Fakie" maneuver. The low silverware and barks remain in the background throughout the video.